#I know once again I play with the rules but...

[fiveredlights]

I saw you mentioned you liked kid fic and had bookmarks— do you have any reccs for maxiel kid fics?❤️❤️

do i ever!!!! one thing about me is that i will eat kid fics up, like i think i’ve read about all the tagged kid fics in the maxiel tag. i love seeing what names authors choose for their children and it just makes me happy. here's a couple and if you want more lmk!

listen to the slow parts by @nobrakesdown [T-7.2k]

Neither Max or Daniel are the one to find the baby. That honor belongs to Christian, and Christian alone.

a lil you, a lil me, a perfect being by 3_33 (@maxcuntstappen) [G-4.8k]

The three of them stand outside, looking at the entrance, August in the middle, clutching tightly onto Max and Daniel’s hands.

“Okay, I need you both to repeat after me.”

“Daniel, we already did this in the car. Can we please just go in?” Max asks, desperately, which only confirms to Daniel the need to remind all of them of the ground rules.

“Baby, please. We need to remember, okay? We are here to meet some new friends and play with them. It is okay if we don’t meet anybody we like. We can always come again. There is no need for us to be upset. Yeah?”

“Yes, Daddy,” August says and drops his hand to give Daniel a mock salute and Daniel really didn’t know he could love someone so much.

“Max,” Daniel implores, knowing that it is as important that his husband acknowledges the plan as much as their kid.

“Yes, yes, Daniel, okay,” Max rolls his eyes but nods in agreement.

“Okay, let’s do this,” Daniel says. The three of them walk in through the doors.

Or: Daniel and Max visit an animal shelter for their son, August's fourth birthday. Daniel is apprehensive. Max and August are vibrating out of their skin.

That's Where I Am by @flawlessassholes [E-47.8k-6/8]

“Her name is Emily,” Daniel says softly. Max’s eyes snap down to the baby, still sleeping on Daniel’s chest. It’s—she’s snoring a little. In that snuffly way that babies snore. “Short for Emilian.” His eyes snap back to Daniel’s face, so serious, and Max knows it’s a joke, of course, but he still opens his mouth to say— Then Daniel’s face breaks into that wide grin, the real one, the one Max hasn’t seen since. Well. In a while. It feels at once so familiar, and also like seeing something rise from the dead.

There’s a month between Melbourne and Baku. A month to convince Daniel to return to racing. A month to learn and relearn how to love. A month for everything to feel right amidst a season that has felt nothing but wrong. A month to create a family, and a month to maybe lose it all.

keep me in the open by Aurelia (Lily_Rizzy) (@lilyrizzy) [E-11.7k]

"Chrissy Baker sounds like a cunt,” Daniel says, then cringes at the pointed look his mum shoots him. “What? It’s not like they’re old enough to repeat that yet.”

Grace laughs, the sound audible now over Livia’s cries, which are quickly fading into miserable whimpers. Of course, she behaves for grandma, and not the dad who dotes on her endlessly, feeds her, cuddles her, and wipes her smelly ass.

“Three words, Daniel,” she says, eyebrows raised. “Cash, money, bitches.”

or, Daniel navigates bed times, bath times and jealousy, while Max races his last season in Formula One

summer sun after the rain by gentleau [T-11.7k]

“Papà? Is Max your friend?” “He used to be.”

then you came by beforemidnight [G-4.5k]

Daniel looks at Max swiftly but pointedly. Smiling, he looks back at the camera. “Marrying him was the easiest decision of my life.”

(don't let) the days go by citydreaming (@thewindowatkirkland) [M-11.3k]

“Hey” Daniel says “thanks for coming over.”

“Is now a good time? If you are busy I can come back later.”

“Now is fine, she’s already asleep so we should be able to talk without being interrupted.”

“Talk about how you have a daughter.”

Daniel bites his lip nervously “yeah, about that.”

OR: single dad daniel returns to the grid for one final year with red bull, max doesn’t plan on falling in love with him and his daughter, but somehow it happens anyway.

[drdemonprince]

Any chance you'd expand on the hank hill trans guy post? (Sorry, best indicator I could come up with.) The concept interests me as I decidedly know my maleness, yet don't feel impeded by for the most part, any male gendered norms/boxes. I am fairly masculine, though I rarely use those kinds terms to describe myself. I have found I often do stray outside of what society pushed for me when I transitioned, yet I again do not feel it has taken from my right to maleness whatsoever. I am just me, who happens to be male. I have had friends try and suggest I am NB adjacent but I do not feel this way whatsoever. I feel more people are outliers to gender expectation than we care to admit and it's disappointing the way cis-people deny that. Hope this wasn't too long winded, I value your writing and perspective, and wanted to hear more of your thoughts on this.

Yeah, well so many things all get conflated by gender labels, and it's all so personal, you know? Masculinity does not have to mean maleness, and a person's gender identity might be a reflection of some innate quality they experience themselves as having, or a general summary of their tendencies, or their desired presentation, or their sense of affinity with other people, or an interpersonal tool, or something they just go along with because it was given to them by society, or any other number of things.

I think my recent substack piece on detransition goes into this pretty well, and I have an upcoming piece of what @pastimperfection calls "bilateral dysphoria" that comes out next week that delves into it too.

I think I mostly saw taking on a male identity as a means to an end more than any kind of innate reflection of who I was, though I did feel an affinity with effeminate men for a lot of reasons. I think I also discounted how much I have in common with my fellow nonbinary people of all stripes, because that identity became so strongly associated with being an annoying type of queer person that everybody else just wrote off as ultimately being their assigned gender at birth anyway no matter how much they protested. it doesn't help that 'nonbinary' is a catchall term for literally thousands if not millions of very distinct experiences and desires.

transitioning gave me control over how i was perceived, finally, but hormones are a throttle that only go in one very specific direction, and you don't really have all that much control over which changes kick in at which times and what people will make of you once you do start registering to them as some identity other than what you were first saddled with. it's an incredible gift to be able to toggle that throttle. but it's limited, not because medical transition isn't incredible and needed for so many, but because there is no escaping the goddamned binary cissexist logic that influences everything about how people treat you, how you navigate institutions, who finds you desirable and what they want out of you, and so much else.

if you're able to cast a lot of the external societal bullshit aside and feel strong in your maleness, maybe you're stronger than me or maybe our orientation to these things is just different, i don't know. i was never all that sensitive to feedback that i was doing the whole being-a-woman-thing all that wrong. i reveled in violating those rules to an extent. succeeding at being a woman despite my best attempts was what felt super dysphoric. and now i guess im succeeding at being a man, insofar as im always read as one, and it feels just as uncomfortable and objectifying and false. i thought that with manhood i could probably just grit my teeth and deal with it, but i'm finding that i can't.

ive always been very open that for me, gender is a thing I Do, and i guess to those who know me well it wouldnt be surprising to hear that i have gotten tired of Doing Being a Man and dont feel like playing that particular gendered game anymore. I tend to get bored of things! and find the flaws in things. and find my comfort in being fault-finding and contrarian and not being a joiner. and thats okay. i learned a lot along the way. not having to try any more is a huge relief. i can just do whatever. and know actively that people will more often than not be wrong in what they make of me.

maybe it was natural feeling for you to decidely 'know' your maleness without a care for masculine standards because that is the right identity for you! and maybe i only feel secure in the "not knowing" realm and in letting go of what people think of me or finding any kind of tidy categorization for it because that's the right spot for me. for now. until i find a new interesting way to be unhappy and striving for more and different again. :) that's just part of being alive, for me.

[theresattrpgforthat]

Thanks so much for doing all this, I love what you do for enjoyers of ttrpgs!!

What I'm looking for is epistolary or long-distance, asynchronous games for multiple players. I know you've done lists of 2-player games that people can play in their own time (writing letters or journal entries back and forth, stating your actions in a message then waiting for the other player, etc) but I was wondering if there were any I could play with 3 or more players with different timezones & schedules at once.

Genre and playstyle are flexible, we love trying new mechanics! I've struggled to find games to fit this myself, so I hope you can have a little more luck. You're awesome for taking these requests and finding so many different games for people!

THEME: Asynch & Epistolary for 3 or More.

Hello friend! First of all, I’m going to send you to my Epistolary (Part 3) post because that was specifically for 3 or more players, as well as my first epistolary post because there were a number there that could also be played with a number of people.

But don't worry, there's more!

Angels of the Railway Stations, by Speak the Sky.

There’s only so much you can do alone, but you’re not alone. There’s only so much that can be done with any one meeting, but life is more than one meeting. As you go through the stages of Arrival, Stopover, and Departure, take notes of everything in the form of a letter to be sent on with the train when it leaves the station. These letters should give your fellow angels more context to help the traveller in need along the way. They’re also your only way to communicate with your colleagues and comrades.

Angels of the Railway Stations is an epistolary game for 2+ players in which you play a liminal community of lonely angels. Help lonely travellers in a world undergoing a great upheaval, then write about what you see and do to pass it on to the next angel down the line.

All of the rules for this game can fit on one page, and require you to rely on other players to determine what each of your passengers need and help them get to where they need to go - on time. Angels of the Railway Station references a game called Black Engines, which does not actually exist, which means that many parts of this game will require your play group to fill in the blanks. That being said, I think Angels of the Railway Station has plenty of potential when it comes to telling emotional stories.

Intersecting Orbits, by Ell Schulman.

For as long as there have been Orbiters, there has been the Interference. Spikes in data that have no business being there, garbled words, ghosts in the machinery. Few people believe truly in the existence of the Interference as an entity.The Interference does not care what they believe.

The planet below is alive. There are deep oceans and high mountains and biomes we do not have names for. There are plants and animals that do not conform to systems we know.

There are people who look up at the stars and wonder who else is out there.There is so much to explore. 

Intersecting Orbits is a game for three players, two of whom play Orbiters sending messages back and forth and one of whom plays the Interference who intercepts those messages and removes words from them. 

Using a deck of cards, the two Orbiters will try to communicate to each-other about something that is going on. Meanwhile, the Interference uses 2d6 to determine how many words of the message they can remove. You can probably use this method either by sending letters to each-other, or by writing e-mails or sending texts, so I think this game is definitely flexible in terms of how quickly you want to send messages to each-other, and how long you want the game to run.

Chronicle, by a.fell.

The world is coming to an end. It has been foretold, and so it shall be. We cannot stop it; we only wait, and observe, and recall.

This is a game to create a chronicle of a world, and to find the world again in the last seconds of its life. The game is different depending on which path you choose to take.

You will not play together. You might not play at the same time, or in the same place. You might not even know each other before you play this game.

When you play The Chronicler, you will play alone, across time, across worlds. There is foretelling that an end is coming. You are here to ensure that your life, your people, and your world, survive. The Witnesses will find your artifacts an unknowable amount of time later. They will observe, they will wonder, they will remember their own lives, and they will know you. The world they know is empty, and soon they, too, will be gone. But they will carry these moments with them.

Chronicle uses a tarot deck (or something similar) as an oracle, and requires some form of map for the Chronicler to add to. The Chronicler will draw from this deck to create the events, artifacts and messages from this world. Most of the Chronicler’s work is done by the time the Witnesses come into play, who will travel across the map, pick up artifacts left behind by the Chronicler, and use their own oracle decks to recall personal memories. Eventually, a cataclysm will fall, and the game will end.

Leaving Cambridge, by Nora Katz.

You were together once, a lifetime ago, in a place called Cambridge. It was a place you held dear—a place that you called home, even if just for a moment. But something strange or sinister happened, and now you are all gone, dispersed across countries, continents, and maybe even worlds. There are stories untold and things unsaid. This is your chance to say them. 

“Leaving Cambridge” is an intimate, asynchronous storytelling game that takes place through letters exchanged between a group of people who have parted ways. Over the course of a real-life calendar year, a group of players write letters to each other, piecing together what happened to them, trying to reconcile their checkered pasts with their current realities. As the letters arrive, this group of people will come to understand each other, and themselves, with more clarity—and, most likely, more questions. 

Leaving Cambridge is a setting-agnostic game, so you can set it at any time period and any technology level, as long as it is possible that all of the players at some point went to Cambridge together.. What remains true is that you were once friends, but you have since grown apart. You will draw from a deck of cards, with red cards reflecting memories you share and black cards representing your emotions. Writing will happen over four seasons, with an inciting reason for you to get back in touch with each-other, and generative prompts that encourage your characters to reveal pieces of themselves the longer that they write.

I’d Also Recommend…

When I Lived Here, by a grumpy little critter.

[k-atsukibakugou]

Mercury your event is SO cute I’m actually obsessed! I’m such a beer girlie, but if I had to pick a drink it’s gotta be a jägerbomb! And for the character you pick because I want you to be as free as possible I’m ready for anything👀

ehehehe i was a lil cheeky with this one, i leaned more into the leave you wanting more vibe with the jagerbomb also im sorry for the lack of beer i've never met a beer or cider i've liked LMAO i was going to make this endeavor but the more i wrote it the more it worked better with bakugou but i hope u like it!! teehee birthday bash intro + rules + menu | event masterlist

anyone who wasn’t a couple jagerbombs deep could tell you how bad of an idea jagerbombs are at an work party, but when you work at one of the most popular bars in musutafu, it’s more a rite of passage.

not even here a year, your work-best friend was the very first to inform you of the notorious annual work party, how messy they get, how she’d gone home with the chef one year, and how many servers had crashed in the booths over the years. finally, the time had come for the party, your friend already abandoning you to flirt with the chef again, although, you couldn’t play the morally high act about it when all your attention was on your boss behind the counter.

walking behind the bar, you perused the liquor on offer, mostly mid-tier stuff, but god, did the imported stuff look good right about now, something smooth to take your mind off of him. fuck, why’d he have to roll his sleeves up like that? his forearm muscles enough to make you wonder what else lies beneath that damn shirt, an endless expanse of muscles underneath a wife-pleaser singlet, thick thighs caged in his expensive slacks.

“need some help?” lost in your daydream, bakugou is beside you before you realise how long you’ve been ogling him, your indecisive daze in front of the alcohol drawing his attention (any excuse to talk to you, really). you’re nowhere near drunk enough for him to be this close, to get this messy. yet.

“you don’t have my beer on tap.” his eyes nearly roll back at your sweet tone, your gentle teasing that’s been driving him up the wall for months. he stays steadfast, dark garnet eyes unwavering, despite the top you’d worn specifically for them to wander.

“let me make it up to you,” he takes another step closer, the expensive scent of his cologne filling your lungs when he reaches around you for the distinct green bottle, trapping you between his biceps for a fleeting moment, “we’ll do something i used to have in my party days.”

grabbing two pint glasses and two shot glasses, you watch him work with the kind of swiftness and expertise decades behind a bar could give a man, every twist of his wrist calculates, not a single drop of jagermeister or redbull spilling, even when the latter threatened to bubble over the top of the glass.

“you used to do jagerbombs?” you can’t help but sound incredulous, your eyebrows shooting up to your hairline when you accept the drink from him. mesmerised as he pours his own, you try to imagine him younger, chugging back the bomb, swallowing shot after shot, stumbling home in the am. even in your daydream, his hair had speckles of salt through the blond of his hair, the silver fox look worked too well for him to see him any other way.

“why are you so shocked? i was twenty once.”

“it’s hard to imagine you… like that.”

“like what?”

“you know, a party animal, i can only see you drinking bourbon on the rocks.” he chuckles at the memories, of sleepless nights, of horrendous hangovers.

“i could still drink you under the table.” he challenges, already reaching to pour another, you try not to laugh in his face, the image of your all-powerful boss drunk and stumbling was something you’d pay to see. with a smile you could only describe as evil, hot, you clinked your drink with his before knocking it back, “sure you can, old man.”

after too many bombs, an assortment of other shots, some cocktail bakugou poured you and a sip (you weren’t game enough to have more of it, there’s a reason you weren’t a bartender) of the one you poured him, the pair of you stumbled into his office at the back of the bar. half the buttons are undone on his shirt, your hands sliding beneath the hem of his shirt even when he pulled away from you long enough to unlock the door, pulling you inside with him and nudge it closed once more before turning all his attention back to you; the way you stared up at him with glassy eyes, the way your lipstick smudged under your bottom lip, how your chest heaved (the way your tits looked when you did), how your dress rode up when you pulled yourself onto his desk, tugging him in by his belt loops.

he can’t even find it in him to care about the time-sheets crinkling under your ass when you bite your lip, can’t care you’re his employee and his mind goes blank of everything when you wrap your thighs around his hips. fuck, you’re irresistible like this; arching into him, kissing and biting his jaw, one hand tugging your dress further up your thighs, the other working off his belt to slide into his slacks, searching for more and more, more he wants to give you.

you’re just so, so, so hot… and he’s soft. he’s fucking soft. he finally has you under him and he can’t get it up.

let’s hope the alcohol buzzing through your blood is enough to clear your memory of this in the morning.

[kaylinalexanderbooks]

OC interview

Thanks to @bloodmoonloveletter here, @mk-writes-stuff here, @illarian-rambling here, and @elsie-writes here!

Last did Wade here.

Doing Jazlyn now because I don't talk about her enough and I'd like to develop her character more!

Are you named after anyone?

“Nope. The one and only, girl. I'm just Jazlyn!”

When was the last time you cried?

“Oh, pfft! I don't cry. Maybe out of sheer boredom listening to Dr. Ass-ghar ramble on about her rules and how I'm not following them! Like, girl, I can't help that I have fire powers and lit something on fire! That would be like getting mad that Gabe got a little dirty. Oh, and her meetings are the wooorst. Yeah crying for my life in there.” [It was during Ewan's clarinet solo actually]

Do you have kids?

“Girl, what? I'm not even eighteen yet! Close... I'd love kids, honestly. A lot of them! I'd have so much fun with them!”

Do you use sarcasm a lot?

“Look, I know I come across as someone who uses sarcasm, but I'd rather just flat out say what I'm thinking. Why be like ‘wow that was so riveting’ when I could say, ‘this is the most boring crap I have ever seen in my entire life’? So much easier, no mental hoops. Besides, Ewan is the most oblivious to sarcasm I have ever seen.”

What’s the first thing you notice about people?

“Their confidence level. I can usually tell how someone feels about themselves based on how they stand. Posture is the key, but also what they're doing with their hands.”

What’s your eye colour?

“Brown. With some golden flecks when the light hits them right, according to Ewan.”

Scary movies or happy endings?

“Easy, scary movies. This question is stupid - they aren't opposites. However, nothing is more fun than a horror movie. Love getting the blood pumping. Yelling at the characters for being massive dummies is also the best. Horror is the most entertaining to watch with others. Ewan thank the Lord is also a horror enthusiast. We make a habit to have at least one or two horror movie nights a month.”

Any special talents?

“Oh, several. I am pretty athletic. Took cheerleading a while back and now I am on my high school basketball team. At first, I wasn't sure I would like basketball - my coach in middle school pulled me aside and recommended it due to my height, but I love it now. I am also getting pretty good at learning archery. Lighting the arrows on fire makes that more exciting. I am also pretty good at martial arts and my pyrokinesis. Working on breathing fire without burning my throat. Thank the Lord I have Wade to heal me so I can try again!”

Where were you born?

“I was born in flippin' Utah. I know--lily white state, you'd never guess. Ewan and I plan to move somewhere else once we can. Can you believe he was born in Alium? That ain't fair.”

Do you have any pets?

“Ewan and I plan to one day get a dog. We have been planning on moving in together for a while.”

What sort of sports do you play?

“Like I said, basketball. I would love to learn how to play this Alii fireball sport. It's very similar to basketball, but pyrokinetics pass around fire. That sounds like so much fun, man. Did you know they have to keep a healer at each game because not all pyrokinetics are immune to fire? And the audience can get hit too if they're not careful! This sounds like such a fun sport.”

How tall are you?

“I have finally passed six-foot-three. Alii heights are a blessing and a curse.”

What was your favourite subject in school?

“I hope you tell me PE counts as a subject cause I ain't saying anything else. School sucks, girl. I have gotten detention for the lamest reasons imaginable.”

What is your dream job?

“I would love to be in sales. Something about convincing people to do what I want is inticing. Planning on getting a marketing degree when I go to college next year.”

Tagging @leahnardo-da-veggie @eccaiia @mysticstarlightduck @monstrouswrites @mrbexwrites @gottestod-writes @willtheweaver @winterandwords @i-can-even-burn-salad @elizaellwrites @chauceryfairytales @somethingclevermahogony @faeriecinna + anyone else who wants to!

TSP intro

TSP tag list (ask to be +/-): @thepeculiarbird @illarian-rambling @televisionjester @finchwrites

Blanks below the cut

Are you named after anyone? When was the last time you cried? Do you have kids? Do you use sarcasm a lot? What’s the first thing you notice about people? What’s your eye colour? Scary movies or happy endings? Any special talents? Where were you born? Do you have any pets? What sort of sports do you play? How tall are you? What was your favourite subject in school? What is your dream job?

^for an easy copy and paste

[pis3update]

Stop Those Mermaids! by MrFatCat

"I like mermaids and like how mermaids was designed by EA. I always like to meet them on dive spot... but meet them on the streets of megapolis, or in arctic- or futuristic-themed world? Well, this kind of meeting looks very strange. Let's fix it! Well, what's wrong with EA mermaids? There are 2 ways how you can meet mermaids in your sim-world. 1. Spawned mermaids 1-4 mermaids spawned in every world which has at least one dive spot. They lives in special invisible mermaids cave and your sim can meet them on dive spot only. Once meet the spawned mermaid your sim can socialite with her, befriend her, invite her in his house, even let her life in his house or marry her. It is all depend on player's choice. Dive spots were designed by EA in tropic style - all these corals, fishes, seaweeds, drowned galeons items etc. Mermaids were designed by EA in the same style and looks authentic with this stuff. OK, no problems here. 2. Mermaided sims Since you start a new game, the EA script sets the hidden treat "Mermaid" to random sims and then keep spreading it to reach the percentage pointed in the Populating script. Do you know that old man Joe, the military pensioner? Yesterday he went to bed drunk and today morning he wakes up to be a little mermaid! It happens in every custom world, in every EA Store world and in every EA world exclude WA travel worlds, Into the Future world and University world. You can't change it via Game Setting menu like you can do it for Vampires or Celebrities. Yes, you can cut off the hidden treat "Mermaid" in your world via NRaas Story Progression. But, first thing, it means that you must play the game with NRaas Story Progression mod. This is the global mod which affects most aspects of the game and very weightly for the game perfomance. I like this mod but I like to have a choice too. Second, if you do this - you will kill all mermaids in the world (spawned mermaids too). Another painful point ruled by this script is Emigration. I hate to see how premade sims leaves the town with no reason and replaced with some persons with generated faces, personality and clothes. Once again, you can't change it via Game Settings menu but you can do it via NRaas Story Progression. Same things about it.

...continued on MTS."

More Info + Download @ MTS.

[good-beanswrites]

hi! may i request some mikoto + amane (platonic obvs) … anything? they are very dear to me 😭

Yes!!! Thank you so much for the request -- they really are such a good pair ;-; (The thing is, I had so many nice scenes in mind about how they parallel each other, but they wouldn't know or reveal that about each other so I kept restarting...) Anyway, here's something right after Mikoto's first trial/verdict!

Mikoto could pick up on someone’s bad mood from a mile away, though the skill was unnecessary when the other party very clearly and calmly informed him, “I’m in a bad mood.”

After refusing his offer, Amane turned back to a thick textbook she’d been taking notes on. Didn’t kids usually complain that school was already a prison? She must have wanted the full experience. He'd worked nonstop at his studies as well, but this was a new level. Amane often reminded him of his little sister, though she always took the extra step like this. His sister would have jumped at this opportunity to play a few rounds of their favorite card game.

“It’ll be fun!”

He flashed a smile, but it had no effect on her severe expression. “I know you’re just trying to comfort me about our verdicts. I refuse to be pitied.”

“Comfort and pity are two very different things. But anyway, it wasn’t either of those things.” He gave an easy shrug “To be honest, I’m just a little bored. It’s weird not having any work to do during the day.” 

Mikoto couldn’t remember the last time in his life he’d had so many hours to himself. A lot of the others were fun to play games with. A few of the sportier prisoners helped him stay active. He enjoyed smoking breaks with the other men. Still, he was left to his own devices for the majority of his time. It was maddening. He’d recently requested some more art supplies, having used up the last batch, but they had yet to come in. Now with the verdict announcement, he wasn’t sure they’d ever arrive.

“That is your own problem. I already have something to do.” Her eyes lingered on the cards for the briefest of moments before returning to the book. “I told you, I’m not in the mood for it.”

Regardless of her hostility, he took a seat beside her. He leaned his arms out on the table. “We don’t have to play the same game.” The last time they'd played as a big group, several prisoners pulling the tables together to fit everyone. Amane had kept very quiet, eyes darting around at the cards as she tried to keep up with the rules. Not many of the others noticed the frustration clear in her face. Mikoto wasn’t the type to let her win out of pity, though he had begun to mutter the rules and strategies to himself a bit more as the night went on… 

“Is there a game you liked to play at home?”

 “No. There was no time for games in the house.” 

“All work and no play… hah… I know what that’s like.” He slumped his cheek onto his arm, lazily shuffling the cards around. He felt bad for bothering the girl if she truly was upset. He thought it was the bad experience that made her reject him, he hadn’t realized there were also family issues attached. Usually he could read people well; maybe he was losing his touch. He seemed to be losing touch with a lot of things, these days.

He readied a game of solitaire. 

“Mikoto?” Amane kept her face turned away. “There was… one game.”

“Yeah?” Mikoto shuffled the cards back together. He slid them over to her. “You should teach me!” 

She didn’t touch them. “You probably already know it.”

“Nah, I only know a few games. I’m better with tarot cards, though those aren’t really the gaming type. Come on, what is it?”

She told him the name of the game, insisting it wouldn’t be worth playing. She kept her attention on the textbook, but her eyes weren’t reading any of it. 

“Ahh, I’ve heard of that one! We start with four cards, right?” He started dealing them out.

“No, five –” she pointed to the deck, urging him to add two more. 

“Right, right.” He laughed lightly. “And the goal is to get pairs, and put them in a pile, uhh, here.”

Amane shook her head. She shifted her body slightly towards him. “You must be thinking of a different game. There’s actually three piles for pairs. One here, one here, and when it’s your opponent’s turn…” 

Her eyes gleamed as she explained the rules. She pointed to various cards, telling him exact moves and point values. “And to win, you need to –” Her expression shifted. “You… you already knew all this.”

“Of course not!” He put on his most convincing smile. 

She deflated. “You’re not a very good liar.”

“Tch, tell that to the warden.”

His shoulders sagged along with her. If Amane could see right through him, why was the rest of Milgram still coming up with stories about what he did and didn’t do? “Well, I might already know the rules, but it’s been a long time since I’ve played. You can still give me a hand. Plus, if you really are in such a bad mood, it’ll be good to take a break from your studies. You should always take a break when things get too overwhelming, yeah?”

She gave him a withering stare.

“Eh? What’s that face for?”

“Alright, let’s play. You can go first.”

“I mean it, what was that look? Aw, come on…”

[knowlesian]

quick moment to enjoy how fucking good the ofmd writers are, because i just spotted a perfect throughline i never put into words before

they literally gave us a three act play (okay it’s just that it’s done in three scenes, but leave me alone i liked the dramatic setup) leading up to izzy going nuclear that establishes the stakes and his internal motivation

first scene

- the crew have already handled all the jobs that currently need doing; izzy can’t even come up with a busywork task and spits on the deck for lack of anything else he can apparently think of, then has to go grab lucius because ed wants/needs lucius to help him with the stuff he’s into pursuing right now, not izzy

the second scene

- ed sings his song, and establishes he wants everyone to call him ed from now on (not just stede! at least when it was just stede that was a matter of izzy’s rightful place/privileges being ‘stolen’. ed’s starting to upend the system at this point, not just change who gets what) and then asks why they're even being pirates at all 

the third scene

- which izzy is not even IN, because these writers have such a sense of storytelling economy that i am always lowkey mad about it. it’s the stede scene in the bar, when he brings izzy up (and refers to him as blackbeard’s right hand while he does it) and tries to tell the story of their duel and the men get all sheryl. sheryl! i. do. not. care. about it.

then we head over into izzy going nuclear, after he looks at another one of the caricatures of ed from stede’s library and with the story having established that if ed steps away from blackbeard, izzy loses the foundation on which he has built his life: being blackbeard’s right hand man (personal/professional)

those assholes in the bar don’t even care enough about him to bother trying to give him credit for ed’s legend! they do not even react (or respond) to the mention of his name, just redirect back into asking what ed’s like.

if ed changes, izzy’s going to have to change. which sucks for him, but is the natural consequence of building your identity around somebody else staying exactly as they are: once they change, you have to change too 

god, this team is just so good. obviously izzy tells himself he knows best and makes up whatever internal excuses can fill the picklejar he built in his soul, but the show is like: here’s the throughline, here’s what izzy stands to lose, and then we watch him lose his shit on ed because he’s an asshole who wouldn’t know how to communicate his feelings in an honest and direct manner if he TRIED to even pin down what those feelings are, and he really does not try 

[a-very-fond-farewell]

fellas the grind is turning my right arm into dust and there’s no sexual innuendo in there bc

so to the keyboard we go instead!

[yo9urt]

bald gate.

[unproduciblesmackdown]

also a special shoutout for real like wendy epic ableism moments when she stops talking directly to winston and expresses this is b/c he communicates too incorrectly (here too literally or whatever, once again whether he misinterpreted her or she misinterpreted him, it's put on him) and thus he doesn't deserve that

[pocketclowns]

considering restarting my island today 👀

[aura-bug]

Lucas is in a quest in 3 where due to the Emma Note (death note but not) he was written out of existence. Same with the first 3 bosses of yo-kai watch 1, which is funny if you think about it, after 2 someone saw Lucas and thought, "I'm sick and tired of him doing nothing, lets kill him!" You do end up saving him though

that quest is literally my favorite bc 1. death note reference and 2. lucas being written out of existence and having everyone forget about him is funny because that's exactly what Level-5 did to him irl

[himbeaux-on-ice]

[stoney and stevie's umpteenth unfinished 2-on-1 of the game] gee if only this line had some extra finishing power. like a really good shooting threat or something to draw attention off them and also fire a few pucks home too. man. wouldn't that be nice. hm.

[klonoadoortophantomile]

google search how to get everyone i know to play klonoa door to phantomile

[gloryinthunder]

I used to really love the first romance scene with Astarion (and I still do) but it hits so much harder after you know why he's doing it. That he's purposefully seducing you for protection and blood, that he's forcing himself to sleep with you, and this is a mask he's wearing.

It's a sexy scene and really feeds into the vampy (pun intended) jump-your-bones version of him you get at the start of the game. The whole thing starts out with him being so confident and suave, saying that he's wanted you ever since he set eyes on you and how you want to be known and tasted. It's like everyone's perfect vampire romance novel.

He's laying out the bait that's worked thousands of times over and luring you in. And you can just get right to the kissing if you want.

But, you can also stop and ask him, "And what do you want?"

And for just a moment the mask drops. This is not the same cocky seductive face we've had up until now. This is vulnerability showing. When has anyone asked him what he wants? When has anyone cared? Does he even know the answer to that question?

So he pivots. The mask snaps back into place immediately. He turns back into the master seducer and feeds you a line about shared ecstasy to get you back on track.

And then comes what is, to me, the pivotal moment. He asks you "That's what you want, isn't it? To lose yourself in me?"

Looking at his body language he seems unsure at first, maybe questioning his previous tactics. Then he slightly cowers back, lowering himself as he asks the question. The total opposite of his confidence from earlier where he's standing with his arms out wide.

He's not sure what you want anymore. You're not playing by the rules he knows. Why haven't you taken the bait yet? Why haven't you thrown yourself at him?

And when you finally Nod in agreement, confirming you're here for sex?

This. This is the face he gives you. He just looks so damn sad. To me, it hearkens back to "Of course it'll turn me into a monster. What else did I expect?"

Whatever momentary blip made him question why you're there with him, he's just been reassured about both of your roles in this situation.

He sounds so quietly resigned when he answers: "I thought so."

And then the scene transitions into the actual act. I do like to think Astarion enjoyed himself as I'm sure the PC did, but it's hard for me to watch this scene now that I know his story and history without being uncomfortable.

Just that line "lose yourself in me" is so difficult to hear. Because on paper it's so sensual. Who wouldn't want a lover to feel that way about them? But knowing the context of what Astarion expects and believes in this moment is just... oof.

And to me, this is what makes this scene brilliant. The writing, voice acting, and the mocap/animation are all just SO GOOD. It's so delicately done and Astarion the character is so good at playing a role that you can completely gloss over the deeper stuff. But once the mask is eventually stripped away you can't help but see what was there the whole time.

And as we've established, being seen is a whole aspect of Astarion's romance arc.

I originally romanced Astarion for the same reasons I'm sure most did: he's a hot, sexy vampire elf (i.e. everything that's on the surface). But, I keep coming back to him over and over again for the person I know is waiting for me underneath the mask.