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#HI..............................UMMMM
quirinah · 4 months
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please stay by me!
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catcrumb · 1 year
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percexe · 5 months
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ok this is old (by like a month or two) so excuse the slightly outdated stylings. but i forgot to post this here so ENJOY!
it’s a shame a design element as fun as the grey streaks are just put in the same spot all the time. so have my placements and the reasoning behind them (because it wouldn’t be a percexe design without cramming character significance into every little detial)
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slingbats · 2 months
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you had your chance but you turned your eyes away again
happy birthday, Oswald (26/7)
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zipzedziltch · 8 months
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Bang! 💛
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skelecentral · 3 months
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Wasn’t gonna post this because it’s only semi-UT related, but. I really wanted to lmaooo— here’s my faeu self insert (post-turned-fae!)
Faeu is by @/antlered-prince
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filledmouth · 8 months
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The hat stays on, (un)fortunately
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ghostpnk · 1 year
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he is, in fact, a phantom
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femmeidiot · 5 months
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hi um ... hello.... it's me...
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omchar · 10 months
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slowly coming out of a very lengthy and rude artblock; have an etoiles doodle
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balls-on-my-face · 11 months
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when u and ur long distance low maintenance long term casual girlfriend accidentally break ur no pda rule
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annqer · 7 months
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the last supper
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lunarw0rks · 6 months
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buying an old, secluded house in the scottish highlands, intending on renovating and reselling it. but you find out quickly that it's haunted. like, haunted haunted.
at first, you refuse to believe a man that pretty would be dead. let alone, a nefarious spirit with... questionable intentions.
but, compared to the (literal) horror stories you've heard, spirit!johnny is pretty cordial in his ways of messing with you. always picks up the books he knocks over to startle you, or when you scream at him to give you back your keys, or quit hiding your glasses, dammit
sometimes, when you're in the right mood, you find it comforting to know you're not all alone out in the middle of nowhere. it's not like you can tell your friends and family any details of this. you'll sound downright insane.
you learn to deal with the strong scent of his cologne or the creak of his footsteps (which you only hear because he wants you to, of course).
and—naturally—the feeling of large hands smoothing along your spine, down to your hips, a thumb strumming your lips. possessively, right as sleep engulfs you. the first few times you chalk it up to an erotic fantasy that only surfaces when you're exhausted and bordering on delirium.
however, it proves difficult to rationalize the voice. especially when he knows your name.
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bluuscreen · 8 months
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working on my own little “the master doesn’t die and joins the doctor after lotl” au so here’s voyage of the damned outfits if i got to do the costume design [plus a couple silly bonus sketches under the cut]
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mcondance · 1 year
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kinda inna rut but i wanna write so giving marc head
it took marc a second to get comfortable enough to really enjoy getting head.
but now? oh he’s insane about it.
he went from holding his moans and whines in to rutting up into your mouth, moaning brokenly as you swirl your tongue around his angry pink tip.
“god, just like that- shit, yeah.” his hands are wrapped in your braids, tightening and tugging when the pleasure gets a little too good— which is most of the time, cause you know just how to flick your tongue and twist your hand around his sensitive base to make him see stars.
he’s a mess in so many different ways, curls wet and sticking to his forehead, eyes watering, lips pink and swollen and thighs sticky with spit and pre-cum that he’s dripping everywhere. chills rack through him when you ghost your hand up and down his thigh, and he’s groaning and throwing his head back as you hum around him.
but his eyes don’t leave you for too long, cause you’re pulling off of him with a gasp of air and laying your head on his other thigh to jerk him, placing kisses on his base, licking wet and messy over him. everything feels too good, now, and he thinks he’s reached the break of insanity— until you bring your pretty lips back to his dick, kiss his tip and dip your tongue in his slit while you twist your hand just under his crown.
“oh baby,” he slurs, eyes rolling back and his head rolls to the side, arms falling from your hair to the ruffled sheets as he tries to hold on to the little piece of his mind he has left. but you don’t let him hold on, don’t want to, so you take him all the way in, glossy eyes fixed on his face, and the way he nods watching you swallow him down— “yeahyeahyeah” whispered under his breath.
swallowing around him, you tip him over, bring him close out of nowhere, like you always do. “shit, ‘m gonna cum, gonna- gonna make me cum.” he’s panting now, chest heaving up and down and hands back in your hair as he watches you suck him off like you want him to lose his mind.
and you do, so you do. it’s a couple more licks and swirls of your tongue around him and he’s spilling down your throat, reduced to gritted groans and gravely moans as he fucks into your eager mouth, indulging in your wet warmth.
it took him a while to get comfortable, but he’s damn sure not holding back now.
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lala-blahblah · 5 days
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I absolutely cannot sit down and write a nice version of this bc my brain says no, but i would like to let you all know I'm thinking of a fanfic where older Edgeworth is moving back to the US (or japan, whichever universe you subscribe to) and runs into Nick in the store while buying mass produced art to hang on the walls of his new house.
And Nick is like "dear god do you want your house to look like a dentist's office. Please do better" (in a friendly way, they are too old for rivalry at this point) and so Nick invites Edgeworth to come over and take any of his old artwork from college, since it is just sitting in a portfolio in a closet somewhere. And Edgeworth agrees to come over and look through Nick's old stuff together. There are themes of 1) growing older and like reflecting on the past and 2) Nick's character trait of finding meaning in challenges vs Edgeworth's tendency to stick with what he does well. In my head I imagine that Nick was good at art and it came somewhat easily to him and that bored him, and he was drawn to law in part because it was hard and it excited him and made him want to try harder. And i think tying that in with fatherhood, like it being unexpected and hard but something he thrives at because he feels good when there's a challenge. Potentially also touching on how like, when he lost his badge he felt very listless and depressed because he wasn't being challenged anymore, there wasn't anything to drive him and motivate him. And I think Edgeworth would be impressed by seeing Nick's old pieces (I assume he hasn't seen much of his art before) and wondering why he didn't choose to pursue art further. He also thinks about how art had always put him off personally because he couldn't get it "right" right away, and on the other hand how the structure and logic of law came easily to him, which led him to become a lawyer. I think he measures his self worth by his success in his field because he never had the support to believe he had intrinsic value as a person and maybe wasn't so good at making emotional connections with people. So that big contrast between them is so interesting... I think Edgeworth would be jealous of Nick's bravery in pursuing something he was bad at without giving up and Nick would be jealous of Edgeworth's success in law, but in a subdued way as they've grown older.
A far as actual scenes in the fic, I think I would use Nick's art as a conduit for my own agenda to have them talk about topics that are of interest to me... I would like Edgeworth to feel out of his depth for once and for nick to be the confident one as he talks about something he is well versed in, and for edgeworth to have to face that discomfort and also be a little impressed intellectually with Nick. I think I would do that by having them look through some abstract art Nick did (my intro painting classes were all abstract so we could focus on color mixing and getting comfortable with the medium). Edgeworth compliments Nick on a painting with a bunch of colored squares in gradient clusters and then gets embarrassed when Nick tells him those were just color mixing swatches. Alternatively, in my mind they are both asexual and I think even though this feels like a hallmark cliche I would have Edgeworth flounder and be very embarrassed over Nick's old figure drawing piece. I feel like Nick would be like "no you don't understand it's all very professional and normal when we draw them, like it's just about learning the shape language" and Edgeworth would be like "this is very improper and I don't know how to react can we please not look at naked people!". I don't think i would do both, but something to upset the power dynamic for a moment would be interesting! Nick is always the awkward one I want to see him shine for just a moment enough for edgeworth to go "wait what... i've known him for so long but perhaps i don't really know him at all..."
I would want Edgeworth to end up taking a series of 3 canvases Nick did in an oil painting class that were still lifes of objects the teacher had set up around the classroom. I headcanon that Nick actually far preferred drawing people to objects and rebelled against the assignment by hiding his reflection in one of the objects in each drawing- the top of his head is hidden in an ornament on a christmas tree, his eye is reflected in the shine of a china vase, etc. So it's a little secret, and Edgeworth kind of likes that... it is sweet in a way to see a much younger Phoenix captured in time like that. Something Edgeworth will be reminded of when he sees the paintings but nobody else will catch onto
I would want to layer this with a fatherhood storyline... I think i would frame it as nick inviting edgeworth over to dinner with him and Trucy and Edgeworth stepping into this domestic family life as a visitor and witnessing how its transformed Nick, like seeing him from a different lens. I think after they pick out paintings and have dinner they sit around talking. Trucy had been sitting with them, earlier she showed off some magic tricks and gave Edgeworth a picture of hers from the fridge to add to his new art collection (it's a rainbow dolphin and a sea turtle wearing top hats. Nick says she's in her Lisa Frank era). But she's been quiet for awhile and Nick realizes she's fallen asleep and it's like 11. He's like, crap, i screwed up i should've paid attention and gotten her put to bed, I'm a bad father and I have an audience for this failure. And on top of that, I already failed at being a lawyer, no matter what I try I always disappoint everyone. It's an unexpected moment of vulnerability there... like he's seemed so put together and grown up to Edgeworth this whole time like a whole different person, but he's not a different person he just has different sides to him. And this moment is one where edgeworth can be like hey, no, you're a great dad, and I'm impressed by you and everything you achieved. And I think that could lead into vulnerability from Edgeworth about his relationship with his dad and how he misses him/how he feels like he hasn't really been loved by anyone since his dad died, and how Trucy is lucky to have someone like Nick in her life.
Nick excuses himself to carry Trucy to bed and Miles starts cleaning up the kitchen. I would give a moments pause here to talk about the strange intimacy of going through someone else's kitchen cabinets and drawers, you feel like a stranger there trying to put yourself into someone else's shoes to understand how they live in this space. Maybe he guesses the right drawer for the silverware first try and he feels a little spark of connection. like "we are different in many ways but we are alike enough that we look in the same place for our spoons". Details on the kitchen too about the kid safe plastic bowls and knives that indicate a child is part of the household, that the household has been built around the child, in fact. Edgeworth lives alone and I imagine things are kind of fancy for him (he's a man who wears a cravat so he probably has fine china right). It's completely different from this shabby mismatched cutlery that Nick has, but this kitchen has personality. Maybe he wouldn't mind having a kitchen like this so much. This is a hint at him being lonely, being included in this family unit just for a day has given him this curious sense of longing, for what he isn't sure... does he want kids? Does he want Nick? Does he just want to be part of a family? These are confusing questions and he would much rather not feel anything at all, but unfortunately it is late and he did have a glass of wine with dinner so emotions are Happening.
He hears Nick sigh tiredly as he comes into the kitchen, and Edgeworth starts to ask him where his tupperware is when suddenly Nick is wrapping his arms around him and Edgeworth is Very Tense because he's never good at knowing how to act in situations like this and he and Nick have never been on a hugging level before and he's not sure what this is even for. Then Nick is like "I keep thinking about what you said earlier, about feeling alone ever since your dad passed away. I didn't know, that's such a long time to feel alone. I don't want you to think you're on your own". Edgeworth relaxes a little bit because now he knows what the hug is for and what he's supposed to feel from it. Its very kind of Nick to worry but its unnecessary and he says so. He has colleagues he's friendly with and people from law school he keeps in touch with, he's alright. And Nick says he knows but he also knows it's difficult living the way they do, and what he means is single and in your thirties. Because everyone else is getting married or living with a long term partner or at the very least dating and their lives are focused on that relationship as the center of their being. And when you don't have that, not only is it harder to relate to the people around you but it is harder to feel like you matter in people's lives, because they all prioritize their partner before their friends. And maybe their situations aren't exactly the same (Nick has a daughter while Edgeworth lives alone) and maybe their choices were made for different reasons (Nick used to date and didn't mind it but didn't see a need to prioritize it. Edgeworth found himself unable to distinguish with certainty whether or not he was actually romantically interested in people, and rather than make the wrong choice he decided he would rule out error by choosing no one at all). But regardless, they both know first hand the isolation that comes with trying to carve a path for themselves that does not include a life partner in a world where everyone else comes in pairs. And Nick is reaching out across that emptiness saying hey, we might both be building different lives, but there's room for you to be a part of mine if you want.
Outloud, Nick says "Really, Miles. You aren't alone in this." and Edgeworth says "Well, Phoenix, neither are you". And he stands there and lets his friend hug him, and it doesn't feel like butterflies but it does feel solid and warm and good. And he doesn't even worry about whether he's supposed to let go by now or not, because it's nice, not being alone.
They stand there in comfortable silence for a long moment before Nick speaks again. "hey, remember when you used to hate me? And look at us now." Edgeworth turns his head sharply. "I never HATED you, Wright. I simply thought you were foolish and a waste of my time." He realizes a little too late that this is probably a rude thing to say to the person that just gave you a pep talk, but Nick just laughs, his head still resting on Edgeworth's shoulder. Looking at him from this angle, face almost fully hidden, Nick could be any age at all. It's easy to imagine for a moment that he's the same nervous version of himself that stood across from him in the courtroom for the first time all those years ago. The only thing breaking the illusion is the subtle streaks of silver that cross his temples. Not entirely sure why he does it, Edgeworth kisses the top of Nick's head. He feels odd about it the moment he does so, realizing it comes across not as a platonic or romantic action but as a gesture suited for a dog or pet of some kind. Nick looks up, looking confused but not displeased. "What was that for?" "It was a thank you I suppose". Miles steps away now, still uncomfortable with perceived failures even if those failures are just in social interactions, and begins to gather his things while Nick gets down a tupperware from a cabinet. "Thank you, for the dinner and for the paintings." Edgeworth continues. "I'd like to repay the favor once I get settled into the new house. Trucy's invited too, of course". As he says it, he realizes he genuinely is looking forward to seeing them again. Nick walks him to the apartment door and they say their goodbyes while Edgeworth tucks the paintings (and Trucy's dolphin drawing) under his arm.
He gets halfway down the hallway when he hears Nick calling after him. "Hey! Miles! Take an art class with me sometime" Newfound friendship or not, Edgeworth just looks at him in disdain. "what, so you can show off your superior art skills? No thank you, Wright" "No, for fun. You can make things of your own to hang on your walls. We can do something I've never done before so we're evenly matched. Like printmaking? Origami? Um, pottery?" Edgeworth bristles at the suggestions but takes a moment to acknowledge why he's feeling that way; again, it's that fear of failure. But he's enjoyed himself today and deep down he thinks it could be fun to try something new, not with the goal of being perfect at it but with the goal of spending time together. Nick surprised him today. Maybe he can surprise himself. "... I would consider pottery" Edgeworth admits. And Nick looks really happy about it. "Great. I'll book us a session then. It'll be fun, you'll see. Edgeworth shakes his head, but there's no malice behind it. "Have a good night, Phoenix" "You too. Get home safe Miles".
Edgeworth gets home a little before midnight and props the three canvases against the moving boxes still stacked up in the foyer. Tomorrow, he'll figure out where he wants to hang them. Right now though, he walks over to the bare fridge and carefully pins up Tracy's dolphin drawing. There's a lot more work to do, but it's already starting to feel like home.
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