Hello😸 I saw that you have requests open and I’m still on that Leopold high‼️
So, could I request a little something where Leo is jealous of the attention Reader is getting and tries to get their attention back on him?
(I’d prefer if Reader was gender neutral but fem is fine too‼️)
a/n: omg jealous leo is sooo cute. That scene in the movie where he gets jealous of Kate's boss is too good. I took a lot of inspiration from that. Also there is a lot of wine talk in this and I do not know anything about wine so don't come for me for incorrect wine information okay
warnings: no pronouns used for the reader, jealous leo, asshole corporate guy
Leopold has been exposed to many unbelievable things in the past year. Time travel, television, cell phones, and the worst of all. Frozen food trays. However what Leopold isn’t used to is this feeling twisting and turning inside of his stomach. Jealously. The collar of his shirt starts to itch uncomfortably, not quite used to the wear of the 21st century. Business casual as you had called it.
He had been to many parties back in his time but they were nothing like they are now. This was no party to him. As you had explained they were more for celebrating themselves and showing off how successful the company. Still what kind of boyfriend would he be if he didn't accompany you. Ever the gentleman he is as he leads you through the crowd of people.
He had offered to get drinks as you go and mingle. With two glasses of wine in his hands he made his way back to you. Only to find you trapped in a conversation with a man he had never heard of before. He can feel his jaw clench as he slides right next to you. Handing you your drink and pressing a kiss to your forehead.
"Oh Leopold this is Mason," Leopold's eyes narrow as he notices Mason look him up and down, a smug look in his eye.
"You're the butter commercial guy." Mason says with a smirk. You feel Leopold tense slightly but he flashes his smile and reaches his hand out.
"Yes, and you are?" Leopold grips his hand a little too tight as they shake hands. You place your hand on Leopold's arm as you butt back into the conversation.
"He's new-"
"I'm the new director of marketing." He cuts you off and Leopold feels anger bubbling inside of him. Before either of you or Leopold could speak he starts talking.
Dominating the conversation with stories of how successful he's been and all the wonderful things he's done. He can't help but feel the jealously build in his gut. Your attention is on this arrogant man who is clearly trying to court you despite Leopold standing right next to you.
"You know, to be in marketing you need to have a certain, charisma about you." He glances over at you and flashes a smile. He takes a sip of his champagne and grimaces.
"Of course they got the cheap stuff, back home I have bottles of the finest wine. A bottle of champagne called La Romanée from 1873. Expensive yes but I would be happy to share. Maybe come back to my place and I'll show you." Leopold chuckles which makes Mason look to him.
"Something funny?" Leopold looks at him with a sudden confidence.
"No no. Just that from my memory that wine is from 1870 and it's pinot noir, not a champagne." Leopold raises an eyebrow as Mason starts to stammer.
"I think you've got your information wrong. My guy is a very reputable wine seller." He has a false confidence about him that Leopold can see right through. He grins, taking a sip of his own wine. He knows he isn't.
"I would contact your merchant, but perhaps I am mistaken." The damage is done as Mason starts to turn red from anger. Leopold takes a step closer. He's a polite man but he even he has his limits.
"I must add, that attempting to court someone who is already taken really is in poor taste. Simply put, you're making a fool of yourself." Mason mumbles something under his breath before stalking away in defeat. You finally let out the laugh that you had been holding in. Relieved that you were finally alone with Leo for the night.
"What a dick." You huff as pull Leopold to the side of the room.
"Didn't think you were the jealous type." You tease as Leopold starts to calm down. He sees Mason go over to what appeared to be a very important group of people. A sense of guilt washes over him. An egotistical, dick as you put it, he may be but he was still an important figure at your company.
"Forgive me if I have overstepped my place. I fear that jealously had blinded me and I acted out of line." You place your hand on top of his, gently squeezing his hand.
"You didn't, he's your typical asshole corporate higher up. It was nice seeing someone put him in his place a little." Also seeing him jealous was hot. But you'll tell him that later. You lean in and kiss him on the cheek.
"How do you know so much about wine?" He shrugs and places his now empty glass down.
"I visited Bordeaux in my youth before moving to New York." You stare at him in awe, his life before he met you was constantly surprising you.
"I want to hear more." You slowly start dragging him to the exit.
"Let's ditch this party and go home. I have a bottle of wine I got for 20 bucks that I'd be happy to share." You say, mocking the words that Mason had said to you. Leopold laughs as he places a hand on your back, guiding you away from the party.
"It's no fancy wine from France but I hope it will do." Once you're clear of the door he gently presses you against the wall. Capturing your lips in a gentle kiss.
"The best wine is any I get to share with you." He says sincerely, brushing his thumb across your lips.
He kisses you again. The sound of footsteps pass by but he could care less. A small part of him wanting to show that you are his and he is yours. He can't help it. Anyone with you in their life would feel the same way. Too bad for them, your his now.
His and no one else's.
83 notes
·
View notes
Okay, Matrix plagiarism case postscript
One thing I didn't answer is how she got the Wachowski's timeline wrong. I still don't know, but it appears she essentially shifted their lives back a decade
She says less than a decade ago they were running a construction business, but actually, working at a construction company is what they were doing in 1986. In 1976 Lana and Lilly were eleven and nine years old respectively. I can't explain why she messed this up, beyond having to age them up a decade for the story to work
But this screencap also brings up another thing she mentions repeatedly that I didn't mention - the smoking gun in her claim is that...the Matrix ripped off her words verbatim for its opening crawl. The opening crawl...to The Matrix.
Huh?
So her story is - and unsurprisingly the timeline here is jumbled, for instance, citing production interviews from 1997 when the film wouldn't enter production until 1998 - the original version of The Matrix contained a Star Wars-style opening crawl, and this was the most directly plagiarized part of the film.
She claims this opening crawl was, in fact, in the theatrical release of The Matrix and only removed when it came to home media, because she. Because she called the FBI on the Wachowskis for stealing the idea of opening crawls from her
The theatrical cut does differ from later versions slightly - most infamously the Wachowskis made the green color filter much more green in the second DVD release, to make it consistent with the style of the sequels - but if there was a opening crawl mandated by the studio, nobody but her has mentioned it, and I find it hard to believe critics wouldn't mention it.
Because this is Dark City. She's clearly confused The Matrix with stories about the studio's meddling with the 1998 film Dark City.
Dark City was the dystopian sci-fi film that had a opening narration explaining the whole plot foisted on it by the studio, and critics mentioned it. Basically every review mentioned it (some even suggest covering your ears or muting the film the first time you see it, at least until the Director's Cut removed it). Meanwhile, reviews of The Matrix praised its opening from the very beginning: how it drops you right into things and lets you find out about its world as Neo does. It's just not possible that the theatrical release has a opening crawl no one mentioned when I can pull up full comparisons of theatrical vs first DVD vs second DVD vs Bluray. Whatever story she read either was about Dark City, or was a Wachowski saying in passing "yeah the studio wanted us to add one but we didn't".
Another thing I didn't touch on is just how much it hypes her up as a untouchable genius of cinema. For instance, she claims to have come up with the effects of The Matrix in 1983 too
(one funny part is how little she brings up The Terminator at all? She just threw it in as a bonus I guess)
I looked up how they did the bullet time effect in particular and...it would have been impossible in 1983. It's not just high speed photography; it's entire banks of cameras, placed in the right place by computer previsualization, their sequence programmed, and with all the elements composited together by CGI. Even stylistically - the true creator of the effects cited Akira as a influence, and Akira the movie didn't exist in 1983. Neither did the type of Hong Kong action film that heavily influenced it. I guess it would be possible to write down "someone goes really fast and we depict it like they slowed down time", concepts of a plan etc
But like.
She's destined to be one of the most profound master writers of the 21st century. This is a book proving she's never written anything. It has a pitch for The Third Eye, it has a second film treatment tacked on at the end, and it has copyright registrations for her sequels to Terminator and The Matrix. M. Night Shyamalan's character in Lady in the Water was destined to be a great writer too, but he actually wrote a book. He didn't put out a book with a decades-old synposis that was never finished & reams of legal documents and a bio saying, I'm one of the greatest authors of all time. Because who needs writing when you have destiny, God, and the ancient superrace living in the Pyramids on your side?
This is my for real last post on this since I ended up just depressed about it in the end. I think the worst part is, she knows she lost. But she still goes to the press telling a story she knows isn't true, and people believe her. Some of it is transphobic - "stop saying it's a trans allegory when they stole it"; some of it runs with the Christian oppression narrative (full disclosure, I was inspired to look for her book again bc while looking up another crank, I saw an interview with her in the sidebar of a religious website); but a lot of it is just people who innocently want it to be true.
One of the few pieces debunking her story is on a website called Black Excellence - it doesn't even have a byline - said this:
"There are many people, especially Black people, who wanted the story to be true. It symbolized a Black person, especially a Black woman, finally winning against the system. When Sophia Stewart spoke about how mainstream media would not give her the time of day because almost all of them were owned by Warner Brothers, some Black media embraced her. Blogs spread her story, especially the initial story on Globe that contained errors about the case.
"But the story is not true. Sophia Stewart did not become the richest Black person in the country. But that did not deter her from going on several shows and publications to tell her story."
She took advantage of people's urge to root for the underdog against a corporation - and seized on a lack of mainstream coverage to claim her story was being suppressed. But it just isn't true. Also yeah she ridiculously claims that Warner Bros owns every news website and newspaper and that's kind of funny I guess. Well, that's it. I'm never doing this again
50 notes
·
View notes
Thinking of a Crack AU where the younger members of the DSMP keep accidentally getting mentored by Technoblade and it just keeps happening until a sizable portion of them are calling him "dad" and when Techno want to Philza for help getting them to stop, Philza just laughed his feathered butt off.
Meanwhile Tubbo is seriously considering Anarchy. Because if he does that, then there is no one person Dream can get a control over. He would have to convince the whole L'Manberg Commune then.
Dadnoblade > Dadza
He's just father shaped your honor!
41 notes
·
View notes
i have always been the person who was afraid of skincare because, as anyone else with sensitive skin knows, you can't just go TRYING things what if something TERRIBLE happens??? so i've been happy using the same products for decades (until they are suddenly discontinued without your consent, neutrogena)
and when you go to try to look things up i was like. no, this is overwhelming. what does all of that even MEAN. i would need to spend so much time to learn enough to make choices here! no thanks! i'll keep using the old stuff if it's "good enough!"
and i was so right!!!
i basically spent the last month putting myself through a four-week intensive course. i learned a ton of new vocabulary, economic factors, and science. just to be able to accurately judge the products i was thinking about putting on my face. this has literally been HOURS watching videos from beauty bloggers and dermatologists and aestheticians, but also a TON of reading, looking up products as they are mentioned, looking up the explanations on their ingredients, and learning to recognize key ingredients myself (vocabulary!!!!) this is insane
like i have found out why people make this their hobby and it is because there is SO MUCH stuff to learn it's impossible to learn it all without making it a fun hobby focus o_o;;;
luckily the main takeaway i have from it is: do you NEED any of this? ! NO! u can just keep using a cleanser that doesn't dry you out and a moisturizer that doesn't make you greasy. (however if you haven't found those, or you have concerns to address. oh boy. oof. there's so much information ur about to be besieged by. and literally if you just pick up the first week of the course and drop out you can get SO blindsided by side effects. it's rough out here lads.)
2 notes
·
View notes
Thinking about a Parallels AU where the main four + Camille are all different ages at the start of the show, and all the dynamics are different because of it.
The only main characters who have met at the start are Sam and Victor, and Sam and Bilal.
Sam is fifteen years old, so he's the closest to his canon age.
Victor is nine years old, so he's the youngest by a lot in this.
Bilal is thirty years old, and he's working with his mom on the tests. He also tutors Sam in math on the weekends.
Romane is nineteen years old, and hasn't met any of the other main characters.
Camille is nine years old, and she and Victor go to the same school.
Episode one starts when Sam is supposed to go to tutoring, but ends up needing to bring Victor with him, because their parents weren't able to pick him up from some activity or other.
I haven't figured out how they get to the woods from there; for the sake of convenience, let's say that cat Romane and Camille feed shows up injured, and they end up following the cat to try and help it? Work in progress.
Anyways, once they're close to the bunker, they run into Romane. Assuming we're going with the cat plot device, because I can't think of anything else right now, Romane was also trying to find the cat. The cat is gone now, though, and they're all about to turn back.
Then Victor notices the bunker (the key is in the door, idk), and wants to go inside. Sam and Bilal don't think it's a good idea, but Romane also wants to go inside for some reason, and the four end up going to check it out.
The test goes off, of course, and the timelines split.
Timeline 1 - Romane and Victor are left in the bunker.
Victor definitely blames himself for the disappearances, since he was the one to suggest going in the bunker in the first place. Romane also definitely blames herself for the disappearances, since Victor is nine years old, and she should have known it was a bad idea, but she didn't, and now this kid's brother is probably dead because of that.
Romane ends up talking to Victor afterwards, and realizes that he goes to school with Camille. The conversation turns to that, and Victor mentions that he's not doing great in some subject or other; a subject Romane happens to be good at. Feeling like it's the absolute least she could do for him, she offers to help him with homework after school.
Since Victor is literally an elementary school child, his parents are not sending him to boarding school. They do become increasingly distant and harsh, and Victor becomes increasingly convinced that they don't care about him.
Victor ends up spending a lot of time at Romane and Camille's house. At first, it's just because Romane's helping him with homework. Then it sinks in that no one else understands what happened in the bunker, and that fact starts playing into their dynamic. Then he starts to become friends with Camille. By the time four years have gone by, Victor and Camille are close friends, and Romane sees Victor as another sibling. (She hasn't moved out yet because a. She's attending university nearby. and b. She doesn't trust Herve and wants to keep an eye on her family.)
Then Vanessa Chassangre dies, and Romane is faced with the possibility of losing her sister. She's trying to figure out if she has any chance at getting custody, when Victor shows up to ask if she wants to go back to the bunker. Neither of them have figured out the correlation with the test in this AU, but they still go, out of sentimentality and curiosity and several other complicated emotions.
Test happens again; Victor and Romane time travel.
Timeline 2 - Romane and Bilal are left in the bunker.
Bilal connects the dots between the tests and the disappearances pretty quickly. He tells his mom. Then he tells Romane.
Bilal decides to try and find a way to save Sam and Victor. This time, it's less out of personal grief and more out of a sense of responsibility for what happened and guilt.
Romane graduates high school feeling completely lost. She doesn't know what she wants to do with her life, and she can't shake the guilt over what happened.
Haven't planned it out too well, but Bilal and Romane stay in contact. I'm not sure how it's going to work, but he's able to get her accepted for an internship at some point, and she ends up working with Bilal and Sofia.
The three of them continue to work at the time travel. Along the way, Romane becomes close with both Sofia and Bilal, viewing them as family.
Vanessa dies; Herve tries to take Camille. This time, it doesn't work. Romane has a support net, a steady income, and a future in the physics field. Romane gets custody of her sister.
They figure out the time travel. Bilal decides to go back.
Timeline 3 - Sam is left in the bunker; Bilal travels back to this one; Victor and Romane travel back to this one.
Since Bilal was already an adult before the time travel, Sam still recognizes him. He's clearly aged several years, though, which everyone is very confused about. Bilal has his canonical memory loss.
Idk what happens for the first day, but then Romane and Victor show up to the timeline at the same time they do in canon.
I haven't thought about how the plot changes from there, but the timeline where Victor kills Sam and then disappears after time traveling again doesn't happen. The official explanation is that they're able to stop it from happening the first time; the actual explanation is that I can't keep track of that many timelines in an already complicated AU.
Notes on the AU:
Camille ends up being there for the finale's events, both because she's a little older in the AU and because she's friends with Victor in the AU, so she insists on coming with the main characters.
Victor's emotional conflict ends up being roughly the same, because on the one hand, he's had more of a support net for those four years, but on the other, he's younger with more intense emotions, so it all kind of evens out.
For obvious reasons, none of the canon romantic relationships exist, with the exception of Sofia and Lieutenant Retz.
Obviously lots of things are different with this one, but I can't really think of a lot right now because I'm tired, so I might add to this later.
4 notes
·
View notes