#I love them they're so filled with one-liners

[channelrat]

Pick a world for me to focus on, none of the favs are currently occupying the brain.

In return, tell me about Eliza since Glam&Gore is back. Her video popped up on my recommendations, I blame you.

Again.

You know I love Superteens HOWEVA, I'm very interested to know more about Tobias and the whole ordeal happening over in THAT universe and in order for that, I gotta tell you to focus on the kings and queens <3

Also you should watch the ghost hunting video if you 're ever bored because I love her so so much and katy !!! it's so funny & so much better than any other thing i've pushed on you (biased 10000% bc ive been watching her since near the beginning of her channel)

making it a list or i'll go on for ages

Eliza is the eldest daughter (despite having a younger twin sister)

She witnessed Jason's death which is why she's fucked up for lack of a better word

She's one of the original 5. so with the exception of the canon kids, we had the original handful (back when things were in our control) which were like (i THINK), Ada, Bex, Liv, Eliza, Miriam, Adam, etc. The base game kids of early 2018

She would always get intro trouble and do things specifically to make her dad mad when she was younger.

She ran away from home at 17 to live with her grandparents after Jason died because it scared her more than anything to witness another person close to her dying, so she just left. It was easier to separate herself from the situation in her mind so that's what she did. (with company from Cousin Quinn)

She went to college for about a year before dropping out to become a cocktail waitress like her grandma

There's a whole drug plot I've not fully worked out (mostly because it feels VERY Eliza to just forget that ever existed so it comes up in casual conversation but never in a serious deep thing) but TLDR: she was sad because her boyfriend died, she was going through it.

She dated a God for about 2 months, her name is Noa. (her twin sister dated the actual devil's daughter for about the same amount of time, they're v connected spiritually)

She met Ronnie throughout her childhood and teen years but was reintroduced to him about 3-4 years after Jason died, Liv introduced them on a blind double date with HD

While it started off slow, she and Ronnie had a lot of fights when their relationship officially started because she had barely reconnected with the idea of her family putting themselves in danger, so she made her feelings about him being a Legend VERY clear (clearly it did absolutely nothing but she was speaking her feelings which was a break through in Quinn's eyes)

By the time she hit 26 she had a longtime boyfriend, a daughter, and a house.

Ronnie proposes to her a LOT but she refuses to accept because she has commitment issues now, but eventually accepts at some point after Clarissa is born.

Her LA home is the "runaway" spot for her family members who don't want to go east coast to Ada (so, Miriam, Mia, Owen, TJ, etc)

[hrts4hanniehae]

Take a Chance with Me || fourteen

*mostly written parts

remember to comment and reblog

it was quite obvious that yn and seungcheol would be invited to numerous interviews. and of course, they went to most of them.

"so who liked who first?"

"we first met when we were trainees because yn's younger brother and childhood friend were friends with our maknae, Dino. yn was a trainee under a different company and... was his name Jae? I'm sorry but my memory of him is very fuzzy. I believe Jae was a trainee with us until he dropped out due to health issues."

"so we knew each other from the start of our trainee days and I debuted the same year as them, so we were quite close, I would say. But I think I fell first."

"no, i definitely did."

the interviewer sat up in her seat. "really? why is that so?"

seungcheol grasped yn's hand. "it was in 2014 when we were meeting up together with the other 95 liners in Seventeen. yn was wearing this winter coat that made her so pretty. I fell instantly. you can ask jeonghan, he'd be more than happy to embarrass me."

this was news to yn, who couldn't help but smile. "so you did fall first."

"so when did you fall for him, yn-sshi."

"when i first saw him perform during one of his dance practices. his presence was so strong and i don't know... he was so attractive."

seungcheol flushed red.

yn was at svt's dorm, celebrating her rekindled relationship with seungcheol.

"finally you both are together again. after 3 long years."

"thanks to hoshi actually. he sped the process up by a lot."

"noona, we should do a weverse live right now."

"yea, we should."

their weverse live hit record-high views. the app almost crashed. everyone was so curious to see domestic, drunk yncheol.

"hi guys. yn is super drunk and is having a mini concert with hoshi." - mingyu

"they've sung "just do it" 15 times. someone please stop them." - scoups

"wait they're singing yn's album songs now." - joshua

"oh my god i don't want to hear a drunk version of Oceans and Engines..." - jun

"stop hoshi before he ruins Take a Chance with Me" - minghao

"no wait i want to hear this." - jeonghan

"now hoshi is crying..." - wonwoo

"jihoon-ahhhhhhhhh" - hoshi

"no hoshi..." - woozi

"why is yn still singing... now she's crying... scoups!" - seungkwan

"on it." - scoups

"i'm so sorry for this me-"

"HORANGHAE." - hoshi

"..." - svt

"mianhae" - minghao

"everything okay, yn?"

"yea. i finally feel like... i'm home."

he pulled her in for a kiss. "i'm glad you feel this way. maybe now you'll continue writing those good love songs about me?"

she laughed. "we'll see, cheol. but thank you for... taking a chance with me."

now he laughed. "was that supposed to be a joke?"

"no, i meant it. I love you."

"i love you too."

-fin-

a/n THANK YOU FOR FOLLOWING "TAKE A CHANCE WITH ME" AHHHH!!! my first ever smau and kinda long fic. omfg thank you for all the love on this. i'm so so grateful. stay tuned for chpt fifteen, the epilogue. i have something special planned. special thank you to those who always commented/reblogged my posts. yall have a special place in my heart!!!!

note to my taglist: please reblog and comment abt the chpt so i know that you're actually reading my stuff.

summary: 3 years after your breakup with seungcheol, you release an album to cope with your still-broken heart. you didn't expose his name but quickly, your fans and fans of svt begin to connect the dots to the past you wish you could relive. little did you know, the man you loved so desperately would begin to chase you back with the same desperation you so very much desired

inspired by: take a chance with me

pairing: idol!choi seungcheol × fem!idol!reader

genre: past relationship, fluff, angst, best friend!booseoksoon, smau, miscommunication, pining, 2nd chance

warnings: implied self harm/depression, hate comments, updates irregular but will finish because i cried when i thought abt this idea

started: 13.12.23

taglist: fill out the form in my pinned post to be added to the taglist (specify this smau in the pw section)

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tags! @fairyofhour @megseungmin @sun-daddy-yoriichi @woozixo @euphoric-univers @christinewithluv @haowonbins @ocyeanicc @asyre @cynthiaaax13 @superhoshisvt @bangantokchy @chimmy-bts @angelarin @daisawa @writingbarnes @jeonghansshitester

@belladaises @wonwootakemyheart @wonwooz1 @luchiet @atinybitlonely @kookssecret @caratsland @peachescreamandcrumble @thepoopdokyeomtouched @isabellah29 @leah-rose03 @coupskook

[levmada]

Your trans Levi gives me life. Would you consider write more? As soon, as you take requests again of course!

I honestly love this! One of the best written things I have ever read! I want trans Levi in my life. His body being worshipped by y/n when he feels insecure, y/n taking care of him after top surgery or when he struggled with the hormones, him pleasuring y/n for the first time, y/n just cuddling him and y/n standing by him in Public and stuff…

Honestly I’m hospitalized rn and I was so happy my request got answered! Amazing job

Also to recognize me: I’m 🌻

Love you! (Also sorry if I used any wrong terms, im not familiar with trans vocabulary)

nooo you did perfect!! i wanted to respond right away

reminder that i am trans and not appropriating or talking out of my ass lol

//male terms for afab body parts, some gender dysphoria, needles mention, very light mention of homophobia

i think it takes him a long time to get comfortable with sex, especially before he starts on any hormones, gets approved for top surgery, and (gender dysphoria is different for everyone who identifies as trans but) since he isn't interested in bottom surgery, it's a whole mess for him. at first, he always has a loose top on, wordlessly requesting you not to touch his chest, so your hands always stray around his hips and thighs instead. he needs you to say to him, Look how hard you are for me as you lap into his soaking cunt, spread open so he gasps from every press of your tongue. Pretty boy as your fingers curl inside him with the head of a purring vibrator rolling snug circle around his clit. Leaking so fucking much.

Levi doesn't like to make noises, both because letting you know how good you're making him feel is mortifying, and because he can't control the pitch of his voice when you fuck him good, and you always fuck him good. he'd rather give you his tongue, his fingers, suckling your nipples until they're peaked and tapping your clit with vibrations. grinding his strap inside you as deep as he will go. he prefers to make you scream.

hc that levi HATESS needles (for canon reasons..) but shots are the most effective way to take testosterone and it’s fucking grueling to convince himself to ask if you’ll help. he kinda walks up to you in the kitchen after you pick up the first prescription and locks his arms around your waist.

You giggle. “Yes?”

“Do me another favor.”

And you smile.

The first couple times, he looks away, pinning one leg of his boxers up while you inject his thigh. It’s kind of cold, and he hates needles, but there’s a happy flutter in his heart with every round of hormones. Because holy shit he won’t have to live the way he used to, obsessively lowering his voice and keeping the WikiHow article in his bookmarks of how to imitate a man’s body language, walking shoulders squared without subconsciously swaying his hips, drawing liner on his brows to make them look more masculine, the oversized clothes, getting looks whenever you’re shopping for clothes and getting MORE looks when it seems like two women are in a romantic relationship—boo fucking hoo. At least, he won’t have to obsess over that shit AS much.

you comment all the time on the changes to make Levi feel better about his anxious suspicion that nothing’s happening, even though he doesn’t worry openly. A lot of weight that used to fill out his hips and chest redistribute to his back and his biceps. He grows a LOT of hair, dark hair on his arms and dusted across his chest and thighs. When you’re swapping kisses in bed—his breath still hitches when he can bear to get rid of his shirt, which isn’t often—you focus on his neck, sucking little marks, and skip over his chest. His belly packed with soft muscle, and a new trail of hair below his navel. You keep your gaze on him as you lick downwards, starting from right there.

All the sex is a good thing. Testosterone makes it so the littlest thing sets off desire, and all the sudden he’s rolling his hips against your ass in the mornings (and even in the middle of the night…), his palm sneaking up your shirt and swallowing up your breast, whispering for you to spread your legs.

Along with this comes a shorter temper. He’s irritated more often, and at small things. Where he didn’t before, he’d openly glare when another man gives you a second look when you’re out, and get fidgety when he’s driving, for example. Hell, when you’re driving he’ll call the other dumbasses on the road out for what they are lol. He really needs you to even him out and tell him to let it go while he processes all these emotional changes.

The way he processes his emotions changes. Occasionally he gets a bout of acne. His voice cracks before it starts to naturally lower. It’s a whole second puberty.

Top surgery is a long and grueling process. It's pretty common that right afterwards, the patient gets a serious bout of fear and anxiety, due entirely to a physiological sense of loss, not regret. It's normal. Levi is pale and quiet as he rouses from the anesthetic, and he knows it's a temporary feeling, but he'd still rather sleep it off, silently requesting you keep holding his hand. He'd squeeze whenever you tried to pull away.

The physical soreness is pretty bad too. For like a month, he isn't allowed to pick up anything heavier than 10lbs, and while the drains do their thing (probably the grossest part of the whole ordeal imo) he makes a face and looks away whenever they have to be changed. For the first month, his chest is just bandages and these ugly catheters for fluid and blood he has to be careful not to jostle on the daily. Top surgery is a big experience, it takes a while to recover from.

But when he’s healed… all that remains of what used to be there scars lining the bottoms of his pecs and nipples… he can’t hide the smile that spreads across his cheeks in the exam room. You’re grinning at him behind your hand.

Levi is not the proud-of-his-body type but it feels AMAZING to walk around and go to sleep with his shirt off. He can donate all his binders, so he can say goodbye to the back pain and soreness and crippling chest dysphoria since you always remind him to please take it off before you go to sleep. Later down the line when he’s less sore, you worship his chest with your mouth, making up for all those times before. Suckling his hardened nipples, leaving bright red marks.

And like… the only thing he’s more thankful for than successfully transitioning is you, who in the first place accepted him as a man before he even got properly started. Every step of the way you’ve been his rock, and he makes sure you know he's thankful every fuxking day.

| levi masterlist | main masterlist |

[mooremars]

Camelot 2023 Act 2 ramblings about the music and book and also the visuals again because turns out one post wasn't enough.

I still cannot possibly recommend anyone actually read this because it is so absurdly, comically long but I still needed to get even more feelings out.

Act 2, Scene 1: The castle courtyard one year later:

• "We shouldn't be alone together" like girl

• I love how she's almost exasperated by it

• When she fantasized about this all-consuming high-stakes love she probably didn't think about how exhausting it would be to actually live with it all the time

• Like having this conversation every single month does sound exhausting

• The way she's actively trying to drive him out of Camelot, Genny is so much and I respect it

• She's really doing her best in a way that involves truly torturing Lance, he should really do some soul searching about why he loves someone who treats him this way

• "I've trained dogs to chase you"/"And those dogs were fast.. the expression his bark is worse than his bite that wasn't my experience"

• Sorkin slightly breaking the tension of this scene which is so needed

• "You're not English"/"Neither are you"/"I think that changed when I became queen of England"

• I also feel like there is a lot to unpack in this exchange

• "And when would I do that Genny?"

• The angst in that delivery

• If Ever I Should Leave You is so gorgeous

• I think it was Sorkin who basically said that the show doesn't need magic because the songs provide enough magic on their own and this is the perfect example

• Jordan Donica is tremendous

• I knew him from Charmed and it took me a bit to place him but holy shit

• I may have actually seen him before, I'd have to check but regardless I need to be paying attention to literally any theater he does because I want to go

• This applies to all of them, who am I kidding

• Anyway, he's amazing here and I am probably underselling him in this post because I only saw him half the times and so my memories are much less clear

• And my reference is closing which was not him by this point

• And the outro music (? sorry I know nothing about music) is absolutely stunning

• This song is so romantic but also very shallow

• They're fulfilling a version of love that is all big gestures and big feelings but not necessarily substance

• Because they're trying to fill a void in themselves using the other and when you do that, you can't see the person as an actual person

• Just an extension of your unmet need

• Which is too bad because I think if they weren't, they might actually like each other

• But fuck is this song so romantic

• Every lyric is good, the way they're sung, I think I may for the first time have use of the phrase swoon worthy

• Specifically the end

• "I have a thrilling engagement. I'm giving prizes at the potato show. I'm eager to find out what the qualities of a prize winning potato are"/"I'll be at your side Ma'am"/"Thank goodness for that, those potatoes can be dangerous"

• The lines are so funny and her delivery is so heartbreaking, I am suffering

• I do just love Genny so much and she deserves happiness dammit

• "So the rumors are true, the chain of wedlock is so heavy in Camelot it takes three to carry it"

• Mordred coming out with the one liners immediately

• "He's willing to make any old man a knight I see"

• Pelli immediately threatening violence, beautiful

• The whininess of "I shall be busy tomorrow afternoon" and slapping the bench

• Fourteen year old edgelord Mordred

• Very interesting to have him be a year younger than Arthur was when he became king, really underscoring how young he was

• "I was raising by a mother with a fatally broken heart. Makes for a dark childhood"

• Like do we think Mordred is just trying to drum up Arthur's sympathies or is this actually true?

• "And when you speak to the king, you should remember you're speaking to the king"

• Arthur literally never insists on any manner of kingly respect but his son is a little shit that he hates, so he will

• Love that

• "Dispatch to the court, the king has a child he fathered out of wedlock. Problem solved."

• The blackmail just instantly failing is very funny

• Also would love to know how the conversation about this between Genny and Arthur went

• "I'm not ashamed of you. You don't embarass me though it's not for lack of trying."

• That's too generous, Mordred is embarrassing

• "It's always been my wish that you and your mother stay here where I can take care of you both"/"Stay where, in the servants' quarters?"/"In any quarters you like"/"Except the queen's"

• I wonder if Mordred is the one who feels this way or if he's just parroting back what Morgan has said

• "I was a boy when I met your mother"/"And my mother turned you into a man"/"A man named Merlyn turned me into a man"/"That's a new bit of palace gossip"/"No you idiot, he was my teacher"

• Obviously sarcastic Arthur is always a treat and specifically the facial expression and tone of no you idiot

• But just so curious about Morgan and Arthur because Arthur gets pissed at that whole turned into a man bit

• And he has been pretty chill with Mordred being terrible for this whole scene

• He's very much not comfortable with what Mordred is saying and this is the only moment where Mordred gets under his skin and like that is very interesting

• "In this place the law applies equally to everyone"/"Even the king and queen?"/"Especially the king and queen"

• You are literally watching the light bulb pop over Mordred's head and it's played perfectly

• Everyone in this cast is perfect

• The Seven Deadly Virtues has no right to be this funny

• "Making my Beelzebubble burst" is my favorite but really this entire song is great

• It's such a petulant performance and it's perfect

Act 2, Scene 2: The King's study

• Another amazing bit of scene change music

• The intimacy of them spending their evening playing chess together and talking

• Presumably this is just what they do on a lot of nights and I love it

• I feel like there's definitely potential in a their relationship through chess fic

• Someone please

• I firmly believe they are at like a full 50-50 split in terms of who wins

• "Are you really reading while you're chasing me around the board?"/"Sorry I didn't hear you, I was reading and chasing you around the board"

• And his okay in the middle like he knows he set himself up to get mocked

• Making fun of each other is one of my favorite love languages

• Also same structure as Arthur telling her it will seem that she's rooting for Lancelot to lose and she says that's because she is rooting for Lancelot to lose

• It's just a fun little dialouge thing that I enjoy Genny doing

• Makes her lines feel hers

• I love that Arthur has Merlyn's final warning on his mind so naturally he consults Genny

• And then it devolving into a philosophical discussion about what is and is not possible

• "I was 10,000th person to try, how do you explain that?"/"9,999 people loosened it"

• A perfect and funny line that becomes sweet and profound later on, I will never not love that

• "We have greatness in our grasp, humanity does, but for some reason every time we see it we assign the responsibility to some supernatural force. Or to god."

• You would think given the structure of the love triangle that Arthur would be set up to scoff at the idea that god has responsibility for human greatness in contrast to Lance being extremely devout

• And like I do think Arthur and Genny are actually on the same page but I enjoy that she gets to voice that thought

• This is the woman who first ran away and then threw prayer on top after as a little afterthought so yeah perhaps Genny is not the best catholic

• "Perhaps when he died, his soul transmogrified-"/"What did I just say?"

• Arthur immediately needling her and doing that stupid little hand motion on transmogrified

• They're adorable

• "I enjoy seeing you get riled up"

• This is what you say to a woman you're about to call your business partner? In that way?

• I don't know who to blame because I can't tell if the line or delivery is more of the culprit

• No it's the delivery, I have literally put in the audio as proof

• The audacity, I'm obsessed

• He's got it so bad

• Could've had this Genny

• Like Mr. Purity of Soul who thinks women can't possibly understand politics has absolutely never considered the concept of female pleasure, for sure has never heard of foreplay, and definitely believes the clit and g-spot are both myths

• I love Lance but proposition: there's no way that man is good in bed

• Everything else mean I've said about Lance has been out of love but I love Genny and she doesn't deserve mediocre dick

• And yet he's playing by Jordan Donica so it is also valid and understandable

• Sorry, I digress but gotta find the humor in the whole none of them get to be happy business

• But actually I really appreciate that even in this tragic narrative with big ideas and a lot of angst, they get to have fun and be fun

• Even as their relationship is about to hit its breaking point, you can still tell they're not just torturedly in love but they actually like each other so much

• "And while you're enjoying it, let me ask you this... how often do you write to her?"

• Genny is attempting to play it cool but boy is she not

• The little pause between often and write and then to her, oof

• It's so soft but like the hint is there

• The silence while Arthur makes his move on the board, ugh

• "I send a letter a week"/"Every week?"/"Yes"/"For how long?"/"Mordred's fourteen, he came to me when he was ten so four years"/"That's 208 letters"/"I have a responsibility there, I'm trying to do-"/"Do the chivalrous thing"/"Yes"

• It's so painful to hear their deliveries and realize they're having two separate conversations where they're both upset and they don't understand the other person is feeling the same

• Like Genny getting alarmed at 208 letters, Arthur getting frustrated and defensive about it and cutting Genny's last line off, and then Genny delivery of do the chivalrous thing like she's so tired

• It is so besides the point but how exactly was Arthur expecting the fucking soap opera and/or sitcom situation he's trying to create going

• Like his piece of shit kid, his ex who hates him, his wife that he loves whose feelings for him he doesn't have a handle on, and his bestie whose feelings for his wife Arthur definitely does know

• I know castles are very big but I don't think they're big enough to make that situation good for anyone

• "You've never asked me her name"/"Is it Morgan Le Fay?"/"How did you know that?"/"And she's a scientist"

• Genny has been holding this in for a whole year and she's finally ready to use it

• She says it like she's caught Arthur in some kind of lie which obviously she hasn't but I do wonder if she's had this conversation in her head enough times that she's already thinking the worst

• "He blames me for her condition. All the more reason why I want them both to be here at the castle. She needs care."

• That long pause before condition and the way he says it like maybe Arthur also blames himself

• And they're still playing chess throughout this whole thing as if they can pretend that this conversation isn't causing them both pain

• The sound of the pieces getting moved on the board while during the tense silences, yes

• And now we get to me being emotionally destroyed

• This scene is a roller coaster and the writing and acting of it is perfect in every way

• "We're more than king and queen, you and I. Don't you think?"

• He's so unsure, he's always so unsure it is torture

• The emphasis on you

• But also he does in some way recognize that she's upset about Morgan and he gets so close but spectacularly fails

• Genny is so hopeful on the "Yes, yes I do"

• Him stammering out and Genny trying one more yes to get him to come up with something

• And then that something is business partners

• In my brain I am screaming

• I have done nothing but make fun of Arthur for business partners (and friends) since I first saw this show and I will continue to do it now

• However I do think that for him, in the context of his experience being thrust into royalty, he is actually expressing a very romantic sentiment

• He meets Genny and tells her about Camelot and she doesn't think she's worthy of that

• But here he's affirming that she is, that she's his partner in this and he recognizes her worth

• They talk in the second scene and she mentions that as a princess she doesn't have friends

• And here he's telling her that they are friends, that she isn't alone

• And we see how uncomfortable Arthur is being treated as the king

• And he's trying to tell Genny that he cares for her as a person and not just the queen he traded for in a treaty

• He wants her to see him that way because if she sees him as just Arthur and not the king, then maybe he can tell her how he feels

• But also maybe it you are a man and your confession of love to a woman contains the words "I know this is an unusual thing for a man to say about a woman but" you have turned down the wrong path

• "Yes. Friends. And business partners"

• Her delivery is so ice cold, it's perfect

• The fact that she says this and even Arthur picks up on her tone and knows he fucked up

• Arthur trying to fix things and being interrupted

• His frustration with himself is so heartbreaking

• I am still screaming in my brain just louder now

• Pelli is great but also he is the cause of so many of Arthur and Genny's resentments and miscommunications, the man's a magnet for drama

• He's so funny in this scene trying to complain to Arthur and Arthur already knowing all of Mordred's bullshit

• And yelling dammit so many times in the most perfect way like me with every person who has ever annoyed me

• "Because England doesn't have a law against limericks"

• The fact that even though they're in the middle of this weird emotional mess, Arthur looks to Genny when he's talking about how Pelli's question is complicated

• His thinking buddy

• And business partner

• Also the idea that Arthur is so chill with the fact that he doesn't have the answer, that he's laying groundwork for future progress instead of assuming it will be accomplished by him

• Which is just inherently a concept I think I struggle with, that the world will not change in all the ways it should in my lifetime but the work now still has to be done

• So I like to see it

• Not going to write out another good Sorkin speech about ideas but I love this one too rest assured

• And we've had a nice little break, now we're back to chess and Arthur trying to force out something coherent and me screaming in my brain again

• I still can't get over the way they're still playing chess I'm sorry

• Genny saying "you're in check" with a different delivery every time to convey her emotional state

• The range

• Arthur just trying so hard to come up with anything again, I am personally suffering

• "What I feel-"/"I thought it was right on the money"/"Oh you do?"

• Then I think he says "oh okay" but I don't even know

• They were so close this is the worst

• Still chess

• "Do you regret being born a princess?"/"I'm confident that most people would gladly trade their problems for mine"/"But you're not talking to them right now"

• Firstly the show does an amazing job recontexualizing What Do the Simple Folk Do and everything around it so A+ for that

• But also Arthur is so empathetic in this moment

• "I know you're sad sometimes. That you miss whatever life you were searching for the night you ran from the carriage. The simple joys of maidenhood you called it. You do a good job of hiding it from the court but when you feel sad you-"/"can talk to my business partner?"/"Well I think I might be good at cheering you up"

• The delivery is so sincere

• He sees her pain and he cares so much

• He feels responsible for the life that she missed out on by marrying him

• And he wants to help

• In many ways, he is terrible at expressing his feelings but again in some small respects, he does absolutely knock it out of the park

• Even if Genny can't see it

• "If there was a tournament for cheering you up, I think I'd win"/"Oh as long as there wasn't a bird nearby"/"It wasn't just any bird, it was a white tailed eagle both times"

• The way they move from emotional conversations and annoyed miscommunications back to humor with such ease

• Arthur's bird obsession continues to be one of the best bits of characterization ever

• Genny making fun of Arthur's various words for peasants

• I love What Do the Simple Folk Do so much

• It's just perfectly constructed and the rhymes are pretty genius

• I love every single lyric

• And I love that this song gives Arthur and Genny a chance to be charming and reconnect after the second half of act 1 and the beginning of act 2 were so focused on Genny and Lance

• And then this scene has so much going on that it reminds you why they're the couple of the show

• I didn't need reminding because I'm trash for them but other people might

• All of the little jokes between the lyrics are so funny

• The delivery of "the very last thing you should have is encouragement" is so much funnier than on the cast recording

• Like what is this? So charming

• "My father used to say I sang like an angel who'd been blessed with a particularly pretty singing voice"

• I'm so glad this is at least on the cast recording

• She plays it so straight, it's so good

• This may be my favorite of the songs

• And the dance, they're so cute, the squeeling kills me

• I can't adequately express how much I need to find a bootleg so I can witness this again, the whole scene really but mostly this

• I cannot handle the way they say "Genny"/"Your Majesty"

• Fuuuuck

• The groan in the audience at "a letter from my mother", the pure expression of fuck Mordred

• "He's been waiting a long time."/"Yes"/"My mother was his first, you know"/"I had that sense, yes"/"They say you never fully get over your first love"

• Genny hates Mordred so much and she's right

• He's hitting her exactly where it hurts but Arthur can't even tell

• Also fascinating that Mordred can actually see the dynamic between Genny and Arthur and Lance so much more clearly than the people involved

• "You think you might possibly be spending the night?"

• Like her deliveries were getting more panicked but then this one

• Like she can't even believe what she's hearing and he doesn't even get it

• The long silence after Mordred says Lance has the queen's protection detail

• As people make mmms in the audience

• And then their last little exchange

• Ouch

• Genny telling Arthur what she herself actually needs to be told and Arthur having no clue

• "His queen's in danger"

• Mordred is the absolute worst and it's perfect

• The reprise of the Simple Joys of Maidenhood, so sad and I can't handle it

• I think this is her moment of just fully sitting in the idea that her husband doesn't love her and sees her so completely separate from that that he doesn't even understand why she's so upset to see him dash away overnight to see another woman

• And that he therefore doesn't and won't love her in the way she's singing about

• And thinking that she has the knight pining for her but it isn't enough and sets up her trying to make it enough

• She's grown so much since she first sang the song but she still can't fill the void of wanting this kind of love

• But also knowing that kind of love isn't enough

• I love her

Act 2, Scene 3: The home of Morgan Le Fey/Guenevere's Chamber/ Castle corridor - on that evening

• The into music to Morgan is gorgeous, perhaps my favorite

• It's hard to introduce an important character this late into the show and make them so memorable, even if they've been hanging over the narrative for a while now

• And still have them knock it out of the park but once again, this show is perfectly cast

• The tension of this whole scene is everything

• Morgan's laugh and then "Jesus christ it's the king of England"

• Immediately sets her up perfectly

• And we get something totally different out of Arthur

• I love their dialouge which I am once again trying not to just fully write out, I love their chemistry, I love how quickly their friendliness breaks down

• He does sound genuinely happy to see her at the beginning but as soon as he asks if she's feeling well, they start to cool

• I can't even pick specific lines because everything is such a vibe

• You feel the history and complication and the years apart where everything has changed for both of them and the way that she's the one person who knew him as just Arthur

• "I know exactly who you are"

• Like of course this one was gonna have a line reading that lends itself to multiple things but that's always good and I like it

• Genny ranting to Lance about the number of letters Arthur wrote to Morgan

• She finally gets to be pissed and Phillipa Soo plays it so well

• "Don't review my arithmetic in your head, it's 208"

• Even at her most angry, she still must make sure Lance knows she's right, very relatable

• "I questioned the king, we've all questioned the king"

• This adaptation has built in the knights discontent so well that it's believable that they've just been growing more resentful over time

• "Because one cannot legislate goodness Pellinore, which at the end of the day, is the mission of the round table"/"And what say you Sagramore?"/"Well tell me, when we're all equal will peasants live like knights or will knights live like peasants?"

• Their entire speech is amazing

• The knights growing angrier as they realize they're all on the same page

• The way that it all fits seamlessly into the story we see on the stage but there's also no denying it's about the time we're living in right now

• But again, not in a way where it feels out of nowhere or too heavy handed

• "I throw away the letters, I give away the money"

• I love the way she delivers her lines so dismissively

• I wonder how much of it is her feelings and how much of it is trying to hurt Arthur as much as he's hurt her

• "That part gets left out of the legend" I think is the first moment where Arthur gets under Morgan's skin just a bit

• Like I'm not sure what she wants/wanted from Arthur but maybe it was just that she doesn't like being erased from the story

• "What wife could possibly object?"

• I love her bitterness mounting leading up to this line and actually hearing her call herself Arthur's wife which is I don't think is something she does before

• "I admire the king's commitment to doing the right thing no matter what. That's what a man does, and god knows it should be what a king does."

• I love watching Genny justify her anger because on one level she knows it isn't fair to be angry

• That she really does admire Arthur's goodness and believes he's doing the right thing

• That it's not that he's going to see Morgan, that he wants to bring her to the castle, it's about his actions with Genny

• Or I suppose the lack of consideration of her feelings in maybe the most hurtful way where there was nothing deliberate, it just didn't even occur to him

• She's so hurt

• Everyone in this scene gets to be extremely mad and I love it

• "When he ran out of here, he didn't think it would trouble me at all. He didn't think the letters would mean anything to me. Or staying overnight. Mordred said his mother was his first true love. Business partner. He said it right in front of me as if I wouldn't mind"/"Do you?"/"No, of course not. It's just that it was the first time that it's been demonstrated to me that-"/"Your husband doesn't think of you as his wife"/"Yes"

• Everything is on her face and in her voice

• She's so hurt, so angry, so tired of not being loved

• And when she says of course it doesn't bother her, when she pulls back her feelings in front of Lance

• And her delivery of yes like something clicks in her brain, probably their entire relationship is flashing in her brain and she's building up evidence that it's true

• Lance has articulated exactly what she didn't know she was feeling

• And the music under it underscores each emotion perfectly

• Again Phillipa Soo is just emotionally devastating in this scene

• But also gotta go back to "Your husband doesn't think of you as his wife"

• Like right now I'm just thinking back to Arthur referring to Genny as French to Lance when they first meet and again when he asks her to tell Lance he's being invested

• While Genny in that scene and in the first scene of act 2 keeps referring to her country as England while Lance claims her as French like him

• I wonder if that distinction is one of the things that feeds into her (and Lance?) feeling like Arthur doesn't think of her as his wife

• That she's trying to keep proclaiming her loyalty and he keeps putting a border between them

• At least in her point of view

• While he's as always trying to show her that he sees and respects her as an autonomous individual and not a thing he owns

• Am I reading too far into this? Probably

• (You're not my homeland anymore, so what am I defending now - honestly that it took me this long to make a Taylor Swift reference is a marvel)

• Anyway back to this tremendous scene

• Part of me does wonder if Lance really doesn't know how Arthur feels or if he's in denial because it's easier for him if Arthur doesn't think of Genny as his wife

• Like he does make a point to tell Arthur in the last scene that he and Genny aren't together

• He's gotta realize in this scene how Genny feels about Arthur but curious about the other way around

• Or ya know, maybe he doesn't, maybe he's just as emotionally inept as everyone else in this show

• Don't really have a point, it's just an interesting thought

• How do so many versions cut Fie on Goodness?

• Like not only is it an amazing song but also it's sort of the whole damn point

• If you cut it, the ideals of Camelot are barely even a plot, it's all love triangle

• Also just want to take a moment to appreciate how gross the lyrics to this one are

• This is for sure my favorite sequence

• The intro speech to the song is perfect

• Them just getting worked up about how England is special, it is better, that they're the ones who should be listened to

• "Don't dare question our loyalty to the king"/"A king who encourages debate"

• Again I just love the knights' conflicted feelings about Arthur

• So it's easiest to shift all the blame to Genny and Lance

• This song is so good, this cast is so good

• "That day that I became king, my cousin gave me his tutor, a man named Merlyn. And Merlyn spoke to me of a great cause that I could lead. But I would have to stay unmarried until a young princess in France came of age"/"And you left me unmarriable, a woman with a child"/"I didn't know about the child until he came and introduced himself"/"You raise your voice to me? Have I displeased you your majesty?"/"Stop calling me that"/"I know all about the French princess-"/"The queen"/"and the grand cause-"/"great cause"/"I don't give a damn"

• This is a stupid amount of text that I've typed out but I love their back and forth here

• Arthur trying to justify himself and not wanting to take responsibility and them both getting angry at each other

• Morgan and her relationship with Arthur have been changed pretty drastically to the point that she's not even the same character and I like it and her so much

• I do wonder what the intent was here because I feel like you could read a lot of different things into their dynamic

• And to what that means about Arthur

• I mean I get the sense that she's maybe always been maybe a bit of an outsider, maybe always was a little more world-weary (or maybe not, maybe getting left pregnant while he became king hardened her)

• And maybe their power dynamic has been completely flipped but also maybe Arthur still has a hard time not letting it flip back

• Because like there's no doubt for me that for whatever reason, she was the one holding the cards originally and he doesn't know how to deal with her now

• Like I don't know if she's older or Arthur was always bad at love so she would have just been the more confident person but there's something there

• She obviously has a completely different point of view than anyone else in the show which I love

• And she gets under Arthur's skin so easily

• I guess because she's the one casuality of his great cause, the one wrong he can't right

• Also "stop calling me that" is so petulant teen

• And he was that when he knew her so of course it comes out

• "You seem quick to betray the king"/"I would die before I betrayed King Arthur"/"Yet here you are"/"I can't rise above being a man, a human man. I can't transcend it no matter how hard I try"

• My favorite Lance line

• Ugh it's perfect

• He's so tortured and so good at conveying that in his delivery

• He's getting some character growth

• Genny being both not wrong but also putting it on him so she doesn't have to think about her own behavior

• "My duty is to god, King Arthur, and the round table. I can best serve all three with my absence. It's a small price for one person to pay for a greater good"

• Ooh the self-loathing hits so good

• And Genny panicking because she's about to get left for the second time tonight

• The playing of If Ever I Would Leave You

• Because he is, or he's at least trying to

• To do the right thing

• Genny and Lance speaking French together, always good even thought I can't understand shit

• "No more talking"

• And the bed just being pulled out of the scene

• I just love how the song is interspersed with these scenes, this sequence is truly brilliant and the energy of it in the theater is truly unmatched

• "All the letters that followed-"/"All the letters that followed offered me room and board along with the cash. Imagine how moved I was by the chivalry"

• Ah mocking chivalry, a family pastime

• Again, I just love the way she goes in on Arthur's attempts to do the right thing over and over

• And again I don't know if it's because he wouldn't give her what she actually wanted or pure vengence

• "Guilty and alive once more" is probably my favorite line from the song

• "Let me ask you this question and I'm entitled to the truth. If there hadn't been a cause, a great case, would you have married me? No."/"I was fifteen years old that night and the next day I was king. I was anointed by the archbishop of Canterbury in York and those men think they put me in direct contact with the divine. There was a cause."

• Clearly in her mind he was never going to marry her but we know from Pelli that when he met Arthur when he was already king, he was still very much in love with Morgan

• More than 10 years (plus then a year that's passed in story) before this could be lots of different amounts of time but it could have been up to a few years into Arthur being king which is a long while

• So the answer was probably yes

• But he doesn't say any of that because his feelings don't matter, he's too focused on justifying his cause, that it was important enough to make up for her life

• And ya know Camelot is what's important now, Camelot is what he and Genny have devoted their lives to, he can't fail

• This is the scene where I just conspiracy board Genny and Arthur's relationship

• This is fine, I'm normal about this show, that's why I wrote all of this

• Either way I think it must really bother Athur that Morgan might think he's not a good man

• We saw it with Genny and the courtesans thing too

• Like obviously part of that was being in love with her but also I think it fucks with his self-image as a person who does the right thing which is his entire life

• And Morgan's the biggest crack in that in his mind which is why he gets angry pretty much constantly in this scene

• At least that's my theory

• I love that we get see him cracking a bit under the strain of being good and trying to rise above being a human being just like everyone else in this scene

• He's got a lot more moral fortitude than the rest of the characters so it just manifests as him getting to be angry and express it to another person for once but still

• He makes excuses, he gets mad, he won't accept that Morgan's version of events is also true and he can't force her to be okay with it

• I don't know, there's something nice about narrative not saying that making the choices of the knights or Genny and Lance is inevitable, Arthur does make the right choices but he still isn't perfect here

• "And I won't live in a spare room in a castle and be the used and discarded former mistress of a king... but I will be the mother of one"

• So like how much of Mordred's plans are Mordred and how much is Morgan?

• And you know used and discarded former mistress of a king is killing Arthur

• "And he didn't"/"What?"/"Put you in direct contact with the divine"/"That is made clear to me every day"

• Morgan did a good job of pretending indifference at the beginning but the more she lays into Arthur, the more hostile things get between them, it's so clear that if the opposite of love is indifference then they haven't managed to get over loving each other

• It's just soured and rotted but won't die

• More so for Morgan because she paid the price, she couldn't move on in the way he could

• "And I wouldn't want to see your face when you realize it didn't make a difference. There'll be greed and injustice and hate and horror. You can change the stuff but people stay exactly the same. No one whose opponent was human nature has ever won a fight. Human nature responds to-"/"Inspiration"/"Fear. And that's it"

• It's so cruel but also a great illustration of the ways that they're fundamental opposites

• "I don't forget anything"

• Another extremely loaded line delivery

• (Don't make an All Too Well reference, don't make an All Too Well reference, don't)

• The panic and realization of "he's not stupid" and the music that builds to it and Morgan's laugh ugh perfect

• The intro music to I Loved You Once in Silence is gorgeous

• Lance and Genny in white feeling guilty as hell is a good visual

• So much regret

• Just instantly

• I feel like the moment they've actually acted on their feelings, they know that it's not only a mistake but also that their feelings aren't actually what they thought

• Well maybe Lance doesn't quite have it yet in this scene but he gets there

• Not to repeat what I said about the first scene in act 2 but

• My take is that they intentionally deepened Arthur and Genny's relationship and Lance's character but not Lance and Genny's relationship

• They intentionally left it shallow

• That these are two people who are missing something and the easiest way for them to get that is to frame what they have as love

• I mean for Genny it's sort of obvious, she's married to a man she's in love with but that she thinks doesn't love her

• Lance makes her feel certain about his feelings for her and that's validating

• But Lance, I feel like I have thoughts but I'm not sure

• Lance has never been forced to reckon with temptation before

• And instead of facing that in himself

• He just makes Genny part of the list of things that define him

• A goddess on earth and a god above

• Along with the table

• And he can worship them all to avoid having to figure out who he actually is

• It's not him admitting he has a human weakness, it's a grand tragic love story that he can suffer for

• And suffering, well that's what lets him cope with whatever about himself he feels is so terrible that he needs to punish himself for it

• He's so terrified to look inward, so afraid of something in himself that he just finds his identity in other people and institutions

• And he can't hide behind that anymore because he's betrayed it all, every single thing

• I feel like this makes it sound like I don't like Lance and I very much do

• He's just particularly flawed because he's the only one who doesn't start the show knowing that about himself

• They all make choices out of self-loathing and fear of unworthiness but I do think Lance thinks consciously he's above that for most of the show even if subconsciously he knows he isn't

• He's the only one of the main three to not really finish his character journey within the confines of this narrative

• Arguably he only starts right now and finally realizes he's not the man he thought he was

• Again fic potential somone???

• Well that was a tangent

• Jordan Donica's performance of I Loved You Once in Silence is so heartbreaking

• "Lance I made a mistake. I'm sorry but you're a good man and I should have been nicer to you."

• I love that, I love that she takes her responsibility (even if she's already trying to cover up what happened)

• But also it's just the clearst indication that acting on her feelings killed them

• She doesn't need to push Lance away anymore to stop herself from doing anything

• I love that Lance tries to surrender peacefully

• He's willing to take responsibility not for his noble suffering anymore but because he is a good man and he knows he's done what he's been accused of

• And he only attacks because he has to

• Mordred's evil laugh

• Lance being slightly disheveled and grabbing Mordred's sword to fight off the guards and escape

• I don't have any kind of intellectual take, this is just a personal problem for me

• My jaw was on the floor when Lance started yelling back about coming for her if he survives

• Such a tense ramp up into Guenevere

Act 2, Scene 4: The trial/The Battle

• Guenevere has such amazing lyrics

• The entire "more than love met its doom"/"came the sundown of a dream" verse destroys me

• And I love every word of added dialouge, so correct to put it on the cast recording

• I feel I must explain my love for the staging of this song some more because it is so simple and I understand that some people are not into it but I so much am

• I love the way they close off the back of the stage for I think the only time in the whole show and it becomes claustrophobic all of the sudden

• Now Arthur is stuck in this little box in front of the audience while everything falls apart for him and that's what you have to look at so there's no getting away from how devastating it is

• We just get some full force Andrew Burnap acting and I love it, I think by now it should be clear that I would

• In other versions that I've seen, there's a lot more happening and we see Genny

• And we see Arthur see her tied to the stake and Lancelot show up to rescue her

• Which I do like in theory

• But we don't really see Genny have any actual role or even seeming to have any particular feelings about what she's done or what's about to happen

• Like she's about to die and I've yet to see a version where I have any idea if she's got a single emotion about that

• Despite the name of the song, I think this show decided this scene isn't about Genny, it's about Arthur

• It's about the consequences of his laws

• It's about the beginning of his new war

• Arthur screaming "Pelli I know" like we see him start to crack

• Oh to know who told Arthur and how he took it

• "Well do something"/"She's under arrest. She's been accused of treason"/"Arthur I understand that you're angry but"/"She's been accused of breaking the law. She has to be judged"

• The delivery of that last line, ugh

• He keeps it impersonal, it isn't about what she did to him or his pain, it's about the law

• The law they lovingly crafted together

• "What a magnificent dilemma: let her die and you're a monster, let her live and you're a fraud. Which will it be? Do you kill the queen or the law?"

• Fuck

• The delivery is so good

• Mordred is having the time of his life shrieking about Arthur's pain

• The killing the queen or the law bit seems to be mostly unchanged and it's maybe the best single line from the original book

• Although it went from kill the queen and your life is over to you're a monster

• Mordred has to know Arthur is in love with Genny, right?

• Maybe he just can't imagine Arthur could love a person more than he loves his ideals which I guess would make sense given Morgan and Arthur's relationship

• Arthur drawing his sword on Mordred!!!

• "Ooh careful your majesty, you wouldn't want to be barbaric"

• The fact that Mordred thinks that's going to work, that he can continue to poke at Arthur and he won't respond, he really does believe in Arthur's goodness doesn't he?

• "You are exiled from this court. Return and I will show you what barbaric looks like"

• Arthur screaming at Mordred with his hand around his throat is so intense

• It's so good

• Another gasp out loud in the theater moment

• Arthur is fully unraveling and I'm obsessed

• "I know my way out"

• It's such a teenage delivery and like Mordred is just a kid who feels abandoned by his father

• And as much as this is a tragedy for the three main characters, it's no less a tragedy for Mordred

• Aging down Mordred, also a great choice

• And again, just another stellar performance

• Every single person in this cast just knocked it out of the park in a way I never could have anticipated

• "Arthur please, I'm an old man and I know I'm ridiculous but for the love of god, it's Genny. She made a mistake, she knows that."

• I love that Pelli loves her too

• That he isn't judging her

• "She broke the law Pellinore. A law signed by the king. So say the people"

• He starts trying to be calm but then the fact that it's his law brings up the anger and then he breaks on so say the people

• He's written his own destruction

• And empowered others to take the decision out of his hands

• I love the dialouge in this scene so damn much

• "Neither you nor I nor god himself can stop this terrible thing that's been put in motion"/"What are you waiting for?"/"I'm waiting for what's inevitably coming next"

• The delivery of coming next...

• Like obviously he wants Lance to save Genny but he knows that no matter what

• No matter if she lives or dies, peace is over and the round table has been destroyed

• And he needs to prepare

• Also the way he frames what's happening

• It's not what Genny and Lance or even Mordred caused

• It's just what's been set into motion by all these tiny and giant choices throughout the show that have bubbled over into the death of Camelot

• "That's Lancelot du Lac out there and he's brought a battalion. Double the guard, triple the guard, those guards are going to die tonight"

• How many times can I just copy a bunch of text and write the delivery

• Because yup

• The lack of hope from Arthur is chilling

• Arthur getting dragged back into the war he worked so hard to end

• Just every line delivery in this scene is perfect

• Every lyric of the song

• Every acting choice

• And I love to see it visually

• Preparing for war isn't an exciting spectacle, it's tragic

Act 2, Scene 5: Outside Joyous Gard - on the eve of war

• The way they fade in on the eve of war just broke my heart every time

• I would love to know how much communication there was between Arthur and Lance and how

• Like how much of a role did Arthur play in the whole Genny not getting burned business?

• And the fact that his first question is whether they've been injured

• Even after everything, he's a good man who cares

• And Genny and Lance too, being willing to come back and die

• They're all good people who made mistakes but still good people

• "I assure you, if I thought it would end all this, I would light the fire myself"

• Absolutely brutal but like after he lays out all the death and rebellion that have already happened I guess brutal is fair

• Ya know, if I thought he meant it even a little

• "Lance, come morning some of your countrymen are going to be at the end of my sword. It's not personal, it's just my job. Stay safe Lance."/"I can't do that. And neither can you. Godspeed your majesty."

• I just love the idea of Lance and Arthur as these two people who love each other spearheading this war neither of them believe in

• It's so tragic

• Their goodbye is so understated which for Lance is like truly a great bit of contrast

• They've had enough big declarations, these few sentences just distill everything perfectly

• And then we come to Genny and Arthur, fuck fuck fuck

• The first time I saw this I spent like all of intermission and act 2 with a loop in my brain of but they love each other, right?

• I am unrepentant trash for them in this version as though that wasn't abundantly clear

• And Aaron Sorkin delivered for me so hard in this scene

• "Please let me die, Arthur"

• The pause before his name

• And now we get to the part where I start to get like teary-eyed in the theater

• "Two very powerful men did this to you... not Mordred and Lance, your father and me"

• That long pause before and me

• I love his whole speech, I almost typed it all out

• And they allow so much silence during it

• And the way he's like trying to hold it together but he can't by the end

• "You were treated like a queen but you were my hostage Genny, what the hell did we think was going to happen?"

• That he recognizes and actually admits the ways that his choices have harmed Genny, the unfairness in the entire situation he's put her through

• That he can see even through his own hurt and the enormity of what has been set into motion, his own responsibility for what's happened

• Like he's not right but he's also not wrong

• "And for it's worth, I've been in love with you this whole time"

• Not even looking at her so we have to see it instead ugh

• And then watch that long silence while Genny just like rearranges her entire view of their relationship

• "For what it's worth? Did you just say for what it's worth?"/"Well I thought maybe you'd like to know that. But I wasn't sure."

• Just smashing my heart into tiny little pieces

• After everything they've been to each other, after all they built together, he still doesn't even know if his feelings will matter to her

• While Genny is getting ready to lose her mind after for what it's worth

• They're so absolutely emotionally inept

• "You weren't sure? Why didn't you ever tell me before?"/"It doesn't matter"/"Why?"/"How could I? I'm the king of England. You'd have been forced to pretend you felt the same way"

• Again they are delivering lines in a way that is continuing to smash the little pieces of my heart into complete dust

• Like Arthur is again not wrong but not right

• His life is so lonely because of this crown he didn't want and his desire to actually be responsible with that power

• And even now he tries to get out of explaining that to her

• I love him so much is the problem

• And then her mmm like all the pieces are coming together in her brain that they've both been suffering for nothing and she is pissed

• I love her so much which is also the problem

• Incidentally, both of these things are also their problem so very relatable

• "Out of curiousity, if I had told you, what would you have said?"/"That I loved you from the moment I saw you, from the moment you spoke, from the moment you sang me that stupid song about the weather"/"It's not about the weather it's a metaphor"/"I know it's a metaphor"

• The way Genny overlaps him asking, she can't even wait for him to finish

• The way she says stupid song

• The way that she's like, I did fall in love with you over that song but also I still hate it and think it's dumb

• She says it with such contempt

• Icon

• Even standing before the wreckage of their lives, they still can't stop bickering about the song, I'm obsessed

• "I prayed every night that one day you would see me the way I saw you. And then you told me I was your business partner. Yes I was and I am in love with you"/"Just when you thought things couldn't get any worse"

• She prayed every night???

• For two years???

• That he would return her feelings???

• Fuck

• Like I don't know if I can convey how much them being in love with each other and thinking it's unrequited for two whole years ping pongs around my brain and just lights up all the synapses

• "Do you really think 10,000 people loosened that sword for me?"/"I do"/"So do I. That's a nice thought isn't it?"

• It is a nice thought

• I love the philosophy of this show, I love that there's no convoluted Arthur is actually the son of the last king so he was destined to be special

• These are just two people who though birth or circumstance ended up in this position of power and chose to do good with it

• Genny begging for just a little more time like the only reason I kept anything together was being in a theater but if feel confident that if I ever get my hands on footage of this show, I would have already been sobbing by this point

• "They won't let me let Lance save you twice so you have to go Princess Guenevere"

• Hearing him call her by her name is so deeply distressing

• Literally not once before in the show does it happen and it hurts

• And then they're playing Before I Gaze at You Again what an amazing choice

• Turning a love song she sang about Lance into this romantic moment for her and Arthur because theirs was the love story the whole time like brilliant

• That they chose the show's first love song and brought it back for Genny and Arthur being unable to leave each other without that hug and that kiss

• Like this song that is originally about the pain of unfulfilled love for the wrong person and then flipping it to the pain of fulfilled love with the right one

• I am so not okay

• Also people did very loudly applaud at closing when they kissed and I was so glad because truly in my head I was doing it every time

• "I love you"/"I love you too"/"God save the king"

• I mean these are some good last words to say to each other, I'll give them that

• The thing about the original version of the musical is that the ending was already a perfect concept

• Here it just feels more meaningful because they lay that groundwork about inspiring the next generation throughout

• Tom trying to con Arthur about his age is very funny

• This kid is so good and adorable

• "You're speaking to a king"/"I'm twelve years old"

• Like his comedic delivery, very impressive

• "And when did you decide upon this nonexistent career?"

• We get a solid 60 seconds of cynical Arthur and that's about it

• The entire concept of this kid being inspired by the stories of Camelot is just deeply moving and beautiful

• And just the entirety of Andrew Burnap's performance of that realization hitting Arthur

• I love a story that's about the power of stories

• People also applauded at the last show when Arthur says the stories were all true which I also just deeply love

• Arthur's I know exactly how you feel when Tom says he's not ready to be a knight and putting his arm around him, so cute

• "And you will return to your home alive"

• The way he says alive

• Like I think Arthur knows that he's not making it out of this

• Even if he would manage to survive the battle and Mordred, he knows his time is done

• But the the future is still there

• And there is about to be so much death

• Some of it from his sword or his orders

• And the rest of it of his men

• But at least this kid, he's going to live

• The reprise of Camelot... I just love it so much

• "I've won my battle, here's my victory"

• Not a new line but just such a gorgeous one

• The entire idea of the story of Camelot as a tragedy but a hopeful one just gets me

• It's such a beautiful conclusion that this version sets up so so well

• I love that we end on a speech again, just like act 1

• Also that last bit of music as they walk off, stunning

• I have attempted to track down as many older productions of this show as I can including the movie which was good but I am biased and I do sort of think Sorkin and Bartlett Sher and the actors and everyone else involved had the more interesting take on the themes and characters

• A Broadway musical is best when it has simple but impactful themes and big emotions

• And that's exactly what this version gave us

• The highest compliment I can give this show is that not only have I not stopped thinking about it, not only did I tell everyone I know to see it, not only did I want to see the show again (and again and...), but it also just made me feel inspired to see more theater in a way I haven't in a serious while

• I just love this show so much and I'm so glad there are some people here who can't get over it either

• This is what I have to offer, the longest possible unhinged rant and bad quality closing audio, that is all

[thyinum]

hello :) i had two questions to ask but first i must tell you that your art is beautiful ! im so glad i stumbled across it

i was curious about what brushes you use in procreate (if that is what you use that is), i really enjoy the texture and line weight in your work so i thought i would ask

i also wanted to know how you go about colouring skin, especially with unique lighting… do you use reference images? either for anatomy or for skin tone? most of my art is b&w out of comfort haha but if you have any tips when it comes to working in colour i would love to hear them !

once again you are so so talented and i hope you have a lovely day <3

Hello!! Thank you for the questions and kind words 🤲💙✨

~

First of all, brushes

You guessed it right, I use Procreate and here are the brushes I use the most:

Most of them are standard, but Water Liner and Wooden Pencil, my most favourite brushes, are from downloaded sets. Here's where Wooden Pencil comes from:

I couldn't find the exact same set of Water Liner (I guess it's because they updated it), but this one is pretty close:

I use these two brushes pretty much for everything. Wooden Pencil is a little modified (blend mode on multiply) and I use it both for sketches and linework. Water Liner is sometimes for filling with base colours and always for rendering.

Also all of my artworks have a noise effect!

~

Secondly, coloring skin. Most of the time I go with the flow and do what feels right. Of course I keep in mind anatomy and other stuff like surrounding and skin tone. Like, everything that surrounds your character shares a little bit of it's colour (but you need to be careful with it). Also skin by itself is pretty colorful, for examble forehed is yellowish, cheeks and nose have some pink and chin and jaw are a little bit greeny-bluish. Also I think Ukrainian painting school has a great influence on me, so you can check out some of our artists. For example, Fedir Krychevsky and Oleksandr Murashko.

When it comes to some tricky lighting I start looking for references or use this thing:

There's also one with male head from this guy, you can find it in his profile. They're really helpful when you can't figure out how to do shadows and lighting.

Hope it all will be useful for you!

[raccoonfallsharder]

Window Across the Galaxy ✧*:･ﾟupdated 1/25 ❤︎

18+ only MDNI | rocket x f!oc | 26/27 chapters | wip| word count: pending. ♡ check the masterlist for expected updates ♡ ♡ see the "holiday special" ⋆꙳•̩̩͙❅*̩̩͙‧͙ Winter Across the Galaxy * ‧͙*̩̩͙❆ ͙͛ ˚₊⋆ [new 12/5] ♡

girl falls first; racoon falls harder.

On the mornings after nights built on nightmares — nights when Rocket has spent hours haunted, or bitter, or weeping — there’s always something different than usual. If there’s sex, Rocket’s touch is lighter:  more careful. He makes Jolie come relentlessly, like he’s trying to make up for all of his own past hurts by filling her with more bliss than she can bear. There’s less teasing, and more ragged reverence. He might not call her names, but if he does, they sound holy: slut uttered in the same tone that someone else might say saint. He doesn’t let her touch him on those rotations, and he doesn’t come till he’s satisfied that she can’t possibly have another orgasm left in her.  If there isn’t sex, everything is the opposite. He’ll take whatever physical comfort she can think to give him: slow, soothing strokes along his back, full-body embraces, comforting kisses on his shoulders and face and chest and hands. One morning, as he lies on his stomach with his chin resting on folded forearms, she strokes his tail. He closes his eyes, and shudders, and melts, so she strokes it again and again, wrapping her fingers around the silky appendage and letting it run through her hand like a waterfall, over and over. They lay like that for a dozen-dozen minutes. Longer. But  the nightmares don’t come often anymore. Instead, most mornings are full of laughter or stories, and mocking, and tinkering and sketching, and cups of coffee that one of them brings down to share.  And yeah, of course, more sex. The Guardians take more jobs, make more units, save more people. Make more art — more versions of Rocket, more golden jump-points. Groot grows taller and lankier and somehow even moodier. Gamora and Pete grow more transparently in love. They all squabble and tease and fuck and fight. And whenever Rocket touches her, Jolie grows more certain that he does love her after all, even if he can’t say it.

[NEW 1/25]✧･ﾟ:*Chapter XXVI. The Other Side of the Window. in which old friends are reunited. ❤︎

i'm crying in fear of the final chapter update in like a week and a half. god i've put so much stupid love into this silly thing. thank you for all your support and for taking part in this with me so far. i truly could not be more grateful ~♡

explicit lines or references* abbreviated explicit sequences ❤︎ detailed/prolonged explicit sequences ❤︎❤︎

General summary/notes + links to recently preceding chapters behind the cut.

let me know via comment, message, or ask if you'd like to be added or removed from my fanfic taglist ♡

Rocket is captured by a Ravager crew hoping to get rich off the excessively large bounty on his head. Throwing a wrench in everyone’s plans is the Terran girl they hired to do some freelance assessing on a recent haul of goods they’ve seized from a Xandaran luxury liner. Oops.

slight AU starting pre-GOTG volume 1 (but will hit most of the same major plot points). slow burn + eventual smut with a lot of pining in the middle. kinda enemies-to-lovers? (but only one of these idiots thinks they're enemies).

let me be real with you: this fic is really about wish-fulfillment. not just the eventual smut (but that too). mostly i just want someone to be nice to my best boy raccoon

*･ﾟ:*✧･ﾟ:*✧*:･ﾟ✧*:･ﾟ*

Chapter I. A Delicacy. in which our reluctant heroes meet atop a crate of Sovereign porn in the bowels of a Ravager ship.

Chapter II. Monster For A Pet. in which one hero wrestles with his inner Groot, and the other is quite possibly a moron.

Chapter III. A Kindness. in which Rocket gets in his own damn way: not for the first time, and certainly not for the last.

Chapter IV. Got There First. in which our heroes obtain an arsenal and street food.

Chapter V. Things No-One Has Said Before. in which one hero refuses to babysit and the other refuses to leave.

Chapter VI. Two and a Half Billion Units.in which we lean into the “they were roommates” trope. Jolie has misgivings, while Rocket has fantasies - about getting rich, of course.

Chapter VII. I'm Here. in which we visit Knowhere.

Chapter VIII. The Care & Feeding of Human Pets. in which our heroes practice breathing and we lean into a new trope: “there was (technically) one bed.”

Chapter IX. Scrapmetal and a Dream. in which we redefine homemaking.

Chapter X. Thin Fucking Ice. in which our heroes get fucked. Not in the good way.

Chapter XI. Let It Be. in which Xandar is saved and good lives are lost.

Chapter XII. So Much It Hurts. in which we try not to fuck up the vibes.

Chapter XIII. Don’t Wait. in which a lost sister is found and Drax grapples with the concept of sarcasm.

Chapter XIV. Exactly Like a Flower. in which comfort is shared.

Chapter XV: Galaxy-Breaking Shit. in which more comfort is shared, and life is good. Briefly.

Chapter XVI. Run. in which Rocket falls victim to his superstitions.

Chapter XVII. A Seedling. A Fox. A Little Girl. in which the party is divided.

Chapter XVIII. I Happen to Know a Guy. in which our heroes get fucked. Again. Still not in the good way.

Chapter XIX. He Was Loved. in which a planet is killed, a friend is made and lost, and nobody still has any frickin’ tape.

Chapter XX. Some Nerve. *in which an ultimatum is given.

Chapter XXI. I Very Still. ❤︎❤︎ in which our heroes get fucked. In the good way, this time. Finally.

Chapter XXII. Got There Worse. ❤︎❤︎ in which Rocket does not say "I love you."

Chapter XXIII. We're Gonna Need a Bigger Table. ❤︎ in which the galaxy continues to spin.

Chapter XXIV. Space Would Be Better. ❤︎❤︎ in which Rocket ~discreetly~ claims the title of boyfriend.

Chapter XXV. Little Love Stories. * in which both of our heroes learn a little bit about themselves.

Chapter XXVI. Other Side of the Window. ❤︎ in which old friends are reunited.

Chapter XXV. The Most Beautiful Thing in My House. ❤︎❤︎

⋆꙳•̩̩͙❅*̩̩͙‧͙ Winter Across the Galaxy * ‧͙*̩̩͙❆ ͙͛ ˚₊⋆A Holiday Special *

Epilogue: Interviewing Rocket & Jo. ten years after Window ends. short/drabbly, silly fluff.

explicit lines or references* abbreviated explicit sequences ❤︎ detailed/prolonged explicit sequences ❤︎❤︎

taglist ♡ @evolvingchaoswitch ♡ @wren-phoenix ♡ @pretty-chips ♡ @suicidalshitstick ♡ @glow-autumz

[minniepetals]

Drabble game: ceo! Au + “I am putting you to my to-do list.” :)

"Seokjin, about your schedule for next week, Mr. Choi called me just a few minutes ago and it looks like I can fit the meeting with him at 5:30 in the afternoon on Thursday, would that be alright?"

"Yeah," your boss says absentmindedly as he clicks away on his keyboard, brows furrowed in concentration with his glasses up to the bridge of his nose due to the paperworks and computer load he has in front of him. "Any free time you can squeeze in there at all?"

"The dinner with Mrs. Lee won't start until seven so you should be able to have some time to yourself before meeting up with her."

"Good." He flips a paper over, eyes scanning over the words. "I'll have that time for you."

You falter in your approach, blinking widely. "Um...w-what?"

"I'm putting you on my to-do list," he says simply and so nonchalantly it's almost as if he was speaking about the weather that you just stand there, unsure of what to do. Seokjin looks up upon your silence, his brow raising. "'To-do' as in I simply want to spend time with my girlfriend, Miss Y/N, why are your cheeks so red?"

His expression may look serious but all the time you've spent with this man, you know he's hiding that mischievous grin behind his eyes and when the door opens with Namjoon announcing himself, you're quick to turn around, losing your professional face to run up to him, a pout on your face.

"Stop your man, he's teasing me again!"

Seokjin laughs from his desk while the big boss takes your hand which came up to clutch onto his blazer, pressing a kiss right atop your fingertips.

"He's your man too," he says and you frown before glaring back at Seokjin.

"Can't you ever be serious for once?"

"I was serious, I said I wanted to spend time with you but your mind went elsewhere."

"And whose fault is that?"

"Not mine," he shrugs and you know you can't argue with a talking wall so you turn on your heels, clutching the ipad that's filled with his schedule against your chest and walk off without another word.

They don't stop you but you know they must be amused by all of this.

"Let me guess, Seokjin gave you a hard time again?" When you return to your desk, Yoongi's just passing by, leaning over with a small tilt in his head.

You let out a sigh as you look up at him. "He wants to do me, apparently."

He almost chokes on his drink. "Huh?"

"As in, spend time with me." You grunt. "You see how mischievous that sounds on his part now? That's what I'm dealing with every day."

Yoongi snickers as you place your face in the palm of your hands and he reaches down to give you a soft head pat. "Well, you should expect that side of him to never leave even after getting into the relationship — especially after getting into the relationship."

"Yeah, I understand that now." Ever since you confessed your feelings to one another, your boss's flirtatious antics have only grown by the day.

"Here." You look up at the new voice to find Jungkook placing a can of coffee on your desk. "You seem to need it more than I."

With that, he presses a kiss to your cheek before walking off to his own business, Hoseok trailing along beside him with a wink your way. You sit there, staring after them, a warm feeling surging through your chest as you realize that no matter what happens, whether they're busy or not, they'll always find ways to show their love to you.

"Hmm..but then again, without Jin's antics, he wouldn't be who he is, would he?" You say, turning back towards Yoongi.

He chuckles lightly, tousling your hair. "Of course not." Then when he checks the time on his watch, you feel another head pat from him. "Gotta go now, I'll see you later."

With that, he's off.

You turn your seat around to find two sticky-notes placed on your computer, one colored in blue, the other in purple, both of them sending words of encouragement, signed by none other than the two 95 liners themselves.

As you take a sip of the canned coffee Jungkook got you, you stare at the empty slot on the ipad that holds all of Seokjin's schedule, and type in the words Y/N time with a gentle smile on your face.

In the end, he always wins.

[charmsandtealeaves]

💫 what is your favorite kind of comment/feedback?

Okay this one I’m taking time to answer because I’m gonna use some real examples (because I never delete shit from my AO3 inbox and I'm feeling a little self-indulgent this morning) so strap in:

1. Comments left in the bookmarks. It’s rare, I’ve only ever had it happen twice. But it’s a little window into someone else’s view and I love that shit.

In one someone quotes a line from the fic itself and follows it up with “I’m gonna use that, maybe, once I get bitches, gotta cut my hair for that.” The once I get bitches part had me genuinely laugh out loud for the first time in I don’t know how long. I really hope their endeavour panned out for them 🤣

2. Comments that quote parts of your own fic. I love seeing what parts of a piece of dialogue or scene really resonated with people.

This was fantastic! Oh especially the whole show bit, I enjoyed it too damn much! So well-written and funny, I was grinning like crazy! “But I work in a morgue, so the guys at work are not exactly the sort of stiff I want to be picking up. Naked Attraction please help me find a man who isn’t mortified to go home with a mortician!” - I remember this from the snippets and it's brilliant!

3. Comments from the same username on several chapters of a multi chapter. Those people are the bees knees and fill me with the warm fuzzies.

I can’t even begin to tell you how my heart soars whenever I see your name, @blondelunaa, @abihastastybeans and @practicecourts doing this. 10/10 kudos to you guys.

4. The “Sorry, I got too engrossed and forgot to comment” or “Re-reading!” Kind of comments. With fandom it sometimes feels like something is dead after a week without new kudos etc coming in. But comments like these prove that people are still reading and appreciating long after that.

Oooh ive gushed over this chapter before, but wow- this patronus scene is everything and more. I love the image of the stag, so powerful and magnificent - ima sucker for patronus reveals but this one takes the cake 🤩 and the end is perfect !!

5. The requests for more or a prequel/ sequel. Again rare (for me anyway). I got a few of these on a microfic but I’m gonna share the one:

I am obligated to inform you that I'm in dire need of a sequel. Or prequel. Or both, I won't complain...

6. The paragraph. I think these are the kind of comments everyone loves to get. Just a full paragraph of gushing about something you made.

Oh my goshhhh!!!! My heart!!!!!!! Thank you so very much for writing this <3 This is a perfect, heartfelt, beautiful glimpse into the "after" I requested. I'm so happy they resolved all their feelings! I love the sweet domesticity of the line "it's just me", like they're already an old married couple in Godrics, instead of two teenagers in the Heads Dorms. I feel like that line really helped set the tone of intimacy for the rest of the fic. I'm glad they talked about all their feelings and James doesn't have to be broody anyone xx Thank you for sharing Charms!

8. The full block caps shouting comment. The passion involved in that style of comment.

I SHOULD'VE BRACED MYSELF AFTER THAT AUTHOR'S NOTE

9. The one word/one liner comment. It's small but mighty.

This was fantastic!!!

This was fab. All the kudos to you 🌸 You are a very talented writer ⭐️

This was mad…I loved it

10. The comment from someone "fandom famous" who you thought wouldn't even know you exist. Exhilarating and also incredibly daunting when posting a WIP.

Ahhh the drama in this one!! Loved the James and Lily interactions. Sweet to see Alice and Lily's friendship in person for this one! Got some satisfaction from James hitting Pettigrew I won't lie lol. Glad to see Lily's not pregnant (yet)! Excited to see how you wrap this up!

11. The unexpected compliment comment. Someone paying your work a comment you weren’t expecting. I’ve highlighted a few here that I go back to when I feel like just throwing in the proverbial towel:

Hot damn, this is best court room scene I’ve ever read in fanfiction and most published novels. I was on the edge of my seat the whole time! I’ve been devouring this fic quickly because the dialogue is so freaking good- the perfect combination of fun banter but with a realistic flow- I feel like I’m reading conversations with my own friends. Also I don’t know if this makes sense but they everyone’s Britishness jumps off the page in a way that I love.

Woah! Broken can be a beautiful place to start. Mind blowing and emotionally a masterwork

Just read all of this in one sitting, love your writing! Look forward to reading more of your fics

Asfjksagf this fic is amazing!! It's nighttime here now and I thought to myself that I would just read a couple chapters and then finish it tomorrow - but I COULD NOT put it down!!! Had to devour it all together!! It was just so novel, so interesting, so fun! And the final scene with James holding and hugging Lily from behind had me positively melting the whole time ;A; incredible! <3

I’ve just found this story and I binged the whole thing \o/ Thank you so much for sharing it. The soulmate concept can be so tricky to navigate and I imagine it’s hard to come up with fresh takes on the Lily/James Patronus storyline, but all of this came together so seamlessly and the narrative is so engaging. Such a lovely experience, and I’m incredibly grateful to have stumbled upon it! Phenomenally done! \o/

[yen-doodles]

In times of be going against my personal promise to not change my profile appearance to make it Macaque- I'm thinking about sitcom! Mac once more.

I just think he's neat 🥰 but here's some on the spot things about him:

Is very protective of Bai He

Also shows an immense amount of favoritism towards her, she can do no wrong in his eyes :)

He calls her strawberry, originally I was thinking blueberry but I think after LBD they would stay away from blue associate things

Is known to spoil his love ones, not as much as swk and in different ways but still

Is very competent at knowing when people are stressed when, especially when the person is hiding it(*cough* *cough* wukong and mk *cough*)

He'll treat them out or make them do something to relax them

In cases of the person overworking themselves, he'll get them to take a nap and organize their work space so it isn't as chaotic but things are still easy to find

Then when they still look tired but still frustrated with what they were doing, maq will have them talk through it and what they're struggling and give tips and after they usually are ready to jump back into the task

I've seen a few other people hc maq to stress bake and I think that's really fitting for him! So that's in my au too

I think he would be a pretty decent cook too, at least more than swk

He hates getting wet/soaked, the sensation of clothes filled with water is just atrocious to him

Is the kind of bitch to go to a pool just to sit on a lawn chair under an umbrella with a big sun hat and glasses

Wears bright red eye liner

Was nicknamed "Six-Earred Macaque" because of his sensitive hearing always causing him to hear better than most, even sometimes things he shouldn't;)

The nickname came from his childhood bullies but he started owning it as he got older; partially thanks to wukong but also because the usefulness it gave him when Mac made eavesdropping his job

Has the most diverse music taste out of the entire group because ofc

He owns a motorcycle like Mei and he goes to her for repairs

Is one of the few people that have permission to use the kitchen, as long as he doesn't move the place of his knives or spices and cleans up after he's done

Becomes instant besties with PIF when he becomes apart of the pta

Is very competitive and petty during bake sales

Got really pissed when a parent had complained to him about Bai He wearing "boy clothes" to school

He had swk, dbk wear dresses with him while pif wore a suit to the next pta after that

The ultimate party thrower even though he isn't the biggest fan of them

Helped plan Mk 's birthday when he first began staying with him and swk

Threw Bai He the biggest party she'd ever had the first year of her living with him

He had planned most of it a few months in advance, though the actual party's theme was decided closer to the day just incase he wasn't running around last minute because Bai He wanted something different instead (she wouldn't of but still

It was based off her favorite movie at the time: Coraline.

It was a costume party and everyone dressed up as characters from the film and ended with a sleepover where they watched the movie

Mac as the mom, Bai He as coraline, mk as normal wilby, Tang and pigsy were the two old ladies, sandy was Mr. B, pif and dbk were the other parents, swk was the dad, and red son and Mei were the two of coraline's friends.

Most of the party activities were based off of scenes in the movies: finding the kids eyes, the performances and the ending

Safe to say Mac went all out

Is that Instagram person that takes pictures of their food, not to post though just to document incase he wants to order the same thing and can't think of the name

Does it with things he gets Bai He or anyone for that matter

[nasuversekinkmeme]

Weekly roundup: prompts

Kara no Kyoukai

Shiki Ryougi using the Mystic Eyes of Death Perception for mundane purposes.

Tsukihime

incest tw, ntr, Shiki/Kohaku explicitly framed as them cucking Hisui and Akiha

Kohaku and Hisui taking drugs together to deal with the Difficulties.

Hisui makes a horrifying discovery about the true nature of the "robots" that are named after her and look suspiciously like her. But on the bright side, it looks like Hisui #47 has more sisters than she thought.

Worried about Shiki's health after he's been bedridden for a couple of days, Akiha is told by Kohaku that Shiki'd contracted a terminal case of sugondeese. Akiha doesn't get the joke and goes around trying to find anyone who can help in complete earnestness.

Fate/Stay Night

smut, EMIYA gets fingerblasted by Artoria while getting his fat slutty tits milked for weeks on end.

Emiya "Ah yes I choose to go by no name instead of my actual name because I hate my name I MEAN FOR TACTICAL REASONS TACTICAL ONES" Shirou has her egg forcibly cracked.

ntr, Saber/Issei framed as both of them cucking Shirou.

EMIYA getting brainwashed and forcefemmed, becomes clingy and dependent to the perpetrator (maybe a master with bigger physique, any gender is fine) AAAHHH i really want to fill this myself but just typing this makes me really embarassed

smut, Fourth Holy Grail War Servant Orgy expressly framed as cucking the Masters and the Holy Grail War itself.

smut, All the Cus show up and consensually gangbang Shirou to death.

smut, guro, Sakura cuts off Shirou's legs, slices his belly open, smashes his testicles before rebuilding them with magic and then proceeds to clone herself so that she could have an ero-guro gangbang with the one she loves more than anything else.

smut, Cock worship feat. Saber's micropenis. Doesn't matter who the worshipper(s) is.

smut, Mordred fucking Guinevere with her giant cock while Artoria watches it while she is tied to the wall, crying with her pathetic micro penis exposed while her wife screams in pleasure

Merlin gives Artoria a micro penis.

We need more of that EMIYA Archer/Saber Artoria goodness, no preference on if its fgo/fsn/fha or fluff or smut as long as Saber loves him for the man he is rather than the boy he was.

smut, Might I ask for Saber and Rin having what starts out as slow tender wedding night lovemaking, and what ends up being Saber breeding Rin hard and fast, because however much they love each other, Rin is impatient, and Saber is needy.

Fate/Zero

a prompt about Iri, Saber and Kiritsugu expressly framed as cucking but nobody can figure out WHOS GETTING CUCKED. (its none of them, theyre all just morons)

I would like some fluff with Iri and Saber as married with Illya and Shirou as their children. Kiritusugu still visits and he stays with the kids during weekends and half of summer vacations, any further details is up to the author

Prisma Illya Kaleid Liner

vamp illya biting miyu, sfw.

Fate/Apocrypha

Sieg is literally cardboard. No questions asked.

smut, Problem: Thanks to the legends about his prowess, Astolfo's dick is big enough that he can't actually get it fully hard without passing out under normal circumstances; he fucks like a champion when possible, but the energy needed is too much for most to provide. Solution: Well, Sieg was made to be a magical energy battery, after all...

Fate/Extra

Hakuno and Rin in any context where they're not doomed by the narrative.

smut, Via some magecraft fuckery Nero's body temporarily changes into that of her evil alternate universe counterpart (mobile 3rd ascension draco) and her wives Hakunon and Tamamo try very hard not to spontaneously combust from lust on the spot

smut, Tamamo no Mae takes advantage of her shapeshift skill, grows a dick, and knots her Master.

Fate/Grand Order

the last scene of Lord Melloi II Case Files where Waver talks with Iskandar in his dream, except its Gudako and Romani

Guda + his partner where they are doomed by the narrative, angst

Olga in her last moments after defeating ORT looks at Ritsuka, she remembered, she remembered everything, she finally realized who she was, before becoming a beast, but its too late, again she is about to disappear and lose everything she worked so hard for

Since all hope is lost for Sita this time around I would like someone to find Rama collapsed (either drunk or just out of depression) and lead him back to his room. Some reminiscing on his wife if possible

Smut, Draco seeing Hakunon after so long shows affection the only way the beast of depravity could, by making Hakunon unleash her load inside her until her maestro's ball are empty

Medb and Emiya are sent to scout a new small singularity together, Emiya keeps getting annoyed at Medb complaining and Medb thinks Emiya is just a boring old man. Through their scouting mission they end up talking about their times alive, getting in trouble and getting to know each other. The girl who desired to be saved by a hero turned into a tyrant, and the boy that wanted to save others and become a hero, now nothing more than a machine. I think they compliment each other so well

medea is on her way back from picking up more craft material for her figure making hobby when she runs into mandricardo, she looks at this teenaged 30 year old man quivering with anxiety and decides hes cute in a mildly pathetic way and decides to take the sopping wet kitten of a man home, maybe its just her having a slight thing for stupid pathetic men but maybe she can help him with that

[baobhan sith voice] mash kyrielight did you fuck my mother

Gudako/Gorgon with some awesome size difference going on (or even edging into macro/micro) Gudako having her large and (terrifyingly) beautiful snirlfriend worshipping her tiny little Master :3

a more vore based version of SERAPH? Meltryllis having to watch as Kiara swallows Guda right in front of her, before being stuffed down the Beast's throat shortly after...

Smut, Ishtar getting her dick sucked by Gudako (or any other girl) and not paying attention to the time. Right when she hits her climax, the sun dips below the horizon, leaving Ereshkigal the one in charge of the body mid-orgasm.

Gorgon voring Robin Hood... Maybe Robin trying to shoot his shot romantically, and Gorgon deciding he's better off as a snack than a date.

Cleopatra/Caesar, preferably some smut with how Caesar historically loved to bottom

After finally ending the lostbelt saga all of chaldea and the servants make a celebration party that goes out of control.

Ritsuka and Cupid Caren being shippers hiding in trashcans to watch dates and matching up servant couples during valentine

Mash and Romani father daughter time! Maybe have him showing her his favorite movies

Tepeu gets DRUGGED

FGO again but tumblr has a character limit for bullet points and I can't trim the prompts any further so I'm splitting it in half

Gudako finally gets sick of Mandricardo’s constant whining and admits she thinks he’s worthless compared to most servants, and that she’s sick of hearing a middle aged man wallow in self pity

smut, boudica turning Nero into her cockslut

Modern AU, Gudako convices Draco to go on a date with her, draco being a cool rock musician

smut, Milf battle. Raikou and Tiamat fighting over Ritsuka. Wrestling, fight fucking, mommy kink.

Vinci Rider is kept awake at night by Vinci Caster loudly fucking Gudao (thinking they’re just wrestling or jumping on the bed)

Slight change of the rules of Chaldea is made so that rather than Arturia Lancer being her own person summoned separately, she's just Saber's mind in a different class container due to experimental magics. She also runs from the labs to Ishtar's room and tells her to put Rin in the driver's seat because Damn Rin, look how much my alter-ego was compressing into her breastplate. Breastplay/envy from both Rin and Ishtar follow, Arturia enjoys being taller and so on.

Tepeu and Kijyo become dinosaur friends

smut, guro, I want Medea to fuck Yan Qing, kill him, cut off his dick and walk around with his dick in her coochie for a week before she brings him back to life and tries to escalate from there.

I want Ritsuka to see Goetia using Romani body and going ballistic, punching the fucker until someone stops her because they know she is kill gonna him given the chance

AU where Flauros somehow got amnesia right after taking over Lev Lainur, causing the demon pillar to believe he's the human he's possessing

smut, how tf could Xiang Yu get pegged by his wife ?

It is Mother's day in Chaldea, and Ritsuka has now to make a party for all of their mom, wich are Da Vinci, Sheba, Raikou, Emiya, Tiamat, Dodrinya, Katou Danzo, Iri, Europa, Helena and Goredolf

smut, ntr, Ntr plot with Yu Mei Ren but the entire time she just complains about how Xiang Yu has a better cock and is nicer in bed, with an annoyed tone of voice.

Ok so in Pokemon, Ninetails (kitsune pokemon with, well, nine tails) has a pokedex entry that states that touching their tails leads to a curse. Anyway we take that, apply to Tamamo, ritsuka doesnt know the legend, and starts brushing her tail one day and unfortunately its curse of being horny. Tl;dr: touch tail get smashed by fox wife. Ritsuka wakes up dehydrated and exhausted the next day.

The GUDAGUDA Gang at Walmart, causing so much chaos. From arguments, fights, to even trying to get snacks on the highest shelf and causing the damn thing to fall-

Despite her best efforts, Barghest feels her instincts to devour her Master beginning to overpower her. The last thing she sees before she loses control is her Master pinned to a wall, looking up at her with a worried expression. When she wakes up the next day, she immediately despairs over what she did, only for her Master to pop up next to her. He comforts her and reassures her that she didn't hurt him, and he won't allow her to hurt him.

Blackbeard, Musashi, and Hokusai face punishment for being creeps towards children

U-olga getting summoned in Olympus rewritten to not just be a joke scene about how short and incompetent Olga is

smut, One of the lancer Artorias going for a horseback ride with Gudako. Except also Gudako is riding her huge dragon dick the whole way.

Guda being lovey dovey with Beast Nero and tiamat cockblocking them at every opportunity

smut, mozart being dommed by salieri and marie antoinette uwu

Castoria's dreams about Saber framed as cucking Knocknarea.

Guda gets to go Postal. Let them have an insane day. Attack people. Probably not any Chaldean staff but I think the servants can take it. Have an incredibly violent psychotic break in a singularity/lostbelt even. Use a badger as a weapon.

Dark Young Ritsuka is big and fluffy and a horrible abomination against nature whose mind is on the edge of sanity. How does everyone else react?

Guda secretly uses a command spell Nemo forcing him to take them to the imaginary numbers space where he suspects a certain someone is. Now knowing it is possible for him to make a contract with a Beast he plans on finding Olga, becoming her master and bringing her back to Chaldea, even if it means becoming an enemy of the human Order. Sadly for them, Alaya does not take this betrayal well and despite all their effort, it ends with Guda and Olga both dying fighting an army countless of servants in each other's arms

Wakchan/U-Olgamarie. Fluff or smut, I just want my dinoman to make the director happy.

Would It be possible to get Yu Mei Ren teaching Gudako to pole dance? (Yu's summer variant very much seems to confirm she knows how, based on her animations). Not intended to be Gudako/Yu, not a fan of NTR in the first place, but if the writer wants to make it some kind of Erotic that's up to them.

Crossover

Led by a transmission in the immediate aftermath of the Earth's bleaching, the remnants of Chaldea reach Baldanders, and are greeted by Sion Eltnam Sokaris, the last remaining member of the Atlas Institute and adoptive daughter of its director... alongside her wife, Riesbyfe Stridberg, a former captain of Knights of the Holy Church.

Crossover fic! Raikou FGO and Raikou Nioh 2 fuck!

Satsuki Yumizuka/Yu Mei-ren as a ship! preferably SFW

I just think heaven's hole demonic bodhisattva kiara sessyoin(fate go/extra) should meet with 'Throughout Heaven and earth, I alone am the honored one' satoru gojo(jujutsu kaisen). they should talk. they should fight. they should have hate sex. i want to see kiara tear through this man with her words and hands. maybe her demonic pillars as well

Mikya, Shirou, Shiki and Hakuno have a nice chat about their apocalyptically strong wives. Meanwhile Ryougi, Sakura, Arcueid and Beast Nero are having a small scale war to see who among them has the best husband

Guda and Beast Nero go on a double date with Hakuno and Normal Nero

smut, With new developments of FGO, Nero Beast has revealed her adult form and that who guided her to us was Hakuno. So after all that suffering she endured or girl deserve to be smashed by both Hakuno and Guda to relieve her stress!

Tepeu just hanging out in Tohno mansion in general, being a good guest to the household, still a dinosaur.

lumine & gudako should get together and have a few beers while they bitch about their brother/ male counterpart keeps hogging the spotlight.

Someone please make a Umineko/Fate crossover

Any fandom

Need more tentacles! Preferably with Gudako! Or Eresh! Or Mash! Or Shuten! Or any of the female cast!

Regardless of the paths they take, of the sacrifices they make, they always find comfort in each other. [Hurt/Comfort] (Shirou variants/Saber variants) No harem, but could reuse characters if doing them at a separate instances of time. Technically asking for a series of different Shirou/Saber pairings, but can also just be one pairing because that's a tall order. Would prefer to see at least Salter/Demiya (Or Edgemiya, whichever naming you prefer) because there's a lack of content for them.

Heartwarming Body Horror. I want a character's inhuman condition to be described, how much they're a monster in the shell of human form, really playing up the unnatural traits. Then I want another character to see all that and go "I love you." and give 'em a hug and kisses and maybe lewds. Shoot me in the feels.

Characters of your choice getting stuck in a cabin together with a storm outside

Pancakes lmao

[thesinglesjukebox]

BILLY JOEL - "TURN THE LIGHTS BACK ON"

The theme narrows a little, maybe...

[4.15]

Hannah Jocelyn: The first Melodyne’d word of this song -- P L E A S E -- had me worried. This is the latest in a series of '70s and '80s rockers coming back one last time, normally with Post Malone's producer Andrew Watt at the helm. The results can either be pleasant, like the Rolling Stones' Lady Gaga collaboration "Sweet Sounds of Heaven", or abysmal, like Elton John's horribly edited "Always Love You." But Watt's not here; behind the boards instead is industry songwriter Freddy Wexler, a Billy Joel fanboy who convinced the artist to release music again. If the song sounds a lot like "Piano Man" and "Summer, Highland Falls," repeated listens reveal it's not just a cheap nostalgia grab. It sounds exactly like a new Billy Joel song should in 2024, P L E A S E aside, with a tasteful build and some grandiose but lovely lyrics: “Pride sticks out its tongue/laughs at the portrait that we’ve become/Stuck in a frame, unable to change.” Joel occupies a weird place in pop culture -- not as acclaimed as Dylan or Springsteen, but more thoughtful and introspective than the Eagles or anyone else in his imagined supergroup. With "Turn the Lights Back On," it all makes sense. He invented an archetype now filled by musicians like Adele post-21 or even Hozier: pop songwriters with enough depth to earn them a devout following even if they’re not critics' favorites. The liner notes reveal more connections. Eclectic producer Emile Haynie drops in to provide some additional production, the same way he did on "Hello" almost a decade ago, and the song is mixed by Adele's engineer Tom Elmhirst. It's an effective repositioning of Joel not as a "33-hit-wonder", not as a poet, but as one of the great pop balladeers and craftsmen. And my dad loves it, which is all that really matters. [7]

Alfred Soto: Despite the co-writers and a video whose nostalgia bid is as, ah, shameless as Paul McCartney's last year, "Turn the Lights Back On" sounds like any generic thing that might've appeared on Storm Front or The Bridge. Which is the point. [4]

Aaron Bergstrom: A direct descendant of Elton John's far superior "This Train Don't Stop There Anymore," as underlined by their similar music video treatments. While Joel was able to use cutting-edge AI technology to de-age himself in his video, Sir Elton had to make do with the tools available to him back in 2001, which is to say, Justin Timberlake. (Both AI and Timberlake are now trying to make their own music, with limited success.) [5]

Ian Mathers: Get the fuck outta here with this uncanny valley "AI" CGI shit. I'm not shocked boomers would cling to yet another way to deny they're old as fuck now -- it'll happen to all of us, I'm sure -- but it's still repugnant. Despite Joel being away for years, god knows you still hear the hits, so I'm kind of shocked that his voice seems to have lost most of its distinctive timbre. If you'd played me this blind I don't think I could have told you the singer, although the voice would have felt weirdly familiar. And look, respect to the man's undeniable achievements in his craft (which even haters should admit he takes pretty damn seriously) and especially stardom/mass popularity, but partly given the characterlessness to his performance here, my answer to "did I wait too long, to turn the lights back on?" is... yeah, you kinda did. I don't think the reason I loved the ABBA comeback singles and not this is just because I like ABBA and don't care for Billy Joel; I genuinely think they did a better job on playing off their context than he does here. [5]

TA Inskeep: I'd like to keep them off, please.  [1]

Isabel Cole: Billy Joel was one of the few artists my whole family could agree on during long trips in the car; my first concert was his dual tour with Elton John at Madison Square Garden. So on the one hand, the sheer nostalgic sentiment aroused in me by the thought of Billy going back to songwriting after all these years is real, and powerful. On the other, I know whereof I speak when I say that even assessed by the generous lens of someone who was once a 13-year-old girl glad to name Songs in the Attic as her favorite album, this is mid-level Billy at best. Lyrically, so much of his appeal has always been his willingness to indulge—in shamelessness, in sentiment, in spite, in just being kind of an asshole—but this song is too busy wrestling ponderously with its own existence to have that kind of fun; musically, it’s just “I’ve Loved These Days” but not as good. [4]

Rachel Saywitz: It's good, for a budget store "Piano Man."  [5]

Dave Moore: The best thing I can say for this lugubrious comeback ballad, loosely patterned on vintage Billy Joel and a dollop of "Hey Jude," is that it technically clocks in at under four minutes. The worst thing I can say about it is that I am not yet convinced the vocals aren't BillyJoelAI, though it does sound like him really playing the piano (derogatory). [3]

Daniel Montesinos-Donaghy: God, what a trudge — the type of pianoman mewls I thought every Joel song would be as an uneducated youth. But then I heard "Movin' Out," and what a fuckin' joint! (Fun fact: I think a quick browse of Billy Joel's biggest hits has taught me "Movin' Out" is, uh, the only BJ jam I like. Sorry.) [3]

Katherine St. Asaph: I dislike the term "overproduced" in criticism; it's often a way to sneer at pop without having to say something so gauche. But when you have a swelling string section -- a mercilessly effective cheat code to make a listener moved -- and yet that listener cannot be moved because she can't fucking hear it over everything else in the arrangement, your song is overproduced. When you autotune everything about your singer's voice except the notes that he actually flubbed, your song is -- well, not overproduced exactly, but produced poorly. Can't imagine how I'd feel if I were even a Billy Joel fan! One singular point because I learned something: it's not just the de-aging "AI" (scare quotes), Billy Joel really did look kinda like Harry Styles back then. (Harry Styles would probably love to remake this. It would still be a [1]). [1]

Jacob Sujin Kuppermann: This absolutely shouldn't work on me. I, of sound mind and body and possessing no strong relationship with the music of Billy Joel, ought not to have any reaction to this at all. It's a Billy Joel song that is once again about the romance between the performer and the audience, hitting all the marks he last hit 30 years ago. If nearly everything else he's done leaves me inert, then this should do the same. Yet something about its twilight glory, the way Joel puts himself through his own paces, moves me nonetheless.  [6]

Brad Shoup: I know I'm not the first person to interpret this as a metaphor for Joel's relationship with the public. For me, he's always been a sort of pop midpoint, and I've never been able to budge him. Everything he's ever done has been... fine: the bangers always fuck up somewhere, the groaners are never that embarrassing. So leaving things off with "The River of Dreams" (my favorite) wouldn't have been a bad way to go. This is confident schlock. The snare smacks like a worn copy of "Bridge Over Troubled Water"; he does a little "Piano Man" twirl before the orchestra goes for broke. I don't think he waited too long; I think this song was within him the whole time, for better or worse. [5]

Nortey Dowuona: I understand the hatred. For us, being smooth and easy on the ears is a crime. To refuse the challenges that push the artform of popular music and music culture, or worse, to fight them tooth and nail, is enough to make you an enemy in our eyes. But I do understand the actual reason to simply play to the middle of the road: to connect with everyone since you have learned, possibly later or earlier, we are a rare and bold breed, despite the infighting, backbiting and slimy behavior I will not detail here. Billy Joel has waited long enough -- he at the height of his popularity was despised and condemned, a figurehead for the stultifying demands of white yuppiedom. Unfortunately he was wrong; the fire was started, and will never stop. We, as a far more revered and loved writer said, made our choice as a species, and it's just a question of how long it takes to play out. Billy once wrote of New York being destroyed and its citizens fleeing like rats to Miami, reminiscing over their glory days. But now in 2024, New York refuses to go away. Our mayor, as Wiki and MIKE said, is a cop, and millions are homeless and starving, struggling to keep afloat and trying not to crumble every time a blank, greasy-faced kid with worn-out clothes playing with a iPhone 14 who could afford to give you $5 shakes his head to ignore you. I understand the hatred. But I can't feel it because the hatred feels pointless, empty, a target for those old timers who have fled the sinking ship and their ancestors who only know to despise the old place from stories and memories. He might've waited too long to turn the lights back once since the wires have rotted and the bulbs are broken, but not because the city is empty. It's full of your fanboys and their grandchildren, who now feel the sour bitterness that drove you to flee and cannot choose any other feeling. It's not too late -- it's never too late. [5]

[Read, comment and vote on The Singles Jukebox ]

[walks-the-ages]

I absolutely love all the Quantum Leap blogs I follow because the complete and utter radio silence on the 2022 reboot really speaks volumes considering how much speculation was on my dash before it aired.

As someone who finally remembered it's existence and watched the whole season*, I can genuinely tell all original Quantum Leap fans:

Do not bother watching this show

It literally exists to try and make a profit off the nostalgia of the title alone, because it is shallower than a drop of water in the desert and they're trying to make up for their lack of interesting Leaps by filling the runtime with office drama in the present day that no one cares about and doesn't mean anything.

They're telling us all these things about Ben that mean absolutely nothing because it doesn't change anything, he already Leaped, and no I don't particularly care about why, even after the little "cliffhanger reveal" in Episode 8.

I was watching this show because I care about Sam Beckett and Al Calavicci.

Al was summarily killed off in the first or second episode by having them mention he'd passed away a few years ago, and while you could be generous and say it's because they didn't want anyone that wasn't Dean Stockwell playing Al.... You don't have to have a character on-screen to have them exist in your story.

Al could have been a character whose just always left the room to go attend one of his grandkids pride events.

He could be on the other end of an important phone call.

He could be the random old guy that sneaks in at night and talks with Ziggy but they've never been able to catch him because he always knows how to disable all their security measures and Ziggy refuses to tell them.

(They're secretly plotting to actually get Sam and Ben back while everyone else is just caught up in their conspiracy theories, Janis helps by sending them all on a wild goose chase so Ziggy has actual time to put her processing power to work)

But yeah. Al's been killed off for literally no reason except for bad writing, his daughter is an antagonist for no reason except bad writing, and I genuinely do not care about literally any of these characters because so far they haven't done anything memorable. Ben gets kudos for actually helping people but that's negated a bunch by him being extremely shallow of a character AND the mouthpiece for "you must forgive your abusers!!!!!" The writers are using this show to preach.

Oh and did I mention everyone promptly forgot that Sam Beckett exists and that Ben was trying to find him? So much so that when he runs into another Leaper who warns him to stop following because it's dangerous, literally every single character jumps to the conclusion that it's ... Janis. Al's Antagonist Daughter, threatening Ben, instead of the obvious conclusion of

Hello???? It's literally Sam fucking Beckett trying to warn Ben he should be focused on getting home, back to his life, instead of continuing to try and find Sam?? That Sam's trying to save him from getting trapped in the Leaps like he was??? And the show unironically took it as a threat from some unknown villain instead, and wholly expects the audience to take that conclusion at face value?

Like. Yeah, don't watch Quantum Leap 2022 if you loved the original, if you want to know what happened to Sam and Al.

Al's been summarily killed off, his wife Beth has existed for maybe 3 scenes, and his daughter is randomly an antagonist who drugs her own mother into unconsciousness to show how evil she is lol.

Sam Beckett exists as a footnote and is summarily forgotten by all the new characters.

Ziggy doesn't exist and is now just a generic computer they call "it" (instead of she/her OR he/him) and is not a character at all

Oh, and Ian Wright the nonbinary character everyone was hyping up? Just exists to be the shallow, quirky, quipping one-liner joke-maker of the episode, wearing cat ears at work, making jokes about magic mushrooms and somehow generating views for the show because apparently Mason Alexander has a cult following of people who literally just follow their work and refer to them on a first name basis and...

... I've just blocked all those people already from the tag because it's genuinely creepy how deeply these people are in a parasocial relationship with the actor. Like genuinely looking for RPF things and obsessing over them and referring to them only by their first name and just.... No. Hell no.

But yeah, the funny thing is if you go into the Quantum Leap 2022 tag and block all the Mason Park stalkers the content of the tag is just reduced by like 90%

So uh. That tells you a lot about how little substance Quantum Leap 2022 has. Most of the posts are from me and my twin liveblogging it lol.

-----update:

* I guess they're splitting the season into 2 parts because the IMBD says the next episode is in January 2023 with more episodes after that for a total of 18 episodes in the first season but uh. Too fucking bad for them I'm not wasting my time on this bag of hot air. I'm sticking a pin in it and going back to my little original show rewrite and post canon fun/angst.

[jeanmoreaux]

now here’s my rant:

first off everything you said is sooo real and even though i think i’m more forgiving with the season as a whole than you are, the finale threw it all off and in hindsight ruined a lot of the season for me - it was soooo poorly paced and even felt like it wasn’t cohesive with the rest of the season regardless of how bad the writing has been for all those episodes. it was just bad tv!! normally i am very easy to please when it comes to adaptations bc i think as long as the characters act in line with the book i don’t mind a few plot holes and weird detours and while i think the writing was shitttt in s2 i overall just enjoyed seeing the crows on screen! and nikolai oof! but they were the best parts of a show that should be focused on alina and that’s soooo stupid! i think the actors did great with what they had but it would’ve been amazing to see them with good writing. they completely destroyed alina and mal’s characters and as someone who is a huge fan of how r&r ending it annoys me that they’e go against that…especially bc mal and alina literally just want to vibe on their own away from the government or the grisha. the lAST thing alina would do is run off to fix the government without mal!!! and it’s insanity to me that after all mal went through now he’s just like…..cool with alina hanging out as nikolai’s (consort???? i guess????) when that man has only ever been there to love and protect alina! also we were robbed of white haired alina and i don’t think she should’ve kept her powers and!!!!! I DID NOT WAIT TWO WHOLE SEASONS JUST FOR THEM TO COMPLETELY IGNORE GENYA’S BIGGEST ONE LINER AND TURN IT INTO A THROW AWAY SLUR🤬🤬🤬 really mad they killed david off so early too jesus christ it’s like a tapestry that unravels if you pull one thread

i could just leave this rant standing as it is without adding anything because a resounding yes to all of it. i also don't think i am impossible to please when it comes to adaptations. as long as they stay true to the characters and what the story is about at its core i am pretty much okay. but what sabs2 did goes against so much of what tgt is about, and that's a big part of why this season didn't work for me. i am also really like the r&r ending, so i understand your frustration all too well. what sabs2 did goes against everything the r&r ending is about. it also does such a disservice to mal and alina as individual characters since the resolutions to their individual arcs relies heavily on each other... and yeah especially the way we leave alina is so in conflict with who she is, it's just weird. but even if you remove the tgt context and look at the show as a separate thing, you're left with a story that has godawful pacing and a lack of substantial character work which, like you mentioned, just makes for bad tv in general. so it was just a flop all around—as a show and an adaptation. also, we weren't just robbed of white-haired alina but also ginger, roguish-looking nikolai as sturmhond!!!! such a crime!! and omg about the genya thing. you. are. so. right. THE DISRESPECT! and gosh the david thing is soooo stuipd as well because it means the triumvirate won't work either now because there is literally no one to represent the materialki..... unless they're gonna introduce another character to fill that david-shaped void which would be so dumb i don't even wanna consider it. ALSO something that just registered with me today: they completely glossed over and ignored tamar and nadia's relationship. they did not need to treat their lesbians like THAT. it really is like a tapestry that unravels if you pull one thread.

[ben-talks-art]

Why I like Bill Cipher

"I have some children I gotta make into corpses!"

Shortest explanation ever, I like how he manages to mix the feeling of chaotic fun with chaotic terror.

Bill comes from that same breed of crazy, fun villains like Joker, Jinx, Disney's Hades, Powerpuff Girl's Him, Aku, and so on, that one second can be really funny and another can be really intimidating.

I love this archetype of characters, I love the idea of a villain who can just enter a room full of people and you don't know if they're gonna make a silly joke, or attack someone, or both. I love a villain with this kind of random unpredictive factor.

A lot of these villains are also usually constantly going back and forth from being very chill to being really upset while being really fast talkers who often come up with some really good and morbid one-liners the likes of which you would often see from something like a Dragon Ball Z Abridged villain or something, and... I don't know why, I just really enjoy this kind of dark humor, especially when done in a kid's show just for the challenge of seeing how much the writers can get away with.

I feel like any of these villains could have filled this spot but I decided to go with Bill as he seems to have the most interesting aesthetics.

I love how he's just this floating Dorito with an eye of Sauron and no other facial features dressed like a cartoon from the 70's with godly (demonly?) powers and a high-pitched voice just having the time of his life messing with a pair of kids.

It's just such a dumb and silly visual but they manage to extract so much personality of this thing that I can't help but be impressed by it. It's amazing how much energy you can convey with nothing but an eye.

But I think the reason I love him (and this archetype) so much is because this feels like someone taking advantage of the fact they have a cartoon character.

Cartoons are silly, cartoons have fast energy, and cartoons can be creative and imaginative when allowed to be. They don't have to worry about the limitations of real life, they can be as chaotic and crazy as you want them to be, and mad villains with superpowers often open the doors for a lot of fun chaos.

That's not to say that this can't be done outside of animation. Deadpool, Beetlejuice, or The Mask, they all manage to capture the feel of a real-life cartoon, but you can always feel that they're struggling to deal with the limitations of their environment and have to tone down their imagination a bit.

Meanwhile, with Bill, you can just throw limitations out the window and play around with as many ideas as you want. Make him materialize a decapitated screaming head, make him teleport behind all the people he talks with, make him just turn people into curtains or replace the places of every facial feature in a person's head.

Like many great characters, Bill teaches a very nice lesson for aspiring creators.

You have a fictional character, so take advantage of it!

Overall, I think I like Bill because he feels like a chaotic antagonist that is used to his full potential! He's fun, funny, threatening, imaginative, charming... What more could you ask for?

Favorite character list>>

[eclecticbasementenemy]

I've been wanting to get a little companion pet for a long time but I couldn't figure out one that would work. I LOVE cats but I'm allergic to them. I'm not allergic to dogs but I can't stand them. Guinea pigs and rabbits were both technically viable options but I've had both and we didn't really vibe because, well, sorry guinea pig and rabbit lovers but they're kinda dumb and skittish. Also I'd want to be able to have an outdoor run for them and that's just not possible.

Anyways, then I was reading a post about keeping rats and I realized they would make the PERFECT pets for me. Social, loving, but not overly needy like dogs are. Don't need a ton of space. (And by not a ton of space I mean I'm getting them a massive cage but I wouldn't feel bad about keeping them in a studio like I might with a dog or cat). Intelligent and easy to train, etc.

But ofc I wanna do this right so I've been researching rat keeping and I found out how incredibly important it is to get your rats from a good breeder that makes sure their animals are healthy and disease free.

Many many Google searches later, I found out there is one (1) actually good breeder in my state currently breeding rats. I assume this is because you can only sell baby rats for like $8-20 a pop so it has to be a purely passion project.

It's also actually difficult to find accurate information on rat keeping. Or it was until I caved and started putting "reddit" at the end of all my searches. Then I did find a wealth of carefully sourced and linked information. Guess it's good for something after all.

This one breeder, because it is a passion project (rightly) has an application for people to fill out. I, with fear and trepidation, because I am after all a former gifted kid and tests still give me heart palpitations, carefully filled it in with the info gleaned from Reddit about planned cages, food, handling, etc. (Which to be clear I am absolutely going to follow to the letter. I wasn't BSing to get some rats I am actually very committed to giving these little creatures the best goddamn lives rats have ever fucking had)

The breeder responded back that my application looked fantastic and they'd likely have some rats I could buy in February.

So there you go, I'm going to get a good grade in rat keeping, something that is both healthy to want and possible to achieve.

They're gonna send me some info on how to hand make fleece liners for their bedding and I've been compiling research on how to acclimate them to me and to the environment, litter training, shoulder training, when to start getting them used to walking on a leash, etc. So ig I'm a rat person now. Pretty excited ngl

[mollymarymarie]

I just finished your fic DYH and omg I am so obsessed. I was thinking about how much I wanted to restart it before I even finished it. This is the first one read of your Fics but if all of your Fics have the tension and flow and the one liners and the characterization then I am absolutely, without a doubt completely hooked. I was grinned like a mad man and I swear I’ve never fallen in love with a Remus or Sirius sooner. Oml the way you talk about music and the way you talk about religion and the way you talk about the way their bodies move in everyday movements… there is nothing more I need from this world. Everyone was chefs kiss. I originally, started this fic because my friend sadly couldn’t finish reading it, do to their own personal reason, so I told them I’d read it and tell them everything about it. That was two nights ago. I’ve tried to read it as fast as I can while still savoring every single word. And oh how I honestly just want to dive right back in. I just want more Fics like this. I was raised religious but I’m not anymore and yet the way you wrote it never gave me the ick. It is honestly so wonderful. And I was just wondering, long story short, if maybe you wanted to be friends? If not that totally cool but know I absolutely, admire your work! I hope you’re having a lovely day! And that this isn’t filled with too many grammar or spelling issues to make it a dread to read. Bye!:)

HELLO YES I ABSOLUTELY WANT TO BE FRIENDS

This is so sweet and so wonderful of you to say! I'm sorry your friend had to bow out of the fic (totally understand, not everything is for everyone) but that is ADORABLE that you just offered to read it in their place and give them the main points?? Like, that just makes me so happy. You are obviously a very kind and caring person AND THATS ANOTHER REASON WHY WE SHOULD BE FRIENDS

Really, so glad you liked this fic. It's one of my own personal favorites (strangely, like, a comfort fic to myself?? I wrote it for future me, evidently, because I, myself, need to hear some of the things I wrote in that fic. That probably sounds narcissistic, I know). And I hope you read some of my other works! I hope they're equally as good!