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mci-writing · 7 months

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Hi I saw that your requests are open. Can I request a senku x female reader where he has a crush on an older tattooed foreigner who was on vacation in Japan when the world was petrified

I've had this sitting for a minute tbh, but mostly bc I didn't want there to be too many spoilers for anime-onlys 😭😭 mostly for how tattoos work,,, Don’t be surprised if there’s a heavy focus on language plot wise, I’ve been working on a lot of linguistics homework 😞

Anyways, hope you enjoy

Science Makes Age Complicated (Ishigami Senku x Reader):

Warnings: technically an age gap but also not (reader was once 2 years older than Senkuu, but now they're the same age due to time shenanigans), fem!reader, some language use (a few swears here and there), reader is American (RIP but it’s plot relevant), reader is implied to know an insane amount of languages (bc this is Dr Stone and it’s relevant to world-building)

"Think you can scrounge something up for her, Yuzuriha?" Senku parts the lush shrubbery for his friend, unresponsive to her obvious surprise at the sight before her. He figured it would go that way, considering how kept away the whole area is, but he'd rather start the spectacle with her big reactions instead of the loud and boisterous version involving the rest of their crew, "I'm more than sure you'll manage to make her something she's 1 billion percent comfortable in."

He'd considered this statue his secret weapon for the next part of their excursion. Well, that would be his explanation as to why he'd waited so long to unveil her and finally free her from her encasement. Really, he could never find the proper time to finally revive her, especially when every time it would feel right to, something else would arise that would require them to use the revival fluid for someone else.

When talks of traveling to the Americas came up, he knew it'd be the perfect time to properly reveal her and, hopefully, ease her into their current predicament. While Gen is a great diplomat, thew mentalist isn't exactly fluent in as many languages as the girl in the statue before them. Even more, if they are to run into more people (which they very likely are), it's better to have at least two representatives to talk things over. That's going to be his reasoning, anyway.

Deep down, he's a little nervous to finally see her again, especially now that he's technically older than her by a few months at least. The last time they'd seen each other had been the day before the petrification light, the two decided to spend time with each other before he went back to school. She was visiting Japan for a bit, a trip she'd planned to make at least once a year since the two had officially met in person while he had been in America. Back then, she'd been 17 to his 15, owning an American driver's license and a tattoo sleeve that left many of the older members of society scandalized.

"I don't think she's going to take being younger than us well," Yuzuriha mentions as she finishes up sewing the outfit she'd made for (Y/n). She worked fast, wiping the sweat that had accumulated on her forehead once she finished. She takes a step back once she's finished, watching as Senku steps forward, "Especially when she finds out how long it took for you to bring her back."

"She'll be fine. I'm 1 billion percent sure she's going to be grateful for it," He responds, popping the top off the tiny vial between his fingers. He doesn't stop the grin from spreading across his face as he lets the contents of the vial drip from the top of her head. The two watch expectedly as it eases its way down her body, stone cracking and parting in its wake, “She’s going to get to visit home, after all.”

The stone falls from her body, the life slowly coming back into her (e/c) orbs as more of her skin is revealed. Her tattooed sleeve remains, now accompanied by the petrification markings on her face and other parts of her body. A wave of confusion hits her as she takes in the unfamiliar surroundings, but her shoulders relax a little as she takes in the two familiar figures next to her, "Senku...? Yuzuriha...?" "Hey, (Y/n)," He immediately greets in response, an excited light coming to his eyes as ruby meets (e/c), "Looks like we're the same age now."

Yuzuriha flinches at his greeting, sighing with a shake of her head as she takes a small step closer to their friend. A nervous smile forms on her lips as she takes (Y/n) hands into her own, leading her out of the hidden away area into the light of the new world. She feels the grip tighten as (e/c) eyes dart around the surrounding forestry in an attempt to better understand the circumstances and environment, "We have a lot to catch you up on, but I'm sure if we ease you in slowly it won't cause you too much whiplash-"

"We don't have time for that, Yuzuriha. We still have to load the ship back up and travel to America," Senku waves the notion off, walking past the two of them and leading them back into the village. Neither of the girls miss the smirk on his face as he continues, unmoving as they gape at him like fish, "(Y/n) will catch up along the way."

He's bluffing, which they realize a little later when Ryusui recounts the plan to spend the next few days loading the ship and replacing the items they used on their last voyage. (Y/n) is assimilated faster into their new society than she can process, the rest of their group taking the basic information they're fed and working with it. Yuzuriha is eventually forced to leave her to fend for her own after a bit to attend to her own assignments and Taiju only stops to catch up for a bit (which is mostly him speed talking and making assumptions about how much she's been made aware of) before continuing to move along.

Senku doubts he'll ever admit it out loud, but he is grateful that they're the same age, even if he's technically older by a few months now. Standing next to (Y/n), who hadn't aged a day past the last time he'd seen her, was the reassurance he secretly needed about his own development. While his growth spurt, a result of the final pushes of puberty during the Stone Wars and roughing it during the New Stone Age, was the only difference he could notice next to her, (Y/n) had been hit with the whiplash of every other development.

To her, it felt like both a lifetime and a long night since she had seen Senku, yet he looked almost completely different and exactly the same. The remainder of his baby fat had rounded out of his cheeks, his face maturing nicely into that of a young adult, and he'd sprung up quite a bit in height. He was still lithe in comparison to Taiju, till thin and very much not built for too much physical labor, but he'd gotten a bit of meat on his bones to fill his arms out a little more. Despite that, he still looked like him, like the jerky boy she'd met by chance in middle school who would be the first person she'd show her newest tattoos to when she was 16 to get some kind of rise out of him.

Taiju and Yuzuriha were a further reminder of the weird passage of time, the two more developed in their own rights. He was beefier, still ever-muscular in a more defined way. His hands seemed rougher, but she didn't know if that had been due to the rougher circumstances or if they were always meant to get so rough with all the handy work Senku would put him up to. Yuzuriha had filled out a little, a few scars littering her hands from what (Y/n) could only assume was from her thread work she'd seem to consistently be working on since they'd gotten back to their stronghold. Her silky brown hair, which had once reached her waist and made a few of the girls from their school envious of its length, now barely reached past her shoulders in its bobbed shape.

She feels so out of place...

~~~~

The rush of information coming to people’s senses is always amusing to watch, but (Y/n) is taking a little more time to process than usual. Even now, a few days into her now being free from the stone prison, she still has more questions. They aren’t particularly scientific, more so just random observations that she really wants the answers to. She’s also hyper-analyzed the villagers' speech patterns, having them repeat their newer slang and pronounce random words in Japanese, English, and German (something they did not realize they were fluent in until she came around). In return, they ask her questions about the past (mostly Senku, Yuzuriha, and Taiju), the sleeve on her arm, and why the hell she knows so many languages already.

Senku can’t really be mad about it slowly down progress, he’s sure he’d slack off a little too if they didn’t have so little time to prepare for their trip across the sea. Neither of them miss the way their eyes longingly stare at one another, meeting a few times before either is dragged away by the others they’re surrounded by. It’s even worse that (Y/n) feels she hasn’t been able to get any time alone with him since they made it to the village. She’d been made aware of their plans once her confusion died down a little, even taking the time to freshen up on the main languages she’d be focused on for their trip and doing what she can to pitch in. Unfortunately, their different preparations would barely, if ever, cross over. Lowkey, it had been killing both of them inside, but they kept up appearances for the sake of getting things done.

She’d learned from Gen, who gave her brain a break by speaking in English with her, that Senku had kept her relatively well hidden. He’d visit her often, but no one had put together that’s what he’d been doing until now. Yuzuriha made it clear she’d only learned of (Y/n)’s whereabouts a little before they’d revived her. However, the brown-haired girl did mention that a few passing statements he’d made in the past were starting to make sense.

It took the last night before the Kingdom of Science would set sail again for (Y/n) to find time away from the others. Despite the various discussions scratching her brain in the best way possible in a new world, the dark blue of the night accompanied by the low noises of crickets and crashing waves gives her the solace she needs. While everything has mostly settled, or settled as much as it can, it's still moving so fast. To her, everything was normal yesterday and then dark for longer than she thinks possible to comprehend, "Maybe this is how Sleeping Beauty felt..."

"I doubt that," A familiar voice speaks up from behind her, the heels of his shoes clopping along the ground as he approaches. The gravel scrunches as he shifts to sit next to her, deep zircon-colored eyes staring out towards the ocean's expanse. He scoots a little closer to her, his head tilting as his pinky reflexively reaches to dig out of his ear, "Considering she typically is depicted to have been a young preteen when she first fell asleep and an older teenager when she wakes, I doubt there were many technological changes to throw her for such a loop, especially if the story takes place in a fictional version of the middle ages."

His eyes shift to peak at her instead, his typical grin filing onto his face. Somehow, they're one of his few features to remain the same despite his growing age. He's one of the reasons she's out here tonight, gathering her thoughts privately one last time so she can tuck them away to focus her attention more on to returning civilization.

Of course, she always thought he was good-looking, most people did. However, where they were turned off by his passion for science and technical engineering, she found it to be all the more endearing for his character. He had his pesty moments, but so did everyone else in some way. It added to his charm, "Didn't see you as the fables type, Senku."

"Had a friend who was super into literature. She read it in different languages to challenge herself," He teases in response, his gaze turning back to the sight before them, "Wonder where she is now..."

(Y/n) tugs her knees up to her chest, the irony of the comparison not lost on her, though made completely on accident. She pulls them closer, resting her cheek on them as she takes in the boy next to her, "Maybe she's trapped somewhere in a stone prison back in the woods."

She watches his chest rumble with his chuckle, a soft breeze picking up and spreading the smell of salt water. He's closer now, the smaller changes staring her in the face and taunting her. She'd wanted him this close to her again, just for the reassurance, but now... She kind of regrets it.

"I would've found her by now," He mumbles, the sound just barely reaching her ears. A fond smile slowly eases across his mouth as he returns his gaze to her, "Would've taken me a while to finally see her like this again, but I think it'd finally be worth seeing her again. Even with the circumstances."

"I'm sure she'd be grateful to see you again too, even with the circumstances."

#ishigami senku #ishigami senku x reader #ishigami senkuu #ishigami senkuu x reader #senku ishigami x reader #dr stone x reader #senkuu ishigami x reader #did not think it would get so sentimental in the end I'm so sorry #I tussled with how to write this for a year and still feel there's further ways I could've taken it but it already feels pretty long so #I may revisit this again later but I won't hold my breath either 🤧#also had this idea that reader was Senku's interpreter in America but I didn't want to get into too much spoiler territory with that idea #she totally teaches him some silly phrases in the different languages she speaks and does mix languages up to mess with people #he doesn't realize he's into her until she goes back home one year and they fight on her way out #I imagine her tattoos are different phrases that she really enjoys and maybe a few doodles here and there #also wanted to wait until Matsukaze was introduced so ppl knew how tattoos work post petrification bc I kinda didn't wanna spoil it

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onewholivesinloops · 1 year

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those two shots from the first episode of oniakashi showing satoko's reflection as her witch self, as she observes rena spacing out because of her home problems, and the second shot where she's presumably thinking of how she's going to inject rena at the nurse office struck me. satoko is so alienated from her surroundings after looping through her trauma for so long that it feels to her like everything is a 'dream'. she's so emotionally disconnected from the people she cares about as if she were separated by a glass wall. it's a literal interpretation of depersonalization/derealization.

satoko has now entirely compartmentalized the idea that she's doing anything bad. she's completely distanced herself from the violence she's committing towards herself and others. this is no different from a club game or one of her many traps. nothing is real including her friends until she's happy. until the reality wherein she can survive is within her grasp. everything else is a delusion and her friends are just pieces on the gameboard.

still, satoko gives rena the grief and remorse she doesn't give to mion, because rena has always fought against fate - the same fate satoko believes mion has not had to suffer through before that she and rena always do. satoko makes rena much like herself, that way they can be together in this.

rena's reaction to rina and her feeling that she has to kill rina in oniakashi is a parallel to satoko's reaction to rika and st. lucia as a whole. it's this sense that no matter what nothing can get better unless you commit an absolute. a certainty. others will not change or be better if you talk things out with them. satoko sympathizes with rena because she sees much of herself in rena.

it's different with mion whom satoko injects out of curiosity, the curiosity to see something she's never seen before playing out, but that's also an expression of her resentment towards mion - resentment because mion never had to go through what she and the others did while also being complicit in her ostracization and othering as a sonozaki in her mind. there's jealousy there. a bite of biterness. it's why satoko loses all the sympathy she had for rena when she's dealing with mion. satoko feels guilt over making rena go L5, but all of this is goes out of the window when it comes to mion. that's purposeful.

every fragment satoko weaves with eua is just another duel!!!!!!

duels are all about making Duelists and Brides relive anthy and akio's problems. it validates akio's horrible solution as akio is looking for the power to reinforce his worldview that enables his abuse of women and anthy. eua is the same. eua has turned her despair + loneliness into boredom and she sees the world as a stage to relieve that, but she only counts on the cruelty of the children of man. the savagery of the loops reinforces her worldview and validates her manipulation of satoko and her perspective of people.

satoko and anthy are also making them relive their trauma in a similar way, but they're more justified. satoko and anthy are trying to escape, find love, destroy themselves and their loved one. [REDACTED] from umineko is like them too btw.

the akashis are all about the thematics and parallels. gousotsu as a whole is. very utena!

#higurashi #higurashi gou #higurashi sotsu #satoko houjou #gamo.txt #those arcs aren't mere retreads they're different takes on earlier arcs with differences and those differences serve an important purpose!!#gousotsu is simultaneously a thematic remake AND a sequel #and to engage with gousotsu you need to engage with the former as much as the latter #gousotsu is a love letter to the survivors who want to improve but still need to lean on this feeling again enough to prop themselves up #it's a walk through memories and nostalgia for us and for satoko #it's revisiting and re-enacting and trying to understand because problems still exist in different forms #it wants to simmer in those feelings and thoughts #it wants to simmer in what makes things worthwhile to revisit once again #it wants to simmer in what truly makes something a remake #it's going through all of those events again but this time from the specific angle of what they mean for satoko #the entire show is satoko soaking herself in all these events and feelings again #the akashis are really fun concepts to me because they're all about being different takes on arcs from the original #oniakashi is all about giving you a more sympathetic take on rina whom i'd argue was handled a little poorly as a sex worker in the origina #and i like how it implicitly addresses some of rena's internalized misogyny in doing so #wataakashi is all about addressing how mion has always been passive/cowardly to a fault while also giving her an arc of her own #it's where sotsu messed up the most but it's still fun to chew on these concepts and i like what it was going for!#tatariakashi is the culmination of the critique of satoko being a damsel in distress in the original and a deconstruction of that #it's a critique of the message of unity and forgiveness etc etc and recognizing traumas can't be erased and happy endings are elusive #because the harm was still done #people don't want to admit that the world rika created covered up the original problems especially for satoko #who got the short end of the stick in terms of a real higurashi ending which is why they see this as a sick joke #sorry if this makes no sense to anyone i may be insane

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