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#I am going to hold onto it but like
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So i did manage to make myself a bluesky account, and welp gonna say it is too much like twitter to be likable
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iscariotapologist · 14 days
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today in church one of the priests referred to trans people as "those who are growing into the gender they were called to be" and i'm kind of enjoying the idea of like....divinely ordained top surgery
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quietwingsinthesky · 17 days
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people are saying he « led her on » because he did. the fact that he kissed her in the first episode set the tone for the rest of the season and if you can’t perceive the flirting I’m sorry but how?? he didn’t make anything clear he sent the craziest mixed signals in the world. there’s nothing revolutionary about claiming that Martha was being pushy toward someone who was clearly not interested it’s 1) weird to claim in what it suggests about her 2) factually not true.
I wasn’t gonna respond to this at first because the top half of this ask is pretty much just individual interpretation and I don’t really care about it. Like, no, to me, the Doctor doesn’t seem especially flirty towards Martha. He’s just sort of Like That. That’s his damage, you know, Mr. I need to traumadump on anyone who tolerates being around me for more than five minutes. Mr. If I don’t develop an intensely codependent emotional bond with the companion I have currently I’ll die. It doesn’t read to me as him trying to lead her on because that bit’s honest, and he does it with damn near every companion he’s ever had.
And if nothing else, because we do see Ten when he tries to flirt intentionally and he’s a fuckin dork about it. Kind of guy who looked up romance in the dictionary and took notes. Kinda guy who draws diagrams to maximize kissing potential. It would have been obvious even to me (<- romance-blind as all fuck) if he was flirting with Martha on purpose because he’s not smooth at all; he flirts like he’s gotten lines in a play and he’s super excited to be the main star.
But anyway, as I was saying, that’s just how I see it. And if you see it different, no skin off my back, I just disagree.
But I take umbrage with you putting words in my mouth. I never said Martha was pushy towards him. Because yeah, she’s not. If I implied that she was, then it was a result of poor phrasing on my part. Martha’s not at fault for what she feels, for wanting there to come something of it. No more at fault than the Doctor is for not returning those feelings. It’s a bit weird that you’re assuming that I think one of them has to be the bad guy here when that was the opposite of what I was saying. My point was: When it comes to their romantic subtext of their relationship, it’s weird to pretend like either of them are to blame for them not being in a relationship at the end of s3, and even weirder to assert that as part of why Martha supposedly wouldn’t like the Doctor afterwards when they’re. friends. they continue to be friends into s4.
Martha’s not pushy. She has a crush on her friend. It happens. He doesn’t return it. This also happens. Both of these facts are pushed to the extreme because he’s a time-traveling alien with poor emotional skills and she’s put herself in the position of needing to help him from minute one of meeting each other. That’s why it’s fun to watch, because the Doctor is both so open and so unavailable in turns, because Martha’s feelings for him grow and change as she knows more about her Doctor until she decides to step back.
I don’t know, man. You seem to be coming at this as if one of them has to be The Problem™️. I don’t think either of them is, not so definitively. I think boiling their relationship down to that is reductive and an insult to the way they both grow over s3, to Martha’s choice to continue to be his friend while also establishing her own boundaries, to the fact that the Doctor is able to let her go without immediately trying to kill himself afterwards when she’s not there to catch him.
#the thing about the doctor is that if you want to tell me that he’s Extra Special Flirty With This Companion.#i dunno. feels like something that requires a lot of proof lmao. because the doctor is a freak who latches onto people like a barnacle and#gets way too invested way too quick and holds on like he’ll die if he even thinks of letting go. he’s just like that. he’s just like that.#he’s like that with rose he’s like that with martha he’s like that with donna amy clara bill!!!! these relationships are all different but#the common core is that the doctor is a freak! the doctor clings on too tight!!! the doctor will fuck you up he loves you so much!!!#idk! is it more leading on for the doctor to kiss martha to pull off a plan than it is for him to reshape amy’s life around him on accident#and then show up when she’s an adult to finally whisk her away. or to let clara do emotional infidelity with him for months while#insisting that he’s not her boyfriend. i don’t think ever he is. i think he’s just like gravity. mavity. you’re gonna orbit him because he’s#something cosmic and unknowable. and he’s also your best friend. he’s always too much and too tangible all at once.#am i making any sense here.#ask#martha jones#the doctor#tenth doctor#doctor who#idk man its like 7 in the morning where i am im not awake enough to talk martha/ten semantics. personally i think they should have made out#on screen even more without ever clarifying the nature of their relationship so that they had even weirder and more complicated feelings#about each other.
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beanghostprincess · 3 months
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Seeing Sanji kick Luffy for the mere implication of Usopp leaving the crew is peak boyfriend behavior and if you told me they were actively dating back then I would believe you.
And I am a sucker for secret relationships, okay? It's one of my favorite tropes. But they're not dating in secret because they feel ashamed or embarrassed or whatever. They just want to keep it to themselves for a while as something only theirs, which is good too.
But of course, when Water 7 happens and Sanji is clearly way more affected by Luffy's words implying Usopp could leave than anybody else... If you see it in this concept of these two dating in secret... It just hits harder. Because Sanji can't explicitly say "Don't you dare say that to my boyfriend ever again" but what he can do is kick Luffy for it.
I talk about this a lot, actually, but I don't care. I've been thinking about it more lately. Water 7 happening but nobody knows they're dating. Nobody. Not even Nami, as surprising as it sounds. And when Usopp and Luffy fight... Usopp doesn't have anyone but Sanji doesn't either because he can't tell anyone why Usopp leaving would hurt him more.
I can imagine Sanji making a whole deal out of it and somebody going "We're all worried for him" and Sanji saying "It's not the same" but regretting it immediately because now everybody wonders what the hell he meant by that.
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swaps55 · 1 year
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It required two ladders and a makeshift scaffold to pull off, but we finally hung the incredible Mass Effect travel posters created by @legionofpotatoes.
I am SO EXCITED to have them up. They look incredible!!!
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Photos of the scaffold under the cut, for the curious. It was hard and we are proud. XD
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turtletoria · 7 months
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lacking a stable sense of self is so fuckin stupid. like what do you mean you are not the same person you were two minutes ago but in a terrifying and deeply disturbing way
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pillowenvelopchair · 2 months
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That’s what she holds onto. A life—an eternal one—with someone else as Lord. Someone true of heart. Quick of mind. That’s the dream, right there. And all she has to do is clear the way.  - Chapter 26
Another swrd art… what a surprise lol. go check it out guys! (i will never stop preaching about it)
hi @un-local how r u on this fine afternoon
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peaches2217 · 3 months
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I’m surrounded by so much creativity and artistry and I take so much inspiration from that! I’ve got such amazing talented friends and acquaintances and that pushes me to improve my writing as well. But I’m in the state of emotional fatigue right now where my brain just keeps repeating “Now if only we can get you to have a single creative idea! Maybe then you’ll be a little closer to the kind of writer you wanna be! Alas…” and it’s very annoying and very difficult to shut down.
Even so, I’m already seeing improvements! Not even a year ago that voice would overtake me and I’d just wallow in my own sorrow. I wouldn’t even think to challenge it. Though my insecurities still get the better of me, I’m succeeding against them more and more each day. And even if today’s not the day I overcome them once and for all, I’m getting a little closer each day.
Admittedly I’m not really sure where I’m going with this. 😅 My brain’s been working overtime against me and I’m not as useless against it as I used to be, and maybe it sounds pathetic, but I’m still kinda proud of that!
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So I was reading articles about John Hurt (as I do when I procrastinate on life in general lol) and I saw a still shot of a movie I’ve never seen still shots of before; so I looked it up. It’s a play. I was worried I wouldn’t find it in full online; but I did, so here it is in all its glory:
youtube
He’s just… ugh I want to gently hold his face in my hands he’s just so sad and lonely with his weepy voice and eye bags. I couldn’t process half of what he said but I think this is a warning about always speed-running through life to get to the next good thing. We should appreciate the moment; because in the end, we’ll have nothing at all but our memories. If we rush through life, we won’t have any memories to keep us warm at night when the chill of death creeps up on us in our old age.
Also, spool, spooooooooooollll…….
spoooooooooooooooooooooolllllll [cackles in mentally unstable]
@kaleidoscopr @theindo @possessedbydevils @randomtwospirit
#The fucking banana. I was talking to him through the screen like#“…a banana??? You keep bananas in…. there? You good man? A—are you okay?#What the hell are y—” [cracks up but quickly stops laughing] “Oh— oh honey… you’re not right are you?#No you’re not right. Uh…. Why don’t you sit down; your breathing sounds awful. You sound like you’re gonna die…#OH GOD [loses my shit laughing/cringing ] “Oh— oh ouch. No no no— I’m not laughing at you I just— I like your actor…#a lot… too much probably#and he’s just good at what he does and the timing of it all… this is exactly how I act when I’m home alone#I swear I’m not laughing at you… I just— PUT THAT BANANA BACK YOU’RE GOING TO KILL YOURSELF”#John Hurt#stage acting#Krapp’s Last Tape (2001)#Samuel Beckett#Yeah… funky stage play. Very moving and dreamlike#[This is me gently holding Mr. Krapp and rotating him in my mind like a bowl of ramen in a microwave]#Screaming crying throwing up beating the walls#I am unwell#Ough ough ough#It’s not difficult for me to watch per se#but I’m very much the kind of person who HAS to help when someone’s having a hard time doing something#— especially if they’re old or otherwise infirm — or I’ll feel like a piece of shit for weeks… and this fucking man#this fucking man is so good at being frail and pitiful that I feel genuinely agitated that I can’t reach into the screen and help him#It’s like the torture scene in 1984 all over again where he just barely manages to wrench himself upright on the table#then immediately falls off onto the concrete floor with the most tragic sickening bone-grinding splat you’ve ever heard#AND HAS TO HOIST HIMSELF UP ONTO HIS FEET ALL BY HIMSELF WHEN HE’S MALNOURISHED AND EXHAUSTED#Like ughhhhhh let me pick him up and wrap him in a blanket and carry him somewhere warm and safe and make him an omelette#And I know I write whump and I shouldn’t be this sensitive#but JESUS FUCKING CHRIST MR. HURT YOU ARE KILLING ME#Youtube
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overlordneptune · 4 months
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Ever after high is SUCH a hyper-fixate-able show I swear to god
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hyumjim · 6 months
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not to sound ungrateful but my dads way of coping with me coming out as trans is to send me a shite poetry book about loving yourself apparently. in the mail
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chirpsythismorning · 1 year
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Hi.what make you believe byler is endgame and how do you think The Duffer will make them endgame?
There's a lot of different factors for why I believe byler is endgame. If it was only one or two or three or a single digit amount of things, then I'd probably be more skeptical. Instead it's so many things that I don't think I can even quantify with any number?
Long post ahead so queue for later if you must!
I used to ship milkvan back in the day, and that's probably because I watched the show once and fell for the whole boy meets girl trope as peak romance, without even thinking about it? Like my first time rewatching the show pre-s3, I remember only focusing on their scenes and even going as far as to skip entire episodes in s2 without them in it, so it's really no wonder I missed details that might have helped me understand the full picture.
I also don't get queer-baited, like ever. I have watched shows like Teen Wolf where fans loved sterek, and even though that show had a gay show-runner, it was obvious to me they were never going that route, despite kind of feeding fans over the years with banter between them. The problem was the details weren't pointing to them being endgame, they were pointing to stydia. With stydia, they were using color coding in their costumes and had the fucking red string of fate in the frame with them multiple times and they were having entire plot lines built up around sort of their feelings for each other. Then there's all the other shows out there like Supernatural and Sherlock, and to me, it just felt like two guys that had chemistry that fans read as romantic and were having fun with it, only for the writers to try to profit off of that hope fans had, just sort of fucking with fans for years without really going for it literally in the text of the story.
And even if they did (albeit extremely subtly) that's when you would see shows tend to kill off the characters. Because after years of queer-baiting, the only solution is to kill at least one off, after tricking a sector of your audience for so long. Because unfortunately, no, they're not going to end up together, so we just have to get rid of one of them to make it clear that it won't happen.
While I don't vividly remember the moment I dropped Milkvan and picked up byler, I do remember watching s3 for the first time and feeling like something was off. And then to humor my confusion, I went online and came across an analysis for the end of s3. Even though it did really made me think like 'woah.. what was that?', in the moment, I was still in a position to not want to fall for it because of all the queer-baiting out there. I'd never fallen for it before and I wasn't going to start now basically.
And then I didn't read any more theories after that, I just basically jumped into rewatching the show for fun again, without really thinking about it even, and without skipping this time. And I vividly remember the shed scene definitely had some romantic undertones going on. When the camera was focused on Mike talking to Will, we didn't get any reaction shots in between of Joyce and Jonathan. Whereas when Joyce and Jonathan talked to Will, we got Mike's reaction and both Jonathan and Joyce's kind of reactions to each others speeches in that moment, which was to obviously convey the familial bond going on. And so in contrast, seeing Mike's monologue to Will be isolated, without any cuts to the others reactions during, with intense close-ups of Mike and Will, with Mike literally having one by one teardrops falling down his face and him repeating softly you said yes, you said yes... That... Like it made me really start to consider it in that moment, based on my new potential understanding of the end of s3 and based on what I had found upon rewatching that time.
Even still though, I didn't let myself believe it. And maybe in large part it was bc I did like the idea of byler I guess? And so that made me want to be more cautious? Other times when I came across fans shipping queer pairings that weren't canon, it felt like harmless shipping to me, where like I got the appeal, but didn't like feel genuine intentional slow-burn chemistry? It was always a thing that at most I liked merely as fanon. And so I guess I was trying to prepare myself for that inevitable disappointment that it wasn't going to go any further than what it had?
Maybe it was also because I was holding onto this idea of milkvan I had at the beginning? An idea that in large part contributed to my ability to get hooked with the show in the first place? Boy meets girl is like the most universal trope in our society and it was easy to just go along with it when everyone else was.
But more than anything I do think it was because I thought it just had to be queer-bait like it's always has been. At best I thought maybe it would continue very vaguely in the subtext in s4, with like 1 or two scenes at most hinting at attraction? But we all know that's not what happened..
S4 promo dropped, and I remember being like well here goes. It had been over a year, almost two since I'd been exposed to the possiblity of byler, though I was going into it prepared to see Mike and El being perfectly in love and that they were just going to act like nothing had ever happened between Mike and Will.
But then that Cali poster dropped. And that had me reeling. I remember sending a text to my sister like 'QUEER-BAIT?' and she was like yep queer-bait. But that's also because she's in the mindset of someone that hasn't seen anything outside of watching the show, and while half paying attention at that. This is the first piece of evidence she is being presented with and so of course she is viewing it from a don't hope or assume that could ever happen bc it never happens lens.
Even that I took as maybe a reality check, that this meant nothing, but also at the same time, this is the Duffer Brothers? They're smart? Why would they apply the if boy is pointing his feet at you he is in love with you rule via New Girl, with Mike and Will in the Cali poster, for shits and giggles? When the whole point in those posters is to hide foreshadowing?
Regardless of how much it genuinely shocked me they were appearing to really play with this concept of Mike having romantic feelings for Will, I still didn't fully let myself think about it too much...
And then as s4 got closer and more stuff dropped and there was like a lot of promo hinting Will having feelings for Mike, that's when it really kicked in for me. And that's when I went back and rewatched and holy shit it suddenly became clear as fucking day. My excitement for Vol. 1 was insurmountable because I was just about to have all of these recent built up theories confirmed or denied.
When Vol. 1 finally premiered and it turned out Mike couldn't say I love you to El? And Will very clearly had feelings for Mike, staring at him constantly when he wasn't looking and conveniently with Mike's POV missing by comparison? There was just too much at play that perfectly set-up byler.
Mike having a hard time telling El he loves her, while also having a best friend beside him who is in love with him, like, that's sort of what makes it clear that this is them trying to create a conflict that easily transitions into this revelation that the reason why Mike couldn't commit to El was because he was struggling over repressed feelings for his best friend.
And then that doesn't even include all the details along the way that support it. Like closet scenes for example weren't able to be harmless anymore post-s3, they just weren't. That scene at the end with El and Mike in Will's room established this idea that Mike is in the closet, and s4 did not let up on that idea whatsoever.
We were being bombarded with very basic film techniques that any filmmaker would be thinking about to establish the story and setting and create a feeling to convey a message through all of that.
They did not need to have Mike sitting in front of his closet at the very start of s4. They did not have to have a one way sign pointing to it. They did not have to have two dudes with muscles on his walls while most of the other guys either have stuff completely unrelated to the human form or bikini clad woman. They did not have to show Mike in focus more while staring at Eddie fondly as he talks about DnD and getting out of Hawkins. They did not have to have Mike go searching for DnD replacements in the wrestling room and the art room followed by saying, I hate high school.
The I hate high school line is viewed by most of us as a throw away comedic sort of line. But it really isn't. In fact it's arguably as deep as without heart we'd all fall apart, which is why they literally had that be Mike's quote alongside that one being Will's quote for the season.
Mind you, all of this shit in 4x01 is happening after Mike just episodes ago, in the previous season, sort of treated playing DnD like it was something kids did and told Will he felt this way, by essentially saying he assumed they'd be getting girlfriends and moving on from this idea that they can play games for the rest of their lives.
So Mike in s3 went from I want to grow up and have a girlfriend and stop playing dnd bc it is childish, to in s4 Do you want to play with me? I will literally settle for an absolute stranger rn, literally anyone? No? Uh. I hate high school aka I don't want to grow up. Now he thinks that he's the childish one when really, it doesn't have to be, if he just opened his mind to it.
Watching s3-4 back to back is actually so real bc it's showcasing Mike's complete shift, a shift that basically got flipped from s1-2 to s3 to s3 to s4, and it's directly related to his relationship with El and Will (along with his parents who all of s2 punished him by taking away his toys when he acted out bc of trauma/called his toys hunks of plastic and to essentially be used as collateral bc he's going to need to grow up eventually anyways). And we see how that is conveyed when he shows up to Cali unlike his true self, he just reverts right back to trying to be someone else like in s3. Only now he's trying to pull off a Cali look on-top of it, wearing sunglasses as he mumbles an incoherent sound, something like, 'eahauw' as he rushes up to kiss and hug El, putting the flowers between them so he had an excuse to separate sooner than later, followed actually voicing words to will, moving his duffel back out of the way to hug will properly, w/out sunglasses, visibly very happy to see Will, only to not even be able to hug him by cutting it short. AND for Argyle to confirm our suspicions by calling him a knock off?? NOW I'M REALIZING IT'S TOO MUCH YELLOW? Come on!?
That's another thing, the end of s3 hug between Will and Mike literally ends with Mike looking like he is in physical pain. Like dude looks like he was burned. He looks like a mixture of angry and heartbroken. And so having that, followed up with Mike barely even being able to properly hug Will properly 2 episodes later..? Gee I wonder why?
And then it just spirals from there.
The entire season Mike is by definition emotionally cheating on El, assuming that they are even technically still together atp. There's a reason they had her say From El, and it's so that there was this sense of maybe they were technically broken up now or even just on a break rn, since they wouldn't see each other for who knows how long? Maybe never again? And so that was a writing choice made in large part to allow all of these moments between Mike and Will throughout the season to feel romantic coded and for us to comfortably view them as such. Same with how they did that with Jonathan and Nancy in s2. They create conflict that is near breakup territory, without outright saying I want to break up, and then they throw them with their other love interest and create tension.
When it comes to like how I think s5 could go down with byler, I have a few different thoughts about how that would play out. Obviously I love byler but there's a lot of other stuff going on so this would just be one aspect of the greater overall story. But for the sake of this post I'm going to focus on Byler possibilities.
Them holding off until Vol. 2, literally 2 weeks exactly after the premiere, to have Noah officially release a statement saying We now know Will is 100% gay and in love with Mike, that is them clearly knowing the gravity of revealing stuff too soon to an audience that might not be ready for it. They saw the reaction to s4 and they waited and then they made that choice to discuss it the way they did. That was the point they decided they were willing to tell the truth of the situation, including Noah admitting for the first time, that they've been hinting at Will's feelings since s1, and so he had to always be vague about things to avoid spoiling the Duffers surprise. And while they're doing this, when they talk about Mike's feelings about the situation, it is always that he has absolutely no idea.
There would be no justifiable reason to hold off on admitting Will's feelings for Mike outside of canon, only to admit they've been hinting at it since s1, if there wasn't actually something yet to see be revealed, making this revelation so late in the game, justifiable.
The main thing that we get from Mike being oblivious of Will's feelings, is that if Mike doesn't know, then technically he hasn't rejected Will yet. Because how can he have rejected Will if he has no idea? Answer, he can't!
And so now there is one season left and they are choosing to hold off on Mike's knowledge about Will's feelings? After they just finally admitted after 4 seasons that they've been avoiding telling us about Will's feelings, despite hints from the beginning because they didn't want to ruin the surprise?
What surprise though bro? Slow-burn unrequited love??? There isn't any such thing. Because that wouldn't be satisfying!
It takes us right back to the line Will makes in s3 (mid-series) to Joyce about how he's never gonna fall in love. It's not that he doesn't want to or even hasn't yet at all, it's that he doesn't believe experiencing mutual love with the person he has feelings for is in the cards for him, bc odds are, that person is going to be straight.
But... How is it satisfying to hold off on even admitting Will's feelings for Mike until the second to last season, only to hold off on Mike's POV of the situation until the last season, just to say at the last minute, Well, Will, you were right!...? Like, no.
And so I genuinely think the same thing they did with Will is happening to Mike in a sense, in that by sort of dancing around the situation with answers that don't even allow you to answer the question, by saying Mike is clueless, they can avoid delving into what exactly Mike would think. They can just say Oh of course he will accept Will and leave it at that.
The thing is, if I'm supposed to be rooting for Mike and El, these choices that they've been making, to practically infect all of their scenes with Will in the frame looking like a kicked puppy, it's not giving endgame, it's giving I should be praying for this kid to get a happy ending who is fully convinced that he won't get it.
The main question I have, is are they going to hold off the slow-burn for as long as they can, or are they going to do something unprecedented and make it happen sooner than anyone expects?
I guess for now I think that it's the most likely they will hold off until 5x07 for like the big obvious endgame moment? Slow-burn tends to thrive in it's true form, aka slow-burn until the very end. So it would make sense to have these barriers in place that prevent Mike and Will from truly realizing they have mutual feelings or something of that nature, and then acting on it. That doesn't mean the audience wouldn't be clued in on those feelings earlier in the season, but I think them both accepting those feelings and coming together and choosing to be together is something that won't be like established fully until the end.
THOUGH I will say there is one scenario I could see them manage to have Mike and Will realize those feelings sooner than we think and it's because of the satanic allegations... If Will and Mike were to ever get caught in a precarious situation, by someone in the town already accusing these kids of being the cause, specifically Mike as a member of Hellfire and specifically Will as the kid who has been connected to all of this, it would be sort of visceral seeing how that could play out with them being viewed as like a symbolic indicator of the incoming apocalypse.
Though then again, they still might not get together until like episode 7, bc with the last couple episodes being like 2 hours long, it's possible the homophobic/satanic aspect of it could come into play around then. I think it would be really critical to see other peoples reactions in the story to them getting together, including their family and friends, but also potentially the community bc that would go full circle with what went down in s1 and how like the whole community had an opinion about Will's sexuality even as a kid.
Early s5 is a big indicator of how everything will go down though. I don't think that they'll get separated and be apart the whole season, bc they made a point to convey in s4 that they want to make sure to give the audience a lot of groundwork to root for them and so I think s5 has to be much of the same for it to end in a way that has most of the audience full-on rooting for them and just screaming at their screen for them to kiss already.
However, I do think it's possible we could see them get separated for like 1 episode, maybe 2 but probably not 2 full episodes, I think the reunion would happen sometime at the end of 1 or 2 episodes.
I think Will is likely going to be targeted by Vecna, arguably already was at the end of s4, and then there's birthdaygate to address. Maybe he gets forgotten by everyone as a result of the memory/time trickery that Vecna has going on. And so we could see that play a role in them being separate for a bit while that is resolved, which would likely be early s5, to sort of mirror early s1. But then I think they would reunite by like the 3rd episode and work together most of the season as a team. And we will probably be aware of Mike's feelings in these moments because we would've just presumably gotten a bunch of parallels to s1 and considering Mike and El are broken up, it's going to be difficult to see Mike be so up in arms about Will after all of that romantic subtext, only to be with him and be looking at him like he hung the stars and shit. Even if Will isn't doing the same bc he's like convinced himself at this point Mike doesn't like him back, that would just make it even more clear bc it would be them finally showing us Mike's POV, after hiding it so much in s3-4. It would also sort of wake up those fans who had insisted Mike couldn't feel the same bc there would be no reason to do all of that for nothing.
Another way I could see it going down is by Mike basically somehow making 'a deal with god' (Vecna) that takes him instead. Maybe it's about saving Will who is trying to sacrafice himself already. Or maybe it's a way to save Max and it's sort of a last minute thing that is intended to cause them a lot of grief. Bc we know Vecna loves fucking with them. This would fit into the whole without heart we'd all fall apart, and the whole how am I gonna survive a whole week w/out you guys and Mike getting out in the DND game at the start of s4, along with like the whole theory about how if a paladin breaks an oath they basically have to go on a mini self discovery journey and can essentially be reinstated and forgiven by a cleric (Will). That would fit very very well into the imagery we got of Mike sitting down on Jonthan's bed with the upside down tapestry behind him, followed by Will sitting down beside him + Mike sitting down on the upside down couch at the cabin, followed by Will sitting down beside him. Meaning basically Mike would end up in the upside down and Will would follow behind him.
And I think in that scenario we might be seeing some things from Mike's POV that we have overlooked before, or maybe even things they have deliberately kept from us for the sake of saving it for later. Maybe that unused footage of him crying biking home after they found Will's body, or maybe they re-contextualize the cliff scene in a way that sort of frames Mike as feeling like he deserved to die that day bc after everything that happened with El, maybe he doesn't feel like he deserved to be saved by her, like Vecna just overwhelms him with the guilt that's been piling up for years, which led him to that failed monologue.
Also I think there is a very specific reason they chose to not use the song Time After Time in Max's memory of the Snow Ball in s4, and that's because they're saving it for s5. Every Breath You Take was regarded by most the fandom as a Milkvan song, and if anything it fit with all of them dancing more than it did specifically with Max's memory from that day. So them bringing that back for s4 felt like a combination of the Vecna foreshadowing and also them refusing to use Time After Time quite yet... Time After Time started playing right when Lucas asked her to dance, they easily could have used that song instead and left Every Breath You Take for s5 for a milkvan montage, hell Time After Time even would have fit well with the whole clock theme going on in s4.
But, I genuinely think it's because they're holding off on fully, in canon, re-contextualizing our understanding of that Snow Ball scene when it comes to Mike and Will's perspective of it. And how that song would fit into that revelation is a little to perfect to pass up, again on a show that has made a big deal about clocks and also has connected Will/Mike to the clock in Starcourt with the Yellow and Blue hands ie you say go slow I fall behind-- the second hand unwinds is fucking clock coded bro???
They are 100% saving that clock ass song for the end and that just tells me byler has to be endgame bc that song literally ended right before El entered the gym, it has no association to them, only to either Lucas/Max, Dustin/Nancy, or Mike/Will. That's it.
And so arguably the build up of Mike and Will is the only way to satisfyingly bring that song back full circle.
I guess I'll keep it simple and say that I think one of them are going to go missing/dissapear/be taken (something along those lines) early s5, and the other is going to find them and they're going to be a team basically. I think there could be 1-2 episodes of them alone sort of in the pits of the UD (Hell vibes). Maybe there's an almost kiss in those moments, or maybe even an official one bc them being alone finally is what grants them the courage to do what they haven't been able to do in the real world without the fears of the real world stopping them?
Though I do think that they will reunite with the others after 1-2 episodes alone. And so most of the season will be them teamed up with the og party and also having interactions with other characters along the way as well.
I do think a Murray/Byler confrontation is inevitable. I do think a Will & Robin confrontation is inevitable. I do think it's possible Mike could be exposed to the idea of having a gf then a bf (and vs) by Vickie in the case that Mike finds out bisexuality is real and an option. Bc tbh it's still something people today don't know about. So I don't think Mike Wheeler in 1986 Hawkins, Indiana would, though again maybe an interaction with Vickie could change that. Either that or Robin, Vickie and Steve are going to see Mike call Fast Times overrated and they're all going to share a look and that's when we'll know...
I do think that Will is going to have a hard time believing Mike could feel the same, even when presented with evidence? Not only does he have his insecurities in the way, but he also views El as his sister now (hell she might even actually turn out to be his twin). Even though Mike is his best friend, he's going to want it to be crystal clear that El supports it before Mike ends up being in their family via them being partners at some point. That's just who Will is as a character. He's just going to assume he is wrong for wanting that considering everything that has led up to this point.
And i think El is the kind of character that, no, she wont be like ecstatic about how this all played out and how she didn't need to get her heartbroken, but I don't think that feeling will last forever. I think they might have a little sibling talk about lying, assuming she finds out about the painting and what he said to Mike about her commissioning it. That would be a good parallel to her and Will at Rink-O-Mania when he chastised her for lying to Mike? Essentially an Oh how the turntables moment? Even so, when it's all said and done, she's going to make it clear to Will that she supports him fully.
And I think the same applies to Mike who also is going to want closure that they are okay and still friends and love each other as friends/family.
I think how all of this plays out would be very intricate, yes, but largely keeping in mind that they want us to like this ending and not be bitter about it, and so they're going to have to convince us that we want to fully let go of Mike and El and to root for Mike and Will.
This so called love triangle doesn't have equal stakes to the stancy/jancy one because we're dealing with an audience that has been completely left in the dark, now being bombarded. They have to try really hard to convince the audience to be on board with this, and also avoid homophobia in the process. They're going to have to make it very, very clear there are no more romantic feelings for Mike and El happening. Especially since we're ending the show with them in a sibling dynamic because of their relationships with Will. It would be gross to have this level of well maybe one day he could change his mind I mean he did that once before. Nope. It would be okay to have that sort of left unanswered with the stancy/jancy parallels bc we're not dealing with people being related to each other and swapping back and forth. That's why it needs to be clear in their situation.
And I do think that's why they did the whole I love you 9 times with Mike's monologue. Because it can't go up from there, there is nothing left for them to do after going all out like that, only to reveal Mike meant it deep down platonically? I mean what could they possibly do to backtrack? Have him give her another love confession where he says it 20x and adds no but fr this time?? No. They had to go all out like that to give those viewers what they wanted, the most they could possibly get and then say, sorry it's not happening. It essentially made it impossible to hope for it bc there's nothing left to hope for.
When it comes to byler and like these major moments that are bound to occur between them, I am genuinely most looking forward to them hugging again for the first time since the end of s3. That to me is going to be even more exciting than a kiss honestly (not saying I don't want a kiss but you know what I mean). And it's bc from a hug alone, I think we'll be able to tell that what's going on between them isn't platonic and that will in turn add so many layers to past seasons. I think it's also likely we'll get an almost kiss or two before the inevitable, and that would then make the slow-burn stretching until the end worth it, to me at least? Because just throwing them together never works when the formula has always been to hold off.
And that's also why the show has to end now. We can't have 6,8, 10 seasons of slow-burn, it would be exhausting. 5 seasons is the perfect amount. And having all of that angst and tension and heartache lead to a happy ending is going to make all of those moments in between that fans fought over for being critical of, sort of just dwindle to epic angst that was necessary to appreciate the happy ending.
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aq2003 · 9 months
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there comes a beautiful time in life where i have to ask myselg th question, "did i accidentally project too hard onto the character that i only relate to a little bit and in doing so hugely missed this one entire aspect/interpretation of the characters . am i stupid"
#ARE THEY STUPID!#dr who#this is about ten specifically his relationship w martha lmao#m being so serious i genuinely did not. see the 'ten was on purpose leading martha on to make her think her feelings were requited' angle#until going out into the wild and reading the tumblr posts. like i genuinely did not. at ALLLLLL. its like a brick hitting my head#bc the ENTIRE time s3 ten came off to me as 'doing stuff w no romantic intent behind it but would consistently get misinterpreted as such'#cuz IIIIIIIII have done this. IIIIIIII have run into this problem before. and it sucks so incredibly bad.#i actually do want to think my og interpretation still holds water cuz like. well i could gather all the evidence but#first one that comes 2 mind would be him going 'it's like when you fancy someone + they dont know you exist' to martha. in episode TWELVE#two routes; either ten is needlessly cruel and callous even after a season's worth of building up trust and friendship w her#or he is on super 'i dont think she has feelings for me and this is a very unhappy coincidence of a line' cocaine#Or the 'she fancied me' line in s4 to donna. either he is disregarding all the good and positive impact she did him. or the fact that this#went over his head the whole time made him look back on that time w discomfort <- I DID THIS. I MIGHT HAVE BEEN PROJECTING#THIS ONTO HIM. AM I STUPID.?.?????#you know how mikage rgu can either be read as an incel or a gay man lost so completely in the sauce#ten is like in this same ballpark. i think. of 'emotionally manipulative and disrespects women' or 'aroacespec and missed the cues'#funniest possible options to pick from. ten my brother how did you set yourself up like this#absolutely not denying that he was toxic and unhealthy during s3 in like 500 ways btw. but well. ths is the one concwpt that#flew over my head. so completely. and i can kind of see it now but i also still find it hard to incorporate into my belief system#bc its like. brother I'M aroace and missed the cues too lol#tangential note we can trace many problems down to a writer's room filled w white people not giving#martha's character the respect/agency she deserves for the existing narrative she has. bc they pulled this w mickey too both in series 1+2#if they wanted to portray ten as manipulative then him and martha should've been given more screentime#together where martha (or anyone else) calls him the FUCK out on this. and ten would need to suffer narrative consequences of doing smth#as fucked up as that rather than his happy stable dynamic he has w donna. if they wanted to portray him as oblivious then marthas character#shouldn't have constantly been boiled down to an unrequited crush (particularly her dialogue in the s3 finale - there's a LOT more reasons#why she would choose to leave/why their dynamic was unhealthy besides ten not returning her feelings)#if you read all these tags you may be entitled 2 financial compensation#ten and martha#aspec doc tag
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grey-has-rusted · 2 months
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what they don't tell you about life is that it's hard. woe is me
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truethes · 5 days
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hon.kai spoilers: what the fuck...
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rawliverandgoronspice · 9 months
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for no fucking reason: real life dictatorships in the 20th and 21th centuries are almost always allowed to thrive because of some empire's interests. If not, they get heavily demonized then dismantled by said empire over a relatively short period of time (unless exceptional circumstances, tho it's almost always applicable). the examples are countless; please read declassified reports and interviews from the CIA/KGB/other intelligence agencies across the world to lose your mind about it, especially those involving what happened during the Cold War and what happened in the Middle East (and still does).
characters like ganondorf are the epitomy of the fantasy that colonized/"exotic" countries naturally spawn evil incarnate and must be controlled/stumped/imprisoned/destroyed by the "responsible ones" while the perfect good place is perfect and utterly blameless about what went down and how the local population suffered (which, in real life, the empires of the world are most definitively not that --the amount of dictators that were ushered into power by western interests is staggering and we fucking love to see it don't we). And also, a blameless victim to whichever retribution eventually comes back their way.
It is a rethoric that denies interconnectivity and historical responsibility.
this is what I criticize about the narrative choices of a fictional conflict that *does not exist in real life* and has been entirely made up by human beings: the cowardice of blamelessness, and what little this kind of narrative brings to the table --especially today when we should be looking at the root cause of broken systems of violence instead of endlessly scapegoating minorities.
and well, especially given how effective this narrative apparently seems to be.
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