#I don’t know who to @ in these fandoms

[citricacidprince]

Some more doodles of my Relativity Falls AU because ooooh the way I’m imagining it is so fun I just can’t stop thinking about it💥💥💥

Featuring: Manly “Boyish” Dan, Abuelita Anjelita, and some silly Mabifica because mmmmmm them in this AU makes me wanna lose my mind

[hailsatanacab]

A Persuasive Argument - dpxdc

"Great!" Danny says, clapping his hands together to get everyone's attention. The dinner table falls silent as everyone looks towards him. It's a full house today and, honestly, Danny's a little nervous. "I'm sure you're all wondering why I gathered you here today."

"It's dinnertime. In our house." Duke mutters, while doing a very bad job of concealing his yawn. He holds his fork poised over the braised beef, but, just like everyone else, still looks towards Danny before tucking in. It's intriguing enough to wait.

"Yeah, no one misses Alfie's dinner." Dick says, with a brilliant smile that Danny can't help but return.

"Precisely! What better time to talk to you all than when you're all actually here!"

"Wait, I thought you came round to work on our English essays?" Tim asks, blinking owlishly.

"I'm afraid I've lured you here under false pretences, Tim."

"This is where I live."

"I would still really appreciate help on that essay though, I mean, what the hell is Hamlet even about? I just don't get that old time-y language, like 'Hark! A ghost hath killed me!' - absolute rubbish, what does that even mean?"

"The ghost never kills anyone in Hamlet, he's there to tell Hamlet that he was murdered. Have you actually read it?"

"No, but it sounds like you have. Tim, I want this guy to help me with my essay instead. I know for a fact that you haven't read Hamlet, either."

"So? We don't need Jason, I've read the Sparknotes."

"Hi Jason, I'm Danny, pleasure to meet you, summarise Hamlet in three sentences or less."

"Am I auditioning to help you write your essays? I can't believe you’ve gone through your whole school life without reading it, it’s good!"

"Hamlet, along with a number of other classics, was banned in our house because it portrayed ghosts as intelligent and sympathetic beings rather than evil, animalistic beasts. I didn’t even get to see The Muppet's Christmas Carol until last year with Tim! It was surprisingly good, and I hate Christmas because everyone always argued and it sucked. But we're getting off topic. I—"

"No, no, please go back to that, because what the fu—"

"Boys, please." Bruce interrupts, looking to the world as if he wants to hang his head in his hands. "Danny, you were about to say something?"

"Oh, yeah, Mr. Wayne! Thanks!"

"Please, call me Bruce."

"Well, that very succinctly brings me to my point, because I'd actually really like to call you dad."

Nobody says a word. Nobody even blinks, all as shocked as the other, watching open-mouthed as Danny pulls his laptop out from beside his chair. Bruce can definitely feel a headache coming on.

"Before you say anything, I've prepared a 69 slide PowerPoint presentation on why you, Bruce Wayne, should adopt me, Danny Last-Name-Pending. Please save your questions, comments, and verdict until the end, thank you."

[lucky-fy]

Please enjoy :)

Two more with spoilers below

[locusfandomtime]

there they are… the hermit crabs

[anassemblageofpassions]

The thing abt john winchester is that he is too complex for the majority of the spn fandom and for a good portion of the writers on the show too.

Because at his core john is about love over everything else. When he looks up at his sons (yes, up, the fact that they’re both taller than him>>>>>), there is love seeping achingly from every single pore of his being even as he abuses them, as he destroys their souls beyond belief. He does it all entirely out of love. And he is so, so wrong for it. A part of him knows it. But he wants to keep dean alive, and he wants to keep Sam pure. And he loves them so much. And he damages them so horribly. John Winchester is the foundation upon which they are both built, they only become more of what he made them as the series goes on. Sam stops fighting it, Dean continues to mold into his image no matter how hard he tries to fight it.

Hell puts them both on steroids, but their individual trauma responses that influence this are the foundations that John built into them. No wonder azazel wanted sam to win so badly. John Winchester crafted his sons into alastair and Lucifer’s ideal victims, respectively, and dean was a better (worse) john than John ever was. John held out in hell. Dean acquiesced to his abuser despite all of his efforts to fight him, and he’s never been the same since.

Sam fought like hell, and he fought destiny, but at his core, he did what John always wanted him to by doing what dean wanted him to do, and then he stops fighting at all, loses the fire he showed john in adolescence that john immediately notices when he returns in s14.

And the sad thing is. They filled their roles so well that John is saddened by what they’ve become. He didn’t want dean to break. He didn’t want Sam to be dimmed. He’s sad to see what Sam is like in s14. In the process of recovering his wife, he ensured he would mold his sons into what he wanted them to be, and when he got what he wanted, he was devastated.

John Winchester is so driven by love and grief and he’s so filled to the brim with both that it’s painful to watch him on screen because he destroyed his family because of it. And he wanted this all along but he didn’t realize what he’d have to give up to get it.

[shorthaltsjester]

there are literally no standouts in downfall because everyone sat down at that table and said hey you wanna see something cool and proceeded to Become their characters but idk if it’s because they’re beside each other and that aids the dynamic or just because it’s the delicious similarities and insurmountable distance between the god of death and the god of (in various ways) life but ayden and emhira’s interactions were so chewy and delicious. i’ll be thinking of their exchange fairly early on after ayden cast lesser restoration on that old man and emhira not cruelly but just simply stating “you cannot heal everything.” and ayden’s equally simple reply “we can always try.” emhira seeing the family trist has built and wondering at the presence of children, “surprised there is laughter in such a horrible place” and i know she’s speaking of hawk’s hill but i wonder if she is also speaking of exandria itself in some ways. the delicious space between in and out of character that only really happens in improv stories where as brennan is narrating and says “in this dark room” and nick interrupts and adds “it is not dark.” brennan’s incisive point in the cooldown that while the love that ayden and trist have for mortals and for exandria is warm and the kind of love someone would likely Want from gods, there is something maybe more honest or whole about emhira who says . actually these mortals are little shits that will kill you not because they fear you but because they hate you. whose very existence should be (and still often fails to be) a reminder that the gods can be usurped by mortals. the insight nick shared in the cooldown that ayden does not forget emhira’s origins but in a way dismisses them, that the god of death is a different beast. ayden wanting to find. way to save the people of aeor, insisting that the prime deities Win if they can find a way to do so. emhira reminding everyone that death is inevitable (and she does not add anything to clarify that she intends such a statement to only exist for mortals) as she argues for them to work to take down aeor and the people in it. the fact that the god with the most present connection to mortality is also the one given the most explicit clarification that she Is the god we know as SILAHA calls her the matron, brennan’s narration clarifies purvon is her champion, taliesin as asha asks for clarification on the recognition of emhira as a god and prompting the familiar spectre of a woman in a white mask.

i want to be very clear that when i say there are no standouts i Mean it because i’ve been awed and endeared and intrigued by every single character choice everyone made and as always brennan’s narration is so incredibly well suited for the mission impossible greek tragedy vibes that comes with this story and i’m so fucking delighted by the fact that laura, ashley, and taliesin are playing gods that their characters have known quite well in the past. i’m incredibly excited by what we’ve already gotten to see from abubakar, nashir, and nick and cannot imagine what other greatness is to come. i’m psyched to see the relationship between asha and the law bearer and am delighted that (perhaps for now perhaps for the whole arc) it is being seen through the lens of “my wife promised me a visit with apples and all i got was a rock ice emissary”. i also have many incoherent thoughts about the fact that, of the players who appeared as the same character in the opening and the story, taliesin’s ash and asha are the ones whose name remains the most unchanged.

i’m obsessed with the fact that this creature sent as a stand in by the god of law and duty believes his primary gift is love. while there is a certain mourning and sadness to every god we see, that SILAHA has a certain playful whimsy and jofyful curiosity about the world. that the only one of them who has been mortal before stops to steal an imp necklace from the neck of a drunk on the train (and that moment between brennan’s narration that this man will be dead by morning but, with death standing invisible in front of him, he is incapable of seeing it coming, and then laura as emhira breathing in deeply and brennan having that spark a coughing fit. they are Story Telling). asha seeing the erased image of a god, of a family member and saying “there’s a hole in all of us.” brennan narrating “this is a place where they tried to kill a story. it’s a very frightened thing to do.” (and god. the motif of fear. especially given the very present fear felt by the gods in current day exandria. they’re doing insane things in the critical role 3 part departure).

trist reminding ayden “he never tells the truth” and asha contesting “he only tells the truth, it’s just rotting.” emhira and asha both as perhaps the less Good™ much more neutral but doing so in such different ways, asha as bitter and hungry while emhira seems uncomfortable but there’s a familiarity and a certainty in her discomfort with mortality (the law bearer would also be included here but the emissary seems much more like trist and ayden (for now) than emhira or asha). something as insignificant as trist and her husband speaking to their children and affirming that little lies are okay while trist has lead a significant part of her life likely dishonest about who she is. the fact that there’s a certain childlike quality to the emissary who they’re all charged with ensuring makes it to the end of things even if they cannot. the fact that nahal (unclear which god they were, and i’m assuming it’s the first god of death but regardless still an absolutely compelling development in a short amount of time) in those opening moments is horrified by the concept of away which is unfamiliar to them only to soon after look upon their family and say. maybe away was better. Especially if those were words spoken by the god who would one day be replaced. these three episodes are going to haunt me and i’m excited to meet the ghosts.

[kamabokobun]

Fun-sized versions of these guys + lore (???)

[mxtxfanatic]

“Tgcf is like the trolley problem except it’s Xie Lian’s fault that everyone dies because he wants to stop the trolley.” No, Tgcf is “like” the trolley problem if the problem was that every time Xie Lian attempted to stop a trolley, the trolley owner builds another trolley and sends it hurtling down another track to mass murder another set of people to prove to Xie Lian that the only “reasonable” response to witnessing mass death occurring is to stand to the side to watch the trolley kill the people you think least deserving of life, maybe while asking the trolley driver—who wants to kill—to slow down a little (but only maybe). In that regard, the op of that wretched take and the trolley owner seem to be on the same wavelength.

[saetoru]

something that’s always been funny to me is that long fics with smut tend to do better than long fics without but it’s like. if you write a longggg 10k+ word fic with a build up and plot and sprinkle in smut at the end, people will read that long build up and pay attention to the plot in order to get to the smut. and 99% of the time the tags and comments will talk about the plot itself and the way it was written as opposed to the sex and they will ask for more or for part 2’s and as annoying as the part 2 comments can be sometimes, it also means that they focused on the plot and not the smut. but if you post that fic without the smut—as in same fic and same build up and everything, but the smuts not there, a lot of those same people will simply not give the fic a chance. it’s just funny to me bc yes, a part of it is just horniness, but also i think it’s partly that there is also some conditioning to believe that a “perfect romance” or a “perfect story” of a romance is sealed with intimacy that’s more often than not sexual in order to actually be valid. and yeah. idk. it’s an interesting thing to see from a writers perspective

[malenjoyer]

Good morning 🙏🏼

I want to thank everyone their support with reblogging my stuff over the years and reblogging some of the context of the situation.

Tumblr and Instagram is filled with the most supportive people I’ve ever had the chance of meeting. The last time something like this happened, I didn’t have much support, not even from people I thought were close to me. It took me a year or two to be okay with being perceived again in fandoms. So I’m very grateful for everything.

I just wanted to post that I appreciate all of the asks and I’ve been reading all of them. I actually get anxious I’m spamming everyone too much so I probably won’t reply to everything. Please don’t feel pressured to support me financially, there’s is a free option on patreon to follow. I’ll post future project plans and occasional updates because I still love comics and I still love DC/Marvel. I do enjoy having people following along for my art/reading journey so I would always be okay with people just following for free. My brain is telling me this post is too long now so I will go 🙏🏼😭

[nestastits]

I’m gonna go ahead and put this bullshit to rest🫶🏻. Nesta is not leaving Cassian, they love each other and it would kill them if they ever had to be apart(both of them canonically say this in their thoughts). Cassian absolutely would not cheat on Nesta nor leave her nor hate her. He never has hated her. This man couldn’t and wouldn’t have a relationship romantically, physically, or emotionally after the first time meeting Nesta (he says this in acosf). Lastly, he has been in love with her from the first time he met her and ain’t falling out of love anytime soon or ever. He literally faught the compulsion of the crown, a Dead Trove that makes people do whatever is said by the holder, through his love for Nesta and stabbed himself not being able to stomach hurting her even if he was magically made to do it.

Does he have issues regarding his treatment of Nesta? Yes. But guess who else does? Nesta. She didn’t always treat him kindly. Did he fix what he said and did to her? Yes. As well as Nesta fixed what she said and did to him. Are they allowed to have arguments from time to time? Absolutely, if they didn’t they would never work out and the relationship would be blindly toxic. Furthermore, THEY ARE NOT FEYSAND AND THAT IS PERFECTLY FINE. NOT EVERY COUPLE HAS TO BE LIKE FEYSAND TO BE A GOOD MATCH.

Overall, Nessian are in love. They are Mated. At the end of acosf they talk about a future regarding a family of their own, a life of their own. They have been willing to die together multiple times and when faced with danger, both of them have been known to do unimaginable things (cassian fighting the crown, Nesta literally unmaking someone) they wouldn’t be able to do this if they weren’t in love and a true fated mated pair.

Thank you for reading! If you disagree don’t get your panties all in a wad and leave hate comments, I don’t feel like losing any more brain cells over nonsense that comes from people who both have no reading comprehension and have to literally change a characters entire arc/personallity to make a theory work.

[secretmellowblog]

I really do love how Javert is the ultimate physical embodiment of the word “bootlicker.”

His entire personality is composed of “respect for authority and hatred of rebellion;” he grovels before anyone of a higher legal/social status, and thinks they can do no wrong. He puts all of his faith into the institution of policing. He worships his superiors in the police force and the legal system. He would sell out anyone who committed any infraction to the police, and would do it with smug glee.

I honestly cannot think of any fictional character who embodies the word “bootlicker” better.

I’ve mentioned before that one of my favorite small Javert moments is when he’s attempting to get Madeleine to fire him, and….he gives Madeleine a salute even when Madeleine’s back is turned, and he can’t see the salute. To me it shows how much Javert’s bootlicking is genuine. It is earnest. He earnestly believes in his own inferiority and the necessity of constant groveling respect to authorities. They don’t need to police him— he polices himself. He grovels even when their backs are turned.

He doesn’t just lick boots for show; he licks boots because he genuinely believes it is the morally correct thing to do, that an “inferior” is legally bound to grovel before their “superior.” And he enjoys this groveling; he experiences a savage glee at his usefulness to authority; he loves the taste of boot leather.

He’s a bootlicker all the way to the bottom of his soul.

[drakaripykiros130ac]

With all the “accidents” that the show-runners have invented in favor of the Greens, I think it would be pretty fair to have them done for the Blacks too.

Like for example, Daemon is angry about how much Rhaenyra suffers after the loss of Lucerys. He vents about it to his former confidant, Mysaria, who “misunderstands” Daemon’s intentions and arranges B&C. And then, when Daemon finds out, he goes 😱, then expresses how much he didn’t want this, oh no!

But of course, since only the Greens can have three “accidental” murders done in cold blood, there isn’t much room for bad fanfic writing in the Blacks’ favor, so they’ll have to go with canon.

I am betting Condal will forget about Daemon and have Rhaenyra herself arrange B&C with Mysaria, because of course, a grieving mother has nothing better to do than start discussions about vengeance with none other than her husband’s former mistress. Makes perfect sense.

And above all, I am 100% sure that the showrunners will abandon the idea that Aegon throws a feast in celebration of Lucerys’ death, so that he can retain the title of “victim daddy” who lost a child he didn’t give a damn about while he was alive.

And of course, him calling out for war in retribution for his son’s death is perfectly alright, as opposed to Rhaenyra’s desire to get justice for the murder of her own child, because Rhaenyra is a woman. She is not allowed to do anything that makes her seem less than perfect.

[malbenita]

Putting her in a fancy dress!

(Close-up’s under the cut)

[eloquentsisyphianturmoil]

Maedhros built up a high pain resistance from Angband; particularly to the burning sensation. Considering how low he thinks of himself, it’s likely he expected the Silmaril to burn him. He didn’t think he was redemptive, he thought I can take it.

Part of why Maedhros acts so viciously is because that’s how life treated him. I can take it if my brothers die. I can take it if I’m damned for eternity. I can take it if everybody thinks I’m a monster.

He’s proud, and he’s suffering. He won’t back down, he will succeed or be martyred.

[1doesnotsimplyhavejust1fandam]

Half questioning my memory of the post s4 era, half side eying a certain character, so correct me if I’m wrong, but I don’t think there was ever a time when the Buddie fandom fully took the single “Evan” from the season 4 finale as Eddie receiving “Evan” privileges from then on. From my recollection, fics stayed mostly consistent with their uses of “Evan” by Eddie, perhaps just with an emphasis on important moments (love confessions, Christopher’s adoption papers, wedding vows, NDEs, etc.) after the finale. And I had to stop myself from wondering why that is because I know why. We all know. Because nobody wanted to use “Evan” in fics when Buck had just told his parents that people who know him call him Buck. So Buddie fandom heard that, accepted it, and uses it only sparingly. In canon and fanon, even Maddie only rarely uses “Evan” anymore, and it feels even less common for her to use post-Buck Begins (if at all, actually). So the fact that Tommy and BT fans tend to use “Evan” (at least, this has been my experience) is so utterly jarring. Buck told everyone his preference, and I believe LFJ has spoken about being told to use only “Evan” when referring to Buck, so I simply do not understand anyone who believes that BT is in love already or endgame. Yes, it could go the “Buck gave Tommy ‘Evan’ privileges off-screen” route, but then why push it off-screen? It would be a major allowance made for a new love interest, and a significant step in Buck’s character arc. Yet we see nothing of the sort. So why would anyone believe that’s what happened? The last we heard, Buck had told his parents and everyone else to call him Buck exclusively, with the minimal exception of Maddie (who was, for most of his childhood, his one and only lifeline and confidant). That sort of history and characterization is not ignored if there is not something very wrong with the writers’ room. It was not even ignored by a significant portion of the fandom post-season 4, although Eddie gaining permanent “Evan” privileges would’ve been a strong indicator of a Buddie endgame (had an on-screen explanation of Eddie gaining this privilege been released). It was not ignored, and it did not change the nature of Buck in fic nor fanon. So why in hell is the same not holding true for a brand new relationship like BT?