#Guerilla Toss

[slutforstabbings]

the NO-SKIP albums: a tag game 🎶💖

rules: share the albums that you can listen to nonstop. those lightning in a bottle-albums that scratch ur brain just right. every single track, an absolute banger. u could not skip one if u tried. no notes. stunning, show-stopping, immaculate. ur no-skip albums. 🔎 bonus & optional (but imo, v fun) rules:1) add a track rec for us to listen to! AND2) share ur favorite line(s) from that track! 👀

Thank you so much for tagging me and inventing this game @ventiswampwater ! <3 I added two extra dimensions that I do not expect anybody else to do, but i tried to focus on my current favorite musical textures, and I only picked bands with less than 1.5 million monthly spotify listeners because you do not need me to tell you how good deftones is lol check below the cut for album info ~

and in the spirit of the boops, i'm tagging a lot more people than i usually do in these games, so feel free to ignore me if you don't want to participate lol @loureedpiss @hersweetrevenge @toxicanonymity @deathwestern @grandmawitch @bbwithaknife @sevvventhson @clemkruckinnie @hall0ween-twn @ghostwriterforghosts @barbie-cock @heartrot666 @ethanhoewke @deanmonlover

Apocalipstick (2017) | Cherry Glazerr indie rock, noise pop | for fans of Veruca Salt, Mitski track rec: Trash People art is love and love is sloppy / nothing is all pure / nothing is all dirty

Neck of the Woods (2012) | Silversun Pickups indie rock, shoegaze | for fans of Smashing Pumpkins, Interpol track rec: Dots and Dashes (enough already) see you in the room next door / your feet float above the floor / dress torn above you knees / like you've owned it for centuries

Glow On (2021) | Turnstile post-hardcore, alternative metal, dream pop | for fans of AFI, Title Fight track rec: Underwater Boi i just need to know i'm / working for the big prize / when i get to heaven will i know?

Comfort to Me (2021) | Amyl and the Sniffers garage punk, hardcore | for fans of Descendents, Adolescents, Distillers track rec: Maggot everything you touch turns to gold / i can't wait for you to touch me

GT Ultra (2017) | Guerilla Toss dance punk, progressive pop | for fans of Le Tigre, Oingo Boingo track rec: Skull Pop will there be a warning? / when the clock stops moving? / will you have just 60 seconds? / will you find it boring?

10,000 Gecs (2023) | 100 Gecs hyperpop, pop punk, nu metal | for fans of ??? they're too unique for this sorry track rec: 757 i got problems with my spending / all these horses in my engine / doing 80 in a 30 / but i'm never in a hurry

Mind Control (2013) | Uncle Acid and the Deadbeats traditional doom metal, heavy psych | for fans of Black Sabbath, heavy Beatles songs track rec: Poison Apple don't you worry baby, you're safe with me / i'm the poison apple in your tree

Soma (2013) | Windhand doom metal, stoner metal | for fans of the sensation of a weighted blanket, but sound track rec: Orchard i'm having trouble with the down time / can't pick myself up off the floor

[marikedrawinge]

Guerilla Toss Extraterrestrial's Fan 2023

[omegaremix]

Omega Radio for March 10, 2018; #157.

Davyd Blast & His Sunshine Drugdealers “Wake Up”

Sloane Peterson “Rats”

Naomi Punk “Journey To The Top”, “Cookie”

Birthing Hips “Sex Bias”

Neo Boys “Empty My Head”

Sediment Club, The “Deeper Into Hell”

Trash Monkeys “Trash Monkey Universe”

Sadie Dupuis “Deady (demo)”

Garden Centre “Monster Energy”

Feel Blue “Low Is Getting Slow”

hMAS “Three Shooting Stars”, “Extravert”

Broken Talent “Radiation”

Warehouse “Euphrates”

Archeopteryx “Elephant Jester With A Hat Made Out Of Trunks Either Sneezing Or Crying”

Guerilla Toss “Smack The Brick”

Suss Cunts “Shit Friend”

Failed Flowers “8 A.M.”

Bethlehem Steel “One Giant Fuck Machine”

Spray Paint “Day Of The Rope”

Street Eaters “Nation Builder”, “Waxwing”

Coca Leaf “Riding Ice”

Fern Mayo “Chomping At The Bit”

Deaf Wish “Green Flame”

Big Brave “There Are No Victories Only Burning Flags and Fallen Men“

Throwaway “Milk Song”

58008 “Devolve”

Vehicle Blues “Lotto Pop Ice”

Black Moth Super Rainbow “Melt Me”

Beck “MTV Makes Me Wana Smoke Crack”

Deluxe noise rock, garage, cassettes, lo-fi, trash, and junk sounds.

[omegaplus]

# 4,356

Omega Radio for March 11, 2023; #346.

Chives, The: "Your Mom's A Bitch"

Moron: "Mosquito Trap"

Horsegirl: "It's Obvious"

Throwaway: "Dinosaur"

Gut Health: "Barbarella"

Cheekface: "Headache"

TVOD: "Goldfish"

Easy Bruiser: "I Hate Thursdays"

Gloop: "I Never Really Knew"

Rotary Club: "American Tower"

Dazy & Militarie Gunn ft. Mannequin Pussy: "Pressure Cooker" (RMX)

Grocer: "Smooth Operator"

Deady: "Eat Sleep"

Cel Ray: "Clorox Wipes"

Body Type: "Miss The World"

Wombo: "Snakey"

Dumb: "Sleep Like A Baby"

Horse Lords: "May Brigade"

Rip Room: "Dead When It Started"

Blonde Revolver: "Lipstick & Leather"

Arbor Labor Union: "Hovering Stone"

Corker: "Lice"

Maraudeur: "C'est Cache"

Alpha Hopper: "Glows, Explodes"

Mamalarky: "Mythical Bonds"

Scare Quotes: "Tomato"

Diacatorci: "Parasito"

Jade Hairpins: "Mary Magazine"

Viagra Boys: "Ain't No Theif"

Fake Fruit: "Over Ice"

Guerilla Toss: "Heathen Money"

Namesake: "Operational"

TV Priest: "One Easy Thing"

Post-punk, d.i.y., and city sounds.

[nyxtalksmusic]

Outside I saw it, looked just like me, but with purpose Clone with intention, it looked just like me Flapping, flying into a dream

[a3poify]

Thanks Spotify, sometimes I *do* feel like that

[o-the-mts]

2022 Year in Review: Favorite Songs

2022 Year in Review: Favorite Songs

Following up on my Song of the Week posts all year long, below are my 20 favorite songs of 2022! If that’s not enough, check out the Tidal and Spotify playlists with 51 smashing songs of the year. https://listen.tidal.com/playlist/3851ab49-6894-419d-94f4-30f391cab05f   The songs are arranged alphabetically with only one song per artist! “Blue is the Eye” by Ye Vagabonds “Cheetah” by Jay-Jay…

[sillysymbol]

looks at you with my wet eyes .you should listen to this song i Think

[rcmndedlisten]

...And then there are the albums that defy any distinct definition because they are outside of even unconventional boundaries. Experimental music can creak into corners ambient and electronic, or twist rock and contort pop into artful, avant patterns. There were many artists this year across the spectrum who molded the sonic canvas in challenging sound, color, light and matter itself in how their music entered our conscious. These were the best albums that tapped into other worlds even if they were created in our current physical...

Animal Collective - Time Skiffs [Domino Records]

Time Skiffs is a reminder of why we should never take a band like Animal Collective, as it’s a reunion of sorts with it being the first album since 2012′s Centipede Hz to feature all four members in the mix where their matured wilderness and nautical voyages have never felt as fit for a real chill as it has here as their hyper-color psychedelia reaches the closest they’ve come to jam band status without sacrificing their feral sides either.

Beach House - Once Twice Melody [Sub Pop]

Victoria Legrand and Alex Scally definitely have nailed down singularity with their style at this stage in their career, but their eighth studio album -- a double album opus at that -- is perhaps their most definitive sensation of instantaneous synesthesia and mind-and-physical-nature-altering music they’ve produced yet. Embellishing their dream-pop elixir with strings and psychedelic portals to worlds beyond worlds, Once Twice Melody is well worth its lengthy travel all while promising a kind of transcendence only the Baltimore duo hold the key to.

Black Country, New Road - Ants From Up There [Ninja Tune]

As it turns out, we hardly knew Black Country, New Road at all upon last year’s breakthrough debut, for the first time. On the London septet’s sophomore effort Ants From Up There, the band – led by the fascinating, wild-eyed narrations of now-departed vocalist Isaac Wood – it’s their own uninhibited instrumental malleability that steeps their sound into a captivating post-rock theater which gives us something further to consider of a band who are intent on never sounding or looking the same as they did even just one year ago.

black midi - Hellfire [Rough Trade]

Chaos, chaos, and even more chaos, even when it sounds like all the calamity and human destruction in the fantastical tale have reached cease fire. That’s black midi’ Hellfire, the latest album from the London-based experimental art rockers, who on this turn go all in on a glory of their their most unhinged sonic facets that have been steadily climbing over the course of their first two albums in the form of precisely meticulated post-punk of their 2019 debut Schlagenheim and last year’s cosmically imploded jazzist traverse Cavalcade without losing their grip.

björk - fossora [One Little Independent Records]

björk’s fossora was inspired by fungi and a sound she earlier described as “biological techno”. That very much checks out, and as usual, reinvents genre, as the tenth studio album from the experimental art icon is the sound of nature burgeoning its way through the soil from its most microscopic spore, reaping and sewing with the seasons of birth, decay, and death where love, partnerships, motherhood and familial bonds eventually return their energy back to the soil.

Boy Harsher - The Runner (Original Soundtrack) [City Slang / Nude Club Records]

Boy Harsher don’t regard their original soundtrack to The Runner, a short, Lynchian horror film which they wrote and directed themselves, as a release separate from the rest of their discog. Rather, it’s a proper fifth full-length effort as well as a watershed moment for the Northampton electronic duo of vocalist Jae Matthews and producer Augustus Muller in creating their most inviting release yet, with eight songs being scene-setting chapters building terror in the most cinematic sense through strobing lights and heavy fog as well as gleaming goth club and new wave bangers.

Carlos Truly - Not Mine [Bayonet Records]

Ava Luna guitarist Carlos Hernandez’ talents on his own merits are fully realized on Not Mine, his first solo album as Carlos Truly. Recorded alongside his brother Tony Seltzer, the album professes an nth degree of synesthesiac sophisticate taste to it in the way Hernandez sculpts wave forms of R&B, funky guitars, and experimental pop and jazz flourishes in relation to his world view onto the emotional, personal and creative connect. With his voice barely touching ground, the listen blends sense and memory into a warm air feeling.

Claire Rousay - everything perfect is already here [Shelter Press]

Claire Rousay collage of sound is the immersion of her own specific surroundings, temporal to that moment, but committed to tape to live on forth with we as listeners. The San Antonio-based field recordings specialist’s latest, everything perfect is already here, continues mining seconds passing by through an instrumental rendering with ornate contributions from violinist Alex Cunningham, electrician and violinist Mari Maurice, harpist Marilu Donovan, and pianist Theodore Cale Schafer in a delicate inversion into Rousay’s world where even in stillness, her music can adorn a space with a deeper meditation onto the self.

Guerilla Toss - Famously Alive [Sub Pop]

Noise, psychedelic powers, and flashes of pop have long permeated Guerilla Toss’ music over the years, so it’s a fitting irony that on Famously Alive, their first album for Sub Pop, they would find a sense of clarity and balance in it all, created across some of the most chaotic times of our modern existence. Their synesthesia explodes vividly, and the hooks stick like Gak to the ears, all while vocalist Kassie Carlson confronts existentialist dread head on with empowering messages of reclaiming ownership of one’s fate in anthem.

Healing Potpourri - Paradise [Run for Cover Records]

Simi Sohota has reengineered the power of the calm vibe with Healing Potpourri’s Paradise. A bouquet of chamber pop, yacht and kraut rock in a breeze sailing its way in from the cosmos, Sohota alongside producer and Stereolab collaborator Sean O’Hagan have created an album that indulges in soft rays of sunlight and sighed reflections on connections through organic highs and interstellar journeys of the self that see every color in this strange human experience.

The Mall - Time Vehicle Earth [Self-released]

With so much within the overlapping industrial, electronic, and punk realms having become blasé and a mere goth cosplay, hitting play on Time Vehicle Earth will have all your perceptions of reality rearranged and raged. The moniker of St. Louis artist Mark Plant and Spencer Bible is like the equivalent of staring deeper and deeper into the cosmic sights of James Webb Space Telescope and realizing that the further out we get, the less we know as Plant’s shouts echo through spiraling space-synth at a punk-fueled speed of light.

Moor Mother - Jazz Codes [ANTI- Records]

Prolific and faceted as always, be it in her own name and other projects like her free jazz ensemble Irreversible Entanglements or the avant rap-pop duo 700 Bliss, Moor Mother’s Camae Ayewa has taken less than a year to bring forth a bookend 2021 standout, Black Encyclopedia of Air, with Jazz Codes, an album which she goes even deeper into the ether with a seance of Black creativity’s most brilliant, unheralded minds lifting through her new age jazz conversations and electronic multiverses that rupture enlightenment throughout.

Palm - Nicks and Grazes [Saddle Creek Records]

Mashing together philosophy, color and synesthesia, rock noise and electronic devices, Palm come alive on their third full-length effort in their newfound freedom of approaching their art while becoming hyper-aware of the outside obstacles that brought the four-piece to this point. It’s pop extracted from every high and lull of emotion, but unlike one meant to imitate anything beyond the moment its consumed.

P.E. - The Leather Lemon [Wharf Cat Records]

The Leather Lemon reassembles sound through the pieces of the world we continue to pick up in its aftermath. For that, P.E. focus on their strongest pop points amid the asymmetry, filling deeper grooves where absent pockets once were with body contortion and skin-on-skin contact. The turbulence of these times still exists within the context of these songs, though this time around, the Brooklyn band are working with them to connect emotionally, sensually, and physically rather than add to the discord.

Rachika Nayar - Heaven Come Crashing [NNA Tapes]

A new galaxy just dropped, and it’s called Rachika Nayar’s Heaven Come Crashing. The Brooklyn-based guitar virtuoso and multi-instrumentalist’s sophomore follow-up expands the celestial atmospheres discovered on last year’s Our Hands Against the Dust in one of the most sensory-entrancing examples of modern guitar art in which Nayar synthesizes her instrument with ambient colors and haloing vocal accents by songwriter Maria B.C., blurring the space between emotive rock, ambient electronic and trancelike dance music –emotion in motion at a constant centripetal force.

The Smile - A Light for Attracting Attention [XL Recordings]

A Light for Attracting Attention is clear evidence that the Smile are more than just a Radiohead side-project. Featuring Thom York and Johnny Greenwood alongside drummer Tom Skinner of the now-defunct Sons of Kemet, the trio have built their own new world of sound using places they’ve visited in their respective past lives, but at an alternate universe distance where its more experimental terrain of free jazz and electronic music allow them to continue to predict the future of art rock and our existence in an eerie spectral delight.

Sonic Youth - In/Out/In [Three Lobed Records]

Even in their post-mortem, Sonic Youth still remain among one of the most innovative sculptors in noise rock whose ideas remain unparralel in our current existence. A decade removed from their final bow, In/Out/In – a collection of several mostly instrumental tracks unearthed from their early Aughts era – moves seamlessly in its own distinct singular waveform despite being created in disconnect rendering Sonic Youth in their jammiest formation yet, with the static becoming a transfixing groove.

They Are Gutting a Body of Water - lucky styles [Smoking Room]

lucky styles, the third full-length effort from They Are Gutting a Body of Water, realizes the Philly experimental band’s wildest yet appeasing impulses in one sitting within textures of static-washed shoegaze, electronic-speckled zone-outs, and noise-pop over dreamy overtures and post-hardcore aggression rendering something much more adventurous than what we perceive in our everyday waking life.

[idroveatank]

guerilla toss - 15th annual Thing in the Spring - 5-19-2023 nova arts keene n.h.

[coco-colada]

Mes 32 albums préférés de 2022 classés selon leurs pochettes (4 sur 4)

7. Kublai Khan TX - Lowest Form Of Animal

(hardcore, metalcore)

La voix du chanteur de Kublai Khan TX est absolument décâlissante et parfaite pour ce genre de musique brutale et déchirante. ''Swan Song'' est un point fort du EP, traitant de la violence que subissent les travailleuses du sexe, cette track est autant abyssale dans son propos que sa livraison. La pochette est très jolie. Présentant des lieux sales en décrépitude, elle utilise soigneusement une palette de couleurs ternes sur les photos pour faire ressortir à la fois leur laideur mais aussi leur beauté.

Kublai Khan TX - Swan Song feat. Scott Vogel

6. Sebii - VVYELLOW

(hyperpop, rap)

Sebii propose ici un EP somme toute convenu, mais quand même divertissant, fidèle au style joueur et coloré de l'artiste. Toutefois, les paroles sont un peu génériques et il manque un p'tit oumf à la plupart des tracks du projet. Par contre, sa pochette, elle, tombe pile dans mes goûts haha. Faite à partir d'un kiwi (?), la genre d'étoile nous interpelle du regard et nous pousse à analyser sa construction. Ce EP se situe également dans une continuité avec deux projets précédents de Sebii, soit VVBLUE et VVRED, et j'apprécie l'unicité entre les trois pochettes.

Sebii - STFU...ur done

5. Charli XCX - CRASH

(pop, dance)

Avec cet album, Charli XCX délaisse l'hyperpop plus expérimental qu'elle avait adopté sur ses deux derniers LPs. C'est malheureusement un exercice impertinent selon moi, car en résulte un album que, certes j'ai finis par aimer pour son côté catchy, mais qui suit de façon assez conventionnelle les codes de la pop contemporaine. La pochette est à mon avis ce qu'il a de plus intéressant à offrir! Sans réinventer la roue, ce cover fait sa job parfaitement en allant droit au but. Il est efficace dans sa composition, jouant avec la profondeur, et il utilise l'imagerie de l'accident de façon percutante. Il évite aussi le piège d'ajouter du texte superflu.

Charli XCX - Beg For You feat. Rina Sawayama

4. Thee Oh Sees - A Foul Form

(garage rock, punk)

Je ne suis pas si familier avec la discographie du band, mais j'ai bien aimé cet album de Thee Oh Sees. Étant d'une durée de 22 minutes, ce projet est comparable à un épisode d'un bon cartoon: explosif, mémorable et sans filler. Bien que je ne sois pas fan des pochettes en tons de gris, celle-ci possède un point fort: squelette. Beaucoup de personnalité se dégage de ce petit crâne aux yeux globuleux et il représente bien le contenu de cet album, soit du rock assez corrosif, pas overthinké et très sympathique.

Thee Oh Sees - Funeral Solution

3. black midi - Hellfire

(experimental rock, jazz fusion)

Ce troisième album de black midi ne récrée pas la surprise du premier, mais pousse le groupe dans une direction plus grandiose que leur deuxième opus. Leur musique rock expérimental complètement zinzin est une fois de plus au rendez-vous, et je trouve que leur storytelling est davantage efficace. Les histoires racontées sont spectaculaires et le côté théâtrale est 100% assumé. La pochette, fidèle aux habitudes du groupe anglais, est sublime! Un gros clusterfuck de couleurs, de textures et de trucs de toutes sortes. David Rudnick, l'artiste responsable de ce cover, a produit une œuvre à l'image de l'album, très chargée et abrasive.

black midi - Welcome To Hell

2. Guerilla Toss - Famously Alive

(art pop, noise rock)

Je ne connaissais pas ce band avant d'entendre cet album et je suis vraiment tombé sous le charme! Les dix morceaux de ce long-jeu travaillent ensemble pour créer une expérience complètement euphorique. Je ne suis pas attiré d'emblée par la musique qui évoque la beauté et le bonheur, mais Guerilla Toss le fait ici avec beaucoup de mordant et d'originalité, utilisant des couches épaisses de vocals mielleux et de mélodies dansantes pour abriller le background expérimental qui sert de fondation à ce projet. La pochette reflète parfaitement ce sentiment d'extase que l'album suggère. Je ne suis pas certain de ce qu'il représente (de la mousse de moisissure qui prend vie sur un liquide?), mais quoi qu'il soit, ce cover, qui met l'accent sur ses couleurs excessivement vibrantes, a immédiatement capté mon regard et je le trouve toujours aussi joli presque un an plus tard! ✨🙂

Guerilla Toss - Famously Alive

1. HEALTH - DISCO4 :: PART II

(metal, industrial, electronic)

Excellent album qui, au travers de collaborations avec différent.e.s artistes sur chaque track, crée une ambiance sinistre, mystérieuse et dévastatrice. Toutefois, la voix douce et angélique du chanteur de HEALTH, dosée judicieusement, permet au projet d'atteindre une beauté étonnante entre les débris de la violence si cathartique. De plus, le petit côté fantasy qu'on retrouve sur plusieurs tounes solidifie son originalité et sa place comme l'un de mes albums préférés de l'année! Et c'est cette pochette que je place au sommet du classement! Hautement contrastée, elle utilise une image très noisy et brutale, mais fait ressortir cette violence avec une structure solide et une typographie lourde et puissante, mais lisible. C'est définitivement un produit de son époque, mais reste que c'est, à mon avis, la pochette la plus percutante, attirante et efficace de 2022.

HEALTH x THE BODY :: AD 1000

Merci beaucoup de m'avoir lu, j'espère que vous aurez pu découvrir deux ou trois projets cools au travers de mes recommandations ! 🙂

[visualtones]

Guerilla Toss - GT Ultra

2017

[omegaremix]

Omega Radio for March 11, 2023; #346.

Chives, The: “Your Mom’s A Bitch”

Moron: “Mosquito Trap”

Horsegirl: “It’s Obvious”

Throwaway: “Dinosaur”

Gut Health: “Barbarella”

Cheekface: “Headache”

TVOD: “Goldfish”

Easy Bruiser: “I Hate Thursdays”

Gloop: “I Never Really Knew”

Rotary Club: “American Tower”

Dazy & Militarie Gunn ft. Mannequin Pussy: “Pressure Cooker” (RMX)

Grocer: “Smooth Operator”

Deady: “Eat Sleep”

Cel Ray: “Clorox Wipes”

Body Type: “Miss The World”

Wombo: “Snakey”

Dumb: “Sleep Like A Baby”

Horse Lords: “May Brigade”

Rip Room: “Dead When It Started”

Blonde Revolver: “Lipstick & Leather”

Arbor Labor Union: “Hovering Stone”

Corker: “Lice”

Maraudeur: “C'est Cache”

Alpha Hopper: “Glows, Explodes”

Mamalarky: “Mythical Bonds”

Scare Quotes: “Tomato”

Diacatorci: “Parasito”

Jade Hairpins: “Mary Magazine”

Viagra Boys: “Ain’t No Thief”

Fake Fruit: “Over Ice”

Guerilla Toss: “Heathen Money”

Namesake: “Operational”

TV Priest: “One Easy Thing”

Post-punk, d.i.y., and city sounds.

[ourladyofomega]

Guerilla Toss.

📸: @natishootsshows (IG)

[album-a-day-project]

4/10/22

Guerilla Toss

Famously Alive

====

Not for me. IDK how this got into my queue, but I've never been into that electro pop. Really hard to get into this just because its something that I wouldn't normally listen to. It doesn't mean that the quality isn't there, it's professionally mixed and has alot of different instruments and vocals aren't bad.

4/10