Ik nobody asked but I was rewatching Wednesday and in the first episode there’s the scene where Sheriff Galpin looks at the hiker’s body in the woods, right? The scene that immediately follows that is when Thornhill comes into Enid and Wednesday’s room and says “sorry about the mud” and there’s a shot of her muddy boots. She came from the woods bc she had just been controlling Tyler but the mud comment could easily be ignored bc we find out right after that she teaches in the conservatory.
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page full o' hobies 🎸
top pose inspired by @spectra-bear
process pics under da cut ↓
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daphne was anthony’s “mentor,” kate & anthony were colin’s, and now penelope & colin are going to be benedict’s. i’m calling it now.
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was thinking about takeshi and how he's my favorite brand of unconditional devotion btw. the utter and absolute and all-consuming kind that runs so deep to the very core and is so intrinsic and fundamental to it, it can only express itself in the most casual and natural and certain way. without second thoughts, without any room for doubts or for any moral dilemma to be had over it, because of course he ought to always be breathing and living for his chosen person first and foremost. of course he ought to hang on their every word and make them true no matter what, no matter what he has to do to make it happen, no matter what he has to do to other people to make it happen, and no matter what it might turn him into in the process. because it's obviously the way the world should be for his chosen person. at their feet, ready to bend over backwards and break and build itself again to better answer to all their needs even if they don't ask it for it. it's the only right way it should be for them, and of course takeshi's going to do his utmost at all times to make it a reality as much as possible.
and his devotion comes out as naturally as breathing, comes out lighthearted and nonchalant like he might as well be talking about the weather, but it's not unaware of itself. it's not that takeshi doesn't know it's unhealthy and wrong and that he's willing to go entirely too far in its name for anyone's good. it's not that he wouldn't hear you out if you were to sit him down and explain to him just why he needs to tone it down a little (a lot). logically, he'd agree with you and know you're right. and then he'd tell you he's still not going to do anything whatsoever about it. that he's not bothered by it and doesn't feel the need to change anything to his attitude. makes it a point to never let anyone or anything sway him even an inch in the stand he took when it comes to that, no matter how many thousand of times you might go over the subject with him.
because the morality of his devotion isn't the point at all. is entirely irrelevant to it and doesn't affect the way he expresses it all. it's not the metric with which he draws a line in the sand to hold it accountable to. because the thing is, takeshi's entire world revolves around tsuna--tsuna is his entire world altogether, and it's just a matter of fact, that simple. to him it's a truth as unchanging as the sky being blue, and so being the way he is according to that truth is the only way he can imagine being that'd feel right to him. and so the actual and only metric that matters here is "would tsuna be happier if i were to do this?" and/or "is this something tsuna needs me to do?"
and like. i don't think takeshi ever stops being a kind person capable of compassion and understanding and mercy and forgiveness even ten years later once they became mafia through and through. and i don't think either he grows up to be feared and called a monster per se despite the things they inevitably had to do during those ten years (and the things they'll inevitably keep having to do as long as they keep being mafia), at least not in the way, for example, they'll never stop fearing and calling mukuro one. but i do think that among the tenth gen, he ends up being the one with the most ruthless, merciless and horrific blood on his hands of that particular and distinct loving kind. you know the one i mean, right? he comes to be the one most expected and the one first expected to be willing and to take it upon himself to go through with it when the need arises. and to think little of it after, if anything at all. all in the name of making tsuna's reign as easy on him as possible.
and it's to the point where it's the kind of blood that makes even mukuro pause at times. or, when takeshi is the one coming up with solutions himself during meetings, makes even reborn blink. not because it's unjustified or wouldn't be safe or efficient or anything of the sort, but because it is unwarrantedly thorough in its retaliation. and sometimes, at times like this, he's the one tsuna needs to step in for the most, because he's the only one who can reason with him that "yes, this would work in getting rid of our problem" but "no, please, don't do that takeshi". because if tsuna is the only thing that infers on just how much and in what ways he'll let himself be devoted to him, then of course, he's also the only one takeshi's willing to reign himself in for without second thoughts. because he'd hate to ever do something tsuna would disapprove of or wouldn't want him to do. or do something that'd make tsuna see him differently or love him back less even in the slightest.
and it's also like. his devotion isn't an undisciplined one. it's not one he doesn't have control over, the very opposite. it's a very purposeful and conscious choice he chooses to keep making over and over again every step of the way, and he taught himself to have control over it, to know when it's needed and/or wanted, and how much and in which ways it is when it happens, and to keep it down otherwise. and, yes, to also reign it back in at tsuna's request at times when it still slips past his control. because it's all about making tsuna's happiness easier and secure and long-lasting, and never about burdening him with just how committed he is to do that.
so it comes down to this: takeshi willing to go above and beyond and more for tsuna unless tsuna explicitly asks him not to. and to tsuna needing to ask him not to every now and then. and to other people pointing out to him how too many times tsuna's already needed to stop him, and that maybe there's a hint for him to take there. and to takeshi seeing the hint, looking it straight in the eye and recognizing it for what it is and just. deciding it doesn't apply to him because it's all perfectly normal behavior to him. because it's the only kind of behavior that makes sense to him and feels right.
and so—to circle back to my first point—he can only express his devotion as naturally as breathing, so casually, almost like it's something inconsequential and not worth talking about despite how unmistakably it couldn't be further away from being the truth. it's the only way he could have always known how to express it, because, after all, who has ever taken time to ponder about the details and the hows of the way they breathe?
and i, for one, absolutely eat that shit up every time, thanks for coming to my ted talk <3
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the gorgug-porter conversation is interesting to me because like. yea for the overwhelming majority of the conversation porter’s being shitty & trying to fit gorgug into a box that gorgug just does not fit into by trying to make gorgug’s relationship with his rage more focused on the aggression aspect of it. but then there’s also this specific thing that brennan brought up again in the ap, which is that gorgug’s relationship with his rage is wholly “this is a tool i use to protect my friends.” which isn’t a bad thing! but that’s his Whole relationship with it, & gorgug seems to place next to no value on his rage in relationship to himself. which is problematic, because it’s first & foremost his rage.
being raised in a household with a sort of toxic positivity largely meant that, whether or not it was his parents’ intention, gorgug internalized the message that more traditionally “negative” emotions such as anger are the wrong response to something. part of the reason he prioritizes his artificing is probably because it’s “fixing” things. in comparison to being a barbarian, which gorgug associates with “breaking” things. good vs. bad behavior, in his eyes.
it’s a totally unacceptable bar to measure a 16 y/o by, but i do think part of porter’s reasoning for not letting gorgug multiclass is him recognizing that gorgug generally does not value anger as a valid emotional response to something, at the very least for himself. & that directly conflicts with what being a barbarian is, because whether you like it or not, that rage is what fuels you. but again, barring a kid from pursuing something they deeply care about in part (not entirely, porter has a lot of more bullshit reasons) because of their fundamental values & world outlook is crazy.
so yes, 98% of porter’s reasoning is pretty shitty, immature, rife with a toxic view that there’s only one proper way to access rage, & generally not a good thing to do as a teacher, but also within that reasoning is the 2% of ‘there is a fundamental part of yourself that you only value if you can use it to take care of other people & you need to accept that as something that can take care of you, too.’ but that’s something to discuss with a therapist or a guidance counselor, not something that should hugely impact gorgug’s academic future.
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I really, really wish people who don't have the capacity to properly take care of animals would simply accept and acknowledge that about themselves. This isn't even a post of me trying to be mean or judge anyone, I'm sure most people go into getting an animal with good intentions, but intentions and actions are different. If you don't have the time and the space and the care an animal needs, the animal will suffer. The fleeting joy of having a kitten or puppy or anything else doesn't last forever and they aren't toys to be put down and forgotten once you've moved past the inital excitement. If you don't have the ability to properly care for an animal, just accept that and simply admire them from a distance.
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more rants on s3 (mainly why I think cla*re is on her way out)
okay, so, there's been lots of complaining about how much claire we saw this season (i love molly tbh, but that's a different story), howeverrr in truth, we actually only saw her once
almost every scene except the last one with the faks was carm's memories/fantasies (we don't even know if they happened or if he's just idealizing his short-lived situationship)
and then there are a few hints that claire is being phased out of the narrative, but we're seeing so much of her we're thinking she's being put front and center (here's the sleight of hand, distract you with one hand while the other does the trick), anyway these are the scenes that come to mind:
richie constantly saying WHO CARES whenever claire is brought up, sure he's pissed at carmy, but he's a main character and carmy's closest person after syd and nat, he should care, he cares about carm, but he's smart and knows claire is irrelevant now (he actually saw her leave, and her goodbye seemed pretty final to him)
nat trying to call claire and the phone not even recognizing that name, no matter how hard she screamed it, nothing, who dat? she's not part of the bear family, and the scene drives the point harder by having the call go to the bear instead, like claire is not going to save nat, or carm or the bear, she doesn't even go here!
claire herself! the only time we actually see her, the real actual claire, she quite explicitly tells the faks that it's over, that whatever fantasy they have about her and carm is not true (wouldn't be the first time neil sees something that isn't there, like the ballbreaker game character talking to him), they haven't even spoken, it's done. feels to me she's saying she'd like to be excluded from this narrative, her part of the story is over, now please leave (and ted, please get that checked out)
like, there's no way to make it more obvious, carmen is holding on to a memory, a ghost, he's being haunted not by claire but by his own guilt and trauma
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If the cycles really are cycling, I just don’t see Daniel escaping the penthouse that easily. The parallels between him and Claudia have all the subtlety of a brick to the face and just like how her single-minded focus on taking down Lestat blinded her to Louis, it makes sense for Daniel's personal vendetta against Armand to do the same. I mean, my guy was directly warned against worrying about Armand at the expense of ignoring Louis and we have yet to see that come to fruition. Sure, they’ve connected over remembering San Francisco, but if Louis is capable of lashing out against his own daughter, what chance does Daniel have? He’s already experienced the consequences of Louis “detonating” once before and this time around Daniel is actively building a powder keg, just waiting for the right moment to light the fuse. Like, maybe he thinks the resulting explosion will just tank Louis and Armand’s relationship, but he is still very much in the blast radius!
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Headcanon: Chilchuck and his Bad Takes on Literature
i think chilchuck would be like my mom in the sense that he wouldnt like sad stories. dont get me wrong, cautionary tales? absolutely fine. they serve a purpose to him which is to tell people "dont be an idiot and do this or else something bad will happen"
generally sad or angsty stories though? no point to him, and in his perspective its really confusing how people just read things that make them sad. like whats the use of reading something if its just gonna make you sad. whats the lesson? its not even real so it doesnt help anyone.
whats the point in making yourself cry when you could just avoid that entirely by not reading it at all?
but the one of the biggest reasons why sad stories exist is to let you release all the built up grief in you. to send you something to let out all your emotions in a healthy way. catharsis. empathy.
even when i dont relate to the tragic experiences in some stories, several ones ive read have lead me to realize that im in a bad situation or that im following in the footsteps of the character suffering. its like a wake up call.
and making yourself cry isnt inherently a bad thing. if crying allows you to let go of building pressure and tension in you then thats good!
but chil wouldnt see that. of course he wouldnt, hes avoidant of most situations that would allow him to release emotion, and fearful of letting his mature (read: repressed) persona slip.
hes someone that runs away to quick comforts and distractions at the earliest sign of issue. hes already been in too many horrifying situations, dealing with another is a pain. and he knows denying everything and refusing to look at the situation doesnt help, but it definitely provides a quick and easy happiness in the comfort of ignorance.
because of this, reading something made to make one empathize with and confront these bad emotions is defeating the point of his cowering. if he faces his issues, even if only through the perspective of a story, he'd have to deal with acknowledging that things are bad and need fixing, and he'd feel terrible and guilty in the moment - which of course is the worst thing that could happen to a person (his thought, not mine).
which is why i find the concept of him being/becoming a tragedy himself at the same time as this headcanon soooo interesting. imagine the irony of him bashing on the protagonists of tragic stories for acting on emotion and impulse rather than logic, when he himself has fallen victim to irrational thinking while in grief.
cause... thats what people do when they grieve. they lash out, make bad decisions, ruin themselves, ruin others.
for a tragedy to be prevented, the protagonists would have to change fundamental parts of themselves, and act perfectly rational when under extreme stress. and chilchuck holds himself to these kinds of unrealistic standards because he unwittingly believes he can handle it all.
he cant, obviously. we see it for ourselves in his relationship with his wife. they were doomed from the beginning by chils already-established avoidance and lack of emotional vulnerabiltiy (and whatever else his wife had going on).
this is all just to say that if you told him about orpheus and eurydice, he'd probably be one of those idiots trying to point out the "plot hole" that he couldve "just not looked back" and "just trusted her"
i dont understand. whats the point in reading tragedies? the protagonist is stupid, anyways. why would you take bitter medicine? why subject yourself to that?
i think its just a bad story.
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sneepy cozy time....
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If you see a Call of Duty fanblog that claims they are or were in the military I can say that 99% of the time they are lying.
A cishet white man who had a good experience in the military will not engage in fandom and will only brutally make fun of it, if he had a bad experience he is nowhere near the fandom.
A cishet POC man is the same, it's just a lot less likely he had a good experience.
A cishet woman who had a good experience in the military is, almost certainly, an ultra conservative who would despise fandom spaces.
Anyone outside of the categories above 99% of the time did not have a good experience with the military. They may have PTSD not from war zones but from how they were treated in their own departments. They may engage with fandom, but they will never idolise these characters uncritically and are not going to joyfully make it a part of their online fandom personality that they are ex-military so can totally help you with details (which given that all branches of the military function totally differently and countries again function totally differently they can't).
As a good rule of thumb, if anyone on the Internet is making something about them that conveniently relates to the fandom they are in a major part of their personality, treat that claim as unverified and move on with your day. You do not owe strangers on the Internet your blind trust and they do not owe you proof of their claims if they are not actively hurting anyone with them. If you think they are using their claims to actively try hurting someone, block them. These people thrive on attention and negative attention spends just as good as positive, do not give it to them.
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Not sure if there's anything official- based only on a vaguely similar shape and location and seemingly supported by the map pictures released by Dreamworks TV recently, would Yaz's island be Frank Island in Yellowstone National Park? Only for JWE2 building reference purposes 😁
It's possible it was used for some visual inspiration, but I think the EXACT location in Wyoming was probably meant to be a little vague, as a fictional location.
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four months into getting to know each other, shouto finds him by touya-nii's shrine. his little brother gently sits down beside him and offers a small prayer.
"yumi-nee-san," natsuo wonders if his little brother will ever drop the second honorific, "said you were the closest to him," shouto says quietly.
after all these years and the use of past tense still makes his heart break. 'you are the closest to him' he wants to correct but that wouldn't make sense anymore. touya-nii hasn't been talked about in the present tense since before middle school. does shouto even remember a time before nii-san's dea-, disappearance?
"yeah, i was," he says, eyes never leaving the photo. it's the one nii-san took for sixth-grade picture day. kaa-san had got him all dressed up and he had hated it. somedays he thinks if he looks close enough, he'll see the displeased pout on nii-san face. "why?"
his little brother says nothing for a long time, back ramrod straight. natsuo has no idea what's going on in that head of his. shouto has so few tells that he's practically a blank slate. natsuo hates his father.
then slowly and so quietly, he has to strain his ears to catch it, shouto stammers out, "do-, do you think he would have liked me?"
natsuo's immediate reaction is to say 'yes'. yes, of course, touya-nii would've loved you. yes, of course, touya-nii would've crossed the heavens for you. yes, of course, he would've loved you shouto; you're his precious younger brother.
but he remembers the way nii-san used to spit out shouto's name when he was a kid. the way his brother's mouth wrapped around it, the face he made, like he had just eaten something disgusting. he remembers the way touya-nii had become almost crazed by the end, hellbent on proving himself the rightful heir to their shitty father's legacy. he remembers the way touya-nii had said, "i just need to prove that i'm better than him,"; the 'him' said with such bitterness and contempt.
he knows instantly that touya-nii would not have liked shouto. that this house and his father would have twisted any ounce of love, nii-san would've held towards shouto, into jealousy and hatred.
(this house may have ruined all of them but it only ever broke two of them.)
natsuo can't say any of that to shouto. his kind little brother who forgave him for not being there. his amazing little brother who falls in love with every cat he sees. his wonderful little brother who has a wickedly dry sense of humor. his soft baby brother who loves him and yumi-nee with a passion. his tender-hearted baby brother who still worries if his long-gone older brother would've liked him.
no, natsuo can't tell shouto that nii-san wouldn't have like him. shouto will internalize it like he does with everything else that hurts him. and there is already so much that hurts shouto, he will not add to that list. his baby brother smiles these days, nothing big like his green-haired friend, but quiet, lovely, ones all the same. shouto talks more these days. they have dinner together when natsuo is home. his baby brother laughs now. it's a miracle like nothing else in this world.
shouto is the best thing to come out of their house and natsuo will die before he ever hurts his little brother. so instead, he curls an arm around shouto's shoulders and pulls him into a loose side-hug.
"of course!" he lies cheerfully, ignoring the ache in his chest, "touya-nii would've loved you. you're his — and our —precious little brother after all. there is no universe in which he wouldn't have loved you."
the tips of his baby brother's ears go red and his pleased little answering smile makes the ache of lie go away. natsuo will tell a thousand more lies if it means shouto never stops smiling like that.
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So it seems that MC is repressing their memories and feelings from being held captive in the Shadow Realm. The thing I loved most about the last chapter was the moment where they actually showed MC struggle to think back on it, to the point where they were having an anxiety attack.
We thought it was odd that MC hadn’t talked about it, and while we theorized about why, it is looking like it is starting to be revealed that this was actually on purpose (props to the writers if this is actually the case). It’s not that MC doesn’t care or have any feelings about it, it’s that they’ve literally been avoiding thinking about it and repressing their feelings. Which makes sense as a response if you think about the situation MC was stuck in.
As soon as they finally escape from being held prisoner, they don’t have time to rest or take a break after. Not only their life, but the life of everyone in the entire realms is at stake. They have to hurry to find their friends and seal all the rifts, all while Valax is actively seeking them out and trying to kill them. They don’t really have time to reflect and look back at what happened to them in the past year. They have to constantly be on their feet, focused on the present and the future.
Something from last chapter that seemed to make me think that this is what’s happening, was in a part of Nia’s diamond scene. Nia was trying to bring up how she felt about MC being gone, and MC seemed very quick to convince her to focus on the present. While this could just be MC being concerned for Nia/not wanting to make the conversation sad/serious, something about it just stuck out to me.
I think combined with the earlier anxiety scene, it just really makes me think MC is really trying to not have to think/talk about what their past when they were captured, whether they realize they are doing it or not.
I really hope this is actually where the writers are going with this, because that would actually make a lot of sense for the story, and it would be good to see a character that actually faces the trauma that they went through in a realistic way.
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omfg people really need to calm the fuck down about people disliking some characters like it's not always a deep seated prejudice or an inability to empathise it's because we are human beings with our own experiences and normal biases and fictional characters are not real and it doesn't matter if you don't like them for pretty much any reason at all and doesn't make you suddenly x just because the character is y it just means you don't like them. obviously other indications of actual prejudice or a repeated pattern mean something else entirely but you can just dislike a character because get this they're a character and not a real person. you can dislike real people too even it's almost like we've got free will. please oh please can we get out of the torture chamber together.
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