#I play one type of character

[seventh-district]

Making Incorrect H:SR Quotes Until I Run Out of (hopefully) Original Ideas - Pt. 4 - Nuthin' but Boothill Edition

[Pt. 1] [Pt. 2] [Pt. 3] [Pt. 5] [Pt. 6]

[buglaur]

long time no see from the man

jan 2022 v sep 2024 cus i was curious lol

all i did was change his skin details & brows and widen his head a bit

[invinciblerodent]

do you have any idea how obsessed I am with this fucking line right now

like I can't be the only one who thinks this sounds like it could be a callback, right? Like the words "cuddly Astarion" were said at least once before???????

[thevalleyisjolly]

There’s a weird recurring take in D20 fan circles that Zac doesn’t play “complex” characters and that people are just waiting for the day when he “finally” plays an asshole, which kind of baffles me.  Quite apart from the idea that only morally grey characters are complex or compelling, are you sure we’re watching the same show?

In Fantasy High, we have Gorgug, an adopted biracial teenager whose journey includes realizing his self-worth, coming to terms with his rage (literally), seeking out and navigating new relationships with others (his birth parents, the Bad Kids, Zelda), and discovering what he’s capable of. 

From The Unsleeping City we have Ricky, a second-generation Japanese-American, who has a very personal struggle across two seasons between doing the dutiful/sacrificial thing for other people’s benefit and expressing his own needs, wants, thoughts, and feelings; it’s a very particular exploration of immigrant generations and the relationship between the sacrificial model of your ancestors and the culture you grew up surrounded by which emphasizes the self.

There’s A Crown of Candy and Lapin, whose snark and one-liners are honestly less interesting than the way he engaged with and sought to understand religion and faith; the different yet similar ways in which both the Sugar Plum Fairy and the Church exerted control over their followers, and the search for spiritual meaning beyond these figures/institutions.

Then there’s Cumulous, whose every character aspect navigates a space of tension - the ultimate war guy who made himself hardened (literally) and pragmatic to get the job done but who also remains soft and caring and empathetic at the same time; wielding the power of death without glorifying or giving into it; the cousin who both is a member of the family and yet who remains at somewhat of a distance from the centre; a literal warrior-philosopher who is single-minded in battle and quietly thoughtful about the mysteries of life and death outside of it.

As for actual assholes, we have Norman Takamori in A Starstruck Odyssey, a bitter man who is the living embodiment of both the Superior Orders excuse as well as scapegoating.  On a side note, the amount of absolute vitriol and double standards which people threw at Norman during ASO for being an unapologetic asshole -and he had less than two full episodes of screen time- kind of underscores the calls for Zac to play a “real” asshole.  Zac can and will play whatever type of character he wants, but is fandom really ready for him to play an asshole if that asshole doesn’t have a secret heart of gold?

From the same season, we have Valdrinor/Skip, who starts as the “prince running from his destiny” archetype with a dash of brain slug possession, has a humorous yet oddly profound exploration of what humanity is and what it means to be human, and springboards from there into “wait, who am I really and actually, why are we doing things (brain slug possession) this way when there are other ways to engage with the universe.” 

Most recently in Neverafter, we have Pib, who apart from the fascinating meta element of being a literal character archetype, constantly straddles the line between self-absorbed self-interest and putting himself on the line to help others; his repeated demonstration of both at various points throughout the season is a subtle yet intriguing manifestation of free will and choice-making in a story all about lacking free will and agency.

So, I mean, lack of complexity where?  Does a character need to be an asshole in order to be deep or compelling?  And because I’ve heard this specific rebuttal quite a few times now, does a character need to vocalize their innermost thoughts loudly and frequently in order to prove their complexity?  If a character is “less vocal” compared to other characters, does that mean they lack interiority? 

Also, other people have brought this up before, but I am once again asking that people remember the difference between fictional characters and real life people.  Zac playing one (1) himbo on the show does not make him a himbo in real life, nor does it make him incapable of creating or playing complex characters (especially as said himbo is himself an extremely complex character), nor does it make him a lesser player than other cast members.  You don’t have to find all or any of his characters interesting or complex, but can we stop conflating character with player?

[ashipiko]

THIS CHALLENGE WAS LIKE WAYYYY TOO FUN. TBH

YOU COULD NEVER GUESS MY TYPE IN FAVES. HAHA. HA. ha 😔

[ryllen]

said wolf,

🐺

[kaeyachi]

Kaeya had always been an efficient and hard-working individual (he had to be to support Diluc in the background as his brother rose thru the ranks after all).

He has so much free time because he completes all his work way ahead of schedule. And if he still has enough time, he adds more to the workload in secret.

And once all of that was done and over with, he makes time for everyone. He has to. He feels as if every moment has to be given to someone else.

No one knows how he does it. No one has to know.

Every mission has a dozen strategies in line, and every battle plan is made with efficiency in mind. His perfect record will not be tarnished. He can't risk it (even if it baffles others that he would willingly activate a ruin guard just to prevent a failed mission. Jean disagrees with his methods, but Kaeya can say that the results say otherwise)

He needs to be quick.

Efficient.

Perfect.

And so he comes and goes like the wind.

Kaeya values time because he knew every second counted. He can't just stand there as if he were frozen. Time could run out in an instant.

Kaeya had only been late once his entire life.

He'd rather he never be late ever again.

It took one day of being of being imperfect for everything to fall apart. On that tragic day...had he gotten there on time... then maybe...

.

.

.

" Come on, let's get moving, traveler. We're not frozen in place after all. " Kaeya teasingly says. He stiffles a giggle at the traveler's exhasperated sigh.

"Yeah yeah, we've heard enough of you calling us a slacker. Can't you be a bit more patient?" Paimon whines at him.

Kaeya snorts, but acquiesces, hiding the shaking of his hands at the thought of being idle.

He imagines hearing a clock ticking.

Kaeya knows that that is his own problem. He tries his hardest to relax as he waits for the traveler to finish whatever they're making on the alchemy table because, seriously, it is supposed to be a relaxing day. There's nothing major going on, and his schedule is once again empty as intended. What's the hurry?

Kaeya taps his foot on the ground as he waits. He wishes he could take his own damn advice when he tells others to relax.

[lonelyzarquon]

Peter Cushing as Herbert Flay in Madhouse (1974)

[godbirdart]

if there's one [1] thing i will be forever grateful for in the internet era it's the vast variety and availability of pose / anatomy references supplied by photographers and models

i can go online and find PERFECT references for how fat folds crease the skin or how muscles wrap around the body and as someone who habitually draws most of his OCs ~modestly lean~ and wants to hone his skill in other body types, it is literally a godsend to have those refs so readily available

seriously, thank you all models and photographers for providing me the resources i need to expand my art skills i owe u my life

[ribbononline]

MANIFESTATION OF QLIPHA DUE TO SEPHIRAH BREAKDOWN > Suppression of Sephirah’s Core Required

Commissioned by @thepeacockshallstrut !! These were so fun to do , thank you for the comm!

[fedoraspooky]

The downside of having an old west gunslinger type character for a dungeons and dragons 5e game is that now i have to learn how the heck to draw guns

[what-is-it-to-be-pk-esque]

Ok I know I'm heavily biased here but like I kinda love that Astarion's romance is one of the few in this type of video game where you basically end up canonically unmarried and childfree in his "good" ending? Just travelling the world??

Like it's honestly the millennial dream lmfaoo cannot believe i chose what would undoubtedly be my favorite option, first try

[chickpea0]

There's 2 categories of regression headcanons

You fully believe this character is or could be a regressor/cg/flip/something. There's bits in canon that you can point to and say that's why and there's reasons why they would specificially regress or be a caregiver! A headcanon or heartcanon.

For sillies. Feasibly, you could write ANY character to be part of the community! You don't actually think it would fit but you're either imagining it because you're fond of the character and there's just something about it or you're going through all the characters in your head an applying babification to them. I call these "regressorland headcanons" where you prioritise the regression over being true to canon.

Both are great Both are entertaining! But gosh it can be hard to get yourself to answer "do I actually think this would fit or am I just doing this for the sake of it/doing what i think could possibly apply"

[ships-n-bats]

I still absolutely love how Wolfwalkers ended.

Love that it still ultimately focused on Robyn and Mebh and how they leave their old world behind to find a new one, just for them, their parents, and the wolf family to live in peace, far away from the townspeople. How after all that drama and near-death experiences, they just get to rest in the caravan, protected by their respective parent and live together in the forest.

No more societal expectations. No more gender roles. No need to appease a bunch of people who really only want them dead for what they are. No focus on these two literal children to change a town’s whole mindset like so many other films do. No, the message was just these two girls finding their happy ending with their loved ones somewhere else and just cutting out that toxic environment all together.

Why waste energy trying to help a bunch of people they don’t even have any real attachment to, after all? Especially with people who actively forced roles they didn’t want onto them and mistreated them for being different? It’s just such a breath of fresh air to see a film that ends with the characters finding happiness and peace in their own little slice of heaven, rather than wasting time, energy, and emotions on trying to change others.

[kibibarel]

got so mad about softlocking myself + needing to redo hours of progress that i got drunk, attempted this check (which i originally wasn't going to even attempt because i was TRYING to roleplay as the Sensitive type), and proceeded to knock this guy out with a 360 flying spin kick

changed my mind again. Disco Elysium is okay

[blujayonthewing]