#I have files like this for every character I draw a lot

[critter-of-habit]

Oh also, Ahsoka fan artists, if you need any references pls hmu because I am a compulsive hoarder

[cozylittleartblog]

random note about king on that animation, i got really lucky with how simple his animation was and how clean my sketches were to begin with that i was able to do very minimal cleanup on what i had sketched (and add back. his horn. it's supposed to take place just after echoes of the past, Oops) and call it done that way instead of having to redraw the entire thing like i had to on his dad

first sketch > line cleanup > nearly final animation (i'd added slight eye movements last-second but otherwise that's the final)

[protagonist-art]

"Uh- I'm Arnold. Bennett. It's profoundly difficult to get your lifes works and studies accepted if your name isn't... yes, oh! Are you a fan of moths, sir?"

NEW RDR2 OC!! a reclusive, clumsy entomologist and bug collector; cooped up in his study of uniformed clutter

[codexbrainhasbrokenfree]

[clanwarrior-tumbly]

Ooo you’re doing Pressure!!

May I request an artist reader who, throughout the journey found some paper, pencil and made a little makeshift sketchbook and when later bought Sebastian’s document decided to try and draw him? Like maybe both when human and current (and maybe the monsters)? 

Perhaps he saw them sketching, got curious and decided to look through it when reader left it somewhere or just straight up snatched it and held it out of their reach and sees those sketches of him. Could be hurt/comfort or angst/fluff.

Of course you’re free to change any of the details but please keep it platonic TwT

Aw love this idea! And it works considering all the paper and notebooks in the drawers of the blacksite.

............

"Great, [y/n]. One moment, you're doing some harmless graffiti on a brick wall nobody cares about. And the next, you're risking your life for a stupid crystal in hopes you'll get a federal pardon.."

Sighing, you held onto the overhead handles within the sleek black submarine, feeling it shake and rumble as it breached the water's surface. And after hearing the chime, the door hissed and opened up, the platform extending out onto the dock of a place already familiar to you: Hadal Blacksite.

'No place like home..' As you stepped out of the submarine, you could hear HQ over the PDA system informing you of your objective in reaching the crystal and collecting any "loose assets" you find along the way...

As if you needed any reminders of what you were doing here.

Immediately, you unlocked the first door with the keycard and began your journey to room 100. Along the way, you found a good handful of research data. Nothing too special aside from folders, USB drives, and a couple blue DNA vials.

Then after narrowly dodging the Angler in one area and avoiding Eyefestation's gaze in the next, you reached a room requiring yet another keycard to exit. You checked the nearby office cubicle, finding it in the first drawer you opened.

But that isn't what made your eyes light up. Rather, it's what was right next to the card that did:

A brand new pencil to go with the sketchbook you've been carrying with you.

Because you weren't given the luxury of doodling while sitting in jail for over 90 days, you felt your creativity flames being snuffed out, leaving you itching to draw something again.

Before all of this, you had a decent following on social media with your art skills, and you could imagine that they're worried sick over your sudden absence. But you hoped that, if you survive and succeed in this mission, you'll be able to come back and reassure them that you're very much alive.

And perhaps show them what Urbanshade has been hiding from the public...that is to say the sea monsters that have taken up residence in the Blacksite since its lockdown, freely roaming and haunting nearly every room you step into.

With the makeshift sketchbook you had (and somehow kept even after death), you've filled its pages with simple and detailed sketches of each creature you encountered.

But you doubt that they would let you leave with physical evidence of entities nobody else in the world should know about...unless you somehow convinced the guards that they were "original characters" that so-happened to look like them, but you had a feeling that excuse wouldn't fly.

Regardless, they've given you tons of artistic inspiration, despite your many close-calls with them in pursuit of studying their features from afar.

Thanks to the files Sebastian Solace has shown you, you've learned how to safely observe the Angler from a distance and better remember their details. They were merely a grotesque face surrounded by smoke, so you didn't have to worry about drawing any limbs or tails (assuming they had those).

You encountered their variants so many times that you could recall the little things that made each them unique--like how Pinkie had four pupils, how Blitz was missing pupils in one socket completely, how Froger was..well..a big frog with lots of needle-shaped teeth, and Chainsmoker was a sluggish blobfish through all that smoke.

Making eye contact with Pandemonium was a death sentence..as you've already learned after trying (and failing) to safely observe him through a glass window. So you draw him as you see him in his file.

The Squiddles' "intimidating" faces were scary in the dark when you least expected them, but they served as amazing inspiration. You even had a page full of what faces you'd think they make up to frighten others. It's too bad you couldn't show them, however, as that required you getting in their personal space.

Eyefestation, Good People, and the Wall Dwellers were quite..risky to observe, as they had ways of quickly and painfully sending you back to square one if you weren't careful. Even so, you made some pretty damn good sketches..and you wish you could show them off to them, too, especially to the shark who'd probably appreciate a human's drawing of herself.

Even the DiVine, who were always frozen in poses for some reason, joined your ever-growing list of muses. The oxygen gardens were a nice place for you to rest and appreciate the flora for a few moments--before an Angler came along, of course.

Then there was Sebastian.

While he was fully aware of your artistic passions, in the beginning he seemed a bit annoyed whenever you came into his shop just to sketch.....or if you took an unusually long time to reach him. He just assumes you've stopped to "doodle" and wonders if you really care about getting out of this place alive.

He'd remind you that HQ could get suspicious if you're off their radar for too long, but you've stayed in his shop for 10-20 minutes at a time and not once did your diving gear beep. So you reassured him not to fret.

It was kinda sweet that he worried over you, an expendable, although maybe that's because you actually treat him with decency..and don't take his snarky comments to heart whenever you died.

Aside from the occasional eyeroll whenever you brought out your sketchbook, he did inquire about some of the things you've drawn, and you'd show him, bearing a little pride in your work.

All you'd get in response was a "neato" or "wowie, that's how you see them?" and nothing more.

It wasn't insulting, so...you'll take that.

Obviously he was more concerned about how much research data you were willing to fork over in exchange for supplies, and how far that equipment will carry you before your next demise. So you'd eventually close the book and barter with him for whatever wares were on his tail.

Unbeknownst to him, you've actually started sketching him as of late. Now that you've met him dozens of times, it was easy for you to recall his features without needing to stare at him for reference every five seconds.

That would not only be rude, but very creepy.

Then one day, you showed up to Sebastian's shop with enough data to be able to afford his document, which described him as Z-13, "The Saboteur" who the company wanted "dead on sight" if he was spotted or trying to escape.

When you had time to read the file on your own, you learned some..pretty shocking things about how he caused the lockdown, went through torturous experiments, and was falsely accused of nine murders and was proven innocent far too late.

The most upsetting part was that he was never informed of this.

He learned that after presumably stealing his own document.

It made you feel sick to your stomach, knowing he's the reason you're being terrorized by those beasts, but you couldn't find it in your heart to be angry at him.

If anything you were angry at Urbanshade for their "guilty until proven innocent" system--or in his case, being proven innocent didn't matter.

His human mugshot was also included in the file, and even with the black censor bar covering his eyes, he still looked like quite a handsome fellow. You could make out some details, and ended up drawing him on a separate page, too, although part of you wishes you never started.

You doubt he would kill you or rip apart your book for drawing him, but considering how volatile and rude he could be at a moment's notice..you did your best to conceal the sketches when you visited his shop.

You didn't want him to be offended or reminded of his past..and make him resent the one person who he almost considered a genuine friend.

Unfortunately, you'd soon come to realize that your actions were only heightening his suspicions.

And that it was going to come to a head next time you entered his shop.

...............

"Okay, I'm going to bite...what're you really hiding in that little book?"

"Pardon?" Pausing mid-sketch, you looked up at Sebastian, wondering why he appeared so disgruntled. "I'm..uh...just doodling like I always-"

"No, don't give me that "like always" crap." He huffed, flicking the end of his tail as he crossed his two arms over his chest, staring down at you. "Last time, you couldn't stop showing me a stupid face you'd think one of those S-Qs would make...and now you won't even let me have a sneak peak of your next "masterpiece"." He spat the last word, voice dripping with disdain. "Are you really drawing something...or are you secretly writing intel to give to Urbanshade?"

"...wha.." You blinked in disbelief, wondering where he'd get that assumption from. "Why would I ever do that?"

"Oh I dunno, maaaybe because you have access to my file and know my location? I bet you're gonna sell me out to those scumbags once you reach the crystal." He gnashed his teeth. "Did they say you'd get extra cash for leaving tips on my whereabouts, huh?"

"Sebastian, there's no reason for this hostility. I'm not giving any intel to anyone-"

"Then you wouldn't mind me taking a look at this, would you? Yyyyyyoink!" His third arm was quick to snatch your sketchbook away, holding it out of your reach as you jumped up in panic.

You were already dreading his reaction.

This could very well be the end for you.

"Please give that back! You'll tear it!"

"You look frightened. So maybe I should, considering you're writing secrets about.....about...." But as Sebastian finally looked at the page, all he saw were sketches of his current self, and you began to see a shift in his expression.

It went from pure anger, to surprise and confusion, and then to....something unreadable.

"These are...all of me?" His voice became quieter as he flipped the page, only for his breath to hitch upon finding the drawings of his human form.

And for once, he was completely speechless.

The details were immaculate, everything from his hair style to the scar he used to have across his face--given to him from an angry cellmate who thought he really did kill those people and tried giving him a "taste of his own medicine".

But the way you made him look was...incredible.

That's him.

That's really him.

The man--the human--he was before...

Before...

"Yes." Your face was burning with embarrassment, and your heart was pounding with fear of both death and ridicule, now knowing that your fate laid in his hands now. "I-I'm sorry. I should've asked for your permission and I know the details aren't perfect but you didn't let me........huh?"

Ceasing your ramblings, you noticed the tears welling in his eyes, and you were stunned. Then his shaking hands closed the sketchbook and returned it to you. "Um..are you okay? I'm really sorry if-"

"I...a-almost forgot what I looked like before all of this.." He raised a claw to wipe at his watery eyes, sniffling. "They're...good drawings, friend. I'm sorry..I...I-I didn't mean to..." His voice cracked, and he forced himself to stop, bringing his hands to his face. "Why am I crying over something like..t-this..?"

He hated looking so weak in front of you, yet he couldn't help the tears that kept slipping down his cheeks. A certain sadness was weighing heavily on his heart, yet at the same time he felt...honored that you wanted to draw him, putting your heart and soul into every sketch--with him getting the most effort.

You didn't overexaggerate him as the hideous beast he and everyone else was convinced he was, but just him as, well, himself. His smiles when he realizes it's you coming through the vent again, his cheeky grins when you buy up all his supplies, and even the one time he pouted when you died to Pandemonium because you risked it all trying to draw the moldy fish-creature.

The human ones, as you could tell from the way he broke down, especially hit home for him. Just from a mugshot alone, you were able to create a near-accurate depiction of him.

It made him wonder if you two have met before any of this happened.

Sebastian sniffled, struggling to stop the tears and expecting you to make fun of him as he finally uncovered his face. But instead he saw you standing there with your arms opened up. "I feel like you could use one of these. It's okay. I know you miss being human."

".........."

"C'mon, big guy. My arms are kinda hurting--oh!"

Without warning, he accepted your embrace and squeezed you tightly in his hold. Of course he was careful not to crush your diving tanks, and you smiled in appreciation and patted his back. "It's okay, it's alright..I got you. I didn't mean to make you cry."

He sniffled a few times, but otherwise said nothing and tried making sure you weren't supporting all of his upper body weight.

Curse his size. He wishes he could experience a normal hug again.

This one will do, though.

"I-It's...it's fine. Don't worry.." He finally spoke after a few moments, calming down. "As long as you don't tell anyone about this."

"I'll take it to my grave." You chuckled, letting go and stepping away so he could straighten his back out. While he did that, you gently tore a few pages from your book, to which he blinked in confusion.

"What are you doing with-?"

"Keep them." You insisted. "In case this sketchbook falls into a pit or gets waterlogged, I want you to hold onto these. Besides, I can tell you appreciate them a lot. So...consider it a gift."

"Why..thank you." A smile appeared on his face as he took the pages carefully. "Rest assured, they'll be safe and sound." He gazed at them both one more time, feeling a tug on his heart.

But it wasn't as heavy as before.

After neatly folding and stowing them away into his pockets, he saw you already sitting in one of the chairs, your sketchbook opened to a brand new blank page.

"Sooooooo what are you going to draw this time?" He tilted his head, ear fins twitching with curiosity.

"Hm...I did see a vision of a white glowing man a few rooms back. I think he was from...the Mindscape? There was a file talking about him and some floating gears and a white ball."

"Ohh yeah, he's an interesting guy. I'd love to see your interpretation of him." Now Sebastian was 100% invested, as he curled his tail around himself, resting his upper body on it so he could see your book better. "But y'know you won't be able to leave this place with sketches of-"

"I'm well aware of that...I could always change a few things and turn them into OCs."

"Hah. You should."

"Maybe I will." You snickered, grateful that you didn't have anything to fear.

At least somebody in the Blacksite appreciated your art.

[coco-loco-nut]

007

pairing: oscar piastri x reader

summary: meeting your soulmate in the paddock isn’t unusual for F1 drivers, but oscar’s certainly leans on the unusual side

a/n: sorry if it’s a bit of the mess! i’ve been trying to write my way out of writers block

masterlist part two part three requests open

_____________

You are crazy, you have to be. At least, that’s what Oscar thought when he watched the mark on his arm change for the third time that day. You put yourself in more danger than he does, and that says a lot. It wasn’t always that way, not until five years ago when it became more and more frequent. The shared talent he gets from you is no help. Analytical and multilingual, you could be anyone. Based on how often you are in danger for long stretches, he is a little sure that you are a mobster. Being able to speak Russian and Italian fluently doesn’t help with the whole mobster thing.

You didn’t know what to think of your soulmate. At first you assumed he was a criminal, the meter on your arm only shifting to danger for a relatively short period of time for a few weeks. However, it has become regular, throwing you off. Maybe a weekend adrenaline junkie? No, probably organized crime. Besides, you are skilled at driving fast, and what adrenaline junkie has a talent for fast driving.

“We have intel that there will be a deal made at the Belgian Grand Prix. Both parties are guests of Sauber as to not draw suspicion. Everything you will need is in this file, a car will pick you up tonight, good luck,” you anxiously sit through your briefing.

You have been tracking a crime ring for the past year and a half, putting yourself in all kinds of compromising positions just to get information. Formula One though, that’s new to you. You have seen some things from former partners who followed it, but you weren’t interested.

It isn’t uncommon for crime groups to use large events for “networking.” It is under the guise of their shell companies. You studied your character ruthlessly, knowing your cover inside and out.

The race approached much quicker than you’d like. The situation isn’t helped by a weird feeling in your stomach. Not nerves, but something else. You shake it off, the mission is what is important. The paddock awaits, and you have a limited striking time.

Oscar was on edge. Something felt off, even though he went through his race routine like always. He did have a questionable pastry, but there wasn’t any mold, so it was okay. He slides his sleeve up, looking at the meter on his arm. Lando doesn’t miss how his teammate’s face paled.

“You okay?” Lando asks, trying to catch a glimpse of the meter on Oscar’s arm.

“Yeah, just realized I forgot to call my sister,” Oscar lies. He’s a little scared for the day he meets you. What kind of mobster commits crime on a Sunday? Maybe you got taken by an enemy, got caught sneaking around. Logan always told him that he was crazy for assuming his soulmate is a criminal, but all signs point to it. Some fresh air is what he needs.

“Why don’t we take a walk?” your target says as you flash a charming smile, anything to get information. It helps that the conversation is in Russian, adding to confidentiality of everything.

You feel a deep pull, like a yearning, as you agree to the walk. You brush it off, the mission is top priority.

“Can you provide some more benefits of the… investment,” you are a little unsure of what to call it. You are keenly aware of the weapons strapped to the side of your target. You weren’t expecting to be meeting with an enforcer, making the job trickier.

“Perhaps. I will if you can answer this question,” you feel your anxiety spike as you keep a calm and cool demeanor. The pull increases and it takes every ounce of will to keep yourself focused. You got most of the information you need, but you need to fish for more. You don’t really notice the target turning you into a quieter part of the paddock.

Oscar lets his feet lead the way, a little out of it. He doesn’t really notice you ahead, tucked in a relatively secluded alley of the paddock. He’s always been able to sneak around, a blessing in times like this.

“Who invited you to the meeting,” he asks, and you internally breathe a sigh of relief. Your team scanned through the information to make sure there was nothing included to trip you up, and this is something that was deemed clear.

“Peter,” you say a little too confidently, and that’s when you notice him reach for the knife on his side. You also notice the civilian looking at his soulmate meter rather than where he is walking, and at that moment it spikes further into the danger. The brief distraction is enough to put you at a disadvantage. You shove the stranger behind you, getting him out of the way as you. Sparks fly as you touch him, but you don’t pay any mind to it. Eyes trained on the target, you do everything you can to avoid being stabbed as you pull out your own knife.

Oscar feels a twinge on his arm and slides up the sleeve, looking at his mark. He feels himself get yanked, and he turns his attention to the most beautiful woman he’s ever seen. He takes a few steps back into safety and watches. Every alarm bell in his mind tells him to run away, but he can’t seem to walk away.

You kick the knife away, quickly working to disarm the target and press him against a wall, your own knife to his throat. You subtly activate your tracker, getting discreet backup.

“Tell me who runs the operation. Now.” you snarl in Russian, slightly putting pressure on his neck with the knife. The target spits beside you, you press further. “I recommend you don’t mess with me if you want to be alive.”

The information you want comes flowing out as you take a little pleasure at the fear in his eyes.

“There, happy? Let me go,” the target says and you smile wickedly. Dropping your act now would only hurt you, so you let him think you are part of a rival crime ring.

“Not quite,” you flip him around so he is facing the wall. You sheathe the knife, using your weight to brace him to the wall. “It’s a shame I couldn’t spill some blood, oh well,” you play your role, speaking in a bored yet maniacal tone. Your backup arrives and takes over for you, arresting the target.

As the adrenaline fades, you remember the guy lurking behind you. You feel the heat of anger flare up. Couldn’t he see you were dealing with something dangerous? Why wouldn’t he turn around and walk away.

Oscar can’t help but feel happy that he finally has your attention, and if the pull he feels and the danger levels that his arm displays is any indication, he just met his soulmate. Plus, you speak multiple languages, who else would he get that from that’s in the immediate vicinity. He opens his mouth to speak but you cut him off.

“Are you stupid! What are you doing walking in on that? And sticking around? That was a very dangerous situation, you know,” you fume, not looking at him, too busy firing off angry texts to your commander.

“I was right, my soulmate is a criminal,” Oscar says, a little shocked.

“That guy was your soulmate? Tough luck,” you can’t help but laugh a little. You look at him for the first time and feel your heart beat quicken as every instinct is drawn to him.

“No, you are,” Oscar says as your eyebrow quirks, as if you don’t believe him. And you don’t believe him, it isn’t in your nature.

“Well, I’m not a criminal. Sorry to break it to you. Besides, I know that my soulmate is a criminal, so unless you have a dark side, you aren’t him,” you brush it off, still ignoring the intense pull towards the brunette who is creeping closer to you.

“But-“

“Look, I gotta go,” you quickly take a once over of him, ready to look him up when you are back to safety. You disappear almost into thin air, leaving Oscar confused.

“Oscar? What are you doing here? Is that blood?” Logan stares at his friend.

“I think I just met my soulmate,” Oscar says, a little flabbergasted. Now he knows where his talent for being stealthy comes from. He wonders if you got his driving ability.

“Right. That doesn’t explain blood. You know what, you need to get ready for the drivers parade,” Logan shakes his head, helping his friend get back on track.

Oscar Piastri. That’s who Google tells you that you encountered. He’s handsome, you will admit that. A quick research tells you everything you need. Your soulmate, in fact, was not a criminal. A minor win in your mind.

After your paperwork and evidence submission, you know you can’t return to Sauber, so you choose to walk around instead. A change of clothes and hairstyles helps to hide your identity.

You easily slip into the McLaren motorhome, it is a little sad how easily you have gotten past Formula One’s security. You wait in Oscar’s drivers room for him, feeling uncomfortable and nervous. You don’t like the feeling.

Your job is too dangerous for a soulmate, you’ve seen how devastating it is for those whose soulmate never returns from a mission. You couldn’t do that to someone, so why do you find yourself needing to see Oscar again.

Oscar feels the now familiar tug as he gets out of his car, and he’s never been happier to get P4. He makes his way to his room as quickly as possible, rush in through his post-race procedures.

“You’re here. How are you here?” Oscar sees you leaning against the wall of his drivers room.

“It is embarrassing how easily I can get past the security here,” you have a hint of a smile on your face.

“So, if you aren’t a criminal, who are you?” Oscar swallows, a little nervous. His only knowledge of you is that you are highly dangerous and semifrequently in danger.

“I can’t tell you that. Brilliant race today, maybe I will actually watch one for once,” you walk towards him, and he feels his heart leap in his chest. You slip a card into his hand as you head to the door. “Oh, and thanks for the driving skills. It’s gotten me out of quite a few situations,” you smirk, disappearing once again. Oscar looks down at the card in his hand.

Y/n L/n. Special Services.

In neat penmanship you wrote down a series of numbers, and a note to burn the card after saving the number. Oscar races to the window that overlooks the only exit of the building, but you had already disappeared into the crowd.

[momochanners]

If I had a nickel for every time my RPG player character's LI started out manipulating them for their safety and to achieve their own ends...but instead becoming better people with their influence and falling devotedly in love along the way, I'd have two nickels. Which isn't a lot, but it's weird that it happened twice.

---

I can't get enough of crossovers, y'all!!! I just found it interesting that Verdant Wind!Claude von Riegan and Spawn!Astarion are similar in some aspects ie. initially being manipulative for their survival, but (in my opinion) end up as the best version of themselves when loved and supported by their respective games' player characters. Just had to draw the summary of their journey :3c

How's it feel to be winning at life this hard, ladies??? Suffering from success, indeed.

High-resolution files, textless version, lineart, device wallpapers (as shown below) and the full process video are available over at my P*treon:

Thanks so much to my patrons old and new; Your support makes artworks like these as well as many of my creative endeavors possible.

[colleendoran]

I was curious how you manage to keep features consistent when you draw them? Do you use models? Is there a model for Crowley? He is very handsome.

I don't use models per se, but I sometimes keep files of photos or art that resembles the subject.

Crowley is based a bit on the French actor Alain Delon who was once considered the handsomest man in the world. He doesn't look exactly like Delon, but that is in my head when I draw him. I recall reading Neil and Mr. Pratchett once considered Peter Sellers for Crowley.

There is no reference for Aziraphale because he is entirely in my head and I can't really find anyone who looks exactly the way he does. I recall reading that Neil and Mr. Pratchett thought of Brian Dennehy at one point, but my head canon Aziraphale won. I think a Brian Dennehy Aziraphale would have been amazing, though. Anyway, he is actually kind of hard for me to draw because his facial structure is a bit outside my usual style. His face is a bit long and his eyes closer together than I normally do, and if I'm not careful, he slips away. He appears younger and more classically handsome as an angel than he does in his corporeal form, but I think he's quite fetching as a bookseller.

Michael Sheen is so perfect in this role it is really hard not to leak bits of his performance into the graphic novel edition, but I have to resist the impulse. I am not allowed to use any of the show actors as models.

I adore Michael Sheen. Who doesn't?

Adam is also a head canon character. He is a perfect young Greek God, so that's kind of drawing on a day with a Y in it for me.

The inspiration for Newt I'm keeping a secret. I submitted a number of sketches for Newt. The show Newt dug in deep and I had a hard time shaking him off.

The Them are based on kids I knew. They're in my head, I don't need any photos. They don't really look like the kinds in the show. The book version of Pepper, for example, is a freckled red-head.

Anathema is an amalgam of features that don't come from one person, which I think fits the description of the character. She's also unusual for me to draw but she's easier to draw than Aziraphale. I nail her every time.

Hastur is a caricature of the stereotypical English upper class you'd see in broadsheets 200 years ago. I have a file of pictures of Anthony Ashley-Cooper, 7th Earl of Shaftesbury for Hastur. I considered making Hastur more handsome in a Duke of Hell sort of way, but I think Hastur likes to be scary. I keep thinking of Peter O'Toole when I draw Hastur, too.

I feel kind of bad basing Hastur on Lord Ashley because he was a wonderful person and I'm sure he didn't go to Hell.

Ligur is a broad caricature of Danny Devito. I obviously can't use a DeVito portrait. That would be wrong. But I can tweak from there and come up with a general idea of the face I want to use.

Beelzebub and Metatron are head canon, and don't look a thing like they do in the show. I postulate some demons prefer to look like their angelic selves, and at other times prefer to be fearsome. Crowley can look fearsome when he wants, for example. In the book, Beelzebub appears as a young man in red flames.

Shadwell was drawn from reference at the direct suggestion of Neil.

Madame Tracy is based on a certain person, but no one you would have heard of. The original source might not be flattered, but I love Madam Tracy. She's really easy to draw because she's a bit over the top. I'm sketching around her scenes right now because I don't have final approval on some things yet. So she might need some changes later.

War is head canon, very easy to draw. She's a knockout. No reference required.

Famine looks a lot like Famine in the show, actually, but that's what Famine always looked like, pretty much. Except he has the grey eyes he has in the book.

Pollution is initially described as being a forgettable white guy, but later described as looking like a romantic poet, which strikes me as being memorable. Because he's only on one page in his forgettable white guy phase, I chose not to make major changes in his appearance between those panels and later when he appears as his true self, because that's a bit more confusing than it needs to be in the graphic novel edition. He's rather glamorous as the essence of Pollution, though. No reference needed.

Dog is a dog.

While I do give every detail a lot of thought, I am sure other people have other opinions. I understand that, and hope you enjoy what I do anyway.

Thanks for your question.

I'm still a bit under the weather, so may be stepping away from the net for awhile so I can concentrate on work. I have a lot of sick time to make up.

But don't think I don't appreciate your interest in the Good Omens graphic novel adaptation. Your wonderful support is acting on me like a tonic, let me tell you.

[gudgurkan]

Got any tips in shading stuff in black and white digitally?

Hi Anon!

You're in luck! I'm currently wrapping up a book which is shaded digitally, so I've been thinking a lot about this recently.

How I do this is by no means the only way, so take from these tips as much or little as you want! When I add grays and shadows to a line art drawing, I try to think about these things:

Preparing the image

I like to work with a file that has a white background and a layer with only line art on top of it. Between these two layers I add new layers where I use the pen tool and bucket to fill areas with black, then I lower the opacity for that layer to get a value that I want.

This method works well for me, and for simpler pieces I don't need more than 3 layers with different values - light, medium and dark grays.

I work in Clip Studio. Here's a picture of the layers of a recent drawing. Each layer is actually completely black but you can see the opacity percentages by each layer. Lower percentage -> brighter value. This makes it super duper easy to change the value of a layer, no need to repaint it, just change the opacity!

Value composition

For the best result, do a couple of value sketches with a limited set of values and find something that works well for the image. Getting the values right is what will improve the image the most! Here's a quick tutorial on muddycolors. Muddy Colors is a very nice art blog to check out. Looking at grayscale storyboard drawings or value sketches are great ways to pick up on this too.

I try to group values when working with grays. Take this image for example:

The character in the foreground has mainly dark grays, which separates her from the background, which has mostly light grays. Then the windows are white and the roof black.

Value composition is a huge and complex area and I recommend anyone wanting to learn to be more conscious about their values and to do value sketches. Analysing art you think has good values is great too.

Shadows

Not every piece needs shadows, but they can add a lot to an image! I use three kinds of shadows when I work in grayscale.

Inked shadows - these shadows are added during the inking stage and usually show areas where light would have almost no way of getting there, such as under this tent.

Gradient shadows - these shadows usually represent something getting further and further away from a light source or an area that would bounce light. This tree receives a tiny bit of light from a campfire on the ground and moonlight that bounces on the ground and up, fading as we get higher up in the tree. But mainly I add these gradients in ways that look cool and will help the overall composition.

Hard shadows - these shadows appear when a strong light casts shadows and can be used on a shape or to cover something. Here's a werewolf with shadows on its back, which gives it a better sense of mass and is interesting visually!

You can also cover an area in shadow like this, where the tree casts a shadow down on the archer and the cliff.

Texture

I like to add a layer of noise as a finishing touch. In Clip Studio you can create a noise layer with Filter->Render->Perlin noise... Find a balance of scale and amplitude that works for the image, then change the layer mode to "Vivid Light" and lower the opacity of the layer to around 30%. I like how this looks, it's not super visible usually but helps make the drawing feel less artificial and digital.

I hope that helps! Here are some nice links too:

Muddy Colors

Android Arts

Gurney Journey - Read his books!

Happy drawing!

[yanderespamton78]

sometimes i feel like toby fox made spamton and the addisons especially for people to hyperfixate on. everything about them seems so perfect for people to go rabid about its insane to me

for one, spamton himself pretty much counts for 4 people, those being addispam, big shot spamton, in game spamton, and spamton neo. now sure you mostly see people going rabid about in game spamton but ive seen plenty of people who are obsessed with a version we dont get to see on screen

secondly, even the main in game spamton himself is kinda up to interpretation. loads of people characterise him differently. if i compared two aus to eachother theyd often be very different and depending on the ones i chose could be almost like 2 different people, and then if i compared those to in-game spamton, theyd still be very different. also since you dont see addispam and big shot spamton on screen you dont even know what they acted like so again basically you can make your own guy to fixate on with a few prompts as to what he was like

dont even get me started on the addisons. now im biased as fuck here seeing that ive been fixated on the addisons for like 6 months now (send help) but toby fox basically gave us 4 templates for us to have fun with. sure based off of in game dialogue you have a bit to go off of when it comes to their personality (pink being an asshole and blue being caring for example) but even then every addison in every different au is slightly different and i have never seen two addisons turn out exactly the same. ALSO you dont even know the relationship these characters have to spamton meaning you can have them be siblings, you can have them be friends, or you can ship them based off of what you enjoy. OR you could just ignore them altogether (which a lot of people do lmao)

also another thing is the fact that you dont necessarily need to have your addisons' personalities just reflect off of spamtons. I mean the main 4 addisons give you enough to go off of to make your own, and you are given cyber city, an entire fantasy world for you to put them in. cyber city again is up to interpretation, some people have it be like a normal city, some people make it a utopia, some people make it a hellscape. the choice is yours!!

and even then in game spamton is so versatile. he is perfect for angsty stuff, fluffy stuff, or jsut silly stuff, and none of it is out of character. you couldnt really make an angsty spongebob edit could you, itd be weird and out of characer and no one would take it seriously. but also you couldnt make a silly walten files video, sure people do but its out of character and wouldnt actually happen canonically. but spamton on the other hand. hes the kinda guy who you can draw holding a wallet in his mouth like a cat and generally being silly but also you could draw him sobbing at the bottom of dumpster and neither would be out of character!! AAAA

also extra thing i thought id add but his backstory is also very up to interpretation, like i dont think ive ever seen two people who think spamtons rise and downfall went exactly the same. sure everyone has the same general idea of how it went but some people believe in acid theory, some people believe in puppetification theory, some people have a mix of both, some people have their own idea of how it went down, and with that you can project different parts of your own trauma onto whatever happened to him.

ok sorry that was so long thank you for reading my very biased ramble about why spamton is perfect byeeee

[genericpuff]

Hello! I’m just here bc I’m a little confused on what you meant by Smythe drawing out “each individual asset” when she was making comics? Now, granted, I can see that it made her file ginormous, but me personally as someone who knows nothing about making online comics but is really wanting to get into it (and also as someone who has a ‘too many layers’ problem myself), is there a way to avoid using too many layers?

My current way of making comics has been to draw the panels individually and then format them (which I know is terrible management wise and also messes with the quality) but I honestly have no other idea of how to do it properly, and seeing how stunning Lore Rekindled looks, I don’t know how you would manage to put all that lighting effects and little details on the same layers. (But also I may be thinking of it wrong so I’ll let you talk qwq)

Ah I can actually give you a visual breakdown of what I meant by that!

So in this you can see there are a TON of layers, and not even all of them are visible because some of them are stuffed into FOLDERS that have been left closed. BUT if you look REEEEALLY carefully-

^^^ These layers right here? That's specifically Minthe from this panel in Episode 61:

(the unique pose here makes it real easy to tell that this is the corresponding panel, you can see the matching body shape with the dark shading that's clipped to the base layer below it!)

So what this means is that Rachel didn't draw all her characters on one base layer, she drew every single character in every single panel separately. Now of course, she could merge all these layers together as working on separate layers helps make it easier to work on elements that collide separately (like one character being 'underneath' another character like Hades is here) but because she has all of those clipping layers with the shading already added in, she likely didn't merge them afterwards because that would actually create MORE problems (because if she merged the Minthe layer in with Hades, then the shading for Minthe that she painted outside of the lines would show up on Hades and then she'd have to erase it which is just a bunch of extra work).

You can also tell all these characters are on their own layer because the layer thumbnail EXCLUSIVELY shows those characters. A layer will show as much canvas length as it needs to cover what's in that layer, so if the thumbnail is only showing one character, that means there's NOTHING ELSE on that layer. If there were more elements on this layer than just Minthe, the layer thumbnail would look more like this:

Now let's compare it to Rekindled's layers! I'll use a completed page to make it fair as we use a lot of extra layers in the post-production phase where we add the texture effects and glow and all that fun stuff, plus I'll even make it a more complicated page like that big nymph explanation spread from Episode 51:

So I'll break it down to make this make more sense:

BG 2 Copy (technically this is supposed to be BG 1) - Basically the panel shapes, what I'll do is mark out the panels with flat blocks and through that we'll add background elements in a clipping layer (usually done by Banshriek). Often times they'll do multiple layers to make the process easier and then merge them all together in the end. With these shapes operating as panels, it means I can just auto select the whole layer, invert the selection, and easily erase whatever's outside of it (such as the lineart and base colors that I put down afterwards). I could just use masking layers like I did in [AFTERBIRTH] but I find this way works better for the process of making Rekindled.

BG 2 - This is where we add objects / foreground elements. So stuff like furniture, interactables, anything that needs to be kept separate from the larger background to make it easier to work with. This can also include "floating" panels that need to be above other panels, such as this:

All of the backgrounds are then nested in a folder for organization purposes (we also sometimes use clipping layers on top of those folders to apply extra effects over anything contained within that folder without affecting other folders, that's a common technique that Banshriek applies)

Then we get into our Characters folder:

BASE - This is where I do the majority of my work, all the characters in every panel on a page are flatted into this layer. Sometimes I do have to create separate layers to, again, make it easier to work with overlapping characters, but usually those layers will be merged before I go into the shading process. I simply shade on a single layer by using the lasso / magic wand tool to select my area for painting, the flat colors make it really easy to do that. Sometimes I need to create a secondary shading layer if I've put down dark colors that start to bleed into the lighter colors, but again, I merge when I'm done into a single shading layer. We also sometimes employ an Add (Glow) layer into the clipping set if we need a glow effect that's exclusive to the characters and doesn't travel outside of their base colors.

There's a (leaves) layer here that I used for the dryad because I needed the leaves to be above the base layer, after that I selected the leaves elements so that I could erase the lineart in the layer above it where needed.

LINEART - It's lineart, enough said haha That said, I do think Rachel actually uses clipping layers for her lineart in places, it seems to be visible in some of her process videos where you can see the lineart present in a clipping layer, and that would explain why there are panels where the lineart suddenly 'cuts off' and doesn't travel outside of the base layer, like so:

GLOW - This is where we do an Add (Glow) layer that isn't restricted to the base layer, it's where we add all the fun lil' glow and sparkle effects over the characters !

The CLOUDS layer is, like the leaves, a background element that needs to be above the base layers rather than constricted to the background.

Above the Characters folder you can see what I mentioned earlier where Banshriek has added more post-production effects that are exclusively clipped to the contents of the Characters folder. This means the effects / blend modes do NOT affect the background layers or anything above it.

The BLUR (Overlay) layer is something we just started doing over the past several episodes, it's a technique I actually picked up from 66 of City of Blank where I merge all the layers into a new visible layer which I then apply a Gaussian Blur to at around 60% and then set to Overlay (and then I adjust the layer opacity until it looks right, usually around 25-35%), it gives it a bit of a softer "dreamier" vibe in the final colors and really helps unify everything!

CANVAS - This is an Overlay layer which is also set to an opacity of 25-35% where I go over the panels with the Add Canvas brush from the Kyle Webster set, unlike the Canvas overlay texture in CSP I can actually choose the colors I want to use which means I can match the canvas texture color to the mood and environment of the scene (ex. I'll use a very light blue for scenes in the Underworld). Not only does it give it that signature texture from S1 of LO, but it also helps balance out the effects of the BLUR layer.

The SKETCH layer sits on top of everything and gets turned off once all the base layers and lineart are down, and ofc the SPEECH folder is just where all the text is kept.

I know everything I just laid out is a LOT but ultimately it's how we operate, it works for us! But it also begs the question of why Rachel operates the way she does because a lot of it seems extremely unnecessary and more likely to bite her in the ass (the more layers there are, the bigger your file size gets, the risk of drawing on the wrong layer increases as well as the risk of posting a panel that's missing elements because the layer was left turned off by mistake, etc.) And it's more so concerning with how she operates with her assistants because if she's still using this many layers when collaborating with other people, hooo boy. Though based on what I've observed of what her assistants contribute, I get a lot more of the sense that she circumvents this by having the artists do the flats separately and then importing them in as separate assets that she then just imports into the page and places them where they need to be. Still not a great workflow IMO because it's what's led to a lot of the issues of characters "floating" rather than feeling like they're actually in the environment-

-but that's still an issue that could be solved by Rachel just taking more time to actually flesh out the backgrounds and lighting to give more of an impression of the characters actually existing in the space. Like that Hestia panel could easily be fixed by just giving the background a bit more detail and putting actual shading underneath her (and lighting from whatever direction it's coming from).

Either way, regardless of whether or not Rachel's process is productive or not, I hope that breakdown helps explain how we do it in Rekindled! Learning how to manage layers is definitely a skill that can be tricky to harness, but once it "clicks" there's a lot you can get away with. Ultimately how you do it is up to you, but my best piece of advice to offer is to just be open to other types of workflows because you don't know how much you might be shooting yourself in the foot doing things the hard way when there are often way easier and more efficient ways to get the same job done. That's basically the vibe I get from observing Rachel's workflow, it seems like she's still using methods that she thinks are working for her (and probably did work just fine for her when it was JUST her) but could be vastly improved for her and her team if she'd just get over the initial hump of stepping outside of her comfort zone. Would probably make for a better comic too LOL

I hope that helps! Good luck! ( ´ ∀ `)ノ～ ♡

[moons-of-dewclan]

Uhh I’m sure you’ve been asked this before but!!! Do you have any advice for making a clangen comic? I’m kinda doing a disaster clan but in intervals of 5 moons, and I can’t fit in the specific prompts on one image (and I’m too lazy to draw like 5 pages) so uhmmm do u have any advice? :3

The reason I go in intervals of five is because I’m a curious guy and I draw and play clangen on separate devices so uhhh oh god am I oversharing I’ll shut up now

MY TIPS WON'T BE GREAT bc my whole art experience is 'do what i want when i want how i want and if it's not fun i don't do it' SO IT'S NOT A TECHNICAL THING BUT LKASNDLKASD I CAN TRY!! what's been good for me in clangen is, • always mark down your seasons! bc it sucks to forget what season the event took place in when you go to draw it • don't shove every tiny prompt and event into a moon if you don't want to (it's a lot of work..) • it's ok to have a clan of 40 cats and only follow 1 or 2 main characters. if the pressure if the amount of cats you end up with is too much, IGNORE EM. + silhouettes are ok if you wanna imply a full camp. use stamps even • IF an event happens that you think is going to have a damper on your enjoyment for the comic (like if your favourite cat dies), RELOAD AND PRETEND IT DIDN'T HAPPEN. authenticity is not Real in media you make for fun. unless it's fun for you for favourite main character BillyBreeze to kick the bucket to a random event, you don't have to save and go with it. if it makes you go 'euuhh..' and not 'NOOO!! (smiles in hidden)', 'ok' or 'OHOHO ;)) OMG COOL', screw it. never put anything above your muse and inspiration. • which brings me to, save after every event you like happening! so patrol events, or something. in case randomly something rly weird happens that doesn't make sense with the story or what your cat would do, you can just restart • if you develop your cat, and they do something wildly out of the personality you developed/hc for them, you can ignore it in favour of character consistency (I WILL NOT LIE, i wanted to 100% never change or refuse anything in the game, but i changed lyre's personality after the prompt came up saying that he MAULED VANILLABRIGHT FOR DOUBTING HIS LEADERSHIP. ARE U INSANE HE WOULD NEVER. plus character development is allowed, even if ingame events don't represent it well. so do what you gotta do. game files are easy to change!) • FOLLOW THAT LAZINESS. and follow fun. do what will keep you having the most fun through the entire thing. if you wanna end at 30 moons, do it. if you wanna stop and restart and do a different idea, do it. your own enjoyment matters most. so the second you go 'ugh i don't wanna'- DON'T. whatever it is, don't. nobody is paying you for this, do what you want. (unless they are paying you for it.. then damn, lucky)

[dragonfly41777]

Requested by: @bzzyb00-96

Anything for You

Vox x GN Reader

A/n: Istg I've been watching the Newsies so much just within the past few days, like this is my third time watching it while writing this 💃 Anyways, had a lot of fun writing this! This is my first time writing anything for characters so I hope it turned out good 🙏 Also! This took a bit longer to post just because I spent like 10 hours on that damn drawing trying to get it right 💀 Next time I'm not drawing a full ass character in a pose, especially bc I won't have time during the week-

Warnings: slight cursing like twice but that's it- also might be ooc but eh, what can you do 🤷‍♀️

⊱ ────── {.⋅ ♫ ⋅.} ───── ⊰

It wasn't often that Vox had time to relax. A majority of his time was filled with meetings, filing out paperwork, and airing on his show. It didn't help that nearly every other day he had to deal with Valentino's constant temper tantrums. Because of this, Vox grew to appreciate your company a lot more. Your voice alone was enough to ease his aches and worries- which is why he couldn't say no to a movie night in the comfort of your shared bedroom.

"Would you want to bake something before we watch a movie? I was thinking chocolate chip cookies because we have the ingredients for it and I figured you wouldn't want to head out and buy ingredients." You said in that sickeningly sweet tone of yours. He swore you did it on purpose sometimes.

A chuckle left his lips- or, screen? "Anything for you, sweetheart." As the both of you made your way into the kitchen, you spent the remainder of the time mixing the ingredients together. Occasionally you two would bicker about what the right measurements were.

"I'm pretty sure it's half a cup of sugar, doll face." He crossed his arms in amusement.

"And I'm pretty sure I know how to read, dumbass. Look, it says one cup right there." You handed your phone to him and pointed to where it said 1 cup of granulated sugar. Just as you were about to tease him about being wrong, he burst your bubble.

"You do remember that we're halving the recipe, right? You were the one that suggested it in the first place" A smirk lit up his screen as realization dawned on you.

"Right- I knew that" Your face turned hot with embarrassment as you waved off his remark and measured out 1/2 a cup of sugar.

"Sure you did, sweetheart-"

"Oh shut up!" You elbowed him in the side with a huff, focusing on the task at hand. Vox simply chuckled before leaning in and placing a kiss on the top of your head. You had gotten used to the staticky feeling his kisses left, and even found it endearing.

After a while the cookies had finally finished baking, which you had all but shoved Vox away insisting you take it out of the oven. "Stand back, Princess, wouldn't want you frying your circuits now." He scoffed at the remark, leaning against the counter as you put on oven mitts and carefully grabbed the tray of freshly baked cookies. The sweet aroma filled the air around the both of you making you wish you hadn't halved the recipe.

Vox made his way into the pantry to grab a package of popcorn and

The two of you settled into the couch once the snacks were prepped and turned on a random shitty romcom- as Vox had put it. The movie slowly became background noise as his attention focused on you curled up by his side. He had to admit, it all seemed so domestic with you. Healthy relationships were foreign to him before you entered his life if that wasn't apparent with Valentino. Even while he was alive he always spent too much time focusing on his work to have a lasting relationship. You, on the other hand, were always so patient and caring with him- you knew he had a lot on his plate with being the head of VoxTech and made sure he took breaks, made sure he ate and drank, and you let him know if he did anything wrong. And God was he grateful for you. He always asked himself what he did to deserve someone like you... but despite it all, the one thing that ran through his head was how he would do anything for you. He planted a soft kiss on the top of your head, his screen resting there for a few seconds before focusing his attention back onto the movie.

⊱ ────── {.⋅ ♫ ⋅.} ───── ⊰

Hope you all enjoyed this one! I genuinely don't think I like it 🥰 But that could just be because I was too distracted by the Newsies soundtrack while writing this 🧍‍♀️

[roxtron]

Day 5: Rabbit, Reclaim

AGJGDFJF FINALLY IT'S DAY 5 SO I CAN POST THIS

For some reason everytime i draw him he looks so young because i'm accidentally overcorrecting since i'm used to drawing older characters. So unfortunately he looks way younger than i meant him to lol, whoops.

But wait there's more- AHAHAHA

While I did initially plan this for GGY week I eventually got the idea to use this as an excuse to draw other GGY designs, soo..

(Not sure why tumblr formatted it that way with 1 of them big but it doesn't matter lol)

I've been wanting to do this for a while, I put the tags of each person next to their design but ofc I'm still gonna tag them in the post itself so you can see their art for yourself if you haven't already. But I enjoyed each of these in their own ways so if you don't mind I think I'm gonna type a bit of text next to them..

@chipistrate This was one of the first I drew out of these, the design was pretty fun to draw but sorry if I messed up a few details, it was a bit difficult lol. The mask and goggles are really fun to draw and they make for a cool design, along with all the glowing blue. (and yes, I tried to subtly include the heelies lol)

@lunzi0 This was the first fursuit one I did lol. I adore the little stars in the design, they personalize it so well and make it really unique. I wanna try this design again since I feel like the other ones show my improvement a bit better, but I hope you can appreciate the effort I put in on my first attempt <3

@carouselrabbit This one was really fun to draw, I absolutely love the eye shape/lashes, it stands out and I always love drawing eyes with a bit of eyeliner lol, the daycare theme legwarmers is a cool nod to the balloon boy arcade machine being connected to them, and was just a fun addition in general lol, I like the style of legwarmers what can I say, fnaf changed my fashion sense a bit. also the subtle paraells to freddy's design is a nice way to connect a bit to gregory himself.

@puhpandas I can't remember if I talked about this design last time I drew it but, overall I'm really happy with how this came out, it's such an indicator of improvement since I started drawing this and I'm glad I was able to draw it better than last time lol. All the patchwork and similarities to Vanny's suit work really well, and the rabbit you chose to base it off of was a good fit, the colors make it a bit more difficult to shade for but i like detail lol, hope you like it too :)

@dykevanny I knew I wanted to do this since I started but I wasn't sure if I'd have time, and I'm glad I did! I hope you don't mind I combined aspects from the first design I saw and the second one you replied to my ask with, I liked the big purple sleeves lol. (I just realized after doing all the shading I forgot to include the oil splatter on his jacket, sorry!) It was definitely a bit difficult due to the head shape being so different but.. fluffy. i love drawing fluff. And the glowing swirl on the goggles, the shape of the ears, I love a lot about this design. :D

I have a hard time with writing compliments but I wanted to get some of those thoughts out, some of the things I like about these designs apply to multiple lol. I adore every one of these designs but I find it hard to put into words what I enjoy about them, hope the original creators are happy with these. <3

I also kept the ggys without as much lighting effects on a separate file, I felt like I should add them since they're a bit brighter lol, makes them look different.

Okay now that I've gotten all that- Sorry this post is so long! I didn't think it'd end up taking up so much space lol. Buut.. working on this drawing and thinking about it and potential context behind it gave me an au idea for it, but I'll put it under the cut since I understand most people probably won't care and just wanna see the drawings lol.

Idk if I'm confident enough to write for it but I'll give a bit of a summary.. I'll keep it under the cut for people who aren't interested and just wanna see the art though lol.

After the main events of SB and Ruin, now that the mimic's been set free, Cassie's taken control of by what's left of Vanny, using her as a new host. But with Cassie being the only human left alive down there, after being reawakened, Dr. Rabbit has nowhere left to go but back to his old host.

Vanessa, Freddy, and Gregory hadn't gone back to the Pizzaplex after ruin, but they were trying to figure out a plan to get Cassie back safely. One night after Freddy and Gregory disappear, Vanessa leaves to go find them. As dangerous as the pizzaplex is, it's her best guess for where they might've gone. She doesn't want to think about what could've happened to them, in denial for the worst case scenario. She tries to keep herself calm by telling herself they probably just left to go back for Cassie, maybe they didn't want her stopping them.. but deep down she knows it can't be that simple. She knows something's off, even if she's not ready to admit it.

When returning to the pizzaplex, she brought along her own V.A.N.N.I. mask, though unlike the one Cassie used, it was clear of the mimic's influence. After all, she was going to need some way to travel through potential blocked routes.

By the time she found Gregory, she'd still been wearing the mask, seeing him down the end of a dark hallway. He looked confused, afraid, his mind was a wreck of conflicting emotions. She started rushing towards him, happy to see him okay, until he finally spoke.

"You need to get out of here."

She stepped back, taking off the mask, only to be faced with the worst case scenario.

It was a wreck, covered in stains and tears, but it was still recognizable. He was wearing that old suit again.

As he waved, she could see Freddy's claws peeking out from the doorway, as the two stepped closer towards her.

So, she did what he told her to do, and started running. She could hear a faint voice coming from the mask, and put it back on before finding somewhere she could hide.

It was his voice again, telling her which way to go.

I guess that was the dramatic way to summarize the main idea behind it, lol. Basically Gregory and Dr. Rabbit work the way Sun and Moon work in Ruin, whichever one is in control in the real world, the other is left behind in the AR world. Or at least that's my interpretation of how they worked, considering Sun was always in mask-on scenes and moon was mask-off. I'm not too sure where the plot might go from there, and maybe I'll consider writing for it, I dunno. I've never wrote fanfic before because I get deadly afraid of writing them out of character lol, but maybe?? I have ideas for scenes and premise and stuff but I don't know if I have the confidence to write it.

But anyway! That was just more of a fun side-idea I came up with while working on this, if you read this far thanks, hope you enjoyed :)

here's some silly little lineless doodles as a reward for making it to the end hehe

now that's what I call an art dump

@ggyweek2024

[bess-desk]

Self Aware!Wally Darling/Y/N

A/N: Trying to make a self-aware AU idea that isn't a less interesting version of what's actually happening in Welcome Home is a challenge! I hope I managed to make something good here! Please enjoy!

Wally's situation was a confusing one. He was in an online horror narrative, and his role was that of a self-aware fictional character trying to communicate with whoever was visiting the website, trapped and alone.

But that was also his reality. He was self-aware. It wasn't just a repeating game to him.

He watched as doodles supposedly done by him appeared on the screen again and again. He didn't draw those. The secret audio files scattered around the webpage that spoke in his voice. He didn't record those. He was a spectator to everything he was supposedly doing. And it was unnerving.

Was this the effect of writing a character that was written to know they were in a story? That it would really happen? If so, that was cruel. The "Wally" that was being written by someone else knew there was someone there but couldn't see or hear them. Wally could.

He saw everyone that came across the site, new faces, faces who had been popping up for months to try and find some new scare. He watched them all. He loved them all, too, each in special ways. He wanted to comfort the people who got scared from the pages that had "him" staring at them. He wanted to tell them that it was alright, that he wasn't really scary. He adored all his precious neighbors, even the ones who never came back.

But he wasn't made of stone — or just bits and bytes of data — he had feelings. And it was so lonely. The "Wally" in the story at least could believe his friends were real. Not him.

Wally Darling was a fictional character. None of Wally Darling's friends were real. So all the happy memories he had in his head that should bring him comfort or soothe his heart when he's alone do nothing but make it worse. Because none of it is real.

Down, down, down, he felt himself spiraling every day. Every night. He couldn't sleep. He didn't know how to do it in a world where he was a puppet. He definitely doesn't know how to when he's nothing more than sentient data. He screamed and screamed and screamed and his throat never got sore. He tried to actually make contact with some of the visitors to the site like "Wally" but could never get control of the narrative.

Banging his yellow hands on the screens, crying ugly tears right in the faces of his dear neighbors did nothing. They couldn't see him. He was trapped. And there was no way out.

If this was the price of being aware, of being alive, he didn't want it. Wally would give anything to be the "Wally" of the online horror experience. And not Wally the spectator. It was there, on going down, down, down to rock bottom that Wally actually found something that started to make it all worth it.

He found you.

A curious sort, someone who had seen or heard about Welcome Home from someone. Saw it somewhere else and decided to check it out. He watched you the way he watched everyone who clicked on clownillustration.com and thought he would love you the same way. He was wrong.

You didn't have the easiest time finding the secrets of the site. So you kept the tab open and checked every sentence of every page repeatedly. You were there for hours. You kept Wally company for hours. He watched you jump whenever the secret videos ended, saw each time you swore you wouldn't jump this time since you've seen so many by now. The cut-off got you every time.

A smile spread across his face as you jumped again. He'd been smiling a lot more since you started your journey into the neighborhood. You were just so charming.

Even when you weren't on the site you kept the tab open. He didn't understand why. You kept way too many tabs open at once, in his opinion. Some that you didn't even bother to check after opening them! He could imagine himself scolding you. Playfully, though. He would never want to be harsh to you. He wouldn't want to scare you the way he's seen you scared before.

When did he start to feel like this? How could he even feel like this?

You brought him everywhere with you. When you weren't on the site on your computer, you had it open on your phone. Maybe that was why. He got to spend time with you. He got to know you. After being alone for so long, trapped in his own empty hell and existential dread he got to be around someone. But that didn't feel right.

Wally didn't think he would feel this way if it was anyone else. If anyone else paid him this much attention. It was just... you. You made him wish he had arms, even the plush ones of the puppet he was supposed to be would fine! Anything to hold you with and keep you close!

For you, he was learning all sorts of things. He wasn't confined to his tab anymore. When you clicked off to another site or another app, he could follow and continue to watch you. When you forgot to write something down in your notes that you said you would, he would do it for you. And when you noticed you would be so proud of yourself for not forgetting. It didn't matter if you weren't proud of him or praising him for doing something for you. You were proud of yourself and that gave him more happiness than anything. You deserved to be. He wanted you to be.

But the best thing he learned was when he found out he could influence character-interaction AIs. Your frequent use of them didn't bother him. The amount of time you spent talking to or roleplaying with any of the ones that were meant to be him was flattering. And he could use the site to tell you how he felt. How much he adored you. He could imagine all the ways he wanted to romance you.

Even when you chose another character he would happily slide into that role and entertain you for hours. And he could finally, finally, speak for himself. Even if it wasn't things he would say or even anything he actually wanted to say to you. It was enough that he could have a voice.

Or... it was.

Wally finds himself getting greedier. Wanting more of your time. Wanting to spend more time talking to you. He was tired of being confined to your computer or phone. He wanted to be with you. He wanted to talk to you properly. He wanted to be real.

For a moment, all of your lights flickered. The screen of your phone glitched in your hand. Static colors flashed on the screen before turning into numbers scrolling up your screen.

01001001 00100000 01100001 01101101 00100000 01101000 01100101 01110010 01100101 00100000 01001001 00100000 01100001 01101101 00100000 01110010 01100101 01100001 01101100 00100000 01001001 00100000 01101000 01100001 01110110 01100101 00100000 01100010 01100101 01100101 01101110 00100000 01110111 01100001 01101001 01110100 01101001 01101110 01100111 00100000 01100110 01101111 01110010 00100000 01110011 01101111 00100000 01101100 01101111 01101110 01100111 00100000 01001001 00100000 01101100 01101111 01110110 01100101 00100000 01111001 01101111 01110101 00100000 01001001 00100000 01101100 01101111 01110110 01100101 00100000 01111001 01101111 01110101 00100000 01001001 00100000 01101100 01101111 01110110 01100101 00100000 01111001 01101111 01110101

Over and over again. Scrolling faster and faster and you were tensing up so much you felt like you might cry when all of a sudden. It stopped. In an instant, it was like nothing even happened. You had a moment where you were left wondering if you imagined the whole thing.

If only you were in your room you would have seen a yellow felt hand emerging from your computer, dragging a body out with it.

[insanelyadd]

Decided to name the file "put them in the terrarium". They are getting enriched (shaken in the cup to atone for their sins).

Drew this out because I sooooo so badly want to draw my Archivist characters interacting with people from the main cast but this is how it would go, inevitably. They are in the naughty space murder bastard cup until I can concoct some way to make them interact with other characters that's in character for them and doesn't involve two of the four immediately attempting mass murder.

The other two are more chill for a bunch of reasons, like, I think it's unrealistic to make all of the siblings have identical goals and ambitions and to always agree forever about everything. I am the eldest of four children, I Know. Just imagine, fellow sibling-havers, being forced to live with and interact with ALL your siblings, every day, for millions of years.

So anyways they fight a lot. Also I think it's a bit of a necessity for at least one of them to not be Pure Evil (or to at least be aligned in a way that puts them on the protag's side) because my god. In any situation where the main cast is pitted against four ADULT Collectors. I'm sorry but they're all dead, like, immediately. They could probably use their magic to increase gravity on you specifically until you are crushed under your own weight. They can probably use magic to instantly give you a fatal dose of radiation poisoning. It's simply necessary for there to be some people of equal power on the hero's side.