Look.
Ace Attorney fandom.
I know why people don't like Turnabout Bigtop. I am among the people who dislike Turnabout Bigtop.
But I GET why people like the case. I'm not going to be one of those annoying people who just blindly dump on it because I hate those mfs too.
Thing about Bigtop isn't that it sucks. Thing isn't the weird grooming stuff (though that is a huge part of it). It's not that it could've been good.
It's that - in my personal OPINION - it could have been *great*.
I think it had the potential to be one of the best third cases in the trilogy. It had everything; a fun and goofy setting fit for a pretty dang goofy lawyer game - where the environment itself had jokes and quips and one-liners and mishaps and tomfoolery written all over it, it had the previous case introducing a very interesting and important plotline that gave background for one of the more well-loved characters while also introducing an equally fucked up and lovable new one who was a child forced into a shit childhood of naivete in a CIRCUS with another character who was very naive and childish - whose interactions could have been funny and cute and reflective of said shit from the previous case (seriously she becomes such an important character in the 4th case, WHY would they not include her in this one for some character development? How did they fuck up letting a CHILD explore a CIRCUS?? That would have made the interactions flow MUCH better).
They had a pretty good, sympathetic killer imo, a morally dubious victim, an asshole of a client (who was pretty flat admittedly in-game, but I like his weird, topsy-turvy reasoning for it in the anime. Also, I think Max being kinda a dick would have bode well for the themes of Farewell since most of his clients up to this point have been like...nice? Not nice, but sympathetic, but him having to defend someone who's innocent but a prick would have shown him that just because someone is an asshole, doesn't mean they deserve to suffer for it and that they have the potential to grow as people, which is almost a complete opposite of what Matt was. Ultimately, I would have loved the contrast of them as clients and I think it would have also served as character development for Phoenix, especially with his low-empathy tendencies).
They just didn't think that far ahead. They just didn't execute it well enough. They just decided to make three of the adult characters fight for the hand in marriage of a teenage girl. (Bat's part of the story was actually kinda good if he was just YOUNGER, I think him doing that for Regina would have been a stupid thing someone in the circus would do to impress their crush. Damn you Ace Attorney and your weird treatment of underage girls!!)
It just flopped and that's ok.
Even though it kinda sucked, it can still mean something to me.
Also I'm a Moe Curls apologist. I liked him, shut up.
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I wanna know ur Fontaine msq criticisms 👁️👁️👂I’m all ears
I'm not sure if you wanted me to talk about this secretly or publicly but! Here I go!
The TLDR: Fontaine MSQ aestheticised prison, poverty, child abuse, the justice system/court and didn't properly address any of it.
More:
Focalors/Furina has way too much of a sympathetic angle for a dictator who's lets people drown with her inaction.
Neuvillette feels Bad for sentencing some people to death/prison, but that's it. He's one of the most powerful people in Fontaine. If he felt like there are systemic injustices, I.E sending an abused Child to prison, he should be the first person to DO something about it, not just cry and be sad so the audience can be like aw, that's complex character writing isn't it? No it's not! And guilt doesn't absolve you!!!!!!! (These are stuff we deal with in OTCOJ read my fic now /j)
Meropide has children in it, both Sentenced there (Wriothesley) and BORN THERE (Lanoire), and this is just a quirk of the place. Not only that, Meropide accepts prisoners of all genders and crimes. There are abusers and abuse victims in one place. Do you know how bad that is? How much potential for crimes to happen in a place like that— oh wait, Meropide isn't under Fontaine's jurisdiction. If you are assaulted as an inmate it literally means nothing to the court.
Wriothesley had no qualifications when he took over. Depending on how long he lived on the streets, how old he was when he killed his parents, how old he was when he was first taken in by the orphanage, etc, the man might never have more than 4–5 years of formal education. Sigewinne probably had to teach him how to write reports. And do Meropide's spreadsheets. Edit because I forgot to elaborate on this one: This isn't a point brought up anywhere, which is bad, because when poverty and incarceration robs you of a proper education (and the rights to vote in many places too, too, by the way), it reduces your prospects for jobs, reduces many people's ability to get a home etc etc. Wriothesley was just, narratively, Given his position.
Meropide is an industrialized prison, and they portray this as a good thing. Prisoners are paid in coupons for their labour, and this is also portrayed as a good thing.
The One-Meal-A-Day reform was something Paimon gushed about being so great of a perk, that people might want to go to jail for food (could be interesting and reflective of systemic poverty if MHY had brains, but they don't, so I was just Pissed because essentially all Paimon wanted to say was "Prison isn't so bad, but still don't go to prison guys! Prison labour is really hard!"). By the way, in most real-world prisons they are obligated to feed you three meals a day. Because that's how much food a human needs. MHY went with one meal just so they can say "if you want to eat more, you have to work." And then the welfare meal is a goddamn gacha. So imagine you're a starving child who's too weak to work in the fucking robot assembly line, and you wander up for your first meal in 24 hours, only to luck in with a shit one. I'd kill myself.
They wrote Wriothesley, who's a victim of the system, into a guy who's say shit like "I'm the Duke I can do whatever I want" for a cool moment where he choke-slams an inmate (I know he was a bad guy. But also, in copaganda when cops are violent/disregarding protocols, they are always only portrayed to do that against bad guys, so what does our critical thinking tells us about this one?) They wrote Wriothesley, who was an inmate of a prison so bad, so notorious that it is the literal boogeyman of Fontaine, that has a legal (???) fighting pit, with an administrator who abuses his position to be unreasonable, to willingly stay in the place and become an Administrator who would choke-slam an inmate while saying a cool line about how he has the power to do whatever he wants. They wrote him, the guy who had to be fed on the streets by melusines, to think one-meal-a-day was a good enough reform (while he spends god-knows how much on his boat). This wasn't a victim-turns-into-abuser narrative either, they want all this to be seen as positive character growth.
And then, the final kicker is, they gloss over his entire abuse. You can only read about these shit in his profile, which most people don't because they don't Have Him or doesn't care to unlock it/read it online, and they jammed his entire backstory into a flaccid info-dump at the end of his character story quest. This man isn't Allowed to feel abused and neglected and show any reaction to it within the narrative of Fontaine itself, because if they actually Gave Weight to what happened to him, they'd have to confront THE FUCKING JUSTICE SYSTEM they had NO PLANS on criticising. I don't think they ever explicitly said the fucking Crime-Theatre nonsense was Bad either.
I could go on, but this is already so long. But yeah, I hope this gave you an idea.
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Just Shapes
I'm just venting here, I'm not asking for advice if anything the most I'd want is a supportive word or two.
A random day in 2022 I was playing the Sims on my mother's laptop, I had a lot of mods of course, a few risky ones in including.
I had a queer couple, that I loved playing with, but suddenly whenever they got intinment, they had a moodlit in which they express not being intersed in each other.
It felt like my entire world had fell apart, I was in frantic tears trying to fix. I would constantly jump back and forth from create a sim trying to figure out what mod was breaking their relationship.
I eventually fixed it, but once I did, once I looked back at these sims again, they became shapes, pixels on a screen they weren't real they were never real.
I close that save, then never opened it again.
Perphas I'm parasocial in what I'm about to say, but the reality is we're all parasocial it's why certain careers exist. streamers depend on the viewer being parasocial, our enjoyment is what pay them.
Its just some people take things too far, and it gives parasocial behaviors a bad name, I knew the qsmp characters were different from their actors(streamers) that played them.
I'm not the type of person who thought Philza minecraft was my best friend but q!Philza was someone else entirely. Someone I felt close to, someone who's journey I felt apart of; Those eggs were just as much my kids as his own, I felt like a resident.
With Forever's removal and q!forever with him I became painful awear of what I was watching.
The series that keep me company when I quit my abusive job and was seeking new ones, The series that made me forget the pain of being hit by a car, the series that made me forget the Sexual abuse I expressed at my newer job that I shortly quit after.
The pain I felt over and over non stop, the continuous cycle of trauma I was able to process slowly without feeling alone. Living in that tiny space, with nothing to eat but determine not to go back to my abuser, at least with them I wasn't alone.
Perhaps I'm parasocial for feeling like a resident, perhaps I'm parasocial for loving Chayanne and Tallulah like my own children, perhaps I was parasocial for cheering for my team in Purgatory.
But it meant so much more to me than just a Minecraft roleplay server, it was my entire life. And now it's just shapes, pixels and shapes on a screen.
I think back to Qsmp 2023 and it's there, the joy, this overall sense of Happiness these people I know and care about, I made a Tumblr account just to see more art of them, I engaged in headcannons, joined discord servers with other residents we were all residents.
Whether you were a crow that sat top q!Philza's head, the voices in q!Fit's head; your art sat in the museum, your head canon's adopted into canon and your jokes acknowledged.
We were residents, without ever stepping foot on that island....
Now Tumblr still recommends me clip, There are some people I forgot to unfollow or choice not to. They show me the new Island and new creators, they tell me about the new mods and new characters.
They show my children, they show me my friend q!Philza, they show me all these things I love but..
It's Just Shapes...
Now in it's current existence it's just shapes, pixel on a screen actors In a play, I see nothing but the actors behind it, nothing but improvised roleplay, nothing but a video game.
Shapes.. and it drives me insane that some people don't understand that, and it comes with the neurodiversity I Know. no one ever talks about how painful hyperfixation death truly is.
Its made worst by seeing how the fandom, the other residents have started turning on one another. Residents bite and growl at me like I'm a villain came to kill them, I was one of you!
It wasn't my choice but it's one I'm glad for, seeing how cruel We've became. It isn't even the same island anymore, they left me behind on the old one.
And that's fine, the new one is just a pixilated mess to me.
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