#I WAS ABLE TO PIECE IT TOGETHER!!!!!!

[wukongfeetpics]

guys i may have pieced together a sentence in russian without putting it in a translator. thank you loanwords

[badninken]

🧡🤍 BEPO 🤍🧡

[daeyumi]

From the Heavens/

There Flowed Forth/

Essence of Divinity

[And Was Echoed Below]

-☀️💫🌙-

[Cycle of the Stars au]

[ruporas]

sleepy crew (ID in alt)

[myonmukyuu]

monstie huntie 🎀🎙

[sgtpeppers]

That was... wonderful... to just hear it done for real, after... what? Four years of thinking about it? Wondering whether it would work, wondering if I'd written bits too fast, or too slow, or... to actually sort of... hear it done by real, professional people and the singers. It's... there isn't a word for it, actually.

Standing Stone, by Paul McCartney

Royal Albert Hall Performance (x)

Making Of Documentary (x)

Standing Stone is a 74 minute long classical piece of music, which Paul worked on for four years. It premiered at the Royal Albert Hall on 14 October 1997 with the London Symphony Orchestra and London Symphony Chorus, conducted by Lawrence Foster.

After his success with his first classical piece, The Liverpool Oratorio, Paul was commissioned to create some music to celebrate EMI's centenary. He came up with the idea of exploring "the way a Celtic man might have wondered about the origins of life and the mystery of human existence" and tied this in the with standing stones which to him symbolised something mystical and long lasting.

Photos by Linda McCartney, included on the album.

Paul wrote a poem to assist in getting the story he was trying to convey straight in his head, and it was printed in the booklet of the album. However, Paul wanted the music to work without the listener necessarily knowing the story, for the music to speak for itself, and so wanted to create a piece that "relies entirely on colours and effects drawn from orchestral and choral forces".

He also created two paintings to go alongside it:

I really recommend watching the documentary, Paul is absolutely delightful throughout the whole thing. It's the first time he'd used a computer and software to help him compose and he seems so excited to talk about it (and he has a Wallace & Gromit mouse mat!).

What's also interesting is how the rest of the team spoke about him. They all make a point that this was Paul's creation, and although David Matthews, John Harle, and Richard Rodney Bennet were brought in to assist with the composition, they all talk about Paul's talent, hard work, and the freshness of approach he brought. (The words 'benevolent dictator' may get used at some point, but they also speak of his kindness and generosity.)

It amazes me that someone with no formal music training could make a leap for pop/rock to classical. Composing for an entire 80 piece orchestra and 120 member choir is a completely different skillset to writing a song for the radio (and I'm not saying that's a lesser thing to be able to do, just different). The fact Paul was not only willing to take on the challenge and push himself, but created something so magical speaks to the sheer creative force that he is.

[lemon-wedges]

British Prosecutor who's been locked in a room for 10 years eating nothing but crackers and wine finally allowed to know what food tastes like.

[kacievvbbbb]

I love how extreme found family is in one piece. Like they took supernatural line of "Family don't end in blood" and actually made good on it. Because it's not just that the crew found each other even before that only really very briefly Robin, Usopp and Luffy could say that anyone biologically related to them raised them.

Like Luffy had Garp and that's his grandpa but he also had Makino and Shanks and the red hair pirates and they were a family unit and he also had Ace, Sabo Dandan and the bandits and they were a family as well and it's never who mattered more to Luffy or who actually raised him cause they all did. It'd be hard to put him in a nuclear family structure because so many people fill the same roles in his life in different ways and that's great like Kung Fu panda said "that doesn't mean less for one parent it just means more for Luffy"

And that's the thing I think sometime fandom can get very obsessive with trying to pin down who is whose surrogate father/mother how do they fit in the nuclear family structure and while that's fun and there's nothing wrong with head cannon characters that way I also think it's important to remember that not every relationship needs a title or definition sometimes you are just family and that's valid too.

Ace had Luffy and Garp but he also had the whitebeard pirates and his pops same with Sabo and the revolutionaries

Zoro with Kuina and his old kendo master, that was maybe more of a rivals, mentor mentee relationship than whatever Mihawk Zoro and Perona had going on but it's all family none the less.

Chopper with Hiririluk and Kureha. Perona and Moria, Usopp with the little village boys and Kaya. Shanks and Buggy with the Roger Pirates. They might not all have had defined roles with each other but it was still family.

Just like Sanji, Nami, Franky and Law and their more defined Surrogate familes

And people like Vivi Robin Usopp and Shirahoshi who had/have their biological parents/family that love them and raised them.

It's nobody that I've just mentioned properly fitting squarely into any of these categories because it's all complicated family is complicated and its messy and it's big and everyone in your family might not have even met but it's family and it doesn't end in blood and for some people it never started there either.

[caffichai]

@praxinas warlock Harlow, for the very last day of Artfight 2023!

I love the Eliksni armor from Season of Splicer and the aesthetic, just in general

[jimplekins]

Genuine question for the Killer fanatics, does anyone know where i can find killers backstory in full??

[ascesabo]

sometimes i want to reach through the screen and shake sabo by the shoulders because. god. there's just so much going on with him.

he's first introduced through the veil of luffy's memories- here he's just another feral jungle kid, sticking it out with ace and luffy, the 'nicer' brother in young luffy's eyes. and then boom. you find out he's a runaway noble trying to escape his abusive, neglectful family- and this changes nothing, they still get to become sworn brothers, but just as quickly as this is resolved, his asshole of a dad takes the three of them hostage. and what does sabo do? he gives up the little sliver of freedom he'd fought for, is willing to become miserable and lonely again if it means ace and luffy are spared. and then he comes home to find that in his absence, his parents have already found a replacement! great!

and he doesn't even get to address how fucked up that is, because stelly runs his mouth and now sabo's too busy trying to figure out how to stop his brothers and their home from getting burnt to the ground. he never gets to give them a proper goodbye- he exhausts himself trying to reach them, but he can't because. you know. he's ten. so where does this leave sabo? ten years old, with nowhere to go- he sets out to sea to try and start over, and for the crime of wanting to escape a terrible life, he's punished with an explosion to the face. he loses his memories, his brothers lose him- and so the cycle continues.

then the army saves him, takes him in; he's essentially a child soldier, with how prodigious of a fighter he is from the get-go. but hey, he thinks he's finally found his footing, even if his past's a blur to him- then it all comes flooding back. in the worst way possible. he sees his brother's corpse and he remembers, but it doesn't matter, does it? he's too late, ace is gone, and sabo's lost ten years of a life he could have shared with his brothers. we don't even know how (if, even) he recovers from this- except for a single passing statement from koala, asking him if he's 'had that dream again' because he'd been crying in his sleep. this is never brought up or addressed again. great!plus, we never do find out if getting blown up at the ripe old age of ten could have left any lasting fire-related trauma; and if it does, what does that mean for sabo, who's pretty much made of it, now?

both of these questions are answered at once- sabo treats the fire as if it's ace. it's ace's legacy he's carrying on, and it's ace he seeks freedom for. he copes by making sure ace lives on in his flames, and how can he ever hate the fire living in him if that fire is all he has left of the brother he never got to see again?

i just have to wonder about him, because he's got so many Issues that just. don't ever get addressed? every time we see him deal with his grief (episode of sabo, his own retelling of events in dressrosa) we never really discover anything about him. i wonder how it felt to finally remember the childhood that eluded him, just to find out he was an unwanted, replacable child. how he feels, living with the knowledge that he could have done something to save ace, that he'd failed to remember the two people he loved the most? i wonder just how terribly that guilt must weigh down on him- because where luffy's already begun to heal, sabo still sees ace in everything he does. his title of flame emperor is a direct callback to ace's final attack in his fight against blackbeard. he talks to his goddamn fire like his brother is still in front of him, which is sweet and heartbreaking and, considering his backlog of unaddressed trauma... incredibly unhealthy. i know these will probably be left unresolved for the sake of moving the story forward- but god, sabo, are you okay?

[luminique]

something that i wasn’t expecting with lighter is how perceptive he is. he’s actually really quick to find someone shady or question one’s intentions.

during the tour de inferno, we didn’t get to see much of this because we saw a lot more focus on caesar’s growth as a character. he was more following along with whatever the other girls had planned.

so it actually made sense to me how and why he became a mercenary leader. he may not want to be willingly, but he has the natural traits to lead and plan accordingly. he’s not always silly goofy and aloof, he also doesn’t just immediately jump in the face of danger. IM SO SICKKK IM SOOO SICKKKK i love this man so bad oh my goddd

[turtledotjpeg]

@hxhbigbang24 time!!

I drew for this fic which made me SAD and also made my HEART WARM!! I will not say too much to avoid spoiling future chapters, but I illustrated a few moments from this scene near the end of the story that I loved!

[gender-critical-analytical]

the way some of you clearly think bisexuals don't experience actual attraction and feelings for people, but rather decide ahead of time if they want a man or a woman this time and then just go and pick whoever comes into their line of sight next is so obvious and definitely makes me think you all don't need to speak on things you don't know about

[otaku553]

Something funny for your spy x family ASL au

Luffy took ONE look at loid and internally went 'oh sweet. He's a spy like sabo' and never brings it up while anya just stares at him horrified and like with ace and sabo, he just never brings it up.

This also happens with yor and anya makes a funny noise

(As i am typing this my dog has the zoomies and is running around like a maniac)

HAHA YEAH THIS WOULD DEFINITELY HAPPEN

I think loid’s a good enough actor that luffy wouldn’t figure it out immeditely from like just a few seconds of meeting him but give him a minute or a few and he’ll figure it out on vibes alone

[soothedcerberus]

How kind of you, Rembrandt, to share your fresh-picked apples with your brother... what do you mean he ate them all ?