Some of y’all’s usernames be making me do a second take 🤨??
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changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.
I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.
Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.
No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.
But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?
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the sandra lynn / fig conversation is driving me Insane. fig saying that sometimes she doesn’t wanna exist as herself at all…not wanting to ask her friends how they see her (because she’s afraid to hear their response) saying that to someone she is a monster and she Cannot stop thinking about it. sandra lynn starting the conversation saying she needs to step up but is also simultaneously taken aback about what fig expresses and doesn’t know how to responds to it and suggests getting ice cream. sandra lynn saying “convincing people they deserve good things is really tough” talking about herself but how it also reflects fig. insane!!
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Everyone is always like “oh no don’t go on a murderous rampage stemming from guilt so heavy you think it will kill you if nothing else will” but they never ask “did you experience catharsis, how was the catharsis, the catharsis looked fun”
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One of the biggest things that makes me see Leo as trans is absolutely the size of his carapace in comparison to his brothers’.
And I’m not talking about height! I’m specifically looking at his shell here, because when you compare him to the others, particularly Donnie who is nearly the same height as Leo, it’s very clear that Leo’s carapace is much longer in proportion to the rest of his body.
Like - standing side by side, even though Donnie is shorter his carapace ends noticeably higher up than Leo’s does. And I like this not only because it really helps push the idea that Leo could very likely be trans (or intersex!), but it’s also just a fun design difference between them.
(It also lends way to future scenarios of Donnie eventually getting taller than Leo, but sitting down still has Leo being the taller one haha.)
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Why is it that whenever ppl write Peko without Fuyuhiko it’s always Fuyuhiko being an apathetic asshole and Peko having an existential crisis for ten pages.
Fanon Peko: What do I do? The Young Master doesn’t need me, and I only know how to be a tool! If only a potential love interest could come and teach me how to be a stereotypical happy teenage girl!
Canon Peko: (Goes to parties, bakes with the girls, goes on walks on the beach, that bitch loves swimming) I hope the Young Master doesn’t stay in his room the whole day
Ppl don’t know how to write Peko without defining her by her trauma / doesn’t think Peko is worth writing unless it’s to fix her, and it really shows.
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is this not going to lead to increased violent resistance in countries whose governments are participating in genocide? if people see that calling your reps and voting won’t stop your own government from openly supporting and sponsoring genocide then what other conclusions are people going to come to? This comes directly after watching millions die from a global pandemic because our governments refused to do anything. it felt like we’d been building to an explosion of violence even before October 7 with all the massive increases in right wing organised violence as well as the reams of labour strikes, but that seems quaint now. Palestine appears to hold global popular support. in one protest last week in london alone there was 100k people demonstrating in support of Palestine. Where is that energy going to go? It’s not going to drive people to the polls
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