#First Vision Records

[spiritoldies]

Phill McHugh - In Heaven's Eyes

All Over The World Where There Is Love God And God Alone I Am Stone In Heaven's Eyes You Can Love Away My Fears Calvary's Love It's Jesus Above The Storm Rest

[birdricks]

sleepyhead lol….

[britishchick09]

terror vision has a cd and cassette version of the rock-afire record! (and had a special colorways record) :D

(there are only 500 of the cd and 200 of the cassette!) ;)

[dapurinthos]

like i said, sifo couldn't even enjoy jocasta's favourite film series (yes, gojira/godzilla zillo beast films are jocasta nu's favourite. she likes contributing essays to holofilm journals in her spare time about how the original zillo beast holofilm represented the dugs' own fears of the planet's resources rising up against them for exploitation (a school of thought birthed by the gran colonization of malastare for the planet's resources) while the later holos have shifted in attitude to seeing the zillo beast as a protector (for some dugs) of malastare, since the republic's gran protectorate act in the post-dug/gran war period banished the dugs to the western continent in favour of the grans. she likes the metaphors).

“Why is it so bad right now?” For years, his visions have been about a faceless army, yes, but a human faceless army. White armour, always white armour. It’s shifted over time, small changes in the form but not the function, I know, having seen the scribblings Sifo-Dyas started making when he became aware that there were differences and not just the Force pressing the same vision on him. He’s never been able to make out the faces of the army. Always in shadow, maybe a glimpse of a hair colour or the profile of a face, but never a face that a name could be put to. As the reminder goes: the future is always in motion. Sifo-Dyas shifts from kneeling to sit cross-legged, freeing my wrists. I drop back down, mirroring his position. He’s staying very shut up tight in the Force, a lid stuck onto a pot so it can boil faster. A top stuck on a box so that whatever’s inside stays inside. A permacrete coffin around the site of a nuclear meltdown. A Jedi Temple built atop the remains of a Sith one to try and cap its influence. “A long, long time ago,” he begins. I huff a laugh. “In a galaxy far away?” There’s a tune in my voice. Naboo was under an attack, says the memory of a voice, tone and timbre and anything individualising it leeched out by time and distance. The tune remains, the lyrics remain because music is an easy way to remember. The Ballad of Nomi Sunrider is one of two bodies of work that remembers details about the Great Hyperspace War and it’s definitely more remembered than the Qel-Droma Cycle. “Okay, two decades ago, on Celanon—” “That’s not even a single ‘long’. That’s maybe a sliver of the leth.”

[monarchteen]

aaroncelina not returning to me is my roman empire

[aston1sh1ng]

@agntamrca : “Oh, this is easy. I’m getting the hang of this."

His features brighten as though someone had put the saturation up too high. He's a little too eager, sometimes, and John gets to see that in full display as he manages the task before Scott's expectant eyes. "Told ya." He brags first, of course, giving the world's most poorly-timed finger gun. "Riding an ant is miles easier than driving a car, you just need to make sure the poor girl's not bloodthirsty that day."

It would just so happen Scott is the one with the bloodthirsty ant. The ever-illustrious and mildly terrifying Samanta with ambition to take over the hive. John gets the lovely Antionette, the leveled queen. ( How Ant-Man manages to stay mounted on his girl with her flinching and shaking is beyond anyone, but he's grown accustomed to her enough. )

"Now, to go south - you know, that direction you're headed exactly opposite to - just gently steer her. Not too much pressure, just enough to let her know where you want to go."

[localgardenweed]

I hate not being able to put my thoughts onto paper drawing wise cause like I HAVE SO MANY ANIMATIC IDEAS I WANNA MAKE BUT I CANT DRAW IT HOW I WANT IT TO LIKE GRRR NOOO I DONT HAVE TIME TO GO THRU A TRAINING ARC TO MAKE IT HAPPEN I WANT MY THE REMEDY ABANDONED POOLS TOMTORD ANIMATION NOWWWW

[white-cat-of-doom]

Griddlebone Playlist

This playlist is meant to outline the complex (and fundamental) emotion of love, and the pitfalls and joys of chasing after something grand that requires another to reciprocate the affection.

More specifically for this set of songs, the want for love while having the feeling that something is not quite right, either with the other individual involved, or within your own mind. Through isolating oneself into hollow emptiness after heartbreak, and due to feeling devoid of being wanted, it is hard to be vulnerable and let anyone back into a place of emotional attachment.

Did you ever actually feel what 'love' was? Are you really deserving of being loved? After everything, wherever can you find it?

川口雅代 (Masayo Kawaguchi) – Melty

ROMY – LOVE コマーシャル (Love Commercial)

越美晴 (Miharu Koshi) – 恋はファニー・フィーリング (Love Is A Funny Feeling)

宮原芽映 (Mebae Miyahara) – 悪魔のように微笑んで (Smiling Like A Devil)

いしだあゆみ & ティン・パン・アレイ・ファミリ(Ayumi Ishida & Tin-Pan-Alley-Family) – 私自身 (Myself)

麗美 (REIMY) – シャドー・ブレイ (Shadow Play)

竹内まりや (Mariya Takeuchi) – プラスティック・ラブ (Plastic Love)

工藤順子 (Junko Kudo) – 夕顔姐さん (Ms. Yugao)

Meow Meow & Thomas Lauderdale – Hotel Amour

Tracks 1 and 2, 3 and 4, 5 through 7, and 8 and 9, are meant to represent different sections of time in the life of the Queen.

Signature song with playlist: Meow Meow & Thomas Lauderdale – Hotel Amour

Track One: 川口雅代 (Masayo Kawaguchi) – Melty

“ううん･･･ ････何でもないけれど 少し 不安になっただけ" ("Ugh... ...It's nothing, but I just felt a little anxious") 知られた分だけ わたしから 冷めてゆくのが こわいから (I'm afraid that the more you know, the more you'll grow colder from me) "･･･そうよ･･･” (That’s right…”) すき間もない程に 昨夜 ひとつになったの (Last night we became one, with no gaps between us) しがみついたら 微笑うけど どうしていいのか わからない (I smile when I hold on to you, but I don't know what to do) Melty 手を引かれて 溶かし溶かされ 充たされるはずなのに (My hand should be pulled away, melted, melted, and filled up) Melty つかめないの どうしてかしら? 肩すかしされた 気分 (I can't grasp it, why? I feel like I've been ignored) 何にも言わずに 抱き寄せて (Without saying anything, I hold you close) 朝の光が あなたの景色変えないうちに (Before the morning light changes your scenery) “いやよ” ("No, no") ･･･言いかけてやめるのは うまく 言い聞かせるつもりね (...I'm trying to convince you to stop when I say it) 困らせたいの! (I want to embarrass you!) "お見通し” ("Foresight") 小悪魔ぶっても かなわない (Even if I act like a little devil, I can't compete) Melty 手を引かれて 溶かし溶かされ 充たされるはず充たされるはずなのになのに (My hand should be pulled away, melted, melted, and filled up) Melty つかめないの どうしてかしら? (I can't grasp it, why?) 何かが 違ってゆくの 何も言わせず 抱き寄せて (Something is going to be different, don't let me say anything, hold me close) めかくししてね ちぐはぐなこと 言わないうちに (Before I get too confused and say something foolish) Melty 手を引かれて 溶かし溶かされ 充たされるはずなのに (My hand should be pulled away, melted, melted, and filled up) Melty つかめないの どうしてかしら? 肩すかしされた気分 (I can't grasp it, why? I feel like I've been ignored) 何も言わずに 抱き寄せて (Hold me close without saying anything) めかくししててね (Please cover your eyes) 朝の光で 見えないうちに (Before you can see it in the morning light)

The initial apprehension of being more intimately involved, emotionally and physically, with another person comes with the realization that she felt nothing when it happened. She should be able to feel a deeper connection, but something is not right, and instead pretends and acts accordingly like everything is fine.

Track Two: ROMY – LOVE コマーシャル (Love Commercial)

指の中で タバコふかし 何もないのに 愛にまみれた (I smoked a cigarette in my fingers and was covered in love, even though there was nothing there) 気にするコトが 自分以外の あの人に対する 愛の神経 (What I worry about is the nerves of love for someone other than myself) いつか見た あの人はいない 私の人には ならなかった (That person I saw someday wasn't the same person I was) 私はなまけて ただならぬ犬より (I'm better than a lazy dog) ただの人を 選んでみただけ (I just picked a person) 私のコントロール あえてコントロール こわくてコントロール あえてコントロール 心に 私まかせ コントロール (My control, dare to control, I'm afraid to control, dare to control, leave it to my heart to control me) 頭の中で おもいふかし 何があるのか 夢のざわめき (I wonder what's going on inside my head, The buzz of dreams) ただならぬ人だから あえて こわがって あの人に対する 愛の恐怖 (Because he is an extraordinary person, I dare to be afraid of him, and the fear of love towards him) 抱かれる日は 心 うきあし もうひとりの私 かくしきれない (The days when I'm held in your arms, I feel happy, and I can't hide my other self) 私のコントロール あえてコントロール こわくてコントロール あえてコントロール 心に 私まかせ コントロール (My control, dare to control, I'm afraid to control, dare to control, leave it to my heart to control me)

A reflection on not feeling love when, or to the level, you think you should, while worrying how it will affect your partner. There is a comfort in being together with someone, but that surface level connection will eventually face the challenge of it being something more for them, and she is not prepared or ready for that.

Ultimately, it is up to Griddlebone to move forward in the best way that makes sense to her, and that path is one alone.

Track Three: 越美晴 (Miharu Koshi) – 恋はファニー・フィーリング (Love Is A Funny Feeling)

彼は時間に遅れて 私は指輪を忘れた だけど ゴメンも言わずに つまらぬ言い訳ごっこ 空は春 時は今 幸せですと言わんばかり だけど 二人の心は ちぎれ雲 (He was late and I forgot my ring But we don't say sorry, we make boring excuses, And the sky keeps saying that we're happy now in spring but our hearts are torn apart by clouds) 恋はファニー・フィーリング かまわず回る 恋はファニー・フィーリング 慣れっ子 だけど (Love revolves around funny feelings, but love is used to funny feelings) 彼は口笛吹きながら 私 ため息つきながら 通り過ぎる 街角 小鳥の歌だけ響く (He was whistling, I pass by with a sigh, Only the song of a small bird echoes on the street corner) いろんなことが あったけど みんないい思い出ばかり だから ここらでピリオド それがいい (A lot has happened, but we all have only good memories, So it's good to have the end around here) 恋はファニー・フィーリング 手を振りながら 恋はファニー・フィーリング 深刻ぶらず 歌いながら 笑ってサヨナラするわ オー ファニー オー ファニー ファニ ファニ オー フィーリング オー ファニー オー ファニー ファニ ファニ オー フィーリング (Love is a funny feeling, while waving, Love is a funny feeling, don't take it seriously, I'll laugh and say goodbye while singing Oh Funny Oh Funny Funny funny oh feeling Oh Funny Oh Funny Funny funny oh feeling)

In a goal to subside the loneliness and longing to feel proper love, Griddlebone moves through relationships over time to find the elusive 'love' she believes is out there. Scared of getting too involved with someone she holds minimal emotion for, she breaks off any connection before feelings develop from the other party, and plays it off as something lighthearted.

Despite her efforts, she cannot find someone who fulfills her inside the way she thinks love should be.

Track Four: 宮原芽映 (Mebae Miyahara) – 悪魔のように微笑んで (Smiling Like A Devil)

罠をしかけ待ってるん 悪魔のように 微笑んで (I'm setting a trap up and waiting for you, smiling like a devil) さあ ドアを 叩いて ドアを ひらいて (Come on, knock on the door, open the door) 泣きまねの 電話 かけて 街灯り 胸はずませ (I made a phone call imitating crying, and the street lights made my heart flutter) あの人を 呼び出したの (I called that person) 数えては 時間をかせぐ (Counting the time to buy myself some) 優しさを 言い訳して 赤い血が 流れる前に (Kindness, before I make excuses and red blood flows) 嘘をつく ずるいあなた 忘れてよ あの娘の事は (Forget about lying You're so cunning about that girl) 罠をしかけ待ってるん 悪魔のように 微笑んで (I'm setting a trap up and waiting for you, smiling like a devil) さあ ドアを 叩いて ドアを ひらいて (Come on, knock on the door, open the door) 待つだけの 女なんて さよならよ 今夜こそは (Say goodbye to the woman who only waits, tonight) 愛の 糸 足にからませ あの人を もう逃がさない (I'll let the thread of love entwine around my legs and never let that person slip away again) 罠をしかけ待ってるん 悪魔のように 微笑んで (I'm setting a trap up and waiting for you, smiling like a devil) さあ ドアを 叩いて ドアを ひらいて (Come on, knock on the door, open the door)

A new connection with someone shows promise, but she discovers that her partner is a cheater, something that hurts Griddlebone in a way that she has not experienced before. Not used to being treated as a second thought, and feeling like she is not worthy of love if made so inconsequential, she plots to destroy and expose her partner for what they have done to her.

All the joy and hope that she felt in locating a person that is right for her is now crushed, and she vows to not let herself be taken advantage of ever again in the pursuit of love.

Track Five: いしだあゆみ & ティン・パン・アレイ・ファミリ(Ayumi Ishida & Tin-Pan-Alley-Family) – 私自身 (Myself)

ひとりソファーに��ころんで 恋の歌聞くでもなし 歌うでもなし (I lie alone on the sofa and listen to love songs, but I don't sing them) 私は日暮れを見つめています (I'm staring at the sunset) 部屋の窓には東京湾の 船の灯が小さく揺れて (In the window of the room, the lights of the ships in Tokyo Bay sway slightly) 一人ぐらしに疲れた時は 結婚なんか考えてます (When I get tired of living alone, I think about marriage) 夜汽車で旅に出る時は 色のない写真のように 素顔のままで 東京駅から出かけています (When I travel by night train, I leave Tokyo Station with my bare face, just like a colourless photograph) 幾度か恋にこの身を灼いて 歌を忘れた私だけれど (I have forgotten how to sing because my body has been burnt by love many times) 淋しさだけを心に積んで 今日もぽつんと歌っています (But today, I sing alone once again with only loneliness in my heart) くちづけ交す恋人にさえ 私の気持は言えないでしょう (I can't even tell my feelings to my lover who kisses me) 人に知られず流した涙 (The tears I shed without anyone knowing) 私は今日も歌っています････ (I'm still singing today...)

Moving on from her heartbreak, Griddlebone refrains from being involved with anyone else for a lengthy period of time, as that means she cannot be hurt once again. However, she cannot help but feel that the emptiness inside her continues to grow as time passes, even if she tries to remain strong willed. Her thinking is that she does not need anyone to sustain her happiness if she keeps the love she has to give tightly held internally.

Track Six: 麗美 (REIMY) – シャドー・ブレイ (Shadow Play)

淋しい笑顔と 言われるのに馴れても (Even if I get used to being told that my smile is lonely) 真夜中の鏡 覗けばつぶやくの (When I look into the mirror in the middle of the night, I whisper) Say, Love is the shadow play, shadow play Love is the shadow play 恋しても (Even if I fall in love) Love is the shadow play, shadow play, shadow play ひとりぼっちじゃ怖い (I'm scared of being alone) 街角の華やかさに 気がつけば急ぎ足 (If you notice the glamour on the street corner, hurry up) 片思いのままなら 恋も失くさず済むでしょう (If you keep your love unrequited, you won't lose your love) Say, Love is the shadow play, shadow play, shadow play Love is the shadow play, 密やかに (Secretly) Love is the shadow play, shadow play, shadow play 遠くあなた見てる (I'm watching you from afar) 気づかないで (Don't notice) darling 壊さないで (Don't break it) wow wow Love Love Love Love Love Love, darling, Love Love Love Love is the shadow play

Her loneliness begins to swell to a point of action, and Griddlebone cannot ignore it or remain dormant for much longer. She is unhappy being completely alone, and wants to feel any form of connection with another, but does not want to be hurt again.

Feeling unworthy of being loved due to her faults, her past pursuit of love becomes less of a task to complete and more of a buried burden she has to carry.

In order to protect herself from emotional suffering, she develops a cold façade to protect herself with.

Track Seven: 竹内まりや (Mariya Takeuchi) – プラスティック・ラブ (Plastic Love)

突然のキスや 熱いまなざしで (With a sudden kiss and a passionate gaze) 恋のプログラムを 狂わせないでね (Do not cause a malfunction to the love program) 出逢いと別れ 上手に打ち込んで (Type in encounters and separations well) 時間がくれば終わる (When the time comes, it ends) Don't hurry! 愛に傷ついた あの日からずっと (Since the day I was heartbroken, I've been having a life) 昼と夜が逆の 暮らしを続けて (That's been reversed between day and night) はやりのDiscoで 踊り明かすうちに (While dancing the nights away at the popular disco) おぼえた魔術なのよ (There is a magic I've learned) I'm sorry! わたしのことを決して 本気で愛さないで (Never love me seriously) 恋なんてただのゲーム 楽しめばそれでいいの (Love is just a game, all I need is to have fun with it) 閉ざした心を飾る 派手なドレスも靴も (The showy dresses and shoes decorating my closed heart) 孤独な友達 (Are my lonely friends) わたしを誘う人は 皮肉なものね いつも 彼に似てるわなぜか 思い出と重なり合う (The men who flirt with me are Ironically always similar to him for some reason My memories with him are overlapped) グラスを落として急に 涙ぐんでも わけは尋ねないでね (Don’t ask me why even if I drop my glass and suddenly glisten with tears) 夜更けの高速で 眠りにつくころ (When I fall asleep by the highway at dawn) ハロゲンライトだけ 妖しく輝く (Only halogen lights are mysteriously shining) 氷のように冷たい女だと ささやく声がしても (Although somebody is whispering that I’m an icy cold woman) Don't worry! I'm just playing games I know that's plastic love Dance to the plastic beat Another morning comes

Relationships become more of a pursuit of pleasure, rather than meaningful connection, for Griddlebone. A cycle of one night encounters to keep her company before the new day begins and she starts over again with someone new. Her self-worth starts to become tied with being seen as attractive and desirable by another person. She has convinced herself that this lifestyle will quell the void inside of her, although she knows in her heart that she is still painfully lonely. The isolation does not cease, no matter how many individuals she crosses path with.

Maybe one day she will not feel this way, but she believes it is her fault that everything turned out the way it has to this point.

Track Eight: 工藤順子 (Junko Kudo) – 夕顔姐さん (Ms. Yugao)

夕顔姐さん 部屋には 夏でもね (Yugao-san, even if it's summer in your room) こたつが置いてある 束ねたコードを つついてる 退屈な 白い猫が家族 (A bored white cat is pecking at the bundled cords next to the kotatsu table) 今夜のお座敷 長過ぎる いつもなら (The tatami room tonight is too long, as normal) 帰ってる時間 (Time to go home) お勝手の隅の 猫メシは 山盛りで (In the corner of the kitchen, there is a mountain of cat food) とても食べきれない (I can't eat it all) 明かりは点いてても 時計の音ばかり そろそろ聞こえて来る はずなのに (Even though the lights are on, all I can hear is the ticking of the clock) 夕顔姐さんの下駄の音 (The sound of Yugao-nee’s geta) 夕顔姐さんの下駄の音 (The sound of Yugao-nee’s geta) 夕顔姐さん 来年 数えでね 六十三になる (Yugao-san, I'll be turning 63 next year) 近頃男はダメだね 粋じゃない それが口ぐせです (Men are no good these days. It's not classy. That's what they say.) 衣ずれの裾は 萩の花 つい昨日 かけたパーマネント (The hem of my clothes was like a clover flower, a permanence that I wore just yesterday) 西に傾いた 大きな お月様 帰りを急がせる (The big moon leaning to the west hurries my return home) 浮かれ足の男 物欲し気な女 (A playful man, a wistful woman) 若いネオンの街に カラコロと (In a young neon city, colourfully) 夕顔姐さんの下駄の音 (The sound of Yugao-nee’s geta) 夕顔姐さんの下駄の音 (The sound of Yugao-nee’s geta) 細い路地に入ると 犬達が吠えだす 待ちくたびれた猫は夢で聞く (When I enter a narrow alley, the dogs start barking, and the tired cat hears it in a dream) 夕顔姐さんの下駄の音 (The sound of Yugao-nee’s geta) 夕顔姐さんの下駄の音 (The sound of Yugao-nee’s geta)

Years removed from the emotional low point of her life, the empty hedonism to fill the void inside her, Griddlebone has taken up residence with an older, single woman that has mirrored her own experiences in the search of love. The familiar sounds of geta beckon the arrival of her human home to Griddlebone, and her days are spent resting in the sun and keeping busy through the house, all while reminiscing of a past of incomplete love. She has become accustomed to a quiet, uneventful life where she is loved by Ms. Yugao as a sweet pet and taken care of like the beautiful Queen she is.

Still, there is an unshakable feeling that she has missed out on true love in her life, despite her current, content happiness.

Track Nine: Meow Meow & Thomas Lauderdale – Hotel Amour

Fun fact: Meow Meow played Griddlebone in the 2019 movie!

I looked for Love in the beautiful cities I looked for Love up in the air I looked underground though I knew that I shouldn't And still, no Love was anywhere I went to the place they call Heaven I went to the Hotel Amour I sat still and wrote Love some letters But Love doesn't read anymore I sang Love into my stories And I danced Love into my dreams But Love didn't find me Let alone blind me Love is nowhere it seems I looked for Love by pretending I wasn't I looked for Love close to the bone I fixed up some wings and I bought all the permits So Love could take flight when it was grown I followed the maps, I read all the signs I bought Love a building called "Home" I filled in the forms and I paid all the taxes Still, Love left me alone... My heart's still jumping out of my skin I've nothing to keep the feeling in I've nothing to do to make Love stay I've nothing to keep the darkness away You're all in the grandness of little things A leaf that's shaped like a heart A simple breeze, a feather Morning light, evening star And I'm singing to you my stories And I'm dancing with you in my dreams... Love... Love is everywhere... it seems

Throughout her life, Griddlebone has done everything she thought was correct to find and feel a form of love that made her feel complete, but could be deemed as unsuccessful in that pursuit.

Although it never manifested for her as love with another, she has felt the unconditional love of someone that cares for her as the most important thing in her life.

Looking back on her life now as a senior Queen, Griddlebone comes to a realization that love can now be found all around her. It was never her fault for not finding the idea of 'love' that she felt she needed, and there may never have been an instance where she felt that she had found the prize she was after, but love was always with her in the little things of life.

@the-cat-at-the-theatre-door I am not sure if you are still interested in these after all this time, but in case you are, enjoy :).

[automatic-purification-system]

Magitober Day XIV - Wings of the Magius

"Everyone will be saved. It's our right."

[tchaikovskym]

I cannot listen to the magnus archives as a normal person I have to read the wiki pages of episodes I already listened to and make notes and try to guess the entities and what they do and make a file out of it

[widevibratobitch]

deh vieni non tardar remains the most beautiful aria ever written. to me. but ONLY when performed in a very specific way. otherwise it is absolutely unbearable.

[equalvision]

I'm just saying

[blorbo-loves-you]

for anon ( 💌 ) :)

[fructidors]

longtime byron fan and even longer time les mis fan only JUST NOW puts together that THAT’S the don juan grantaire references in red & black?????? more at eight or whatever. my world has been rocked

[magicmalcolm]

The unparalleled horror of waking up and your glasses not being where you usually leave them the night before.

[moisette]

I can see that sword so easily - it snitched on him. I've had other knights use the same sword and it's just a beacon because he holds it straight up. Because I saw it - I hid and he thought no one was on the gate and left. Monitor & Abuse might have gotten me but I saw his sword so it did nothing.

You know... I've mentioned this before but I felt like he had the add-on to block the gates and he did end up having it. No idea how but I sensed he might. It 100% was not Blood Warden - I checked the gate. I don't think I've ever actually seen the add-on before o_O My memory is bad though... Also Kate got in my way - I was not trying to take the hit for her but it worked out so xD

I've mentioned this before too but sometimes my movements are awkward. Like accidentally faking going up stairs in one match and the Killer missed because I "faked the stairs". I did not mean to get myself stuck but it happens xD I just wish I had Off the Record and DS... I would have still died but I'd feel less stupid u8

I am so glad I switched to Sprint Burst + Vigil xD I love Dramaturgy but since I don't cleanse - I just have no perk all match :\ Legion and Plague - very unfortunate for Dramaturgy... I thought she was right on my ass but I guess she misplayed shack and I got distance? I honestly wasn't looking behind me much... I was looking for places to go and making sure I wasn't sandbagging anyone. It's hard to see everything all at once... Especially when there's CORN EVERY FUCKING WHERE uB<

I feel like I should have left but I didn't think I'd make it anywhere so xD;

That's always scary, you know? I know I've had Survivors panic and run or even drop pallets and I hadn't even noticed they were there ._. Some good advice to people is to never panic because Killers don't always see you. I told Bestie that when she was new and she said it was the best advice I ever gave her about the game. I had a guy that I didn't see but he moved and when he did - I heard the grass. I can also hear Survivors breathing. Try to stay still but be ready to run, you know?

I almost had the Yui unhooked at the end but he got me before I could get her. Yui said she was telling us to just go and let her die but I WAS SAYING THE SAME THING \>8u/ YOU GUYS SAVED ME \u8</ GOTTA RETURN THE FAVOR \>8u/ Or just die trying 8u Which is what happened xD It was fun, though >8u I enjoy doing good in chase. I hate doing gens. I live for rescues like this. I like keeping my teammates alive.