#Heinrich George

[cinematicjourney]

Metropolis (1927) | dir. Fritz Lang

[picturessnatcher]

Manolescu - Der König der Hochstapler (Viktor Tourjansky, 1929)

[rwpohl]

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[notesonfilm1]

Berlin Alexanderplatz (Phil Jutzi, Germany, 1931)

[shisasan]

Novalis, Heinrich von Ofterdingen: A Romance [originally published 1802]

[trulyunpleasant]

Various writers and artists involved with the occult and esoteric

[romanovsonelastdance]

The family of Emperor Nicholas II with German relatives.

[germanpostwarmodern]

Wohnhausgruppen 911, 912 & 922 (1964-69) at Märkisches Viertel in Berlin, Germany, by Georg Heinrichs & Hans Christian Müller

[illustratus]

On Outpost Duty by Georg Friedrich Kersting

Theodor Körner, Friedrich Friesen und Heinrich Hartmann auf Vorposten

Kersting painted this picture as a memorial to three friends who had fallen in the Napoleonic wars: Theodor Körner, Karl Friedrich Friesen, and Heinrich Hartmann. Kersting had also followed Körner’s lead and joined the Lützower Freikorps (volunteers) in 1813. As an unmounted marksman, “Jäger zu Fuß”, Kersting had been given weapons and money by Kügelgen and Caspar David Friedrich. Goethe had pronounced the blessing of the arms. The painting represents both Kersting’s patriotism and his grief. The three friends have taken up their position at the edge of an oak wood. They are wearing the Iron Cross medal, which was designed by Schinkel in 1813. Oak trees, their hair styles, and their red, black, and gold uniforms point towards a newly-awakened sense of being German. Silence reigns. Each member of the group seems lost in his own thoughts as though he were no longer of this world. Friesen leans against an oak tree with his rifle at the ready. As a drill instructor he fought alongside Friedrich Ludwig Jahn and became Lützow’s personal adjutant. On the left of the picture sits Hartmann, a nineteen-year-old law student from Heidelberg who had fought with Friesen and Kersting in the battle at Göhrde. Kersting was to see him die. The poet and dramatist Körner, sitting behind Hartmann, recruited volunteers for the Freikorps in Dresden. In his works, he advocated that the freedom of the fatherland should take precedence over the life of the individual.

[churchofsatannews]

Vox Satanae - Episode #572: Yule 2023, 13th-21st Centuries - Week of December 25, 2023

Vox Satanae – Episode #572 Yule 2023, 13th-21st Centuries This week we hear anonymous and traditional works and works by Nicolas Gombert, Jean Titelouze, Arcangelo Corelli, Johann Sebastian Bach, Georg Philipp Telemann, Alexander Kastalsky, Arthur Honegger, Heinrich Kaminski, Leroy Anderson, Einojuhani Rautavaara, Agustín Barrios, John Rutter, Harold Darke, Mel Tormé, and David Foster. 206…

[philoursmars]

Il y a une petite quinzaine, je suis allé avec Julien et Katie, au Louvre-Lens pour une expo temporaire : "Animaux Fantastiques". Une très belle expo !

Ici des dragons.

crosse d'évêque, Saint-Michel - Limoges, 1200, alterné avec :

Michel Colombe - "Saint Georges terrassant le Dragon" - château de Gaillon, Amboise, 1508

Johann Heinrich Füssli - "Thor combattant le serpent Jörmungand" (le géant Eymer, à l'arrière de la barque, n'en mène pas large...)

idem

Hendrick Goltzius gravure d'après Cornelis Cornelisz - "le Dragon dévorant les compagnons de Cadmos" - Haarlem, 1588

[gogmstuff]

Around 1765 -

Top:  ca. 1765 Archduchess Marie Christine by Meister der Erzherzoginnenportraits attributed to Martin van Meytens (Schloss Schönbrunn - Wien, Austria). From Wikimedia; blurred background w Pshop 1394X1772 @300 647kj.

Second row left:  ca. 1765 Elizabeth Leigh by George Romney (Huntington Library, Art Collections and Botanical Gardens - San Marino, California, USA). From their Web site via pinterest.com/christinakupke/portrait/ 652X800 @72 107kj.

Second row right:  1763-1765 Diana Beauclerk, née Spencer by Sir Joshua Reynolds (Kenwood House - London, UK). From hmn.wiki/sk/Lady_Diana_Beauclerk 1280X1628 @72 466kj.

Third row:  ca. 1765 Maria Luisa of Parma, Princesa de Asturias by Anton Rafael Mengs (Museo del Prado - Madrid, Spain). From their Web site 2201X3051 @72 2.1Mj.

Fourth row left:  ca. 1760-ca. 1765 (between) Kurfürstin Elisabeth Augusta von der Pfalz by Heinrich Carl Brandt (Kurpfälzisches Museum - Heidelberg, Baden-Württemberg, Germany). From Wikimedia 1000X1422 @500 373kj.

Fourth row right:  ca. 1765 Elisabeth Christine vor Schönhausen by Frederic Reclam and Joachim Martin Falbe (Schloss Schönhausen - Berlinn, Germany). Probably from Wikimedia 2235X2650 @300 1.4Mj.

Fifth row:  ca. 1765 Maria Luisa of Parma by Giuseppe Baldrighi (Galleria Nazionale - Parma, Emilia Romagna, Italy). From Wikimedia 981X1356 @190 1.3Mj.

Sixth row left:  1763-1765 Woman with a rose by Thomas Gainsborough (British Museum - London, UK). From Wikimedia 1999X2811 @72.

Sixth row right:  ca. 1765 Lady Caroline Hervey attributed to Johann Zoffany (The Rotunda, Ickworth - Horringer, Suffolk, UK). From artuk 1414X1894 @144 4Mp.

[mysterious-secret-garden]

Heinrich Hofmann Georg Hahn - The Raising of Jairus' daughter.

[rwpohl]

Material und Analyse, Januar 2023

[basicallyanotherwitchesthing]

Heinrich Heines Tanzpoem Der Doktor Faust - Georg Olms - 1978