#I'll keep this updated as best as I can

[nebulousfishgills]

✨️Fishgills' OC Masterpost✨️

I figured now was as good a time as any to introduce the little gremlin ladies that inhabit my brain and most of my stories. Basic information as well as prominent fics and other fun little extras :3

(Based on @can-of-pringles​ lovely OC masterpost)

Olivia Iridottir

-Avengers/Marvel Cinematic Universe-

Aliases: Olivia Laufeyson

Bio: Orphaned from a very young age, Olivia Iridottir, goddess of dreams, was taken into the Asgardian royal family and eventually came to fall in love with Loki. Spunky with a kind heart and a bit of a tricksy streak of her own, they make a formidable duo wherever they go. Unfortunately their relatively peaceful lives start to take rocky turns after Thor’s coronation goes awry. Asgardian Royalty to Avengers to Revengers and beyond, it ends up being a very... very long 12 years.

Naturally, however, being so closely connected to Loki means that Olivia’s life can take some extreme detours. Maybe she follows her path perfectly, being the yin to Loki’s yang throughout the best and worst of times. Maybe she makes a wrong decision and finds herself beyond the bounds of time trying to free the universe from a silent oppression alongside a very hardened (yet beautiful) female variant of Loki. Maybe in another universe she abandons her good morals entirely all because some poor time intern accidentally infected her brain with a rogue, rather enchanting entity.

Olivia’s choices have a lot of power. More than she could have ever fathomed.

Paired With: 

Loki Laufeyson

Sylvie Laufeydottir (Conditionally)

Minor Associated OCs:

-> Aemon Kynson, Olivia’s father. A general in Odin’s army, he is killed during the war between the Aesir and the Jotuns

-> Iri Avyadottir, Olivia’s mother. The head military medic and a childhood friend of Frigga’s, she is killed during the war between the Aesir and the Jotuns

-> Lyanna Oliviadottir, Olivia and Loki’s daughter, eventually grows to be the goddess of luck

-> Edmure Lokison, Olivia and Loki’s son, eventually grows to be the god of peace

-> Various Variants, pruned offshoots of Olivia trapped in the temporal Void

-> Carson Ambrose and Maya Adams, OCs belonging to two friends of mine who are featured in these stories, paired with Bucky Barnes and Peter Parker respectively

Spotify Playlist:

Fancast: Emilia Clarke

Featured in: Earth's Mightiest, A Song of Stars and Magic, Time Variance Detected (Book 2 Coming Soon)

~~~

Keira Browning

-Sam Raimi's Spider-Man Trilogy-

Aliases: Keira Osborn

Bio: A brilliant chemist with a penchant for singing (ABBA in particular), New York born and MIT educated Keira Browning climbed her way up the corporate ladder at Oscorp until an accident involving spilled coffee catches the eye of the CEO, Norman Osborn. Once they get to talking, they find out about the many things they have in common. Norman admires her work ethic and brilliant mind, while Keira finds herself realizing that her supposedly intimidating boss is actually... really nice? After multiple dates and a meeting with Norman’s young son Harry goes better than expected, Keira marries into the Osborn fortune. 

Everything was going fine, perfectly even, until those damn performance enhancers just refused to work...

Paired With: 

Norman Osborn

Minor Associated OCs

-> Donna Browning, Keira’s mother, a headstrong housewife who doesn’t pay much attention to the news

-> Richard Browning, Keira’s father, a Vietnam veteran who works in construction that thinks very highly of Oscorp

-> Siobhan McDermott, the Oscorp front desk secretary and Keira’s designated ‘mom friend’

-> Yvette Carew, a chemist under Keira’s delegation and her chaotic best work friend

-> Anthony Castelli, Keira’s childhood best friend and the choir teacher at Midtown High School

-> Anna, Anthony’s wife and another close friend of Keira’s

-> Sophia Caroline Osborn, Keira and Norman’s daughter born just three months before her father’s tragic death

Spotify Playlist:

Fancast: Carrie Lynn

Featured in: Facade

~~~

Emily Ripley

-Stranger Things-

Aliases: Emily Mulder, 004, Emily Ballard, Emily Creel

Bio: Abandoned by her mother after her birth, Emily spends her first ten years in an abusive orphanage before fleeing after a fire-related accident. She spends two years on the streets before happening upon Hawkins Lab. Taken in by Dr. Brenner and designated as Test Subject 004, she meets and forms a bond with Test Subject 001. Eventually they are forced into orderly roles, 001, aka Henry, gaining the alias of Peter Ballard while Emily adopts the last name of Ripley. For years they’re trapped and tortured by Brenner until a series of events leads to their Soteria chips being removed by Test Subject 011 and they rampage and kill nearly everyone in the lab. Eleven fights back and banishes them to the Upside-Down, a parallel dimension they come to tame.

Emily emerges on the Overworld periodically to keep closer tabs on Eleven and her friends, posing as a high school student who’s the second in command/best friend of Eddie Munson. Eventually hers and Henry’s long laid plans begin to unfold beginning with the unfortunate death of Chrissy Cunningham...

(Note: As of now, it’s theorized that Henry is Eleven’s biological father. I’ve adopted that theory and made Emily Eleven’s biological mother after Brenner tried to crossbreed his two older experiments; Terry Ives was the unknowing surrogate)

Paired With: 

Henry Creel/Peter Ballard/001/Vecna

[See Next Section]

Minor Associated OCs

-> Florence Joan Mulder-Thompson, Emily’s mother who got pregnant at 17 and chose to give Emily to the oprhanage lest she face her parents’ wrath

-> Samuel Thompson, Emily’s father and Florence’s boyfriend/eventual husband. He has no knowledge of Emily’s existence

-> Katherine Thompson/Two Unnamed Boys, Emily’s siblings, unaware that they have an older sister

-> Lucy Harris, a girl Emily had a crush on when she was in the orphanage. She, like the other kids, called Emily a freak or a demon because of her strange habits and unsettling demeanor

-Clarissa and Dora, two other girls at the orphanage who ended up on the wrong end of Emily’s lighters and childhood wrath

-002 and 003, two early experiments preceeding Emily’s arrival at Hawkins Lab. Their escape is part of the reason Dr. Brenner moves on to the subjects 002-018 we see in the lab when Emily and Henry are orderlies

Spotify Playlist:

Fancast: Olivia Cooke

Featured in: His Tenebris Moenibus, Diplopia, The Weirdo from Saint Valentina's, One Shots: 1, 2, 3, 4, 5

~~~

Emily Ripley

-Twilight-

Aliases: Emily Volturi

Bio: It’s 1987, not long after the earthquake that split Hawkins. A newly transformed Emily, a de-Vecna’d-Henry, and a resurrected Eddie attempt to seek out food on the surface world since Emily and Eddie can’t feed on the creatures of the Upside-Down without hurting themselves. Their Gate somehow gets redirected to Volterra, Italy to be faced with the Volturi, the silent but deadly rulers of the world of vampires the Hawkins gang hadn’t known existed before that. Problem is, one of the three rulers bears a striking resemblance to Henry and, what’s more, is completely enamored with Emily. 

After bottled up feelings erupt in an explosive arguement, Emily seeks comfort with Caius and has to come to terms with the fact that she’s falling in love with him, too. Being pulled in two different directions, Emily has to choose between Henry, their decades long bond, and their mission, or Caius, providing the life of comfort and the family Emily’s always wanted.

Paired With: 

Caius Volturi

Athenodora Volturi (Conditionally)

Minor Associated OCs:

-> None (surprisingly)

Spotify Playlist:

Fancast: Olivia Cooke

Featured in: Diplopia, Necrosis, One Shots: 1

~~~

Other minor OCs

-Lydia Roberts (Sweeney Todd)

-Lord Irinerys the Illustrious (Star Wars: The Old Republic)

-Aneadora Fír (Dungeons and Dragons)

-Marlina Nerys (Thirsty Sword Lesbians)

[lucienarcheron]

The funniest thing about SMTB to me now is that all the earlier chapters felt so long to write and they are all between 12-16 pages but then all the later chapters are clocking in at 20-29 and I'm forcing myself (and these morons) to shut up and try to break the chapters into shorter ones instead. And yet!

[royalarchivist]

Missed a lot of streams so I'll try and queue some clips later when I can! Been touching grass (and I recommend other folks do it too if they're feeling overwhelmed / burnt out or just feeling bad in general)

[whenthegoldrays]

looks like I can't "i'm just a girl" my way out of this one, ladies

[blmpff]

Thanks for keeping us updated on The Whisperer!

Question: Are you rooting for any of the characters or couples, or is this more a situation of eat popcorn and watch the messy chaos unfold?

You're so welcome! I'm glad you like it ^^ I figured I might as well, since it turned out something not the general public would want to watch for themselves, and I can turn it into a crack and funny experience (I hope :')), and you can decide that way if you want to watch it for yourself after all. I know I had literally nothing to do with the show ending up disappointing, but I kinda weirdly feel responsible for seeing it through, since I've been hyping it up for so long.... Should I have started liveblogging it sooner? I didn't want to spoil it for the people who couldn't watch it, so I just posted my favorite shots and that's it... Well, at least I'll be liveblogging it going forward, so there's that ^^ -> If anyone is not interested in seeing that just block: #twts lb I'll always tag my posts with tw like: gore, fake blood, abuse etc, if they apply as well anyway.

As for your question, like I said yesterday: no, I do not hope for any of them to stay/get together, and they all need proper help as individuals, or to simply gtfo of each other's lifes. Fluke's character Khun/Koon being the first in the line (mental), and his ever going missing nephew being second (just get him out of there, somewhere with responsible adults). Though Vit (the scheming neighbour) and Taw (Khun's bf) kind of deserve each other, we're still waiting for the grand reveal of Why TF is Vit doing all this, because I do not believe in the ~love at first sight~ bullshit he's trying to sell *eyeroll*. Even if any of them get happy ending it'll still be with a sinister backstory, there is no saving this show atp. I'm here for the mess, with my fingers hovering over the printscreen and fast forward buttons lol

I do however wish we get to see more of these two beautiful human beings together, because just look at them:

the one with the manbun is Vit/Wit more of him here the one with the gorgeous long hair is George (hehe see what I did there) more of him here more of the both of them together here

Vit hired George to pretend to be his boyfriend in front of Taw's work colleagues. He only showed up for the first time yesterday in episode 7, and wasn't included in the preview for the next one, but I hope and pray he'll be at least in one more 🙏 They put him in the opening credits, so he has to appear again right 🥺?

[exdeadshop]

Updating my shop for the new year, so it'll be down a few days. Here's a preview of whats restocking soon :) Anyone with outstanding orders, they'll go out when the post office reopens!

[savage-rhi]

🫂😪

[reitziluz]

got a free pad thai and vietnamese coffee, and grabbed a melon popsicle on the way home.

there's nothing i can do to get details cleared and plans locked in about the move until monday. saturdays are when i do not have to get anything done. and yet, i feel like i can't focus on anything fun because there are Large Tasks looming ahead.

so i'm going to get an easy task done (take out trash), meditate, and see if i can get a craft or writing based trance going for the rest of the day.

or at least i'm Prohibited from talking and preferably not even thinking about more apartment stuff until tomorrow.

[othergrave]

hello and welcome to my jumbled blog of rambling hyperfixations, you're in for a hell of a ride. you can call me OTHER or GRIMM [or any other variation of my usernames you may know me by]. i go by all pronouns, so you can refer to me however you like (he / she / they / it, etc.) my ask box is open if you want to pop in and ask me questions about my ocs, or even to direct questions towards my ocs. please be sure to specify who the questions are for, thank you! my interests can sometimes bounce all over the place, so i'll try to keep everything up to date. below this little intro i'll keep a masterlist of my various ocs and aus and such with their appropriate tags, and update this list as regularly as possible.

----- MASTERLIST -----

✦ OP TAG ✦

-> Text Posts <-

✦ UNDERTALE OCs / AUs ✦

-> UNDERCNTRL < -> GRAVETALE <- -> PAINTEDTALE <-

-> FABLEDTALE <-

-> WOVENTALE <-

✦ WARRIOR CAT OCs ✦

-> WITHERING STARS <-

LAST UPDATED: 7/1/24

[supercantaloupe]

also. Apollo went to the oncologist today. not good :(

[kellystar321]

.

[jadevine]

Preindustrial travel, and long explanations on why different distances are like that

Update March 1, 2024: Hey there folks, here's yet another update! I reposted Part 2a (the "medieval warhorses" tangent) to my writing blog, and I went down MORE of the horse-knowledge rabbit hole! https://www.tumblr.com/jadevine/741423906984951808/my-post-got-cut-off-so-i-added-the-rest-of-it Update Jan 30, 2024: Hey folks, I've posted the updated version of this post on my blog, so I don't have to keep frantically telling everyone "hey, that's the old version of this post!" https://thebalangay.wordpress.com/2024/01/29/preindustrial-travel-times-part-1/

I should get the posts about army travel times and camp followers reformatted and posted to my blog around the end of the week, so I'll filter through my extremely tangled thread for them.

Part 2 - Preindustrial ARMY travel times: https://www.tumblr.com/jadevine/739342239113871360/now-for-a-key-aspect-that-many-people-often-ask

Part 2a - How realistic warhorses look and act, because the myth of "all knights were mounted on huge clunky draft horses" just refuses to die: https://www.tumblr.com/jadevine/732043691180605440/helpful-things-for-action-writers-to-remember

Part 3 - Additional note about camp followers being regular workers AND sex-workers: https://www.tumblr.com/jadevine/740604203134828544/reblogging-the-time-looped-version-of-my

--

I saw a post on my main blog about how hiking groups need to keep pace with their slowest member, but many hikers mistakenly think that the point of hiking is "get from Point A to Point B as fast as possible" instead of "spending time outdoors in nature with friends," and then they complain that a new/less-experienced/sick/disabled hiker is spoiling their time-frame by constantly needing breaks, or huffing and puffing to catch up.

I run into a related question of "how long does it take to travel from Point A to Point B on horseback?" a lot, as a fantasy writer who wants to be SEMI-realistic; in the Western world at least, our post-industrial minds have largely forgotten what it's like to travel, both on our own feet and in groups.

People ask the new writer, "well, who in your cast is traveling? Is getting to Point B an emergency or not? What time of year is it?", and the newbies often get confused as to why they need so much information for "travel times." Maybe new writers see lists of "preindustrial travel times" like a primitive version of Google Maps, where all you need to do is plug in Point A and Point B.

But see, Google Maps DOES account for traveling delays, like different routes, constructions, accidents, and weather; you as the person will also need to figure in whether you're driving a car versus taking a bus/train, and so you'll need to figure out parking time or waiting time for the bus/train to actually GET THERE.

The difference between us and preindustrial travelers is that 1) we can outsource the calculations now, 2) we often travel for FUN instead of necessity.

The general rule of thumb for preindustrial times is that a healthy and prime-aged adult on foot, or a rider/horse pair of fit and prime-aged adults, can usually make 20-30 miles per day, in fair weather and on good terrain.

Why is this so specific? Because not everyone in preindustrial times was fit, not everyone was healthy, not everyone was between the ages of 20-35ish, and not everyone had nice clear skies and good terrain to travel on.

If you are too far below 18 years old or too far past 40, at best you will need either a slower pace or more frequent breaks to cover the same distance, and at worst you'll cut the travel distance in half to 10 or so miles. Too much walking is VERY BAD on too-young/old knees, and teenagers or very short adults may just have short legs even if they're fine with 8-10 hours of actual walking. Young children may get sick of walking and pitch a fit because THEY'RE TIREDDDDDDDDDD, and then you might need to stay put while they cry it out, or an adult may sigh and haul them over their shoulder (and therefore be weighed down by about 50lbs of Angry Child).

Heavy forests, wetlands and rocky hills/mountains are also going to be a much shorter "distance" per day. For forests or wetlands, you have to account for a lot of villagers going "who's gonna cut down acres of trees for one road? NOT ME," or "who's gonna drain acres of swamp for one road? NOT ME." Mountainous regions have their traveling time eaten by going UP, or finding a safer path that goes AROUND, so by the time you're done slogging through drier patches of wetlands or squeezing through trees, a deceptively short 10-15 miles in rough terrain might take you a whole day to walk instead of the usual half-day.

If you are traveling in freezing winters or during a rainstorm (and this inherently means you HAVE NO CHOICE, because nobody in preindustrial times would travel in bad weather if they could help it), you run the high risk of losing your way and then dying of exposure or slipping and breaking your neck, just a few miles out of the town/village.

Traveling in TOO-HOT weather is just as bad, because pushing yourself too hard and getting dehydrated at noon in the tropics will literally kill you. It's called heat-STROKE, not "heat-PARTY."

And now for the upper range of "traveling on horseback!"

Fully mounted groups can usually make 30-40 miles per day between Point A and Point B, but I find there are two unspoken requirements: "Point B must have enough food for all those people and horses," and "the mounted party DOESN'T need to keep pace with foot soldiers, camp followers, or supply wagons."

This means your mounted party would be traveling to 1) a rendezvous point like an ally's camp or a noble's castle, or 2) a town/city with plenty of inns. Maybe they're not literally going 30-40 miles in one trip, but they're scouting the area for 15-20 miles and then returning to their main group. Perhaps they'd be going to an allied village, but even a relatively small group of 10-20 warhorses will need 10-20 pounds of grain EACH and 20-30 pounds of hay EACH. 100-400 pounds of grain and 200-600 pounds of hay for the horses alone means that you need to stash supplies at the village beforehand, or the village needs to be a very large/prosperous one to have a guaranteed large surplus of food.

A dead sprint of 50-60 miles per day is possible for a preindustrial mounted pair, IF YOU REALLY, REALLY HAVE TO. Moreover, that is for ONE day. Many articles agree that 40 miles per day is already a hard ride, so 50-60 miles is REALLY pushing the envelope on horse and rider limits.

NOTE: While modern-day endurance rides routinely go for 50-100 miles in one day, remember that a preindustrial rider will not have the medical/logistical support that a modern endurance rider and their horse does.

If you say "they went fifty miles in a day" in most preindustrial times, the horse and rider's bodies will get wrecked. Either the person, their horse, or both, risk dying of exhaustion or getting disabled from the strain.

Whether you and your horse are fit enough to handle it and "only" have several days of defenselessness from severe pain/fatigue (and thus rely on family/friends to help you out), or you die as a heroic sacrifice, or you aren't QUITE fit enough and become disabled, or you get flat-out saved by magic or another rider who volunteers to go the other half, going past 40 miles in a day is a "Gondor Calls For Aid" level of emergency.

As a writer, I feel this kind of feat should be placed VERY carefully in a story: Either at the beginning to kick the plot off, at the climax to turn the tide, or at the end.

Preindustrial people were people--some treated their horses as tools/vehicles, and didn't care if they were killed or disabled by pushing them to their limits, but others very much cared for their horses. They needed to keep them in working condition for about 15-20 years, and they would not dream of doing this without a VERY good reason.

—

UPDATE January 13: Several people have gotten curious and looked at maps, to find out how a lot of cities are indeed spread out at a nice distance of 20-30 miles apart! I love getting people interested in my hyperfixations, lol.

But remember that this is the space between CITIES AND TOWNS. There should never be a 20-mile stretch of empty wilderness between City A and Town B, unless your world explains why folks are able to build a city in the middle of nowhere, or if something has specifically gone wrong to wipe out its supporting villages!

Period pieces often portray a shining city rising from a sea of picturesque empty land, without a single grain field or cow pasture in sight, but that city would starve to death very quickly in preindustrial times.

Why? Because as Bret Devereaux mentions in his “Lonely Cities” article (https://acoup.blog/2019/07/12/collections-the-lonely-city-part-i-the-ideal-city/), preindustrial cities and towns must have nearby villages (and even smaller towns, if large and prosperous enough!) to grow their food for them.

The settlements around a city will usually be scattered a few miles apart from each other, usually clustered along the roads to the city gates. Those villages and towns at the halfway point between cities (say 10-15 miles) are going to be essential stops for older/sick folks, merchants with cargo, and large groups like noble’s retinues and army forces.

Preindustrial armies and large noble retinues usually can’t make it far past 10-12 miles per day, as denoted in my addition to this post. (https://www.tumblr.com/jadevine/739342239113871360/now-for-a-key-aspect-that-many-people-often-ask )

[nordicbananas]

gjdjsjsg im so happy rn i think we're getting a friend back <333

[feedthefandomfest]

Comment Bingo: Old Fic Edition

Very simple rules: connect 5 squares in a line by commenting on fics that suit the task in each square

Very simple goals: encourage readers to comment on older fics; encourage fandom writers to KEEP WRITING

STEPS:

Download Bingo Card HERE (png) or HERE (jpg) or HERE (pdf)

Complete the tasks on the card, marking off each as you go, until you've completed 5 in a line (vertical, horizontal, or diagonal; NO double-dipping; center ♥️ is a free space)

POST your winning card (or list your filled squares) and tag @feedthefandomfest! Glory in your victory.

SEARCH TIPS:

This card requires some familiarity with AO3's search filters. Once you've narrowed your results according to fandom/ship/additional tags, certain squares require you to sort the results by Date Updated, which is the default. Other squares require you to search for fics posted within a certain range of years, which you can do by scrolling on the search menu to More Options:

Note that to enter a date range, you must format the date as shown.

REWARD:

✨ victory badges ✨

New badge for this card, but here are examples from previous cards:

Tag me when you earn a bingo (or double, triple, quadruple... FULL CARD bingo) and I'll reblog a shiny badge with your name on it to commemorate the win.

FAQ:

Can I comment on tumblr or only on AO3?

Either one is great! This card especially is more designed with AO3 in mind, but some can be adjusted to suit tumblr as well, so I say go for it. Tumblr fics deserve love, too.

Can one comment count toward multiple squares if the fic fits more than one category?

Since the goal is for as many fics to receive comments as possible, try to comment on a different fic for each square.

Is there a time limit?

Nope! Take your time or set your own deadline, whatever works for you. This blog is still in its early experimental stage, so feedback welcome. Play around and let me know what you like and what might be added/changed—including ideas for squares on future cards!

Do I have to record progress on the actual card?

Nope! If it’s easier to keep track in a different way, that’s fine. This is all very honor system, so if you say you earned a Bingo, we’ll call it a win 🎉

Some people have been tracking not just completed tasks, but the fics they read along the way, so that when they post a bingo, they can also promote the fics/authors in a little rec list. Not required, but definitely cool to see!

Can I adjust the task in a particular square to suit my comfort level?

Of course! If you deliver something in the spirit of the task, then it’s all good. Use your best judgement in constructing a comment that will make the author smile, and you can consider it a job well done.

In general, so long as each square has produced at least one comment, you’re golden and I salute you 🫡

Happy commenting!!

[hasnomoxxie]

Could you tell us more about Dan from Levity Rises?

YOU DO NOT UNDERSTAND HOW LONG I'VE BEEN WAITING FOR SOMEONE TO ASK ME AB LEVITY RISES

I recently updated the designs for them so I'll talk ab them all if you don't mind :]c

I'll add the most information on Dan though just for you bbg!

I do plan on making a few screenshot redraws (and potentially an intro animatic because an awesome person actually made a theme for this au)

THE MYSTERY TWINS ⇆ THE ORIGINAL MYSTERY TWINS

Stanley and Stanford Pines take on the roles of Dipper and Mabel! Stan's curious and is the more mystery focussed one whereas Ford is more energetic and active than his base counterpart.

Stanley is an adventurous young boy, looking for the next interesting trip to go on, initially thinking spending the summer at Levity Rises was going to be a waste of time. Though after arriving and finding the scrapbooks alongside the anomalies happening across Levity, he and his brother quickly became obsessed with finding out the secrets of the Rises, as well as who the mysterious Smile Pup(swapped with bill cypher) is.

Ford (often going by 'Six' or 'Sixer) is a happy go lucky and optimistic young child who is alot tougher than his base counterpart was at his age. Since it's typically only just been him and his brother, so he's eager to make the best of his summer by meeting new people, though he hides his polydactyly with gloves he changes frequently.

DIPPER ⇆ STANLEY

Dipper takes the role of Grunkle Stan in this au!

Owner of the mystery shack, Grunkle Mason- or (Big) Dipper to people around Levity Rises- is the resident faux scientist of the town. His personality is more eccentric, tending to get hyper fixated on paranormal paraphernalia, to the point in where he does lock himself away for periods at a time.

Not much is known about his origins, he just kind of always existed on the outsidea of the town, but after opening the shack to the public, people quickly accepted his presence due to his quirky personality.

MANLY DAN ⇆ SOOS

Dan actually takes the role of Soos in this au, being the resident handyman of the mystery shack! Though often the lines blur between his role and Wendy's from the original. Wanted to keep it flexible yk?

Dan's a real dude's bro, pretty dim witted and blunt but often chill and level headed- Unless he's challenged- dude's competitive as hell, it's actually crazy. His mother, dubbed 'womanly wendy', is the toughest lady in town, owning a diner, aptly named 'Wendy's'.

Dan enjoys working at the Shack as it's one of the few places that'll let him freely experiment with his logging with the nearby trees for his own projects and adding fixtures onto the shack, which Dipper is pretty thankful for since he can focus his efforts on other things. It's also because of this reason that Dipper puts up with Dan's outbursts and semi airheaded personality. So it's safe to say, he's there the majority of the time.

Stan admires Danny alot and the events of 'Into the bunker' happens with Dan in place of Wendy. This does mean Stan had a passing crush on Danny during the episode, but even afterwards Stan kind of puts him on a pedestal. Ford enjoys Dan's company often being called 'little man' and playfighting on occasion. The twins act like his little hype men and he enjoys hanging with them.

As for Soos in this au, he initially built the mystery shack and is frequently seen around Levity Rises taking on odd jobs and making people as happy as they can be, though it's implied that he hasn't found his true calling yet.

LAZY SUZAN ⇆ WENDY

Lazy Suzan takes the role of Wendy in this au! Hazy Jane is a part time worker at the mystery shack, and is stan's first crush upon arrival to the Rises. She's a bit of an odd soul with a less than perfect memory, but is incredible at making a homely environment for the shack. Despite that, she can be extremely co-dependent in some situations, especially with her boyfriend. Otherwise she's earnest and does her best at her job. The events of 'Soos and the real girl' occur with Jane instead of Soos (and Rumble instead of GIFanny). Despite wanting to help, Stan is incredibly pouty throughout the episode.

Here's the design line up as well as initial notes I made when redoing them!

Hope this answered your question about Dan :]

RAUGH THANKS SO MUCH FOR ASKING THOUGHHHHHH

(EDIT)

SOMEONE SUGGESTED A BETTER SWAP FOR BILL, I JUST HAD TO ADD IT!

(EDIT EDIT)

I'm fixing wording and stuff so it's easier to read soz :p

[nereidprinc3ss]

do you believe me now? | 5

in which spencer reid and fem!reader are reunited, but the worst kind of sparks are flying. you meet a man named randall. derek morgan buys you a drink (sort of). it seems that some things can't be unsaid.

series masterlist

this series is 18+ warnings/tags: r goes to a bar but doesn't drink alcohol, gets hit on by weird men, dramatic, angst, sorry in advance a/n: surprise! i'll see myself out. love you! lmk your thoughts on this bad boy! i KNOW you'll have some! i'm locking all my doors and the cops are on speed dial after posting this. stay tuned for part six tho

You don’t call Spencer for four days. 

Spencer doesn’t call you for four days. 

It’s scary. 

There’s some texting—mostly him giving you updates on how things are going and when he expects to be back. Mostly you giving the messages a thumbs up and saying nothing else. 

Finally, on Thursday afternoon, his ringtone (the Bill Nye theme) makes you jump as you’re sitting on your bed staring into space. 

His caller ID photo—which is simply his passport photo, because you’d thought it was adorable—stares at you. You stare back. Contemplate not picking up. 

But you’re not quite there yet. 

And you cannot keep listening to Bill Nye the Science Guy. 

The answer button is cold under your thumb, but not as cold as your greeting. 

“Hi.”

You barely recognize your own voice. 

It seems to send Spencer for a loop as well, because his reply is halting. 

“Hey! Hi, um—how are you? I feel like we’ve barely talked this week.”

That would be because you told me my feelings for you are stronger than your feelings for me and I don’t know how to stop making every single word I say secretly mean I love you. We can’t have a conversation without me loving you. It will always be in the room or on the phone with us. To ignore the presence of it is impossible, and I don’t know if I can ignore the absence of yours, either. 

“Uh… yeah. I’m fine. What’s up?”

There’s a pause. 

“We wrapped up this morning. We’re getting on the jet here in a few minutes, and, um—I know it’s not ideal, but we missed Derek’s birthday and Penelope is insisting we all go to his favorite bar tonight. And he told me that for his birthday he wants to meet you. So… would you be up for that?”

“You want… to take me to a bar?”

“No. I mean—I know it’s not really your thing, but we missed Derek’s birthday three years in a row, and—and I understand if you don’t want to meet him tonight, but we wouldn’t have to stay very long and I really, really shouldn’t skip it. Derek has saved my life on more than one occasion.”

“You could go without me.”

More silence. Every second hurts, but you don’t understand why he wants you to come meet his best friend if he thinks the two of you are in different places emotionally. 

But maybe he’s not going to break up with you just yet. Maybe he’s going to keep inviting you to bars and foreign film festivals and bookshops. Maybe he’s going to treat you exactly the same as he always has but with this new added layer of knowledge that the way he treats you isn’t actually love, and it never was, and you’re not sure if it has the potential to ever become love. Because if it did—wouldn’t it have already? What more do you have to offer than what you’ve already given him?

Breakup or no breakup, you feel sick. 

When he speaks his tone is similarly chilly. It’s welcome. You want him mad. If he can’t reciprocate your adoration, then the very least he can do is have the decency to reciprocate your reproach. 

“I could. Is that what you want?”

No. I don’t want any of this. I need you to know me well enough to know that. And if you can’t love me then at least get angry. At least show me you feel something other than passive contentment. 

“Yeah. Sure. I don’t know.”

A pause stretches so long your heart pounds. You watch the elapsed time of the call tick by, second by second, and you wait for the anticipation to crack under the weight of silence, to give way to some terrible jump scare or to give way at all. 

But the words that end the conversation (if you can even call it that) aren’t any great relief. They’re just sad, and chalk full of defeat. 

“Alright. I’ll… I’ll call you later.”

You feel like you’ve swallowed an ice cube. All the words you’d like to say are frozen in your stinging throat. 

“Okay. Um… I’ll let you board now.”

“The jet’s not…” but he trails off. When he speaks again he sounds just as hurt as you’d wanted—and it doesn’t make you feel better at all. “Okay. Bye.”

“Bye.”

The line goes dead, and your face is burning as tears fill your eyes for the hundredth time this week. That call was terrible and poisonous and you don’t feel like yourself. 

Things have gone so wrong so quickly, and all you know how to do is ice him out so he can’t do it to you first. But it’s not going to make this better. No matter how mean you are to him, at the root of it all you feel unloved and scared and alone and Spencer knows things about love and relationships that you don’t. He’s confusing you with all this talk of feeling differently about each other and I’ll be home tomorrow I miss you and things get complicated when one person likes the other more and let’s talk in person and will you come meet my best friend tonight. All of it leaves you motion sick and ugly crying in the fetal position. 

All you have to get through this is who you’ve always been, a little of the person you’ve become, and the love you harbor for Spencer which rattles around in your chest like a nail in an empty toolbox. At the moment it hardly seems helpful. It mocks you, pointing out the pathetic hilarity of your paradox. The only person who can comfort you, the person you want more than anything, is the reason you’re so upset in the first place. But you can’t help being drawn to him. 

Maybe the love you have for Spencer is more like a magnet in a compass. 

Even if he doesn’t feel it for you, you do love Spencer. And that goes beyond just loving the parts of him that like you. To hide from that love would be a gross disservice to yourself and all the work you’ve done to get here. It’s not as if you suddenly know exactly what the answer is—but you’re sure that hiding is the most childish, cowardly thing you could do and the furthest you could get from a resolution. Even if you can’t make him love you back, you refuse to allow yourself to fizzle quietly out of his life. This relationship deserves something more than that. 

So maybe you don’t have a plan when you wipe your eyes and pick up your phone. Maybe there’s no strategy behind your actions as you text Garcia for the bar location. But if you keep running from everything you’ll never get anywhere. All you can do is show up. It seems like the next best step. 

------

The pub isn’t too crowded—but for a Thursday night, you suppose it’s a bit busy. 

Boot heels hooked onto the metal foot-beam of the stool you’re sitting on, elbows resting on the polished mahogany surface of the bar, you’re staring into an untouched mixed drink. Then you glance down the bar to your right, at the man who’d bought it for you. 

Maybe your ensemble gave him the wrong idea. 

Coming to this gathering had required bravery, and you came armored. Your ensemble projects significantly more confidence than you’re currently feeling. It was intentional, a form of self-protection—but now you’re wondering if it’s projecting a little too much confidence. 

All done up, clearly still a little rough around the edges, and sitting alone at a bar was bound to draw the wrong pairs of eyes. 

“Hey, darlin’,” the gruff man says, approaching when you inadvertently catch his gaze. “Are you gonna drink that, or should I? Otherwise I’m lookin’ at eleven dollars right down the drain.”

You avert your eyes, scanning the groups dotted here and there. 

“I’m waiting for friends.”

“Does that make a free drink less appealing?”

He takes the stool next to you, off-gassing the scent of cigarettes and leather. 

“I’m not drinking.”

“Really? I’ve never seen a girl who looks as sad as you do come sit at the bar to stay sober.”

You frown, looking back up at the man next to you. He seems like the Hell’s Angels type—tattooed knuckles, leather jacket, grey beard, and a weathered face that’s clearly spent decades with the sun. Fifties, maybe younger and just looks more rugged. What does it say about how I look tonight that this is the kind of man I’m attracting, you wonder. Maybe you look desperate and just as lonely as you feel. As he claims you do. 

“I’m not sad.”

“Alright. I’ll take your word for it. But a happier girl wouldn’t be all alone.”

“I’m waiting for friends,” you repeat, letting the words drip like venom from your tongue. 

“I’m Randall. See? Now we're friends.”

“I don’t need more friends. I like the ones I have.”

Something catches Randall’s attention long enough to catch yours. He raises his bottle vaguely, gesturing beyond your shoulder. 

“Are those angry lookin’ guys in the suits marching right over here the friends you’re talking about?”

You turn your head, brows furrowed, and immediately see the gentlemen to whom your new pal is pointing out. 

Spencer is storming across the bar looking close to furious (which for him, means an expression so placid it gives you chills) followed by Derek Morgan—a man who you’ve only seen pictures of and is even more impressive in person. 

You hate how your breath catches, how your heart is already beating a little faster than usual at the sight of him even though you’re not exactly pleased with each other right now. 

Suddenly the bubbles in your cocktail are once again fascinating.

“Those are the ones.”

“And why are they dressed for church?”

Church?

“They’re FBI.”

“Ah. My lucky fuckin’ day.”

You almost snort. 

“Hey,” Spencer says sternly, hand settling on your back as he partially fills the small space between you and the strange man. “Who’s this?”

You shrug, sit up a little straighter, and take a shallow breath—not because you’re scared of this man but because Spencer is suddenly so close to you and you can feel his warmth and the air bending around him and the scent of him is genuinely dizzying to you. 

“Randall,” you exhale unenthusiastically. But the odd thing is that you’re rather grateful for Randall’s presence. Because now Spencer is here and you have no idea what you’re going to say to him. 

“Oh,” Randall says, sipping his beer unhurriedly before using it to gesture to Spencer. “You’re the boyfriend. You know, that’s funny, because she didn’t mention a boyfriend.”

“I didn’t mention anything. We weren’t having a real conversation.”

Randy holds his hands up defensively, fingers still wrapped around the neck of a sweating bottle. 

“I’m just saying it’s in-ter-esting. Not trying to start anything.” He stands, pauses for another sip—Spencer obviously isn’t sure what to make of this man because he says nothing. “But listen, man to man—you better buy her some flowers or a real pretty fuckin’ necklace or somethin’ because a happy girl in a happy relationship does not come pout at the bar all by herself.”

“Get out of here, man,” Derek finally speaks up. 

“Yeah, yeah.” He sets his empty bottle down and fishes in his pocket for a cigarette, sticking it between his lips. “But—just for the record—I have a wife. I wasn’t gonna do anything weird. Sometimes when you’re my age you just gotta live a little. Buy a pretty girl a drink. Piss off some Mormons, or whatever the fuck you are.”

This guy sounds like a bad Bruce Springsteen song. But part of you would almost rather hang out with Randall than be forced into a conversation you’re not prepared for with Spencer. 

And whose fault is that, you remind yourself. You decided to come be mature. Suck it up. 

“Goodnight,” Derek emphasizes. 

Spencer doesn’t say a word. You can feel his eyes boring smoking holes into the side of your face, and you look anywhere else.  

“I’ll be here next week after physical therapy like clockwork,” the stranger waves as he ambles away—but not before pointing at you. “You enjoy that drink, friend. And don’t say I didn’t warn you.”

What a weird man. 

There’s silence for a moment—in which Spencer refuses to stop watching you and you refuse to acknowledge that. 

“And here I was thinking Spencer made you up.” Derek has a beautiful smile and a warm, charming cadence as he holds out his hand for you to shake. “I’m Derek.”

You take the proffered hand and shake, offering him a shy smile and introducing yourself in kind. 

“Happy birthday, by the way. Sorry for crashing your party.”

Really, he’s stunning. 

“Thank you, sweetheart. And you’re not crashing anything. I told pretty boy here I wanted to meet you the second he started talking about a friend. But nah, he just wanted to talk and talk and talk about you—” 

“Alright,” Spencer mumbles, blushing, eyes finally torn from your profile. You smile slightly, brows knitting as Derek magically melts some of the terrible tension.

“Pretty boy?”

Before either of them can explain, someone shrieks in your general direction. You startle backward in your seat, and Spencer steps closer, hand sliding up your back as Penelope, JJ, and Emily join your little huddle. For only a second you allow yourself to shrink into him—before you’re straightening your posture like your spine is a metal rod and his touch burns. It’s a knee-jerk defensive reaction for which you have no explanation. You can’t see him, but you don’t feel his hand on you again. 

“Oh my god! Look at this beautiful person who I love!” Penelope exclaims, pushing past Derek to grab your face and kiss both of your cheeks. “Oh my god,” she says again, wiping sticky lipgloss away with her thumbs, “I totally meant to ask before I did that. But your face is just so kissable. I’m so glad you decided to come!”

“Hi, Penelope,” you smile half-heartedly, incapable of reciprocating her cheery mood. Fortunately, she’s cheery enough for a standard commercial flight’s worth of people, and probably thinks of Derek’s birthday as a national holiday—so she doesn’t pick up on this. 

Emily and JJ offer you tamer although perfectly kind greetings. 

“Ooh, what are you drinking?” Emily asks, leaning closer to examine the forgotten beverage in front of you. 

“Not that,” Spencer mutters, grabbing the glass and sliding it away from you. You give him an affronted look—and immediately wish you hadn’t, since you’re meeting his eyes for the first time since he left. His words stall for just a moment as his eyes dart between yours before he’s saying, “you shouldn’t accept a drink if you didn’t watch someone make it.”

The audacity of him to be acting protective makes you scoff. 

“That guy didn’t spike my drink. He was harmless.”

“People thought Ted Bundy was harmless, too.”

It’s such a ridiculous thing to say that you don’t even have a response—your eyes simply narrow and you shake your head. A claustrophobic silence falls over the small group. 

“Okay…” JJ murmurs. “Um, do you guys want to go check out the jukebox with me? We have to play all of the birthday boy’s favorites.”

Several enthusiastic yeses go around, but you’re too busy having a stand off with your boyfriend to take much notice. 

Soon, it’s just the two of you. 

“Controlling isn’t a good look for you,” you finally say, spinning to rest your elbows on the bar once more and studying the bottles of liquor on the shelves beyond. 

“Evasive and avoidant isn’t particularly flattering, either. I was under the impression that you had no intention of coming after that phone call earlier.” 

You scoff again as your blood heats. Already the conversation is going worse than you’d expected—and your expectations were not high. 

“Do you think the cab driver was a serial killer, too? Or maybe the bartender?”

He’s still behind you and slightly to the side—but he leans down, resting his own fists on the bar right next to you and speaking lowly, directly over your shoulder. 

“Why don’t you try speaking to me like we’re adults instead of starting meaningless arguments in order to get under my skin?”

From him, that hurts. 

It’s a branch on the tree of your greatest insecurity—the fear that you’re too inexperienced with relationships and that makes you too immature and he’s been lying every time he says it’s not an issue. Because of course it’s an issue. It’s why you fell in love with him, it’s why you don’t know how to fix it, and it’s why you’re incapable of actually expressing any of your feelings to him.

“Why do you think I’m here right now?” you whisper—as sharp and stinging as a poison dart. “I’m trying to be a fucking adult. I don’t want to be here.”

Silence. 

“Then why did you come?”

His voice is so calm it burns like dry ice. 

“Because! Because you asked me to, because—”

You can’t bring yourself to say it aloud. 

Because I’m obviously still in love with you and I can’t just turn that off. I tried to do the right thing. 

Instead you bury your face in your hands and let it hang in the air, unspoken. You know he knows. You just don’t know why he’s acting like you’re so unreasonable for being upset. 

“Let me make this very clear to you,” Spencer murmurs, brushing your hair away from your ear so tenderly, speaking so softly you could convince yourself that he’ll say something kind. It’s the closest he’s been in days and now that he’s here you feel how much you missed him in your bones. And even though you sense a trap, you can’t help but sit up straighter. You’ll be complicit in your own undoing if it means you can have him close. His breath shakes slightly as he inhales and you brace as best you can. “Nobody is forcing you to be here. You told me you weren’t coming and then you decided to show up. I was ready to give you the space that you were too scared to ask me for. But I can only take responsibility for so much of what is ultimately your bad behavior and your adolescent volatility. You can only blame so much of your bad behavior on inexperience before I run out of patience because I don’t find thoughtlessness and emotional immaturity compelling. I told you that if there is a disparity in the way we feel for each other, that was fine, and I meant it. But if you can’t cope with how I feel about you then don’t let me hold you back. I am not holding you hostage. You can leave whenever you want. So don’t waste your time punishing me because you don’t want to be here. And if you do want to be here, good. I want that too. But act like an adult and make a decision. My leniency has limits, even for you. I am asking that you do not push it any further than you already have.”

You don’t know how long it’s been since your last breath by the time he finishes his address.

Long enough that you’re dizzy when you push away from the bar and shoulder through the throng of patrons as quickly as you reasonably can without outright running. 

Long enough that when you burst out the door into the biting-cold night air, and finally take a deep, gasping breath, it burns and stings and aches and so does your head and your eyes as they well with hot, furious, heartbroken tears. 

You speed-walk to the end of the block, hand clamped over your mouth to muffle your cries and all the curse words you’d love to scream. 

Part of you knows you walked away from the bar in case he decided to try and follow you—but when you look over your shoulder the sidewalk is empty. You should’ve known better than to think he’d follow you after that. But at least it means you can have your breakdown by the relative safety of the bar, leaning your back against the dirty brick facade next to the entrance alcove and sliding down until your butt hits the cold concrete and you don’t even care. 

Who the fuck was that man in the bar who looked like Spencer and sounded like Spencer but spoke to you like this is all your fault, like it’s your fault you love him and he doesn’t love you back, like it’s ridiculous that you’d be upset, like you’re cruel and petty for having feelings about it, about him—for having any fucking feelings at all? And to think that was the man who you let know you more intimately than anyone ever has. Every insecurity you’d ever admitted to him was hurled back in your face like it was nothing. Hell—he even handed you the ones you’d never mentioned. He proved every terrible thought you’ve been having about yourself right. 

How could he be so unabashedly mean to you?

Spencer doesn’t have to love you. It seems clearer now than ever that he doesn’t. But part of you wonders if he suffered some sort of traumatic brain injury because that’s the only explanation for why he could go from treating you how he did before to treating you like he doesn’t even like you. 

You feel like you might throw up. 

“Called it,” a rasping, grumbling voice says from a few feet away. 

You look up, and spot fucking Randall standing under a street light ten feet away, still smoking. 

You go back to studying the tar spots on the sidewalk through bleary eyes. Pebbles sting as they press into your palms. Another one of the universe’s terrible jokes, you suppose. Just earlier you’d thought that you’d rather talk to Randall than Spencer and now here you are and here he is. 

“That kid as much of a dipshit punk as I thought he was?”

Hearing Spencer described as a kid and a dipshit punk is so jarring you almost stop crying. 

“He’s not a dipshit,” you sniff, voice thick with tears as you find yourself explaining Spencer Reid to this stranger for no reason at all. “He has an IQ of 187. He’s a genius.”

“Ah,” he scoffs dismissively, flicking ash from his cigarette. “Dipshit-ism don’t discriminate. Anyone can be one. Even your genius punk boyfriend. As a recovering dipshit myself I know what the work of a fellow dipshit looks like. And this has dipshit written all over it.”

You sob harder. 

Randall speaks calmly around his cigarette. 

“You know, I’m sorry for whatever you got goin’ on. But I’ve never not been the asshole when I got a hysterical woman in front of me. It’s nice that I can confidently say this time it is not my fault.”

The bar door opens, letting a warm burst of jovial music and chatter into the otherwise still night. Steps that are too heavy to be Spencer’s hit the concrete next to you—you look to your left and see Derek Morgan before he looks down and sees you. 

“Hey—you okay out here?”

“Why don’t you go ask your Jehovah’s Witness buddy? He did this.”

Derek makes a face, locating the source of this interjection. 

“Sir, I asked you to leave her alone once and I don’t appreciate being made to repeat myself. Are we clear?”

“Yeah, whatever. Fuck me for making friendly conversation, I guess. Gonna have to call my wife and tell her to pick me up down the street. I don’t want her on the damn phone while she’s driving.”

Randall wanders away again, still muttering to himself and smoking. Derek watches him go, staring daggers into his back until he turns his gaze to you. 

Goodbye, Randall, you think. Great. Now I have neither of them. 

“Hey,” he softens, crouching down to your level. “You okay?”

You sniff, wiping your cheeks and attempting not to smudge your makeup. It’s impossible not to feel awkward—you just met this guy and now he’s here trying to do emotional labor for you on his birthday. 

“Yeah, I’m fine. This is embarrassing.”

“You don’t look fine. Can I do anything for you? Do you want some food? A drink?”

“You really don’t have to—”

“I know, I know. But look—Reid is always talking about you. You’re important to him, and he’s important to me. I’ve never seen him this happy and I’ve known that kid a long time. It is in my best interest that someone maintain you, and if it’s not him, it’ll be me. Call it a favor to him, if that makes you feel better.” Derek is sporting a slightly more modest Cheshire grin again by the end of his sentence. Listening to him speak that way about Spencer speaking about you, it’s impossible not to feel a teeny bit lighter. Even if you’re not entirely sure where you stand on all things Spencer related at the moment. “So I’ll ask you again. Is there anything I can do for you?”

You sniff again. 

“Sure. A ginger ale or something might be good.”

“Got it. I’ll be back. And come inside if Randall tries to run up on you again, okay?”

Despite yourself you manage a laugh at the way he says the name. His warm smile flickers warmer at this.  

“Will do.”

When Derek returns a few minutes later, the plastic cup he’s holding looks decidedly not like ginger ale. 

“Penelope insisted that this is what you would want. I don’t even know.”

You smile slightly as you take the cup, full to the brim with bubbles and thick red syrup. A cherry bobs underneath the layer of cubed ice. 

“Shirley temple,” you chuckle. “I’ll take it. Thank you.”

“You’re very welcome,” he says, flashing that brilliant smile again, and you look into your cup as you drink. Maybe your face warms just a bit. You’re still shy around men, you realize. Especially attractive ones. And Derek Morgan definitely qualifies as attractive. 

“So,” he begins, and to your surprise, crouches down in front of you. “I have to be honest—I came out here in the first place because Reid sent me to check on you. But now I’m wondering what the hell he did.”

Spencer sent him. A considerate action that would theoretically signal his care for your feelings. You take another sip, staring into space and trying to digest this information, but it only jumbles with the rest to confuse you more. 

Of course, you don’t know how to convey this to Derek in a way that’s not overly-familiar for just having met the man, so you go with an old standby. 

“I’m probably just overreacting.”

“Uh-huh. I have sisters. I know what an overreaction looks like and if you were overreacting you wouldn’t be out here hiding. What’d he do?”

You can only keep up the facade of emotional stability for so long. Your chin wobbles in a horribly embarrassing way and you look down again. 

“I’m not sure—I’m not sure if he really did anything or if I’m just being dramatic and I don’t want to make him seem—”

“Why don’t you stop defending him and just tell me what he did?” Derek urges. “Trust me—I love that kid to death. But I also know he can be a dick sometimes. You don’t need to worry about making him look bad in front of me.”

Part of you is glad Spencer has such a good friend on his side. And Derek is right—Spencer is an adult. You don’t need to worry about besmirching his reputation. So you take a shuddering sigh, staring into the red of your drink. 

“He just doesn’t like me as much as I like him. Which isn’t his fault, like I said, but—he’s being such an asshole about it.”

Derek pulls a face, strong eyebrows making an impression as they knit.  

“Did he tell you that?”

“Over the phone,” you nod emphatically. “And just now he gave me this whole fucking speech about how immature and horrible I am for not being 100% happy about it. And maybe he’s partially right, I mean—I know people feel things differently and maybe he just was asking for more time. I worry I fucked it up so bad because I couldn’t handle that—but at the same time he didn’t say he wanted more time. He was really fucking unclear and vague about what he wanted, and he asked me to come to this bar like it was nothing when I’ve been worried he was going to break up with me all week. So yeah, I guess he’s right and I have been a bitch about it because I was upset that he didn’t… like me as much. And I wanted him to feel bad because I was so embarrassed, and I also didn’t want to act like everything was normal if he was just going to dump me, I…” you realize you’ve been hardcore rambling and your face heats. “I don’t know.”

There’s a pause, and you worry you’ve done exactly the thing you didn’t want to, which was overshare to this man who seems like he’s significantly more normal and well-adjusted than you. You drink deeply, swallowing sugar and the rest of your words. 

“That’s… bizarre. I don’t mean to invalidate your feelings, but… that just doesn’t make any sense.”

“Yeah,” you scoff, projecting annoyance so you won’t start crying again. “I was confused too. I thought he really liked me.”

“No, sweetheart, I’m saying—that doesn’t make sense because he does really like you. Really, really likes you, more than I’ve ever seen him like someone before. I mean, last week I finally finished that Tesla biography he’s been on my ass about for months and when I told him, all he wanted to do was talk about your thoughts on it. And then it wasn’t even about the book anymore. I have never, ever seen Reid pass up an opportunity to talk about Nikola Tesla. I’m talking never in my life. He finds a way to make every conversation about you. I can’t even follow the connections sometimes but he always finds a way.”

Your nose wrinkles. 

“Sorry you’ve had to hear so much about me,” you mumble. Though you’re not really sorry. It feels good. A twinge of joy in all the murk. 

“I’m not. Like I said, I’ve known Spencer for a long time and I’ve never seen him this happy. I’m not about to let him fuck it up.”

“If I make him so happy then why did he tell me we don’t feel the same?” you whisper, reaching into the puddle of syrup and ice at the bottom of your now empty cup. 

“Is that exactly what he said?” Derek asks, after a long pause. You bite the maraschino cherry off the stem and nod morosely, grinding a long-gone stranger’s cigarette butt with your boot just to crush something. There’s another beat of silence. “Alright. You know what I think?”

You raise your head to meet his gaze, your own wide-eyed and expectant. 

“I think you two need to have an honest conversation. You’re both confused and hurting—I promise Spencer is feeling it too. If you talk to him he won’t be unkind to you.”

“He already was,” you admit. 

“I apologize if I’m out of line here, but you just told me you’ve been icing him out all week because you want him to feel bad. I’m willing to bet you don’t realize how sharp these claws are.” Derek grabs your hand as he says it and you marvel at how much he is the opposite of you. Everything he does and says seems so natural and reasonable and charming even if it would piss you off from anyone else—and you just met the guy. You can see why Spencer and Penelope speak so highly of him. “I think you’ve probably both had your moments these past few days. But that doesn’t mean neither of you deserve any more chances.”

He puts your hand back on your knee and pats it. 

“Besides, Spencer‘s not good at mean. I bet he’s inside worrying himself sick over whatever dumb shit he said to you. He’s probably hyperventilating as we speak.”

“It was really out of character for him,” you concede. 

“Yeah. He’ll be apologizing for a long while. It will get annoying. But he sure as hell won’t be doing it again, I can tell you that much. If he does, let me know. Emily and I will whoop his ass and call it a fitness evaluation.”

“I think that’ll be unnecessary,” you laugh thickly, pulling your sleeve over your hand and wiping away the few tears that haven’t quite dried. “But thank you.”

“Anytime. Now, it’s my birthday, and as a grown man I should not be getting involved in someone else’s relationship drama. I was supposed to be on the dance floor a while ago.” His tone is so warm and sugary by the time he finishes it could rot his perfect grin. It’s futile to hide the way your mouth twists into a reluctant smile as you look down and fix your hair—praying he can’t tell how fazed you are by his kindness. “You’re going to talk to him, right?”

“I’ll—yeah. Right,” you say quietly. But the sinking feeling in your stomach knows it’s a thing easier said than done. 

“Good,” Derek grunts, taking your empty cup before pushing himself back up to his feet and offering you a hand. “Do you want me to send him out here or do you want to come find him inside?”

You balk.

“Like—right now? I have to talk to him now?”

Before he can give you an answer you think you’d rather not have, the bar door is opening. From your spot you can’t see who it is right away, but Derek turns over his shoulder and does a double take before looking back at you. 

Spencer steps out onto the sidewalk, eyes scanning for until he realizes you’re a few feet shorter than usual. Sitting on a filthy public walkway is probably his worst nightmare, you realize, as you scramble to your feet and dust the crumbs of concrete from your palms against the back of your cold jeans. He begins to say your name, and it sounds like relief and regret, but you stop him. 

“I have to go wash my hands.”

It’s monotonous and mumbled and comes out too quickly but you don’t have time to worry about that as you brush past both of the men on your way back into the bar, making an immediate beeline for the bathroom. 

Your face burns with anxiety as you shut the door behind you, immediately drowning in the yellowish lighting which is so harsh but seems to illuminate almost nothing. Who paints a bathroom red? It’s suffocating. You feel like you’re inside an aorta. 

Water runs cool over your hands as you sniffle, rinsing the bits of dirt from red indents made by pebbles and things, and the soap is too floral and powdery but you wash twice anyway. Maybe you’ll just stay in here and wash your hands forever. 

There’s a light knock on the shiny wooden door and it makes you jump. Your name is muffled from the other side. 

“You in there?” 

Quickly you wipe under your reddened eyes in the mirror, trying to fix the slightly smudged makeup. 

The door opens when you don’t respond, and there’s Spencer, looking weary and tense all at once. Is that your fault?

“Hey,” you sniff, trying to effect casualness, but it comes out too quickly and your posture is too stiff. Under his all-seeing gaze you cross and uncross your arms, look at him and look away. Your hands end up in your pockets. He’d say crossed arms are a sign of self-soothing. 

“Hey.” His is more measured, and of course makes you feel embarrassed in comparison. The door swings shut behind him as he enters the small room and makes it feel that much smaller. “Are you… hiding from me in here?”

Yes. 

The graffitied toilet stalls to your left suddenly look fascinating. 

“Nope. Just washing my hands.”

This is not what Derek told you to do, you scold yourself internally. Stop being so scared. Be honest with him. 

Silence rings. All the brutally honest things you’d like to say choke you until your throat hurts and your eyes get hot. Yet again you feel like a stupid little girl who’s too emotional to communicate. 

You cross your arms. It’s an indulgence you feel you’re owed. 

Spencer says your name again and it’s too much. He never says it this often. When he does it feels good but now it’s too formal, makes you too aware of your own inadequacy, and how he must be seeing you—a wraith of a girl in a dingy bar bathroom with clammy hands and smudged eyeliner, practically shaking with fear under an unforgiving light. Someone who is too scared and much too sensitive. 

Spencer attempts to speak again. 

“What I said before, it was—”

“Can you just take me home?” 

It comes out on one exhalation and seems to stall him with all the effectiveness of a slap to the face. 

You don’t know where it comes from, either. 

Easier said than done, you’d thought a few moments ago. All the bravery Derek had tried to instill in you is gone, swallowed down the drain like soap scum. And now you’re choosing to let your fear win—because at least that’s a known quantity. The fear will never reject you. It will always be waiting with open arms. 

Too scared. 

The end feels imminent. You try to press yourself back together, fingernails biting into palms, trying to make something feel more tangible than the terrible knowingness that you’re careening toward an end which was supposed to be a beginning. It’s stifling and you wonder if Spencer is breathing it too. 

You can’t look at his face, but you watch him pocket his hands in his pants and there is so much impossible space between you in such a tiny room. 

“Yeah. I can.”

Something breaks. It’s small, and without fanfare. But it feels final. 

It’s just a ride home. Just a ride home. 

That’s all you have left, and you don’t know how you know it but you do. 

Something so important is being left in this stupid, dingy bathroom. Something that was at one point beautiful and shiny and so arrogant in its newness that it seemed it would never become ugly. And now you’re abandoning it without dignity on the chipped tile floor and in the cobwebs on the walls. It was bigger than you, it was you—and now it’s going to be nothing. 

A vehicle honks on the street. A boisterous group laugh explodes somewhere beyond the door. Water drips from a faucet. 

“I’ll… I’ll bring my car around.”

“Okay.”

But he just stands there for another moment. Like he can’t get himself to move. 

If only time would freeze before he could walk away. 

But it doesn’t. 

He sucks in a decisive breath. 

“Okay,” he murmurs. 

It’s that fucking phone call all over again. 

Then he spins on his heels and leaves you there.

Your time is up. 

-

part 5.5