i have been unmedicated for the entirety of spring break and thus have had little interest in writing this down, but i have been thinking about this for the entire week (as well as a dpdc clone danny au that resulted in it becoming its entirely separate batman au that includes a teenage vigilante bruce wayne, an ocarina, and me entirely incapable of making a batman au without making bruce dirt poor but we're not talking about that) and so i've finally went 'fuck it' and forcibly grabbed my laptop. I will get this done in one sitting even if it kills me.
BUT. This is about neither clone^2 danny nor about who i am calling Ocarina Batman. This is about my Danyal Al Ghul Au and more SPECIFICALLY it's me thinking about his relationship with Sam and Tucker specifically.
Tucker and Sam? Adore this asshole (affectionate) with every fiber of their being. And it is very much a reciprocated feeling, but Danny's thoughts will not be delved into much other than he would kill for them.
Tucker? The only person currently capable of getting a deep, loud, belly laugh out of Danny. Sam can get him to smile and to laugh, but it's the kind that's a chuckle-under-the-breath. The quiet, looks-down-while-huffing laughter. Snorts once with laughter and then grins stupidly.
But Tucker? Tucker can crack a slew of stupid jokes and Danny will be incapacitated for the next five minutes because he's laughing so hard that he can't breath. He lands one well-timed pun or quip and Danny will be close to tears. His laughter is their favorite sound in the whole world.
Sam is lowkey jealous of this ability, and she's gotten a belly laugh out of Danny a few times. But alas, it is Tucker who wields this power and has gotten it the most times out of the two of them.
-
They're also both physically affectionate with Danny as much as possible. It started roughly around when they were 12-ish, a year since they befriended Danny, and they noticed that he sought after touch but never seemed to initiate (and was in some ways repulsed by it). They started slowly being more touchy with him. Hooking a finger around his to lead him somewhere, tapping his wrist, looping arms. Little touches, grabs, etc, to get him used to it, and once he started doing it back they started increasing it.
It's gotten to a point where he will now just. Lay on them. Like a lizard sunbathing on a rock. Leaning on their backs when they're sitting in class before the bell rings, his chin on their heads. He'll talk about anything with his arms looped around their shoulders.
If they're sitting on a couch at either of their houses, he'll lay his legs on theirs. Him and Tucker will press their feet against the other's and try and push against them (newsflash: Danny always wins, Tucker claims its the ghost strength but Danny's been winning since before his accident)
-
Naturally, both Sam and Tucker know where Danny keeps his weapons on his person, and are allowed to grab them off of him if they need it. His only requirement is that they don't lose his weapons if they take it and forget to return it immediately.
They both understand how big of a thing this is from Danny, and so they do their best to treat his weapons with a lot of respect and care because they know its his way of saying he trusts them.
-
Sam and Tucker are so fond of Danny it's insane. Like fr. That's their goddamn best friend, and they are so protective of him. Emotionally, physically, you name it. They will tear the head off a grown man if they need to, Danny's had scars since he arrived in Amity Park and Sam and Tucker both are going to find the person who put them there and make them pay for it.
One time, Tucker overheard a bunch of upperclass girls speaking nastily about Danny and about the rumors surrounding him, calling him names like 'freak', 'monster', etc. Danny was with him and heard it, and seemingly appeared unbothered by it, even telling Tucker that he was used to such rumors.
Tucker was so furious that hacked into the school system later that night and tanked those girls grades. They were kicked out of their clubs and had to go to mandatory tutoring for the rest of the year. He made sure to leave some way of letting them know it was him who did it.
And Sam doesn't like using her money for things, doesn't like abusing that wealth. So instead, whenever her parents talk bad about Danny, she causes a media incident that has her parents scrambling to deal with. She does something wild, outrageous by her parents' standards.
She heard some boys on the basketball team making fun of Danny once, similar to those girls had. She kicks up a fuss about something eco-unfriendly at school and forcibly holds a protest on the same day of the big home basketball game, forcing them to cancel the event and reschedule to a visiting school.
She anonymously donates money so that there's new uniforms for the team but oops! Looks like she "forgot" to donate enough money for them to get uniforms for all the team members, and strangely enough those boys in particular didn't get them! Looks like they'll have to wait until more money gets donated for the basketball team to get their new, nice uniforms. The old ones look so ratty in comparison, right?
And since the football team gets most of the sport money, that might just take awhile. And if (and when) they kick up a fuss? oops! Off the basketball team you go, :) such unsportsman-like behavior is unfit for the team.
(The only good thing about how corrupt the school system is is that she can use it to her advantage too.)
The both of them know that Danny suspects them for the sudden misfortune falling on these people, but he doesn't call them out on it. He's kinder than he used to be, but not kind enough to vouch for people who speak badly of him. Sometimes, he might just congratulate them on not getting caught.
Because Danny is their wonderful, hurt friend with a "slightly" Blue and Orange Moral code, and enough scars that people have been calling him a criminal (and worse) since he arrived in Amity Park when he was ten. And they'll be damned if he gets hurt anymore.
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how did u learn to paint?? like i just cant wrap my head around it
<3 I love answering asks like this!
You will have to bare with me, I don't save many of my studies, and my files aren't that organized so I don't have as many images as I would like.
The studies I've found most helpful for myself personally with painting are various master studies. (This is also, as always, alongside study of fundamentals.) And always follow a study with self-critique (and, if you can get it, outside critique!)
"Master" in this sense means anyone who you want to learn something from.
One way you can do this is by copying an artist's work directly. This is to try and understand some of their stylistic techniques. Leyendecker, Andrew Loomis, and John Singer Sargent are personal favorites of mine! I try to keep these quick, I'm not trying to get an exact copy.
I also get a lot out of copying photos. In this case, I'm not trying to glean some technique, rather, I'm trying to interpret the photo and explore my own stylizations.
(photo credit mountain men of alaska )
I also really enjoy taking a painting or piece that already exists, and making it "mine" by putting my characters in it haha, which is sort of a combination of master studies and photo studies!
(William Bruce Ellis - Covent Garden (1930)) (Barberini Faun)
And then, in my work that's not a study at all, I'm informed by all of these!
What master studies do is help me refine my style and practice my technique, but also I'm communicating with artists of the past through my art! They're teaching me! And I have so much to learn.
And of course... most importantly... I paint.
a lot.
I don't do as much study anymore, not because I feel I've learned all I need to, but because for work I draw 50+ drawings a week. 'Drawing for work' and 'study' occupy the same space in my brain and I need some fun drawing time!
So to sum up, draw a lot, reference constantly, and copy the people you want to draw more like!
(and, of course, when doing a study off of someone else's work, always give them credit. If it's your photos there's no need.)
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When Al Haitham dreams, it's in shades of sandy blonde and red, metallic gold and feather-blue. His nightmares are colored much the same.
Kaveh leisurely strolls ahead of him, shoes leaving deep treads in the soft desert sand. He keeps a careful distance, arms length, and in return Al Haitham keeps an eye on him, the other man's back dead center in his sights.
He curses the sand in his boots and the long line of footprints he steps into, already the exact shape of the soles of his shoes.
They aren't lost. Al Haitham knows where they are. They've been here before. They are still here.
Kaveh doesn't watch their feet. His head is constantly tipped back with his eyes on the stars and their constellations (of which Al Haitham only knows two, Vultur Volans and Paradisaea). He'll walk right into a cactus like that. Al Haitham yells ahead for him to watch where he's going.
Kaveh reaches up to touch the side of his head in a strange motion, but otherwise there's no acknowledgement. They press on into the dark of night.
Something squelches beneath Al Haitham's boot.
It stops him short, pulls his attention like a magnet and as much as he wants to, he can't ignore it. He doesn't want to lose any more ground. But something won't let him move on. Al Haitham watches as red seeps into the golden sand, spills beyond the border of his bootprint until he slides his foot aside.
It's an ear.
It's a human ear, and there's a heavy earring attached, metallic gold, gems red and green, a familiar shape, a familiar shade-
Al Haitham opens his mouth to yell. Chokes. Swallows the lump in his throat as he quickly restarts his pace. Tries again.
"Hey!"
Another squelch under a hurried footstep. He doesn't stop to look. Al Haitham is pretty sure he knows what it is.
"Kaveh, hey!"
The path becomes littered, little slices and small pieces, fingertips and knuckles, Kaveh's arms once held casually behind his back now strewn along the sands. Every time Al Haitham extends his hand to him, reality warps and bends like the twisted image in a broken mirror, lines mismatched and edges jagged. Kaveh flits just beyond his grasp, fleeting fae, no longer able to hear him or to reach out to him. Al Haitham can only grit his teeth and follow.
His right foot marches forward. His left follows. His right again. His left suddenly doesn't follow, and Al Haitham is thrown off balance and pitches forward, swinging his arms outward to land on his palms and keep his face off the ground, because he's been in the desert enough times to know what a foot suddenly being stuck can mean.
Quicksand.
Al Haitham curses and swears in just about every language he knows as he tries to spread his weight as evenly as possible, stay afloat at the top of it because if he sinks, he knows he'll be done for, and shit, Kaveh.
His neck cranes uncomfortably in his search, Kaveh had only been a few feet in front of him, he can't be sunk much further, and he's in the desert much more often than Al Haitham anyway, he'll be familiar with what to do-
Kaveh stands in front of him, empty sleeves fluttering loose. Still just out of his grasp, still watching the stars. The quicksand is already up to his calves.
"Say, Al Haitham..." It's the first he's spoken this whole time. His voice resonates somewhere deeply nostalgic in Al Haitham's chest, produces a ripple that momentarily stuns his heart.
Kaveh is sinking.
Al Haitham stretches out on his belly as far as he's able, it's quickly up to his knees, Kaveh isn't even trying to redistribute his weight or pull himself out, it's at his thighs, Al Haitham sucks in a breath and yells for him, his hips, yells louder, his waist, Al Haitham's trembling fingertips can almost reach, his chest, Kaveh drops level with him, quicksand about his neck like a noose.
Kaveh's head tips back, back, impossibly far back, until it hangs, angle awkward, and he's looking right past Al Haitham with his tired smile and gouged, blinded sockets full of starlight.
"Do you believe in karma?"
The quicksand swallows him entirely and Al Haitham dives, shoves his arms deep and pushes off with the one foot he'd had left on safe ground, because he can't, he can't, it's not the same without Kaveh, not anymore, he needs him, no one else keeps him sharp, no one else challenges him like Kaveh, if he can just grab him, if he can just pull him back up-
Al Haitham thrashes, against the sands, against gravity, against the hardwood of his bedroom floor. Clumsily scrubs the back of his hand across his face to rub the grit of quicksand and sleep out of his eyes.
Sometimes he thinks he preferred it when the Akasha was still harvesting his dreams.
He pops his head out from under his weighted blanket and lays where he'd fallen out of bed for a moment, blinking blearily against the lamplight shining from his desk in the corner. Deep breaths. His consciousness shifts along the blurred line of nightmare and reality, crosses over the slow transition into wakeful awareness.
He's home, Kaveh is home. It's dark out. The house is dead silent.
He's just going to go check, he tells himself as he peels himself out of his sweat-soaked shirt and roots around for a replacement. He's already losing memories of his nightmare, the details spilling away from him like wet ink, but he knows he needs to see Kaveh. It'll feel better to do something, anything, than try to go straight back to sleep.
He's quiet when he slips out of his bedroom door, because they both keep late hours but their bedrooms are right next to each other, and Al Haitham will never hear the end of it if he wakes his roommate up.
Lights off, door shut. Nothing conclusive. He moves out to the main room.
Kaveh sits on one of those ridiculous sofas he'd ordered three of for some reason, back to him as he tucks a lock of hair behind his ear. A mostly-empty wine bottle stands tall on the table, next to the cobbled-together remains of an architectural model that's been picked and fussed over for four days straight now.
"Kaveh? What are you doing?"
This earns him an exaggerated startle, but Kaveh doesn't turn to look at him, preoccupied with whatever new sketch or blueprint he probably has in his hands. "Ohhh, nothing," he slurs cheerfully. "Just working. Just thinking."
Kaveh has always been the world's chattiest drinker. Al Haitham waits for the rest of it.
"Say, I think...I think I asked you this years ago, back then, but you never answered me." Al Haitham feels all the blood drain from his face in ominous familiarity, drip cold down the length of his spine. Kaveh sinks into the couch until he can tip his head over the back of it, looking up at him with a tired smile and exhausted eyes.
"Do you believe in karma?"
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Belos: I’m going to raise Luz as my daughter and ensure that she remains pure and loyal to me.
Also Belos: I’m going to let the 7-years-old clone of my brother take care of her I’m sure he’ll be able to do that.
you joke but thats LITERALLY his entire thought process at first. he's so isolated and arrogant that he couldnt possibly comprehend the idea that luz wouldnt see him as her father despite the fact he literally told hunter he was going to be her older brother and never once encouraged hunter to see him as anything but an uncle.
i attribute this to the fact that philip is an orphan who only ever knew his blood brother as his only caretaker, so he sorta took having a brother for granted and didn't realize that was something you could want rather than something that just Is.
(also caleb was the only person philip ever truly knew + loved and even well into his 300s he never once picked up a child psychology book and realized that Perhaps His Worldview Was Skewed Because Of That.)
he literally like. could not comprehend the idea that you could even choose your own family outside of like. being adopted by someone. thats the other thing with him being so annoyingly christian in this AU, he was taught that your blood family (esp yr parents) is always the most important thing in your life & you should always be grateful to them no matter what.
(this is another factor into why he keeps making grimwalkers. in his own twisted viewpoint, it's him giving caleb another chance. and another. and another-- at least in this specific characterization of him.)
philip thought that him adopting luz would mean she would immediately be eternally grateful to him and call him father and the whole nine yards. but he forget to actually express that expectation until it was too late (aka until he heard her call him uncle for the first time)
honestly, hes not MAD about it. he's just sorta :( about it bcus hes not actually insane and can still logically think like "she did say she had just lost her real father to an illness its perfectly reasonable for her to not want to replace him" (he doesnt think it outloud but he also enjoys living thru her vicariously
but also later on as she gets older it gets to a point where he's like "ok its been years now why isnt she trying to replace him yet" bcus he thinks its a normal + healthy part of the grieving process to replace the person you lost (figuratively or, in his case, Literally)
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