#I ended up drawing so many things that I normally wouldn't

[onebizarrekai]

howdy gamers. I didn't make very much digital art this year, but I did challenge myself to draw or write at least one thing in a particular sketchbook every night this year and fill its pages! I made my yearly art compilation out of that book instead of my usual digital art.

the drawings range from characters, objects, scenery, graffiti, one-sentence journaling, tiny drawings and big ones, foregrounds and backgrounds, angst, drawings mismatched and matched, 99% done in colored pencil. it's so satisfying to flip through a sketchbook where each page is completely full and brimming with color. I've put a few of my favorite pages below plus some other silly little things.

I only filled up about half the book this year, so the quest continues. also ozzy ghirahim is my favorite drawing in the whole book

[hedgehog-moss]

Update on the French protests: we've had a well-known expert in contemporary political history call the situation we're in "the worst democracy crisis France has known since [the end of the 4th Republic]" and meanwhile the government is trying its hardest to maintain a façade of normal functioning by a) hiding from protesters, b) hiding protesters from view, and c) banning saucepans and other means of drawing attention to the protests that are being swept under the rug.

I mean casserolades are an old tradition in this country but they wouldn't have been needed if Macron &co hadn't started almost systematically banning protests in entire districts of the towns they visit and setting up police roadblocks to prevent peaceful protesters from going anywhere near them. (Too bad because these are the kinds of images the media get (these 2 are from Le Monde) when protesters get to talk to Macron <3) :

Protesters corralled away where they can be easily ignored started banging pots and pans so the protest could at least be heard in the background of TV footage, and then pans started being confiscated.

French courts have repeatedly struck down the bans as illegal but police prefects keep churning new bans out every time Macron goes somewhere anyway, trying to publish them at the last minute so there's no time for a judicial review. (I saw a sign at a protest last week that went "Stop with all the bans we no longer have time to disobey all of them")

After boldly banning saucepans by calling them "portable sonorous devices" last week, today a police prefecture banned "festive gatherings of a musical nature" in a town Macron will be visiting tomorrow. They're (ab)using counter-terrorist legislation for all this, so these days we get to read unheard-of court rulings that go like "We are suspending this prefectural decree as we do not consider festive gatherings of a musical nature to pose a significant terrorist threat to the President."

If Macron had people showing up in support I don't think we would see so many pissy protest bans because then the media could show backers vs. opponents and things would look normal (and not like 70% of the country is very pissed off with Macron). But there's not much for them to show if they don't show the angry people banging pans and it clearly rankles Macron—we learnt yesterday that he sent a letter to 200,000 political supporters of his essentially ordering them to start making appearances all over the country, to show they are "proud of what you are and of what our country has become [since I got elected]." That seems a bit desperate.

For months Macron &co have been predicting that people would get tired of taking to the streets in large numbers, and now that people are going like—right, let's try a new strategy, small local protests greeting gov members everywhere they go!—we're hearing a clear "no not like that, that's not what we meant :l " reaction from the government.

They've also been trying the strategy of announcing stuff at the last minute, like on Monday the Minister of Education announced at noon that he would visit a higher learning institution in Lyon 2 hours later, and a hundred of protesters still showed up and tried to force their way into the building. They were held off by cops using tear gas and trying to block entrances (there's a pic that made me smile, showing cops trying to barricade university gates with garbage bins—how the tables have turned...!) and the Minister ended up not showing up and moving on to the next step of his schedule (protesters tried to follow him there but police vans were blocking the street.)

The first half of the video is at the uni in Lyon; the second half is in Paris later that day. When he returned to Paris the Minister was greeted by protesters with saucepans at the train station, it's like a national relay race of protesting at times. He had to go back through the train to leave via the other end of the platform under police escort so as not to meet any protesters (god forbid).

Macron commented that this was "uncivic" behaviour and I agree, civic behaviour on the part of gov members would be to at least face the people they choose to fuck over, instead of hiding behind cops and fleeing. Obviously Macron was condemning the 'uncivic' protesters though, and the Minister said he felt "physically threatened" by the "violence of [the protesters'] speech" which is a shit thing to say considering on the same day that he was mildly inconvenienced by having to take a different exit and felt physically endangered by words, yet another protester was mutilated after being shot at by police with a rubber bullet. Not a peep about this incident (or previous ones) from the government. The Minister of Education never even condemned that time high schoolers trying to protest got tear gassed and threatened with riot guns by cops in front of their school earlier this month.

But while people continue protesting despite the actual violence from cops, our ministers are looking pretty scared of citizens banging pots and pans. Here's a list of official visits that got cancelled "for safety reasons" (saucepan terrorism) in the past week:

1. Minister P. NDiaye cancelled a visit in Lyon 2. Minister F. Braun cancelled a visit to Evrard Hospital 3. Minister Delegate O. Klein cancelled a visit in Bobigny 4. Minister Delegate O. Grégoire cancelled a visit in La Baule 5. Minister S. Guerini cancelled a visit in Castelnau 6. Secretary of State B. Couillard cancelled a visit in Rochefort 7. Minister S. Retailleau cancelled a visit to the Paris Saclay University (electricity trade unionists cut the power in the building she was supposed to inaugurate, so) 8. Minister C. Grandjean cancelled a visit in Toulouse (this article says it was probably because the visit was quite near a big highway protest where protesters among other things were building a concrete wall on a national road)

In the same bullshitting vein as "portable sonorous devices", gov spokespeople have been insisting that visits aren't being cancelled, ministers are just "adjusting the course of their trips" which is funny to me. I guess we never beheaded any royalty we just adjusted the course of their necks. I also read a newspaper article that made me laugh, that went like "Minister cancels visit; trade unions disappointed" and I thought it was because the cancelled visit was a meeting with the unions which they wouldn't get to have, but the article said it was actually because they had a good protest planned and wouldn't get to hold it...

Watching protesters mess with the government in small ways on a daily basis has been good for morale—on Twitter the hashtags #IntervillesMacron and #IntervillesduZbeul popped up (zbeul = chaos, mess, and Intervilles was a TV game show that aired for over 50 years, where French cities competed against one another in goofy challenges). I only mentioned cancellations above, but fun things also happen on non-cancelled government visits, like a Minister having to leave a building via the emergency exit because of protesters blocking the building entrance (which some people argued is worth more points than a cancellation as it's more entertaining):

Various websites were created to keep track of all these smaller protests and to officialise the point system that ranks cities on their efforts to fuck with the government:

(the first symbol means a protest, the second means a casserolade, the last one means protesters managed to get inside a building where a visit was taking place)

(Translation: Ruckus (saucepans, heckling...) 1pt Protest: 1pt Creative action (chasing minister in the woods, etc): 2pts Measures of energy conservation (= power cuts by unions) 3pts Action that leads to a political figure fleeing: 4pts Cancellation of a visit: 5pts — then there's a weighting system where the score is multiplied by 3 if it's a Minister, by 5 if it's the Prime Minister, by 6 if it's Macron.) (I also saw an interesting debate on Twitter this week—since our leaders often embarrass themselves, how should the government's own goals fit into the point system?)

Right now the Hérault department is winning because on top of protests, power cuts and casserolades, protesters greeted Macron with a giant "MACRON FUCK OFF" sign hung from a cliff (!) and took over a highway display so it'd say "Welcome to [region] Butthole Ist"

These past few days I've been discovering unknown French cities (and Ministers) thanks to them showing up in the hashtag after a good protest. I discovered a mediaeval castle I'd never heard of when unions hung banners featuring our most famous revolutionary dates from the castle's battlements. (Two days later, another protest with eloquent banners in the Musée d'Orsay in Paris:)

People are very creative—last week we heard that protesters got prosecuted for giving Macron the finger and insulting him during one of his official visits (< we are a healthy democracy), so protesters in another region tried a more sarcastic approach, and greeted a deputy from Macron's party at a strawberry fair this week with clapping and confetti and "Thank you for making us work 2 more years, thank you for police repression, thank you!" The deputy beat a hasty retreat. Then said he would file a complaint against the harassment and intimidation he had been subjected to. (The tear gas and riot guns and arrests and protest bans are not intimidation of protesters on the other hand. Or the fact that another deputy from his party recently said on TV that they were "ready for war"... They're ready to wage war, but run and hide when people clang saucepans and throw confetti.)

Anyway. I'm enjoying the fact that they can't even attend a small strawberry fair without getting heckled right now. In one of my first posts about the political crisis in March I wrote something like "How will Macron and his gov have any legitimacy to speak about any issues after this?" and it cheers me up to see a lot of people across the country agree that they have no legitimacy to talk about anything, not even the strawberry harvest.

The next nationwide protest is of course for May 1st, but in the meantime it's been really fun following the smaller protest actions all over the place. Members of government & Macron's party keep making whiny statements along the lines of this is terrorist behaviour, we can't go anywhere, why are people not getting tired of fucking with us and the answer is, because it's really entertaining!

This was the last sentence of a recent Le Monde article about Macron's situation and it has such a sinister, end-of-reign tone:

"I'm moving forward," Macron concluded, on April 20th in the Herault department, while behind his back echoed the sound of saucepans.

[kerrslvr]

occupied // sam kerr

summary; in which, sam recognises the hotel housekeepers face, and when she walks in on sam in a compromised position, she sees if she fancies giving her a helping hand.

warnings; cocky!sam, dom!sam, sub!reader, oral, fingering, spitting, finger gagging, language, strap ons, penatrative sex, multiple orgasms, i think that's it lol. this hasnt been proofread so i apologise for spelling errors/things not making sense. i got very overwhelmed at the end of this and i just wanted to get it out. thank u to @landopeaches for being my hypewoman every single time x

****

as you pushed your trolley down the hall, you noticed how quiet it was, with most of the guests still sleeping, and while you wished you were still sleeping, your shift had just begun.

your job was inarguably one of the most boring, mundane jobs in the world, but the money was enough to keep you afloat and if any relitively nice or unused clothes, jewelry or cosmetics were left in rooms, you normally kept them for yourself which was really the only bonus. that, and you got free use of the bar, pool, gym and sauna.

most people that stayed in the hotel would have a paper hanger on the door if they were still using their room, whether they were there or not, although some rooms were just luck of the draw. you could swing open that door and wouldn't know whether you'd see a dead body or a couple going at it, although it was entertaining regardless.

room 724 didn't have a hanger on it's door, and so you figured you'd at least try it. regardless of whether somebody was in there or not, they'd probably be sleeping, or be down at breakfast, or in the gym round the corner. at least, that's what you thought.

oh, how wrong you were.

"oh, f-fuck."

sam's fingers were shaking as she pushed her shorts down her legs with one hand while the other stayed tucked into her underwear. she wasn't sure what came over her that morning, maybe it was the newfound freedom of single life, or the strap-on and toys she had sitting on the shelf in front of her that filled her head with past memories, or the pretty girl she saw at the pool the day before who she hadn't been able to stop thinking about.

it didn't matter in the long run, not really. she was horny and she was desperate for an orgasm.

her fingers brushed her clit multiple times in quick succession and she pulled a lip between her teeth. she wasn't sure why she felt as if she had to be quiet, she'd fucked many different women in this hotel and hadn't had any complaints from her neighbours when they walked out with shaky legs after screaming repeatedly for a few hours.

if the walls were thick enough for her to fuck screamers, they were thick enough for her to sort herself out.

"fuckin' hell," she breathed, allowing her fingers to slip through her own folds and feel herself up. her breath continued to shake, and a moan left her lips when she added another finger to the pressure on her clit.

her free hand felt a bit left out - sam wasn't really one for stimulating her own chest, she normally had a pretty girl on top of her that she could easily slide up onto her face high enough to suck one of her nipples into her mouth and feel the slick of their pussy grinding on her stomach. just the image of that alone sparked a fire inside of sam's body, and her fingers picked up the pace at the thought.

"mhm, o-oh, god," she whimpered, bucking her hips up into her hand and admiring the reflection of her muscles flexing in the mirror beside the bed. "can't cum yet, no matter how good i am."

at least she made herself laugh.

she was really finding her groove, and getting into the rhythm of her fingers, so much so that she didn't even hear the door latch unlocking.

at first, you didn't hear the moaning or the slight creak of the bed, and in a way, you're glad you didn't. she was the hot girl from the pool you'd been eyeing up yesterday. you continued to walk through, only to find her with her shorts round her ankles and her hand in her pants. she was shirtless, completely naked from the waist up and it made your mind spiral.

she still looked as if she'd not been awake very long, her hair still scruffy in a low ponytail and her cheeks and eyes still slightly puffy from sleep, and a glass of water sat untouched on the bedside table along with a mobile phone.

it impressed you that she could get off with just her imagination.

you were so bewildered by the sight in front of you it was as if your feet were glued to the ground, you couldn't move from that spot. even when she noticed you, standing their in your maid outfit. she thought it was a joke, that the people in the rooms next door had heard her moans, and sent up an escort knowing she was alone in the room. that was, until she saw the hotel's name embroidered into the top of the dress.

"oh, uh, s-sorry, i'll... i'll come back later."

at first, she was confused, almost agitated that the housekeeper had come in and interrupted her, and she almost, very nearly, pulled her hand from her underwear and phoned down to reception. that was, until she recognised your face.

the pretty girl from the pool. the one she couldn't stop thinking of. the one she envisioned on top of her, leaving a wet, sticky patch on her skin. she smirked.

"no, you're alright, darlin'," she shifted, her hand still in her pants and brushing against her clit as she moved, "you're the girl from the pool, yeah?"

"uh.. yeah. from yesterday."

"and is this a set up? are you an escort or something? or do you actually work here?"

"well, judging by that," you gestured to the cleaning cart down the side of the room, blocking the entrance, "i'd say i work here."

"great, i don't have to ask you to lock the door behind you then."

your eyebrows furrowed and you looked at her, confused. "i beg your pardon?"

she pulled her hand from her underwear and sucked a finger into her mouth, tasting herself on her fingertips. you couldn't deny the sight before you was already sending heat to your pussy, and you also couldn't deny that she was one of the hottest girls you'd ever laid eyes on.

"help me out, love," she said, so simply, so effortlessly, so desperately, before taking the same finger back into her mouth. "give me a couple of orgasms and i'll give you a pretty good tip."

you hummed, thinking over her offer. "what's in it for me?"

"i just told you," she pushed her legs open further and your head began to spin, "a pretty good tip."

silence fell among you both for a minute as you pondered the offer again. a pretty good tip in her words could've been ten percent or it could've been fifty. or, if your mouth was as good as you knew it was, who knows? maybe you could negotiate the offer.

"if the tips not good enough for you," you expected her to throw the offer away, telling you to forget it if her offer wasn't to your liking, "then i'll fuck you, make you cry, give you a shag that'll be enough to have you desperate for more of me."

"sounds like you're begging."

"do you want to take up the offer or not?"

silence fell again, and for a moment she expected you to turn and run, and you did turn; but to look at her collection of toys on the shelf. she smirked when you bent down slightly to inspect them further, plus, it meant she got to see your arse.

"so, i give you a couple of orgasms, you'll give me a pretty good tip," you hummed, and pulled a dildo from her collection, "and you'll fuck me with this one, how does that sound?"

she smirked and sucked another one of her fingers into her mouth. she knew your answer was yes when you started to pull your apron from the back of your dress, and she watched it fall to the floor.

"it sounds excellent, darlin'," she hummed, "but what doesn't sound good is this little attitude you've got. you're here to help me out, not the other way around. no orgasm, no fuck. understand?"

your underwear were soaked through by this point, and you nodded.

"need to hear you say it, darling."

"i-i understand."

"good," she pulled her finger from her mouth with a pop, "c'mon then, get your dress off, show me those pretty tits and get up on the bed."

you did as she asked, slipping the dress off over your head and taking your bra with it, leaving you stripped to just your underwear, small heeled black shoes and suspenders, which, of course, she wanted you to keep on.

she rested her back against the headboard and you didn't waste any time, your lips immediately pressing into her thighs. she halted your movements for a second and shifted across the bed, in which you followed. at the time, you weren't sure why but you later found out that it was so she could look at the reflection of your behind in the mirror.

she pressed her hand to your jawbone and you looked up at her, "sam, by the way, remember that for later," she shot you a smirk, "and i didn't see the badge on your name because i was too eager to see your tits."

"y/n." you replied, purposely arching your back lower so that she could get a better view in the mirror.

your lips gravitated back towards her inner thighs, your fingers grazing the line of her underwear. she was clearly not in the mood to be teased judging by her hand on your head and her agitated tension, and you wanted a fuck so you stopped.

but, not completely.

your tongue grazed her clit through the soft material of her pants, making an immediate wet patch and she jolted back. your hands pushed at her thighs and spread them apart further so you had enough space to work your magic.

a moan left her lips at your messy, spit covered face. her underwear was completely soaked with your spit, and she rolled her eyes back into her head when you pulled at the material between your fingers and watched as it split in two, leaving enough room down the middle for you to do what you had to do.

"covered in spit already, babe, hm?"

you nodded, a slight hum noise coming from your mouth and reverberating around her vagina, making her squirm underneath you. immediately, she couldn't figure out whether she regretted her decision on fucking you, or whether she thought it was the best thing she'd ever conjured up.

either way, her orgasm was fast approaching.

you hadn't eaten pussy for a while and your jaw was beginning to ache, but you weren't prepared to give up now. one hand slipped between your body and hers, and you spread her lips apart giving yourself more room to work with, and she moaned again, much louder this time.

"gonna make me cum, darlin'."

"already? god, you really were desperate, weren't you, hm?"

"three strikes and you're walking back to reception without your clothes on, y/n," she leaned over your body and slapped your arse, it was loud and the sound ricocheted around the room, leaving a harsh, bright red sting. "that's strike one. don't make me slap you again."

you moaned against her pussy and the vibration rippled through her body and you could feel the muscles of her pubic bone, thighs and stomach all tensing against your skin, and you smirked against her pussy as you continued to eat her out, purposely making your movements loud and sloppy so she could hear them reverberating around her ears for months to come.

"oh, fuck," she cursed, a hand flying to your hair and bunching it in a ponytail, "i'm gonna.. oh, fuck, you're gonna make me-"

"cum for me, sam."

"fuck," she hissed, her hips grinding down on your face as her orgasm rippled over her body, her stomach muscles involuntarily convulsing as her body reeled from the effects of her long awaited orgasm. "oh, jesus christ."

she pulled your head up and admired your skin, glistening with her juices and it was an image that was forever engraved in her brain. she leaned down and carefully, delicately kissed your lips, so as not to ruin the masterpiece her body had made across your face.

you hummed when she pulled away, and followed her lips back up to the pillows, where you instinctively pressed your lips back up against hers and slipped your tongue into her mouth. she allowed the experience, and brought a hand up to the base of your neck where she applied light pressure.

her tongue slipped between your mouth and for a minute you thought about biting her lip and silently scolding her for the move, but you only had two strikes left and the wet patch in your underwear was threatening to seep onto the bedsheets any minute.

you moaned at the pressure on your neck combined with the touch of her tongue on yours and she smirked against your lips, desperate to pull more of the noise from your body. you pulled away first, in desperate need to take a breath.

"lay down, sam," you sucked on the space of skin just below her ear, your words igniting a fire inside her body, "i wanna make you cum again."

she was so used to being the one on top, the one who made other girls feel good that this was a nice surprise. although, the pair of you knew that she was the one in charge, not the other way around.

she laid herself back down, and you immediately cocooned your body around one side of hers, your naked chest resting on her arm and one leg draped over hers as you pushed her muscular calves apart with your foot. your head buried itself in the crook of her neck and you sucked yet another spot under her neck, allowing a bruise to bloom under your teeth.

she moaned breathily, and your hand lowered itself over her exceptionally toned body, travelling lower until your delicate hand was hovering over her tanned skin, the angle of your hand accentuating the v-line leading down to her pubic bone and it made your clit twitch.

your lips trailed down to her collarbone, and slowly and softly, you started to suck on the skin of her chest. she shifted slightly, adjusting to the feeling of your lips edging closer and closer to her nipple, while your fingers carefully brushed against her clit.

she whimpered, but you shushed her with a soft coo, and carried on with your movements. her pussy was wet, coating your fingers in her own lubricant that made it much easier to explore, while your tongue carefully circled a nipple and it left her reeling.

"f-fuck, oh my god," she groaned, her muscles already shaking and tensing out of sheer pleasure, "feels so good, baby, don't stop."

you hummed, and instinctively bucked your hips into her thigh so she could get an insight into how wet your pussy was too, and it made her chuckle softly.

"so wet for each other, aren't we baby?" she spoke softly, "want me to touch your clit too?"

you nodded slightly too eagerly, with her nipple in your mouth, and she shifted her arm so it was stretched just enough to be able to brush your clit every few moments. you wanted more, so much more, but you knew to be grateful rather than greedy if you still wanted your fuck.

as soon as her finger circled your clit, you let out a big whimpery moan, desperate for more, but then she pinched your bum with her free hand and you knew you had to carry on. her hips began to buck when you sped up the movement of your fingers, adding a second to the pressure point on her clit that left her reeling for more.

you knew she wouldn't be long, and you were desperate to get it over with so you could get your kicks, while also wanting her to enjoy the experience and have it leave a lingering impact.

her breathing laboured as you sucked the other nipple into your mouth, and weaved your free hand between your bodies so you could stimulate her other one at the same time, so she had everything going on all at once that was enough to overstimulate her and give her exactly what she wanted all at once.

she started to grind down on your fingers, much like she did with your face, and her free hand grabbed your wrist and held it flush against her body.

"want me to cum again, hm, baby?"

you nodded, a gasp escaping your lips as she added another finger to the pressure on your clit, mirroring what you'd done to her. "y-yes," you choked, "cum all over my hand, p-please."

the sound of your broken voice, the whimpers tumbling from your lips, she found it all too much and couldn't help herself when her second orgasm rippled through her body. she practically growled, her body igniting in flames.

she looked hot underneath you, your eyes scanning over her body with eagerness as her orgasm rocked through her. you pulled a lip between your teeth and watched with admirable eyes right up until the aftershocks of her orgasm faded away.

"hey," she laughed, "you're good at that, aren't you, darlin'?"

"not just a pretty face, sam."

"no, you most certainly are not," she spun around so she was on her side, and allowed you to fall to your back against the mattress, "i wonder if your pussy is as pretty as your face, hm?"

she slid your pants down your thighs until they pooled at your ankles, and she admired the glisten of your wet pussy that shone in the sunlight, and didn't waste any time in getting a taste of you.

"oh... oh my.... s-sam, you're..."

"i'm a woman of my word, babe," she pulled away from your pussy and kissed across the inside of your thighs, "i'll fuck you, i will, but i just need to open you up first, hm? make sure you're nice and wet for my cock, darling."

you nodded, wriggling around on the bed until she stilled you. the anticipation was agonizing. she stilled you with a hand over your stomach, and her tongue moved back to circle your clit, the fingers from her other hand trailing around the lips of your pussy.

you were desperate, aching for the feeling of her fingers inside of you, and so repeatedly teased with circles around your hole, until eventually she slipped them in. one, at first, gently stretching you out with an expert finger.

this was in fact, not her first rodeo.

"tastes so sweet baby, you wanna taste?"

"mhm, please," you hummed.

sam's fingers pressed in and out of you, in and out, in and out, until she gathered enough of your wetness, and you opened your mouth thinking she was going to stick her fingers on your tongue. only she didn't, she licked her own fingers clean and you sat there with furrowed brows until her body drew closer to yours.

she pried open your jaw and spat your juices into your own mouth which left you spiraling. she held your mouth open and let your tongue hang out over your lip, and she continued to spit into your mouth until your tongue was covered in her own saliva.

"what a pretty little spit painted picture you are, y/n," she teased before her fingers slid down your throat and gagged you. you choked around her fingers and instinctively grabbed her wrist, "you got a safeword in mind?"

you nodded and she carried on, her fingers sliding down your throat until the muscles contracted and you gagged, spluttering and coughing when her hand pulled its way back out. her lips pressed against yours in a sloppy, wet kiss and her still-wet fingers slid between your folds and they slid inside you so much easier now.

"oh, f-fuck, sam, y-you feel so... your fingers..."

she smirked, that was the kind of moaning she was used to.

her thumb rubbed your clit aggressively and her fingers continued to curl in and out of your pussy so to stretch you out, getting you ready for her cock.

your whimpers and moans were enough to send her into overdrive, and she knew she couldn't handle it much longer. she pulled her fingers out of you and pulled her lips away from yours, and you lay there, fucked out, when she'd barely even touched you.

"keep playing with your pussy while i do this, babe," she rolled her eyes when you mewled at the loss of contact and pinched your cheeks together, "or else you're getting fucking nothing."

"o-okay."

you did as she said and pressed two fingers against your clit, carefully applying pressure that made your head spin. you watched sam get up from the bed and immediately pull her legs through the harness on the shelf. you couldn't help but squirm and moan as you watched her from behind, the view of her front in the mirror as she looped the loops so effortlessly.

"you okay there, baby?"

"i... fuck, i need you so bad, sam."

she turned over her shoulder to watch you as her hands continued to loop the loops and tie the knots, and she smirked. "i know, baby, i know," she grabbed the dildo from the bed, "my cock's almost ready for you, isn't it, darling? hm? you keeping your pussy nice and wet for daddy?"

you froze. just for a moment. at the word she'd given herself, unsure what to make of the situation. and then a moan tumbled from your lips. it was hot, really.

"y-yeah, daddy."

"good girl," she turned around once the dildo was secured, and grabbed the lube from the many different trinkets on her shelf and moved over to the bed, "show me your pussy, baby."

your hands spread your pussy apart right in front of her, allowing her full access. she pumped lube into her hand and spread it all across the base of her cock - not that she really needed it, you were already wet enough, but she just liked to put on a show.

she crawled up the bed on her knees to you until she was kneeling between your legs, and in your desperation you hooked your legs around hers and pulled her in. she chuckled at your eagerness.

your breathing was laboured as you watched her balancing herself on her knees and getting into a comfortable position. she guided her dick to your wet folds and allowed herself to tease you, just for a minute, and her lips locked into yours as she slid inside of you.

immediately, you gasped as every inch slid inside of you piece by piece. "oh, oh, fuck," you whined, "i knew you'd have insane dick game."

her hands spread your thighs apart further, and her strokes became deeper as she fought to hit every spot. you couldn't stop the whines and whimpers that escaped your lips, tumbling out of your mouth with every turn.

your legs wrapped around her waist, leaving her body flush against yours and trapping her in so she had to finish the job she'd promised. your bodies were slick with sweat, and it was arguably some of the best sex you'd ever had.

"your pussy is so fucking wet, y/n," she grunted, pulling out all the way and rubbing the tip of her cock along your clit, before pushing back in, "and yet it's still so fucking tight."

you nodded, moaning deliriously as she hooked one of your legs over her shoulder, allowing the stretch to become deeper, harder, stronger.

"it's still a pussy that was made for you, daddy," you breathed, wrapping an arm around her neck and pulling her down to your lips, "don't you agree?"

sam made a noise akin to a growl, her teeth coming into contact with your bottom lip, biting and tugging on the flesh as if it were her own to play with.

"yeah," she grunted, "my perfect little pussy."

you moaned, raising your back up off the bed and pressing your chest up against hers. her fingers drew messy circles around your clit and you began clenching around her cock, the butterflies in your stomach beginning to swarm.

"sam... 'm gonna, i don't think i..."

"surely you're not going to cum already, darling? i haven't even turned you over yet."

with that, sam pulled out and spun you around, your head pressed into the pillows. she moved you how she wanted you, her perfectly eager little doll, with your arms up on your back and your arse up in the air, giving her leverage to grip your arms as she fucked you full force.

one hand gripped your wrists, while the other spread apart your cheeks as best she could, and as you felt a dribble of spit travelling down from your bum to your pussy you whined and writhed.

"stop being so dramatic, darling," she pinched your bum, "please just let me fuck you."

your words jumbled in the pillowcase and sam didn't have the patience to stop and ask you what it was. she wanted to see you cumming and she wanted to be the one to do it. her thrusts were rapid, the consistent rhythm making you dizzy, and you didn't think you'd be able to keep your composure for much longer.

"sam... s-sam, please, i-i can't..."

"what do you want, pretty girl? hm? you gonna tell me?"

"i... i need to... please let me cum," you struggled with your words through the relentless thrusting of her hips but you were teetering on the edge and you physically couldn't hold it much longer. "please."

your pussy clenched around her dick and she knew you wouldn't last much longer, "seeing as you asked so nicely, my darling, why don't you cum all over my cock."

your hands gripped at nothing, and you'd be left with the sting of your fingernails digging into your skin for hours to come, but you didn't really care in that moment. sam continued to fuck you through your orgasm, her mind reeling as you practically exploded all over her.

every moan and whimper you had rolled into one and your words became incoherent from just before your orgasm hit you, to until you'd ridden it out.

sam pulled her cock out of your pussy and it was followed by a little trickle of juices, which she immediately bent down to lick up. you shuddered and instinctively moved your body away, and she noticed this, patting you on the leg softly.

"i'm still here, until next wednesday," she said after a few minutes of silence, sliding some shorts on over her strap-on, "i was just wondering if you fancied doing this again?"

"gonna tip me every time? seeing as you think i'm an escort," you both laughed and she handed you your clothes as you sat round the side of the bed, "no, that would be nice. but, maybe not while i'm working."

she smirked. "what time does your shift finish?"

"probably about one thirty, providing i don't get fired."

"don't worry," she threw a shirt on over her head, "i'll make sure to give you a glowing review."

[taffybear]

random list of my bay Leo headcanons ❤

working on Raph next! let's see how many ideas i get lol

also opening my inbox for writing (and perhaps even drawing) requests! feel free to drop me an ask <3

literally loves mitski and mac demarco. he likes very indie hopeless romantic type music, it's literally hilarious to catch him just vibing in his feels

SECRETLY HAS PINTEREST BAHAHAHAHA but just for finding poetry and looking at bonsai trees. Mikey found out (like he doesn't have pinterest too??) and they all ended up making fun of him for it to the point where Leo debated deleting the app but ended up forgetting about it.

very specific but he has this unique type of love language where he'll ask you something and without any further questions he will go get or accomplish whatever he hinted at. for example, y'all will just be hanging out, and he'll go, "are you hungry?" and if you just as much nod your head hesitantly he will run to the kitchen and make you a 3 course meal. or, he'll just ask you if you're cold, and if you say yes he brings you a heater and a blanket. he doesn't ask things like, "can i get you a water?" he'll just ask if you're thirsty and go from there.

has the most gorgeous handwriting on the planet. this beautiful cursive print that is lowkey unreadable but so aesthetically pleasing. at first you were shocked but as you got to know him it made lots of sense, literally probably his biggest hobby is just remembering some random thing and then spending weeks straight perfecting it until it's natural for him. he loves to challenge himself to be perfect at literally anything, and his hand writing is one of those instances.

HE'S LITERALLY A VIRGO GUYS HE IS THE DEFINITION OF A VIRGO OH MY GOD

speaks fluent japanese OF COURSE but his brothers don't know it as well as he does (they all know a little at least) and he'll curse them out quietly in japanese behind their backs.

Leo wouldn't say he had a favorite brother of course but he definitely prefers Don's presense over the others. they always go to each other first when they have a problem or just want to rant, and they have a bunch of inside jokes.

after Donnie, Leo's the biggest insomniac. he gets nightmares a lot unfortunately, and most times when he wakes up he physically can't go back to sleep. literally Mikey will get up for a glass of water at 5:37 in the morning and Leo is up doing flips.

very random, but Leo is AWFUL at math. he meant to learn at some point but the time passed and he missed the boat. ofc math is Don's second language and Mikey and Raph couldn't care less (but somehow Mikey always guesses the right answers without doing the correct work??) but Leo is lowkey embarrassed that he struggles with it so much. he can do basic math and most things that come up in daily life like practical equations, but anything past times tables and division he is cannot understand. if you come over and need help on your math homework he will try his HARDEST to help you but ultimately he's completely clueless.

always takes bugs outside. if the creepy crawly is creepy enough or makes you screech, he'll whip it with his katana but normally he'll take the time to scoop it up in his hands (literally no fear) and walk it outside calmly.

literally LOVES doing chores. it's like a form of self care for him. folding laundry, sweeping, mopping, washing the dishes, organizing the dojo, he'll literally put on some music and go to town. when he visits you he will literally just start straightening things up and picking things off of the floor. he hates having nothing to do so he'll just ask for something he can clean while y'all chit chat.

incredibly flexible. he can bend every which way, sit comfortably in a split for hours, can bend over IN HALF and grab the back of his legs--he's literally maxed out on flexibility. but splits training is his private time so unless you sneak you won't catch a glance. but when you do, in between of sliding dojo doors, it is... something. like excuse me sir how tf doesn't that hurt your bAWLLS

smells like lavender. dead serious his signature scent is lavender. it's not like he wears cologne or anything, he just lights a lot of lavender incense and candles to the point where if someone even steps foot in his room they walk out aroma-fied.

everyone in the fandom has their personal opinion of who's the best cook and who's the worst cook of the four, and it is finally time for my hot take of the century. i think Leo is by far the best chef, and Raph is the one who can't even make toast right. a lot of people say Mikey is the chef of the family, which i agree with, he enjoys cooking and baking very much, but this doesn't mean the food he makes is good 💀💀💀 he trusts himself over any recipe and so he just throws in whatever he feels like. Leo can't stand being in the kitchen while Mikey is cooking, his ocd can't stand it. this said, you'd think this would mean the guys prefer Leo's cooking over Mikey's but fact is Leo is such a perfectionist he will spend hours working on a meal it's past 11 by the time he's done. and he doesn't take requests, he only makes what he wants and then on top of that the healthnut version. he makes sushi a lot and goes crazy when you bring him salmon.

IS SUCH A DORK BAHAHAHA if you even so much MENTION a book or a show he likes he will blabber for HOURS about it. he knows every single fact there is to know about star trek it is insane. you amuse him not because you're interested of course but he is just so damn adorable when he's talking about something he enjoys (which he rarely gets the chance to without being made fun of LMAO)

[jensensitive]

I am obsessed with the way in which you draw Dean. You have his features nailed to perfection - somehow your Dean looks even more Dean than Dean in the show, because you exaggerate everything that makes him HIM. It's truly breathtaking <3 Any advice on how to get those features so flawless?

This is so so nice, thank you so much 😭💕💕💕

Honestly Dean is like my go-to thing to draw basically, and has been for many years, like I have to try to refrain myself from just drawing Dean again sometimes. He's like probably half of how I've learned to draw at all. So there's definitely practice there.

That said, I did not immediately have much of answer to this. It's like, his face is just his perfect, beautiful face, and then I try to draw that. 😅

So I drew some Dean to figure out what it is I do, so thanks for the excuse to draw more Dean lol

Extensive answer under the cut

If you're drawing something realistic from reference, for Dean you kind of have two options, you can either get a screencap that's closer up so you can see details better, but the top of his head is cut off, or you can get one where you can see less details but his whole torso is in frame. It can be weirdly difficult to guess at where the top of his head is sometimes, and you don't need details to capture a likeness, I think it was Sargent that said that the shape of the head is actually the most important aspect in capturing a likeness, so it's something to keep in mind. On the other hand, if you want to look at his pretty eyelashes while you draw him, you might want something closer up. (An understandable impulse).

Another thing is just to look for a reference that you really like, contrasty light and shadow are also great to look for. It's difficult to create a great drawing without them, but also it will illustrate the structure of his head best too. Look for shadow shapes you want to draw. If a reference is too dark (as it often is, because it's supernatural), edit it so you can actually see what you're drawing lmao.

I took a bunch of random screencaps of 11x02-- as random as I could, normally I'd just take screencaps of what I already kind of like, but I tried to just get all of it so you can see what I'm not choosing. (also couldn't help taking some cas ones when the lighting was going really hard)

I love a profile, I love a 3/4 view, I love when his eyes are like half open. His face was kinda giving towards the end of this episode.

Hopefully you can see them well enough. The mass ideas are more important for picking at impactful reference, but ofc I'm also trying to avoid any where he's making a dumb face or it's blurry. Sometimes that's only evident when I open it bigger, but that's okay, we have a bunch to pick from.

a. This one is one I picked out because it's an interesting angle, and I'd definitely do a little study of it, but because the lighting is so soft, it probably wouldn't be super interesting.

b. I like this one, the face he's making is hilarious, and I like the rhythm of his hand, but if I were to draw it, I might draw a fourth finger, otherwise it might look strange. So keep that in mind too, if it looks odd in the reference, it will look odd in the drawing, so unless you're confident that you can effectively change it, pick a different reference or find a second reference to help you change it.

c. This lighting's more dynamic, and I like his expression.

d. Would be hard to pick between these. This one's 3/4 and has a nice eyelash shadow, and I love the shape of his eye when it's downturned.

e. Shoutout to the shape of Jensen's brow when he looks down gotta be one of my favorite genders. + subtle Rembrandt lighting. Lovely.

f. This one is so good. Overhead lighting getting a shadow from his ear in a sideview, defining the jaw in an interesting way. Great expression. It's a bit strange, the way he's looking to the side, so it might be hard to draw convincingly, but would be worth it if I could do it. The shadow from the hair defining the shape of the brow. The light on the cheek defining the slight eyebag. The reflected light under the eye, the light landing on the nose. Would probably change the hair a bit because it looks a bit odd at this angle in this lighting, and if drawn like this it would probably look at bit block-like.

g. More rembrandt lighting. Shoutout to the shadow that this upper lip casts on his lower lip. Shoutout to the shadow his lower lip casts on his chin. Shoutout to the line of light defining his neck. Shoutout to the shape of his brow and forehead.

h. The rhythms here are chefs kiss-- the shadow line diagonal from the corner of his hairline to the corner of his brow echoed by the shadow line diagonal of his cheekbone, then that second line following through to the line of light on his neck that curves the other way.

i. This one's kinda boring wrt lighting, but it's an interesting enough angle to do a study of.

I'm going with screencap c because it's gonna work well to effectively illustrate the basic structure of how I construct his features. It's not directly straight-on, so the form isn't lost, but it's straight enough on to properly show our proportions.

For supplies here, I'm just using a soft charcoal pencil, I just use the kinda cheap ones (currently Markart) cause I actually like them better than General's. And it's on smooth newsprint. I just get it in a big thing of 500 sheets. Not archival but it's a cheap thing that's incredibly enjoyable to draw on. Pink Papermate eraser and a kneaded eraser. The pen I use at one point for some reason is a red Pentel RSVP ballpoint I think, although I actually prefer a Bic.

1. So first thing I block in that main shape, in this case, his head and shoulders. I also have to draw in the hairline at the same time, cause I can't figure it out otherwise. He's got kind of pointy ears. The collar of his jacket often comes up pretty high on the back of his neck. He's got a distinctive hairline that I think can go a long way to showing it's Dean, it's worth taking note of. It swoops to our left, and then the corner (I guess?) of his hairline will line up with the corner/arch of his brow. And don't draw the hairline as an unbroken line, but several lines with some room to breathe. His shoulders are pretty straight and broad, but about three heads across which is pretty normal.

2. Next what I think about is the shape of the eyesockets and the line of the brow. This bit will go a ways for conveying Dean's expression, because he has a wide range from light and happy to horribly scowly that's in the brows. You don't have to define the exact line of the brow at this moment, blocking in the general line is fine just to have an idea of where it lands. You can go back later and refine it. I also find where the bottom lid lands. In my brain it makes a shape like what I've drawn. I might not draw it just like this, but even if I don't, this is the shape I'm thinking about. The line from the end of his eyebrow to his bottom lid is a fave, sometimes you can see it on him, especially at an angle, and it's real pretty.

3. Next I find where the bottom of his nose lands, it's about double the length of the eyesocket. And the line under his bottom lip, about halfway between his nose and the bottom of his chin. These measurements are pretty average measurements for a face. I didn't give myself enough room for his chin initially, so I moved it down to fix it. Also adjusted his face very slightly wider on the right side, cause it's looking a bit narrow.

4. I added some of our shadow shapes. This is where finding a reference with well-defined shadows will be very helpful. And I sketched in the clothes cause why not. The clothes don't have to be perfect, who cares, Dean's collar is not our point of interest lol. The shadow on the neck will probably be slightly curved because of the roundness of the neck. If it's not, you might want to make it curve slightly anyway just to help define the form. I blocked in where the eyes are.

eyes: For Jensen's lovely eyes, they have a specific shape that is so nice to draw, especially at certain and angles and with certain expressions. But basically the top lid is more angular and can be almost boxed off at the end, and the line from the corner of the eye to the lashes is an s-curve that's higher in the middle. Again, not unusual features in drawing a face, but such pretty examples. The shadow that his lower lid casts (or his makeup idk?) is often dark enough to look vaguely like eyeliner. Jensen's lower eyelids, an underrated part of Jensen. His eyebrows are thicker in the middle and sparser on the ends.

5. Next I found the corners of the lips. This is an important aspect in the way I draw mouths. Sometimes I just draw them with dots where the corners of the lips are, a curve where the lips part in the middle, a shadow under the bottom lip, and the curve of the cupid's bow. (This is seen below in 6) I think I also adjusted the bottom lip shadow here. Straight-on, the middle of his lips is slightly higher than the corners, but of course, this will change when not straight-on, depending on if we're looking up or down at his mouth. I also sketched in the nose shape. The ridge of his nose has a nice subtle bump, and then the ball of his nose is very slightly squared off I think, from a front-facing perspective, I feel like. And I drew in his slightly drawn brows. Just pay attention to the angles in your reference, because the expression, the perspective and the angle of the head can impact it. But of course generally, drawn down in the middle, furrowed = scowly; drawn up, unfurrowed = happy.

nose: I prefer drawing his nose in profile. And who wouldn't, look at it! The slight curve of the bridge and then the ball of the nose. I will exaggerate this a little sometimes, just because it's fun and I like it. I couldn't find a reference, but from below, you can see the shape of the bottom of his nose, it dips in the middle a bit more than average. Drawing the bottom of the nose is often a delicate balance between shadow and reflected light. I love keeping it light, save for the nostrils, but then the shadow under the nose can be important too. Sometimes it's just a stylistic choice. Note that there's a plane change between the side of the nose and the cheek. (I think I drew his nose too upturned here, but the general idea is still there)

6/mouth: In drawing the mouth, the top line of the upper lip looks more rectangular at the ends, increasingly so as it turns away from us, and much less so as it turns towards us. Of course, he has a full upper lip that you can shade as you like. I try to keep it distinct from the shadow of the line of the mouth, and a reflected light on the top lip can be good here too. For the bottom lip, it's always nice to give is some shine with a hard-edge highlight. For the cupid's bow, I try to leave a light between the upper lip and the shadow in the cupid's bow. For some reason I drew the shadow backwards here, but I think it looks fine.

7/ears: I started to shade it, and then I remembered that he has ears. There's a simplified way I draw ears that I like. It's not entirely accurate, because the two shadows at the top are actually usually connected, but I find it a bit distracting that way sometimes, so this is more subtle I guess. In profile, I don't really have a method of drawing it, I just draw whatever the reference gives me or bs it with a similar version of this, depending.

8/hair: My method for drawing his hair is 1) suffer 2) hope and pray. I like to leave a rim light-type deal between the contour/outliine of the hair and the rest of the hair, I feel like it helps define it a bit more. The direction of his hair, and thus the direction of my lines is something like this.

9. And then I more or less just shaded. When shading, it's always good to follow the direction of the plane, and I also alternatively like to shade in the direction that the light is falling to reinforce that gesture, but when I shade a face, I try to shade in the opposite direction of where wrinkles would go, if that makes sense, mostly up and down I guess. This is of course on a case by case basis, like a lot of times, I'll do the forehead horizontally anyway, but it's especially touchy around where the laugh lines of the mouth would be and the neck. And on soft plane changes (and softish hard plane changes), I often shade at a different angle to the main shadow. Shading direction can also delineate different areas of similar tones, like I did with the jacket and the side of the nose. I like to give Dean his eyelash shadow, because he deserves it. I also drew in the eyes, of course. I think I actually tend to shade them backwards, and the light would fall in the opposite direction, so when lit from the right, the right side would be darker, but I just don't draw it that way idk maybe I should.

And there he is, that's our guy!

Normally when I'm drawing, I'm definitely a bit more all over the place, and don't necessarily do things in perfect order. And it's good to move around. I'm probably not going to be shading things before noting where all the features are going to land, but I often am shading something before I've drawn everything. Or end up drawing one eye and then maybe do part of the other and then move to do part of the nose and then sketch in an ear and then maybe notice something's off somewhere and adjust that, etc. Just go with it, have fun, he's got a fun face to draw! 💗

[genericpuff]

The Extended Mishandling of LO's S3 Midseason Finale Premiere

Alright, so I had mentioned leading up to the release of the newest LO episode that my feelings regarding LO returning were pretty "meh". Not hyped, but not completely back of mind either. Just sort of a weird calm before the storm type feeling that could go either way.

I'm glad I got to have that moment of calmness because good god, this episode was an absolute shitshow. And honestly, I'm not surprised, for several reasons:

Rachel has never been good at maintaining a buffer, even back at the start of the series she only ever had 2-3 episodes ready ahead of her schedule which is NOT an ideal buffer for an originals series.

Rachel has never been good at writing, she's very "draw first write later" and has stated as such in interviews that when she gets 'stuck' on what she's writing, she'll just start drawing and fit the pieces in later.

Four months is NOT enough time to both rest, attend massive conventions, and work on improving a project while also getting buffer episodes ready.

Because of the FP episodes remaining locked over the hiatus, technically Rachel only needed to have ONE episode ready upon return for the newest FP release, not multiple like she'd usually need like in the past during the S2 midseason hiatus or the season finale episodes which would unlock those FP releases like normal - so for all we know, she could have drawn this episode literally last week, especially when the promo material was so last minute. Frankly I think it was REALLY stupid for whoever it was who decided to keep these FP episodes locked (whether it was her or WT, it was more likely WT) but you can read all I have to say about that in my review of the midseason finale episodes.

All that's to say, no, there was never any guarantee Rachel was going to somehow "turn around" the ride we're currently on. I know that many of the critics were hoping for that to happen, but with the circumstances of the hiatus mixed with Rachel's bad habits of putting her best efforts into the procrastination projects that aren't her actual comic (ex. the few original pieces and LO sketches she put out during the hiatus) it just wasn't in the cards. This is where the comic is at and this is where it will remain until it's over.

I want to also point something out about this episode that was... really glaring to me.

As with all of these hiatus returns, LO got priority advertising in the first two banner slots and push notifications AND a popup ad within the app. This is unsurprising, Webtoons is still trying to milk this thing for what it's worth.

I know a lot of people are gonna focus on the art, or the fact that WT is continuing to shill LO, but I wanna point out the part that WT implemented specifically - "NEW SEASON".

This is literally just false. At best I'd like to think some intern just messed up and thought this was a new season, but it's literally not, the episode designation still says "S3". Note that the creators only design the banner art, the actual labels on top are put there by Webtoons.

But at worst, this feels like blatant lying to continue to hide the fact that LO is ending. Mind you, Rachel and Webtoons have still not put out official posts stating that this is the final arc. There is NOTHING from either of them to communicate to the audience that the comic is ending next year. It feels like they're trying to avoid the topic altogether out of fear of losing the fanbase they still have, rather than hyping up the comic's end for those who have stuck around to see how it all wraps up. And honestly, I wouldn't be surprised if this was the case, considering they're now trying to funnel the fanbase into Penguin/Inklore with new marketing deals and the whole Rachel Smythe Presents thing. They're trying to make this seem like the beginning of something "new" when it's really just a quiet shifting of management (Penguin House).

But all that aside, let's actually get into the episode. It's one episode after 4 months, which is not standard for LO's hiatuses, typically FP episodes release on schedule (meaning free readers start hiatuses 3 weeks after FP readers do), the only time this has been an exception has been with the 2 week breaks because the whole point of those was to build a buffer (which you can't do if you're going ahead and releasing the FP episodes anyways). For extended hiatuses like these, usually free readers still get their FP episodes, but that wasn't the case here. That means Rachel technically only needed one episode ready for the comic's return, and it shows. It really fucking shows.

FROM HERE ON OUT THERE WILL BE FASTPASS SPOILERS REGARDING EPISODE 254. DO NOT CONTINUE IF YOU DO NOT WANT TO BE SPOILED !!!

As per tradition, we get a title that means nothing at all. It just says what we already know.

Our collective husband Zeus is dying, no thanks to the poison cupcake fed to him by Apollo. For those who don't remember, Apollo had tricked Zeus into eating the cupcake by making him believe it was from Hebe. We are fully aware that it was Apollo who poisoned him. Remember that for later in this review.

Right off the bat we're off to a hilarious start, both with a cryptid appearance from Apollo in the background (lmao) who is, for some reason, ALREADY returning to the scene of the crime he just committed because... who knows at this point. Apollo and Psyche know it was Apollo at this point, I might add, but I have no clue why Apollo is actually returning to the scene of the crime when he has no idea Eros and Psyche know.

Moving on from that, can we talk about this hilarious dialogue?

"We have to call a doctor! Let's call Asclepius!"

"No, we can't trust him! Gosh darn it, why are we only bothering to think of ONE doctor in this universe where we've seen more than one doctor?? Guess Zeus is just gonna die! What a horribly contrived situation this is!"

And that's literally how I can best describe most of this episode. Contrived. There is a LOT of manufactured drama in this that makes ZERO sense even on a surface level.

And what do you mean exactly, Eros? "What a terrible system!" Is this supposed to be a joke? Lampshading? We've seen Persephone go to the gynecologist. There are non-god doctors who tend to gods all the time here.

Eros just doesn't seem to be that pressed over this, he sounds like Ned Flanders and that's NOT a good way to open up a scene like this... let alone an episode people have been waiting four months for.

Anyways, after a few pointless reaction panels (again remember I have to cut a lot of what I show here for Tumblr image limitations but I promise you, I'm keeping as much important stuff as I can in this, there's just THAT MUCH filler at this point), Eros and Psyche confront Apollo and he is... good god.

There is... so much to unpack here.

First of all, remember those theories about how Rachel was clearly trying to write Apollo as this "secret twist villain" the whole time but it doesn't work because Apollo is simultaneously written as both a 'conniving villain' and a massive dumbass at the same time?

Well, I finally have a more appropriate term for him. He's your average red pill redditor - someone who thinks he's smarter than everyone else when really all he does is sit on reddit all day using big words incorrectly in arguments he gets himself into with a bunch of equally-air-headed dumbasses.

"You can't possibly understand the nuances of the Olympian political system," Apollo said proudly, a man who had, ironically and obliviously, run for president in a monarchy. The union of kettle and pot is eternal.

He's the Slappable Jerk but instead of it being a painfully hilarious impression, it's just painful and hilarious for all the wrong reasons.

this is so stupid because it's 1.) Eros pointing out how obvious Apollo's plan was, despite Apollo acting smart two seconds ago with a goddess who, mind you, has been a goddess for ten years, and 2.) patricide isn't even intrinsically linked to politics, there's nothing 'political' about a guy trying to kill his dad except in, idk, a monarchy, which again, Apollo has spent ten years trying to rise to power in as a president which is a completely different form of government.

If I wanted to be really granular with this, I'd like to think Apollo is making some kind of point about the critics who call out LO's whack as fuck political system (especially in the trial arc) - as if he's saying "well you're just a stupid reader and this is fantasy where you don't understand exactly what political system we're using, so shut the fuck up you stupid twig" - but I don't think it's meant to be that deep. I think it's just Rachel trying to write a smart character and then failing at it because she, herself, is not a smart writer. And I'm really inclined to believe that more than the theory about this being some kind of meta-narrative about the critics because this entire plotline is contrived and stupid down to its core.

I did not cut anything out here, that's the pacing. Leto literally just appears out of nowhere and uh oh spaghettio's, she has Kassandra! Remember Leto? The character we were led to believe was truly "pulling the strings" until she disappeared from the story completely after she realized that Apollo and Persephone weren't a thing, even going so far as to call out her own son for being a fucking dumbass? Well, she's back and once again she's being involved as some kind of "double agent" in this whole thing, even though we literally haven't seen her since halfway through S2.

"Mm yes, you're so stupid, falling into my trap! Even though you had no reason to remember Kassandra anyways because she's literally a mortal woman you just met and you yourself have committed acts of violence against mortals without a shred of care! I'm so smart! My plan is all coming together!"

We've never seen Apollo do anything except cry and poop his pants, the closest he got to being "powerful" was his attempts to murder Daphne (who he seems to have forgotten about in this "master plan" of his) but ultimately he's literally just a piss ant baby and there's no reason to believe that he could somehow outmatch the God of Love who can literally manipulate people's emotions and states of mind with his arrows. But yeah sure go off, you're so powerful and smart.

The worst part is, I can't even buy this as the narrative trying to be like "see how manipulative and conniving he is?" because it's just silly. We've SEEN this man cry with his victim complex, we've seen him say and do the DUMBEST things that don't lend to any amount of "intelligence" he may have, it comes across less as him being "smart the whole time" and more as him trying to sound smart but ultimately sounding incredibly stupid. And I can't even immerse myself into it and buy that maybe that's the point, because it doesn't feel like the point, it just feels like inconsistent writing, he doesn't feel like a 'threat', he's just monologuing.

Bad art and Apollo literally just repeating what Leto already implied so this is a waste of the audience's time.

This is the funniest panel in the whole episode because I can't tell if Apollo is supposed to be in the background (for some reason, despite him literally being in front of Eros and Psyche two seconds ago) or if he's in the foreground and just REALLY small for some reason. This is so off-putting. And of course, it's just Apollo explaining what we're ALREADY SEEING ONSCREEN.

You see, in addition to this episode being contrived, it also talks down to its audience a LOT by explaining exactly what we're seeing onscreen. It's like Rachel saw the criticisms about her not including enough to depict what's actually going on in her head and so she thought the solution was to spoon feed information over pictures that are already doing the job of explaining what's going on. Rachel really doesn't know how to write and even when she tries to implement changes that reflect criticisms that have been made of her writing, she somehow makes things worse because she completely misses the point of what those criticisms are trying to get across.

Anyways, without even trying to resist (for some reason) Eros and Psyche get sentenced to horny jail.

They're now trapped in a basement that Leto somehow has in her home. How do we know that?

HAHAHA FUNNY LAMPSHADING SO FUNNNYYYYYYY

Leto claims that they shouldn't try to escape because the dungeon is "enchanted", but she doesn't even bother to explain what that means. So they literally don't bother trying. They don't try to call her bluff, they don't try to teleport out of there, they literally just go "well shoot", shrug their shoulders, and accept their fate. Just like with the whole "we can't trust the only doctor we bothered to think of" situation, Eros and Psyche are turning out to be some of the stupidest, lowest-effort characters in this comic who literally can't be bothered to try because that would require too much brain power.

Notice how much time we've spent on this and we haven't gotten back to where the cliffhanger of the last episode left off? Well buckle up because there's still more to cover.

So it turns out Hebe was still inside with her dad, in FULL VIEW of what was going on through glass which is somehow COMPLETELY soundproof, and when Apollo steps inside, she just has no idea what happened. She never bothered to even look outside to see what was going on with Eros and Psyche, she's just been sitting on the floor staring at Zeus' dead face for what was likely several minutes, unless Rachel is seriously trying to convince us that conversation and hostage negotiation from earlier only took 2 seconds. The timeline is such a mess at this point that characters basically freeze in place as soon as they're not the focus of the scene.

Apollo rushes inside, acting shocked over the situation, and when Hebe asks where Eros and Psyche are (again, she could have just looked out the window at any time), he's just like "dur idk they just left lol" which Hebe just... buys, I guess.

That's just Persephone but yellow. She's even missing her beauty mark.

See how Apollo put his hand on Zeus' chest/shoulder by the way?

Apparently, despite Mr. Smarter Than Everyone Else trying to pretend it wasn't him, he's able to discern that Zeus is dying from a toxic and rare poison just from touching him. He doesn't even really seem to use his powers, he just touches him and goes "welp he's dead i guess lol don't bother asking me how I know that".

But oh nooo remember that note from before? Well gasp Apollo's gonna use it to frame Hebe! In front of no one else at all!

Hebe of course says she didn't write it, but Apollo continues to try and frame her anyways, even though, again, there's no one else present here, and so it effectively just becomes the most absurd form of gaslighting I've ever seen.

Again, THERE IS NO ONE ELSE HERE IN THE SCENE. He's just trying to claim she did it to absolutely no one at all, in the hopes of... what exactly? That she'll just take the fall for something she knows she didn't do? That she'll somehow be convinced? It's not like Hebe has the same thing going on as Persephone where she has a 'wrathful dark side' he could pin it on, this is just a criminal who just robbed a building pointing at the first person they see and yelling "YOU DID IT!"

All I'm saying is that Apollo would be really bad at Among Us. He'd be the type of player to kill someone, hit the report button, then claim yellow did it which, even if he DID convince the rest of the team, would still get kicked anyways as soon as yellow was proven through the eject to not be the imp and everyone would go "okay cool so yellow wasn't the imp, that means obviously it's purple self-reporting." It's a trick that doesn't even work anymore because of how old it is. Hebe isn't a child here, she's an 18 year old woman who should be fully capable of raising an eyebrow and wondering why Apollo is this quick to accuse her - almost like he's trying to hide the fact that he did it.

But Hebe can't catch onto this, just like Eros and Psyche, she has to act stupid for the sake of the plot.

At first I thought maybe Rachel was trying to do some "whodunit" scenario, but that doesn't work here because we already know who did it. And while there are stories that exist like that that pull it off (ex. Knives Out) the problem with trying to do this the way Rachel did is that the person being framed has to have this thing called motive. The reason why Knives Out and Glass Onion work so well is because the person who was murdered (or conspired against) is someone who is being targeted by multiple people who could all be the murderer. It's quite literally called out in Glass Onion as a form of smart lampshading. "It's like putting a loaded gun on the table, and turning off the lights."

But it doesn't work here because Hebe does not have motive. If you're going to attempt to frame a murder on someone, it has to be someone who would have reasonable motive to commit that murder, even if they didn't actually commit it.

And who among Zeus' children has motive?

What about the war-mongering bloodthirsty god of war who has been regularly sentenced to time in the Mortal Realm to fight in wars in which he's been regularly injured?

What about the chaos-seeking wrathful goddess who would do it to get revenge on the parental figure who cast her aside, or even just for the fun of saying she did it?

Why try and pin it on Hebe, the doting daughter of Zeus who's only had a collective of maybe 20 panels in the entire comic?

But then I realized... it's not Knives Out, it's the fucking Lion King.

Which is just as contrived - if not more - than the assumption this was gonna be some attempt to frame Hebe. It's not. He's literally just trying to keep her from assuming it was him. He could have just as easily played dumb without calling attention to the note but he intentionally went out of his way to try and be Scar from The Lion King , while completely missing the point of why that scene worked in the original movie.

Scar wasn't trying to 'frame' Simba for Mufasa's murder. He was trying to hide the murder, while also attempting to get the only heir to the throne out of the picture, so he passed the guilt of the death onto Simba - a child who, unlike Hebe, wouldn't have the ability to rationalize or realize his uncle his a scumbag - who then ran away from home because he was too terrified to face his family for what happened, assuming that it was all his fault when it wasn't.

That's not how this is panning out here. Hebe is the now 18 year old daughter of Zeus, and not one of his only children. She doesn't even fit into the whole "sons overthrowing their fathers" prophecy like Aries would. Apollo is literally just being a big idiot here by saying "well I'm gonna give you a headstart to run away, because if you stay, I might hurt you" (which btw, should be MORE of a smoking gun that Apollo did it??)

And again, it's all so contrived so that the plot can move forward. "Well I'm going to frame you for this murder, but y'know, you should just leave, I'm not gonna try and press it further lmao"

Again, Apollo is a fucking idiot here, because he just attempted to frame someone who has NO MOTIVE to harm Zeus, to absolutely NO ONE at all who would side with him, only to let her go which would leave her to question why Apollo would try to accuse and harm her in the first place before considering other options. And through ALL this he claims he's the smart one, which I can't even be bothered to "love to hate" because it's written so poorly.

And really it all comes down to how everyone else behaves in relation to Apollo that makes it so stupid and unbelievable. Apollo, you're not smart just because all the characters around you are intentionally being written to be as stupid and non-confrontation as possible. If you can only write a smart villain by making everyone else stupid, you haven't written a smart villain, you've written a dumbass whose victory only happens due to contrived plot convenience. It's not even done well like in Glass Onion, it's just bad writing, full stop.

And who does he call to report this emergency? The satyr police? His son the doctor?

No.

The media. Literally just "hello, the media?? I need your best journalist here stat!"

I need you to understand, even if he were calling a tabloid magazine like The Weekly Nark, you don't just... call a journalist to report a murder. These are not the actions of someone who's trying to absolve himself of guilt, these are the actions of a complete dumbass trying to get news coverage of his trophy kill who would be better off just playing dumb instead of trying to play smart. Even Walter White wasn't this fucking stupid despite all the times he fell on his own sword, Apollo is literally just instigating suspicion towards himself for no reason at all. He's self-reporting so hard and worst of all, you can't even take any of this seriously because of how corny it is. There's no dramatic tension, no stakes, it's just a bunch of characters performing in a really bad stage play and reducing every conflict to "well I guess Zeus is just dead now because no one's bothering to make an effort to stop Apollo or ask questions lmao"

It's truly the epitome of "this plot wouldn't exist if characters would just talk to each other."

But finally, FINALLY we mention the thing this episode is named after, the transition point to Persephone.

Just like with the midseason finale episode, there's a lot to cover here, so I'm gonna get more into it in a part two post.

That said, you can see already this is the messiest, most contrived bullshit to ever wind up in LO. It's trying so hard to be smart and it just comes across as a bunch of toddlers in the world's worst stage play rendition of Clue. None of what was done here was in any way dramatic or tense, it's just a bunch of characters infodumping shit we already know, trying to set up new plot threads that don't make any sense, and allowing one another to get away with what they're doing because they don't bother to even try.

It's completely manufactured, contrived nonsense. It's not "smart", it's not "so dumb it's brilliant", it's just dumb.

[professionalchaoticdumbass]

in the past week or so ive seen a lot of people posting about how there's this oversexualization of trans girls on the site, and I gotta agree, there are way too many people (including other trans women!) who act like we're all dtf 24/7 or always super kinky and horny. I've been tired of that stereotype for ages and i am saying this as a rather sexual trans girl myself...

...but I think people are overcorrecting a bit now, and are starting to veer into "trans women shouldnt be talked about sexually / need to be shielded from it" territory. and, to me, that's really dangerous, because outside of some queer spaces - and even within them- the sexuality of trans girls is heavily scrutinized, as is attraction to us. as much as I dislike certain aspects of the memes and jokes that kickstarted the stereotypes, I'm kinda grateful for them as well. girldick jokes helped with my bottom dysphoria, voice kink shit helped me like my voice, and the whole "tgirl tummy tuesday" thing gave me a lot of confidence in my body where I hated it before. I think this open appreciation of trans sexiness has done a lot for both me and others on tumblr.

again, obviously its got its problems - people end up assuming every trans girl is horny, or only spread positivity if its related to sex with us, and of course the people who do have dysphoria from the things that are being sexualized are left out (like those the "girls without dicks are like angels without wings" memes, ugh, feels icky every time). and on the note of comparing tgirls to angels, we also started getting treated like we're ethereal fertility goddesses and that t4t sex was some inherently sacred ritual. spoiler alert, trans girls are normal-ass people and t4t sex can be holy for the participants but its generally a pretty normal thing to do as well

coming back to the "don't sexualize trans girls" posts now, I think they were initially going in the right direction, but at this point I'm starting to raise an eyebrow at more than a few of them. I'm not gonna whip out the "youre a sex hating puritan if you post about it" accusation because that is obviously wrong but again, I think people are definitely overcorrecting and starting to turn this into a (false) dichotomy when it's not. its a complex topic and each individual trans woman will feel differently about it.

(I feel like the internet just erases any nuance in favor of a two-sided, highly polarized flamewar with unrealistic views on both sides. actually i wouldn't even say this is a super-nuanced discussion because its really not that hard to say "fetishization is bad, but so is suppression of sexuality". will this post just end up being a void scream and people will continue drawing lines between one side and the other? probably. but I am a stubborn bitch and I have hope that we can be reasonable.)

anyways I'll close this off by saying that I wrote this between around 1:30 and 2 AM on terrible sleep the night before, that I hope what I said is coherent enough, and that I will keep being a trans girl who is openly sexual, gets horny over other trans women, and is proud to be transsexy as fuck. I will keep being critical of jokes and trends and memes that stereotype us, even from our own community. I will keep being angry at how poorly us trans folks are treated with regards to our sex lives, bodies, and relationships between the two. I will keep loving and lusting over trans women without fetishizing them. And I will keep doing all of these til the day I die.

[yumeka-sxf]

My thoughts on Spy x Family: EYES ONLY Guidebook (English ver) - part 3

Continuing from my previous two posts, this will be my last post discussing the English version of the SxF manga guidebook "EYES ONLY." I'll discuss some of Endo's and Lin's comments on specific chapters, some of the included concept art for the series, all the Twiyor tidbits the book has to offer, and conclude with a couple things the English version of the book omits.

Endo's and Lin's comments on specific chapters

There's at least one comment from Endo and/or Lin on every chapter of the manga from when the book was originally published (up to chapter 61). Unfortunately I can't cover every single comment, but I did want to highlight a few (more will be covered in the Twiyor tidbits later on).

So Bond wouldn't have actually died from Yor's cooking then? Good to know her cooking isn't that bad, lol. Also that's a good question, Lin, maybe you should ask Endo? 😅

Lots of great info about the cruise arc. Makes sense that they had to plan it out many months in advance and keep revising it to patch up plot holes. All that work definitely paid off! Interesting that they almost considered not having Loid on the ship at all. Glad they didn't because otherwise we wouldn't have gotten one of his best outfits! 🤣 (can't wait to see this piece of work in color in the anime!)

Incidentally, the scene Endo mentions where he "managed to make Yor look pretty cute" is this one (she does look pretty cute here).

My favorite comment of Endo's about any chapter has to be this one for chapter 56. Never change, Endo 😂

And lastly, some good comments about chapter 59 (Becky visits the Forgers).

This is one of my favorite stand-alone chapters so I'm glad it was well received. Funny how they kept going with the joke instead of ending it "normally"...but when you have such great characters and setups, good comedy writes itself!

Below is Endo's commentary about Henderson, not a specific chapter, but thought I'd point it out since he mentions Henderson is the only character he's done a shower scene for...not anymore!

Also, while not related to a specific chapter, I do like what Endo says below about Loid and Yor's "dark sides."

He enjoys drawing them this way, which is cool, but he's also cautious about not overdoing it and saving those expressions for important situations.

Concept art

Most of the pre-serialization character designs included in this book were also in the exhibition pamphlet, which I already discussed thoroughly here (wish I had remembered these were in the fanbook so I wouldn't have put so much effort into trying to read Endo's scribble notes). So I'll just mention a few of the most notable things.

As I discussed in my post about the pamphlet, Franky was at some point intended to be the uncle of the family. Though I do think it would have been fitting to make him the uncle, I also like the main focus being on just the "nuclear" family, with the uncle and other characters having supportive roles.

An interesting note about the beta version of Yor is that she seemed to be more like Fiona - she was in love with Loid right from the start, to the point of trying to eliminate Anya! I doubt this is something she would be doing all the time as it would have been difficult to make her a likable main character if she was always trying to kill her daughter...in all likelihood, she would have tried to kill Anya at first before eventually learning to love her as a daughter. While I see how this could work for an intriguing character arc, I'm glad Endo decided to make Yor a loving mother to Anya right away, and not make her feelings for Loid an obsessive "love at first sight" kind of thing.

Twiyor tidbits

Being the shipper that I am, I tried to see if I could pinpoint any Twiyor subtleties throughout the book, as vague as they may be! 😂

Below are excerpts from Loid and Yor's character pages where we're given info on their current stance about each other.

Love the emphasis on their bond of trust ❤️

Below are excerpts from chapters 14 and 35, probably the most Twiyor-heavy chapter pages in the book.

This confirms that Loid did indeed interpret Yor's kick as her not having any romantic feelings for him.

Below are comments by Endo and Lin for chapter 30, where Fiona is introduced.

Endo's line is a little ambiguous here, but I think he's saying how people sympathize with Fiona because she's "doomed to lose," which is...telling 😅 (does Fiona's loss automatically mean a Twiyor win?)

Endo says he likes the "You're strong, Yor" conversation, one of the most Twiyor-ish scenes in the series so far! 😊 Lin also mentioned how they got to use that theme again during the Becky chapter.

Weird that he chose to highlight this line of all things as Loid's "Family Comment" for chapter 10. Could this and chapter 79 be more foreshadowing for an eventual "Twilight vs Thorn Princess" showdown? 👀 Or maybe he just likes teasing fans because he knows it's something they fantasize about.

English version omissions

There's an additional Endo interview that's missing from the English version of the book: an interview with him and Kazumi Takayama, a former idol of the group Nogizaka46.

At first it seemed very odd that they would leave out just this interview, but after discussing it with others on Discord, I realized it's because it has to do with an idol. Apparently getting licensing rights for anything that has to do with a Japanese idol group is very difficult, which is further hindered by the fact that Takayama isn't even part of that idol group anymore, which makes getting the content green lit for official release overseas even more taxing. So probably Viz decided it wasn't worth the trouble and just left out that interview. But thankfully u/Nemshi on Reddit posted a fan translation of it, which you can read here. They talk a bit about SxF, but most of it is just general questions they ask each other.

And the other thing missing from the English version that I really can't understand is the inside cover! Another great 4th-wall breaking joke from Endo (I added a quick translation of the Japanese version below).

Unlike the Takayama interview, I have no idea why they didn't include this. They include the inside cover as an extra page in all the English volumes, so why not here? Very weird.

---

And that's all I'm going to share for the "EYES ONLY" fanbook! Honestly, there's so much great content in the book that I didn't touch on, like info about East/West relations, about Eden Academy, Endo's comments on all the designer chairs for the volume covers...and lots more. So definitely get a copy yourself if you can! It's a must-have for any SxF fan 😁 Books like this aren't officially released in English very often, so the fact that Viz thought it was worthwhile to make this proves how much of a hit SxF is!

<- Return to Part 2

[brainrot-stitch]

AHAAA I FINISHED IT WOAHHH i usually don't finish art things omg...

Anyways current sabre design!!! (It will probably change bc I can NEVER make up my mind on any design ever sob)

He's such a goof :3 (IM NEVER DRAWING THAT RAINBOW ELYTRA AGAIN IM CRYING)

Anyways some headcanons below cuz I feel like yapping :3

-rainbow totally would have gotten him and sabre friendship necklaces (yk the matching kind with magnets that come together n all) and after knowing lucas for a bit he woulda made friendship bracelets !!

-like that one person I reblogged said, he's such a mad scientist he's so silly omgg

-i love the reincarnation au SO MUCH its literally fire but in normal headcanons I think he used to be part of the creed and an assasin and ermm

Basically I headcanon his whole assassins creed series was basically his backstory before starting to do research on these 'steve' entities

-when nervous/anxious his footsteps will be completely silent out of habit from the whole assassin thing, and he'd obviously do it when purposefully trying to sneak (he has probably scared rainbow or Lucas multiple times by doing this..)

-I'm not sure weather to headcanon that his wings were damaged by a steve really early on in the steve saga (like before rainbow could speak or maybe when dark was still pretending to be blue) or if it was smth that happened when he was still an assassin but it's one of those!!!

-hes an avian.. heh... if u couldn't tell from the ref sheet.. but NOT a chicken!! The chicken jokes are just bc of the hoodie and bc his feathers look a lil similar :3

-he has like 2 of the same chicken hoodie he'll wear most often but still has some normal outfits AND assassins outfits and weapons he keeps away (most are green or have some sort of green in them heh.. I might draw that later)

-ok ok ok I have so many eye headcanons it's so hrggrrrrh the main one tho is one I snatched from the reincarnation au and that's that he doesn't have eyes!! Bc of an injury or sum and he js says he has sensitive eyes and the bandana fabric is see through up close.. but he can still see bc he's a player and the way players work is weird. Other headcanon, green eyes. Other headcanon, brown eyes. Other headcanon, heterachromia green and brown eyes. Other headcanon pure white eyes. Other headcanon code eyes. Other headcanon (gets hit by a bus)

-if we r going with the reincarnation au for the eyes, I feel like only rainbow and Lucas would know, if we're going with the others, I'd say rainbow, Lucas, Alex, galaxy, and maybe the guardian (I forgot if that's what he was called or not) would know. If we're going with the code eyes, then only lucas would know

-not sabre specifically but I feel like steves in general wouldn't be very used to or know but about blood/gore stuff, bc they're more used to being destroyed/poofing, and later on being destroyed through a machine. Being actually killed by a sword or something of the sort they are not used to seeing, and are very touchy on the subject

-on that note I imagine if there's like a steve that's immune to most or all other steve powers and or machines that they're trying to get rid of and arguing on what to so abt I imagine sabre being like "oh 1 sec I got this" and boom that mf DEAD 😭

-and they'd b like 😰

"Guess we're gonna have to kill this guy sabre" "damn"

-ermmm silly billy activity...

-I feel like he'd know a lot more than the other steves on things like the nether and end (not end city tho that's a whole other mc headcanon I don't feel like yapping abt rn) bc those are the dimensions players have access too and steves usually dont.. so they'd b like "WTF SABRE WHAT R U DOING THAT IS A LITERAL HELLSCAPE WITH LAKES OF FIRE AND MONSTERS WEVE NEVER SEEN BEFORE FYM U CAN GET 'NETHERITE' THERE" and he'd b like "well don't go in the fire then and it anything attacks u kill it ig" (not actually sob.. I feel like only he and Lucas would go there bc most steves r hindered greatly by lava and the only ones we've seen that aren't are bad guys if my memory is correct)

Ermm I have more but I'm eepy and can't remember so those r for another day!!!

Reblogs>likes

Don't post my art to other platforms without my permission pls x3

[rogueddie]

Steve has always loved his little Christmas town. The snow, the chill, the lights. The little elves are sweet too. Everyone in his town is just... lovely. He can't think of another word for it. They are simple lovely.

But Steve is... curious.

They are all told to stay in the town. They are all told about how bad the woods are. They are all told about those who would wonder in and never come out. Rumors of monsters and man eaters...

But Steve is curious. The stories only make him want to see what's inside even more. And the more he thinks about the woods, the adventure, the curiosity... the more dull his little town seems.

Christmas is lovely, Steve knows that. Steve loves that. But Steve is bored of that.

So, he goes into the woods.

For a while, they're just woods. Steve starts to wonder if the rumors are just that- rumors. He starts to wonder if the stories were made just so people wouldn't go looking for made-up things and get lost.

But, a few moments later, he comes across a clearing. It's just a big, round, empty space. There's twelve other paths, leading in different direction. They all look vaguely the same- though a couple do look bright, just like the path Steve just came down, and one looks dark.

The dark path stands out in stark contrast to the others. It makes Steves curiosity raise it's head once again.

The path is normal, at first. Just a little dark, shadowed. But the longer Steve stays on the path, the more macabre it gets.

The trees start losing their leaves, bare dark branches curling out into the path like clawed hands. The shadows seem to move, dancing around him with what looks like curiosity. The orange leaves on the floor get louder, more frail... more dead.

It feels like a shorter path. He reaches the end faster than he thought he would and when he does...

The town at the end of the path is as opposite of his little home town as he never could have imagined. The first thing he sees is a graveyard and, hiding behind a tree, a ghost dog floating by. There's cobwebs and dead flowers on the graves.

But, given the look of everything else, he suspects those things might be respectful here.

He creeps around the edge of the woods, until he reaches the buildings, which are easier to duck behind. He makes his way deeper into the town, slowly, trying to stay hidden.

He's not exactly surprised to be caught, but the throat being cleared behind him still makes him jump.

The person is about the same height as Steve, but that's where the similarities stop. The person has pale, near white skin. Dark eyes that look almost sunken, circled by black shadows. Their long, dark hair only makes them look more pale in contrast. The fact that it's moving, without any wind, adds to Steves intruige.

He's never seen an outfit like the one this person is wearing either. Almost completely black, only small amounts of blood red, greys and silver chains to contrast. The jeans he's wearing too have so many tears, but there's markings on the skin that peaks through.

"You look a little lost," they say with a smirk.

"Oh, uh, sort of? I'm not... from here."

"Obviously," they snort, eyeing him.

Steve looks down at himself and... yeah. A white polo with pastel stripes and pale blue jeans? "Right, yeah, sorry. It is pretty obvious."

"How did you get here, lamb?"

"The woods."

"You went into the woods?" Their eyes widen, leaning forward.

There's a quiet hiss, drawing Steves attention to the ends of his hair- to the snakes starting to raise their heads, turning their eyes to Steve.

"You- you have snakes for hair?"

"Yeah! They're lovely, you don't need to fear them."

Steve looks them over for a moment. Before raising a hand a little. "Could I... touch them?"

"Of course."

"Are they ok with that?"

They make a noise- a sort of low grumble. And, for a moment, Steve worries that he's said something to upset them. But they step forward, closer, the snakes curling forward into his raised hand. They curl around his hand, seeming to rub against him like a cat would.

The person is smiling.

"Thanks," Steve says, clearing his throat when his voice cracks, face flushing. "They're... very nice."

"You're scared of them," they say, but they're grinning, excited. "I'm Eddie, by the way. Local weird guy, even in this place."

"Steve," he gestures to himself. "I'm just, uh, the usual in my place."

"But you're... well. Anyway. You probably shouldn't stay too long. If little ol' me made you jump, this place might give you a heart attack."

"You're not that scary," Steve straightens up, defensive, frowning.

Eddie snorts, fingers brushing Steves cheek. "Anyone else around here would take that as an insult, Stevie."

"Oh... uh, sorry, I just-"

"No, don't worry. It's sweet." Eddie clears his throat, gently coaxing the snakes into letting go of Steves hand. "Come on, let's get you home."

It's easier to sneak back to the woods with Eddie. He often presses up behind Steve, blocking him from sight with his own body. It means they don't need to keep ducking behind cover every time.

But, by the time they reach the woods, Steve is... he's not sure how he's feeling. But he doesn't want to leave. Not yet.

Eddie gently pushes him into the woods, along the overgrown path, keeping a gentle hand on his lower back. He walks alongside him, probably making sure Steve does actually go back home.

"What if it's not safe?" Steve stops. He hopes he doesn't look as desperate as he feels. "Maybe... maybe it'd better if I stay here for a little bit. Until we're sure. Or something."

"Steve-"

"Just one night! Like... it's better to be safe than sorry, right?"

"Steve. You don't need to worry. I'm gonna stay with you, ok?"

"But when-"

"I'm gonna stay with you."

Steve stares at him for a moment. "The whole way?"

"The whole way."

"Ok," Steve says quietly, continuing to walk, ducking his head to hide his smile when Eddie puts his hand on his back again.

Steve struggles to start making small talk but, thanks to Eddies unusual responses, he's easy to talk to. And it's not the same boring, repetitive stuff those in his home town would fall back on. Although, Eddie seems just as curious to hear Steves response to those, turning his questions back on him.

It feels like no time at all until they reach the clearing.

"Have you gone down any of the others?" Eddie asks, turning as he eyes all the different paths.

"Just yours." Steve glances at some of the others. "We could come back... check out the others?"

"Fuck yeah. You wanna try and check them all out? One a day? Wait, which is yours?"

Steve looks back to Eddies path, counting back. "This one."

"How much am I gonna stand out?"

"A lot... you don't have to come the whole way, you know?"

Eddie scoffs, bumping their shoulders. "Nah, I'm committed now. Plus... in all honesty? I kinda like the soft shit. Like, that's why I'm the weird one. Spooky and scary and dark is great! Don't get me wrong, I love creepy stuff. I love my snakes. But... sometimes a warm sweater or something clean, or light, or... soft... that's nice too."

"Yeah... yeah, I know what you mean."

"What, you like spooky and soft stuff?"

"Why do you think I went into the darkest path there is?"

"You just get more and more interesting..."

Steve is sure that the path home is shorter on the way back. He's not sure how, but he's sure that it is. He doesn't say so to Eddie, just makes a mental note of it.

Eddie is frozen at the edge of the woods, eyes wide and mouth open, looking around at everything.

"Uh," Steve clears his throat, bringing Eddies attention back to him. "Merry Christmas?"

"Is it like this all the time?"

"Yeah, pretty much."

"Oh, Stevie, it's so pretty." Eddie laughs, a little breathless. "I was so fucking right, holy shit."

"Right about what?"

"You are far too lovely to be the usual, even here."

part 2

[inlovewithpandora]

- My Heart -

Pairing: Aged!up Tsireya (18) x fem! Metkayina!deaf!reader (18)

Synopsis: You and Tsireya have been friends for years and you’ve always wondered if she liked you. You felt like there was a spark between the both of you until something happened and blew the fire away… or did it?

Content: childhood friends to lovers, slight angst, miscommunication, a little hurt w/ comfort, super fluffy, kiss at the end, courting gift, courting proposal

Author’s Note: This only took me two days to write! Writing for Tsireya is so fun for me, Im going to try and write for her more often! (So if you have requests for her feel free to send them in)

- ‘Sentences bolded and italicized indicates signing’

- Please excuse any mistakes!

Word Count: 3.2k

Glossary: Tsakarem - Tsahìk in training || Skxawng - idiot,moron || yawntutsyìp - little loved one, darling || Olo'eyktan - Clan Leader || Tsahìk - Spiritual Leader

Extra: requests are open! Please read rules prior to requesting!

Links: Navigation || Masterlist || Taglist

Ever since you were a small child you knew you were different. You couldn't hear the ocean waves crashing into the sand, the laughter of children playing, or the voices of your parents when they attempted to communicate with you.

When your parents noticed that you didn't react to loud noise, them calling your name, or anything else related to hearing they immediately took you to the Tsahìk hoping that she could cure you.

Ronal tried multiple rituals, herbs, and techniques but nothing was successful.

That's when you were deemed deaf.

You were never mad or sad that Eywa made you this way. You felt like the Great Mother blessed you with a deep connection to her world. You always believed that not having one sense heightened your others.

Wherever you looked or touched you could feel her presence. The wind gliding across your skin, the coolness of the ocean water as you swam around, looking at the beautiful aquatic creatures, and the way your body absorbed the sun's warmth.

You admired every aspect and detail of Pandora.

You always loved collecting shells and incorporating them into your latest hairstyle, weaving them into necklaces, bracelets, or gorgeous headpieces.

Growing up you didn't have many friends due to your condition. Children in the village weren't fond of being your companion because they felt like you wouldn't be able to keep up with them.

You and Tsireya met for the first time when both of you were ten years old, she had seen you walking around the village multiple times and she always wondered why you were alone. One day Tsireya and Ronal were walking to their marui when Tsireya saw you from afar, sitting in the sand drawing different images with your fingers.

"Mother, why is she always alone? Why doesn't she talk to anyone?" Tsireya questioned her mother

"She is deaf yawntutsyìp therefore she cannot speak since she's never learned how. Whenever someone tries to speak to her she can't hear them" Ronal knew how much of a loving and caring heart her daughter had and she knew that Tsireya wanted to get to know you, "Maybe you should go play with her one day, I know she would love your company"

And the next day Tsireya came up to you in hopes to create a friendship. You were doing your normal routine, playing in the sand. As you drew pictures of your favorite fish you felt a tap on your shoulder which startled you a little. You turned around and came face to face with Tsireya, 'Hi, I'm Tsireya what's your name?' she signed to you with a friendly, bright smile

'I'm y/n'

'Do you want to make necklaces with me?' Tsireya gestures to the basket next to her filled with woven string, shells, polished stones, and other materials.

You were surprised by her offer. That someone wanted to do an activity with you, especially the Olo'eyktan's and Tsahìk's daughter, 'Yes I would like that. Necklaces are my favorite thing to make' you sign to her, feeling a sense of excitement swirl inside you.

Tsireya sat down next to you and placed the basket in between both of you and began to create beautiful necklaces to wear around the village. That was one of your favorite childhood memories, the day you made your first friend.

—

After that day, both of you were inseparable from each other including today. Both of you were now eighteen and were still stuck to the hip. Every day you and Tsireya spent together her heart filled with love for you.

She loved watching you teach young Na'vi children sign language. The way you were patient with them, the excitement on your face when they mastered a new word or sentence, and the passion you showed while teaching them new things.

You and Tsireya would spend any waking moment together. While Tsireya did her clan duties she would always ask you to tag along with her and of course, you didn't mind. Some days while her and Ronal would work on creating new healing herbs you would sit in the corner quietly, just observing, and sometimes Ronal would let you assist.

Tsireya had such an effect on you. The way your body tingles when she taps you to get your attention, the way your heart skips a beat when she signs your name gracefully, and you absolutely loved it when both of you would sneak out at night and stargaze under the beautiful moonlight.

Even though you had love for her, you never wanted to admit it out loud. You felt like Tsireya could do so much better than you. Multiple people wanted to be Tsireya's future mate which you knew. She had multiple potential suitors, hearing suitors.

Your deafness made you feel inadequate because you would never be able to hear her speak sweet nothings to you, if you ever decided to adopt children you wouldn't even be able to hear their giggles, and if they got hurt you couldn’t speak comforting words to them. Just the thought of it that and more made you feel insecure that you couldn't provide Tsireya what she deserves in a significant other.

For the past few weeks, you and Tsireya haven't been spending as much time together, due to her teaching the Sully children the way of water. You wished you could see her more often but you knew she had a numerous amount of duties due to her being tsakarem.

Since Tsireya wasn't around as much you've been spending more time with Ronal, helping her with her duties which she didn't mind because she loved having you around.

'y/n go get Tsireya for me, she should still be at the beach teaching the Sully children' Ronal requested as she organized her collection of herbs.

You nodded in response, pushing yourself on your feet and began walking towards the beach. As you walked you were getting slight butterflies at the thought of seeing Tsireya. You haven't seen her all day so you were anticipating seeing her beautiful face and feeling her touch.

As your feet planted on the sand you begin to look around for Tsireya but you didn't see her, as you wander around the beach you ran into Ao'nung, 'Ao'nung, have you seen Tsireya? Your mother is asking for her' you signed to him hoping he could help you with your search for his sister

'Oh yeah her and that skxawng are over there' he signed with an annoyed look at the mention of Lo'ak

'Okay thank you' you begin to walk over to the place Aonung said Tsireya was.

As you walk to the other end of the beach you see Lo'ak and Tsireya sitting next to each other. Right when you were about to make your presence known and walk into their line of sight you saw Tsireya place her hands on Lo’ak’s chest.

When you saw the way Lo'ak looked at her, the way his eyes frantically tried to avert her gaze as he blushed made your face contort. The way Tsireya touched him didn't seem platonic, it seemed loving, the way you wanted her to touch you she touched him and it made you feel multiple emotions at once.

As you continued to watch them your stomach began to churn. Watching the person you love be with someone else in this way made you feel disgusted. You couldn't believe that she was into Lo'ak, she never said anything about him that gave the notion that she liked him so you were taken aback.

You could see Lo'ak begin to lean in and that just sent you over the top, you had enough. You turned your heels in the sand and stormed away. Knowing that they were kissing right now made you feel an agonizing pain in your heart, you felt so stupid for having feelings for Tsireya when you knew that her heart could belong to another.

You felt dumb for thinking someone, thinking Tsireya, the next heir of the Tsahìk title could ever love someone like you.

You didn't even walk back to Ronal's marui. You went to your marui instead and began to sulk, cry, whatever you needed to do so this melancholic feeling could subside.

—

You've been avoiding Tsireya for almost a week now. Every time you say her even attempt to walk in your direction you turned the other way. You couldn't even look at her without seeing an image of her and Lo'ak, the thought of her loving him made your skin crawl.

Currently, you and Kiri were talking while sitting at the pier, 'Kiri I love your shawl, your going to have to show me how to make one'

'Yes, of course, you can come by my mauri tomorrow and I'll show you'

As you and Kiri continued laughing and conversing your mind couldn't do anything except drift off to Tsireya. As much as you wanted to get her out of your head you couldn't and thinking of her not seeing you the way you saw her just made you feel sick to the stomach.

'y/n what's wrong? Are you okay?' Kiri noticed how your once happy expression turned downcast in a matter of seconds

'I saw Lo'ak and Tsireya together almost a week ago' As your hands moved your eyes held nothing but sadness, just talking about the situation made tears want to evade your eyes.

Kiri saw your expression and she was slightly confused, she didn’t understand why you would be saddened by that, ‘Why is that bothering you?’

‘Because…’ you hesitated on signing the rest of the sentence. You felt like if you signed it, it would feel too real, ‘I like Tsireya but she doesn’t like me back’

It all clicked for Kiri, she noticed how you’ve been avoiding Tsireya and it all made sense to her, you were lovesick, ‘oh y/n, I’m so sorry come here’ Kiri pulled you into a hug, rubbing your back in a comforting manner.

As Kiri comforted you, you could see someone walking in the distance. Once the person got closer you could see their face. It was Tsireya, the person you didn’t want to see.

you pulled back from Kiri’s embrace and pushed yourself onto your feet, 'I'm sorry Kiri, I have to go' As you signed your eyes began glossy from unshed tears. If you stood there another minute you felt like you would breakdown completely so you just took off.

As Tsireya watched you scurry off it made her ears pin to her skull, she couldn't understand why you'd been avoiding her. She has missed you dearly. She missed hearing your laugh and watching your face light up with a smile. She couldn’t understand why you’ve been so distant all of a sudden so she was determined to get to the bottom of it.

She walked up to her Kiri and began to ask her questions, “Do you know what’s wrong with y/n? She’s been avoiding me and I don’t understand why”

“Well… I don’t feel like it’s my place to say…” Kiri didn’t want to out your feelings because she didn’t know if Tsireya knew how you felt about her or not.

“Please Kiri, I need your help” Kiri could hear the desperation in her voice, she knew that Tsireya really wanted to know how to fix it with you.

“All I’m going to say is talk to her. The reason she’s avoiding can be fixed with honest and open conversation”

“Okay, I’ll go talk to her, right now. Thank you Kiri” Tsireya began to walk around the village with a determined look on her face, trying to find you so she could make this right.

—

You were sitting on the edge of your bed crying, wondering why you felt so upset about this. You knew that Tsireya could have feelings for another person but deep down you hoped to Eywa it was you, that she felt a burning desire for you.

As the tears flowed freely down your cheeks, you began to see a shadow of someone walking inside your marui. When Tsireya walked in she saw you frantically wiping your tears which made her feel a twinge of pain in her heart.

‘Why are you here?’

‘Because I haven’t talked to you in almost a week, you’ve been avoiding me and I want to know why’

You began shaking your head. You didn’t want to tell her because you felt like it didn’t matter. You figured there was no point in telling her your true feelings if she didn’t like you back, ‘No Tsireya, I’m not telling you’

Tsireya's face began to contort into a confused expression, ‘Why not?’

‘Because it doesn’t matter anymore Tsireya’

‘Why doesn’t it matter? Tell me, I want to make this right, I want to know what’s bothering you’ Tsireya placed her hands on your shoulder, gliding her thumb against your skin lightly.

Oh how you missed her touch, the way her hands felt against your skin made you want to melt into a puddle but all you could do is think about how that same hand was on Lo’ak, ‘Stop Tsireya’ you stand up abruptly and walk over to the other side of your mauri. You could feel all the sadness stir into another emotio, Anger.

‘Stop what?’

‘Touching me, just stop okay?! Why don’t you go and touch Lo’ak!’ Your hands were being to move at the speed of light, the more you signed to her your heartbeat began to increase.

‘Touch Lo’ak? What are you talking about?’

‘I saw you and him at the end of the beach, you put your hands on his chest and then he leaned and… kissed you’

‘y/n wait that’s not-’

‘You know I really thought you could like me, that you would see me the way I see you but it’s clear that you like him instead of me. I feel like such a skxawng for thinking you would want someone like me, someone who can’t even give you what you need in a mate’

From this moment there was no going back for you, you were starting to ramble and there was no possible way to take back any of your words. You didn’t want her to find out that you liked her this way but it was too late.

‘You deserve someone who can listen to your problems. Someone who can vocally tell you words of love and affection, someone, who has the same abilities as you and I can’t provide any of that’ Your hands began to shake as you signed, sobs began to try and emerge from your throat but you tried your best to reduce them.

‘I know you love another and I can’t help but be upset, I can’t provide you with things as he can and it makes me feel horrible’

The only thing Tsireya could do is shake her head, the way she saw you talk about yourself saddened her. She feels dumb for not telling you her true feelings before. She felt like if she would’ve admitted her fondness for you this whole thing would’ve been avoided.

‘y/n, I do not like Lo’ak’

‘You don’t?’

‘No, what you saw was me working with him on his breathing lessons and he interpreted it as flirting. When he leaned in attempting to kiss me I told him that my heart already belonged to someone’

Tsireya walked up to you and placed your hand on her chest, letting you feel her heartbeat.

As your hand made contact with her skin, you felt shivers run down your spine. The anger and sadness you felt in your heart were replaced with joy, the joy that your assumption about her liking Lo’ak was false.

‘My heart belongs to you, it always has. From the moment we met as children, I knew you were special and you are. I do not need to hear you vocally speak because you speak to me with your heart. I don’t need to hear your words when I know they are genuine and kind. I don’t need your words when just your touches and your presence is enough, all I need is you y/n’

As you saw Tsireya’s words, seeing how she felt about you made you become overwhelmed with emotion. Your lips began to tremble as you attempted to hold yourself together. This was the moment you’d been waiting on for years, to know that Tsireya loved you just like you loved her.

‘You are not inadequate because you can’t hear like me, it only makes you unique from everyone else. The way you see the world is amazing. The way you care for Eywa, our clan, the young na’vi you teach’ Tsireya takes a small breath, feeling a tear fall down her cheek, ‘The way you love and care for me speaks volumes to where you don’t have you to’

‘I can’t fathom living this life another second without having you by my side…’ Tsireya reaches into her pouch that is around her waist and pulls out a beautiful necklace adorned with small iridescent seashells and delicate beads.

‘I would love nothing more than to court you’ she smiles brightly, the same bright smile she gave you eight years ago when she introduced herself to you. She was still that kind and patient person you meet many years ago, she was the same person you fell in love with.

Your stomach immediately began doing backflips, it felt like butterflies were fluttering inside you. The thought of Tsireya courting you made your heart swell to an unreasonable amount, ‘I would love for you to court me, nothing would make me happier Tsireya’

Tsireya's tail began to swing excitedly behind her, she was filled with bliss that you agreed. As you noticed the movement of her tail it made you let out a small laugh. The same laugh that Tsireya missed, the laugh that could brighten up her day no matter the circumstances.

‘Can you put the necklace on me?’

‘Of course, I can’

As you lifted your hair Tsireya placed the necklace around your neck with ease. You rubbed your fingertips against the smooth shell and all you could do is smile. You couldn’t believe Tsireya just asked to court you, everything happened so fast but everything felt so right. You wouldn’t want it any other way.

As Tsireya stood in front of you her oceanic eyes were staring at you in awe, she couldn’t believe that she had someone as beautiful as you. She felt like the luckiest Na’vi on Pandora to have you.

To her, you were one in a million.

Tsireya gracefully moved her hands up to your face, gently caressing your cheek. Your breathing began to increase slightly, you were in anticipation about what was going to occur next.

Tsireya pulls you into her, pressing her lips gently on yours. As your lips collided you felt a warmth fill your chest.

The kiss was soft yet fiery.

You could almost taste Tsireya’s desire for you on her lips, it made you feel amazing that you could make her this happy and that she felt loved by you.

When you and Tsireya finally broke the kiss you felt the need to gasp for air, you felt breathless yet you loved every second of what just occurred.

As you looked at Tsireya her cheeks were painted bright red, you could tell she loved the kiss just as much as you, ‘I see you y/n, I’ll forever see you’

‘I see you, my heart will forever belong to you’

I hope you enjoyed💗!

Previous fic

Like, comments, and reblogs are highly appreciated💗!

A/N - I’ve been wanting to write a fic like this for a while and @ghoul-bonez convinced me to finally do it! Check out her story ‘I love you, I see you, I trust you’ (Ao’nung x Fem! Deaf! Sully! Reader)

- Also let me know how y’all feel about this type of story because I have more character x deaf!reader ideas

Taglist: @number1gal @liyahsocorro @iwantjaketosullyme @fanboyluvr @kapyzkms @ladespedidas @navegaluv @teyamsbitch @haileymsstuff @onlyloaksgf @kierys-blog @myh3artttt @julyytsireya @gamerxpfighter @h3l3na-pandora @skyv-n @potatoknishesofficial69 @downbadforloak @yetanotherattemptatanaccount @yeosxxx @bakugouswaif @hc-geralt-23 @iluvpandorawomen @myheartfollower

©️inlovewithpandora ━━━ 𝟐𝟎𝟐𝟑 | All rights reserved. Do not repost, reupload, translate, modify, or claim my work as your own.

[saltymongoose]

Hi coming in with another silly idea Imagine that the Player is in early Nevada, and around the time Nexus is supposed to fall they fall into a type of coma. Jeb goes through with his plan (painfully without the player by his side), Hofnarr turns into Tricky with his last thoughts begging for the Player to come back. Phobos' fight being much more easy due to the fact he thinks his god abandoned him. Then the Player comes back like "hey sorry about that" and Jeb starts wailing while Tricky goes YIPPEE and runs around them like an excited dog.

Why is everything you draw so cute omg 😭, everyone is so adorable here. It's honestly a little weird to see the Employers look so huggable, I love it.

To actually get into the scenario though, my thoughts on this are far too long to make it into a normal ask response, so you're getting some sort of unofficial hcs instead lol. Enjoy!

<The Player Falls into a Coma before the Fall> ft. Jebus, Hofnarr/Tricky, the Employers & Phobos

(TW: Yandere)

There was no warning for your sudden coma whatsoever. At most, you felt a tad more exhausted than usual at the end of the day, but this can be attributed to many different things, so of course you wouldn't worry about it. Neither would anyone else either, for that matter.

You had absolutely no idea that when you slowly fell asleep that night, you wouldn't be waking up again for a very long time.

It certainly wouldn’t take long for those you know to find out about your condition either. For one, Hofnarr and Jeb would want to recap their plan with you before going through with it, so naturally they stopped by for that. However, they find you unconscious and completely unresponsive to their every attempt to wake you. To make matters worse, there isn't a sign that you'd been awake at all in the past few days; the buildup of dust on your furniture and the letters in your mailbox shows as much.

Despite their worry, they’d eventually have to leave your side, if only to get more medical supplies and other things to help you. This opens up a window for the others in your life to finally take action, those being the Employers.

The shadowy figures had been keeping tabs on you all the time, so when you just didn't wake up, they would probably be the first to know - even if their actions came second to the Nexus Scientist's.

(You didn’t send the Deliberator a “good morning” text and he started panicking. What could possibly be so bad that you didn't speak to him? A cursory call to the worried AAHW agents the Auditor had sent to tail you was proof enough that you'd deviated from your usual schedule, and you weren't the type to ever be late.)

They were quick to take you from your home and to a more secret place, so that they could keep close observation over you.

Honestly, despite how much the Employers might brag about knowing you better than anyone else (a privilege they gained from being the first to realize your existence), they truly know little about your anatomy. However, they can tell that sleeping for full days isn't normal at all, judging by your previous behavior.

They're also far too stubborn to ask any other mortals for help as well, so they simply resigned to try to help you themselves while keeping you safe with them. They couldn't do much else, so hopefully you'd understand that once you awoke in a strange place.

Nevada rots without your guidance and the grunts you were close to were left reeling by this (unintentional) abandonment you committed.

Phobos loses much of his drive due to his own emotional frailty as he grappled with his uncharacteristic self-doubt and questioning. As it happens, this also makes him more zealous as well. In his last moments, he has a second wind, believing that if he just fights hard enough, you might decide to come back and help him in his battle against Christoff. (But you don't. You couldn't.)

Jebus' feelings are surprisingly parallel to the Director's in terms of worship and near zealotry. Except, he believes it might be his fault that you left, which only increases the fervor he has to complete his plans. It will be painful without you there, but this agony is his repentance for the sins which he has wronged you with. It is only through this that he believes you might show your presence once more, even if it’s not now.

Unfortunately, Hofnarr's transformation into Tricky was just as painful as it would be otherwise, and the pain of abandonment just makes it worse. Funny, how the pictures taken of you with him and Christoff were miraculously unscathed within Hofnarr's lab even after Tricky came to be. The zombified clown must have found some value in them, even if he couldn’t remember the complete reason why he felt so warm when he looked at them.

Of course, you did actually awaken eventually. You had no idea how much time had passed when you woke up, so seeing the Employers look so uncharacteristically worried when you woke up was really odd. You honestly think they’d be weepy if they had the ability to cry.

You really didn’t know how to react to the news that you’d essentially been in a coma for thirty years. Your first course of action is to find Jeb and Tricky to find out what actually happened since you feared your early appearance might’ve had an impact on the timeline regarding Nevada’s fall. This leads to very different reactions.

Jeb isn't one to typically show much vulnerability, but seeing you again completely shatters those walls he's kept up for so long. At first, he thinks you're just a hallucination; the culmination of all the longing he has for you finally taking its toll on his broken mind as almost a cruel joke. 

The first words he speaks to you after thirty years is a short, "You're not real", said as more of an insistence to himself than anything. But when he comes closer and you don’t disappear, and he reaches out a trembling hand to rest lightly on your shoulder, and you stay, he just breaks. The warmth of your form washes over him like it used to, and suddenly he feels an uncomfortable tightness well up in his throat as tears gather in his eyes.

You reach up to hold his taller form closer to you, sinking to the ground with him as he buries his face into your neck and sobs. His hold on you is soft, and his hands are still shaky; he's holding you like he's scared of shattering you, and he only gets weaker when you whisper soothing words and apologies to him.

Compared to Jebus, your meeting with Tricky was a lot more upbeat. It’s probably because he was spared much of the reflection and sorrow that Jeb went through due to his rather unstable mental state, but that didn’t stop him from somehow recognizing you. It’s almost like a switch flipped in his mind, and he went from violently slamming his sign into some poor grunt's face to freezing at the sight of your face.

He then tosses the sign away and almost launches himself at you to envelop you in a tight bear hug, screaming excitedly while you grin back rather tiredly. (You hope your eardrums will be okay after this.) But in the next second, he's whirling away from you, flailing his hands as he continues to talk.

It’s like being greeted by your dog after being away for months; he never stops moving or asking hurried questions about where you’ve been, intermittent with little words about how much he’s missed you.

Both Jeb and Tricky are very clingy after this. Even if they don't get along now, they're not willing to let you leave their sides after this, especially not when you go to sleep. (What if you fall into a coma again? Someone has to be there to take care of you.)

Deep down, they also have a striking suspicion that someone was behind your coma. They didn't know who exactly, but there was no other explanation to them than this. How else would you, Nevada's most powerful being, fall into such a state?

(In the near future, when you come across Hank and the others, let's just say that your scientists won't be deterred from leaving your side quite so easily. You'd been gone for thirty years, so you should only expect their companionship to remain more permanent for the coming years.)

[novelizt]

THE COMPLICATIONS OF A FAKE ENGAGEMENT ☁︎ ANTHONY LOCKWOOD

⚜ PART TWO

GENRE ➺ fluff + hoax engagement

SYNOPSIS ➺ you shouldn't be that beautiful in a bridal gown for a wedding that's fictitious to begin with

WARNING ➺ fem reader

DISCLAIMER ➺ I haven't read the books so the characterization/alignment in the books may not line up and it's been a while since i've written anything. I hope you enjoy it anyway!

NOTES ➺ inspired by the try-on wedding gown scene in “extraordinary attorney woo”

   When a 17-year-old signs up to be a ghost hunter, the last thing she expects is to wind up in a bridal boutique. Especially not with her employer improvising the role of her fiancé.

   Lost between fabrics of silk and satin is the story of how you ended up here. You're on the brink of insanity when Lockwood finally does his job as your make-believe fiancé. Chipping in with a compliment, blowing kisses, and raining applause. On a normal day, you could act as if all this was fine and that the flurry of frivolous women weren't tiring. But the dresses were heavy and the lights were blinding. You had his ring, and the look on his face was convincing—but twelve dresses in, and you were ready to crumple into a heap.

   "Why the rush to marry?" Kelly—you think her name was—asks. She was the ringleader for the entire dress-fitting business.

She tightened the corset around you and clipped the fabric around your bust tighter. You couldn't even speak! Luckily enough, Lockwood took note of your lack of oxygen and answered for you. "We're trained agents."

   Kelly pulled the cinches tighter. You wheezed your last wisp of air, gripping the fabric for release. "As in the paranormal kind?"

   Lockwood's eyes shone with pride. "Exactly that! You never know what could happen on a case. Might as well marry while we're breathing, no? Oh- please let my girl breathe, she's turning blue."

   The corset loosened and you sagged in visible relief. Nodding in acknowledgement, you said, "Many thanks."

   "No worries, darling. Wouldn't want you dying before the flower picking." He smiled at you, and you withheld the urge to glare at him. "Have you found what you're looking for, love?"

   You look at the rack and consider just lying... but there was a reason you were here. Judging by his still jumping knee, he hasn't found evidence at all.

   Signing yourself to your fate, you sighed. "No..."

   Kelly jumps with glee. Dragging you behind the curtains before Lockwood could get another word in. The last thing you see of him is a grateful grin. He disregards the simper you throw his way.

   When he's sure you're distracting Kelly, he slips back to the file rooms. Shuffling through documents whilst keeping his ears open. It's not that hard to guess whether Kelly got you into another gown or not. The woman is exorbitant and loud.

   He's got his hands on an incriminating sheet of evidence as he hears it. Kelly's compliments and your terrible attempts at buying him more time. Lockwood stuffs the sheet into his coat pocket and breaks for the lounge. In time for the velvet curtains to draw.

   His eyes are adjusting to the brightened lights again. Yet, all is right when you're unveiled. Sheets of ivory silk rolling down in waves curl around your figure like it's made for you. It's less extravagant than the previous choices but it highlights you the best.

   Whatever fake reaction dies in his throat and his jaw hangs open. Eyes leading up to your giggling face as Kelly pushes a row of spray roses into your hands to "complete the look." He knows all this is pretend. He can't help but wonder how different it would be if ghosts and ghouls didn't invade the world. If the pair of you were a normal boy and a normal girl. If you two weren't 17 and only here for another case. If you were actually dressed in that ivory gown, coming down an aisle as red as the curtains. In an alternate world, would it be reality?

   He's considering the probability of it when you drop the roses to your midsection. Allowing his mother's old ring to gleam in the light before he pulls his eyes right back to you. He reads, "Have you found what you're looking for?" from your lips, and like a puppet on a string, he nods yes, and he's sure he mutters the word, too. But he's not thinking about the evidence in his pocket. He's thinking about you in ivory, and how much better it would be if you were his real bride instead of his fake one.

• i've been wanting to write for the lockwood & co. fandom for a while now hehe

⌠ @novelizt 2023 ⌡

[ghostflowerhotpotch]

Gwen's superhero identity, grief, and what her relationship with Miles means to her

GUESS WHO, ONCE AGAIN, WAS WRITING ABOUT SOMETHING ELSE, AND WROTE SO MUCH IT WARRANTED ITS OWN POST.

How I keep doing this I don't get it.

Regardless, this post will talk about Gwen using her hero identity instead of working on her emotional situation; and how she holds onto that identity until it makes her lose everything.

So, what is her situation at the beginning of the movie?

Pretty depressing.

Okay, I don't think it needs to be said how much losing Peter messed up Gwen. We don't really know the situation in full detail, however, we are aware that they had known each other for 12 years (As stated by George at the beginning of the movie during the interview,) and considering all the memories he has with the family, needless to say, Peter has been a part for most of Gwen's life.

No idea how was her situation before Peter's death, but I don't think is weird to believe she didn't have many friends besides Peter; maybe people she got along (like her bandmates,) were okay to hang out with, but Peter was the closest to her. Maybe this wouldn't be the case, if it wasn't for Spider-woman.

Here is the thing, did Gwen probably decide to put her distance after Peter's death? For sure, do I think Gwen probably leaned too much into the superhero lifestyle? Also yes.

I think the clue to that is in this part, where we see Gwen changing between her Spider-woman suit and her civilian self.

We could believe part of this is because of her grief, she learned more about her identity as a spider-woman, though I still think she may have focused a lot on it already.

I don't have a lot of proof, but I do have how her fear and her protectives of her hero cost her.

(And yes, I see Miles in the reflection, we will mention him later.)

Again, one image with many frames, because we need to make this quick.

All of this shows that Peter tries, in a way, to breach the gap between them. The only proof I have of this is 1) How Peter was getting pictures of Gwen as Spider-Woman, 2) How he was trying to defend her, believing in her despite what the police, news, and Gwen's dad say.

(Hey, is it just me, or do you think how Miles would end up drawing Gwen because he misses her, and Peter being afar from Gwen, taking pictures of both sides of her, just like Miles draws her both as Spider-Woman and her normal self?)

Guys, you don't want to know the number of times I cried during this scene of Gwen and Peter.

And is tragic on multiple levels, but something that really breaks me in this particular scene, is when Peter is calling her name, revealing how all of this was for how much he admires and looks up to her, and in his last moments, he tries to take out the mask, to see her face.

...And Gwen, in panic, trying to protect herself and her identity, refuses to let him take the mask. Meaning the last thing Peter saw, was the superhero version of Gwen, a version I don't doubt he admired and loved, but was a mask her best friend put to protect herself, and refused to let him see her for who she truly was one last time before he passed away.

I am not sure, what type of bond Peter and Gwen had, if they were crushing, just best friends, etc. For me, Peter at least had a crush on Gwen, and for Gwen well, what they were.

Because let me tell you something, what Peter and Gwen were was more than friendship, but doesn't necessarily need to be romantic; I think Gwen could have fallen for Peter, but for now he was him.

Why this is important? Because of all their history; Peter has known her since she was around 4 years (if we assume Gwen is 16 when George said they had known each other for 12 years, thought depending on the timeline Gwen maybe be 15 and know Peter since 3.) They had been close to each other for most of their lives, they had shared a table for what seemed almost daily, I wouldn't be surprised if part of the reason they were close, was because Gwen lost her mom, and Peter lost his parents, and they became friends while living in the same building with George, Ben and May supporting each other with the kids.

(Yes, that last part is a headcanon, until we have proof of the contrary I will roll with that. Feel free to have your own.)

And then Gwen keeps the secret, she tries to act dumb in front of Peter, refusing to let him. She probably is used to defending Peter, and depending on the scenario this can be weighted on him in different ways (aka if Ben died or not, if Peter has seen how much Gwen risks her life and is worried about her, if wants to be strong to help other and stand at her side.)

So this hits even harder because of how much Peter matters to her, and she didn't realize that this was driving a gap between them, a gap Peter try to close by all the means necessary until he died.

This is not to say Gwen is to blame for Peter's death, FUCK NO. Peter risking something like this means some type of doubt or insecurity that is a lot heavier than just a girl, maybe we could talk about how the school system failed Peter by allowing the bullying to continue to happen (After all, Gwen shouldn't need to defend him, this shouldn't need to happen.) Even if this hurt Peter, Gwen cannot be responsible for his well-being, close or not, this shouldn't be her job.

However, do I think Gwen could feel guilty about it, for how this identity drove them to this point? OH YES.

She said so in Into the Spiderverse "I couldn't save my best friend Peter, and I don't do friends anymore." She isolated herself for this.

Except that hey, remember how Miles was the exception? Time to talk about Miles!

I find the wording here important, "before Miles, there was Peter." She is putting Miles at the same level as Peter.

Now, I don't think Gwen means she had a crush on Peter (to be honest, I am not sure if at this point Gwen admitted to herself what Miles meant for her, seriously half of what this girl does is related to hiding her feelings even from herself.) But the role they play in her life.

While Miles didn't know Gwen as much as Peter, I think we need to remember what Miles and those ideas in 1610 could have meant for her.

At this point, Gwen doesn't have any friends, is grieving, and her dad is looking to capture her, her life sucks basically.

Then she ends up traveling to another dimension, while not exactly fun for the most part (or painless.) She had the chance to lay low, reset from her current drama; heck she even got to meet Miles a bit before he was officially bitten, and met him just how he is, and at least find him funny.

And I think while short-lived, she being around Miles as spider-woman helped her, because Miles represents the bridge between those worlds.

She met him when he was starting, and while she has been doing this for 2 years, that means she has been painfully enduring this alone for 2 years.

Miles is someone her age, someone who enjoys being around even if it isn't about being spiders, and also understands the pains of being a hero and the pressure that is on your shoulders, as well as the excitement and the desire to do the right thing.

Peter was a big part of her life, but Miles represents all of her being seen, for someone who likes her for who she is, and who she can be honest with.

For the most part.

Because she still clings to the mantle.

Look, feel free to call me crazy, but I believe this part, is sadly, related to this.

I just established how Gwen had put her identity as spider-woman over other people, including those close to her and those who could have been close to her, allowing Miles as an exception basically because they are both spiders, and being a big reason why Miles is important to her.

One way or another, this cost her, and what she does do when she loses someone? Concentrating on being a Spider-woman, of course!

While I don't doubt Gwen is genuinely excited about being part of the organization, something that I can't stop thinking about is how no Jessica Drew, Peter B, Hobie, or anyone in the organization, could feel the gap Gwen felt. The gap that drove her to spend an afternoon with Miles despite what was at stake.

And Jess's being Gwen's mentor is something that is the reason this post keep coming, (because George's parent skills, Gwen clinging to being a hero, are all connected to that.)

Ultimately, it doesn't matter how much she clings to being a Spider-Woman, it can't replace a bond with someone.

Also, as @ficsinhistory said in a reply to one of my post, you are right! Gwen is definitely Captain Stacy's daughter.

Because while he clings to being a cop, not just as a job, but also as his way of life and moral compass (Which gets in the way of his connection with his daughter,) Gwen also clings to being a hero, instead of dealing with her grief and her fears. She probably did the same because well that's what she learned from him right?

Hey does this mean generational traum- I'll See Myself Out.

This, is the face Gwen makes while Miguel tells Miles he needs to let Jeff die.

A lot of people wonder why so many spiders are doing this, and while that's another massive post I am working on (more investigation, why? Because why I would make things easy for myself.) Let's give the clip notes version here.

The surprise is not that Gwen is going along, is how absolutely heartwrenching is to see this when you put in context everything.

You see, for a while, Gwen cling to being spider-woman because it was a way to avoid her grief, now? She doesn't have anything.

While she puts emphasis on her hero work, let's remember what is probably going on in her universe: Gwen is supposed to be a student, to be in a band, to be a regular teen. Being Gwen Stacy is what she has known most of her life, and what should be her main focus, and now everything she ever knows? As far as she is aware, she lost it, she can't have her life back without risking having her own dad send her to jail.

I cannot call Gwen homeless because she has the organization, but that's not much better. Remember how she believes if she fucks this up, she could get sent back home, meaning going to prison and having her dad try to persecute her?

Forget she using this to not deal with her trauma, she was forced to pick up this life because it was this or still lose everything, but everyone may hate her.

The question is now why Gwen did it, is how anyone can see this situation, and can the question ethical when Gwen is having her risk her life, and not in the life and death kind of way, but the type that is the reason life is worth it.

And she clings to this until the bitter end, until-

She got her own band.

We don't know, what will happen in the third movie; but I don't think would be crazy to believe they would try to keep in contact if that's possible.

Here is the thing, regardless of any previous friendship Gwen had with any of them, the fact is this: Gwen said it herself, she is mostly a solo act, and even with thousands of spiders, she can't bring herself to be vulnerable and open up from the most part. Not having people wasn't the problem anymore, was her being unsure to do the first step.

And she has this band, because she wants to save Miles, because regardless of any mistakes she may had done, he is worth the risk, he is worth fighting for, and if she needs to get help to do right by him, so be it.

So who knows, perhaps Gwen gets to stick with this band, all because she decided to think less about what is the right thing to do and to fight for the people who are worth fighting for.

Because Miles became that first friend after Peter, she had the chance to open up and make more, as well as recover those she thought she lost (like her dad.)

Wouldn't that be a beautiful way to end her arc?

[greekceltic]

FAQ Page

I'm not quite done with this, but it'll be nice for later.

Is it okay if I take inspiration from your art and concepts? I've been in a situation in recent years where another artist has taken far, far too much. You've probably seen me talk about it. It's a subject I'm pretty burnt out on. I recently saw another artist's take on this and it seemed sensible to me. I'm just going to quote theirs. I have tried to find my own words, but right now I find myself more comfortable using someone else's. "Well, if you’re having to ask me for permission, either your design is too similar or you’re being overly nervous about a normal artistic process. You’re absolutely free to use my work as a source of inspiration but I’d strongly encourage you to think about the details from my design you like most, and remix them with other concepts into your own unique take."

Taking inspiration is something everyone does, but please don't become a shadow I get bi-weekly alerts about. Ideally your pool of inspiration will be many artists and concepts re-imagined into something unique to you- and that you're being honest with yourself about the result.

Your art is being copied! / Will you tell me who the copy cat is? I know your intentions are in the right place, and I appreciate that, but I get a lot of messages about this and am tired. I'm sure if my art ends up somewhere it shouldn't be or there's a significant event, the community will get it to me through people I know, but let me rest. I'm just sayin' get a second or third opinion before coming to my inbox.

I sent you a message and you didn't respond. Sorry about that. I tend not to stress about messages because it can be a drain. You're more likely to get a response if you let me know from the get go what you want, but nothing is guaranteed. Sometimes I didn't see it, sometimes I got busy or forgot, sometimes I plan to do it later, sometimes I just opted out. It's not personal.

Are you okay with fanart? What about OC interactions? Can I post it? Sure, just don't profit off of it and please credit me. If you want to draw my OCs interacting with yours that's also fine- though I prefer situations where their actions make sense. Alf wouldn't make your character cry for fun, for example. He's grumpy but not cruel. Posting it is fine. Where do you Rp? Are you looking for more partners? Discord mostly. Roleplay consumes a lot of time so these days I mostly only play with my buddy Thema. I probably wouldn't have time to play, but I like to hang around people that do and I don't mind being asked. Just please don't be sad if I never get around to responding! I'm most compatible with people who are comfortable with radio silence.

Can I use your characters in roleplay/as roleplay refs? Considering I actively roleplay my OCs and there's a potential for confusion, I'd rather you didn't. Though I think there's a difference between linking to my art and saying 'this is my character', and linking to it to say 'this has the mood I'm going for, but here's what's different about my character--'. The latter is fine.

Can I make Fan OCs for your setting? Thinking about this makes me tired. Maybe I'll get to a point where I'm more comfortable later, but for now I'd rather you didn't make something directly from my worlds. But lets be real, you don't need my permission to draw cat monsters and I take a huge amount of inspiration from ancient history. Many of my concepts are inspired by things that you can read about and be inspired too. If you see something and are curious if there's a historical source, just ask. Hopefully I'll remember.

Can I repost your work? I don't mind as long as I'm credited. Most of my art has a signature on it already. If it doesn't, please add a link or my name so people can find me. I'm less okay with my work being used as a pageviews grab on a site where I have an active social media presence, but it's probably not worth my time to care.

Do I have permission to draw NSFW art of your characters? No, for a plethora of reasons, some easy to explain and some not, but I probably can't stop you. Just don't profit off of it or show it to me.

Do you have a website for your OCs? I have RP pages for them scattered all over the place and many of them are outdated, but as I type this I recently put some up on Toyhouse. https://toyhou.se/GreekCeltic

Do you have a website for your comic? Sure do. It's an expensive fuck. https://catswaycomic.com/ When does your comic update? Sporadically. I work on it when I have time. My income is solely freelance commissions and Patreon- mostly commissions.

There's other places you could post your comic! Yeah, I know. I may do that someday, but for now I like having my own house, even if it's an expensive fuck. (Not really, the renewal just hits around tax time, Lol).

[pythonees]

˚₊· ͟͟͞͞➳❥ PROJECT PASSION — xavier thorpe

WARNINGS: 18+, aged up characters, soft bodied reader, slight hand kink, frottage, biting, coming in pants, this got kinda long... sorry?

A/N: what's that, I'm posting another fic in the same month?? well, that's because my new fixation is here!!

The hallways are silent as you make your way out of your room and towards the boys wing. Most people were outside in the out of season warm weather, and while you normally would be doing the same, you've been tortuously given a project for every single class you're in. Which wouldn't really be a problem, except the first one due is a partnered assignment. One that you don't get to pick who you got to do it with.

And it's not like you hate Xavier or anything! Quite the opposite, really. Which is the root of your problem. The not so small crush you've let develop into something bigger after he broke up with Bianca. He's kind and smart and amazing at art, how could you not like him based off of that alone? It helps that he's also very good looking, able to draw your attention at the worst of times when you should otherwise be paying attention to your teacher.

Thankfully you two are friendly enough, having spoken to each other a few times before to know the other as more than just an acquaintance. And after talking to him those times you could comfortably add thoughtful and witty to the list of things you liked about him. That's probably why your crush has taken off as hard as it has.

But now, as you near the room he now gets to himself, you can't help but wonder if it would be easier if you didn't really know him at all. If the awkward air would be easier then you having to fight down how flustered you are by his mere presence. How just the smallest of smiles from him will have you weak in the knees.

Standing in front of his door you smooth your clammy hands over the skirt of your sundress. You wonder if you should have dressed more casual, like you had planned. It's the weekend, so everyone takes the opportunity to wear whatever they want, and you had taken the chance to doll yourself up a little. But now, staring his door down, you wish you didn't listen to Enid and gone with something I little less revealing.

Taking a deep breath, you knock on the door, looking around to make sure none of the teachers or another student sees you in the boys wing. There have been many horror stories of the lockdowns people get for getting caught sneaking into the opposite sex's wing of the school, and you don't want to deal with the rumours that would come from being caught here, either. Not when your doing something as innocent as working on a project.

Xavier quickly opens the door, and you're immediately assaulted with the smell of whatever "boyish" body wash he uses and his wet hair, shoulders of his white t shirt damp from the water dripping from it. You can't pull your eyes away, mesmerized by how good he looks with it down and framing his face. He doesn't have it down all that often, and you forgot about how hot it makes him look when he does.

And his smell, my god. You just wanna stuff your face in his chest and breathe deep, chase the smell and have it linger on your clothes when you leave. Your face heats with your less than platonic thoughts, and you really hope he can't see how flustered you're becoming as you stand in front of him, having to look up to see those beautiful green eyes.

"Hey, come in. Sorry it's a bit of a mess, kinda knocked some paint over and had to clean in a rush," as you step past him and into his room, you're met with all of the wonderful drawings pinned up on the wall on his side of the room, starting from above his bed and ending over his desk. He still hasn't gotten a new roommate, no one new joining Nevermore since Wednesday Adams.

"You can sit on the bed if you want, just wanna clean the last of my brushes before the paint dries," he darts into the still open bathroom, hunched over the sink as he continues his cleaning. You toe off your shoes, putting them next to his by the door so that you don't get his surprisingly clean room dirty.

While he's distracted, you take the time to look him over, his slim but fit body and the slightly baggy clothes that hang off of him. The sweats he's got on are a deep burgundy, the legs of them a bit too short for his long legs. It leaves his ankles exposed, and you find yourself watching his feet tap out a rhythm before you remind yourself that all this staring is surely becoming creepy.

Instead of gawking at him like some sort of stalker, you take the time to snoop a bit, setting your bag at the foot of the bed while you take in all of the art he's done.

Most of it is pinned to the walls, quick sketches and intricate pieces filling the space. There's even an easel set up by Rowan's old side of the room, with a canvas set up on it. The easel is turned away and placed as close to the garage wall ass possible, obviously dragged there so no one could easily look at it. While you really want to take a look, you don't want to betray his trust by looking at something he clearly wants to keep to himself.

Instead you focus on the ones you can clearly see, a mixture of random still life from around campus to random people and animals and little doodles that fill in the spaces. You're honestly a bit in awe at his skill, pushing your bag over so you can sit at the end of his bed, back resting against the metal frame to comfortably admire the drawings.

You don't notice when Xavier leaves the bathroom, too enamoured with his art. You do notice as drawing of a moth comes to life, twitching before fluttering off of the page. It flies around before heading towards you, and you hold your hand out for it to land on. It feels strange on your skin, not like how bugs feet normally feel, but also kinda similar. You go to run your finger over a wing to see how it feels, gasping when you notice you smudged the intricate pattern made from what you think are pastels.

"I'm so sorry!" You say in a rush, turning to look up at Xavier. He doesn't look upset though, a smile on his face as he watches you. You gently hold the moth out to him for him to fix, and instead of taking it from you, he reaches the hand not animating the moth to gently smudge the other side.

"There, now it matches again," he says before guiding the moth off of your hand and back to the paper it was on. It's still got the twin smudges on it as it settles back into place, and you find comfort in knowing that he isn't mad about it at all, "Alright, what part did you wanna start on first?"

"Should probably do the boring written part first. We can figure out the creative part later." You say, already knowing that if you start with the more fun part first, you won't have the energy to even think about the written part today.

Xavier nods, walking around the bed to grab his own notes and his laptop off of his desk. He sits across from you, back to the headboard, one foot on the ground while his other leg is stretched out on the bed. The bed seems to be just long enough for Xavier to lay down in comfortably, but with you in it as well, you realize that the bed can barely accommodate the two of you sitting as you are, your bent legs close to touching his bare foot.

With both of your sheets laid out, you get to work organizing all the notes, grouping them together in a way that makes the most sense. Then, you both get to work merging your notes together, you reading them out while Xavier types it out on his laptop.

His speedy typing combined with your ability to levitate the notes all around you makes the written portion of the assignment go much faster than you could do on your own. You're only able to keep two sheets up at a time if you were the one typing it out, attention too split to keep more sheets levitated without causing yourself any unnecessary strain.

Now you can rotate five or more sheets at a time, floating them around the both of you as you speed through the work. Sometimes he has you holding a sheet up for a while, wanting to pull a direct quote from a passage or to try and figure out how to blend both of your words together. It's during those moments you take the time to really admire his face. The shape of his nose, fullness of his lips, shape of his jaw.

There are a few times he almost catches you in the act, but the curtain of drying hair obscured most of his vision before he could fully look up from his hunched over position, giving you enough time to look away and pretend you were reading over the notes hovering in front of you. The notes that have slowly started to drift down during your distracted staring shooting back up into their original spots.

While actually looking over the notes, there are a few times where you think you can feel his gaze on you, but when you look up, you can never catch him in the act. So you just brush it off as your wishful thinking. Why would he be looking at you, anyways?

You get through a huge chunk of the written work faster than you though you would, getting through nearly half you your notes before Xavier had pushed his laptop away with a tired sigh. It was more than you had ever thought you would get done, and that's including the creative part that hasn't even been started yet. So the both of you agree that you can finish the rest another day, when your heads aren't swimming with jumbled up historical dates and places.

"What were you thinking of doing for our creative piece of the project?" Xavier asks, closing his laptop and setting it onto his bedside table. You find yourself staring at his hands

"It's probably more work, but I thought we could do like, a board game or something? I think it'll still have enough education to it while still being artsy and creative," you say, guiding all the papers back to you. You sort through the papers, setting Xavier's aside while you put yours back in your bag, loose with all your other random notes you were working on before coming up to his room.

"That sounds like it would be fun," Xavier says, pushing up from his bed to head over to his desk. There's a few big canvases leaning against the wall, some unused while others had beautiful portraits of people, all of which you didn't recognize, or captivating scenery. When he pulls some of them back there's some big pieces of poster paper tucked in behind them. He pulls a white one out, holding it up so that you can see it better, "This size work?"

You nod, quickly moving his papers off of the bed and onto of the laptop. He grabs up a stray pencil case too, carrying them all over to the bed. The pencil case he's got is worn, stained with finger shaped smudges of all different colours. He opens it to reveal an array of coloured pencils in a brand you don't recognize, probably the expensive kind that's higher quality than the crayola ones you have in your room.

While you sketch out the path of the game board in light pencil strokes, Xavier takes to filling the empty spaces with relevant historical sketches. They're beautifully done, and when you tell him that he's waves your compliment off with a blush high on his cheeks, a wide smile on his face while he tells you that it was nothing.

Soon the entire paper is full of a pencilled out outline of what you know will be a masterpiece. It already looks good as it is, but Xavier assures you that some colour and line work will really bring the whole thing together. You don't even bother questioning him, nodding eagerly while you levitate it up in the air, wanting to get a better look at it.

Your proud of your work, even though all you contributed was the path the player would take and some small decorative doodles drawn on the important spaces. But Xavier had told you you did a great job, causing your face to heat under his compliment and warm smile.

When you spin it around for Xavier to see, you catch sight of him staring at you. He's got the same smile on as he did when you were holding his animated moth, a soft one that makes your insides swirl and face feel hot. The look has you so distracted that the board game falls out of the air at a weird angle, fluttering to the floor. It lands face up, with thankfully no bends or smudges on it that would ruin all your hard work.

As your reaching over to grab the dropped assignment at the same time Xavier does, you misjudge where you put your hand down to brace yourself. It's too close to the edge of the bed, sheets sliding under your weight and causing your hand, and subsequently the rest of you, to go with it. As you suck in a breath, about to slow your fall to hopefully catch yourself with you levitation, you feel an arm wrap tightly around your waist.

You can't help the full body shiver that goes through you as he pulls you back into his chest, unconsciously leaning back into it to chase the warmth of his body. His legs are bracketing you as he sits down behind you, body long and lean as he plants his feet firmly on the ground.

"You okay?" He asks, voice low as he dips his head down to speak right by your ear, "I know you probably would have caught yourself, but I kinda moved without thinking."

"No, uh, it's fine. I was caught by surprise. Probably would have smashed my face off the ground or something." You say, unconsciously lowering yours as well. You don't know why you do it, but you don't want to speak louder than him and break the probably one sided tension you could feel between the two of you. This is the closest you've been to him, and you want to memorize the feel of him against you for later.

Turning your head to thank him, you don't expect his face to be so close to yours. Or for his half lidded eyes to be staring at your lips. Your tongue quickly swipes over them, tasting like vanilla gloss, a nervous habit that you've yet to kick, and his eyes somehow grow heavier as he sucks in a quick breath through his nose, "Xavier?"

His arm tightens around your waist, the other that was used to prop him up moving to rest on his thigh, the tips of his fingers brushing the bare skin of your own. You can feel the muscles of his thigh through his sweats, firm from all the runs he goes on, such a stark contrast to the plushness of yours.

"Can I kiss you?" He leans foreword just slightly, hair falling from behind his ear and tickling the side of your face. Your hand reaches up to tuck it back behind his ear, letting your hand fall to cup his cheek in the same motion. He leans into it slightly, eyes trained on yours as he waits for your response.

"Please," Xavier wastes no time once the words are out of your mouth, closing the small distance to press his plush lips against yours. His lips are soft, smoothed by chapstick but made sticky by your lipgloss as they move against yours. The angle is awkward though, with your back still pressed up against his chest. You have to turn your head over your shoulder to keep kissing him, and while you're enjoying it immensely, your neck is starting to protest.

You gently pull away, a small smile on your face when Xavier immediately tries to follow your lips, eyes still closed. You huff out a laugh, running your thumb over his pink cheek before you let him go, moving to stand up. His grip tightens on your hips as his eyes flutter open, strong fingers digging into soft flesh, trying to pull you back to him. His eyes are heavy as he stares up at you and his lips are tinged a light pink from your lipgloss, but you're able to use the small space between you to turn around and climb into his lap.

"Shit," Xavier mutters, hands dropping down to your ass, long fingers reaching past the bottom of it and brushing against the back of you leg. He tugs you into him as he immediately reconnects your lips, fingers digging into your skin. You roll your hips foreword to get as close as possible to him, landing right on Xavier's growing erection as you press your chests together.

You both moan at the contact, Xavier quickly closing the distance to press your lips together again, much more desperate than the first one. His lips are insistent against yours, arms moving to wrap around your waist to keep you as close as possible. You loop your arms over his shoulders in turn, playing with the hairs at the back of his neck as you tentatively lick a stripe across the minty chapstick that coats his lips, tinged with vanilla from your lipgloss.

Xavier instantly opens his mouth, tongue pressing past your lips and rubbing up against your own, and you're in heaven. You don't mind the sloppy desperation that seems to take over the both of you, spit coating your lips as you both try to pull the other one impossibly closer.

The desperate little moans coming from your mouth would have normally embarrassed you, becoming this pathetically horny for him from kissing alone. But you can't bring yourself to care as Xavier effortlessly pulls them from you with his skilled lips and rhythmic rolling of his hips up into yours. The answering groans coming from him as you roll your unsteady hips with him sounds somehow more wrecked than you do, fanning the flame of heat settling between your legs.

Pulling back, you try to take in a deep, steadying breath, hands smoothing down the back of his neck and dipping beneath his shirt, nails grazing along his spine. Xavier shivers, a moan low in his throat your only warning before he's pulling you back in, sealing your lips together.

He bites at your bottom lip, tongue darting out to smooth over the sting left behind before he's desperately licking into your mouth. You match his pace happily, hands coming back up to grab a fistful of his long hair and pulling. Xavier pulls away from your lips with a loud moan, eyes closed in bliss and mouth parted. He shudders under you, head falling forward and landing on your shoulder.

"Fuck," Xavier whispers, word drawn out and coated in arousal, "do that again."

And you do, pulling on it a little harder than before. It has him rolling his hips up into yours with a deep, guttural groan, his prominent erection pressing against your damp panties. His hands guide the roll of your stuttering hips against him, moans filling the room, as you follow his slower but firmer rhythm, keeping his hair tangled in your fingers.

You feel his head move against your shoulder, the barest brush of his spit slicked lips brushing against your skin. It has you holding your breath, fingers twitching in his hair. The first press of his lips against your neck is soft and barely there, but it still makes your breathing shaky, one hand dropping from Xaviers hair and gripping onto the back of his shirt.

The small pecks slowly start to get open mouthed, lingering as he lightly sucks and nibbles at your skin. His tongue smooths over any particularly hard bites, when you're hips would meet perfectly with his and he couldn't control the way his teeth would clamp down on your flesh. You don't mind though, the sparks of pain forming into pleasurable tingles that have your toes curling in your socks.

"Ahh, feels good. Please," you mumble, bearing down harder onto Xavier's clothes erection as you desperately chase the high you feel lingering just at the edges. You don't even know what your asking for, just that you want more.

Xavier moans against your throat, a question and a sound of pleasure rolled into one. He's sucking on the skin with more intent now, surely leaving bruises that you can't wait to feel when they fully settle in.

"Wanna feel you," you say, tugging on his shirt for emphasis, "mark you up so we match."

He pulls away from your neck with a loud smack of his lips, pressing a searing kiss to your lips before he's pulling back from you just enough to rip his shirt off over his head and toss to the side. The second he's free from the shirt he's ducking back into your neck on the other side, sucking what you assume are impressive hickies into your skin.

His hands settle on your thighs as yours loop around his neck, his fingers pressing into your flesh as they run up, up under the hem of your dress. His fingers catch onto your underwear, tugging your panties up and between soaked lips in his haste to get at your skin. It has you nearly wailing in pleasure as the soaked fabric is pressed right up into your clit, walls clenching around nothing as your head falls back.

Xavier kisses up your exposed jaw, giving you a teasing bite as he mumbles a quick apology against your skin. He detangles his fingers from your panties, hands moving to settle against the swell of your hips. His skin against yours feels euphoric, warm and slightly calloused from archery.

"It's okay," you say around a moan, slightly disappointed that the added pressure against your clit is gone. Your eyes feel heavy as you blink, slowly letting your head fall back down. As you do Xavier pulls back from your neck, eyes trained on your marked up neck. His hands come out from under your dress to tug at the bottom as he stares at you.

"Can I take this off?" he asks, giving your dress another little tug as if you didn't know what he was talking about. You nod, arms going above your head and hips stilling against his. He's quick when taking your dress off, throwing it in the same direction as his shirt before he's leaning back to get a better look at you.

You're left in just your bra and panties, miss matched but thankfully on the nicer side of your collection. The first thought that comes to your head is that you really hope he likes what he sees. But the admiring way he trails his hands up over your hips to sit on your waist has any worries melting away. That, and the awe filled look in his eyes as he traces over all the newly revealed skin.

"Fucking beautiful," Xavier breathes, fingers digging into your flesh. You can't help but watch the way your skin dimples around his long, strong fingers, admiring the contrast of your bodies. One of his hands skim up over your a bra covered breast and along your neck to cup the side of your face, pulling your attention away from his hand still on your waist and to his face.

"C'mere," he whispers, and you waste no time connecting your lips. This kiss is similar to the first, slow and sweet as you both let your hands roam free.

One of his hands come to rest on a covered breast, giving it an experimental squeeze. It has you rolling your hips again, swallowing Xavier's moan as you lick into his mouth. The hand not palming at your breasts comes down to rest on your hip, leaving them there as he lets you control the pace of your grinding hips.

"Think you can cum like this?" Xavier says as he pulls away from your lips, dropping his hand from your chest to join the other on your waist. He starts guiding your movements that have become sloppy in your gaze of pleasure. You nod, biting your bottom lip as your pussy clench's around nothing, "Yeah? You gonna cum for me pretty girl?"

You nod again, hips moving at a desperate pace, the slide of you bodies made easier by you arousal that has soaked through your panties and all over the front of Xavier's pants. You can't keep in the stream of moans that pass your lips, chasing your orgasm. Tucking your head into his shoulder, your nails claw at his back move above him.

You're on the precipice of the end, can feel it taking over every finer of your body. Xavier helps you through it all, whispering praises in your ear, broken up by kisses to the side of your head.

"C'mon, already got my pants soaked. Wanna see how much of a mess you can make me," Xavier urges, matching you thrust for thrust. You lean back, trusting that he hand hold you up with the arms wrapped around your waist.

The newfound space between your bodies let's you see just how wet you've made the two of you. The dark maroon of his pants have become nearly black from where your cunt has been rubbing up on him, a mixture of your arousal and his pre. His pants are so wet that you can see the outline of his cock almost perfectly, looking long and perfect and like it would fill you up 'till you could feel him in your throat.

"You see how good you look rubbing up against me?" Xavier taunts, fingers turning bruising as you both start to speed up, "gonna cum in those cute pink panties without me even touching you."

Nodding along to his words, you drag your nails up his back to pull at the hairs at the nape of his neck. His reaction is immediate, eyes squeezing shut while he moans long and low in his throat. Xavier's hips stutter underneath you before going still, the grip on his waist turning painful. You barely notice that he's stoped moving, continuing to grind on him until your cuming hard, moan caught high in your throat and thighs clamping around Xavier's legs.

Face hot and panting for breath, you force open your eyes that you didn't even notice you had closed. Xavier has his eyes screwed shut, but in a way that seems like it's done out of pain than pleasure. You quickly let go of his hair, thinking you had pulled it to hard and hurt him. You smooth you hands over the back of his head, hoping to soothe any pain.

Xavier shakily inhales, pulling you back into him. You stop him with a hand to his chest before he can press the two of you together, your other hand coming down to pull at the band of his underwear.

"What're you doing?" Xavier says, voice rough, his hand shooting out to grab your wrist. It's loose enough for you to pull free of, but firm enough to keep you from pulling at his waistband anymore.

"Want you to cum too," you say, dipping foreword to mouth at his neck. You can feel his answering moan against you lips, sucking a mark that won't even do justice to the amount you know litter yours.

"I, uh," Xavier swears under his breath, letting go of your hand to anxiously push his hair back, "shit, don't laugh, okay?"

"Why would I laugh?"

At first you don't think he's going to tell you what's going on. He just stares at you dejectedly, eyes darting away from your face to stare down at his destroyed pants, "I already came."

"That's okay. Don't know if you noticed, but I came pretty hard and I've still got my panties on," you say, a smile on your face. It pulls a tiny smile from Xavier, and his hunched shoulders start to loosen, "Really, I don't care. Honestly, it's really fucking hot that you came in your pants for me."

All tension seems to leave his body, the small smile on his face blooming into a beautifully large one, "Yeah? Think it was good enough to go on a date with me next weekend?"

You feel giddy with excitement, smiling wide as you cup his cheeks. You can feel as his smile somehow grows wider, and you can't help the excited giggle that escapes you.

"Hell yeah."

©︎ pythonees — do not, under any circumstance, repost, plagiarize, modify or translate my work.