#I DON'T CARE HOW MUCH TIME IT WILL TAKE

[gildeddlily]

absolutely losing my mind because of these two!!!

so.

are these two actually toxic, or are they just kids who don't know how to communicate? easy, they're just kids! (this was fast)

reading the manga will not make you understand that (or im just stupid), and this is why I'm thanking the author on.my.knees for the spin-off!

so.

after watching the anime I fled to ao3, of course. read some works about Rin and Isagi, managed to not spoil myself anything.

then i read the U20 arc. after reading every ryusae I could find (writing one myself rn, doing god's work) I finished to read the manga cause, yk, I wanted to know what would happen with my babies and then boom! Reo and Nagi!!!

I didn't particularly care about them at first: Nagi was strong ofc, but kind of boring? he's not my favourite archetype, and while I loved Reo I hated their fight and wanted nothing to do with them. key word(s), at first.

then, then! I randomly read some fics about them cause they'd started to grow on me, and boom, tons of fics about their breakup/makeup. stunning works, ofc, but I started to see so many "Reo's fault" "Nagi's fault" "toxic relationship" that I kind of started to get uncomfortable (sometimes people throw around the word toxic when it's nothing like that), so what's to do? read the spin off ofc.

that I did, and now not only I love them both with all of my heart, but I'm Reo's number one fan (and kinnie)!

and I developed a deep hatred for those "toxic x" theories and takes. SO. let me blabber and rant.

they love each other so much!!

this is Nagi.

he thinks "damn, soccer/football is a pain, I hate sweating and running, but I don't hate Reo" even though most of the time he spends with Reo is spent playing soccer/football (I won't choose one english is so confusing- in italian it's literally called kick).

he doesn't feel forced to be Reo's friend, he likes it.

because Reo loves him, it's as simple as that.

he wants to be Nagi's friend "despite" Nagi's personality: this is something he currently says through the spin-off, which made me cry- Reo truly is the first person who ever accepted Nagi as someone who is lazy and unmotivated, who complains a lot, who doesn't put any effort in what he does, who doesn't offer much.

Or at least he thinks that he doesn't have anything special to offer, until Reo arrives.

he still has those terribly self-deprecating thoughts, but now he has something to offer, his talent.

(and after a period of happiness, their honeymoon phase one could call it, he starts to doubt the sincerity of Reo's care. from thinking "i'm not his slave, i'm his partner" he starts to doubt Reo's honesty: "maybe he only wanted to be my friend because of my talent, a talent he knows how to use"- since he still thinks that he's got nothing to offer! but we will talk about this later.)

this is Reo!

he thinks "I wanted to be the one who could make you love soccer/football, the one able to light up something in you" but he also thinks "seeing you like that, even if it wasn't me who'd done that, made me happy".

he's so jealous he's almost funny, and isn't that the most teenager thing ever?

who wouldn't be jealous after working so hard to be special to someone, just for someone else to take the place you're working so hard for?

it's terrible, but still, it doesn't stop Reo from being happy that Nagi found something exciting.

something that made Nagi as happy as the combo Nagi-soccer/football made Reo happy.

the thing is, Nagi thinks he's Reo's friend because of his talent, which maybe it's true. maybe, hadn't Nagi been a genius, they wouldn't have become friends, but his talent was the sparkle that made him become Reo's treasure.

Reo is someone who has everything, who gets everything he wants, or as he says everything except what he really wants.

for that, he has to work.

so, what he wants is to play soccer/football, and to play it with Nagi.

(in order to be Nagi's friend, he needs to work hard, because he needs to be honest and gain Nagi's trust- this is how friendship works: even when it seems flawless and easy, there's so much work behind it, and knowing it is important. most of the times we only realise it once we lost that bond- for example, Nagi. Reo already knew it, and this is why he tried so hard to not leave Nagi's side)

at one point, the two things became linked to one another, and his dream turns into "winning with Nagi, my partner". Because Nagi is talented, is special, and Reo saw his talent, and how Nagi was unable to do the same. He wants to show Nagi that soccer/football is fun, that his talent isn't a pain, that he is special, because Nagi doesn't know it, and for Reo a star that doesn't see his its own light? is just preposterous.

He cares for Nagi and loves everything about him, even all the "bad" things, and he doesn't think that Nagi has to change, and this is what, for me, makes their break-up way more serious and relatable for a lot of people.

it triggers a "I'll change to be better" "for me you never had to change" "I need to change for myself" dynamic.

2. changing and longing is way more fun when you're doing it together!!!

so they split up.

Nagi doesn't do it because he likes Isagi more, or because his style of play is more interesting, he does it because Isagi was stronger than Nagi and Reo: entering Blue Lock, Nagi had trust in Reo's ability to use his talent to win, he didn't even think about failing, and while Barou came close to making him feel like he could loose, Nagi overpowered him at the end- but then Isagi beats Nagi, and Reo with him.

Nagi understands that Reo's dream can't become reality if they aren't the strongest, and if being together doesn't work, maybe they should split up, part ways, become stronger and then join forces again, and win everything. win the world cup.

while his friendship with Isagi is sweet and I love them, for Nagi Isagi is like a cyclette.

he'll use the cyclette to get get fit and make his bf swoon over his legs, he won't stay with the cyclette once he doesn't need the training anymore. and even if he will, it will always be just the cyclette he uses to get fit "for" his bf.

(metaphor isn't metaphoring)

Reo doesn't know that.

he knows he's strong, but he knows that Isagi and Nagi are on a whole other level and he feels threatened. he fears that Nagi will choose Isagi instead of him, and he tries desperately to not loose Nagi.

Nagi is his dream. Slowly, day after day, Nagi became part of his dream, and now he's losing not only his best friend but the dream that made him free.

Reo says it himself- he knows that Nagi did the smartest thing by leaving, but he's young and scared and sees it as Nagi leaving him.

He feels abandoned, and he thinks that Nagi is abandoning his dream to go with the bigger fish, the apex predator, in order to become the best striker, by forgetting the promises they made at the start of Blue Lock, to stay together til the end.

Neither of them forgets the other.

Nagi leaves, and all he thinks about it "I need Reo to see this" "I can't wait to let him see how much I've improved", and he misses Reo, just as much as Reo misses him.

the only difference?

Reo is oblivious about Nagi's real feelings and thought process, and his thinking of Nagi turns into spiraling into depression and self-hatred.

so Nagi changes.

he starts to see the beauty in soccer/football, he finally sees what Reo had tried to make him see for months, and he's thrilled. he's having fun. he's grateful that Reo convinced him to not discard Blue Lock immediately. he's different.

different why? because Isagi beat him? because Blue Lock happened?

he changed not when Isagi beat them, but the moment he became Reo's friend, and found a reason to do something.

because Reo was the first person to ever tell him that his laziness, boredom, his oh so troublesome antics were alright, that he was what he was, and he was enough not only for Reo, but for the whole world.

Reo accepted him even when he was set on being static, made him want to change, and now that he's changing he feels worthy of being loved so much.

"you saw something in me back then, you forced to me work hard, and now thanks to you I ('m on my way to) realised my own worth, now I found something exciting"

he changes.

Reo sees him after what, a few days, and he's already improved so much.

and he thinks that he was Nagi's cage, his personal dead weight, that Nagi may have been his treasure but he wasn't Nagi's. that Nagi doesn't need him anymore. if Nagi doesn't need him, what will be of his dream?

(we could start a long-ass post ab mental health and recovering but I won't for my own sanity)

what's his worth then, since he got into Blue Lock just to stay with Nagi till the end- especially when he can't even be number two, with Isagi there- and Nagi won't be with him anymore?

he needs to change too.

3. destroying yourself in order to change (no fun)

Reo says that he isn't brave enough to destroy himself like the others do.

Isagi, Barou, Nagi, Chigiri, they all destroy themselves in order to become stronger and change, evolve, but Reo can't. he's scared, he's confused, the whole arc is just him looking like that. then what does he do?

he lets Nagi destroy him. "If I can't do it, Nagi will" don't you understand you're doing exactly what you say you're unable to do? the fact that you're not the one pulling the trigger doesn't mean that you're not killing yourself

he pushes Nagi until he snaps and tells Reo to fuck off, that he's a pain, that he's weak and someone Nagi doesn't want anything to do with, because that's what Reo thinks.

He thinks Nagi doesn't want to be with him anymore, he's feeling guilty for what he thought (later later), he's insecure- and instead of being reasonable, he founds a way to confirm his "irrational" fears.

"I'm not being insecure since Nagi confirmed it"

he sabotages himself. that's the nail in the coffin.

instead of destroying himself with football/soccer, by learning from a lost match, he destroys himself with life, by putting on the line his relationship with the person he (not exaggerating) loves most in the world.

he's unable to distinguish life from soccer/football (and this will be the aspect that makes him so different from most of the other characters), because since meeting Nagi they've become one thing. soccer/football is his life, Nagi is his life, because they're his only chance at being happy.

(Nagi is able to distinguish between the court and Reo: this way, Reo is just as special as Isagi is, since Isagi may have made him see the fun in soccer/football, but Reo made him get angry. Nagi who thinks that his strong quality is the fact he never gets angry, that he's a pacifist. Isagi is his soccer/football revolution, Reo is his life revolution.

Reo can't. they all insult each other on the field, but they're all friends afterwards. not Reo. not yet)

now he's lost Nagi, and his dream, and he has to pick himself up from the ground.

this is how Reo changes.

4. miscommunication is a beast

As I said before, Nagi starts to think that Reo only cared about him because of his talent. he's angry at Reo. he doesn't understand why Reo said those things, why he was so stupid, why he didn't understand Nagi.

he says "I'm not his toy" and he isn't, but really, try to get into his shoes.

he thinks his partner, his best friend, doesn't believe in them as a duo anymore, doesn't want to believe in them like he used to now that Nagi has changed, now that he's more "independent" from Reo.

"what, now that I know how to fight alone, he doesn't want me anymore?" that would be anyone's first thought.

and he doubts Reo's trust in their dream.

when did Reo start to have so little faith in them, in Nagi? when did he give up on them? he thinks that, after spending weeks trying to improve just to make Reo's dream true.

and he's angry, but he still hopes to play with Reo again.

he still want to, because him and Reo are partners and Nagi still believes in their dream. because he remembers Reo's passion, and he believes in him.

+) 5. being relatable as fuck

(what kid with absent/abusive parents never thought back on their action and went anxiously all "Am I just like them?")

Reo begs Nagi to stop being so strong, stop improving so quickly, stop running towards a place Reo can't reach yet, and isn't this a human thing to do? He desperately wants to be with Nagi, and thinks that he'd rather stop him from improving rather than lose him. He thinks "Please, give up on your dream, your ego"- and isn't that familiar?

he just thought the same thing his father, a man he hates and despises and who doesn't believe in Reo, told him. and he said that to Nagi. Nagi who gave him a ticket to the top by being at his side, who let him see hope.

he panics. am I just like him? Am I cruel enough to wish for someone to give up on their dreams, just to get something out of their failure?

he's different from his father, because he's seventeen, he's scared to lose his best friend, and we can be irrational in situations like this one. does he know it? no, the same way he doesn't understand that Nagi didn't left because of him.

so yes, he's in the worst head-space ever.

isn't he relatable? this is what that made reo my favourite character in a second, probably. he's so human and he makes so many mistakes and he's so stupid sometimes, but I can see myself in him very clearly.

and now.

in what way is their relationship not balanced? their love and care not mutual? in what way one used or manipulated the other?

I think they're flawed, and they made mistakes, and they hurt each other, but I also think that we throw in the word "toxic" the moment a relationship isn't perfect.

they're friends and they're teens, they will make mistakes and they will hurt each other, and their friendship (and they were roommates) won't be perfect- this doesn't make it less genuine or beautiful.

don't get me started on what happens in the manga (really don't do it) (all of this was just nagi's spin off!!!)

[hildegardladyofbones]

One of the best things about Disco Elysium by far is that it does not fear ugly women. The world is full of ugly men, but ugly women are so hard to come by.

[makiswirl]

can i just say. and this is probably a niche hill to die on. that i am so gobsmacked every time someone vaguely hints at the idea that jotaro doesn't care meaningfully for the other crusaders, usually particularly kakyoin and joseph, when those two actually tend to be the ones he reacts to being hurt the hardest

like he cares for his loved ones!!!! that literally plays into his character motives in every single part he shows up in!!! stop lying to me!!!!!!!

[scificrows]

Okay, my brain refuses to think about anything other than Murderbot, so I looked at every use of the word "friend[s]" in TMBD and... created some pie charts. Normal human activities.

Some Thoughts™ I had while putting this together (under the cut):

In All Systems Red, Murderbot notes that the PresAux crew are all close friends (twice! and goes on to explain their internal relationships which I think is very cute). This is pretty much the only use of 'friends' in ASR, except for when Murderbot says that SecUnits can't be friends with each other.

It seems that this may be one of the first times Murderbot has ever really been around a group of friends before? Murderbot notes that this is not the norm for its contracts and admits that the fact that they are all friends and the way they interact with each other make it actually enjoy that contract (before!!!! the hostile attack, so it already enjoys this contract before they start seeing it as a person etc ghghhhh). [Inference: Friendship seems enjoyable.]

The first character that calls Murderbot its friend is ART in Artificial Condition. Murderbot immediately refutes this (and then goes on to call ART its friend to its clients for the rest of the book). [Inference: Maybe ART is Murderbot's friend. And maybe that is... agreeable]

Rogue Protocol has more than twice as many instances of the word 'friend' as any of the other novellas. Why? Miki. Friendship and its implications for non-humans are a central theme because Miki is friends with everyone. Murderbot initially scoffs at the notion that Miki and Miki's humans are friends. At the end of the book, after witnessing how desperately Don Abene tried to stop Miki from trying to save them, and her grief after its death, Murderbot has to admit that she had in fact been Miki's friend. [Inference: Humans can be friends with bots and can sincerely care about them]

In Exit Strategy, Murderbot tentatively uses the word "friends" for its humans for the first time (several times actually). It questions whether it can actually call them its friends or not and later realizes that it had been afraid what admitting that the humans are its friends would do to it. At the end of the book, Mensah tells Murderbot the PresAux crew are its friends, which is the first time a human has directly said that to it (at least on-page). [Inference: Humans can and want to be Murderbot's friends]

In Network Effect, Murderbot seems to be more habituated to the word 'friend', confidently calling ART and Ratthi its friends, like it is no longer just trying the concept on unsure if it fits. There are many instances in which other characters refer to MB as ART's friend or the other way around and Murderbot's humans refer to Murderbot as their friend several times. Generally, there seems to be less hesitancy, because yes, all of them are Murderbot's friends, why wouldn't they be. [Inference: SecUnits can have friends. This SecUnit has friends. They care about it a lot.]

Conclusion: The Murderbot Diaries tell the story of a construct that does not seem to consider the possibility of friendship for itself and is fine with that - until it accidentally starts caring a little too much and suddenly more and more people annex it as a friend (ew) to the point where it can no longer deny that this is happening and has to begrudgingly admit that yes, it has friends now and maybe that is actually not a bad thing.

[hydrachea]

I can't stop thinking about Blade saying gifts are unfamiliar.

And I can't stop thinking about Kafka and Silver Wolf, hearing that, and making it a mission to bring him gifts whenever they travel somewhere for their script - even if he's there with them. About the confusion in his eyes when they steal buy something and turn right around to hand it to him.

About his room starting out completely empty except for the bare minimum necessities, a few spare clothes and what he needs to take care his Shard Sword, but filling up with little trinkets and gifts over time. Clothes and jewelry and perfume from Kafka and posters, figures and plushies from Silver Wolf. About them also bringing food back, expensive specialties swiped from a restaurant and the weirdest option they could spot in a lone vending machine, a category of gifts that doesn't leave anything behind (except the photos they both take of the three of them eating together, or of the faces he makes when Silver Wolf manages to trick him into trying a suspicious snack while he's distracted with polishing his weapon).

About Kafka spending hours finding clothes and jewelry she thinks would suit him, because that's her love language. She gets him makeup too, refusing to let his good looks go to waste. She knows he can't put it on himself, they both do, and he doesn't care for his appearance enough otherwise - but he'll let her do his makeup for him anyway, because she enjoys it, and because he finds it soothing.

About Silver Wolf also buying him clothes, but the ones she gets aren't his style at all, and just barely his size. She gets them for him, but just so she can steal them right back - her love language is quality time, and she fills Blade's room with gifts she can borrow along with a moment of his day. It still counts as a gift, she insists, practically swimming in an oversized jacket she swiped from his closet.

About how in another life, Yingxing gave gifts to the people he loved and in this one, Blade receives them from those who love him.

[sanjarka]

i'm gonna start being mean. if you have enough understanding for katniss's depression then how are you calling katniss's mom selfish for her response to her husband's death. you do understand what catatonic depression is right? you understand that she didn't purposely abandon her children?

[andhumanslovedstories]

Hey so your post about pain management as a bedside nurse is so important to my own nursing practice that I've considered printing it out so I can have it to hand all the time. So thanks for that. Also, how do you deal with assignments that are busy enough that pain management is harder than it should be? I'm coming up on two years as a nurse and I feel like I take it personally when I am too busy to adequately manage my patients pain. I'm also coming from a newly unionized hospital where the ratios are still horrendous (I do 1:10 on med surg) and I'm hoping once we can enforce our staffing grids it'll be better but idk I'm burning out and I love my job so much and I really respect your nursing philosophy? I guess. Sorry for the word vomit it's been a crazy shift.

I've been trying to think of how to answer this since I got it. It's just such a horrendous ratio. With ten patients a shift, that's like six minutes an hour for each in a fantasy world where there's no charting and everything is exactly where you need it to be. I feel like I don't have great insight into this because the most med surg patients I've had assigned is five. Ten patients to one nurse is just a raw deal for everyone. Like christ no wonder you feel like you're burning out! I'll give you what thoughts I have and hopefully other people can chime in if they have suggestions. But that's such a hard patient load.

When I've been super swamped, I've found that's when being really explicit about your thinking with the patient helps. Like if I have to dash into a room and then dash back out, I'll make sure the board is updated with the next medication time and that the patient knows when the medication is going to kick in. I'll also provide call light parameters. I have a lot of success telling people, "the med should be doing something by 5:30. If I haven't checked in with you by then, and the pain is unchanged or barely changed, hit your call light and we'll try the next step. Also hit your call light if you feel any sudden change, like now you're nauseated or you have a headache or the type of pain changes or something just feels very wrong. Is there anything you need before I step out of the room?"

I like to be explicit about when to call me because I think there's two directions call light usage can go wrong: someone calls all the time, or someone never calls. With someone who calls all the time, I find that telling them when I'll be back and that I want them to call me if I'm not takes away some of that anxiety that can causes some people to call frequently. Often those patients are afraid that if they aren't on the call light, they're gonna get ignored.

For the other type of patient, the one that doesn't call, I want to make explicit that it's GOOD AND NORMAL TO CALL YOUR NURSE WHEN YOU HAVE SYMPTOMS. We've all had that patient at the end of shift who goes, "btw the gnawing pain in my leg is now a 10/10" and you're like "what gnawing pain sir?? you've literally never mentioned it before now?? I don't have any meds for that lemme page super quick????" These patients can get into pain crises easily because they don't ask for help until something is unbearable. In addition to pain crisis bad, it takes a lot more time to deal with something unbearable than it does to deal with something uncomfortable.

On that note, are you spending your very limited time efficiently? To me, that actually means spend more time talking with patients, at least up front. Manage expectations, make sure people know what to expect. Having conversations with patients that are like, "You just had surgery, it's not gonna happen that we get you completely painless. We want to get you to a manageable pain level that allows you to do whatever it is you most want to do this shift." (For me on nights, that's usually sleeping at least a little, but sometimes the realistic goal you make together is that you will feel at some point better than you feel right now.) "You have this medication scheduled, and you have this one available every X hours when your pain is severe. Is there anything you know that helps you deal with pain?"

Also establish if patients want to be woken up for certain prn medications or if they're sleeping, to let them sleep. With some patients, I will advise them to get woken up for pain medication because I know that they're going to need consistent control to avoid a crisis. (Crises take so much time!)

When I'm crunched for time, I'm fond of bringing in an ice pack and being like "if it works, great, if it doesn't, just take it off, either way here it is." Sometimes I'll do the same with a warm blanket. If I know my patient needs to take pills, I'll bring a cup of water with me into the room. If there's a basic prn like melatonin or tylenol that I think they might want, I'll pull them in advance. If the patient doesn't want them, I return them next time I'm in the med room. (Obviously, don't do this with controlled substances. It's super easy to forget to return them, and not returning opioids is one of those whoopsies people get fired over.)

Decision making takes time. Walking to go get stuff takes time. I want to save the time it takes to assess if the patient needs those things and then walk off to fetch them by just having the things already. If your tightest resource is time, be liberal with resources you can spare. If you're stuck with a patient, do you have anyone you can delegate a prn med pass to? Do you know how to do the absolute minimum charting you need to? Do you have flushes and alcohol wipes and whatever other most common things you need? And since you can't hoard time, if you've got some to spare, ask yourself if there is anything you can do now that will save you time later. If you have five free minutes now and an incontinent patient, getting them up to the bathroom now can save you from taking the time for incontinence care and a bed change later on when they've also sundowned and decide they hate everything but most of all you.

So much of this answer I realize is investing as much time upfront as you can, which I realize is so hard when you are so busy. It sucks immensely that prepping takes much less time than not being prepared does when you don't always have time to prep. Plus when you invest that time to pain plan with patients and do small preventative interventions, I think it also provides some psychological comfort that helps with pain. You're letting them know you're invested and you care and you have a plan, even if you don't have all the time you'd like. That can mean better pain control, which can mean needing to spend less time in that room overall, meaning you can save six whole minutes at some point and maybe even, if we're feeling crazy, get a chance to indulge in that greatest of indulgences: just a real leisurely on-shift piss.

[kaiserouo]

i bet i can stuff you whole into your stash box

[merp-blerp]

Hamilton will be 10 years old next year…

[mysticalcats]

fellas. my friends said they ACTUALLY want to watch cats 2019 with me and i was SHOCKED because like. who would. want to do that. i am delighted. HOWEVER it will take everything in me to not pause it and clarify every five minutes about my opinions on the movie

[retrogradedreaming]

okay, inspired by @dragon-spaghetti's chronic pain Husk headcanons, I present Angel with atypical migraines

Angel getting knocked off balance after a few grueling weeks at the studio (because stress makes them worse), but like with the kind of vertigo that makes you feel like you're floating and untethered, but not spinning

Husk notices when something's off because Angel will stand up from the bar and pause with a hand outstretched before he starts walking, like he needs to recalibrate real quick

he lays on top of Husk with his face in Husk's chest because it's dark and then he'll forbid Husk from moving because that makes it worse, so Husk just kinda rests a hand on his back while they cuddle

[danwhobrowses]

Prefacing that, again time zones, I've only been able to glean the latest CR episode and that I do not agree with their in-character opinions on the gods, I'd like to remind fans to try and not get super ugly about their criticism of Ashton Greymoore.

I'll be the first to throw my hands up and say they're among my favourite C3 characters so there may be bias, but I've been getting flashes of the Shard Incident from reactions towards their recent and vocal disdain for the gods. Disagree with them all you want, Taliesin knows that the gods can't simply leave since they're the one who said that the Wildmother would die if she left, but understand that it's a character flaw and if you recall the hardships of their backstory, the unanswered prayers, and that their only exchanges with the gods have required them to do something or, with the Dawnfather Angel, have been met with cold disregard, it's understandable how they got to feeling that way. Ashton has lived alone and been told they don't matter for a lot of their life; no gods, no family, no nurturing presence to guide them, they've been abandoned, used, and - with additional influence by the Dominox accusing them of wanting FCG to die - are currently between blaming themselves and the Changebringer for their closest friend's death.

Make no mistake Ashton is wrong, I think the self-confessed hypocrite with also self-confessed poor morality knows that deep down, or at least knows that they're not the kind of person who should be in charge. Vassalheim is a difficult place for a titan vessel to be in so it is unsure what they will do from here; perhaps investigate the Earth Titan? Commune with the Emperor and Empress? Or maybe be brought to the gods and be able to vent or reconcile with them (and maybe get some closure with FCG, speak with his spirit as like a mediator between the Hells and the Gods)? But it feels like Taliesin is being vocal for a reason, and it's either to invite Matt to challenge it (I've said in other comments but I would love if Ashton found some comfort, not worship or a pact but maybe just a dialogue, in the Everlight: a goddess of healing, temperance and redemption - all of which would help Ashton mentally - as unlikely as it'd be) or find another maybe primordial route to give Ashton a narrative tether towards stopping Predathos.

Let's just, not be cruel about the character, they are more than just their bad trauma and grief-led opinion on gods remember?

[thranduel]

You're right. I can be better than him.

[vulpinesaint]

Eddie Brock + Kissing Death by MOTHICA

[cryptidorchid]

I’ve always interpreted Scott’s sacrifice at the end of Double Life as a kindness (or at least both Pearl and Scott saw it that way when it happened). 

Even though Pearl doesn’t want to win anymore because she doesn’t like the loneliness of being the last one standing, during Double Life, she did want to win. However, I think the reason Pearl valued winning over not being alone in Double Life was because she believed there was something about her that made her inherently alone. She had given up on not being alone so she wanted to win. And I think Scott’s sacrifice here partially broke her out of that mindset because she saw Scott as an enemy at this point and genuinely did not expect anything from him, so the act of kindness basically coming out of nowhere made her rethink the idea that it was her against the world. (Which makes it a bit of a catch-22, huh, Pearl wants to win because she believes she has to be alone, someone shows her she doesn’t have to be alone by helping her win)

On Scott’s side, I do think he was trying to do something kind for Pearl but also I don’t think this decision was all that specific to Pearl, like I think he would’ve done this for anyone he liked at all. Like I’ve seen people read this as a guilt thing and as an attempt at cruelty as well, but I don’t really see it. Given that he became self-sacrifice georg in the next two seasons, I think this decision was less specific to Pearl and more the first instance of a pattern of behavior. I think this was more Scott realizing how much he didn’t like being alone. With Cleo dead and Pearl coming to fight him, he realized he doesn’t really have any motivation to fight anymore. On the other hand, Scott figures Pearl really did want to win. So it just made sense to give it to her.

I also don’t think it was intended to be cruel either. Like I don’t think Scott would have considered that Pearl wouldn’t have enjoyed being the last one standing either. Like sure, Pearl had complained a lot all season about being alone but I still don’t think Scott would have thought she’d be upset about it. For one, Pearl was clearly trying to win so why would she be upset about it? For two, I don’t necessarily think Scott has the most objective view of Pearl in the first place. Like I think Scott’s view of Pearl is a bit warped because from his perspective, if Pearl really didn’t want to be alone, she wouldn’t be acting the way she does. She acts like she’s upset that her and Scott aren’t friends but spends her time antagonizing him. She says she has other friends but never seems to spend time with them. She betrays her only solid alliance in the endgame to try to join a more powerful group. So I think by the end of Double Life, Scott didn’t really believe Pearl cared that much about her relationships and thus, she should enjoy winning.

(To be clear, I don’t think she betrayed Scott with her decision to leave because she clearly communicated her intentions to leave before doing so. But Pearl was explicitly allied with Cleo and Martyn who she did not communicate with and is now trying to join a group that is trying to kill them. Even if she never succeeded in joining that group, she clearly intended to betray them) 

[cowboy-kidd]

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