*Casually, to someone just offscreen.* Sometimes I see art of Imogen Temult that's leaning VERY hard into a cowgirl aesthetic, like Gunfight at the OK Corral style stuff, and to be clear, big fan of that vibe, but also she does look like palette-swapped Lark from Midst. Speaking of...
*Turns to face the camera as it cuts to a close up of me* Hi. It's tumblr user M. Utilitycaster. Do you love a space western woman who has killed and will kill again? Who doesn't entirely understand her powers but is learning to embrace them? Who is fucking weird all the time? Who loves dogs and has lightning scars? Might I recommend: Lark from Midst.
Fun facts about Lark:
owns a motorcycle
can babysit but hates it
purchases eldritch black goo as a surprise tool to use later
"Does Lark like women?" "Lark doesn't like anyone."
Performs cool one-liners but her inner monologue is just "fuck fuck fuck" the whole time
And more that would be spoilers
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I need more selkie theon (and asha. I just think that would be a vibe. fuck the greyjoy sigil being a kraken for a moment and let them be seals) content.
like the opportunity to have theon's coat taken by ned when he's made his ward is right there and it is perfect and beautiful and tragic.
and you could build on that depending on the version of the selkie myth/story you're going off of (I personally love the song of the sea version of selkies for story writing). maybe he can't talk without it, maybe he gets sick, maybe his voice has magical properties of sorts.
I have this one concept in my head that I don't have the time to write, but it goes something along the lines of theon getting sick after years away from his coat and the stark kids have to find his coat and drag his slowly dying ass to the bay of seals (cause y'know bay of seals and theon's a selkie so he'll turn into a seal... I thought it was creative).
also, in a lot of versions of selkies, when they get sick, their hair turns white, which is on brand for theon. they're also pretty, their stories are typically soaked to the bone in tragedy, they're normally held captive/tortured, amongst other things, which are also very on brand for theon.
and maybe you get some selkie to selkie telepathy of sorts, so when theon finally enter the water a seal again, asha books it to come find him, cause its been years since she's been able to feel him (I'm soft for them, I will create the most improbable and ridiculous scenario's to bring them together and for them to have soft sibling moments).
all and all, theon being a selkie is something I need more content of, please and thank you.
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hiii! congrats on 1k! may i pls have alma from gokurakugai w friends, amusement park n 22:22?
this was so cute i loved this prompt. THANK YOU SO MUCH!! hope u enjoy :*
my 1k event!
—°+..。゚。゚+.*.。.—
Alma's hand is warm, almost too warm against yours. His fingers are intertwined with yours, scratchy and calloused. The summer heat has gotten to the both of you, and you hope that the sweat collecting in your palm doesn't bother him as he drags you around the park.
It's late, and the sun went down a few hours ago, but the heat of it still lingers on your skin. Your feet are aching and you think if you walk around for any longer, your legs will crumple underneath you like paper. But Alma's so—warm, and kind, and he looks back at you with this stupid beaming smile as he leads you around all the corny games and rides. Your stomach is still swirling from the last rollercoaster you went on, and your pockets are very light from the sheer volume of money you’ve lost to ball-toss games.
"There's— oh! They're selling takoyaki over there," he points out, attention moving rapidly from you to the food stands to the crowds of people around you. "You know, we tried making takoyaki ourselves once, at the agency with everyone, and it was pretty good! I wish you were there for that."
Wish. He wishes you were there. There's a stirring in your chest at the thought of being wanted by a friend.
Unfortunately, the sight of the long, winding line in front of the takoyaki stand mixed with the darkening sky reminds you that you do have responsibilities. Like the math homework due tomorrow that you've neglected for the whole week, and the dreadful bus that you have to catch at seven tomorrow in order to even make it to school on time.
"Alma," you call for him, and he whips his head back to look at you. His smile falters. Your expression must give you away, then—the guilt, the frustration, the ache.
"I have school tomorrow," you explain with nothing short of dismay in your voice, "It's— it's pretty late right now. I have to go. I'm so sorry, it was really fun, seriously—"
"Hey!" he cuts in, already grinning again and pulling you close to him with the hand still wrapped in yours. "It’s seriously fine! I did keep you out pretty late, huh. I didn't even notice."
And he looks around—at the people still walking and wandering and having fun, and your heart sinks. You're a buzzkill, and you know that, but you're already failing a class and you can't risk missing any more days of school. Alma—you don't think he really gets it, and that makes it worse. In the grand scheme of things, you don't know too much about Alma—how he works—but you know that he doesn't go to school the way that you do. Every time you've hung out on a weekday, it's been cut short by a call from home or your own consciousness screaming at you to get back and do your work before you flunk out.
"I really am sorry," your hand squeezes around him, breath stuttering in anticipation as you mentally beg him to squeeze back, just to signal that he's not so upset about this. "I would— I would stay out for longer, but… Alma, really. I’m sorry.”
“You apologize way too much,” he says, earnest and honest and still smiling the way he always does at you, with something warm between his lips. “Hey, um, can we go on one last ride? I’ll pay for your ticket. The— the ferris wheel?”
He’s so stupid, and it’s corny and cheesy and ridiculous, but you see the heat of hope on the apples of his cheeks and his eyes dart around from yours to the flickering lights behind you. Your lungs squeeze, and so does your hand around his. You’re a weak person, too weak against Alma and the fond feeling in your chest. You relent easily.
“Okay,” you agree, lips curling in giddiness and wonder. Alma laughs a little bit, breathy and relieved, and promises to take you home after this one last ride, and you can’t find it in yourself to feel guilty when you get home late, math homework untouched, responsibilities replaced by the fluttering in your stomach.
—°+..。゚。゚+.*.。.—
fill out my event taglist (pinned) to be tagged in works for this event!
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☆Parasaurolophus Painting☆
I did this on a 2×2 flat canvas
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I would STRONGLY advise anyone to research prehistoric past. Obviously I'm bias as a Geology major, but dispite the major controversy about teaching history in school, its SO IMPORTANT!!
I wish they tought us about everything before the Cretaceous and not just Pangaea. Even prehistoric weather and everything about what exactly happened during each large extinction makes you look around and understand what's really happening to the world and how we as humans changed that. It's very interesting, not as a "learn about how badly humans have treated the earth" kinda way but as a "history repeats itself and learning about it makes everything so much clearer."
PLUS- DINOSAURS AND PREHISTORIC DUDES ARE SO COOL!!
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I'm enjoying Fallout 3 a little more but there’s one thing that’s extremely bothering me.
How come, in the dialogue options, I can NEVER can mention, I was FORCED to leave the vault?
I didn’t have a choice but to leave. Jonas Palmer was beaten to death in attempts to get info about my father James. The Overseer was going to have the same done to me if not WORSE.
The Lone Wanderer: "So they killed Jonas, and I'm next, is that it?"
Amata: "Yeah. It's lucky I got here ahead of them. But we can't stand here talking! You're got to get out of here!"
I understand my father didn't know this would happen. That he simply thought I wouldn't be able to leave the vault after he escaped.
But the fact I can never explain what happened when reunited with him is just so ODD!?!?!!?
I COULDN’T STAY!!!!!!!
I FEEL LIKE THIS IS IMPORTANT INFORMATION YOU SHOULD WANT TO KNOW DAD!!!!!
WHY ARE THESE MY ONLY OPTIONS?!?!?!?!!!!!
Why give me that entire section where I had to escape the vault to avoid MURDER!!?? If they were going to back me in a corner (dialogue wise) that I would've gone after my father no matter what.
It would've made the dialogue option, "Why would you throw away the life we had?" WAY MORE INTENSE AND INTERESTING IF I COULD TELL HIM HIS ACTIONS UNINTENTIONALLY AFFECTED ME!!!
It could've been followed by a cute bonding moment where he apologizes and says while this life was never what he wanted for me he'll now help me adjust however he can.
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