who was angela? 🌼
Oh anon, this question almost broke my heart! I'll explain why
Angela is the beautiful, crazy intelligent, most warmhearted and kind lesbian woman who ran a Tumblr blog that can now be found at lapelosa-blog.tumblr.com.
When I stumbled upon the Tumblr Larry fandom after reading a blind that was reportedly about them in February or March 2013, her blog was THE discussion place for all things Louis, Harry and LGBTQ+ . Her insights and analysis were spot on and she was a person a lot of LGBTQ+ fans struggling with their sexuality could talk to. It was a fandom hotspot for the LGBTQ+ young people who felt both inspired by Louis and Harry and hurt by what was happening to them.
She was a huge fan of Louis and she started the original Lesbians Love Louis club, LLL club for short. (Might be confusing as this is a name that Amy, who was then still called gossip-candy, later took on, but it was definitely Angela who came up with it).
My first interaction with this fandom was a request to join the LLL club. I sent her an ask hoping she'd accept me even though I was bi, not lesbian, and I signed off on the ask as Kat, which is not my real name, but short for my middle name, as I wasn’t out at the time. My ask to Angela/lapelosa to be allowed, as a bi person, to join the Lesbians Love Louis club, and her reaction to it changed my life, and ultimately also this entire fandom.
She said yes, and was extremely welcoming about my bisexuality, with some excellent analysis about the nefarious power of heteronormativity, bi erasure and monosexual bias. It was the first time I'd come out to someone, gay or straight, who made me feel better rather than worse about my sexuality with their reaction to it.
In the months that followed, Angela and I talked loads - she was an amazing person to share ideas and analysis with, and to discuss LGBTQ+ politics with. Eventually those conversations inspired me to set up a blog to combat homophobia in the fandom at takemehomefromnarnia.tumblr.com - It's through that blog that I met the people with whom I started Rainbow Direction. Without Angela's Lesbians Love Louis club there would have been no TMHFN, no Rainbow Direction, no Harry waving flags, no rainbow lights actions during SOTT, TPWK, Matilda or Lights Up, and no flags for Only the Brave.
But that's just my experience with Angela - she was so important to very many LGBTQ+ people in this community, her blog was really the "place to be" for the LGBTQ+ crowd. So many people shared their experiences there, and talked about what Louis and Harry meant to them on that blog.
It is Angela’s blog to which the anon “receipt" about Louis' encounter with an LGBTQ+ fan was submitted in July 2013, and while that fan may have been the direct inspiration for "Saved by a Stranger", because she was able to let Louis know what he meant to her directly, I would say that Angela's blog was full of such accounts and it could very well have been the broader inspiration behind the song. Her blog was a testimony to what Louis and Harry meant to LGBTQ+ fans, including herself and myself. And I think that is why she would have been very important to Louis and Harry. I am 99% certain they would have known about and read her blog, and that it meant a lot to them. Louis would have known her first name, but not her last.
Angela left the fandom in 2017 for a combination of reasons. I cannot speak for her, but after 1D split the atmosphere became brutal around here, many fans left, and it wasn't an enjoyable place. I also suspect her professional commitments became much larger and more difficult to combine with a blog as intensive as hers. And I know that Jay's death affected her a great deal as well, it made her sad to be here and constantly be reminded of how dark Louis’ life was at the time. She is dearly missed.
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What are your headcanons about Marcille's mom if you have any? It's interesting that what drew Donato to her was cause she lived the history he studied, or that was said somewhere at least. She must've had an interesting life.
so this was going to be just a normal answer but then I realized I have a Lot of Things To Say. so here goes, a compilation of what we know for a fact from the canon, what I've extrapolated from the visual cues and details, and my theories based on all of that.
Things we know for a fact about Marcille's mother because they were explicitly stated in the manga and supplemental materials:
She was a court mage for a Tall-man kingdom at the southern part of the Northern Continent
Donato, a court historian, fell in love with her because she had lived through the history he was studying, and he courted her for 17 years (age 15 to 32) before getting married
She was a cheerful person who rarely showed extreme emotion and took things as they came
She always cooked a huge meal for Marcille on her birthdays
She remarried a gnome after Donato's death and a short distance away from Marcille's childhood home
Pipi, Marcille's pet bird, was actually older than Marcille and originally belonged to her mother (bird died at 62)
She was extremely heartbroken when Donato died and ultimately ended up instilling a deep fear of mortality in Marcille with her words
the only time she showed extreme emotion in front of her family was when Donato could no longer eat his favourite dish near the end of his life.
She scolded Marcille for being cruel to ants (implying she can have a stern side when needed)
Things that are explicitly shown but mostly through visual cues
She has a very distinctive style of dress always involving a ribbon choker (mirroring Marcille's habit of always wearing a matching choker with any of her outfits that don't cover her neck)
She was almost stereotypically good at housekeeping and traditionally "wifely" things (very frequently depicted wearing an apron or doing some domestic chore when not at work, seems to have been an avid cook).
She knits? (also, note the affectionate smile as she's looking at Donato and Marcille reading a book together in the full panel)
She was as excited for Marcille's milestones as Donato was.
She didn't tell Marcille much about elven food
(there are a couple things that this panel in particular implies:
She lived a good deal of her life (if not being born and raised) in a mainly elven country in the West, implied by her knowing enough of an elven region's cuisine to prefer Tall-man food over it
seems to have a pretty carefree and casual demeanour overall, if this is how she replied to Marcille asking her about it (sounds like she never gave her culinary preferences that much thought to begin with)
slightly related to number 2, it seems like she and Marcille had a fairly casual parent-child dynamic (especially in comparison to the Toudens' memory of their father)
(local elf tastes Italian food once and never goes back))
However, she seems a lot more... serious in most of the other times we see her? Almost like the very stereotypical archetype of a graceful elf.
Subsequent conclusions about her personality:
Usually pretty carefree and cheerful at home, has been a loving and attentive parent throughout Marcille's childhood (while not being so doting that she didn't discipline Marcille).
Slightly more conjectural theories on her personality:
Had a much more graceful and professional personality at work, which would explain the more serious portraits we see of her.
Given that both she and Donato had positions at the royal court, it seems a little odd that she'd go out of her way to do all the housework herself, so maybe she just enjoyed doing it?
Now taping all the evidence together and toeing the line between analysis and fanfiction:
It's clear that she loved Donato very much and was utterly devastated by losing him. But there's one thing that really stuck out to me in what little we see of her:
Doesn't she seem... angry? The way she's gritting her teeth, clutching the tablecloth, and how this is the first and only time we see her eyes opened that wide. In the following panel, you see her being quiet and dejected after her initial outburst. She's still crying very intensely, but her brows are furrowed, and she's not really responding to Donato's affection in her body language.
We're not told the details of how she felt about losing Donato other than that it upset her. But this, to me, implies that she was angry and resented that he was aging, that the end of his life was approaching. An "it's not fair" type of preemptive grief. And if this was the first and last time she cried like this in front of her family, she was either very good at coping in private... or very bad at letting herself feel unpleasant emotions until they become unavoidable and end up overwhelming her.
It's not too remarkable a detail on the surface. It's even reminiscent of what the audience has seen of Marcille. But... when it comes to the big picture, you'd think an elf who voluntarily chose to marry a tall-man and have a half-elf child would have been better prepared for this.
It kind of recontextualizes her cheerfulness to me.
"I'm sure everything's gonna be okay!" (or some variation thereof, depending on what translation you have).
And this is stated to contrast her extreme grief when finally confronting Donato's failing body and eventual death. But I'm wondering if... maybe this optimism was why she was so upset. What if she went into all of it thinking "everything's gonna be okay"? What if she was a little young by elven standards, and just followed her heart thinking that her own resilience would get her through anything?
Of course, only to get completely overwhelmed when she actually loses Donato. She turns into a completely different person. And that's heartbreaking on its own-- but what the audience sees is the effect it had on Marcille. Can you imagine being her, watching your invincible and upbeat mother suddenly lose all the light in her eyes in one go?
I've already made a huge post about how I think Marcille models her "work persona" off her mother, but another thing that stuck with me as I was looking for more details in the manga was this:
copy pasting from the other post i made about it lmao it's like... the second she resigns herself to lifelong pain and terror, there's another portrait of her mother facing her like this. with their heads bowed, in mirrored body language of resignation and despair and sorrow. Except it's posed like Marcille is still looking at her mother but her mother is looking away.
It took me a second to realize, but I think that it's a visual metaphor for the fact that Marcille's mother was the only long-lived role model she had-- and she failed to model healthy grief for her daughter. I don't say this as an accusation or to disparage her as a character, but just as a matter of fact. In her, Marcille was seeing herself older and losing a short-lived spouse or loved one of her own, and all she saw was hopelessness.
But her mother didn't mean to instill hopelessness and terror in her. She wasn't really thinking of how it would truly affect Marcille at all (at least, that's how I'm interpreting her looking down and away from Marcille in the metaphor), she was just sad. And she, in her own way, was trying to protect her daughter and help her prepare for future losses.
What she meant was "loss is inevitable, and you have to learn how to be in pain but live on anyway." What Marcille heard was "loss is inevitable, and you will be scared and hurt for the rest of your life."
Again. Marcille's mother doesn't feature explicitly in the story the way her father does -- but in so many ways, her shadow, her silhouette, her reflection is always hanging over Marcille.
All that to say... headcanon-wise (everything from here on is 100% without evidence lmao), I'd like to think that she matured and realized that she failed Marcille. I imagine her being regretful about it, wanting a chance to fix it but never finding a way to insert herself back into Marcille's life when Marcille is so so so busy becoming the most accomplished mage possible. I imagine her being herself again, now, so many years after her loss and after remarrying -- but with her cheerfulness tempered with a lot more wisdom and the pain of having gone through loss like that. I think the second Marcille actually tells her what happened in the dungeon, she'd want to go running to her daughter again -- if Marcille tells her the full truth instead of just being embarrassed she let things get that far. (oh, the tragedy of her wanting to be more like her mother and an accomplished adult who doesn't need to be babied... being embarrassed to actually tell her mother how much she fucked up...)
There's also the tension of her having remarried -- I know that there's at least a little bit of resentment that Marcille harbours about that, because she's childish like that at heart even if she makes an effort not to externalize it. I think that her mother would be aware of that, potentially adding to her sense of guilt and apprehension at trying to reappear/intrude on Marcille's life. I honestly don't think Marcille has met her stepfather -- or even considers him a stepfather rather than "mama's new husband" and kind of a total stranger. I think she and her mother actively don't talk about it in their correspondence, like an elephant in the room.
but, ultimately, I think her mother is on her side no matter what. Ancient magic? Dark necromancy? Sure, she'll feel guilty and like she was partially responsible for setting Marcille down such a painful path, but she wouldn't care. that's her daughter!! she would've moved back west and been petitioning for her at the court, buying a house right next to the Canaries barracks and visiting her every day that she wasn't on a mission. And if her husband had opinions on Marcille becoming a "dark arts user," he either gets over it or it's divorce with him. Yes, she might have had her optimism completely humbled by losing Donato like that -- but she's still headstrong and self-assured and she doesn't care what people think of her. It's her way or the highway and she's always going to be in Marcille's corner.
(She also needs a name lol. I went with Juno, just to be cute about "Marcille"s closest real life equivalent being Marcella, which is the female version of Marcellus, which in turn is a diminutive of Marcus, which was derived from Mars. Absolutely in love with Marcille potentially being named after Ares/Mars the fucking god of war btw)
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I’m thinking about the angst of the restraints headcanon again. There’s the two with the least physically violent crimes, and they rank relatively low in strength. There’s the child who was violent but had to be really crafty about it; she’s the weakest of all of them. And the most dangerous of the guilty prisoners cannot be restrained.
This makes me so emotional!!! All three are the smallest of their circles. Two of them are extremely ordinary people who have never experienced/expressed physical violence before. One hadn't even fathomed the idea of someone dying until they actually did. And yet, they're subjected to the type of restraints you'd expect to see on someone who is uncontrollably violent. The fact that prisoners who committed very gruesome murders can walk free (including Mikoto) just adds insult to injury. I still couldn't everything into words, but here's a Mahiru-centric drabble featuring the same thoughts. It takes place after T1 closes but before the attacks.
“Where are our rights?”
Fuuta’s shout caused Mahiru to wince. She perched on her bedding, watching the two prisoners she’d invited to her cell. It hadn’t been the fun kind of invitation, though. Back in school, she always wanted to have parties and dates back at her place. Moving to the city, she imagined what it would be like to make university friends and take them back home with her to talk, eat, and have fun.
Sitting in her dim gray cell with Fuuta and Amane, all of them held fast by complex sets of restraints, was not what she’d had in mind.
Amane knelt in the corner. Her arms were crossed, as if pouting, though the opposite was true. A moment ago her eyes had lowered in prayer, but it was difficult to find any peace of mind now. Fuuta snapped and shouted as he paced the length of the cell bars. They were unlocked, but like the others, he didn’t feel like being out in front of everyone. He’d give his uniform a violent jerk every now and then, but it didn’t do any good. Between his strides and growls, he made Mahiru think of those poor wild animals they keep at the circus.
“Take it easy, Fuuta.” She mustered up a smile. “Come rest with us.”
“I can’t believe you two. You’re just gonna sit here and take it? I didn’t do a fucking thing! They’re acting like I’m some big danger to society,” he yanked his arms again, to no avail. “All I did was type some things onto a screen. I’m not gonna go around stabbing anyone or anything. And you, you didn’t hurt anyone either!”
He nodded his head to Mahiru. If her arms weren’t already folded over her chest, she would have hugged herself anyway.
“Well… I did hurt him in the end… I broke his heart badly enough that… I mean, he…”
Fuuta made a disgusted sound. “That’s all stupid romance stuff. I’m saying, you never stabbed him. Never strangled him. Never poisoned his food, or –”
“Oh god, no! How horrible…”
“Exactly! From what we’ve heard, it sounds like Haruka killed someone with his bare hands. I think Muu had a knife or something. Shidou had a whole arsenal of grisly doctor tools. Kotoko has openly talked about how she beat that guy to death. Why are they allowed to walk free while we’re tied down like wild animals?”
Mahiru was glad she hadn’t mentioned the circus.
“And Amane! It’s not like she did anything violent, and here she is!”
“That is not true.”
Both paused as Amane spoke up for the first time.
“Eh?”
“While I disagree with my verdict, the restraints make sense.” The others still stared blankly. As matter-of-fact as always, she continued. “I killed with my own hands. I used the amount of force I was instructed to. Just as the sinner fears the wrath of heaven, I can understand how the godless warden would fear my justice.”
Fuuta’s passion wavered, but Mahiru could feel her heart ache for the girl. “Oh Amane… I had no idea. To be pushed to the point of violence at your age…”
“I am not to be pitied. As I said, I am dangerous, and proud to be. I am doing god’s work. All heroes must be dangerous.”
Fuuta grunted, but said nothing. Mahiru gave her a gentle smile. “It’s not pity. Even if you were dangerous, it’s horrible to restrain someone like you. You’ve already had to brave so much, as the smallest of the bunch.”
She looked between the two. A sad laugh escaped her. “Now that I think of it, I guess we’re all the smallest here, hm? Aside from maybe Muu, we don’t have much height or strength on the others…”
“That’s what I’ve been saying!” Fuuta cried. “The fuck do they think we’re going to do?” Mahiru was just glad he’d focused on that rather than the fact she’d just called him weak.
Voices raised in conversation down the hallway. Mikoto’s laugh echoed faintly into the cell.
It warmed Mahiru to hear. Things had been so hard on him here. Though it had been frightening to hear him shouting at the restraints til his voice was raw – well, it wasn’t him shouting – it had been a relief when he appeared free and relaxed the following day. He seemed sheepish that he wasn’t able to help the others, having no memory of his escape. Mahiru just kept telling him how happy she was for him.
Fuuta didn’t share in the sentiment. “Meanwhile, Mikoto gets to stroll around free, and he beat the shit out of Es! He could snap and kill any one of us here, and they don’t even give a damn. But ooohhh, god forbid the guy who’s never been violent a day in his life is allowed to use his own two hands!”
The harshness of his voice wasn’t doing his argument many favors. Still, his words were beginning to get through to Mahiru.
She’d worked so hard to be a model citizen. She was supposed to have a perfect life. She could cook, clean, sew, and take care of children. She did herself up every day; she was never a slob or a slut. She was generous to everyone she met. She showered the world around her in love. Wasn’t it unfair that her hands were tied like some common criminal? What was all that effort for – being patient when people upset her, being kind even when she disagreed with someone, all of that – if she was going to end up in the same place as someone who had stabbed another out of sheer malice?
Amane didn’t seem to be whirling with the same doubts. She closed her eyes once more. “It is simply a trial from heaven. We may be small, but all of us have an internal strength that will carry us through the ordeal.”
“I don’t think it’s any sort of religious thing, but you’re right,” Fuuta puffed his chest out. “Trials like this only make people stronger!”
“Do you think so?” Mahiru wasn’t sure if she was asking either of them or just musing to herself. It was a nice thought. This was all part of destiny, something meant to be that would make her stronger in the end.
But she wasn’t so sure she believed in destiny anymore. It hadn’t quite worked out the first time.
“Hell yeah!” Fuuta must have assumed she was in fact asking him. He gave a wide, toothy grin. “It’s not like we can get any weaker, right? The warden better watch out next trial – they’ve got a big storm coming!”
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