#I don’t like making fun of people’s death

[thecheshirerat]

On TAZ-

Wow that sounds like I’m about to summarize some sort of discourse but I promise I’m not. I guess I’ll say that I really like this show and I will keep listening even if my worst fears come to pass, so keep that in mind!

For reference, I started listening near the end of Amnesty.

I’ve noticed, with the past few arcs- really since Ethersea- the narratives have just… not been fulfilling their promises, so to speak. They’ve been placing a lot of guns that don’t go off. What I mean by that is, the characters are great. Excellent, really. Lady Godwin? HELL YES. Emerich Dreadway? Fuck yeah! And so on! And the settings and premises have been epic- the goofiness and also horrifying nature of Engrave, the mad and thrilling world of Steeplechase- these things are COOL AS FUCK.

and then the actual narratives keep flopping?

And honestly, I notice it most in the endings, because you can really tell when an ending doesn’t land. You feel the sense of disappointment. But with vs. Dracula, for example, I could kinda see leading up to it that the ending couldn’t really BE anything special, because they lowkey didn’t set themselves up for it.

They spent the campaign fucking around in Engrave, finding clues and solving problems and not really experiencing any particularly meaningful character arcs or growth or, idk, forming relationships? So there wasn’t much to pay off, I’m not gonna lie!

Of course it doesn’t feel quite as dissatisfying when you’re in the thick of it, because they’re funny and the stuff is cool and- oh hey! Lady Godwin’s been turned into a werehorse against her will?? that’s got some real potential for a LOT of allegories and exploration of some fun character development! And then it’s kinda played as a joke. And then they do that again and again.

And they actually said that that was a move they made intentionally, in the TTAZZ. I’m not quoting them perfectly here, this is from memory, but I do remember them mentioning that they wanted lighthearted comedy without the burden of real life story stuff. And I get that, honestly, but… it’s not the choice I would’ve made. I do think you can keep a lighthearted tone while also, idk, forming relationships and wholesomely engaging with some amount of emotion. And sometimes going way too deep is funny as a tone shift!

But I digress. One thing that’s also popped out to me is the almost complete lack of any kind of romantic storyline or even references. This becomes obvious if you’re in a fandom because everyone is always dying to ship SOMEONE, and you can tell when people are really getting desperate. I don’t blame them for not wanting to roleplay romance with their family, and I do think stories lacking romance are COOL and SHOULD BE ENCOURAGED!

However if you can’t find ANYBODY to ship together… that may mean you just don’t have character bonds. The growing popularity of the PC polycule is interesting to me; I wonder if it’s partially because

a) none of the pcs have significant relationships outside of their party and

b) even within the party, there doesn’t seem to be much chemistry between any given pair of characters…? I hope I’m making my point well here- the PCs all seem equally close and have more or less the same relationship to all of their compatriots with little distinction, meaning, essentially, no shipping fodder that doesn’t involve just all of ‘em.

Either way, it makes me wonder if I can blame the “Graduation has too many NPCs!” critique. They really stopped giving the parties tag-along main NPCs after graduation, with the exception of maybe.. Urchin? Kodira? Shlabethany? Poppy? and even they get relatively little “screen” time. Steeplechase has great NPCs, I love them to death, but none of the PCs seem to ever have one on one conversations with NPCs or each other that do not explicitly focus on the plot. And I think that’s part of why the characters feel so underdeveloped despite having spent a lot of time with them- because in this character-driven genre, we get very little insight into their feelings or motivations or even their rudimentary backstories.

I started watching Fantasy High recently and it made me realize a couple things about TAZ.

1) Recently, TAZ has sooo few core NPCs, and it’s weird that the characters aren’t doing more one-on-one purely character based scenes. And that makes it really tough to develop them.

2) TAZ is- and I should have realized this before- one of many good dnd podcasts. They’re probably looking for a niche they can master.

And it sounds like they’re trying to get back to that old “Here there be Gerblins!” energy. They’ve referenced it so many times in recent TTAZZes- they wanted to be job-focused, allowing story stuff to happen organically, so they tried a more open world vibe with Ethersea. They wanted to be less afraid to kill stuff, so they tried playing criminals (and were still afraid to kill stuff). They wanted to be silly and light on character, as they tackled with taz vs dracula. Now they’re trying to bring in the silly cartoon vibe with Abnimals. I think they’re trying to make that family-friendly, funny and goofy show their niche. Something other actual plays can’t be better at them at.

And honestly it kinda makes me sad, that they keep trying to go back to Balance while ignoring everything they learned during it. Because I loved Dust. Because I loved Amnesty. Because I loved Ethersea. I loved these past arcs! But they keep doing their brilliant characters dirty for some reason!!! And i don’t know why!!!!

You know that meme about people who ask questions in movies and then the person responds “Have you ever been to a movie before? You watch them and the information is revealed.” There have been so many times in TAZ recently where information has Not been revealed and if they keep doing it the audience will stop bothering to suspend their disbelief, because the trust just isn’t there.

What is Montrose’s deal? What on earth was Carmine Denton’s whole thing? Tell me more about Zoox’s feelings, about Devo’s past, about Amber’s future. Show me how Lady Godwin feels about the body horror that is her life- like, seriously! WHY DID WE HAVE TO COMPLETELY DISMISS THE OPPORTUNITY TO DISCUSS GENERATIONAL TRAUMA IN MUTT’S LIFE FOR A JOKE??

Do you remember in Steeplechase where the boys were getting medical attention or something- i don’t remember, but they were all in one room and only talking about The Plot. And Poppy literally banged on the door (speaking for both Justin and me, tbh) and was like “does anyone want to share any feeeeelings??” and they were like NOPE! and they moved on!!

like. cmon. you can’t just put a character like montrose out there and then leave them severely underdeveloped to the point that what would be interesting in proper context, with audience insight, becomes confusing and chaotic.

I just wish they would take their stories as seriously as we do.

It feels to me like they don’t believe in themselves, and it makes me sad. Maybe they didn’t get the response they wanted from Ethersea and so they’ve been trying to pivot, hoping to recapture whatever it was that earned them a loyal audience.

Again, I love them. They’re so funny and I’ll keep listening until the day they stop making this show, and when it happens I’ll cry.

But i KNOW they have more in them. Remember the “we’ll grow gills” monologue from Justin in the Prologues? Remember Travis’s SOLID acting with Devo? Or his awesome choice to give Lyndon/Beef a clearly delineated work/irl identity? His excellent narration and prose? Remember when Montrose described being lonely?! Remember all those moments where Shit Got Real and you cared??? The nanofather said some dope shit! dracula and victor and sweater dracula had such a wild dynamic! Clint’s acting in Dust 2- I can’t remember the characters name right now- was ASTOUNDING, I genuinely didn’t know he had that in him and it blew me away!

I’m not referencing Balance on purpose, both because the fandom is way to hung up on it and because I want to prove that you don’t even have to look at Balance, or even Post-Balance arcs, to see this kind of good cool stuff!

GAAAAAAAGHHHH!!! I want them to have fun. But also. We’re starving out here.

[deadbaguette]

I don't want to be repetitive but I love how you make the characters so tender and loving,,, so here's a weird request, do you have any scars hc? I mean, do (insert character) hide them? Or let their lover kiss and caress them? Oh, which characters I mean you say? Your pick, have fun!

It’s not repetitive at all 🥹 I love LOVE LOVE it when people describe my art as tender and loving because that’s absolutely my favourite thing to draw. But omggg scar headcannons … you just spoke to a specific part of my brain bcs I love thinking about scars, beauty marks, etc. I don’t have the time to make a fully fleshed out scar map, BUT alongside a small doodle for the character I have a definitive scar map for (Diomedes) I can share all the scars I hc and how they’re treated :D AUUGSGDH thank you for giving me the excuse to do this I always have so answering your asks <3

Scar hcs:

Firstly I think the only character I have a set in stone scar hc for is Diomedes! I draw him more often than I would like to admit, so the ones on his face are: one across his left eyebrow, one by his lip/mouth, one across the nose, one on the right cheek, one on the shoulder, one on the foot. He is the most scarred character I draw, and this is largely due to the fact that I hc him (it’s probably also to an extent canon) as reckless in battle. He’s not a pristine clean warrior, he’s all too familiar with blood and war. He carries the reckless scars he gained in Thebes with the other Epogoni throughout his adulthood, and for so long they served as a reminder of where he came from. Death and violence that’s haunted him throughout his entire life, and these scars are symbols of that. So, what’s a few more to gain in Troy? It’s not like it’ll make him look any less battle scarred if he gains a few more. He hasn’t had a good reason to care about his life until now, scars not only remind him of that but also make him feel like he can’t change it. But… I like to imagine the people that care for him (whether this be Odysseus, Sthenelus, or in an AU Penelope) treat them with such delicacy and care that it almost creates an entire other association for them. Sthenelus gently tending to a wound that will surely scar, so that when it does heal it no longer carries the association of a mistake in battle but instead a tender moment shared between them and them only. Odysseus and Penelope kissing the scars on Diomedes’ face is their favourite pasttime, because if he won’t love them (he feels indifferent to them), they absolutely will. A tender kiss to the cheek, a gentle kiss to just above his eye, a quick peck against the side of his mouth, a loving press against his nose that they would have to tiptoe to reach. Diomedes never felt any love, hatred, or feelings in general towards his scars. He never made any more to hide them, he wore what was convenient. If his new scars weren’t covered by the clothes he would wear, so be it. But in a way he’s grown to love them, or at least the memories and feelings they hold.

Will be more hcs below the cut!

Achilles is very unscarred. Like the only scar on his body by the time he was dead was the one on his heel. Patroclus is also relatively unscarred, but he has a few. There is one on his hand that Achilles loves to kiss, but like in a very specific way. I hc Patroclus to almost always the one to initiate the physical contact, and he tends to cradle Achilles’ face with his hand (literally one of my fav form of physical touch) and Achilles always leans into it and kisses the scar on his hand. Patroclus never really liked his scars, so he tends to cover them up. But I think I believe Achilles loved wholeheartedly every part of Patroclus and movements he’s spent with him and vice versa. Every scar he’s gained will have a story to tell, so even if Patroclus doesn’t show it to others, there is a story that Achilles will hear. It would be something as dramatic as gaining it in battle or something as small as “you got this when you fell from a tree? I love it.” They’re as much friends as they are lovers, and they actively choose to continue to be in each other’s lives. If this means sitting together recounting the tales of how Patroclus nicked himself carving wood a few years ago and scarred, so be it.

Hector… I need to talk about this one!!! So normal and sane about him. He’s undoubtedly scarred, what with him fighting at the front but he’s no Achilles. Hector hides his scars but not because he’s ashamed of them, it’s quite the contrary because he in a strange way enjoys looking at them, but rather that he knows it causes his family worry. Hector loves his family so much, and he sees the worry and sadness in their eyes when he comes back with new scars to Andromache. How she’ll stare at them like it’s another piece of him lost, and it won’t be long until he is wholly gone too. He hides them so she can focus on the him that’s there now, and comforts her saying that he will come back to her. When Kassandra looks at the new scars on his chest and she can’t help but sigh. She told him to be more careful, but truly in the end they’re both fighting a fruitless fight against the fates. Kassandra knows this, and she keeps count of how many her brother has until he gains his last lethal one. He’s hiding them so as to not cause his sister distress. She knows he will never believe her if she tells him what will happen to him, but she cannot help but mourn for the living man.

Agamemnon has quite a few scars. He’s the lord of men, the shepard of the people, and wealthy beyond what he needs. The scars don’t mean much to him, and if anything they’re even more a testament to his power. He’s no Achilles who can come out of battle unscarred, but perhaps that’s the difference in what makes him the leader of the Achaeans. The scars he bears are a symbol of his humanity and but don’t take away from his power and image. He SURVIVED these scars. But deep down? I do think it’s a little more complicated than this. I don’t think I’ve discussed Agamemnon that much, but I do find his character really interesting. His family name is uhh tarnished to say the least, but throughout all of it he’s had his brother with him. Agamemnon cares a lot about Menelaus, he goes to war for him, he sacrifices his daughter for him, and they endure 10 years of war together. Agamemnon maybe doesn’t care about his own, but he remembers every scar Menelaus has. Like that one scene in book 3 yk where he just starts doing all the dramatics of MENELAUS I WILL AVENGE YOU MY DEAR BROTHER and Menelaus is just sitting there… ever so slightly wounded… being like brother it’s fine and Agamemnon still goes like MACHAON DROP EVERYTHING AND TEND TO HIS WOUND IMMEDIATELY I WILL SLAUGHTER THESE DISHONOURABLE TROJANS FOR DARING TO LOOK IN YOUR DIRECTION MENELAUS. It’s just kinda silly and sweet how much he cares about his little brother. Ever scrape Menelaus got growing up I imagine it was Agamemnon tending to it, and remembers them all to prevent him getting hurt further. As an older brother, he made it his sworn duty to make sure Menelaus grew up strong and out of harms way.

[jerreeeeeee]

i don’t know if i’m ever gonna write the fic but i’ve been thinking abt like. the eternal stockade. the implications. lup, a lich who was trapped in a dark featureless cell for a decade completely isolated with nothing to keep her sanity but her own mind. she has to put people in the eternal stockade. how many liches does she see herself in. how many liches started out just like her. how many liches are truly too far gone. and the only liches we ever see other than her and barry are edward and lydia. they’re certainly evil, but mad? they seem pretty sane. they’re not, like, tattered echoes of souls, they’re definitely still people. even as much of a grudge as lup surely has against them, wouldn’t they remind her incredibly strongly of herself? do they deserve to be trapped just like she was? for eternity? isn’t eternity what turned john to existential despair in the first place?

[twentyfivemiceinatrenchcoat]

sometimes i remember that gojo wanted to tell geto “we’ll meet again, right?” just before he died but forced himself not to knowing it would have cursed him and then i start thinking about how kind and thoughtful gojo is as a character and how he hasn’t been able to lean on another human being since geto defected and then i want to . Scream

[blackberry-jam]

That post about cannibalism becoming too mainstream and destigmatized by certain sections of the internet and therefore losing its weight and horror and visceral nature just has me thinking about how HABIT ate a baby and everyone was like oh lmao he’s just an edgy cool guy!!!! He’s just like me fr!! Haha!!! Which. I think not enough people are freaked out by the fact that he forced Evan to eat his own child raw and possibly alive. He mentions “the bones” and implies that it took awhile. Like that wasn’t Hannibal-style Brioche With Baby Pâté and Shredded Zucchini in a Plum Vinaigrette, he just opened Evan’s mouth and bit down until the job was done, and I think that says a lot more about Habit than people want to examine. Idk it just. has me thinking. The number of times hurting children comes up in entries and supplementary materials about HABIT is kind of overwhelming, really. I’ve seen people talk about how they think he’d draw the line at hurting children, but the source material goes out of its way to state otherwise- just about every time he’s in contact with children they die. Or worse. He’s the summation of the worst of humanity, the combined aggregate of all of our flaws and crimes, and one of those crimes is cannibalism, so honestly I wouldn’t be surprised if he made a habit (ha) of it.

[yshtal]

I think it would be rly sick if you went to go build a crow rook and the surname was Arainai

like…. just another little compradi trying to bring glory back to your house - rinnala and taliesin are dead by the house’s hand, zevran failed and deserted, guili murdered in the night, all semblance of power lost once again. the house is trying to claw its way back up, futile as it seems. that’s the way of house arainai, isn’t it? talon to knife to talon to knife to nothing, same as it’s been since the house first lost power in the early dragon age. but you, bright-eyed little crow, you’ll break the cycle, won’t you? for the family?

after all, caterina’s prized heir is right there - the demon of vyrantium, the infamous mage killer, sleeping just down the hall. you can be quiet, can’t you? all those means at your disposal, and all the opportunities you could want. you could find a way in under that armor, get to something soft and bruisable and make it bleed. he’s far from home, isn’t he? without a friend? confidantes are few and far between - even a demon must get lonely.

maybe he’d even trust you. you’re a clever little bird, right? you can find something to exploit. after all, what does a would-be talon do except claw, except maim? what else would you be good for? there is no gentleness to crows - you are here to deliver a message: run, little demon, quick as you like.

house arainai will make carrion of you yet.

[small-spark-of-light]

just some old Velda doodles :)

[mossflower]

like here’s the thing i don’t hate my job. icecream is a sensory nightmare and i can’t deal with heat whether that’s weather or the grill mounted at face level that’s hotter than the fucking sun. but i like doing coffees and drinks and nattering away to customers and when i’ve done a good job i’m genuinely quite happy with myself

[diviinedogs]

JJK 261

I still think that this would’ve had the same vibes of “the ghost of the strongest” coming back or been stronger if it was Seance Technique related instead of what we got, but Yuuta also never met Granny Ogami so hmm….. it might’ve not been possible in the first place since Ino’s seance is different

I figured that it wasn’t going to be Gojo tho/I didn’t want it to be him back at all

[harleybarbarahandler]

im literally in love with the little cackle that harley does every so often in birds of prey… like it’s the cutest most unhinged laugh and it’s adorable

[strngrsongs]

my take on the gay mike vs. bi mike discourse: one day we’ll all be dead and none of this shit will matter so I actually don’t care at all one way or the other

[obstinaterixatrix]

I really dislike cannon fodder death and anything that looks like people experiencing real-world suffering/pain so I can’t stand action movies, but I love cool flips and kicks and explosions which is why I like watching most tokusatsu

[whimsyprinx]

my desire to make more dnd characters vs the fact that I’m in no campaigns and don’t know when or if I’ll be in a campaign are fighting

[mosrael]

I can’t remember how to make a read more on mobile right now, but I would if I could.

My grandpa died yesterday. It’s weird being in a space where I feel like I need to comfort both my parents, my sisters, my boyfriend, and even my coworkers before feeling like I deserve to cry and grieve on my own. Idk. I want to do that for them, but I don’t know why I also feel the need to push my own feelings aside until I can at least check on them and do what I can to make sure they know im there and will do whatever I can to make sure they’re even approaching ok….I know they wouldn’t and don’t want or need me to do that, but something in me makes me feel that way. I just want them to be happy and ok. I know its unrealistic of me to want that from them after someone has died….idk. I can’t really cry or feel anything unless I’m alone, and even then not until I’ve checked on everyone else. I don’t know what I think about this. I miss my grandpa and my grandma and the way things used to be. I just appreciate my cat being here. I appreciate everyone else too of course, but it makes me feel bad when people have to worry about me or my bullshit. (So stupid of me to say while posting this here. Smh. I’ll probably delete it later.) it’s just that my cat doesn’t even understand, and that gives me comfort for some reason. This is so pathetic. It probably doesn’t even make sense.

I’m sorry to even post this. I just needed to get it out of my system, I guess.

[doctormage]

putting aside the fact that everyone in succession is a bad person lmao, I’m kind of skeeved out by how many people are making fun of kerry in the latest ep. idc about her specifically but it feels gross to keep making jokes abt someone who is processing grief over something that literally just happened in a way others find inappropriate or weird. I think the jokes made in the show are in-character (again. bad people) but idk. ppl keep making memes out of her expression and that just feels really nasty

[nope-body]

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