#I always tell people the she was polite

[scruffylookingpiratecaptain]

Ok, so I don’t ever go out of my way to say I don’t really like Taylor Swift. I’m mostly apathetic. But sometimes she comes up in conversation and people ask if I like her and I say no. And generally people get fairly upset and want to know why, and I say I just don’t really like her music or her as a person.

And maybe it’s bad of me, but when her fans get all defensive, I get a little bit of sick pleasure when I get to say, ‘well, I’ve met her and spent like, half the day with her.’ Because no one has a counter to that.

[sainamoonshine]

My unpopular opinion is that in languages with grammatical gender like french, it does make sense for Murderbot to be referred to by whatever pronoun is usually used for robots or constructs. (In french, therefore, grammatical masculine.) Because there are no traditional « it » pronouns in these languages for objects, and while there are neo-pronouns, they are things one must choose for themselves. Do you honestly think MB actually spent time thinking about its pronouns?! No it didn’t. On forms it picks « non-applicable ». When people ask it what pronouns they should use, its honest opinion is « why do you even need to talk about me. Just don’t fucking do that. Don’t think about me either. Just fucking stop perceiving me altogether! »

Thinking about what pronouns to use probably makes it way more uncomfortable than letting people call it what they’ve already been calling it. Making a conscious choice about its identity? And telling other people about it??? No thanks bye, it’s just gonna walk into the ocean now, see you never.

Lbr it probably thinks the only bots that get fancy pronouns are comfort units, and the pronouns are probably shoved into them by humans same as everything else. MB would meet a bot using a neopronoun and it would wish it could barf. Because in a language like french, he/him and she/her, when applied to objects, ARE fulfilling the function of the english « it ». Nobody is saying the table is a woman or related to feminity in any way outside of stand-up comedy; when it comes to objects grammatical gender really has fuckall to do with human gender even if we use the same words. Even animal species names have grammatical gender and everyone gets that there are male and female turtles even if the word « turtle » is a female word, it’s not that confusing.

(I know this is strange when your language has different pronouns for people and for objects, but understand that english uses the same word to indicate if I’m addressing one or many people, and that is confusing to me.)

TL;DR; stop harassing international fans for not getting the correct MB pronoun in english right off the bat. Yes in english calling it « he » or « her » or « them » is upsetting because it’s projecting an identity unto it. But same goes for trying to get a foreign language translation to use a pronoun intended to express or showcase an identity (or even a lack of one!). Murderbot has not thought about it this hard, refuses to think about it this hard -> and that is its only canon accurate gender identity.

[shimenchus]

it's so telling when someone says radical feminism is "white woman shit" and you bring up the fact that in many places such as africa or asia, the only feminism that prominently exists is radical feminism, and for those places it's just considered regular feminism that you get told those women live in places that aren't progressive enough for them to understand their actions properly. to say these women are too dumb to realize that their beliefs are "bad" simply because they don't align with western mainstream liberal feminism is rooted in xenophobia and racism, not to mention a lack of understanding of the struggles and violence women from these countries regularly go through, which can range anywhere from fgm to men rubbing and wiping their cum on the back of women's clothes in trains. but of course, as usual, there's no intelligent response to this so you just end up getting blocked or get rape wished on you.

[mazzystar24]

You know who Tommy reminds me of that it was bothering me sm that I couldn’t place it but then I remembered this scene?

Rick from Casablanca

Like Tommy says this to chimney verbatim in that one scene

He calls buck (his love interest) “kid” just like Rick does to Ilsa (his love interest)

Even personality wise something about it fits like the cool guy exterior, the struggle to be good,the sort of air of unphased energy if you get what I mean, etc

Anyways that got me thinking and if the bucktommy break up is something bittersweet like Rick and Ilsa then I would love it:

HE EVEN DOES THE MOTHERFUCKING CHIN GRAB^^^^

Like imagine this if buddie does go canon instead of Rick letting Ilsa go for the greater good of the world/politics

[moghedien]

It does genuinely shock me how few people in the DA fandom are willing to acknowledge that the Grey Wardens are kinda extremely horrific and fucked up

[faerune]

i just love nelia so much i love that she's a hero not because she's necessarily a good person (she tries ok she gets better) but because she's too arrogant and stubborn to take any other route

like of course she's going to take on insurmountable odds and save everyone she's nelia fucking surana

[wonder-worker]

"...Walsingham, the monastic author of the St. Albans Chronicle, was by far [Alice Perrers'] harshest contemporary critic, who in his venom has (somewhat ironically) left us with the longest and most detailed account of her background and personality, her influence as Edward’s mistress, and her subsequent trial. He describes Alice as a shameless lowborn meretrix (a word variously translated as mistress, whore, or harlot), who “brought almost universal dishonour upon the king’s reputation […] and defiled virtually the whole kingdom of England with her disgraceful insolence.” Although Walsingham was not always accurate and, specifically in this case, clearly heavily biased against Alice, he nevertheless provides a truly contemporary account, and his importance as a source should not be underestimated. Likewise, the anonymous monk of St. Mary’s York recorded that in the Good Parliament the Commons (represented by their speaker, Sir Peter de la Mare) stated that it “would be of great gain to the kingdom to remove the said dame [Alice] from the presence of the king both as a matter of conscious and of the ill prosecution of the war.” During the same assembly, the bishop of Rochester, Thomas Brinton, preached from St. Paul’s Cross that “it is not fitting nor safe for all the keys of the kingdom to hang from the belt of one wife.” Although the word wife (uxoris) is used, it is widely accepted that this is a reference to Alice.”

-Laura Tompkins, '"Edward III's Gold-Digging Mistress": Alice Perrers, Gender, and Financial Power at the English Royal Court, 1360-1377", "Women and Economic Power in Premodern Courts" (edited by Cathleen Sarti). Italics by me.

[tjerra14]

I'll never understand people complaining after you politely asked them to give you some space at the card payment terminal

[roobylavender]

considering what you have spoken about regarding selina do you also get frustrated with like…i cant quite explain it but sometimes especially in more recent years shes been posed or positioned like some sort of damsel that needs a big strong man to save her and like im not saying she should be portrayed with the “hollywood level feminism” for lack of a better term im just think about how old versions of selina would have hated that. like im just thinking of anytime in the reeves movie where bruce grabs her or forces her mouth shut or even when he didnt allow her to kill falcone and im just thinking she should claw the fuck out of him for that. i just miss a version of selina who wouldnt allow anyone to walk all over her personal autonomy like that

oh absolutely! in fact this is specifically why i can't stand loeb's take on her character lol (and as we both know that was a significant point of reference for the reeves film). it's really jarring to transition from her volume one and two canon to the long halloween / dark victory / when in rome. i think a lot of people tend to latch onto these books because tim sale's art is to die for and it's obv hard not to enjoy a good murder mystery. in that aspect they're still books i can enjoy in isolation. but i find it very difficult to enjoy them as a selina fan specifically because in every single one it's like she's looking for solace and security in a man and i'm not sure why. like what was so bad about her original backstory of having a deadbeat dad (whether you ascribe to the volume one or volume two version of him) and why did she need to go looking for her "real" father in carmine falcone. why did she need to seek out temporary boytoy relief in italy. why did she dream about being saved by bruce. none of it really has a reason other than to create a "lack" in her for the sake of it being there, because she'd never needed a man like that before in her post-crisis narrative. as you mentioned it was quite to the contrary and she was fiercely independent and protective of her own peace, esp from men. when she felt empty or without a connection or lifeline to someone real, it was mostly about people like maggie or holly or arizona. her people

what i think it ultimately comes down to are two things: the first thing is the diminishment of her post-crisis origins. after all, it's convenient to ignore how distrustful selina is of people, and of men with power at their leisure to abuse specifically, when her post-crisis origins are no longer relevant to her personal characterization. although selina's status as a sex worker is more prominent now, it was more or less completely swept under the rug for the bulk of volume two. loeb also refused to engage with it in any capacity. it only really resurfaced with the conclusion to volume two because it drew direct parallels to how we initially found her in volume one, and then brubaker expanded on it once again in his take on the character, which was notably juxtaposed against a pre-existing romance with bruce and brings me to the second thing. i've already waxed about this at length so this may very well be recap but i really don't think selina's lack of control over her personal autonomy can be divorced of the modern portrayal of the romance. when selina looking for security and understanding and comfort in bruce is what drives the romance forward there's not much room to maintain her original values and guarded demeanor, if not her outright defensiveness and hostility. a lot of people look at the extensive trauma selina has experienced and argue that she deserves to be in a relationship with someone who allows her to let those walls down. this isn't incorrect in theory. but it does repeatedly ignore who she is. it's kind of like the point i was making about bruce yesterday. exploring the inherently abusive nature of robin or of bruce's right to his children in light of that fact is interesting to do, but the actual execution has rarely managed to take into account who bruce actually is

for however nice it might be for selina to let her walls down romantically and look for solace in bruce—and i say this mostly for the sake of argument, personally i would argue against its necessity—it's realistically not something she's actually going to do. at least not as willfully as she's been portrayed to. realistically she's going to make it extremely hard, which if anything is precisely the appeal. i love it when selina gives bruce a hard time. i love that it's not supposed to be easy or maybe even a possibility for him to win her over bc there's so much about his own ideological stances that's flawed and in opposition to her own. she doesn't have to be any less unrelenting in her principles and worldview for that romance between them to be compelling bc at the end of the day the entire crux of it is that against all odds bruce cares. for however wrong he thinks she might be in a given moment or in her stance against the government, he knows who she is and how hard she's fought and what she's survived and it makes him sympathetic to her because she's real. she's a wonderful character through which to explore the logical limits of bruce's self-righteousness and categorization of crime, as well as a wonderful mirror to hold up to his face as he starts to ask himself whether what he's doing is really the only means of keeping the city safe. and the novelty of it all is that you don't have to sacrifice her character for any of that to be true. writers have simply deluded themselves into believing that they have to and that's why we are where we are today

[mars-ipan]

this is gonna sound incredibly virtue signal-y i fear but i have been feeling. so fiercely protective of all the transfems i've ever met lately

[supercantaloupe]

there is no possible way to communicate to my fucking roommates that they're not doing their share of the chores in this house without them ignoring or hating me and i feel like i'm going Insane

[sodrippy]

"you lived in quebec, you must have had poutine all the time!" "you lived in australia, oh isnt the seafood amazing!" "you went to italy, how good is florentine steak!" stop talking to me about food i dont eat anything leave me alone

[gideonisms]

my advisor keeps telling me to do different things in every single email my friend I simply need to know which semester I should apply for graduation for and whether I need to take Another clep

[softquietsteadylove]

We definitely need more Thenamesh presidency AU!

Would you write more? Maybe Thena has to do an interview and the interviewer is a bit too friendly and asks her some subtile weird questions and basically undresses her with his eyes? Let Gil step in and protect his girlfriend in the most professional way? 😄

Thank you! Keep up your amazing work! ❤️

"Thank you for joining me, Madam President."

Thena smiled, nodding courteously but quiet thus far. Not only did she have to be careful of every single word she said these days, but she couldn't afford to get tired and run low on energy part way through the possibly lengthy interview.

"The rumours are true," her interviewer smiled, and that was always a dangerous start to a sentence. He tilted his head at her, "you are as beautiful as you are intimidating."

Gil looked up from Thena's schedule in his hand.

Thena tilted her head, though, "is that part of the question."

Eros laughed, "no, you're right it's off the record. Call it an attempt to get to know you?"

"I believe that is what the interview will be for."

Again, Eros took no offense to what would be a dry response to some and a defensive remark to most. He laughed, letting it roll off of him. He was renowned for his good nature, as well as being so young for the field of very serious televised journalism. He was popular with younger viewers for his looks.

They needed this interview to secure the young vote--the key to real, effective positive change.

"Yes ma'am, I am very honoured to have the opportunity, let it be said," Eros sat up a little straighter, almost like a professional interviewing the president. He had a dry kind of tone, his words somewhat running together.

"Your show is quite popular," Thena began her part of the battle (Sersi had advised her not to call it that). She had to meet him toe to toe so he didn't twist anything out of her, nor get the chance to misrepresent anything. "My people were happy to arrange the interview."

Kingo had told her that they had to do well with Eros if they wanted any relevance with young people beyond being known as the era of betrayal.

"Careful not to flatter me, ma'am," Eros continued to schmooze as if they were having drinks at a work conference as opposed to meeting in a secure location for journalistic purposes. He ran a hand through his hair. "I am prone to ego."

"A privilege few can afford."

"I believe you could be afforded anything," he tilted his head, his eyes drifting over her for just a second.

Thena shifted in her chair. Her hands were clasped together, because it was safer than having them loose enough to fidget and betray micro-expressions for her.

Gil cleared his throat off to the side, motioning for things to keep moving for the sake of time. He was frowning.

"So, Madam President," Eros began a proper question as if he hadn't been blatantly flirting with her - the most powerful woman in the country - seconds ago. "You have arrived to a rather precarious position."

Finally the interview began in earnest. Gil drifted around the edges of it, of course asked to keep his presence to a minimum, but permitted to stay in Thena's proximity, as was her security.

A few things were off limits--the direct mention of Ikaris' vacated position, the status of the staff investigations after his betrayal, suspects, that kind of thing. Although the ramifications of such things were technically fair game.

There were two cameras set up strategically on tripods. Eros' show would use edited footage of the interview, which would be subject to their review for security reasons. Gil mostly stayed behind Thena's shoulder, out of the frame, keeping his eyes on the popular show host.

"Now, I would like to ask," Eros looked up from his dossier of questions and points to bring up. He had done so a few times already and every time he did, the tone of the interview would...shift. "And this can be off the record, if you like."

Gil rolled his eyes.

"But it must be said that this is the first time an unmarried woman has come to power as you have." There it was. Gil shook his head faintly, although it seemed Eros was done taking his silent direction. "Does this affect the office you keep, in any way?"

"Why would it?" Thena asked flatly, not only not dignifying his question but also answering the real point of it. "No one in the cabinet minds if I am married or not, only if I can do the job of serving our country."

"So would you say you're on the market?"

Gil snapped Thena's schedule closed, as loudly as he could but not nearly as loudly as he would like. Eros looked up at him; he swiped his hand across his throat, telling him to cut it.

Eros barely acknowledged being told to back off but leaned back in his chair again. Of course doing so gave him another opportunity to run his eyes over Thena.

She was wearing a light grey pantsuit, but the way he was looking at her certainly seemed as if she were half dressed.

"Perhaps we should take five," Eros suggested in a much more - and perhaps falsely - amiable tone. He uncrossed his legs and stood with his dossier in hand. "I am happy to fetch you some water, ma'am."

Gil held out his hand for Thena to hold as she stood. "No outside food or drink--thank you."

The 'thank you' really was an afterthought.

"Of course," Eros nodded, giving his most charming smile. "I shall return in a moment, then."

Security both let him out and followed him as an escort. Such was the requirement of being alone in a room with Madam President herself.

Thena sighed, accepting the water bottle Gil himself was holding, "how long is this?"

"Probably another hour," he chuckled, speaking quietly as they hovered together. "You're doing great so far. You haven't even told him to go fuck himself."

Thena let out a quiet laugh against her hand, but it was certainly real. A few of the security team laughed too (those close enough to them to hear it).

Gil angled his shoulder for her, getting as close as they could afford when not totally alone. Although it didn't stop his eyes from being a little too soft when he looked at her. "Just a little more. I'm right here if you need me."

Thena's eyes weren't much better at keeping their monumental secret. "Thank you, as always."

Gil chuckled, taking the water bottle from her, "you know there's no need."

Her hand brushed against his on the way, "still."

A knock on the door signalled that their guest was back.

Thena sighed but let Gil hold her hand as she sat down again. He leaned down to her ear, "I'm gonna kill him if he asks you about being single again."

Thena laughed, although she couldn't reply. She gave his hand one more little squeeze, prepared to delve back into their work.

"Come in," Gil announced, although he stayed at the edge of Thena's chair. Eros nodded to him as he walked back into the room and to his own seat. Gil kept his eye on him, "limit personal questions going forward."

It was a very straightforward statement, and one that could be expected from her personal attache. No one would necessarily suspect it was her boyfriend telling this clown to stop hitting on her in front of him.

[whimsycore]

Being called confrontational when you can just clearly communicate without being rude is crazy to me. People are so afraid of conflict or being called out for shit they actually did when they meet someone who is actually honest with themselves they short circuit. Stay the actual fuck away from me.

[caterpillarinacave]

And so began a lifetime of kinning