Sharpe Rewatch 4- Sharpe's Enemy (1994)
tonight's theme is:
(this is a lie, tonight's theme is actually me crying over teresa)
alright, starting off I have strong feelings about harper sitting on top of his captain, protectively pushing him back down to the ground with a big 'ol hand on the back of his head. then sharpe just kind... accepting his fate and curling up in the middle of a pile of his boys. i cannot label what exact emotion it gives me, but OH BOY it's an Emotion.
side note: sharpe says the chosen men were acting under his orders so.... were his orders to.... have fun? lol
fuck i take it back i AM gonna cry over this epsidoe. look at how happy sharpe and teresa are!!!!
i DID forget just how much teresa roasts farthingdale for insulting her hubby. amazing, #realtionshipgoals #girlboss, i'm gonna gif it later.
sharpe telling harper "don't name it after me" about his kid with ramona, only for sharp turn around and name his own son patrick. excuse me, rude.
i also hadn't noticed before that teresa is sewing a lil rifleman doll and now i want to cry again.
She gives it braids later? so i guess it's supposed to be of antonia in her daddy's uniform ;A;
now a bit i still don't understand is the, like, cooking lesson aside that happens in the middle of the hostage exchange? ... that's it, idk, it like doesn't effect the plot at all. just weird to me.
but, ah, anyway, frederickson!!! i love him! i wish he showed up more often, but i appreciate him most in sharpe's revenge, doing all the leg work to save sharpe's ass. he's just fun! i just think he's neat!
sharpe literally swallowing the urge to burst out laughing tho *chef kiss*
but the "why do i always have to wear the dress, sir?" from perkins makes me wonder just how many times they've played the "disguise one of us in a dress" card and why i didn't get to see every single situation this was their answer to. robbed, robbed of good content.
hey now let's talk about a cinematic parallel that i hate. it's this:
( : im fucking dying and i hate everything
"I lied. my wife taught me. she taught me many things."
*lays down on ground, cries fucking eyes out* THIS STILL ISN'T FAIR. just the IDEA of it- sharpe already has an Emotional Thing about the guy who taught him to read and write, and then he gets himself a badass literal #girlboss wife who teaches him how to speak french, teaches him how to chill out a bit as leader, teaches him such soft things. a woman who's been through rough shit, just like he has. he's so proud and amazed of her, every time he speaks of her. and then it's... just all gone.
him kissing the sword as he salutes teresa's grave makes me physically unwell
now, i do want to know how duco manages to keep his head when literally every single thing he claims in regards to sharpe ends up biting him in the ass. you'd think after the second time maybe people would, idk, not trust him judgement...
ok. i'm... im just gonna sit here and cry now.
this was somehow worse the second time around. probably because i'm going through theses so much slower. and i like it most when sharpe has someone to come back to, rather then doing the new girl of the week thing. though jane is.... well. jane is jane. we don't talk about jane.
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I want. Four to get appreciation. Because
Four gave a ton of unnoticed help when Twilight was injured
The fight with Wild was difficult, and I know we're all concerned about his negative view of the shadow crystal
But Four did something that no one else really thought of to help- He took care of Twi's stuff
From the beginning he told Twilight to not worry about them
So Four took care of pretty much everything but the others (that Sky and Wars handled)
He took care of Epona
Which is so very important- he took care of Twilight's horse. After her arrival at the stable Four followed up on her
And for Epona, a horse so attached to her human, having some company can help so much for reassurance
He took care of Twilight's stuff
He got Twi's shield- his bags and equipment, and organized it into one place
And he was worried. He obviously found the shadow crystal while handling Twi's stuff, but his negative reactions to it were out of concern.
Also- because of his placement in this scene
I'm fairly convinced Four was ready to start cooking before Wild showed up (since he's beside the counter with food supplies). At the very least he had the basket of fruit out for everyone -but he was literally standing with food behind him- he thought of everything
And he did housekeeping!
Wars payed for the inn, so Four took care of the inn
Realistically these boys were probably not too concerned with tidyness. Four got all of Twi's things on one table, and took care of the room they stayed in
Organizing tables and Twi's things, having food supplies ready, and opening the curtains- overall he was the one tidying up the inn
Four helped in a huge way! He took care of Twi's horse (Epona is so important), his equipment and shield and bag, as well as the other rooms in the inn
Four filled in all the little tasks that others didn't think of. He helped in ways that were needed, but not obvious
There's a lot of problems with the shadow crystal and with Wild, and I don't know what's gonna happen in the future
But don't forget this- don't forget that Four was one who stepped up in an almost unnoticeable way
Don't forget that when everyone was barely holding it together, Four visited Twilight's horse and took care of his things
No matter what develops in the future- this amount of care shown is important ya know?
.
Art and comic from Jojo @linkeduniverse au :)))
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i think it'd be funny if someone transmigrated as xin mo. the goddamn evil sword. instead of taking it seriously, they just really fucked around with bingge. and, somehow, ended up having the opposite effect of what it's supposedly rumored to do.
picture this: bingge, on the quest for revenge and power, comes across the almighty xin mo. this demonic sword killed everyone that dared to even try wielding it. and, the few who were lucky enough to have it by their side, eventually succumbed to the swords' will.
it is said that the sword is unlike any other, that it etches into your head and eats away your brain, until eventually it consumes you whole. it whispers, speaking in lust, greed, and hatred. it slowly beckons the wielder into giving in to the worst part of themselves and feeds off of pure sin. but to him, it is no matter; luo bingge will surely tame it.
and then he gets to the sword.
demonic qi practically oozes from xin mo. the aura surrounding it makes every part of luo bingge scream, "run; get away, away from that monster." his gut prods at him, begging bingge that this is probably a really bad idea. it's a little terrifying, how even luo bingge, the determined, vengeful demon, is now getting second thoughts about wielding xin mo from just being in its presence alone.
but luo bingge is too, a monster. so he ignores the screams of plea; pushing every thought of doubt in the back of his head, and tightly grips onto the handle. the world around him seems to spin and shake, tumble and crack, from the amount of force bingge needs to use in order to pull the sword of sin out of its place.
when bingge finally has it perfectly fit into the palms of his calloused hands, he hears whispering. he knows that the sword has accepted him as its new host.
the sword's language crawls up to him, as if it were feeling around his body and mind. checking every nook and cranny for it to settle into bingge's form, truly becoming one with the embodiment of sin. the words flow through his brain like a tragically broken guqin, a melody that holds him in a frighteningly familiar trance - all while simultaneously eating away at his brain in the worst ways possible, akin to a child and their favorite snack. it seems to beckon something, but even with luo bingge's impressive hearing, he cannot make out any words from the tone-deaf musical notes xin mo sings.
and then, it is clear. the land around him settles, and everything is still. xin mo itself seems to be.. content. at least, that is what luo bingge believes.
the language of this wretched sword reflects the state around these two monsters.
luo bingge expects it to demand for bloodshed, for the erotic ecstasy of multiple women, for bingge to steal the last of the finest gems of these horrible, vast lands.
instead, he hears this:
"yoooo damn that shit was crazy. did you see what i did there? man, you know, it feels so fucking good to get out of the dirt. hey, do you know if people can like, feed their swords or something? i'm kinda craving something spicy. we never know, in this wack world! wait, don't hold me like that, buddy. it'll make things real awkward."
but luo bingge is determined to get his revenge, so he puts up with the swords' constant rambling about.. whatever the hell it's thinking.
"wait, dude, did you seriously fuck a dying girl? that's wild. yeah, like i know she was dying but it doesn't sound like you wanted it. yo, listen to me, consent is very sexy."
"HAHA hey, dude, sir, man. you wanna play some 'i spy'? we don't have anything else to do. no? too bad, we're playing it. i spy a loser who doesn't wanna play i spy. hint: he's holding me right now."
"okay i know i'm supposed to be this super evil sword and beg to be used - woah that sounded real wrong - but can you at least clean me when you're done killing shit? if you don't, i'm gonna refuse to respond to you and you'll look like a dumbass trying to wield me."
"i can't hear you lalalalalalala you're not being very it girl right now lallalalaalalalla-"
somehow, this is worse than if xin mo was actually eating away at his brain.
weirdly enough though, as luo bingge starts spending more time with this weird ass, seemingly possessed sword, it starts to become more of a.. comfort to have it by his side than pure annoyance. he finds himself responding to it more, like, actually having full on conversations with it. it puts him at ease, wielding xin mo. the hatred doesn't consume him, instead, it seems to soothe the burning rage (and, admittedly, just replace it with small irritation) that holds onto his darkened heart.
xin mo is actually quite kind and caring, for a sword that's supposed represent and be the literal embodiment of sin. sure, it is a hassle to have it cooperate with him sometimes, and it does just ramble on and on about the most random things ever, not giving a single shit if bingge was in the middle of sleeping with maidens and slaying those who get in his way. for the first time, bingge feels so comfortable around something.
it's.. odd. what was supposed to be the turning point in his life, a big step in his plan for revenge, is now something akin to an... acquaintance. not like mobei-jun, or any of the women he's come across, but an actual, dare he say, friend.
sometimes, he finds himself thinking all of this delusional. is this what people were driven mad by? perhaps they simply could not handle dealing with a talking sword. he understands that xin mo was undoubtedly unbearable to be around at the beginning of their alliance, but it has never actually beckoned for blood, power, and sex. if anything, it does the opposite.
maybe he's the delusional one. maybe this is xin mo's way of getting to him.
maybe, xin mo should be considered a thing. the thought feels terribly laughable, as if he were witnessing a person horribly explain themselves. it also makes his teeth grind together in pure agitation.
"hey, you know, you didn't deserve any of the things they did. it wasn't your fault, binghe. the fact that you're half heavenly demon doesn't make you a monster, or any of that wild stuff.. uh, i'm here for you, okay? i know you don't really like talking about all of this or opening up, but i just want you to know that you can.. talk about it. it's not like i can tell anyone else, anyways.
hey- shit i didn't mean to make you cry! wait, wait it's okay to cry! you need to let it out anyways, i promise it doesn't make you weak. there, there. i don't have any hands, so me patting you on the head with my handle will have to do. there, there.. everything will be alright, you'll be okay. i'll be here every step of the way, even if you want to get rid of me."
xin mo, the demonic sword, is more of a person - a good person - than anyone he'd ever come across.
...and then bingge and the xin mo transmigrator become besties or he falls for the damn sword. knowing him, he probably doesn't even know the difference between platonic and romantic attraction anyways. maybe bingge gets a plant body for xin mo using airplane's wack writing. idk i typed all of this down in one sitting.
(plot twist: it's not that the transmigrator xin mo had the opposite effect, it was literally just a placebo effect. luo bingge thought that, and thus it actually did help him lmao)
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A few days ago I went to visit my grandpa, as I haven't seen him in a few months.
He's on his death bed; his time is fast approaching. I saw it in his eyes. They looked glassy.
My father warned me that it wouldn't have been pretty to see him like that. I wasn't expecting it to be. He's been sick a while and my dad has been taking care of him almost entirely by himself, so I knew it wasn't gonna be nice. Though I'll say, seeing my boisterous, larger-than-life grandfather reduced to the shadow of a man left a bitter taste in my mouth - and tears in my eyes. Still I did not cry. I didn't want grandpa to see me, just in case. I realized that he wouldn't have been able to see me anyway: he looked almost lost in thought. Completely out of it. All he could do was hold his face in his hands, too weak to even roll over.
He didn't respond to my dad when he called for him, nor did he acknowledge my presence initially. My dad glossed over it. Apparently he's not been able to recognise my dad for a few days now. Still, I could have sworn I heard my grandpa mutter his name a few times.
After a while, something happened. Grandpa took his hands off his face and glanced around. Then he looked at me. I cocked my head to the side and said hi. His eyes went wide when I smiled at him. He smiled back. Half hearted, strained, but it was there, and I was so relieved. My dad was wrong; he recognised me. He knew I was there and that I came to say goodbye. I extended my hand towards his own over the bed. He was far away, I thought had to lean in, but I didn't need to. He reached out first. His hand was shaking, purplish in color, but it held mine like it was his last lifeline.
For some reason, this reminded me of something. From times when grandpa wasn't sick, and I heard him talking to my dad over the phone. My dad is a 60 year old man: and still, before hanging up, my grandpa always told him, "A dopo amore." ("Later love"; in Italy, parents oftenly refer to their children as "love"). Because he's still his father's love, even at 60 years old. Me and my sister were also given the same nickname by grandpa, and even as he was fading away, I was still his "love". I felt it in the way he held my hand.
That's how I wanna remember him. So I won't be going to see him again, nor will I look back. I left him with that.
A dopo, amore.
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Not gonna get into danganronpa another spoilers because this whole scene is something else that I’m still processing but I absolutely love this line. Like to bring up milgram I think this is an idea which can reflect on lots of the characters as well. The idea of basing your entire existence off of a certain thing/person/ideology and then for something to happen that completely destroys that. Your entire person has been stripped away and just what’s left? You can’t comprehend your own existence or meaning without that specific attachment and you start to question all of your actions based off that…
I can only really think of John, Kotoko, and Es here (and possibly Amane and Mikoto to an extent). And John bases his life off of Mikoto, Kotoko upholding justice, and Es being the warden.
John’s idea of his whole existence and reason for being is Mikoto. It’s the only reason he believes he exists and if he were to fulfill his role he’d “disappear” as he would be completely worthless without him. John tries to repress and ignore his humanity and reduce himself as a tool to protect Mikoto and that’s all he can see himself as. But now Mikoto’s starting to not deny his existence and feels pure hatred for everything about him. And what will happen to John, when the person he’s dedicated his entire life to and desperately wants praise from, denies his existence? What will he be but some worthless existence that is only a burden, to him.
Kotoko. An ideology of upholding justice and punishing evil that has completely overtaken her. She has pushed herself into a role of a “fang” for justice, protecting the weak and persecuting evil. But even so matter how much she tries, she knows her goals are unreachable. She denies relationships and attachments to other people based on this ideology. Kotoko admits that she does feel attachment to the prisoners, but has to deny them in order to fulfill the role as a tool. And believes that pain and violence is necessary to achieving a greater good. Trying to deny any regret because wouldn’t it be easier to believe you’re entirely in the right? She latched onto Es, believing them to be similar as the warden who carries out judgement on wether the prisoners are forgivable or not. But now, Es has denied her whole ideology, her whole existence due to the pain she’s caused. Kotoko wants to believe that what she did was right and that Es, another enforcer of justice would accept her, because that’s how it is.
And Es… they’re the warden of the prison. There’s nothing more to them than that they believe. Es has no memories of their identity or past before Milgram and immediately latched onto the identity given to them, of being the guard. Es took this role as their entire identity, an extension of the milgram system in order to interrogate and judge prisoners. I think Muu put this best.
“Warden-san, we call you "warden" because that's what you are, right? And I was assigned the role of prisoner, but that doesn't mean I'm now nothing but a prisoner at heart, too. After all, I'm still me.”
Es has an unstable sense of identity, to the point they latched on to the first thing they were given in order to give themselves a purpose and a meaning for existence. And Kotoko calling them “imperfect caused them to question their identity. But as the story progresses Es will probably begin to learn about the audiences control and the truth behind what they assumed to be their verdicts. That their will never was 100% their own. Who knows what Es’ past was, but eventually they’ll likely have to tackle it and their whole identity, the warden, the arms of milgram, is gone.
gonna think about Mikoto and Amane here as well. Mikoto, although may not seem to be as first, focuses his entire identity around other people. He’s the friendly sociable guy who’s easy to chat with. But that’s all he believes he should be, I guess. As perhaps this mindset is upheld by an inherent fear of other people rejecting him, so he focuses all his attention and identity on being a social person. He’s never truly friends with people, as perhaps that would be “too close” and open up the possibility for danger. He doesn’t completely deny his identity like the others, but he molds and shapes it in a way that is acceptable to others. He likes what everyone else likes and does what everyone else does so the fear of being rejected for being different won’t hurt him. But now he’s stopped denying John’s existence and his DID, believing himself to be crazy, and to be completely rejected from other people, his entire sense of identity to an extent. And especially with John scaring other people off with the mindset that will help Mikoto, he has now been completely distanced from everyone else and now has to come to terms with himself, but not the ideal persona he put on to be acceptable to other people.
Amane is a more different case as she in a way has rejected that idea, but not completely. Growing up in a cult it’s very likely that she was always conditioned that she was just a servant for god. That all the good things she did were actually god blessing her and all the bad things a fault of her humanity, herself as a person. She is in a unstable relationship with the whole submitting her personhood to her religion, as she sacrificed her ideologies in order to help a cat. But at the core, that wasn’t about herself and her identity, rather a focus on the cat’s life. Amane’s murder was her will. Rejecting everything and fighting for her life in direct opposition to what she has been taught her entire life and how her identity should be, a rejection of that and a glance into “herself”. But once again, this murder wasn’t entirely self motivated. She’s still broken enough that she can’t fully grasp herself as a person besides god and religion. And a large cause of her murder was out of the death of the cat, rather than simply protecting herself. Amane still slips back into the belief that her personhood is entirely dedicated to god. As she tried to convince herself and Es that the only reason she killed is because they deserved religious punishment and she is in the right for carrying out god’s will, once again denying her personal reason for doing so. Reducing herself to “we” on behalf of her religion, that this isn’t herself anymore. Amane is in a limbo between rejecting her personhood for god, but at the same time rejecting the suffering she’s been through in order to save “herself”. Amane’s case is so interesting, as there’s no clear answer of what she believes in here, and it is truly fascinating.
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