#I also made this exact gifset in colour

[grabyoursaintsandpray]

[charmedslayer]

Hey how do you colour your gifs? I’ve been trying to get better and would really appreciate any tips

bear with me cause i have adhd and i am very bad at explaining things

I’ll start by saying i use Photoshop CS6 so you know what program i’m working with. Now i’m gonna list all the layers i typically use when i’m coloring a gif.

Brightness & Contrast: sometimes i add this layer after all the others (but beneath all the others as if it’s the first layer i added) to reduce the brightness a bit if the whites are too bright

Levels: this is pretty much always the first layer i use which i mostly use to color correct which also often brightens the gif (it depends though i can’t always use it to color correct+brighten the gif). the method i use is using the eye dropper to pick the blackest point and the whitest point in the gif (which is what can color correct it and most often also brightens the gif a whole lot)

I tried to find the tutorial where i learnt about this but i could mostly only find tutorials with people using the eye dropper method with the “curves” layer but it’s the exact same concept as the “levels layer” and i did eventually find one using the “levels” layer so i’ll link to those tutorials below:

tutorial #1, tutorial #2, tutorial #3, tutorial #4, tutorial #5

i also decided to include my own screenshots so this below is the levels layer with the black point eye dropper circled in red:

and this is the levels layer with the white point eye dropper circled in red:

I tried it out with the curves layer after seeing these tutorials but i’m gonna be sticking to using the levels layer cause i know how to use it better and so when i color correct with the eye dropped i can also then adjust the blacks/grays/whites here (all circled in red):

Color Balance: i usually always add a color balance next and adjust them in this order:

Midtones

Highlights

Shadows

Curves (#1): then i often add a curves layer to lighten up the gif and add some contrast which can often looks something like this:

Selective Color (#1):

Reds (most often something like: Cyan: -20 to +10, Black: -10 to +10)

Yellows (often decrease Yellow: -20)

If there’s some green/cyan/blue/magenta colors in your gif i.e. green/blue/purple/pink colors then mess around with you can mess around with the Cyan/Magenta/Yellow in each color below:

Greens 

Cyans

Blues

Magentas

Curves (#2): sometimes i add another curves layer, after adjusting the colors to make them pop, to brighten the gif just a bit more so that when i adjust the whites they look how i want them too, not really sure how to explain but i guess it adds contrast to the rest of the colors and idk make the gif look less flat? and it can also sometimes give the gifs a bit of a glowy effect like this gifset here for example

Curves (#2: alternative second curves layer): sometimes i’ll add a second curves layer not to brighten the gif but actually to make it darker, but because i’ll already have made the gif brighter at this point i can control how dark i make it and it won’t end up pitch black unable to see anything. it can make for some interesting results to darken the gif like this. the layer to make it darker can look something similar to this but you might wanna play around with it for awhile to get it right:

but basically this time your two points on the curve are on the other side of that gray line you see in the middle whereas if you look back to the curve i used to brighten you’ll see my two points are on the other side of the line or above it

Selective Color (#1):

Whites (most of the time Black: -20 sometimes more like -30 and sometimes even all the way to -100. it just depends on the gif)

Neutrals (most times i have Black set to +10 but sometimes it needs less or more than that like +5 or +15 and sometimes i use it in the opposite direction like -10 to brighten the gif up)

Blacks (this makes the darkest colors (dark gray/black) a more pure/absolute black and it very often doesn’t need to be much higher than +1 or +2, also if you’ve got blue in the gif that’s creating a pixel-y/grainy effect you can add +5 or +10 to the Yellow to keep the blue but get rid of a bit of the pixels ending up with a clearer nicer looking gif)

I decided to include screenshots below:

As you sent in this ask very soon after reblogging this gifset, i figured i’d include a bit of the coloring process for that gifset.

So this is the gif (as a still image so there’s no movement) with no coloring, just the sharpening:

Then i added a Levels layer and used the eye dropper like i mentioned above to color correct which as you can see also greatly brightened the gif:

There’s a bit of a lack of contrast though on her face so i adjusted the levels layer to this:

So i brought the blacks down (10) making it darker, the grays (0.75) the default is 1.00 and i brought it down to 0.75 making the gif darker on the whole not just the blacks and then i brightened it a bit by moving the whites from 255 (the default) to 245. so now it looks like this:

next i added Color Balance cause the colors were looking a bit off, a bit orange in this case

then i added Curves to darken it a bit cause i found it a bit too bright:

next i used Selective Color to make the reds/blues pop + adjust the whites/neutrals/blacks

i found it a bit to bright in certain parts of her face at certain points of the gif so i added a Brightness/Contrast layer at -20 (brightness) and 10 (contrast) i put underneath all the other layers

This is what the layers look like in case any of this was confusing (which shows apparently i found the B/C layer made it look too dark so i changed the opacity to 70%):

Note: i feel it’s hard to see the differences after every layer added just seeing the images one below the other but if you click on the first image of buffy you can then click the arrow keys to go left/right and see the gradual progress of the coloring.

While searching for the tutorials mentioned earlier i found this helpful general coloring tips post i decided i’d include:

https://whitewolfofwinterfell.tumblr.com/post/181682828552/gif-colouring-tips-this-post-is-some-top-tips-for

Also this is an old gif/coloring “tutorial” i made years ago when i had just gotten back into giffing, so like it’s outdated cause my coloring process has changed a lot since but it could still be helpful. One thing i mentioned in it is how i like to do my coloring before i crop and resize my gifs which really helps me color things easier cause i can really see every pixel and color i’m working with and how i’m affecting each one (unless you’re making a big gif anyway then i guess you could crop/resize it first but i’d still recommend coloring before resizing) whereas every tutorial i’ve ever seen always says to crop/resize first THEN color but i’ve found the other way ‘round to be easier. So there might be some other helpful things even if it’s somewhat outdated to how i make my gifs now.

[fashionablyfyrdraaca]

40, 47 and 49 for the meme! ✨

40. Why do you make gifs? Honestly I find gifmaking really calming lmao. For example, if I'm doing homework or some shit I find it calming to do gifs in the background. They help me focus and feel like I'm being productive. It's also really fun to share my interests with other people through gifs. :D (I also enjoy making sad gifsets and seeing people be sad with me lol)

47. Any advice for novice gif makers/people who want to start making gifs? My first advice would to not feel restricted to just stuff you can record yourself in games. Search it up on youtube if you don't have the clip yourself. There's no shame in that in my opinion. Just make sure the video is at least 720p. I feel like you can only get away with less if its a pixel art game.

Another advice I would give is to not worry if the scene or topic has been giffed before. There are gifmakers on here who can pump out a full 8 gif set within 5 minutes of new content being available (for example pokemon giffers are really good at this lol). I would really only avoid doing exact colouring copies or shot by shot type of stuff. For example, if I giffed the Anakin vs. Obi Wan duel at Mustafar and another gifmaker did too, we will both probably crop it or colour it differently. That's not gif stealing. Whereas, if someone giffed like a romantic gifset of Anakin and Padme and had very specific scenes used and you copied those scenes, that would be idea theft imo.

All in all, try not to get frustrated. I used to get really overwhelmed because I thought my gifs were ugly AF, but just like anything, I improved over time. At least I hope I did LOL.

49. How much would you say you’ve improved since you first started giffing I think I've gotten a LOT better. I like my colouring more and I feel like they look closer to 1080p rather than 1 pixel lol.

For example, this gifset is the first one I EVER made which was 6 years ago. And this is one I'm really proud of that I made a year ago.

[nataliescatorccio]

📝 ok how do you add more than one gif/moment in one gif? like in some of your veronica in every episode gifsets or when you do the outfits one? i can't find a good tutorial also if you have a tutorial to how you did the side bar, that would be awesome. i am trying not to send you a 10000000 things bc you are so talented and i love you sfm!

okay, i’m going to do a little tutorial on how i use layer masks and clipping masks to get ‘multiple gifs in one’ and i hope that will answer your questions! 

we’ll start with the basics of getting several smaller gifs together to make one:

and then i shall build from that and explain how i use clipping masks in sets too to create something like this:

SEVERAL GIFS IN ONE:

so we’re going to use layer masks to create the four-in-one gif. you can apply this method for any square/rectangular gifs, so for example if you want to put five gifs in a line instead you can adjust the sizing and make that work.

the most important thing is to first work out what size you want each gif to be. i like to map it out with black rectangles first so i know exactly what size i’m using and that the spacing between each one still works (tumblr has a spacing of 4px so i just maintain that throughout my mapping). so these are a size of 132x275px:

now i know exactly what size i’m using, i can get started! first you’re just going to make your gif as you usually would with your usual colouring:

i’m then going to go to image > canvas size and resize this to the 132x275px size i decided on earlier:

that’s then given me the size that i want! you can move this gif layer around to then sit nicely in your new canvas so it’s centred nicely, and then i put all of my layers into one single folder on the layers panel.

i’m then going to select the canvas using the rectangular marquee tool so that the entire canvas shape is selected (this is really important or the area you want to mask will not be defined), and then add a layer mask as so:

this will effectively ‘set’ your gif at those exact dimensions. i’m then going to go back to my image > canvas size and alter the canvas to the size i want the final gif to be at, for this one i’ll alter the width to 540px as that’s tumblr’s ideal width size:

you can now move this gif along to place it where you’d like on this canvas, so i just repositioned this to the very left hand side so it’s the first gif in the row:

you can then repeat this for all your other gifs! top tip: make all your gifs the same length of caps for ease. it is possible to adjust your gif length using the timeline on the animation window if need be, but it’s a lot easier if you just make all your gifs the same number of frames. when all the other gifs are done, we get this:

as you can see, i didn’t make all these gifs the same number of caps so i’ve just dragged the time bar at the top along to the place where my shortest gif runs out when i press play. then i can save and ta-da, all done!

USING OTHER SHAPES:

unfortunately the above technique only works when using rectangles/squares as other shapes do not have the exact sizes to enter in. so i’m going to introduce you to how i use other shapes to create several gifs in one, say hi to clipping masks! 

i’m going to make my gif once again and colour it as i usually would:

then i’m going to insert a shape. now, there are two ways to do this! firstly, photoshop has custom shapes you can use under the ‘custom shape tool’ window, then going to shape and choosing from the options. you can then drag this onto your gif to insert the shape you want at the size you want:

the other option is you can generally find good geometric shapes available for free use on the web. searching for ‘geometric sun’ for example brings up a lot of great shapes to play with, make sure you add ‘clear background .png’ to your search and it brings you to a lot of resource sharing sites that will allow you to save these shapes as cut-outs. 

here i found the cut-out i wanted, re-sized it and pasted it on top of my gif like so:

now for the fun part! you need to reposition this shape layer so that it goes at the very bottom of all your layers. make sure you have absolutely nothing within a folder as well (this is important for speedy clipping masks!). 

once it’s at the bottom of everything, i’m going to right-click on the gif layer and then select ‘create clipping mask’ on the drop-down menu:

and this will clip your gif to the shape! you then need to select all your colouring layers (just control shift and click on the very bottom layer then very most top layer) and then also right-click and select ‘create clipping mask’ to clip it in the same way. this will not work if any of them are in folders, so remove any layers from folders first! you can then continue to make edits to these colouring layers (just double check any new ones you insert are clipped!) until you are happy with your shaped gif like so:

i then drag and dropped this gif on top of another gif i’d made (similarly to how i’ve outlined in the several gifs in one section) to create the shape as a statement on the gif:

to create gifs like my sidebar, i’ve just repeated this shaping several times over and dropped them onto a ‘background gif’ to create the overall pattern i wanted. it is really helpful to just have a play around with just plain shapes to get your layout sorted before you make them into gifs. for example, i made a template for my sidebar gif first so that the size and layout of all the triangles were exactly as i wanted before i giffed anything! you can then just copy and paste these shapes to use as your clipping masks.

THE END

i hope this makes sense and is helpful, layer masks and clipping masks can seem like complete wizardry when you first start using them but you’ll soon learn how to get your head around them and experiment. if you have any further questions as always, please do let me know :)

[t4yce]

hiii i love the gifs you make!!!! i was wondering if you could explain how you made them? links to tutorials work too!! :D

hey yes ofc!! i’ve included some general info & links first then there’s a step by step process with screenshots of how i make gifs! ~~ this is just a basic gif tutorial, i didn’t go into colouring or adding text etc because it was already so long but if you wanted to know any of that stuff just lmk!

general info:

for drag race gifs i’ll usually screen record from wowpresentsplus but this site is great if you want to actually download the eps (they have untucked, all stars etc too)

for youtube videos the 4k video downloader is my go to

i’d highly recommend downloading vlc media player! especially if you’re making gifs from downloaded videos

i use photoshop cc 2018, but if you don’t have photoshop yet here’s a masterlist (i tried so many before finding one that worked for my laptop so don’t worry if it doesn’t work first time ^.^)

gif making:

1. if you’ve only got a short video you can skip this step! but to start off with i’ll use vlc media player to cut the video into smaller clips (this makes it easier when you’re using photoshop later but its also helpful for planning gifsets!) - for this make sure you have advanced controls on: ‘view’ --> ‘advanced controls’ - open your video then find the scene you want, click the red record button to start recording and stop once you’ve got your clip (i recommend recording about 10 seconds before the clip you want starts as it takes a second to start recording sometimes)

photoshop time! i have a small laptop so my layout might look different to yours and if this is your first time using ps you’ll need to select all of these from ‘window’

2. click ‘file’ --> ‘import’ --> ‘video frames to layers’, open your video clip and you can either use the whole clip (select ‘from beginning to end’) or fine tune it more with the trim controls! (doesn’t have to be exact as you can delete frames later), once you’re ready click OK!

3. play the gif through then delete any frames you don’t want from the timeline. around this time i’ll also go to layers, select all the layers and group them together with the folder button. then i’ll select all the frames and adjust the speed (the little arrow at the bottom of the frames); i have 61 frames in this gif so i changed it to 0.06 

4. cropping and resizing! select the crop button from the tool bar on the left, then change the ratio at the top to whatever your heart desires (i want this gif to be wide so i didn’t crop it much!) once i’ve cropped i’ll play it through to double check im happy then select all the frames and click ‘convert to video timeline’. now go to the top bar and click ‘image’ --> ‘image size’ --> and make sure its set to ‘pixels’!!!! i changed the width to 540 as its only 1 gif but for a row of 2 gifs i tend to do 300 each and for 3 i do 178 

5. sharpening! make sure the group 1 folder is selected then go to ‘filter’ --> ‘convert for smart filters’, then back to filter --> ‘sharpen’ --> ‘smart sharpen’ . these are my usual settings but i’ll adjust the radius to 0.3 for some gifs if it looks too much. 

6. saving the gif! go to ‘file’ --> ‘export’ --> ‘save for web’. i keep it on ‘4up’ so i can easily compare the gif quality to other options. most of the time i’ll end up using ‘diffusion’ with dither at 100%, but sometimes i’ll swap to pattern.. its a gif by gif basis really! sometimes if the gif is close to 10mb i’ll save it with pattern as that tends to be lower then once ive done all the colouring i’ll save it with diffusion ^^ also make sure looping is set to forever! otherwise the gif will play once then stop :p

7. thats the basic gif done!! now i’d save it to my drafts to check the speed is alright before reopening it on photoshop and colouring it! 

[petekaos]

hi Rahul! could you show us how you un-whitewash characters? I saw your 1000 stars sets and you always manage to un-whitewash Earth so well!

hiii nonnie! of course i can, no problem, i’ll just put this under a cut so it doesn’t clog up people’s dashes!

so i normally sharpen and colour my gifs from scratch and sometimes use psds i make myself, especially on atots because it’s super hard to un-whitewash earth with the natural lighting from outside. i’ll just walk you through the adjustment layers i use to try and un-whitewash earth specifically in atots, but this technique is something i use on pretty much every show and movie when characters of colour are involved. sometimes it works like a charm, sometimes you have to bite through some more blood, sweat, and tears, but un-whitewashing is a process. i’ll be showing you what i did on the phupha gif in this set specifically!

so after i sharpened this gif using vapoursynth, this is what it looks like without any colouring.

he’s a sharp boy, but he looks absolutely void of life and colour. so we’re here to fix that! normally the first adjustment layer i use is curves to make sure that all of the colours in the gif are balanced. for this, i use the black eyedropper to pick out the darkest spot in the gif, which balances the rest of the lighter tones out. normally if it gets too dark, i then use the white eyedropper to pick out the lightest tone so it brightens up again.

here’s what it looks like with just the curves layer! already so much better, no? the paleness of the background has reduced and his hair's become much darker and more saturated, so if that's what you're going for, then you got it. next up is brightness! i normally reduce the brightness around -20 and add contrast +20 to bring out the shadows and darker tones. don't worry, this'll balance out later.

now you can see how the shadows in his face, underneath his jaw especially, are coming out a lot more. just to emphasise this, i put in a layer of levels next. for that i normally increase the brightness to 20 and the shadows from anywhere around 10 to 20. 

here’s what it looks like after the levels layer. we have momentarily made his skin lighter, but the shadows have become darker too. now is when the magic happens. because atots is devoid of vibrance, in some scenes you basically have to colour the actor from scratch. for this, i always recommend pulling up a photo of an actor to work with just to make sure that their base skintone is the same as what you’re trying to colour. it’s pretty crucial to not go overboard. so to first even pull out the colours i’m trying to darken, i first use a hue/saturation layer, where i normally turn up the saturation to around 20-35 depending on how lifeless my scene is. normally it becomes a bit too red, but you can fix that later or simply decrease the saturation.

that’s what our boy looks like after the saturation layer! his face has become a tiny bit more brown, and there are some soft reds that you can pull out. to emphasise this change and other colours in the background, i then used a vibrance layer, where i normally turn the vibrance up high and regulate the saturation as needed. here i used +50 vibrance and turned the saturation down low, around -10.

we’re getting there! now, if you wanted, you could stop here. it’s such a stark difference from the gif without any colouring. he has a bit more life to him, the browns in his face are darker. but because i personally was not satisfied with this and normally use more layers anyway, i decided to use my dearest friend, the selective colour layer. now this is THE lifesaver when it comes to wanting to unwhitewash people. basically, the general technique is to use the reds channel to its fullest potential. to darken the skintone, i normally add more magenta and yellow to the reds (in combination!) to replicate the original skintone the actor has. it’s important to use both the magentas and the yellows in the reds channel, otherwise your gif will end up looking too red/yellow, which i have definitely been guilty of in the past. i also use the blacks slider in the reds channel to darken the reds in his face. it’s mostly trial and error here, so just give it a whirl and see what happens, you can always undo it by deleting the layer if you need to. for me personally, i like my gifs to be a little redder, i always try and pull the reds out, so it’s possible that the actor will be slightly redder than their original skintone, but i always try to regulate it so they don’t end up looking like a tomato.

so there he is after the first selective colour layer! don’t mind the greens, i changed them to be a little more muted. you can see how he’s not red, because i also used yellows to create the illusion of brown here, and used the blacks slider to darken it all up a bit. this is a perfectly good place to stop, but because i’m kind of a perfectionist when it comes to things like these, i duplicated the selective colour layer and then adjusted accordingly.

and here’s the final result! on second thought and with fresh eyes, i still think i made him just a little bit too red, but i think i did a fairly good job of unwhitewashing him and getting him back to his original skintone, or at least what it would look like in this lighting. let’s put the original gif without any colouring and the final result in compaison.

see how much different that is? this technique can be used for whatever, be it actors, celebrities, idols... you name it. just make sure you check their base skintones, and try your hand at the reds channel. the yellows channel can also come in handy when it comes to increasing or decreasing the yellow in skin tones. be careful when decreasing the yellow, though, that can also lead to whitewashing.

i hope this helped! feel free to ask me in more detail what i do, i could also tell y’all the exact amounts i used for this gif lmaoo but in general, i hope it helped! i’m not a big fan of the pale gifset aesthetic, especially when it comes to colouring shows with poc in them, so that’s why my gifs are more saturated in terms of the skintone. you can do what you want, but this is how i do it!

good luck, friend!

[inessencedevided]

(You can find the set that this gif belongs to here 💙)

From planning to posting, share your process for making creative content!

To continue supporting content makers, this tag game is meant to show the entire process of making creative content: this can be for any creation.

RULES: When your work is tagged, show the process of its creation from planning to posting, then tag 5 people with a specific link to one of their creative works you’d like to see the process of. Use the tag #showyourprocess so we can find yours

I was tagged by @aheartfullofjolllly. thank you so much Pat! it was really fun to reflect about my own process 💗 You can find her post here and @lan-xichens' post that started it all here :)

Also thank you @huigusu 🥰 (who tagged me for my nie brothers set) I'll get to that one in a few days!

Now Pat gave me two sets to chose from to show my process, so obviously I chose the more complicated one :P

I only work in Photoshop CC 2018. I know that there are programs out there for easier cutting and sharpening but I have only just figured out how to do that in PS and I am too lazy to figure out any other programs right now xD

1. Idea and Planning

This set, like most of my sets with lyrics started with me reading the poem, clutching my heart and going "oh shit this fits my favourite characters!!". The idea actually started with me thinking that the first stanza of the poem would go really well with wwx during the burial mounds arc. Then I realized that the last stanza fits lwj better than him and from there came the idea to contrast the both of them next to each other. This is when I realized I wanted to do a dark-light contrast set, though I did not know that I would go with red and blue at that time. My idea in the beginning was just to do a black and white set

I was really impressed by how Pat said that she plans her sets around exact timestamps. Because I don't do that at all ^^ I just get ideas for which scenes would fit (in this case the wwx burial mounds scenes and lwj's kneeling and punishments scene) and then I watch the scenes to narrow them down.

Back when I made this set, I still used a screenrecorder (AceThinker Screen Grabber Pro to be precise. They have a test version that allows you to record up to 3 minutes) and recorded the scenes I needed from Netflix. This worked well enough but now I have the entire show saved on an external drive and it makes a world of difference when it comes to gif sharpness

Now, in this case I had to repeat this step once because when I was almost finished, I realized that I wanted a gif for the lwj corner but let's pretend I didn't do that and that's the way this gif was always going to look because otherwise this post will be way too long ^^

2. Creation

Short disclaimer: The creation process for this gifset was anything but linear. Multiple effects I used here were things I had never tried before. I just had a vague idea and tried to realize it through trial and error. So whenever I say "then I did xyz", it is implied that I ultimately went back to that step several times and changed stuff ^^

I started with the Wei Wuxian part of the gif. I usually use a frame rate of 0,06 (with some variation depending on gif length and size). I work in timeline so I converted all the layers to a smart layer. Then I resized the gif into a square, leaving big chunks of the gif empty (as can be seen below.) I flipped the gif horizontally, so he is looking inwards. This was simple because I felt it fitted the composition better. Then I imported the Lan Wangji part of the gif, again with a frame rate of 0,06. (Image 2)

After that I created a layer for masking in a separate PS document by rotating a square until it was point down (is that a rhombus?). I sized it to match my gif (540x540 pxl) and copied it over. (Image 3) a bit of masking magic and ta da! There's the basic layout (Image 4)

I put a layer of solid black behind wwx to get rid of the transparent bits (Image 5) and then started adding more white and black to both sides by adding solid whit and black layers that i put masks on and changed the opacity as i needed (Image 6)

("reading" direction: from the upper left to the lower right corner)

Then I fiddled with the colours a bit. The first thing I always do is using the curves layer to get more contrast. Then I use the colour balance tool and the selective colouring tool to get rid of that cql-typical cyan tint after that it's just trying to have it look "natural" while the colours still fit the overall scheme. This was difficult here because wei Wuxian’s side of the gif was very dark and when i turned up the saturation to see which colour dominated it was a very weird mixture of multiple colours. That's when i decided that I'd just go with red on his side, since lwj's side was already so blue and those to look great as contrasts.

After that just came a lot of fiddling with selective colour layers and brightness and contrast unti I has happy. There really wasn't much to it ^^. (Image 1)

After that I added the text. I knew I wanted the two lines to for a square of some kind. So I tried different fonds until I arrived at the one below. The two lines are in seperate layers so I could move them around and change the spacing between the letters until I was happy with the layout. I also changed the layer mode for the text to "difference" (is that what it's called in english? my PS is set to german sorry ^^), keeping their colour white. (Image 2)

I originally hadn't planned adding anything else but I felt like the gifs (plural because I switched between the gifs of this set) was still kind of empty and lacking, so I added the tear down the middle (a tutorial for that is either coming up later or already posted. I recently got an ask for this :)) (Image 3)

It still felt empty after that, so I tried different overlays. Okay no, first I wasted a lot of time on different free image sides but then I tried out different ones until I chose the one you can see in the finished gif. I liked that one because a) I felt the round shape was a nice contrast to all the straight lines already there and b) because once I applied a black and white filter to it and switched the layer setting to "difference" (again, i hope this is the correct translation) it looked a bit like a moon. (Gif at the top)

("reading" direction: from left to right)

And that's it! :)

Although in general, these gifs took so much fiddling! I went back and forth between them a lot and sometimes almost redid the entire thing because I had no idea what I was doing in the beginning and by the time I noticed an error, the only way to fix it was ti redo everything. So yeah, this set definitely is the the one that took me the longest out of all the ones I've posted so far.

3. Posting

I save all my gifs to my drafts first to see what they look like put together and to check if they look any different on mobile. Usually i do this several times and change stuff until I'm happd enough with it to hit post. Once i am happy enough, i can't hold back. Doesn't matter if it's at a time when nobody is online, i hit post 😅

And that's it!

Tagging:

@lanwuxiann for this gifset (I adore it so much. I've looked at it and read it severat times since you posted it and the poem just kills me every time!)

@suibianjie for this gifset (The combination of static images and gifs in your gifs is always absolutely perfect! This one is only my favourite of yours because the light coming from behind wwx is just so pretty!!! ^^)

@sweetlittlevampire for this piece (It was soooo hard to pick a piece of yours because I have so many favourites! But this one is just so out if this world, I want to know how you worked that magic :D)

@wei-gege for this set (sparkling shijie! 😭 that set is so incredibly beautiful! I love how you matched the colour of the overlay with her dress!)

@purplexedhuman for this set (your gifs are always incredible! I chise this one because it showcases both your colouring skills and some really intricate effects)

If any of you have already been tagged or don't have the time or energy for this, obviously no pressure to do this at all! 🥰

(btw, I originally tried to place the actual text of this under a "read more" cut but somehow it always messed with the order of the images, so this ended up as a rather long post. sorry!)

[cillianmurphy]

GIFFING 101 - YOUR ULTIMATE GUIDE ON HOW TO GIF

I have gotten many, many asks before about how I gif and I finally decided to make a tutorial. This is going to be very long, very image heavy and with a lot of details and examples. I mean it, I’m going through every, single aspect of giffing that I can possibly think of. From start to finish. And please read the disclaimer at the very start.

* I use a macbook pro but this should probably work on windows too!

I hate doing this but if this helped and you want to, please consider donating to my ko-fi or if you want, commission a theme or page from me at @amaanat <3

tutorial under cut, I hope it helps!

★★★★★

- CONTENTS 

disclaimer

what will you need to create gifs?

how to download videos?

extracting your scene from handbrake using VLC / built in video player

opening in photoshop

trimming, cropping and resizing videos

sharpening

colouring and psds

masks 

adding subtitles

editing frames / timeline speed

multiple gifs in one grid. 

actions

exporting the gif

last minute tips and extra links. 

★★★★★

- DISCLAIMER

First off, this is not meant as a post where I am saying look here, this is the only and perfect way of giffing. Not at all. When I started out, there were many tutorials available that helped me figure out how to gif, and I slowly developed my own style and I would like to create an in depth tutorial that helps you grasp the basics. Heck, make your gifs whatever way you want, go absolutely crazy on colours or whatever, this tutorial is just here to guide you through the process of gifmaking, because I know it can be very intimidating to people who are just getting into it. That is why I made this and why I spent 8 hours writing this, because I want others to know too and this is the kind of in depth tutorial I needed when I was starting out 4 years ago. Thanks for reading, hope it helps and go crazy ahhh go stupid. 

★★★★★

- what will you need to create gifs?

photoshop. I use photoshop CC 2020 on a mac and I pay monthly bc of student discount. There are many, many links you can find on @completeresources for downloads. You can use any photoshop you like, as long as you have the timeline option. 

Handbrake. This nifty program is used mostly to convert MKV files to MP4, but I also use it to quickly extract the part of the video I want, because opening an entire movie in photoshop can quickly clog up space bc of cache and it’s a pain to find that one second scene you want with that tiny scrollbar. Download it from here.

your video (downloading explained down below)

extras: VLC, just to find how many seconds the scene is at, so we can input the time in Handbrake. You can use any other player though for that step, I use VLC or Quicktime. Download VLC from here.

★★★★★

- how to download videos

Ok so I will quickly go through a few methods here for getting your clips. 

1. t*rrenting.

This is the most popular method for getting your film or tv episode. I personally get my t/rrents from rarbg dot to or if I am having trouble finding one, I go to 1337x dot to, because they compile them from different sites. I copy the magnet link and go to the qbittorrent application, import magnet link, choose the files I want and it downloads. Remember, the higher the seeder leecher ratio, the quicker it will download. 

But which file should I choose?? there’s so many? Well yes there are many many files for different movies. On RAR, I found more than 40 t/rrent files for Endgame. I think that generally, the 4/5 GB 1080p copies are just fine. I have compared giffing with a 60GB Interstellar Remux (which is directly ripped from bluray) file to giffing from a 4GB 1080 file, it literally gave me the same quality and the 1080 looked crisper. So yeah don’t kill your computers space, just go for those 3/4/5GB files. 

hot tip - don’t download from yify, the quality is way worse.

2. movies from twitter accounts such as logolessHD.

these accounts post MEGA links to movies and shows, but you will have to request to follow them to be able to get the links. Then you can download the movie from there. The accounts you can get these links from are here: 1 - 2 - 3 - 4. The quality can be a bit less though compared to t/rrents. Here is a link to a tumblr blog with these kinds of downloads too. 

3. downloading from youtube.

ok, use 4kvideodownloader for this. It is incredibly easy to use, you just need the youtube link. Always Always go for 1080p, if you can’t then 720 at the most because otherwise quality gets really bad really fast. 

4. netflix / screenrecording

If you don’t want to download / can’t find something, try using netflix and screen recording. In my experience, SC only works on google chrome and not safari so jsyk!! Here is a tutorial on how to screen record on mac (or for quick access, click command+shift+5) and windows. 

NOTE: quicktime screen records at 60fps, which is nearly thrice the frame rate of movies and shows, so at the end you may end up with duplicate frames in the timeline of photoshop, so you will have to delete those frames one by one sorry. 

★★★★★

- extracting your scene from handbrake using VLC / built in video player

muahaha here’s where the magic starts to happen. Open handbrake and import your video. For this part I am going to use a scene of Keanu Reeves from the 2019 movie Always be my Maybe. I will demonstrate with that scene up until colouring, because then I will show how I colour different scenes!

So when you have opened the image in HB, you get this layout. (link to imgur)

it is a bit intimidating, I know. So basically, first, click on where it says chapters near the top right and click seconds. then, input the time you want to extract from the entire video. For the Keanu scene, that scene starts at 00:57:18 and ends at 00:57:21. These are not exact timings, I usually add an extra second so the entire scene is captured and I heavily recommend you do the same. 

Now down below, you can click browse and edit where your new video will be saved and you can also change the name of the new clip. Always ALWAYS remember to keep the .mp4 ending do not cut that part out!!! If the ending says .m4v change it to mp4!!

Ok then I undertake the following steps to ensure the video that will be exported is of the highest quality possible: 

Firstly, I uncheck all these three boxes: 

Then you see this bar here right? Well I will edit the dimensions, filters and video now. You don’t have to do anything for audio, subtitles or chapters so leaving that alone is best. Lets go to dimensions first.

Here are my settings for dimensions:

The storage size depends on if your file is 1080p or 720p. Most movies are shot in a ratio of 2.35:1, so if it does not say 1920x1080 like a 1080 file should be, don’t fret. The cut off parts are just the black bars you see when watching the movie. Handbrake doesn’t recognise nor convert them so that’s one less thing we have to worry about. 

Now onto filters. Literally do NOT change anything there. Leave the settings as they are, which is like this:

Finally, go to video. You will see this kind of window and these are my settings (imgur)

Firstly, leave video encoder at H264 or 265 depending on how your video is encoded. For the FPS, choose same as source for the framerate and click constant instead of variable!!! This will ensure your video is smooth. For quality, bring the slider all the way to the right. RF0 means it will be at the best quality possible. I didn’t edit the settings at the bottom at all so just leave them be.

Now click this green icon (imgur) at the top and your video will start encoding! It does not take long at all and then your video is ready to made into a nice lil gif!

★★★★★

- opening in photoshop

woohooo we got our video!! Ok now open photoshop. Click on file -> open:

now search for the file you extracted from VLC and import it! Now your screen will look like this (imgur). With a different video, of course lol. 

★★★★★

- trimming, cropping and resizing videos

ok so firstly, we will trim the video. As you can see in the image I linked in the step before, the screencap you see is of someone else in ABMM, not Keanu, like I want. So use this slider:

and click and drag it to where your scene begins and shows up in the window. Then, click the following button to split at playhead. 

This will split the clip and so the timeline and layers section will look like this (imgur) (mine has three sections because there was space before and after the keanu scene so I cut two parts which made three clips)

so now all there is left in trimming is delete the layers of the video you do not need! For me in that image it was layer 1 and 3!

cropping and resizing

This depends on the kind of gifset you want to make. This picture is a handy guide for resizing:

This post is also very very useful for resizing info

Ok now I will crop my gif. Click on this tool:

and now my interface looks like this. I am using the ratio 6 by 4 but you can use whatever you want. 

Ok now you may need to crop some black bars but since I don’t have to, I just moved the crop area around a bit and clicked enter to crop it. Just play around with sizes and whatnot, and get a feel of what you like!!

cropping tip: crop as close as you can to the edges. The more you zoom in, the more pixels that will be visible and it will make your gif extremely grainy!!

So now for resizing, go to image -> image size or click command-shift-i

and you will get this window. 

A LITTLE NOTE - I personally do not use automatic but a friend who shared her sharpening psd would prefer if I kept it secret, but automatic is what most people use and it is what I used up until november 2019 and it worked just fine.

Ok anyway now I want to make my gif 268px wide so I will input that as width and make sure you click this!! It makes sure your height and width are proportional!

ok now we have this. After you’ve done that, click ok!

congrats, you just resized a gif!! Your gif probably looks smaller now in the main window once you click ok, just zoom in to it! don’t worry about it looking bad quality, sharpening is next!

This is how my gif looks with trimming, cropping and resizing (with 0.05 speed)

★★★★★

- sharpening

Now we sharpen! Make sure your layer is selected Go to filter -> sharpen -> smart sharpen and this window will pop up:

These are my settings which most people use. Just remove gaussian blur

I have more accurate and use legacy checked too!

click ok! Now ... your gif might look a bit oversharpened. That’s why we use a bit of gaussian blur. Go to filter -> blur -> gaussian blur.

now I think most people also use a 1.0 radius so set that and click ok.

But now your gif looks too blurry. Lets fix that. Double click the icon below in the layers panel

and adjust the opacity! My go to is between 25 to 35, just so the gif looks smooth!

Now we’re done with sharpening! This is how our gif looks with sharpening with 0.05 speed:

sweet right? Now .... the best and hardest part ... colouring!!!!

★★★★★

- colouring and psds

First I will shortly talk about psds. They are photoshop files, that save the entire document which means you can share it with someone after uploading it and when they download and open it, they can edit the layers, tweak things just like they made the file in the first place. Many people upload psds of gifs with colouring so others can use that colouring. You can find so many psds on completeresources (I only linked gif psds but they have psds for icons and headers too) or allresources. I do not use psds but colour from scratch every time so I will not be explaining them further, sorry. 

So for colouring, I will go very in depth into different styles. Here are the main types of colouring I have noticed people use on here:

simple - I normally use this for scenes with people in it

vibrant, bright - I use this for scenes with lots of colours in them

pale

black and white

gradients - I use this to spice scenes up a bit

colour palette 

I only go for simple, vibrant and gradients and never do cp, pale or black and white, but I will link a few tutorials by talented creators who do and after that I will explain the three ways I colour by showing you three different examples :)

Some useful tutorials I have found for pale/bw/cp colouring are:

this pale tutorial by @samecoin​. Especially useful read because Tippy explains how to avoid whitewashing in pale edits.

this pale tutorial by @kateausten​. Very easy to read and to follow.

this colour palette tutorial by @freddyfreemen​. They explain the basics and provide a psd too.

this colour palette tutorial by @stenbranlons​. Very image heavy which guides you through every step of the way.

A blog dedicated to pale resources is @finesources​ and is definitely worth checking out!

this tutorials page by completeresources has many many tutorials on how to do different kinds of styles

Btw, this is a useful website that explains all the different adjustment layers in photoshop if you’re still getting the hang of them

ok now onto my examples for the colouring. I will first do simple colouring for which I will use the keanu gif. For vibrant and gradient I will use two different gifs. I usually put my colouring into a group so first, close the video group layer and click this to make a new group which will contain the adjustment layers for our colouring:

SIMPLE COLOURING

First I will brighten the gif up with some curves. That is this tool:

Then you get this window:

As you see, I have selected that white eyedropper tool. Using that I will brighten the image. Basically, you want to click on the whitest part of the gif using that tool. This is because wherever you click, the eyedropper will turn that part into white and adjust the entire gif that way so if you click somewhere dark, you’ll get this white bright fuzzy mess. So I clicked on the lightest place which imo is the white specks near the glass in front of his hand and now my gif looks like this:

Ok now if you look at the above image, there is a black eyedropper two steps above the white one. You want to use that to click on the darkest place of the gif bc it’ll turn that to pure black. Here is my gif when I did that:

not a massive difference but it balances things out. Now I will add some saturation. Click this icon:

which brings up this window. I have already set saturation to around 15 to make it a bit warmer:

and the gif looks like this now:

I think it looks nice, but I would like to add something extra. That is why I am going to play around with selective colour to make the background pop a bit and make the black colour more dark. So click this icon:

and you get this window and these colours (imgur). You can play around a lot with selective colour and manipulate colours! So if I turned the black dial on reds to +100, they would become wayyyy darker. However because I want the background to pop, I would use the colours magenta and blue (and black for the final touch). For those my settings are this: 1 - 2 - 3 (imgur). So now my gif looks like this:

And now i think we are done! For comparison, this is what the gif looked like with absolutely no colouring or sharpening:

And that was all for simple colouring!! Lets move on to vibrant colours!!

VIBRANT COLOURING

For this I will use an example from Thor: Ragnarok bc thor is my soft bb. I did not do much for this first example except play around a lot with selective colour and I used the exact way of adding saturation and curves as shown before. Honestly just playing around with selective is the best bet to get vibrant colouring. The gif without sharpening etc was this:

the gif after colouring and sharpening is this:

pretty sweet huh? Just play a lot with saturation, hue and selective colour and channel mixer and you can create a lot of styles that way!

GRADIENT

for this I will use another clip from Thor, but from The Dark World. It is a bare clip where it is raining and I will add a gradient on it. This is the gif without colouring nor sharpening:

now we will do the sharpening and colouring. I already applied a basic curves and saturation layer so now it looks like this:

It looks a bit better right? Ok lets get that gradient applied. Click here:

and click on gradient, NOT gradient maps bc those are different things and I honestly dont know how maps work. 

now this is what will appear, I haven’t changed anything to this yet:

What style, colours, angle you choose is up to you. I personally am going for 0 angle because I want it going right. Now, to choose colours, double click on the colour shown next to the word gradient. This window will show up:

The fun part is you can do what you want here. Just experiment, click the buttons, adjust opacity etc. When you click at the bottom of the bar somewhere another stop marker appears meaning you can have even more colours! Just click on the bottom markers and edit to your hearts content! Use the top button to adjust opacities. Personally I went for this gradient:

Ok but now we have a problem because our gradient is fully covering the image and you can’t see anything. That is where blending modes come in. Right click on the gradient layer and click blending options. This window will pop up (ingur). When you click blending mode, these options appear (imgur). 

Here is a good guide explaining the blending modes

I just recommend playing around seeing which one suits you. I went for overlay, which makes my final gif look like this:

and that was that on colouring!! Let me know if u have questions about it! Onto the next part, masks!

★★★★★

- masks

I will not go in depth here, but instead I will link some tutorials but the amazing @thepunisher​ who has explained it much better than I ever will be able to. The tutorials are all in this link. If you have any questions do lmk but idk how I could explain it. 

★★★★★

- adding subtitles

although we wish we could, we can’t all lip read so we need subtitles also I’m hard of hearing and need them anyway but yeah, I will quickly highlight how I add subs! I use the font Arial Rounded MT Bold Regular.

I will first link to this post because it helped me a lot and may explain stuff better than I do. 

Lets take the keanu gif we had earlier. In it, he says ‘fish flakes’. Now what I do is this. Click on this icon:

and drag a box around the gif fully. Add your text. Mine looks like this now:

Well that ... does not look like a subtitle. BTW my settings are:

*when there are two people speaking I change the colour of the second person to #ffff00 - also for 540px gifs I usually use 12/13px text.

Ok now I will add the stroke and drop shadow. Right click on the layer of text, click blending options and change your stroke and drop shadow settings to this and this (imgur). Now just click the move tool or hit V on keyboard to select it and drag the gif down wherever you want. Now my final gif looks like this:

Ok, now if you have two gifs and you want them to be the same distance from the bottom, right click the text layer of the first gif document, click duplicate layer and you will get this window:

now click on destination and depending on what files you have open in PS, you will get this window:

now just choose where you want the text to go and if the gifs are the same sizes itll appear exactly where it did in the first one and you can edit the text for the second. You can do this with adjustment layers, groups etc too!!

Now text is done! Off to the next part!

★★★★★

- editing frames / timeline speed

We are done editing, now time to convert to frame animation and edit the speed! 

Ok click on the four bars on the right side of the video timeline. It will bring up a menu. From there, select this:

This will make individual layers of every frame into clips. Now, click this at the bottom left side of the video timeline:

This will convert your video timeline to a frame animation timeline. Now it looks like this (imgur). you’re probably wondering wait where the heck did my layers go well don’t fret, lets click the four bars on the right side again and click this:

now look! We have got all our frames into the timeline! Just delete the excessive frames at the front. Now click the four bars again, select all frames and then click the number at the bottom and change it to 0.05 or 0.06 or whatever speed you want:

Now we are done with this step!

★★★★★

- multiple gifs in one grid

I myself am not going to explain this, instead here are links to a few amazing tutorials that will help you further

this tut by @brolinjosh​

this tut by @futurist​

★★★★★

- actions

Now actions ... man they make everything so much easier. Basically actions are a sequence of steps you undertake in photoshop that are recorded which you can then save and use on multiple files. This makes the giffing process much much faster!!! For instance, these are the actions I have saved (mind the doubles lol I am experimenting a bit!)

As you can see, I have one for undertaking the entire video timeline to frame animation process and one for sharpening and the subtitles. It has saved me around 75% of the original time I put into creating sets before which is a lifesaver. 

I cannot explain how to make actions bc I am really bad at explaining stuff, but here are some tutorials:

- https://helpx.adobe.com/photoshop/using/creating-actions.html

- https://completeresources.tumblr.com/post/66560261468/how-make-action-%D0%B7 

- https://completeresources.tumblr.com/post/50583786863/how-to-use-an-action

- https://completeresources.tumblr.com/post/50362731526/how-to-use-actions-on-gifs

https://www.creativebloq.com/adobe/create-own-photoshop-actions-61411918

★★★★★

- exporting the gif

now we’re at the final stage! When you have your gif ready, go to file -> export -> save for web legacy

ok now the next window is this which looks intimidating I know

Well basically, those are my settings above. Make sure the looping option is set at forever. Also on the left size you see how big your gif is, make sure it is under 8mb but tumblr is unstable so keep it under 5MB and it should be fine. 

I use different exporting types at times. Sometimes I use selective and pattern, sometimes diffusion or adaptive+dif. Just remember that the gif size depends on which you choose so keep that in mind. Here’s the difference (if u can even spot it). 

selective + pattern

selective + diffusion 

adaptive + diffusion

Personally I mostly only use selective + pattern!

btw make sure your matte is at NONE!!! This is because otherwise you have those whitish transparent borders on your gif, esp noticable on dark gifs, like shown in this tutorial by the talented @joewright​ !

And congrats, you have officially made a gif! Now go experiment, have the time of your life and do whatever the heck u want with your gifs. And if you want me to see them, tag me!! I track #usernums !!!

★★★★★

- last minute tips and extra links

man idk what to say here really but here goes:

@completeresources​ and @allresources​ are amazing places to learn more about gifmaking, pls take advantage of the opportunity

reminder: quicktime records at 60FPS, so unless you want a laggy gif delete the extra duplicate frames in the frame animation timeline!!

When opening import video frames to layers, do not click skip every second frame!! do not!!!!

Do not steal gifs. Try making them. I know it takes time and it can get frustrating but don’t post someone elses gifs as your own. Even the ugliest gifset in existence made originally by someone is better than a stunning set put together full of stolen gifs from various users. Don’t be that person

Don’t be afraid to ask for help pls just go on anon if u want!!

use the tumblr dimensions!!! I cannot stress enough how important this is because if you don’t, your gifs will look stretched af and lose quality so like .. don’t do that

[seokmingiggles]

check in tag!

tagged by: @sanshiine​ (SUCH a long time ago, i’m so sorry !!!) and @wonwooslibrary​ !! thank you both :D

why did you choose your url?

i waited to do this tag game after my whole url changing fiasco last month LOL. but i settled on seokmingiggles due to,, it being pretty self explanatory? seokmin is one of my two ult biases, and giggles. just. the giggles. his giggles. ;-;

do you have any sideblogs?

yes! just the one for ficrec reblogs @hobiwiggles​ :3

how long have you been on tumblr?

seven months on this blog! but i used to have a different account (that i no longer use) that i made sometime around 2014.

do you have a queue tag?

yep yep it’s very simple just #lan’s queue (in which you will find far too many seokmin and hobi gifsets)

why did you start your blog in the first place?

i wanted to do something new while in quarantine between semesters late last year! the decision was made on a whim, but i haven’t regretted it since :D

why did you choose your icon/pfp?

seokmin and chan giggling,, again, i think that’s quite self explanatory.

why did you choose your header?

i wanted to utilize one of the (many, many) photos i took while i was in europe in 2015! i thought the colours somewhat match my pfp.

what’s your post with the most notes?

it recently became this jeonghan timestamp that i wrote recently!! :D i certainly wasn’t expecting it when i had posted it last month, but i’m grateful, nonetheless ^^

how many mutuals do you have?

i’m not entirely sure how many to be exact! but know that i appreciate every one of you <3

how many followers do you have?

i hit a mini milestone just recently :3 thank you to each one of my followers who’s been with me thus far <33

how many people do you follow?

87 accounts~

have you ever made a shitpost?

technically speaking,, aren’t all of my posts shit posts ?

how often do you use tumblr each day?

i check my dash fairly regularly but typically don’t post more than one or two things per day (if my queue is running)

did you have a fight/argument with another blog once? who won?

absolutely not. i can’t stand fighting D:

how do you feel about ‘you need to reblog this’ posts?

i’m not a fan of them

do you like tag games?

yes! even though they often take me a while to get to. i also love reading my mutuals’ responses :3

do you like ask games?

also a yes! these, though, i typically do less often than tag games.

which of your mutuals do you think is tumblr famous?

oh, all of them!! but specifically @woozisnoots​ @seokwu​ @ahloveisboo​ @lunatens​​ 

do you have a crush on a mutual?

does it count if i have a crush on their writing? if so, then undoubtedly @adi--writes​​ @minghaofilm​​ @lovingyu04​​ plus many others <3

tags?

i’ll tag everyone who i’ve mentioned so far (although i know a lot of you have already done this game! no worries if that’s the case!!). along with some new mutuals i haven’t interacted much with !! @fallinchan​​ @starlightjoong​​ @hoshblr​​ @cloudyhaos​ @yoonzeeno​ <3

[himbo-buckley]

The Big Buddie for Dummies Guide

Hello party people and welcome to whatever this was supposed to be!

Quite a while ago I got an ask by someone about doing a guide on all the canon indicators for Buddie to explain the ship to non-shippers and about 5 anxiety attacks and four weeks later, I finally did it!

So read, enjoy, reblog, validate, disagree!

Also here are some notes before we get started:

Buddie has been around a while now and there are some incredibly people writing about them and doing meta posts for them, some of which I asked for their opinion which I will link at the end and some of which I am quoting in a way / have been inspired by (Also feel free to send me all and every post related and I will link it in the text as I will try to do the same)

This Guide is organised by the following themes we find in the show with Buddie: trust - coparenting - connection and love life - subtext

I’m not gonna lie, this is incomplete af because tbh? There is so much stuff that can be interpreted as evidence for Buddie but this is too long already so I left some stuff out, I hope ya’ll don’t mind … (also the reblog  option exists for reason, just add on what I missed, I’m not gonna bite!)

I’m gonna assume the person who reads this has a general understanding of the show and its scenes because I cannot explain every scene down to it’s very detail (I mean I can but that’s another 20000 words worth of meta and not sure anyone wants to read that … again) but I will try and link fitting gifsets (again, send them my way if you feel I should include sth.)

I should also add a warning for the fact that I, personally, think I am hilarious but others might not but fellas, Idc! (Also I cuss, some people don’t like that?)

So let’s get this show on the road then, shall we? I call this meta : „We might end up real close.“

(alternate title: „Buddie stans ship hard but canon ships harder“ or „This is Timbo’s story (of becoming more famous than Joss Whedon) and I’m just it’s vessel“)

Trust

We’re gonna start this off strong (I mean all of them are strong themes) by talking about the biggest theme with Buddie which is trust. It goes all the way back to 2.01 and the gym scene and Buck basically telling Eddie he doesn’t trust him (complaining about Eddie’s comfort level, anyone?) and that he needs to earn that - which rude but also I get it.

In fact there are two main themes which I combined into Trust which begin in 2.01:

„You’re my problem“ and „You can have my back any day“ both of which sort of sum up Buddie, because from the get go Buck decides hey, this guy is my problem and then he proceeds to make everything about Eddie his business. Eddie meanwhile tells Buck he’d love to have him watching his back - meaning Eddie trusts him and wants Buck to be his partner.

(Side note: isn’t it beautiful how that is a complete reverse of their usual attitudes? Usually Buck trusts way to easy and Eddie never does but with each other it’s the opposite!)

Let’s look at the episodes in order, okay?

2.01: „I think I’ve seen this happen in porn before“

- „You’re my problem“: I’m gonna talk about the gym scene later a bit more but this sort of establishes the dynamic Buddie has? Because both are fascinated by and focused on each other from the get go. I mean: Eddie got to the 118 and everyone seemed to be nice to him except this one guy and instead of giving him a few days, thinking he’ll come around , Eddie is like: nah, I’ll confront him! Why? Maybe it’s gay, maybe it’s Maybelline, maybe Eddie „I am not enough“ Diaz was just sick and tired of everyone putting trust in him because soldier and craved the vibe check?

- „You can have my back“: Basically what happened was, they got the bomb out (being partners and in sync even when they didn’t like each other yet) and they stood outside and Eddie tries a new approach cause for some reason Eddie decided out of everyone at the 118 he needed Buck to like him specifically and so he pays the guy - who was nothing but rude to him so far but who is also very competent - a compliment and Buck gets all flustered and thankful - and „You’re my problem!“ gets rephrased into „Or you know, you could have mine!“

(Also the look of pure elation on Buck’s face when Eddie compliments him, you know the person Hen has basically said is so awesome and pretty it transcends sexualities? And he picks Buck of all people to have his back? Buck has no choice but to stan!)

- In terms of Trust we also get the pool scene which is our second instance of them being in sync and partners by both jumping into the pool and getting the guy out basically at the same time

2.02 / 2.03: „Why Edmundo Diaz hates earthquakes part 1 and part 2 (of 2)“

- „Where do you want us, Cap?“: Now looking at the timeline of 2.01 they’ve known each other for approximately four days as this is their fourth shift together (we see) and yet Eddie is already comfortable enough to answer for himself and Buck several times. He’s the one who decides they will go in and he answers the roll call later for the both of them. This is our first real instance of them being in sync and just their whole interaction, from Eddie going along with Buck’s plan about the elevator to everything else just shows how much they already trust each other.

- „I, uh, I love kids“: Also Buck in this episode, why was it so important that Eddie knows you like kids? Please share!

- “Eddie, you’re kid is in the safest place he can be.“: Connected to this is a sub-theme I like to call: ‚They know each other better than anyone else does‘ which is established here with Buck realising that Eddie is full of shit when he pretends not to worry about Chris so Buck spends some time trying to assure Eddie Chris is safe at school.

- „Is everything okay?“: Of course, the fact that Buck was the only one to check in with Eddie’s mental state from the truck scene onwards is very telling, because everyone else likes and trusts him but they don’t really care (yet)

- And the episodes end with everyone reuniting with their families, including Eddie - while Buck watches from the car because Buck drove him there because he has his back (also see Subtext)

2.04: „Hearteyes, motherforker“

This whole episode is what made several people ship Buddie and well, I can see it and I will talk about a lot of it with the other themes but for now:

- „I just feel bad for him. (…) Eddie’s working on it“: This episode really leans into the whole „You’re my problem“ with Buck apparently driving Eddie to the hospital (or at least coming along) to Buck clearing Chris coming to the station with Bobby to worrying about them at home until finally he introduces him to Carla.

Mind you, they haven’t known each other that long, yet Buck feels the need to meddle in Eddie’s life and fix his problems for him which, yes, is very Buck thing to do but still: Considering Eddie was introduced to us as this super capable guy, it’s interesting that Buck immediately saw through him and decided: yeah, that guy needs me to take care of him.

Or you know, to have his back.

2.07: „*Tommy Wiseau voice* Oh, hi Shannon!“

- „I needed someone to have my back“: This episode establishes the significance of „You can have my back“ even more because in this episode Shannon comes back and you know what they fight about? Eddie not having her back. Shannon quite literally says „I needed someone to have my back“ which is almost the same exact  Eddie tells Buck in 2.01 and with that wording as well ...

In the same scene Shannon also says how Eddie always knows best and is the one to make the decisions which  is another parallel you can draw to Buddie where Eddie began like that in 2.01 (the scene at the mechanic’s) and then began to follow Buck’s lead (the elevator shaft) / let Buck help him (Carla))

2.10: „It’s all about ‚figured it was none of my business‘“

I love this episode very much because there are several Buddie hints in there.

- “I think it’s none of our business.“: Connected to the topic of Trust is the scene between Chimney and Buck when they buy the Christmas tree and Buck keeps talking about Shannon coming to the station and the fact that Shannon and Eddie hooked up while Chim seems exasperated by this and frankly doesn’t care and he tells Buck as much, saying it’s none of their business. Except it is because Eddie is Buck’s problem, remember?

- „So … not gonna say anything?“: And then the „None of your / my business“ gets repeated in the scene when Buddie sits at the fountain talking about Chris and Shannon and they both say it’s none of Buck’s business. Yet Eddie then still tells Buck all about it sounding all defensive.

- It’s also the first instance of Eddie willingly searching out Buck’s advice about Christopher.

- And related to the topic of knowing each other well, considering how surprised Buck is by all of this, one sort of has to wonder how often they hang out outside of work. Because the way Buck acts makes one assume it’s quite a lot, which is why Buck is so hurt he doesn’t know about it.

- Also the fact that they so casually go somewhere with Christopher and the way Buck talks about him making it clear they have done this before.

- „Trying to protect your kid.“: On the topic of Trust I also wanna mention the fact that Eddie doesn’t trust Shannon with Christopher. Which is a direct parallel to 3.03 when Eddie tells Buck there is no one he trusts more with his son. And also 3.09 when Buck gets to be back in Chris’s life after the lawsuit as soon as Buddie made up yet Shannon needs to really beg for it? I mean, yeah.

2.13: „ Evan *I colour coordinate with bae while my sister is abducted and my brother is dying* Buckley“

- „Oh, no, I know what you were thinking.“: The scene at the hospital between Buck and Eddie does have a bit of subtextual relevance but I do think we should note the fact that this scene was in the show at all like this because wouldn’t Bobby have made a bit more sense? After all they spent one and a half Season before that making him the guy Buck goes to for advice and he has sisters as well, yet here we get Eddie being the one to talk to Buck.

We get Eddie basically telling Buck exactly what he needed to hear and while not exactly condoning his actions, he is also not judging them. Instead Eddie is telling Buck he might have done the same, because Eddie and Buck know each other and see each other.

So I wouldn’t necessarily call that scene Buddie-hinting but it does definitely play into the whole ‚having each other’s backs‘ and ‚knowing each other well‘ thing they got going on.

Also compare it to 3.06 in the way that both times Buck did something wrong and it was Eddie who actually took the time to listen to Buck’s reasoning and be the one to understand him, which is a very important part of their dynamic.

And the line „I wasn’t worried about that.“ in response to how Buck thought he would get away with all of this might be one of the top 10 heartbreaking lines of this show for me and that is saying a lot with 911!

2.14: „‚It’s a miracle… bro #nohomo’“

I am not fully sure if the scene of Buck freaking out about Eddie going back in to save the kid really fits in here, but I’m also very unsure were else to put it, so Trust it is!

- „Eddie, what are you doing?”: It does fit into the whole having each other’s back thing with Buck immediately jumping into action to try and help Eddie

- But in all honesty prior to 3.14 this would have not made the cut as I would have been like: eh, that’s just who Buck is as a person - but as 3.14 will proof / has proven, he can be calm and collected even when his sister, his ACTUAL family is in danger and while I would argue it was in part because there was less he could do to actively help in 3.14, it still deserves to be mentioned now

- Side note: considering 2.13 / 2.14 and 3.14 / 3.15 this marks two occasions were Buck being worried for Maddie’s life was followed by an episode of Buck being worried for Eddie’s life and that too deserves mentioning

2.18: „insert *Jane Austen film*-gif: It’s about the hands!“

- I’m not really sure if this is really connected to Trust but Eddie holds Buck’s hand the whole time, even after he has dragged him out from under the firetruck until they disappear in the ambulance.

- Also the fact that Eddie, who is probably stronger than Chimney, is the one helping Hen drag Buck out from under the fire truck while Chimney helps lift it is … worth a mention.

- Definitely connected to Trust is Buck’s insistence to going to Eddie’s ceremony because this is Eddie and he has his back

3.01: „How you know he no sleep naked?“

Yes, this scene has a lot to unpack. In terms of *trust* / how well they know each other:

- „He’s just sulking, Cap“: Eddie says about Buck. In my opinion the phrasing combined with how before that they were talking about how Maddie can’t get Buck to leave the house and he won’t answer any of Bobby’s calls implies that either a) Eddie too has tried to contact Buck with no success or b) is actually in contact with Buck, has talked to him and has concluded based on what he saw that Buck is sulking - and yes, I am leaning toward b).

- “Maybe you’ll learn something.“: Which brings me to the fact that it’s Eddie who makes the  plan to get Buck out of his funk and prove to him that he still has stuff to live for, despite how dismissive he had been about Buck’s feelings before, calling it sulking and saying Buck should just brush it off. Because Eddie has Buck’s back despite it all and is there for him and trusts him.

- „He’s hanging out with his Buck today“: In terms of actual Trust there is the fact that Buck is very much depressed in this episode - and what does Eddie do? Puts his son in his care, you know, the most important person in Eddie’s life, convinced that Buck will be able to take care of him despite how low and bad he is feeling about himself. One) because it has been the case for Eddie probably. Two) because this is who Buck is as a person even while depressed and Eddie trusts that. And three) because even before the Tsunami Eddie was very sure about how much Buck loved Chris.

- „Honestly I don’t know how to help him.“: This also parallels Maddie with Eddie in an interesting way because Maddie spends the whole episode worried about Buck and thinking he cannot take care of himself, while Eddie trusts in Buck to not only take care of himself but also his son. Which yeah, interesting.

3.02 „Eddie hates earthquakes - the remix“

- The episode sort of proves that while the others may have known what Eddie was gonna do, Operation „Buck up Buck“ was his plan because he is the one who has Buck’s back. (Considering for example Maddie doesn’t know about it as she thinks Buck is home and had Chim been involved he would have told her beforehand meaning this was Eddie’s plan and he executed it and then told the others about it while at work.)

- Also in terms of literal Trust: LA is hit by a Tsunami and Eddie doesn’t worry about his son once because Buck said they are going to the movies next and also because Eddie trusts Buck to protect Chris like he would.

3.03 „‚Do it for the trauma!‘ - Buck-edition“

Once again a subtext-mill but there is some textual evidence as well:

- “How do you tell your best friend that you lost his son?“: At the VA hospital Buck calls Eddie his best friend when he talks to Maddie which I always found weird in this context? Because it should always be hard to tell another person about how you got their child killed (which is not my opinion but the way Buck sees it here, okay?), yet the writers choose to put in a reference to how much Eddie means to Buck.

- Which connects to another subtext and text thing which is the voiceover which has Buck say the lines: „To be seen. To be found. Isn’t that what we’re all looking for?“ after talking to Eddie, which no longer just implies this is about Eddie but actually straight up says it - and it connects to the sub-topic of how well they know each other, cause Buck says in this episode: Eddie is my best friend and he sees me for who I really am. Which, yeah, is stuff one usually finds in connection to a love interest. (Will talk about it more with Subtext though)

- Also before that the voiceover has Buck say „Sometimes being lost is not knowing how to get from where we are to where we wanna be, where we need to be.“ right as Eddie knocks on the door, which basically states that Eddie and Chris might be where Buck wants to be but also how Eddie apparently knows how to get Buck there. Because he knows him so well. (He literally calls Eddie his life raft in the voiceover!)

- „Buck, there is nobody in this world I trust with my son more than you”: Now the Trust theme in regards to the loft scene is interesting in how it compares Buck to two people in Eddie’s eyes / life: Shannon and himself. Shannon, as I already said, we have with 2.07 and 2.10, both of which talked about how she left Chris (and Eddie) and how Eddie no longer trusts her because of this and refuses to let her back into Chris’s life. Which is different to how he always lets Buck back into Chris’s life, even after the lawsuit with virtually no hesitation once they made up as far as we can see. Meaning he trusts Buck more than he trusts Shannon. Who is, you know, his wife?

As for Eddie himself, I’m gonna flashforward a bit to 3.08 and the conversation between Eddie and Bobby. Because in 3.03 Eddie talks about messing up with Chris, yet how he never stops trying and how he knows Buck is the same way - which is interesting considering 3.08 has Eddie basically say that he has not forgiven himself for all those mistakes. Yet he forgives Buck both for the Tsunami and abandoning them during the lawsuit.

And now I wanna say something very controversial and hurtful but also connected to how I read Buddie and Trust which is that in my opinion? Eddie includes himself here. Eddie tells Buck here he trusts him more or at the very least just as much as he trusts himself with his son. Which is pretty big, considering he barely trusted his wife, the mother of said son, who he has known for at the very least about 11 years during Season 2? Someone he himself said he loves? Someone he at one point planned his future with? (Meaning he most definitely plans his future with Buck in it now…)

3.04 „discount!Buck in the house“

- Two things are in this episode, both of which are very much not about Trust in the literal sense but how much time Buddie spends together outside of work:

“Can’t fight city hall.“ Eddie being the only one on board with the fire drill Buck’s leading because he is a boy scout who follows all the rules but also because Buck probably talked to him about his job as fire marshal beforehand and so Eddie knows how important what is happening here is to Buck.

„You don’t know math.“: now, you can think this is another dig at Buck’s intelligence but you also have to acknowledge that at one point Eddie might have either heard someone reference Buck’s math knowledge in front of Eddie or Eddie has seen Buck try doing math and has remembered that well enough to immediately be able to pull out that dig. (Which brings us to a parallel I will talk about later!)

- “Uh, who - who’s that?“: I also firmly believe that Buck would have not been as willing to go along with the lawsuit, despite Bobby’s betrayal, had Eddie not immediately rushed off toward Lena at the firehouse, making Buck think Eddie (his partner) has replaced him. Does no longer need him to have his back.

3.05: „What if we fight like a married couple in a grocery store downtown LA, bro?“

Ah, yes, that episode! Filled with Buddie signs!

- “And if Cap says he’s not ready, he’s not ready.“: What I find interesting in terms of Buddie and Trust is the fact that Eddie apparently trusts Bobby’s judgement more than he trusts Buck’s. Which I find OOC. Or not because Eddie is a soldier and Eddie grew up fairly authoritarian it seems his first instinct will be to follow the chain of command / do as the person in charge tells him to.

- Now everything else that happens after including and specifically the street fighting storyline? That was a direct result of the lawsuit and the deposition in which Buck betrayed Eddie’s trust by revealing the info about Shannon. Which Buck is aware of because up until this point we see him still looking up, yet after this he drops his eyes and doesn’t really look at anyone again during the deposition.

- “And I’m not allowed to talk to Buck.“: Yet. YET despite this massive betrayal in Eddie’s eyes what stops him from calling Buck later is the fact that he wasn’t allowed to do so! Nothing else. Also the phrasing is very interesting as it gives us three entities Eddie considered to call: his abuela, Buck and the 118, meaning Hen, Chim and Bobby - the people he will call his family about 6 episodes later - are an uniformed mass but Buck is his own person - because up to this point Buck always had Eddie’s back. And we all know he still would have had! (Sidenote: this line is what made me an actual shipper and why ya’ll can read posts like this, so maybe say thank you to Lyndsey Beaulieu? Or fuck you, depending on your opinion of me ;P)

- „And now I can’t even talk to you.“: This whole scene gives huge character exposition and I’ve talked a shit ton about the fight in the grocery store before as have a lot of other people, but basically what it boils down to is that Eddie is mad at Buck because he revealed things about them to his lawyer but mostly because Eddie thought they had each others back and trusted each other and apparently Buck doesn’t trust and care about him the same way Eddie does for him because he didn’t even consult Eddie about the lawsuit? And Eddie misses Buck a lot. And Chris misses Buck a lot. And Eddie is already mad because Shannon wanted a divorce despite how hard he tried and then she died, meaning she left him again and now Buck left him as well and why is Eddie never enough for anyone?

And of course, as always, Eddie is mad at himself the most because he wasn’t enough for Shannon and he wasn’t enough for Buck and he’s probably not enough for Chris who is struggling so much and Eddie just feels angry and lost all the time!

I think this is the moment Buck finally understands how much he means to Eddie truly. How Eddie meant every word in 3.03. How for once someone actually trusted him, depended on him - and he let them down. Which was never his intention because Buck never understood that he could (which is not the topic of this post though).

- “Why can’t you see my side of things?“: On Buck’s side, while he isn’t nearly as mad as Eddie, he does raise the question of why Eddie didn’t have his back - which is a very fair question but Eddie is still too mad at Buck here to hear it.

- What is also very interesting about this scene is that no one, not even Bobby who was actually sued by Buck, is as mad at him as Eddie is and no one dares steps between them. Probably because everyone recognises they are closest with each other, so the conversation hits a bit different and also is about a lot more than the „stupid lawsuit“. Yeah.

(Real talk I have been very mad at friends before and I am known to make scenes but damn, this scene does not read platonic at all, it reads ‘married couple fights in grocery store in LA - what happens next will surprise you. News at 11.’)

- In other news, Eddie didn’t come to the rage room in the end and Buck was very very sad about it.

3.06: „*cries about the framing*“

(Sidenote: I feel Eddie so much in this episode, I too would be too embarrassed to talk to Buck had I just screamed at him in a grocery store in full view of all our coworkers. I too would avoid everyone like the plague and maybe join a fight club just so I would not have to deal with those feelings. I get it, my dude!)

- “Whew, dude, are you okay?“: We’ll talk about it with 3.08 as well, but it is very significant and pointed that Buck immediately knows something is wrong with Eddie when no one else at the station had seemed to be aware of that.

- “I don’t know what you want from me, Buck“: The apology scene is very subtext heavy but what it comes down to in the whole having each other’s back / knowing each other well / Trust - column is the fact that after being mad and avoiding him all day Eddie still sticks around and more importantly actually listens to Buck - which, as shitty as that sounds, but considering how he acted before if Eddie hadn’t wanted to still be Buck's friend he could have said something shitty and left or stayed and not actually listened to what Buck had to say - but he didn’t because as hurt as Eddie had been by Buck’s betrayal he still trust him and he wants to understand, which I do think sets Eddie apart from everyone else because Hen and Chim forgive Buck but they don’t ever try to figure out where he is coming from while Bobby is … being Bobby about all of. Eddie meanwhile, who has the most or maybe the only right to actually be mad about the lawsuit, still trusts Buck enough to know that he had his reasons and actually takes the time to listen to them. Even if he is being sassy.

- And on Buck’s side we do have his need to reconnect with Eddie the whole episode and we have him notice stuff about Eddie no one else did and we also have the really beautiful and mature line of Buck saying: „I just want you to talk to me. Even if it’s just to say you’re still mad.“ Which I love very much and tells us a lot about Buck and communication, because Buck values openness so much.

- “And I just wanted to…“ - „Punch someone?“: Also while it was important for Buck to explain himself to someone - it was especially important for him to explain himself to Eddie, both because he considers Eddie his best friend and also because the grocery store scene showed him how much he means to Eddie which probably floored Buck because as we learned before and also after: Buck is not used to people needing him as much as he needs them.

3.08: „XOXO gossip (fire)fighters“

- “Whoo. Nice truck.“: One thing about 911 is that it’s a very plot and action driven show, meaning sometimes it will lack the time to actually show us certain things, especially when it comes to relationships, so it relies a lot on telling us things about characters and their relationships and as these scenes here show us they do a good job at it. Buddie talking about Eddie buying a new truck is very casual and banter-y / flirty (this is a Buddie post so I call it like I see it) and light and shows us: hey, they are friends again and close again and they know each other very well - while also showing us: Eddie still keeps stuff from Buck but Buck knows something is off.

- “Eddie too.“: Which brings me to my next point and the thing I love most about this episode aside from Heidi which is Buck running around and going: ‚something is wrong with Eddie‘ while everyone else is like: ‚Eddie? Are you sure? I haven’t noticed anything‘

Which leaves two ways to read this:

Eddie and the rest of the 118 aren’t as close as it seems and they do not care about Eddie that much - which considering all the deep talk between Eddie and Chimney in 3b especially and the fact that he calls them his family would be fucked up and also doesn’t seem like the vibe they are going for OR

BUDDIE! I mean, look at what has been going on with the street fighting storyline, essentially the writers went: okay, so Eddie can't talk to Buck so he goes completely off the rails but no one will know because Eddie hides it so well - EXCEPT Buck will realise sth is wrong the second he looks at Eddie and once the lawsuit is done he will spend two episodes running after Eddie and trying to figure out what is going on

3.09: „#tw: mild adult themes & implied sexual content / #pwp - porn without porn“

- “He’s kind of obsessed with natural disasters.“: Honest question: Is Buck really obsessed with natural disasters or does Eddie have earthquake related trauma and Buck has been googling stuff and telling him facts to calm Eddie down every time the earth vibrates a little because a train or something passes them by?

In any case it’s a very cute scene with Eddie once more revealing how well he knows Buck and the writers confirming to us that yes, these boys spent a lot of time with each other and talking to each other - without needing to show the scenes

- “I could still take you“: AFTER ALL they needed the runtime to do this other little scene this fandom has not talked about at all ever mainly because it is so very straight basically people stopped shipping after.

I’m just kidding, obviously the whole scene was very queer both in subtext but especially in text, I mean, what even was that line about still taking him, Buck? There is a child not even 15 feet away, where is your sense for decency and decorum? DO YOU WANT TO TRAUMATISE HIM EVEN MORE???

A few notes on this scene:

- It’s been pointed out to me that Maddie complains about how everything around there gets shared with the 118 and how Buck … turns around and shares everything about his sister with Eddie, which I love because it seems so normal and comfortable between them like they do that all the time, which is way cute and domestic!

Added to that considering the conversation Eddie had the week before with Bobby about Shannon and the throwaway reference about thinking his marriage having been complicated, I wonder: Did Eddie talk to everyone about the street fighting and Shannon after his talk with Bobby in 3.08? Did he just talk to Buck about it? Did Buck know about Shannon wanting a divorce all along? (Yeah, you know were I am leaning, right?)

- “Especially if you aren’t around to see that they need saving“: As for the apology in and off itself, I’m not gonna talk about the character implications again cause been there done that, send an ask if you wanna know more, but what it comes down to is: Buck acknowledging that he should have been there for Eddie and he didn’t consider the Eddie of it all when he sued Bobby, which is interesting because OFFICIALLY Eddie really is just his best friend and coworker at this point so did he really have to consider his feelings all that much?

Also Buck is saying - and Eddie is not contradicting this - that Eddie street fighting would not have happened if Buck had been around, which, to quote a good friend of mine: Uff!

I think we can admit that while Eddie was mad at Buck, his anger was not primarily about Buck but it was amplified by Buck abandoning him. We can admit that Buck was what ultimately caused Eddie to lose his control and considering everything that Eddie went through in the past year with Shannon and considering everything Buck went through in the past two years: this is as close to unconditional love as these two can manage at the time and that is very beautiful and does support Buddie 100%. They are each other’s anchor and person the one they turn to in a crisis.

Or well, Buck is for Eddie. Buck does have more people like that in his life with his sister there and I do think before the lawsuit he wasn’t fully aware that he could depend on Eddie so fully because Buck always doubts how committed other people are to him because abandonment issues.

3.11: „Bist du single? Nein, eher Album!“

- „This is Eddie’s house. I’m not really a guest.“: Incredibly strong indicator / implications toward how much time these two boys spent with each other, considering how comfortable both of them are in each other’s space (and I don’t mean physical but material space). Eddie has a key to Buck’s apartment and just let’s himself in willy-nilly, while Buck is around in Eddie’s place often enough to not think of himself as a guest there. (And while that might be normal best friend behaviour to some of us, Maddie’s words imply that it is not for her / the Buckleys.)

3.14: „Frank says ‚Thank you, this paid for my new house!‘“ / 3.15: „MY therapist also says ‚Thank you!‘“

I’m gonna group these two together, since 3.14 in itself doesn’t have any relevance considering Eddie isn’t even in the episode but it does become relevant in regards to 3.15!

- Basically what it all comes down to is the contrast between Buck’s reaction to Maddie being in danger and his reaction to Eddie nearly dying!

Now I already said while talking about 2.14 part of it was that Buck was aware he was in no position to help Maddie and might actually make stuff worse if he intervenes while with Eddie he was HIS ACTUAL LIFELINE! He was actually responsible for getting Eddie out of the well and home to his family. BUT (!) it’s still very pointed, especially remembering they apparently changed the order of episodes around? Meaning we are really hit with the contrast and we have to consider the implications of it all!

- Also just Buck’s reaction in general, even with Chimney and Maddie in Season 2 he wasn’t this frantic, he wasn’t freaking out like that! This really seems like all those scene’s shows like that usually do to confirm one person is in love with the other by having them completely loose it at the prospect of the other dying.

And damn, does 911 delivers here, not just with Buck literally trying to dig down to Eddie with his bare hands but also with his conviction for the rest of the episode before going sort of catatonic near the end. Basically Buck was going through the 5 stages of grief over Eddie during the course of this episode and we just? Let him?

- Of course we should mention Buck has Eddie’s back always, so he doesn’t give up on him and doesn’t entertain the notion of Eddie possibly being dead for even a microsecond because this is Eddie and Buck needs him!

- And to add to the list of heartbreaking lines we have Hen saying: „Why? So we have two cut lines?“ because yes, Buck would choose to stay down there rather than let himself be saved if Eddie was already dead - and if Eddie wasn’t he would force Eddie to trade lines with him so Buck could be the one to die because Buck thinks Eddie’s life is more valuable than his and also he is a selfless idiot who loves Eddie more than himself - which frankly is a mutual thing if we look at 3.03

Option #3 btw would be that Hen knows Eddie has a legitimate reason to cut his line and he would explain that to Buck and - considering who they are - Buck would immediately agree and cut his line as well.

Anyways, no matter which option the writers were thinking off this line is heartbreaking and the implication interesting!

To sum it all up, the episode basically said: Buck would die for Eddie and he loves him more than anything else

- The Eddie implications of this episode are mostly Subtext, so we’ll get to them later in case you thought I forgot!

3.16: „The rope was a metaphor after all“

Tbh I do not think that this episode was really about how no person can be happy / live without regrets / not be lonely unless they are in a relationship with someone or they would not have put that much focus on the relationship between Maddie and Buck and the fact that his abandonment issues stem from her leaving.

- “He’s not gonna do it alone“: As for Buddie, the episode goes back to them being partners and in sync with the roof thing and yay, it has a different ending then the reversed situation the episode before but also it features a metaphor we will talk about later

- “Hey, you’re more than welcome to come and celebrate with a bunch of 9 year olds.“: Just like we will talk later about Eddie inviting Buck to the sleepover! Because while I don’t think the invite was all that serious and I don’t think even considering everyone else, Buck would have taken him up on it because celebrating with a bunch of 9 year olds around isn’t what Buck had in mind, it’s very interesting that the first person taken out of the equation is the guy Buck is closest to and probably spends the most time with.

- And now let’s talk about the playing pool scene because it once again shows that 1) Buck and Eddie are very alike, 2) they know each other very well and 3) they care about each other the most!

Because for 1) I do wanna point everyone to the fact that Eddie doesn’t have anyone outside his family and the 911 either or they would have mentioned him staying in contact with his army buddies or something.

2) Eddie is the only one who actually listens to what Buck says and gets what Buck is really asking, while Bobby, Hen and Chim are all too focused on their own experiences to get that the reason Buck tries so hard to help Red is because he thinks he is Red (I mean they do get it, but they don’t really realise how serious this is for Buck - yet)

3) There is also a lot of focus on Eddie in this scene which we will talk about later as well but it picks up the whole ambiguous „us“ from the grocery store which technically refers to the whole firefam but the way it’s said still implies that it is about the two of them especially.

To anticipate a bit: every time the word „Us“ is used in this scene Buddie only looks at each other. When Buck says „I mean that would never happen … to us.“ he looks at everyone else but turns to look at Eddie as he very pointedly says „to us“ and keeps his focus there for a moment. Eddie meanwhile technically turns to the pool table while he says the word „us“ but he only focuses on Buck before this and doesn’t look at anyone else because to him: Buck is the important aspect here. And no one else!

Not to mention the intense look Buck gives Eddie (and only Eddie) when he says „Better not.“. Like damn, in 3 Seasons Buck has never sounded this threatening before!

Basically the way this scene is acted combined with the words that were written it sort of reads like them going: We’re all family here but you and me will most definitely never leave each other!

I mean there is a reason why Buddie used the ambiguous „us“ while everyone else talked about the firefam being friends or being family.

(And yes, that might be a bit of a reach but this is a Buddie guide after all, so we are going with the buddie-est interpretation!)

3.17: „‚Don’t say her name‘-challenge“

- “Uh no, someone else.“: More of a subtext scene but it does seem pointed that Buck refuses to admit that he was thinking about Abby here, considering Bobby most definitely knew that Buck was talking about Abby because he was there for the hot-air balloon date, so even if he did not remember right away he knew the second Buck said he didn’t know from Maddie and since Hen and Chimney weren’t there in the truck (and also, they probably would have known who Buck was talking about as well) the only one Buck was hiding from was Eddie.

Which makes sense, even if you only look at them as best friends, because Eddie only saw the aftermath and what we canonically know that he heard about Abby were things like Buck’s speech in 2.08, so … even as just Buck’s friend he must really dislike her

(Also there is that whole parallel one can draw between Abby and Shannon which I talked about here)

- „Buck invites Eddie“: So I’ve been going back and forth on what to write here for a few hours now and what it comes down to is this: despite being 6500 words deep into a meta on Buddie and knowing full well the writers so far have no intention of actively doing Buddie, I would not accuse 911 of queerbaiting. HOWEVER, if the show ends and Buddie doesn’t happen I will consider this scene queerbaiting because there would have been ways to write this that did not leave the implications it did because the way it has been written the text is:

„If I bring my romantic life-partner to dinner with my best friend he will bring his romantic life-partner who will invite her brother who will invite his best friend and then we have to invite this other couple we are all close with.“ and well, one of them is not like the others, right?

(Well, technically two but Maddie and Buck are most definitely siblings despite that scene in 2.01)

Because essentially what that scene did here was say: If I bring my wife the evening turns into this couples night with all our friends - except Buck and Eddie aren’t a couple.

And sure, just like all great queerbaits there is a reasonable explanation as well as a completely platonic way to read this because of course Buck would not wanna be all alone with two couple so he would bring his best friend and the we’d have to invite the other couple we know as well so they don’t feel left out.

EXCEPT - and this is why it feel pointed and queerbait-ey: We have already seen the 118 hang out without Athena and Bobby at Chimney’s birthday and it was never mentioned to us whether they were invited and didn’t come - or Chimney didn’t invite them. Both explanations sort of make Hen’s point moot because it does proof that they can hang out without their boss slash friend and his wife slash her best friend without it being a big deal meaning especially if this was a make-up dinner for Chimney’s birthday they wouldn’t have needed to be there.

There is also the fact that supposably Alfred is still in town? You know, Chimney’s brother? So if they wanted to avoid the Buddie implication they could have also thrown in how Chim might bring his brother like:

„I invite you, so he invites Maddie, Maddie invites Buck, Buck invites Eddie, Chim might invite Alfred,  and now we gotta invite Athena and Bobby“ - see how that has a completely different feel? Now there are three single guys and two of which are siblings of someone else in the group while the third is friends with the rest of the group, making this sound less like couples night out and more like a group of friends hanging out.

But they didn’t do it like that so now it feels like they are pointedly equating Buddie with the canon couples of the show which is quite queerbait-ey.

3.18: „TrainCRASH? More like train WRECK? *cries*“

Okay, so this episode is a little hard to do because there is so much going on and a lot of it is very hard to categorise! As for the topic of Trust and having each other’s back:

- I do think that a lot of Eddie here come down to having Buck’s back - even when Buck might not think that’s what Eddie’s doing like in the train car, but he probably realised later which is why we see Buck talk about it with Bobby but not with Eddie because they are at this point where you no longer need to have clarifying talks (about stuff like that, once romantic!Buddie hits they’ll have to do all the talking).

And that’s basically it when it comes to Trust because most of what is happening in the episode when it comes to Buddie is Subtext!

Coparenting

I think this theme needs less of an explanation - though I do wanna point out that while I think Buck has fatherly feelings for Chris and Chris loves Buck a lot, Buck is not actually his parent / father. He is slowly getting there and if or when Buddie happens he might become Chris’s other parent but right now he is not. So this theme is about Buck being a honorary member of the Diaz family in general and Eddie’s treatment of him most of all.

Because the way I see Eddie him dating anyone would always be tied to his son. Eddie has been shown to be someone who would do anything for family and his son in particular, so the fact that Buck is tied into this family is important. It also shows how much they are already a family without actually dating and proofs they spent more time with each other than we see and more than with anyone else.

I should also say that there is a very heavy overlap between this and the category of Subtext so some things will be repeated but all of them deserve to be repeated so there is that.

2.02 / 2.03: „Why Edmundo Diaz hates earthquakes part 1 and part 2 (of 2)“

- Like I already said when I discussed Trust Buck is the only one asking who Eddie is trying to reach, he is the only one trying to reassure Eddie and he does so even though Eddie is being sarcastic and pretending he doesn’t need to be comforted - also a staple in their relationship

And I think this is also were their dynamic of Buck being Eddie’s go to person when it came to Chris came from. Buck told Eddie he liked kids and then he proceeded to actually show Eddie he means it and he cares and considering Eddie says the mother isn’t in the picture and Chris has no one else (which as we learn throughout the show is not 100% true because technically Eddie's parents are there, even if they have no idea how to properly raise Chris, but in LA Eddie doesn’t really have anyone (yet) he feels comfortable burdening with his fears about Chris), so that must mean one hell of a lot.

- “Hey. Service.“: There is also the moment at the end of 2.03 when Buck immediately tells Eddie: hey, service is back! and then he drives Eddie to pick up Chris which is a scene that has so much subtext so we’ll talk about it later! It does however give us our first‚ Diazs plus Buck‘-family moment because while we see everyone reuniting with their loved ones, we see Buck with Eddie and Chris and yeah.

2.04: „Hearteyes, motherforker“

- One of my favourite things about Buddie is how they manage to be exactly what the other person needs - or in case of this episode figure out exactly what the other person needs and giving it to them. It’s happening here and again in 3.01 and 3.03 and some other smaller moments as well (see 2.01 honestly).

It’s also interesting that Buck is the one to drive Eddie again because we saw he has a car! So why is that? Maybe because he knows the way better?

As for the coparenting happening here, aside from Buck introducing Eddie to Carla because he knows she is what Eddie needs, we also have Buck clearing Chris coming to the station with Bobby which is something Eddie apparently hadn’t considered but Buck had and instead of telling Eddie he needs to do that - he does it for him! Because that’s who Buck is but also because Buck realised in this episode how much Eddie really needs someone to have his back and just do stuff for him.

2.07: „*Tommy Wiseau voice* Hi Shannon“

- And in terms of having each other’s back this episode really shows the significance of this phrase with Shannon pointing out, like I said before, that from her point of view Eddie didn’t have her back. She needed him to be her husband and her coparent and he wasn’t.

Now we can argue whether that is true or not but it’s still an important parallel and puts Eddie turning toward Buck for advice into a new light.

Because as Shannon points out Eddie was never good at letting other people make decisions for him or with him before yet we continuously see him turning toward Buck for exactly that: sharing the load with him. And to put that even more into perspective: Buck is the youngest from their friend group, he is the one considered immature and he is the one without kids or younger siblings, yet he is the one Eddie choose for helping.

2.10: „It’s all about ‚figured it was none of my business‘“

- The interesting thing here is that Buck as Eddie’s friend really doesn’t have any right to know about what was happening between Shannon and Eddie if Eddie didn’t want him to, but Buck as Eddie’s family does (a little).

But either way this episode gives us another instance of Eddie confiding in Buck about his family problems - problems he again is the one most inexperienced with. In other words Eddie talking to Buck about it was really about Eddie wanting Buck’s opinion specifically.

There is also the fact that Buck came to see Santa with Eddie in the first place which is most definitely a family affair as far as I know US customs? (We don’t do this in Germany / Bavaria, okay? We have the Child of Christ and around the 6th we gather in the town square and shoot at it.)

It’s even brought up in text with the Elf telling Buck they make a beautiful family - and Buck not disagreeing because honestly it’s just easier and he probably knows how they looked. But yeah. That!

- Also not to repeat myself but the topic of trust is important here! Eddie not trusting Shannon in 2.07 / 2.10 with Chris vs. trusting Buck in 3.03 / 3.09 / 3.10 is important!

Yes, sure Shannon is his actual mother so Chris has stronger feelings for her and the potential to get hurt is way bigger. Yes, Buck was only gone from their life for a few weeks while Shannon was gone for about 2 years. Yes, Buck apologised twice while Shannon just played the victim card tbh (even though she did have a point with some of the stuff she said). But still:

Eddie is very hesitant to let Shannon back into his son’s life (and really his as well) while he does have no such qualms about Buck once Buck apologises to him in 3.06. In fact their relationship returns to normal with Eddie asking Buck for help with Chris numerous times while say 2.15 makes it clear Eddie still keeps Shannon at arms’ length and out of a lot of aspects of raising Chris.

Of course, giving advice to Eddie is not the same level of involved as actually parenting the child and part of it is probably growth on Eddie’s side when it comes to Season 3 but right here: it’s a stark contrast and it deserves a mention!

2.17: „*fridges female character for man pain* Haha, we’re so random!“

- „Ice cream? Oh, I do not envy you putting him to sleep tonight!“: There is the scene here where Eddie facetimes with Shannon and she is out and about with Chris and Abuela and they are getting ice cream and Eddie is all like: damn you’ll regret that later - which is the same thing he says about Buck in 3.02

3.01: „How you know he no sleep naked?“

- Buck gets a card from Chris which is a child thing to do but also should be mentioned because Buck does not get a card from Danny or Harry. And considering how much Buck likes children and how good he is with them we do have to mention that we only see Buck interact with Danny once and never with Harry while it’s been implied several times before the tsunami already that Buck does spend a lot of time with Chris. (Of course, in part this is due to how much closer Buck is with Eddie than Hen and especially Athena but still)

After all the season ends with Chris giving a card to his literal father, tying these two scenes together. And pointing out once again how important Buck is for Chris and the Diaz family.

- Also as I mentioned during Trust there is that parallel / contrast between how Maddie and how Eddie see Buck with Maddie sort of treating him like a child who needs to be dealt with while Eddie is basically like: let’s give him something to do so he feels less useless! (Guess who had the right idea! Just guess! And you have one try!)

- „Are we the only one’s without kids?“: There is also the cut from Madney talking about being the only one’s without kids and then remembering Buck to Buck getting woken up by Eddie so he can babysit Chris which I won’t say confirms Buck being a father to Chris but does accentuate everything he does for Chris after and gives the vibe that Buck does indeed have some fatherly feelings for Chris. It does at least place the idea of the Diazs WITH Buck being a family firmly into our heads.

3.02 „Eddie hates earthquakes - the remix“

- „How’s operation Buck up Buck going?“: Buck sending Eddie updates and pictures of Chris and himself hanging out is just really cute

- Also Eddie isn’t worried about his son at all!

- And we do have that tweet from Oliver Stark about jumping into the receding water at the end of 3.02 being basically suicide but Buck still doing it because the director told him, he’d do it for his own kids.

3.03 „Do it for the trauma - Buck-edition“

- I talked about it before with Trust but basically Eddie, who has parents who are still alive and physically able and love his son very much, even if they have different ideas of how to raise his son, and a sister with at least one child not that much older than Chris and a grandma and an aunt and probably some more family in LA AND Carla who he literally pays to take care of his son, literally tells his best friend he is the one he trusts the most with said son. That is fucking meaningful!

3.05: „What if we fight like a married couple in a grocery store downtown LA, bro?“

- „You know how much Chris misses you?“: The fact that Eddie brings Chris up at all and to hurt Buck specifically is - in part about Eddie deflecting from himself but also about Christopher actually missing Buck, which says a lot about the relationship Chris and Buck have and how much time they spent together if that is something Eddie would bring up here.

3.09: „#tw: mild adult themes & implied sexual content / #pwp - porn without porn“

- „I’d rather be at home with my kid, enjoying the one good thing I got going on.“: Eddie says these words during therapy and where do him and his son spent the following evening or at least an evening that same week? With Buck at his loft. Because even though Buck wasn’t mentioned here as part of the family time Eddie would much rather have, apparently he is part of it.

3.10: „Parenttrapping for Beginners“

- „Well, I thought it would be nice to bring the boys together for a playdate.“ - „All three of `em.“: this speaks for itself, Buck being invited in the first place was … an interesting choice? A dig at Buck’s mental age? Exposition? What exactly, Tim? Like what was the vibe in the writers room here?

- „Hey, Buck? (…) Can I spent Christmas with you?”: The fact that Chris would rather spent Christmas with Buck than with his grandma and the rest of their family is interesting as well and again points toward Buck being an integral part of the Diaz family.

- The way Eddie looks at Buck here and the little head shake implied to me that Buck and Eddie had the same conversation Eddie and Hen have right then already.

3.11: „Bist du single? Nein, eher Album!“

- “Well, that’s what the 118 is. The family we chose.“: Again maybe more subtext than text but when Eddie talks about the 118 being his family the camera pans to *drumroll* Chris, his actual blood family, Albert, Chim’s actual blood family - and Buck, who is basically Chim’s little brother and Eddie’s, well, best friend? Coparent? Partner in work and life? SOULMATE?

Yes, it’s a little subtext, but it’s interesting that this scene shows only one character neither of them are related to and it’s Buck, emphasising once more that these two and especially Eddie (because he’s the one talking here) think of Buck as their family.

3.12: „There’s a horse loose in a hos… school“

- “(…) we should try it together”: Again with the emphatic inclusion of Buck in family scenes! (But this time Carla gets to be there as well - though only to record them?)

This episode introduces Ana Flores as a potential love interest for Eddie and then spends the whole episode contrasting and paralleling her with Buck, as one does …

In this episode as well Eddie gets advice about Chris from several people and it’s interesting that the one person whose advice he follows without disagreeing or trying something else first is once again Buck. 

The episode also maybe implies that Buck was the one to built or buy or find out about the skateboard.

But really what matters here is Eddie reaffirming that there is no one he trusts more with his son (because he refused to take Carla’s advice right away but he did listen and think about what Buck had to say right away - despite his joking) and Buck being included in the family scene.

3.15: „MY therapist also says ‚Thank you!‘“

- „I’m always gonna fight to come home to my family.“: I’m not gonna comment on the lack of Shannon in the montage because I do believe part of it was that they didn’t really have scenes that fit and would have had to film them specifically which would then have to fit into the timeline / storyline before and also mostly it was about Shannon already being dead meaning she is no longer part of the family Eddie can come home to, so it makes a hell of a lot of sense for her not to be included, guys!

That being said I do believe Buck being in it quite a lot means something about how much of a part in Eddie’s family he is! Which is a big part and something I love about them a lot!

- Also Buck was so very happy Chris came to visit and then immediately walked over, which doesn’t really have any relevance except I thought it was cute and this is my guide.

3.16: „The rope was a metaphor after all“

- Obviously it was meant jokingly, but Eddie would have loved if Buck came and not just because being alone with a bunch of 9 year olds is no one’s idea of a fun evening and Eddie could probably use the help (still hoping Carla was there with him and still surprised Eddie was in such a good mood during the pool scene after), but because he likes to spend time with Buck and he did wanna celebrate with him - but he was also very aware that spending the evening with 9 year olds was not what Buck envisioned so he said it jokingly.

3.18: „Traincrash? More like train WRECK? *cries*“

- “Whoa! Whoa! Two weeks from home? Isn’t Chris kinda young for that?“: I don’t think I need to say more about that scene really, I think everyone who saw it understood that it confirmed the 118 but especially Buck being fairly involved in Christopher’s life and how that confirms: Buck = part of the Diaz family.

- Also all the interactions between Buck and Chris at the party both with and without Eddie around I mean, yeah, again, meaningful!

- In conclusion: Eddie, Chris and Buck are family and dems the facts!

Connection and love life

Now, this is where we are slowly going subtext and also really interpretation heavy!

The title might be a bit missleading but I didn’t really know how else to sum all aspects up. Basically this theme is about their love live but also about the parallels between their storylines - especially when it comes to their love life!

Also this theme isn’t organised by episode but by subtopics because I summed up so many different aspects here.

Parallels in their storylines:

- 3.15 / 3.16 and the rope metaphor as a metaphor for their dating life:

Technically the rope is a metaphor for their lives and them letting go of things in general but especially about their dating life because for Eddie in my opinion this is when he really fully comes to terms with Shannon’s death while Buck finally admits to his abandonment issues, in part caused by Abby leaving.

(Side note: the fact that Eddie choose to cut his line just like he choose to actually do therapy to deal with his issues for Christopher’s sake while Buck’s burns away and he is literally forced to deal with his issues through being confronted with Red and running into Abby at the train crash is … something.)

Their dating life is being paralleled:

This really isn’t technically something that explains why you should ship them but I do think it’s interesting that from the get go their love lives have been happening in parallels / contrasts to each other? As if they were connected? Magnets?

So yeah, that and also it goes like this:

- 2.01: Eddie references Buck being single

- 2.02 / 2.03: Eddie first mentions Shannon but indicates a break-up / Buck meets Ali and seems to bond with her

- 2.04: both refuse to hook up with any of the girls at the bar and don’t want to date because they consider themselves taken (I know Eddie says it’s about Chris but Buck called bullshit here and text told us to trust Buck on what he says about Eddie)

- 2.06: Buck flirts with Taylor and Eddie acts a bit jealous

- 2.07: While Buck finally comes to term with his break up with Abby in her absence, Shannon returns and we learn that Eddie has sort of been holding out hope so far (they kiss in the end) (Also Eddie and Shannon and Buck and Taylor both happen in parking lots which probably only means they ran out of location money but still!)

- 2.08: Buck hooks up with Taylor, then meets with Ali and begins dating her

- 2.10: it’s revealed that Eddie has been sleeping with Shannon and Buck is miffed

- 2.11 - 2.16: we get a few mentions of Ali and some scenes between Eddie and Shannon reminding us both these relationships are happening and they are growing closer

- 2.17: Shannon thinks she is pregnant, Eddie wonders about their relationship, Shannon wants a divorce but dies before they can go through with it

- 2.18: Buck gets a new apartment because of Ali, their relationship seems ready to become more serious, then Buck gets hurt and Ali is traumatised by this and tells Buck she needs to rethink the relationship

- 3.01: it is revealed that Ali and Buck broke up

- 3a: both of them work through the trauma of the past few months, no references to either of them dating are made, romantic and / or domestic scenes happen between them instead, the ambiguous „us“ happens

- 3.11: they are asked about their relationship-status to remind us about them being single (AND THEY LOOK AT EACH OTHER? Wow.)

- 3.12: It’s pointed out again that Buck is single but he says he prefers it that way while Eddie meets Ana and shows some interest in her, then during a call Buck indicates that he might not be as happy being single as he told Madney and Josh while also seeming a bit happy Eddie won’t be dating Ana (probably)

- 3.15: Eddie finally fully comes to terms with his past, including his relationship with Shannon and her dying

- 3.16: Buck reveals he might still be hung up on what happened with Abby and he realises he needs to move on, the ambiguous „Us“ is brought back

- 3.18: Buck runs into Abby and actually moves on

- Side note: considering 2.08 and 2.10 and 3.09 and some remarks made throughout the show, Buck and Eddie are somewhat aware of the relationship struggles the other had which isn’t really relevant but also sort of is

Parallels with canon couples

This is TV and TV and especially shipping lives through tropes and parallels inside the story to subtext tell you something you need to know without actually having to say the words, but just to plant the idea in the viewers head.

For example, and please I am just spitballing here, you are writing a show about Lifeguards. And there are these two characters who are named … Paddie and Tucker. They have amazing chemistry and they are best friends and love each other a lot. Now, you, as the showrunner, are considering making them a romantic item but you need to do it slow cause while you do have queer characters and a queer following this show is fairly mainstream and also the characters have presented as straight in text so far. So you need to do crumbs, right?

Okay, so how do you best do that? Well, Tucker is known as this really caring guy and very open with his feelings and he freaks out when someone he loves is in danger - so you put Paddie in danger, right? Proofs he loves him, right?

But then you want it to have some deeper queer implications, right, in case you do decide on making them romantic? So how do you best do that? Well, lucky for you, Tucker has a sister. And you were planning on putting her in danger as well this season anyways, so you just have Tucker react a bit more subdued here, right?

But then you really want it to hit people, like you need people who are more casual and mainstream and might not have noticed the romantic undertones Tuddie has had to notice that, right? So you put these two episodes back to back.

Except „Paddie Begins“ is set to air first and well, Tucker IS known to lose his shit about people he cares about being in danger, so they might not actually notice anything more. Or they will just consider Tucker not reacting as hard about his sister, Sadie, being in danger bad writing. And you can’t have that!

So how do you fix that? Well, you just change the episode order! Now the episode with Sadie in danger airs first and people will spent a week complaining about how out of character Tucker was and it will be still on their minds when „Paddie Begins“ happens and Tucker goes feral and it will hit EVERYONE! Like damn, apparently Tucker cares more about Paddie than Sadie? Why? What makes Paddie so much more important?

Anyways, this is how you test out an idea in TV and why tropes and parallels are important…

Moving on:

- 2.14: „‚It’s a miracle… bro #nohomo’“: Now I have already written a bit about Buck’s reaction to Eddie potentially dying to safe the kid and while it is fairly tame for Buck it’s still something you usually see a guy do for a love interest (Any of ya’ll watch „Chicago Fire“? Because I watched like the first two Seasons and the main „Will they / won’t they“ - couple had a scene like that about once every three episodes. Cause it’s a trope!)

- 3.02 „Eddie hates earthquakes - the remix“: This is a teeny tiny bit of a stretch and there wasn’t even any nice cuts to anyone in the firefam to indicate they were referenced (which I found odd, considering this would have also fit for Bobby) but the guy who got impaled with his son in law said: „She‘s the love of my life but he‘s her‘s.“ which considering this episode has Buck doing everything to protect Christopher means a lot and I think about it once a day, okay?

- 3.14 vs 3.15 vs. 3.16 vs. 3.17 vs. 3.18 - Losing the love of your life and how to deal with that:

This may be the biggest parallel of all, and maybe I could have included 2.14 as well but I didn’t because it’s a whole season removed. It also seems meaningful that this episodes happen one after the other, making us naturally compare the scenes and see / look for patterns.

But to explain real quick:

In 3.14 Maddie is in danger and Chimney, who is her boyfriend and told her he loves her just one episode earlier, freaks out completely

In 3.15 Eddie might die / is considered dead by several of his friends already and Buck utterly looses it! We are talking frantic screaming and trying to dig Eddie out by hand and running around trying to figure out ways to save Eddie only to turn full on catatonic when none of that works. I mean, his mood turns faster than mine when I am hangry while on my period and that is saying sth!

3.16 could be considered a bit of a stretch but we do see Red lash out a lot when he realises that Cindy, the woman he considered the love of his life and someone he pined after for quite a while doesn’t exist like that anymore.

In 3.17 Athena is put in great danger and Bobby is forced / able to listen to it and while I am not sure if the blank look on Bobby’s face is bad acting, a deliberate but accidental acting choice OR done consciously in a way that mirrors Oliver’s acting in 3.15 - it’s there and it’s a parallel and we can watch it and compare it and see it.

To bring this whole thing home for us they contracted another outside player in the form of Connie Britton playing Buck’s ex-girlfriend Abby, who similarly to Red and Buck, turns frantic upon possibly loosing her fiancé and starts panic and lash out a little, which is fair and also part of a motherforking pattern, ya’ll!

- Another fairly obvious parallel between 3.14 and 3.15 is Buck telling Sue - as the watch Maddie and Chimney hug - that Maddie already has everything she needs when Sue asks him why he didn’t immediately rush toward his sister. Which can be compared to 3.15 were he does immediately rush to Eddie’s side and support and hug him!

-  I’ve already written about 700 words on 3.17 and the line „Buck invites Eddie“ so I’ll just point you back toward that part of the guide where I pointed out that Buddie was actively compared to the three main canon pairings here. Which is a lot and also could have been avoided and probably queerbaiting.

- Again, teeny tiny bit of a stretch maybe but like, we’re here to talk about anything in canon pointing toward Buddie and also this is my guide and I do what I want but in 3.18 we learn that Abby is now engaged to a single father and considering she was only gone for about two years (Season 2 takes place over the course of one year and in 3.13 we learn that Madney has been dating for just under 11 months so unless there was a time jump somewhere in the last 5 episodes we weren’t really told about, we clock in at about 2 years and maybe one or two months, tops, at the end of Season 3), they have been together for less than that time, even if we think Abby already knew him when she was still dating Buck. Which timeline wise puts them meeting maybe around the time Buck met Eddie, maybe a bit after, meaning Abby met and began dating and fell in love with and decided to marry a single father in the same timespan Buddie did … whatever it is they are doing! Which is meaningful because for the viewing of the Abby/Buck relationship which I am glad more and more people are realising was very unbalanced and provides an interesting parallel to Buddie because this means Abby and Buck met and developed feelings for a single father around the same time. Idk, I understand that the whole father thing was to make Buck care even more but damn, it’s a parallel so I mention it!

- Michael and Doctor Hale vs Eddie and Ana (3.17/3.18 vs. 3.12ff.)

Now, of course we need to realise that Eddie and Michael are fairly different characters and Michael has way less relationship related baggage than Eddie has which is why he goes after what he wants way faster (also, carpe diem, he just found out he won’t die). Also of course, there is no moral component to address in Michael dating some doctor vs. Eddie dating his son’s teacher, but still:

Michael and Dr. Hale had one scene together and it wasn’t even overly flirty and yet, we knew where it was heading, we felt the chemistry and everyone ended the episode saying: I ship it, more of that - which they did give us, just one episode later. They had some awkward moments, yet the show never left a single doubt in your mind where this is heading.

Now look at Eddie and Ana:

First of all we learned more about Doctor Hale in the two short scenes than we did about Ana in four scenes. That seems deliberate.

Second, while we do realise Eddie thinks Ana is attractive from the get go she repeatedly shuts him down by pointedly saying „Mr. Diaz“.

Third, every scene between Michael and Doctor Hale was romantically coded and we know where this was heading while aside from the initial scene between Ana and Eddie and maybe the second scene there were no hints of romance between the two. In fact in 3.15, an episode that is about Eddie moving forward in his life and letting go of the past she is both mentioned and actually appears, yet there are no hints of romance and romantic interest, not from Eddie and not in form of teasing from Buck and especially Carla, who pointed out Eddie’s interest in her previously. Soooooo…

Parallels with Love Interests

Now, obviously we also cannot talk Buddie without talking about them dating in general and then relating this to each other. In other news: there are parallels between each and every love interest Eddie ever had and Buck and also between Eddie and Abby.

(Side note: I could probably also find parallels between Eddie and Taylor and Eddie and Ali but tbh both of these barely qualify as love interests, especially Ali, who despite actually being in a relationship with Buck we know nothing about (hi, original Ana! You did good and I am sorry people hate you for having boundaries!))

Eddie paralleling Abby

I mean the truth is we don’t even need Eddie paralleling any other girlfriend of Buck cause there are so many between Abby and Eddie!

- Abby and Carla vs. Eddie and Carla:

The biggest one might be parallel that both employ Carla and why. Which is in part because Buck brought Carla to Eddie but goes deeper than that.

There is that conversation between Bobby and Buck about Abby and her mother in 1.09 when Buck wanted to break up with Abby and Bobby basically said: if you wanna date someone you have to love them baggage and all and should be there for them as well - and while Buck did try doing that with Abby, well, Patricia died before he could fully step into the ring and then Abby left, BUT he showed no hesitation after that to step right into Eddie’s life, into his issues, with him. And he even brought in Carla as a baggage carrier, isn’t that nice?

Also the whole reason why they need Carla around in the first place as both of them are taking care of a family member (plus the fact that Christopher is a literal child so even without CP Eddie would need help taking care of him working the hours he has).

Also tía Pepa quite literally calls Eddie a saint and I am pretty sure Abby was called sth similar by Carla and Bobby in Season 1 though I don’t care enough to check mainly because the implication was there all through the first ten episodes about how Abby was such a great person for taking care of her ailing mother.

But really it comes down to the parallels between Bobby telling Buck that a real relationship is about sharing the load and the conversation between Maddie and Buck as well as anything else in 2.04 where Buck is so desperate to be there for Eddie and help him.

- There is also a definite parallel to be drawn between the conversation Abby and Buck had in the Jeep while looking for her mom about how Abby hasn’t had sex in a year and Buck asking Eddie about dating in 2.04. It’s a little subtextual, but between the expression on his face and the topic and the teasing and the walking shoulder to shoulder it does feel alike to me so I mentioned it.

- street fighting vs. the apology: losing yourself

Now this one I love a lot because while it does happen half a season apart and isn’t explicitly expressed on the show: Eddie’s whole ark in Season 3a is about losing control and by extent losing himself because Buck wasn’t around. Abby meanwhile talks about how she found herself after she left LA and how she would have lost herself again if she returned to Buck (which is absolute bullcrap but not the point).

- There are also some parallels to be drawn between Buck, Eddie, Abby and Shannon (and technically also Maddie) and the whole leaving each other thing, with Eddie leaving Shannon for the army without consulting her about it while Abby left Buck for Ireland and then also the lawsuit where in a way Buck left Eddie like Shannon did, being so caught up in his own feelings he didn’t consider what Eddie (and Christopher) were going through.

But we can also acknowledge how it must have felt to Buck with Lena / Eddie taking Bobby’s side like he was once again replaced / left for someone else, much like Abby left him for Ireland and Maddie left him for Doug.

Buck paralleling Ana, Lena and Shannon

Buck on the other hand side parallels Eddie’s love interest a lot sometimes down to the clothes (and yes, technically Lena isn’t a love interest but Ryan Guzman thought she was and aside from the fact that he’s into women that could beat him up (which for once, not judging you, bro) and considering the parallels with Buck … that means if Buck was a woman, well, ya know?) so let’s talk about that

- Buck and Shannon:

I’ve already talked about that one a lot so I will only mention it here real quick but the whole Eddie not trusting Shannon vs. trusting Buck despite his betrayal again like right away once he apologised (which yes, what Buck did was not as bad and far more justified) and letting him back into Christopher’s life IS a parallel, considering for example how Shannon asks about Chris missing her (though it’s been over two years, at one point children just stop asking as we know Chris did) and Eddie telling Buck Chris misses him in the grocery store scene.

Also Eddie not trusting his wife and Chris’ mother with him fully even after they reconciled and him telling Buck he was the one he trusted most in the world when it came to his son is … something.

There is also a little parallel to be drawn between 2.17 when Shannon goes for ice cream with Christopher and Abuela and Eddie is all like, well, don’t come crying to me when he won’t sleep because sugar high and saying basically the same thing to Hen and Chimney in 3.02 when they ask about „Operation: Buck up Buck“ because Chris ate loads of pancakes.

Also Shannon in 2.07 said she needed Eddie to have her back and Eddie says he always did but Shannon disagrees (which might be a little how Buck felt with the lawsuit) and you know, Buck and him agreed to have each other’s backs just six episodes earlier.

- Buck and Lena:

 Now, with Lena, despite her being most connected to Eddie, the first (and second) time we actually see her is in 3.01/3.02 through Buck, which connects the two from the get go.

Eddie then finds out she was at the pier in 3.02 (before meeting her) just like Buck (though he doesn’t know that) and then meets her in 3.03 and she spends the whole episode running around LA trying to find her Captain while injured, much like Buck is doing in the same episode.

I also mentioned in my meta-series how I think one of the reasons why Eddie likes Buck so much was that Buck wasn’t impressed by his military background like everyone else (or his looks, I mean, it was probably more about his looks tbh) and how when Buck started liking him it was really about Eddie and not whatever he had heard about him - yet Buck was / is still never afraid to call him out bullshit, much like Lena from moment one.

There is also the fact that Eddie goes to her for advice and she literally uses Buck’s locker (and will I ever stop laughing about the tape? Probably not, I think it was hilarious, okay?)?

Then of course we have Buck in 3.04 reacting quite similar to seeing her for the first time as he did with Eddie in 2.01, even saying basically the same thing.

- Buck and Ana

Now, Ana is an interesting case because we see her a total of four times and she is mentioned two more times throughout the show and each and every single moment is connected to Buck somehow and sometimes so very unsubtle to.

In „Fools“ we cut from Buck saying he likes being single to Eddie doing parent-teacher conference and yes, meeting some other teachers first but also Ana, showing us that while Buck is fine with being single - Eddie might not be. And then Eddie introduces himself as Eddie and Ana knows immediately this is short for Edmundo - unlike Buck in 2.01 who guessed Eduardo? Also, Carla’s „big blue eyes“ line which is a little clown-y, so take it with a grain of salt that it could connect us to Buck.

Then of course her next scene is Eddie getting in her face about Christopher being hurt. Later in the episode we see Buck reference this on a call, meaning either Carla or Eddie told Buck about it (I am leaning a little toward Carla making fun of Eddie in front of Buck and Eddie then having to come clean about all of it, because I cannot wrap my head about the idea of Eddie telling Buck about having a crush, I’m sorry.) (And will I ever be over Buck being so gleeful that Eddie will now be dating the teacher after all? Because boy was close to cackling which even if he was in love with Eddie at the time and therefore happy he wasn’t off the market - still quite rude for a best friend if you ask me! Like, sure, do that but in front of strangers?)

Her next scene is Eddie coming to apologise to her and she gives her speech about limitations - which we can of course connect to Buck and Eddie talking about Christopher and his limitations before that and then afterwards going skateboarding with them. (It does feel a little deliberate.)

And then of course we have „Eddie Begins“ and you guys, they could have very very easily have either Carla or Buck make a joke about Mrs. Flores and Eddie’s crush in the firehouse scene, but they didn’t! And then we do get to see her at the end where she has one whole line and Eddie barely looks at her and you know what happens? They have a child ask the same question Buck asked at the beginning about ever just wearing the medal (which sounded very not straight in its delivery, Mr Stark, what were you thinking about?), making us think of Buck. Like, it would have been enough to establish Eddie doesn’t feel like a hero if the question was asked only once - twice in the span of 45 minutes constitutes a callback, meaning we are supposed to think of the other scene and that means thinking about the other person that asked, which was Buck.

Is this … flirting

Now, some of these are quite ambiguous but there are several scenes that imply they consider each other attractive or feel like flirting and here they are:

- 2.01: „I think I’ve seen this in porn before“

Now, we all know Buck’s initial dislike of Eddie was about Eddie being to good at the job and Buck being afraid of being replaced, but considering one of the first things we hear about Eddie is Hen saying that boy is so fine it transcends sexualities and considering they talked about the calendar which chooses them based on hotness just before and then all the references to the calendar throughout, it stands to reason that Buck considers Eddie attractive.

Also their whole conversation during the gym scene, what was any of that? I mean, Buck thinks the pictures of Eddie are professionally done which means he thinks they are good which means, yes, Buck thinks Eddie looks good in those!

Plus the whole scene is riddled with (sexual) tension. From Buck constantly increasing the weight he is lifting, while throwing looks at Eddie as if double checking that he sees he could bench press him and the way he gets in Eddie’s face to Eddie’s veiled barbs about the girlfriend breaking up with him and doing the same thing as a firefighter but he was getting shot at. I mean, what was that if not the beginning of a porno? (And here we have our first parallel between Buck and Eddie as we find out later because Eddie, too, has been left by a woman. Now the real question would be does he consider them broken up?

Not to mention that when Bobby tells him at the end of the episode that he wasn’t chosen Buck immediately assumes Eddie was and also is so very happy for his new friend, because he thinks he’s hot (right?).

- 2.04: „Hearteyes, motherforker“

In 2.08 Buck has a conversation with Chimney about his pick up technique and well, did anyone in production watch this episode because when Buddie walks away from tailpipe-girl-emergency he literally does everything he described.

Also Maddie says the words „Does this man crush on Eddie mean you are finally over Abby?“ to Buck and his only reaction is „Cute.“ meaning one) Maddie has teased him about his Eddie gushing before and two) maybe Buck does have a bit of a crush?

- 2.06: „Bucky Barnes murder strut - 911 edition“

Again with the Maddie and Buck scenes!

Basically what happened was Maddie talked about how cute Chimney was but Buck assumed she meant Eddie because apparently if someone says cute, Buck thinks Eddie. This is just a fact, okay?

- 2.14: „‚It’s a miracle… bro #nohomo’“

Like my name for the episode already says, there is this scene were Buck and Eddie stand next to each other and Eddie says „That was incredible!“ and Buck who is already standing in Eddie’s space leans in further to basically whisper the words „It’s a miracle.“ into Eddie’s ears and then lean back a little and I am not sure if that wouldn’t fit better with Subtext but also Buck looks at Eddie like he wants to eat him alive and Eddie looks like he would let him and say thank you after while still embarrassed because he cries during sex.

You know, acting.

- 3.04 „discount!Buck in the house!“

Listen, I am convinced this is all Ryan considering the reaction of Kenny / Chimney and Aisha / Hen but that doesn’t change the fact that they used a take which had Eddie stare at Oliver / Buck’s butt the whole time and I mean, what horrible things happened in the other takes that made production choose this one unless they want us to see Eddie looking at Buck’s butt while Chimney and Hen stand around looking amused?

- 3.09: „#tw: mild adult themes & implied sexual content / #pwp - porn without porn“

Listen, from the moment Buck says „Cause you would prefer working it out in the ring?“ and then does this dorky thing with his arms while Eddie smirks into his beer about how he fought in a cage not fenced in (which, I’m a little unclear on the distinction I think, but I am nitpicky af so who am I to judge? Probably just stuff getting lost in translation) that whole scene changes vibes, going from apologising to teasing. And I think it’s very interesting that this is when Buck chooses to come closer (and then keep coming closer until he is right in Eddie’s personal space while touching his belt which we all learned by now means he is thinking about sex) and they have this whole conversation about who could take who which happens in sort of half sentences and does not feel like they are talking about fighting each other at all.

I mean, Buck keep coming closer, while Eddie stands there rooted to his spot, leaning against the bar, smirking, like every hot guy in a bar ever who knows one smile and a bit of smolder and they will come to him (which Buck does, playing right into it, I mean, come on, bro, weren’t you once a serial dater? How do you not know how to play hard to get?) and holding the beer (you know, phallic shaped obj- okay, I’ll stop here, it’s a reach), occasionally drinking, like maybe he tries to draw attention to somewhere or he has a very dry throat and honestly: this is how porn starts!

I don’t think my writing (or anyone’s writing really, not that ya’ll aren’t talented af) can properly express how very not platonic and innuendo-heavy this scene felt.

- 3.13: „‚Bro, what if I flirted with you in a bowling alley while out on a call?‘ - ‚Bro, what if I invited you out to lunch after telling a friend to say I love you before it’s too late?‘ - ‚BRO 😍‘“

Again, the title gives everything away but like so many scenes between these boys that moment at the bowling alley when Buck channels Arnie and Eddie is all: you’re a dork and also wrong! and then later when Eddie invites Buck to get lunch (which is sort of Eddie’s thing, remember 2.01?) after earlier telling Chimney to tell Maddie he loves her if he has a chance because he might regret it. And to really drive the point home or maybe make it in the first place, after Eddie asks Buck - and only Buck - to have lunch with him, Buck then declines because of a little blood (Evan, come one, you’ve seen worse! I know I have!) - only for Chimney to consider this the push he needed to invite Maddie for dinner so he can tell her he loves her.

So, you know, platonic.

- 3.16: „The rope was a metaphor after all“

I mean, what was that scene in the locker even with Eddie leaning against the doorway all cheeky and grinning like: yeah, come hang out with me! - obviously it was about Buck never saying yes to babysit a group of nine-year olds when he could be out drinking (as someone who works with kids, I approve), but yeah, that’s not what it felt like? So unless ya’ll cannot act anymore this was deliberately a bit over the top and ambiguous.

Jealousy

Now, no good ship works without jealousy and neither does Buddie so here are some examples of Buddie being jealous.

- 2.06: „Bucky Barnes murder strut - 911 edition“

Now, your probably saying: Bucky Barnes murder strut? That’s a tall order! But damn, Ryan nailed that, okay? Listen, we’ve seen Eddie walk out of uniform several times at this point and NEVER before and never after has he struted this predatory. Eddie walks tall and military, you know, the way he stands, Eddie doesn’t strut!

Yet, here he does! And what I love about this scene is that we see him in the background while Bobby talks to Taylor, working out with no care in the world - and then Buck comes over and flirts with her, suddenly Eddie feels the need to be part of the conversation?

And he doesn’t even wait until he is standing next to them to talk, he calls over while still sitting on the lifting things.

So yeah, that one is him being jealous.

- 2.10: „It’s all about ‚not my business‘“

- Now 2.10 is a great episode for Buddie and in part it is due to Buck’s facial expressions in the background and out of focus of the camera when Shannon comes to the station.

I mean, Oliver always plays Buck very intense and expressive and with his whole face but that was a bit much, you’d think he just found out Eddie broke a vow of chastity or had an affair while being married (which technically is what Buck compares it to later so kinda makes sense he looks like that but also doesn’t, Buckeroo, what’s the big deal? Did Eddie show up at your doorstep a week earlier telling you what a punk ass bitch his wife was, or…?)

- 2.17: „*fridges female character for man pain* Haha, we’re so random!“

„Talk to Bobby. Maybe he can get you guys a discount.“: There is a point to be made about Buck just not liking Shannon considering everything he knows about her and has heard about her, the same way Eddie doesn’t Abby, but still. This scene and this line, Buck does not sound happy for Eddie or truly interested and yeah, it’s off and it seems jealous.

- 3.04 „discount!Buck in the house!“

It’s actually not just my interpretation, it’s actually - between the similarities to 2.01 and everything that happens after with the lawsuit and how Buck explains himself - literal text that Buck was jealous here with Lena. So there!

- 3.09: „#tw: mild adult themes & implied sexual content / #pwp - porn without porn“

Tim Minear please send me over some scripts or have someone call me and explain what they were going for with the „You had sex with your therapist?“-scene because Eddie was so huffy and offended and I need to know!

- 3.12: „There’s a horse loose in a hos… school“

Buck sounds awfully gleeful Eddie will probably not date Christopher’s teacher and while that might just be him making fun of his best friend being so very overprotective and short tempered when it comes to his son (Mr. Control has left the building!), still, it reads a little like jealousy over some unknown pretty woman Chris might have mentioned some time and Carla probably described in great detail when she told Buck all about Eddie losing his cool!

- 3.17: „LegsTM“

It’s technically not really a jealous moment because it’s not Eddie being jealous but Buck simply refusing to mention his ex-girlfriend here, but considering 3.18 and also and most importantly the fact that there are only two other people in the truck, one being an unknown firefighter driving the truck and the other Bobby, who very much knows how Buck was supposed to take a hot air balloon ride with Abby, for who but Eddie was Buck concealing her identity for because Bobby already knows?

There really is only Eddie left, who probably figures out what Buck was about as well because bro may not be Buck and his out of the box thinking smart but he is fucking smart and he can figure shit out as well! Yet Buck refuses to mention Abby’s name and for what? So he can pretend Bobby and Eddie don’t know he is still bitter about her? I mean, fucking hell, send over the motherforking scripts, Minear, I am done with you!

- 3.18: „Traincrash? More like train WRECK? *cries*“

While I think Eddie is being more protective than jealous here, he is awfully involved and he is uncharacteristically out of control and emotional here and I wanna know why? Does Abby being back remind you of Shannon? Is it jealousy? WHAT IS GOING ON??? WHY YOU SO MAD, ARMY BOY???

Subtext

Now, I am first gonna talk about Subtext things in general like clothing choices, music and cuts between scenes and I am gonna be honest, I probably missed quite a few!

- One of my favourite is that while Buck wears the same colours in 3.03 as Shannon does in 2.07, Eddie wears the same exact shirt - and considering the fact that Ryan got buff between Season 2 and 3 that was deliberate, someone bought that shirt again because we are supposed to connect these scenes with each other!

- As I wrote before in 2.10 we can see Buck and his reaction out of focus when Shannon comes to the firehouse to talk to Eddie and ya know, why?

- Tim Minear himself said the elf in 2.10 was an easter egg for us Buddie shippers and he also said we can make out of the fountain in the background what we want, so there, Buddie is talking about Shannon and Eddie having sex and how much that messes shit up while a fountain shoots water in the background and yes, that is an innuendo and subtext and I hate it a little.

- 2.13 has this hospital scene I love a lot and you know what? Buddie is basically dressed the same, because the subtext of this scene is these two are alike and connected and they GET EACH OTHER.

- Another scene I really love is in 3.01 when Buck comes in for the surprise party because not only does he not hug his sister or Athene but runs up to Eddie first, Bobby actually shoves Eddie at Buck so he is the first person Buck hugs (and then the hug itself, what was that? The way they hold onto each other for a moment just looking while their hips are still touching?! Is that how you two hug because I want in!).

- Also they are dressed basically the same, should we discuss this as well?

- And still in 3.01 when Buck thanks Bobby and they talk and Bobby tells Buck he’ll find someone better and then asks him if he is doing okay, the first person the show cuts to is - nope, not Evan Buckley’s sister who is also there but his best friend, Eddie! Jup!

- And still in 3.01 when the firefam talks about helping Buck in the firehouse, Eddie first acts dismissive but the scene ends with Bobby saying Buck has them even though he may not believe that right now and half of that is said while the camera is on Eddie’s face who looks thoughtful - only to cut from them to Maddie and Josh discussing the same thing and mainly how Maddie doesn’t know how to help Buck and what he needs from her. Which you know, the episode ends with Eddie basically giving Buck a swift kick in the butt like she though he might need (and then 3.03 has Eddie basically telling Buck everything is gonna be okay, so we see Maddie talking about helping Buck but never see her doing it and instead we get two scenes of Eddie being there for Buck and also no Maddie in relation to the lawsuit but an extreme focus on Eddie? Writers, I see you and you aren’t wrong!)

- Also worth another mention is the cut between Madney talking about children, saying Buck didn’t have any either - to Eddie waking up Buck so he can babysit Christopher and specifically calling Buck „his Buck“ to make us think on their relationship and let us know how close they are and also to tell us to not trusts everything Maddie says about her brother because she gets shit wrong.

- In 3.03 after Buck tells Eddie he lost Christopher and then Eddie sees Christopher and rushes over and and Buck collapses and while Eddie holds Chris after he checked for injuries and Chim and Hen and Bobby hold Buck and Bobby asks Buck if he is okay, well, this whole time Buck is staring at Chris and Eddie and Eddie is staring back at him and Bobby, if you wanna know about me, gotta tell you, I am not okay?!

- And then we have the loft scene and yeah, okay, this deserves 5000 words of his own, from the fact that they played „Photograph“ by Ed Sheeran which includes lyrics about how they will never be alone and how loving can heal and mend your soul and the fucking song ends on the words „Wait for me to come home“ just as Eddie knocks and brings Christopher over and tells Buck there is no one he trusts more with Christopher than Buck and I am sorry, what are we supposed to think here? This show is from the US, these people speak english, it’s not like these lyrics leave much room for interpretation!

Not to mention the whole monologue Buck did about being lost and not knowing how to get from where you want to be to where you need to be before Eddie showed up and then talking about how a few choice words can sometimes be the life raft one needs to get home and how we are all just searching for someone to see us? I love Maddie and I love the Buckley siblings, but damn, she’s not the one he has been searching for!

(And I keep bringing up Maddie here because as his sister she is the person Buck could feel closest to and should care about the most and be cared about the most by and yet all canon evidence points to Eddie being that person! Also she is the person next to Eddie Buck has the most scenes outside the firehouse with.)

- This one is a bit of a stretch but Buck looks very uncomfortable during the whole deposition in 3.05 but he looks everyone in the eyes until the lawyer mentions Shannon and suddenly his lap is so much more interesting and yes, after is when all of them get asked the really hurtful question but still, this is when Buck stops being despondent and realises, fuck, I went a bit to far

- Someone please find for me where the director talked about purposely framing them as romantic in the apology scene because I cannot find the post for the life of me, but never the less: In 3.06 during the apology, in the beginning of the scene we see Buddie from quite a distance and Eddie has his back turned toward Buck and there is a column in the shot to visually indicate the divide and yeah, the whole framing is quite something and the way the camera angle goes from far away making it seem like unbridgeable distance cutting to closer shots and how we slowly see alongside the words hey, they aren’t actually that far apart, like yeah, this scene was something else!

- Not a direct cut but during therapy Eddie talks about how he wants to be at home with Chris because he is the one good thing he has going for him and the one thing he gets enjoyment out of (because he is so fucking depressed and I cry), yet when we later see Chris and Eddie together it is neither in Eddie’s house nor are they alone, nope Buck is there as well, meaning Buck is considered a part of that one thing even if he wasn’t explicitly mentioned!

- During 3.10 when they take the photo with all of them Buck is grouped between Madney and the Diaz family, like right between and not just next to them. Also earlier when the eat Buck sits next to Christopher who sits next to Eddie and therefore on the opposite side of his sister and her boyfriend.

- Yes, they were probably amused by the meddling mom asking then „Are you boys single?“ in 3.11 but come on! They look at each other and smirk? For real? Hand over the script, Timbo!

- Also as mentioned before the fact that when Chim and Eddie talk about family and the 118 being the family they choose the camera is on Albert, Buck and Christopher, no one else is in the shot. And of course the song that is playing here, another song about home.

- The callback to Buck in 3.12 of Ana immediately guessing Eddie is short for Edmundo unlike Buck as well as Carla saying blue eyes (which Buck has) is also Subtext.

- Said it before but: the scene in 3.13 when they arrive at the hospital and Eddie asks Buck out to eat and then Buck changes his mind but Chimney runs off to call his girlfriend because he wants to have dinner so he can tell her he loves her like Eddie told him to do at the beginning of the episode is … interesting.

- I already explained why I think Shannon wasn’t in that many scenes in the video in 3.15 yet Buck was in most of them but it bears repeating. Also again it’s subtext that Buck is part of Eddie’s family and Buck is very important to Eddie and Eddie loves Buck.

- Also the question about the medal in 3.15 and the little boy at the end repeating the question, sorry, were we not supposed to think of Buck here, Tim???

- Also just in general 3.15 focuses very very heavily on Buck and Buck’s reaction - much like 3.18 later does with Eddie. All the non-Eddie scenes feature Buck and Buck freaking out about Eddie potentially dying and Buck making plans and being frantic and the driving force of hope cause homeboy cannot even for a second entertain any thoughts on Eddie’s passing.

- The rope metaphor in 3.15 / 3.16 is of course also subtext but I already explained that one and don’t have anything to add really.

- This one is a little bit of a stretch but I do think there is a reason Eddie was the first one to be taken out of the equation in 3.16 and because of his son and not a love interest.

- Also the pool playing scene in 3.16 there visually we see Eddie and Buck together in nearly all shots, there are two shots of Eddie without Buck in it but not a single one of Buck without Eddie in it and considering camera angles and actors literally being told were to stand it is deliberate that Buck is only seen with Eddie by his side here.

- I’m repeating a lot of things here but Buck refuses to say Abby’s name in 3.17 even though Bobby clearly knows who he is talking about.

- „No. He stopped waiting for me a long time ago.“ cuts to „Summer Camp?“ I mean sorry, what were we supposed to think here? Because this does imply he really did stop waiting because now he has Christopher and Eddie!

- Not to mention it sort of hammers home what I wrote before how Abby is dating a single father and Buck is sort of dating a single father.

- Also 3.18 puts a lot of focus in general on Eddie and his reaction to everything when say, Bobby, who actually knows Abby and was there for the relationship would have made more sense - unless they are pushing an agenda here!

The first person we have Abby interacting with at the traincrash is Eddie and then Buck joins them and the scene literally goes: Eddie *talking to Abby* > cut to Buck, coming closer > Buck: „Abby?“ > cut to both Abby and *Eddie* > Abby: „Buck?“ while the camera is still on her and Eddie > cut to just Eddie’s face having a realisation > cut to Buck

So sorry, why do we focus so much on Eddie here, Mrs. Lynch? Is there a particular reason, oh director, who art also directed 3.01 and which has also loads of Buddie subtext?

There is also Eddie coming to stand visually between Abby and Buck when Sam is loaded into the ambulance as if he is physically putting himself between them and then Buck running back toward the traincrash and Eddie following him after and all the shots of them and Christopher during the party together and once again having Bobby asking Buck if he is okay visually connected to Eddie, though in reverse this time because the scene goes from Eddie and Chris having fun to Buck and Bobby talking. (And should we talk about how this is the first time Buck actually answers the question because finally he has an answer or are we thinking about that right before sleep today when it’s easier to cry?)

- Also very interesting subtext is the fact that Buck and Eddie wear nearly the exact same colour and a similar cut pullover when Buck talks to Abby at the end and when Eddie says goodbye to Christopher and I mean, thematically both scenes are about saying good bye and letting someone go? But also it connects Buddie with each other and connects these scenes, which Idc, I probably wouldn’t have done without the clothes?

Not sold seperatly

- Also subtext / visual thing is the fact that Buddie is basically always with and next to each other at the firehouse and on calls (and before anyone says: well, they are partners, Hen and Chim aren’t as much), and that is a long list so I am just giving examples: in 2.05 they sit next to each other at the table while in 2.06 they sit next to each other on the couch and in 3.08 they sit next to each other at the table again and then we have 2.02 standing outside and 2.04 walking away from the scene together and Eddie handing Buck a weapon in 3.17 and walking toward the ambulance together in 3.13 and several other times, the point is there are a shit ton of scenes of them being right next to each other in case you thought that was a fanfic thing!

„The Buck lens“ / „The Eddie lens“

I’m pretty sure there is an actual technical term for what I am trying to describe here but basically there are several instances where we see Eddie the way Buck does, meaning while the scene shows us Eddie doing something the focus is on Buck watching this. Sort of POV but not quite I guess? Also the reverse is true as well, even if those scene aren’t as pronounced!

- Let’s talk about 2.01 once again as we have done for most of this meta and finally, finally look at Eddie’s first scene which we all know is sort of gay and the first time we see Ryan shirtless because Tim accidentally wrote a certain quota of shirtless scenes he needed to do into Ryan’s contract and he needed to get started on those right away.

Also please remember while we as well as the core four are watching Eddie get dressed „Watta man“ plays in the background, which, considering we are introduced to Eddie through Buck’s point of view might be the song playing in his head here? Anyways, back to the topic at hand and how we as the viewers don’t see Eddie until Buck turns around and sees him as well. Which is significant because several times through the conversation between Buck, Hen, Bobby and Chimney we see the locker room in the background so they could have filmed that differently.

Instead they had Chim, who stands off centre, noticing something while Buck banters with Bobby about how he will get to represent the 118 in the calendar, then the camera changes angle so we no longer stand between Bobby and Chimney but rather behind Buck, making him centre stage and putting a focus on his reaction to Eddie. In this scene we have Buck framed by two people commenting on Eddie’s attractiveness. Now we don’t get to see Eddie until we have gotten all reactions of the core four to him, with special attention to Buck, both in filming and text with everyone taking a jab at Buck before walking over to introduce themselves to Eddie which leaves Buck alone, watching.

(Now keep in mind this scene also has Hen basically say Eddie is so hot it transcends sexualities while „Whatta man“ plays as Buck slowly turns around and Idk, mate, that does seem shippy to me.)

- Another scene that focuses very heavily on Buck is when Eddie rushes and hugs Chris at the end of 2.03. In fact for most of the scene we see Buck in the car watching them.

- Also, the hospital scene in 2.04 and how once again we see Eddie interact with Chris while Eddie watches them because fuck knows why.

- Similar to the Buck lens we have 3.10 where Eddie talks to Hen about Chris while the two (or rather Eddie since he sits at the centre) watch Buck play with Chris and Danny. This is significant because Buck is also placed in the middle, putting him opposite Eddie and also making him the focus of the camera for most shots when the scene was about Christopher and Eddie feeling guilty. Huh, we say!

- Something similar happens in 3.11, which is the next episode several months removed when Eddie talks to Chimney about the 118 being their family and while this time Chris is the one sitting in the front, Buck once again is in the middle and also in focus in a scene shot from Eddie’s POV.

Other people reacting to them / commenting on them

Now, I am not sure if this is really Subtext but who knows where else it fits in? (This is a rhetorical question, only my opinion counts around here while I write!) So It goes here! And I think the title is self-explanatory enough.

- I’m a little on the fence on the Bobby looks because - no offence to Peter Krause - he doesn’t have that many facial expressions in general, but yeah, at the mechanics Buck watches Eddie and Bobby watches Buck.

- Our first real one of those scene is the truly savage tía Pepa who is a woman after my own heart because she says the mean shit to your face and the nice things behind your back because she loves you but she loves vibe checking egos more! And well, she is understandably confused by Buck’s being there at the hospital and asks Eddie who that is and why he is here and gives one of the best lines of the show by being so sarcastic, because oh, you work together? Damn, wouldn’t have guessed from the fact that both of you wear LAFD t-shirts! (I love her!)

- In the same episode Maddie comments on Buck’s boycrush on Eddie and while I am unsure whether that is supposed to make it sound less gay or it’s Maddie saying: Bro, you sound 12! but oh well! It’s a comment on them!

- I loath a little to include the elf in 2.10 because Tim has said that was an easter egg for Buddie shippers and a tongue in cheek thing but yeah.

- Also Bobby watches the whole „It’s a miracle“ exchange in 2.14 with that look.

- In 2.18 we get some text on the screen when they help instagram girl about how hot the both of them are and also how THEY should be dating which I’m putting into the same box as 2.10.

- The fact that Bobby shoves Eddie at Buck in 3.01, like sorry, why was it so relevant that this is the first hug?

- When Eddie / Ryan stared at Buck’s / Oliver’s ass in 3.04 we see Hen and Chimney grin about it.

- I know I have said myself that Maddie’s reaction in 3.08 was due to the fact that she just said: can ya’ll stop gossiping - and Chim and Buck were like: sure thing! and then started gossiping but still.

- There is Buddie flirting at the bowling alley in 3.13 and once again Bobby gives them the look and yeah.

- In 3.15 everyone seems very worried about Buck especially and they keep reassuring as if he were Eddie’s next of kin.

- Again a Bobby look I am unsure of but in 3.17 we see him giving them the look in the truck and yeah.

Other people’s heartache

Now, as I’ve said in the beginning, I didn’t wanna just include my perspective on Buddie, so I asked a few other people about this and while this isn’t a representative statistical number it’s still interesting, right?

(Also originally this Guide was organised by episode and I would have included the comments when the things came up but alas that didn’t work and I think I turned a little grey because of that)

@buckleysbabe:

When i first watched 9-1-1, I had no idea that Buddie existed (i hadn’t been on tumblr a lot at the time so I hadn’t seen gifs or anything) and when i started s2 I really thought they were just best friends, but then 2x10 and the ”you two have an adorable son” scene happened and Buck’s ”thank you” and the shy smile AND I WAS ON BOARD!! That was really the first moment, then I got the confirmation after 3x03 and the scene where Buck sees Eddie in the tsunami scenery, and then the whole Eddie saying theres nobody in this world....like in that moment I felt like they were seriously in love 😍❤️

About the 2x10: that scene has so many things. Like the water fountain in the back, Chris in the scene with them (like they are a family), then the elf saying what she said, Buck being for a second like ”huh?” and then you see the light bulb going on when he’s like ”ohhhhhhhh yeah” and then he says thank you 😍😍😍 saying HE IS CHRIS’S COPARENT. AND THEN THE SHY SMILE

@theleftboobgrabber

Right off the bat I thought they had chemistry but I think the entirety of 2×04 is when I genuinely started shipping it. Like.... the constant heart eyes, the support, Buck trying so hard to be there for Eddie and Eddie absolutely never questioning it, the look Buck gives Eddie at the fire house was absolute fire (when Bobby tells Eddie Buck asked for Chris to stay with them) like Eddie's like you did this for me??? And Buck has just this massive Big Buck Energy from where he's sitting like "get used to it" and I remember absolutely loosing my mind that Bobby got the hug and not Buck at the end of the scene like in what universe??? And yeah the rest of the episode is just the same but that feeling of 'that's the wrong man you're hugging' was the tipping point

@emotionalsupportfirefam

Okay so mine was kinda two moments?1) when Buck took Eddie to Chris' school after the earthquake and we see his reaction to Eddie's joy and relief as he holds Christopher and then spends the next episode trying to find ways to help Eddie with finding a suitable caregiver/ support for Chris and 2) the fact the took them whole of five minutes to go from 'rivals' to the 'dynamic duo' after the grenade call.

@evaneddie

Honestly? Literally every scene they have is romantically coded. The first scene of them, with Eddie being shirtless and us seeing it from Buck's perspective with „Whatta Man“ playing? That's subtext.

You can have my back any day? Yo.

The scene when the elf Blair(e) said they have an adorable son and Buck just said thank you instead of correcting her before he literally skipped away?

Eddie showing up at Buck's apartment and Buck not even questioning how he got in?

The way Buck is like a second father to Chris and protects him like one in the tsunami?

"THERE'S NOBODY IN THIS WORLD I TRUST WITH MY SON MORE THAN YOU"?! REALLY EDDIE? WHAT ABOUT LITERALLY ANY OF YOUR FAMILY? OR CARLA? Baby, that's love.

THE HALLOWEEN HUG?!

THE KITCHEN SCENE, THE WHOLE SEXUAL TENSION IN THAT SCENE?! BUCK'S HAND ON HIS BELT, THE GLANCES, "I'D STILL TAKE YOU", ON THE COUCH EDDIE LOOKS TO BUCK'S LAP, LIKE COME ON!

"You boys single?" *Looks at each other*

"This is Eddie's house, I'm not really a guest"

Buck's breakdown when he lost Eddie under 40 feet of mud. That was not the breakdown of losing a friend, that was the breakdown on losing someone you love. There's a meta I saw once literally just for this scene alone, the way Buck dug so desperately at the mud with his bare hands, the screams of heartbreak, the way he collapsed into Bobby, the pure dissociation as Bobby was giving instructions later on, Eddie's memories filled mostly with Christopher and Buck. Sure, the others were there, but, it was FILLED with Buck and Chris.

Then the ending scene of the season?! What was he trying to do with the necklaces? Thrusting his hips towards Eddie, hitting him in the face, then that soft touch on his face?

@adamngoodbuck

Hey! Nice question and for me really easy to answer. I started watching the show back in 2018 when it first aired but I was a casual viewer. Very casual. So casual I actually watched everything up to 2x10 and then I thought it was the season finale so I forgot about it. And then season 3 started. And nothing made sense. So I checked and welp, I had to catch up. And I did and something started brewing inside of me. I wasn't part of the fandom yet. And then. The THE SEARCHERS happened. And that scene. The there's nobody in this world I trust with my son more than you scene. My icon scene. And I was done. Hook, line and sinker.

@the-family-we-choose-118 

My main ones were all the big ones: the kitchen scene, the end of 3x03, the Christmas episode one where Buck is helping Danny and Chris make gingerbread houses and then plans a whole party for the firefam, Buck clawing at the ground in 3x15, Eddie interrupting Taylor Kelly when she came to the station to do the documentary in Dosed, the fact that Eddie was introduced from Buck's POV with „Whatta Man“, the entire earthquake episode where Buck is reassuring Eddie his kid is okay and then drives him to get his kid later on, and the scene where Buck introduces Eddie to Carla in (I'm pretty sure it's) the same episode where Maddie asks him if his boy crush on Eddie means he's over Abby (that was my main one). And I was fully convinced when Eddie walked in Buck's apartment in the beginning of S3 and ripped his blankets off him and was so sure he doesn't sleep naked/wouldn't have anybody over.

And the „official“ part of the guide is done but I do wanna say something else real quick which is:

You have just read about 20.000 words I painstakingly wrote over the course of several weeks and while I get that meta is even more harrowing to reblog than gifsets or fics because meta involves so much opinion and interpretation and what if you disagree with parts of it?

Well, again, I invested a lot of time in this and also: IF YOU DISAGREE TELL ME!!! TELL ME IN THE REBLOG OR IN THE TAGS!!! Because different to fics and gifsets meta is a dialog and I can’t have a dialog unless people talk to me! I’m not here to lecture you on right or wrong, I am here to tell you: okay, this is how the scene looks from my point of view, what do you say? So honestly, please consider liking and reblogging and tagging and maybe talking a little about it with me, because screaming into the void is so very boring

(And also in general: reblog reblog reblog! All these funny posts you see on buzzfeed and instagram screenshoted from tumblr? Half of them were made great by reblogs and all of them were noticed by these sites because of reblogs)

Anyways, before I (REALLY) let you go it would be hypocritical now to not talk about some people who inspired some of this (but ya’ll have to understand I cannot talk about everyone)!

I can however say these four especially helped me write this:

- @diggorypuff , who I have never talked to but whose posts about interesting parallels actually sort of got me into thinking deeper about this show: (X)

- @ingu, who fairly recently did a series of gifsets on Buddie and how Buck is framed as Eddie’s love interest which gave me life: (X)

- @matan4il, who is such an amazing friend and does the most concice and well thought out metas on Buddie without having to watch the show a million times like other people we shall not name have to (me, I am talking about me). Find her buddie metas here: (X) 

- And most importantly my girl, my babe, my love, @chimbuckleys who is the voice of reason between us and always lets me rant about stuff and was the sounding board for this and so much else I have written - I couldn’t do this without you! (ALSO I AM GOING TO BED NOW, BABE!!!)

AND DEAR READER, you made it! Now go have a blessed day and plant some trees because earth is dying and we with it!

[dreamgirledward]

oh I’m so curious 💌

hiiiiiii rennie my luv i associate you with like - and stay with me here - the very specific feeling of feeling extremely burnt out from classes/work that revolve around movies/tv/media/sound editing but then getting randomly rejuvenated about the exact same thing after a change of scenery (aka our literal conversations). branching off of that, i cant help but associate u now with sitting at my desk at night in my room with just my lamps + fairy lights on and my laptop open with my editing programs running and my headphones on bc that specific time of the evening when im being productive is always when we're talking !!!!!! like sitting awake in the dark or a room illuminated by a screen, during the hours when no one else is awake, and you're comfortable bc it's the space u made for yourself + no one can disturb you???? ya. that's u :') when i think about u i see colours like a sunset orange and a very very deep blue 😚😚😚😚😚and i also associate u with mamma mia bc of your pics which rly shouldnt be a surprise LMAOOOOOOOO. i know i literally wont shut up about it but i cant help but also associate you with ur hsmnatural amv that legitimately changed my life and also THIS ONE especially when i see a gifset or post talking about dean's little outfits <333333

send me 💌and ill tell u what i associate you with !

[danaa-scully]

Halloween Colouring Tutorial

Hello everyone! A few days ago I got a request from an anon to share the psd I created for this gifset. So I decided to make this mini tutorial to show you how I made my psd. I think is better to explain it rather to post a link to download it bc there a few steps I think you need to know in order to get the exact same result I got. So here we go!

Step 1: For this I’m assuming you already know how to create gifs, if you don’t please check out this tutorial first. Once you have created your gif and sharpened it, you should have something like this:

NOTE: this psd works better for scenes where there isn’t too much movement, so please keep that in mind :)

Step 2: Now you need to add a Curves layer. Just play around with the eyedropper until you are satisfied with the result. This is mine:

Step 3: Next thing you want to do is to add Selective Color, the settings depend on your gif and the colors you want to enhance. In this case I was looking for vibrant greens and a bit less of reds so I chose these settings (X) (X) (X):

Step 4: I also wanted to add a new Selective Color layer to enhance the greens a bit more. This isn’t a necessary step, as I said before it entirely depends on your gif, the colors it has and what you want to pop up. Here’s my gif now:

Step 5: Now it comes the pivotal moment when you’ll finally start to add the Halloween-ish colors (aka oranges and blacks). For this you need to add Gradient, then you select the shade of orange of your preference. My choice was this one. Then set the Gradient layer to Hue.

Step 6: Now your gif looks like this and of course it isn’t the result we’re looking for bc Laurie’s face looks too orange and it just doesn't look natural at all. What should you do next? Just add a Layer Mask and then select the eraser tool to erase the parts of the gif you don’t want to look orange like in this example Laurie’s face and blouse (here is a tutorial that teaches how to use that tool in case you need it). This should be your result:

Finally, you don’t actually need to do this but I thought my gif would look better with a new Selective Color layer (especially bc I really wanted vibrant oranges and blacks) and that’s how I got this:

That’s it guys! Hope this helps you. If you have any questions please don’t hesitate to send me an ask or message :) 

[bananagreste]

tutorial: how to make gifs (part 2)

Before proceeding, please check out the first part here. In this part, I’ll explain how to do gif colouring, how to add subtitles and how to save gifs.

PART A: GIF COLOURING

Gif colouring is done using the adjustment layers. If you haven’t enabled this option, you can do so by selecting Window > Adjustments. A panel of sixteen (16) adjustment layers will appear, as shown below:

The adjustment layers, from left to right, top to bottom, are:

Now, there’s no hard and fast rules when it comes to colouring. My best advice is to experiment until you find your own colouring style. When I make gifs, the way I make gifs don’t change but the way I colour gifs will periodically change.

This is one of my earliest gifsets, made in 2015.

This is my latest gifset, made in 2019.

As you can see, I didn’t start off knowing how to colour gifs. Back then, I wasn’t concerned in making my gifs look nice, I wanted to make gifs because people don’t make the gifs that I want to see.

Despite my constant complaints of the reds, the blues and the yellows of the show, I don’t hate the colours themselves, I just hate the fact the colours don’t pop. Take a look at the scene below:

It looks fine after sharpening and blurring filters, but personally, the original colours look dull. 🤷‍♀

Step 1: Curves

I create two markers, then pull one downwards and one upwards, careful not to stray too far from the original line. If the scene is dark and you want to make it brighter, pull the marker that’s usually going downwards, upwards, but again, don’t stray too far from the original line.

Besides ‘Curves’, you can also use ‘Brightness/Contrast’ and ‘Levels’.

Step 2: Selective Color

The bulk of your colouring takes place here. There are nine (9) colours: Reds, Yellows, Greens, Cyans, Blues, Magentas, Whites, Neutrals and Blacks. For this scene, I adjusted seven colours, minus Neutrals and Blacks.

(I don’t recommend messing around with Neutrals and Blacks since they usually affect the entire scene instead of specific areas. If you are like me who want the black to be true black, you are better off adding another ‘Curves’ layer.)

I don’t have any specific method besides -- adjust the sliders until you see the colours that you want. In fact, if the scene is stubborn, you may use multiple adjustment layers. Below is how I remove the blues from Marinette’s hair:

Step 3: Gradient Map

I wish I know how to explain why I use Gradient Map besides it being part of my finishing touches. For this adjustment layer, it is set to Soft Light at 75% opacity. For the scene above, I used this gradient:

#000000 | #ffffff

My usual choice is this one:

#9e868e | #a88589

My second usual choice is this one:

#383332 | #6f5b55

Do you have to make your own gradients? No. For my usual gradients, it’s actually from the gradient pack here. I encourage you to explore resources websites because they are helpful, besides, they are mostly free!

Q1: Do you need more adjustment layers?

For daytime scenes like the above, I usually maintain three adjustment layers. However, you may encounter scenes where one colour dominates the entire scene or the colours look out of place or the lighting is completely wack.

In order to fix the colours, I use either Hue/Saturation or Color Balance or Photo Filter, usually before, but may also be after, the three layers. It may or may not work successfully but at least it reduces your frustration at fixing the colours.

I will have mini tutorials covering how to colour these specific scenes later.

Q2: Do you have to use the same adjustment layers as mine?

Again, no.

As I said before, you need to experiment until you find your own colouring style. I may use 3 layers, you may use 6 layers, someone else may use 9 layers. In fact, I may use 6 layers for a specific colouring and then 9 layers for another.

It’s best to study the scenes and figure out what colours you want to bring out, what colours you want to eliminate, and what colour theme you want to present.

Q3: Can I use others’ colouring psd instead?

You can, but consider if it’s better if you learn how to colour from scratch, especially if the series in question has inconsistent colours, such as ML.

However, that doesn’t mean you aren’t allowed to use colouring psds. If you are making multiple gifs and they have the same theme (e.g. outdoor, daytime, blue skies), it’s easier to just use the same colouring for consistency.

Eventually, once you are used to colouring the series, you may find it easier and faster to colour manually because the results are more or less the same.

PART B: SUBTITLES

Subtitles are great for providing context, but it can be time consuming. I advise starting off with small scenes, then work your way up until you are comfortable with the entire scene.

Step 1: Choose your font

The most important aspect of your font choice is readability, even in small sizes. Common examples of fonts used for gif subtitles are Arial, Calibri and Myriad Pro. All are set to 'bold italic’.

Step 2: Add the text

Drag your cursor to the right to create a text box, then type out the text. For 268px gifs, the font size is 14 pt. For 540px gifs, the font size is 18 pt. The font colour by default is black, so change it to white.

As you can see, the text is unclear. Before we solve that problem, we need to make the text box centered. Select the ‘Move Tool’ and choose the icon below:

The text box will be centered, but the text is too far from the bottom. Using your keyboard, press the down arrow key until you reach the bottom, but leave some space between the text and the bottom.

Or, you can position the text box close to the bottom then make it centered. Either way, it should look like the above.

Step 3: Blending options

Right-click on your text layer and select ‘Blending Options’.

Select ‘Stroke’ and copy the settings.

Select ‘Drop Shadow’ and copy the settings.

Press OK.

Your text should look like the above. Your text layers should look like below:

Step 4: Timeline

If you have multiple scenes in the gif but only one scene has subtitles, you need to adjust the timing so the subtitles don’t appear in the other scene. Use the slider to find the scene, then drag the text layer so it aligns with the scene.

Let’s say the scene is short and you want to find the exact frame but the timeline is short, use the icons below to shrink or expand the timeline:

The left is to make the timeline shorter, the right is to make the timeline longer.

PART C: SAVING GIFS

You’re almost done!

Use the markers to determine the scene you want to save, then select File > Save for Web (or Alt+Shift+Ctrl+S) and these are my gif save settings:

Voila, this is how a gif with subtitles look like!

If you have any questions, don’t hesitate to send me an ask or a DM. Thank you so much for checking out the tutorial and I hope it has been useful. I look forward to see gifs from you!

[nataliescatorccio]

📝hiii first of all,,, congrats on 15k!!!! honestly, you deserve it because your edits are beautiful!!!! your latest malia gifset was so GORGEOUS🥺 I was wondering if u could do a tutorial on how you color the background so it looks SO GOOD and if u also use selective color or tone/saturation when u color the clothes because jfc I'm always so amazed at how good it all looks!!! like, that thingie looks gorgeous in every one of ur edits but your malia one just,,,, I kinda went slack jawed because I'm in love???? you're super talented??? how are u so amazing???? like, it doesn't have to be a super detailed tutorial tho just maybe if u use the solid color or something and then use the color option for blending or whatever jdjdjd thank youuuuu💖💖💖💖💖 (sorry if the names are wrong my ps is in spanish and idk the eng version djdjjdjd)

thank you so much, this is so incredibly sweet of you!! all of these compliments, my heart is actually melting 🥺 and don’t worry i totally get what you meant by all the names!

ok so first thing’s first please do check out my colouring tutorial because that covers my general colouring process and will give you a really good basis on how i work with colours. i generally use painted colour layers because i find this gives a stronger coloured background, but i’ll leave it to that tutorial to explain what i do!

but i do have a few little tricks and tips to really make those colours pop that might help you out. so i’m going to talk about how you can really make those colours stand out below the cut, and just talk you through the general process i went through for making this gif:

so let’s get started! i started off with my very basic gif colouring (steps 1&2 in the above tutorial). but as i knew i wanted to work with yellows i also added a colour balance layer on top and added just a small amount of yellow shadows and midtones. 

this just enhanced the yellows/greens and gives you a smoother look when you start to introduce your colour layers. so now, i have my very basic colouring:

the yellow

the next thing i did was grab a light, bright yellow (i used #ffed87) and just painted that onto a layer set to colour and opacity 50% (check out step 3 of the above tutorial). i had to do it frame-by-frame (step 5) for this gif because of the movement of her hand but i only did this for two gifs in this set so it’s very much achievable to avoid this, you just have to chose a shot with less movement. so now when that is all done, i have this:

now it’s still a strong yellow, but you’ll notice it’s not quite as bright as my finished gif! so now begins the little tips for making your colours ‘pop’

tip 1: use a large paint brush to add a light shade of your colour to the background and set this to ‘hard light’

a good way to brighten up an area of your gif and really enhance that ‘pop’ of colour is to use a hard light layer. this is achieved pretty similarly to how we coloured the background before, but instead i’m grabbing quite a large brush and setting this to ‘hard light’, then reducing the opacity (i used 36% here but the darker your background the more you’ll need to reduce the opacity so it’s not as harsh). ‘soft light’ also works, but i tend to use hard light just that little bit more. it’s about seeing which one looks better on your gif.

as you can see below, this has added a real ‘pop’ of colour to the top left of my gif:

tip 2: use a dark layer as contrast to really make your colours stand out

it’s also possible to use a very dark coloured brush on the opposite side, usually i set this to multiply or soft light, and this can darken that area and create even more of a ‘pop’. this is what i did for this gif so that the pop of colour was concentrated on the right-hand side:

tip 3: selective colours

selective colours are a dream and now we have a good base, i played with the selective colours to get the exact shade of ‘gold’ i wanted. increasing the yellows here can get you a really strong, bold colour. it may be tempting to use a vibrant layer to create that colour but selective will give you a smoother finish:

now i was happy with this shade i just made sure to use a layer mask to black out the selective colours that had effected the skin tone of her face just so we don’t end up yellow-washing her:

and that was me all happy with the yellow!

the green

so next i wanted to introduce some green into the gif as the prompt i was given was yellow and green. to do this i repeated painting layers, but this time i used a light green brush (#b8fead) over her jacket and the paper. again i did this frame-by-frame because of movement, but if you choose a scene with less movement you won’t need to:

this did most of the work but i also played around with the selective colours here to help get the shade i was looking for:

i even did two players just to really bring out the yellows in that shade of green so the two would compliment each other nicely:

and there we have it, i’m now done with my gif:

this is a rather extreme example (because it was sadly the only one from this set i saved as a psd) as i did frame-by-frame colouring, but many of the other gifs in that set were just achieved by using one layer set to colour, and then bringing the colours out using the hard light/selective colours tips i’ve explained here!

i really hope this helps you out and you can create the colour fix you need because let’s be honest, the world is only made brighter by colourful gifs :)

[gigi-sinclair]

Cendrillon (crossover with “Versailles”, Guillaume/Thomas Jopson, rated G)

Blame it on @rubysharkruby, and specifically this gifset. Also, I believe it was @oochilka who said “a Thomas Jopson for every Matthew McNulty character”, and I can thoroughly get behind that. 

If you haven’t seen “Versailles”, I would say Guillaume is more or less a 17th century French Edward Little. The poor guy just wants to do his job. 

For the @theterrorbingo Free Space, and my third Bingo!!!

“I hear you are cobbler to the King.”

Guillaume looks up from the tannery workbench. In front of him stands the most beautiful man he's ever seen, tall and dark-haired. He's dressed simply, as a servant, but he is as lovely as any aristocratic flower Guillaume has glimpsed at Versailles.  

“We work for all sorts of people,” Jeanne calls across the workshop. The man glances at her. “None of our clients have ever been dissatisfied.”

“But you are correct,” Guillaume says, bringing the man's startling blue gaze back to him. “We are fortunate enough to have a position at court.” At least until the King catches wind of Jeanne's disloyal sentiments.

“My master is in sore need of new shoes.” He has an accent, Guillaume remarks. English, although his French is very good. “But I am afraid he dislikes leaving home. I would be most grateful if somebody could go to him.”

Guillaume is far too busy with the King and the orders from court these days to take on such errands himself, but he finds himself strangely loath to assign the task to someone else.

“Where do you live?”

“My master's home is outside Menuls-lès-Saint-Cloud.” A fair ride from the workshop. A trip out there would certainly take more time than Guillaume has to spend.

“I can come tomorrow afternoon.” He can sense Jeanne's eyebrows go up, but ignores her. It's easy enough to do when the man bestows upon him a smile dazzling enough to put butterflies in Guillaume's stomach and palpitations in his heart. He even has dimples, Guillaume notes, with simultaneous despair and elation. He has always been inordinately fond of dimples.

“Thank you, monsieur. He is a very particular gentleman, he only wants the best.” The man gives Guillaume a look that can only be described as meaningful. Even after his experiences at court, where volumes are spoken with looks and gestures, Guillaume does not possess the skills to discern that meaning. He takes the address, and bids the man a farewell which is ridiculously forlorn, given they are complete strangers.

As soon as he is gone, Guillaume hears Jeanne scoff.

“You have something to say, dear sister?”

“Merely that I am pleased to see you taking work for someone other than His Majesty. And that your familiarity with the Duc d'Orléans seems to have affected you in more ways than one.” This meaning could not be clearer, and she could not be more wrong.

Guillaume knows of Philippe's proclivities, naturally. Those same proclivities lived in Guillaume long before he met Philippe. He wonders, at times, if that was what encouraged friendship to blossom between them, even more than their shared experiences in the war.

“If you are short of work, Jeanne, I'm certain I can find you something to do.” His tone is less imperious than he would like, but she says no more.

***

The mysterious gentleman's home is a moderately sized villa, tidy with a well-kept garden. It is not the home of an aristocrat, but nor is it a place for a pauper. The handsome servant himself greets Guillaume at the door.

Overnight, Guillaume almost managed to convince himself he had exaggerated the man's appearance. He, who had seemed an angel on Earth in the tannery, would no doubt appear ordinary or even plain in the light of day.

Guillaume was wrong. The man is as lovely now as he was yesterday. As he greets Guillaume with another of those astonishing smiles, Guillaume hears himself ask, “What is your name?”

 “Jopson, monsieur. Thomas.” He says it the English way. Tom-mass. It is utterly delightful.

“I am Guillaume,” Guillaume tells him, as Thomas leads him into the house.

“Yes,” Thomas replies. Amusement colours his voice. “I know.”

A man awaits them in the drawing room. Although the weather is mild, he sits before the fire. Like the house itself, this room is well-kept without being extravagant, with tall bookshelves against several of the walls, and paintings of seascapes on the others. The gentleman is not elderly, but Guillaume recognizes the ravages of drink on his face.

“Captain Crozier,” Thomas says, in English. Guillaume can understand a little, although he would never attempt to speak it. “We are honoured with a visit from the King's shoemaker.”

Crozier casts his eyes across Guillaume's person, then snorts. “All right, then. Let's get on with it.”

Captain Crozier—given the seascapes, Guillaume assumes he is a naval captain, or was one, rather than an army captain—suffers from severe bunions. He winces as Guillaume measures his feet, although Guillaume is as gentle as possible. After marching for years with his own troops, this is a condition with which Guillaume has great sympathy.

“Tell him,” Guillaume says to Thomas, as he wraps up his measuring tape, “I will make him the most comfortable shoes he has ever owned.”

His words make Thomas' eyes light up. At once, Guillaume wishes to do that again, and again. “Oh, that would be very much appreciated.” Thomas repeats the sentence in English to the captain, who laughs derisively.

“He wouldn’t be the first to say that. But I welcome his attempt.” The captain's gaze goes to Thomas. “Why don't you have a pair made yourself, as well, Thomas?”

“Me, sir?”

“If his shoes are as good as he claims, then you surely deserve some of your own. You're on your feet far more than I.”

A fetching blush comes to Thomas' cheeks. “That's very kind, sir.” He turns to Guillaume. “My master has kindly offered me a pair of my own. If you don't mind...”

“Not at all.”

Thomas sits on the nearest chair, and removes his current shoes. They are of very poor quality, badly made to begin with and crudely patched on top of that. Guillaume wishes he had brought a pair of completed shoes for Thomas to wear while his are being made.

Guillaume has seen a lot of feet in his time. In and of themselves, they have never interested him, but Thomas' feet are strangely fascinating.

Guillaume bites his lip, striving to maintain the highest level of professionalism. The level that has kept him at court, even if Philippe's influence was obviously what first opened the door. He takes Thomas' measurements as briskly and efficiently as he did his master's, until he arrives at Thomas' left instep.

It is high. Before he can consider what he's doing, Guillaume traces it with his index finger. Even through Thomas' stocking, Guillaume can feel the heat of his body. He twitches, but does not pull his foot away. Rather, he pushes back, just a little, then raises his gaze to meet Guillaume's.

Guillaume feels his own face heat to match the blush darkening Thomas'. He pulls his hand away.

“I shall deliver the shoes myself, once completed.” The vow is rash. He might be called to Versailles at any time.

“I look forward to it, monsieur,” Thomas replies, in a low voice that does not quite suit a conversation about shoes.

***

As promised, the shoes Guillaume makes for Thomas and his master are among the finest he's created. The leather is richly tanned, supple beneath his fingers, and the stitching is exquisite, if he does say so himself. For all his sins, Guillaume is not usually a prideful man. He is proud of these shoes, and excited to present them to their new owners.

To one of their new owners in particular. He smiles to himself on the ride up to Menuls-lès-Saint-Cloud. He would say he feels as giddy as a schoolboy, but Guillaume was always a serious child.

“Good afternoon, monsieur!” Guillaume did not write ahead to announce his arrival, but Thomas greets him as if he was expected. “I'm afraid Captain Crozier has taken ill.”

“I hope it is nothing serious.”

A delicate frowns settles upon Thomas' forehead. “No,” he says, sounding tired. “It is quite usual.”

There is nothing to be said to that. “I have your shoes.” Guillaume holds up the bag in his hand. It seems an idiotic statement—why else would he have come?—but Thomas brightens, the frown disappearing.

“Please, do come in. I'm so eager to see them.”  

He takes Guillaume to the same room they were in before. Guillaume sets aside the shoes made for the captain, and unveils Thomas' pair. “They're wonderful!” Thomas exclaims. “Might I try them?”

“Of course.” The prudent course of action would be to hand the shoes to Thomas, to let him put them on himself. Instead, Guillaume says, “Please, sit.”

Guillaume has spent a great deal of his life as a supplicant. Before God, before the King. It feels just as natural to go to his knees before Thomas, to take one of his stocking-clad feet in hand and slide it into the shoe. The fit, of course, is exact.  

“My goodness.” Guillaume looks up. Thomas' cheeks are rosy, his lips parted in a way that makes Guillaume feel quite warm. “That's lovely.” He clears his throat, as Guillaume sets down that foot and takes up his other one. “In Italy, the captain and I heard a story about a lady who flees from a royal ball, and is found again by the perfect fit of a slipper she left behind. Do you know the tale?”

“I have heard a similar one at court.” Guillaume remembers Philippe recounting it to him, thinking, no doubt, that the subject matter would appeal.  

Thomas holds his gaze. “Then you will know that the one who returns her slipper is a charming prince. Like you, Guillaume.”

Guillaume swallows. “I am far from a prince.”

“Perhaps.” He reaches out to rest his hand on Guillaume's shoulder. His touch is light. Still, it makes Guillaume's heart beat faster. “But I find you very charming indeed.”

He moves slowly. Guillaume has ample opportunity to shift away, to get up and leave, to reject what Thomas is clearly offering. He does none of that. Instead, he allows Thomas to sit on the floor beside him, to take Guillaume in his arms, and, finally, to press a kiss, soft and tentative, against Guillaume's lips.

Despite the circles he now moves in, despite his close friendship with the King's only brother, Guillaume is a simple man. He is not ashamed of that. There is a natural hierarchy to the world, and Guillaume is well aware of his place within it.

And my place at the moment, he thinks, wrapping his arms about Thomas and returning kiss with ardour, is exactly where I am now.  

[ruby-red-inky-blue]

Visual Art Rec Week: Manips/AU

Alright. AUs. (Hope I’m supposed to include gifsets and stills because I did). Strap in, AUs are like, my thing, and the only reason this is a manageable list is that I filtered a lot and also my blog is a mess and I can’t find anything. (some people are on here more than others, which isn’t because I think less of everyone not on this list, it’s just that we’re mutuals and I barely ever miss anything they post and also our tastes tend to be pretty streamlined). Anyway, let’s dive in:

stills

Rebelcaptain AU: “Dirty Dancing: Havana Nights” by @ghiblicottage I shittalk this film so much, and I shall continue to do so, but it just has such an inescapable cuteness! These are so seamlessly made, I could swear they were from the same screenshot, and they give off such a carefree young romance vibe, they’re just so young and so pretty and they look so happy, it’s wonderful. Also: happy times on a beach! Just like in canon

I’ll find you in the morning sun edit by @cassianserso Look, as a general rule, give me a world war story and I will eat out of your hand (see below). This one gets everything right, the colours, the architecture!!! (God that one with the snowy walkway is giving me soo many Dresden feels, and so many St Petersburg feels, even though I don’t think it’s from there). And the Blitz! Letters to the front! Thank you for catering to all my fascinations!

WWII AU by @lyresandlasers

This one has a totally different vibe than the one above, it’s much more up in the air, and where the above is about that familiar face disappearing in the crowd, this one is about isolation up in the sky, lots of air force images and lone figures. I love the quotes a lot, I love the accompanying text, I love how it’s both calmer and less restless than the other one and yet more about the actual combat? This one seems a bit more Casablanca-esque to me somehow even though it’s the more colourful one.

rebelcaptain pirate AU by @runakvaed

The colours!! I’m LIVING for Jyn as an Elizabeth-Swann-type. There is a lot going on in all of these, but the quieter pictures of the sand and the beach (do we have a happy beach scene here??) and the coins ties it together, and all of these look like they came from a real movie with these actors really in it.

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the awkward sub-category that is not a plug for my own stuff, I promise; I’m just forever in love with these and now I have been given an excuse to rant:

Fluent in Silence moodboard by @justkeeponthegrass Look, I know this may give some of you flashbacks, and they’re here for me, too, big time! Writing this fic was such hard emotional labour and you really get a sense of it from this moodboard. I lovelovelove the juxtaposition between the first and the second half. I love how bright and warm and roadtrip-y the first looks, and how young Jyn looks, too! This is the essence of justkeeponthegrass’s earlier stories, really, everything is so warm and free and those gorgeous sunsets and yet there’s a sense of melancholy somehow already baked in, where you can tell just by looking at the first half that this isn’t going to work out? And the second half, MAN. I love how the dark mood creeps into the first half with the last black-and-white image, I love how muted the colours get, I love that she picked that quote!! and the bottom two are her Christmas Interlude condensed, they’re so evocative of the exact mood I got from the text and I just think this is so so wonderful. Especially that the last image also still looks muted and sad, but there’s something hopeful about those streetlights. You can kind of sense they’re going to pull through, even if you don’t know the fics behind this one at all, I think she did such a splendid job!!  

Beinahe moodboard by @operaticspacetrash (who is no longer around but made SO MANY cool moodboards, how and why did I forget about them in my last rec?) [this is an AU in that it’s canon divergent? idek with my categories] I just love the colours so much, and they fit the mood that I was trying to get across in that story so well - I didn’t want it to be bleak, just quiet and slow, but warm, and I think the colours get that so well. I’m also still obsessed with the bottom images - the city looks just like the one I pictured writing the last scene, and the image on the right is just *chef’s kiss*

under starry skies edit by @leaiorganas I think the visuals look so cool here, almost black and white with those strong jewel tones woven through, it’s so pretty! It just looks so neat and polished and put-together, it’s so nice to look at!

The World Through a Scope edit by @runakvaed Again, the colours!! I love them so much, even though for this one I feel like Runa read a more colourful story than I wrote *lol* still, I LOVE the detail that has gone into this and how closely it ties to the fic - especially given that I never talked to her about which scenes I’d like to have in, but she picked such good moments, and they’re amazingly visualised - the car crash is in the perfect setting, and I love the overhead view on it, because Cassian is looking back at it through his trauma with some distance? the shot of the people in the tea is just SO GOOD, and the black-and-white pic of the kid gives me shivers, it’s so well chosen. Overall, I think this does a brilliant job of communicating Cassian’s mindset, down to the caffeine addiction and his obsessive behaviour at the shooting range and his fascination and camraderie with Jyn early on and the weird dissociation from his own memories and the view through the scope!!! Which is super important to me (not just because it’s in the title obvs) but because it was pretty much the idea that started this fic and I never even thought it came across to my readers so I love that she picked up on it.

The World Through a Scope edit by @thereigning-lorelai I love how different this is from the one above, it’s like Ani picked up more on the relationship and the overall vibe of the fic (or at least what I was going for with it?) - I love to see the different emphasis laid by the two of them, and also how the atmosphere of the fic seems to have changed over the fic so the later edit would look so different. I love the colours here, this one is much quieter and warmer, and more abstract in a way? But it really really gets across the interplay between the violence in their lives and the tenderness and emotional vulnerability they’re attempting, and how hard that is. They look so soft here, but you get a sense of real danger, too - and their sense of isolation and that desperate search for connection. Also, again, the scope of the rifle!! Thank you!! (also, a Good Picture of Mads Mikkelsen, which is always appreciated). You used some of my favourite pictures of Diego and Felicity, too!

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GIFs

stranger things AU by @thereigning-lorelai Stranger Things! I don’t even love the show *that* much, but the overall Stephen-King-melancholic-yet-familiar-but-dark vibe?? And the whole Nancy/Jonathan dynamic? Their you-and-me-against-the-world vibe? Genius find! You picked the two things I enjoy most about this show and they shine through so well here, with the colours and the hands!! and the muted tone of it all and the subtle horror of the top right and the corny retro horror on the top left, and I still think it’s hilarious that baby-Diego’s floppy haircut makes him totally work as Jonathan Byers from a distance.

Resistance Is Built on Hope gifset by @runakvaed What can I even say about this that I haven’t said a million times already? This is one of my favourite fics of all time (and yes, I still have not read on, mea culpa), and this gifset is just so special to me. I’m such a nerd for history, and 20th century history, and the clothes of the time and the look of things and there’s a weird thing going on where I’m so morbidly fascinated with it all. All those images of burning and other imagery that has just creeped me out since I can remember, both on a subconscious and conscious level... Here for it. The gifs all look like they came straight out of one actual movie, I cannot believe they’re not “real”. Also, it makes me so unspeakably happy for some reason to see Alan Tudyk’s face in one of these, and he and his expressions fit the mood SO WELL. This gifset is witchcraft.

rebelcaptain cuddles by @runakvaed Again, this one is insanely well-made, and it’s so sweet and just. It’s perfect.

if I close my mind in fear, please pry it open by @runakvaed This idea is so cool, and the gifset overall gives such a strong mood that I feel like I’ve watched a whole movie. Everything is so well-matched and consistent and it carries such a strong political thriller vibe, and I’m weak for epistolary anything as a general rule.