(Obligatory "I sound like I'm speaking objectively from authority but this is just my opinion and it's okay for you to like media I dislike for whatever reasons you may have")
Okay so like. while "the minecraft move trailer is so bad that it makes minecraft story mode look good in comparison" is both true and funny, can we please not start pretending that story mode is a well-crafted piece of media. as someone who has played through it multiple times (first when it originally came out and I was 12 and thought it was awesome, then later as an interactive Netflix experience with friends for so-bad-it's-good reasons) I feel pretty qualified to say it blows
Like, yes. There are so many things that MCSM got right that the movie apparently got wrong. But, like, they're all extremely common-sense things to get right -- like having the whole thing be animated, and maintaining a visual style that feels consistent with minecraft, and spending time with individual aspects of the minecraft experience that have their own communities (like redstone contraptions). that sense seems a little less common now that the movie trailer exists, but still, these are all bare minimum expectations of a piece of narrative-driven media set in Minecraft.
MCSM still completely fails, however, to have any compelling characters (RIP Reuben you were just as annoying as everyone else) or non-grating dialogue. The universe they depict isn't even well thought out! Like, okay, example:
Right off the bat, they make a big decision about how they're going to handle MCSM: they are not telling a story about people playing Minecraft the video game, but are instead depicting a universe where Minecraft is inhabited by a civilization of NPCs that have identical abilities to a player (aside from like, pausing the game or changing settings or what have you). This, in itself, is not a bad decision, but it puts the writers in a position where they need to conceptualize what is effectively a Minecraft AU. You're not playing survival mode or creative mode, you're playing Story mode. In this AU, humans exist in the minecraft world and have for a long time (centuries, at least?), they've built cities, they have language, etc. Imagine you're Jesse. Imagine you've grown up inside of Minecraft. Everyone is playing on hardcore, there is no respawning, and you live in a world filled with strange and dangerous creatures that seem hell-bent on killing you. Why the Fuck does anyone go out at night. Why isn't literally everyone combat-trained. Why is Jesse acting like he's never seen a Creeper before. Why is Petra the only member of the main party who knows how to craft a pickaxe.
At the build competition, the party is surprised that the reigning building team has a beacon. But nobody takes a second to actually investigate what that means. Did their team intentionally spawn and defeat a Wither? Doesn't that make them more badass and legendary than the order of the stone? Is there a black market for nether stars? (I think Petra is probably the one who gave them the beacon since she also trades Ivan a Wither skull. But like. Why isn't literally anyone else just going and doing what Petra does. Why aren't they impressed)
Ivan having access to a Command Block is also insane. Like, it has potential to be an extremely cool choice -- did Ivan find a way to break the fourth wall? Did he find an exploit in Minecrafts code that allowed him to obtain this? The command block has the power to just generate resources out of thin air. Ivan could actually use it to become a god and give himself creative mode. But okay, we can assume that the command block is just... Different, in the AU. Fine. It's a computing center / power core for the Wither Storm. Sure
But, like. I, even as an 11 year old, knew everything there was to know about minecraft when I played story mode (and, unlike the Movie, MCSM was actually attempting to appeal to the existing fanbase), so watching these characters who have lived for DECADES within the Minecraft universe just. Be helpless and completely clueless as to how the universe works? It makes me hate like all of them. I don't care about Jesse or Gabriel and if I actually had the freedom to perform the basic actions I could perform in Minecraft -- mining, building, and crafting -- I could use my game knowledge to pretty swiftly end the entire conflict at like any point in the story. And I'm not very good at video games. But I would expect a character who's been LIVING IN THE MINECRAFT WORLD TO BE ABLE TO DO THAT. BECAUSE THEY'D BE BETTER AT MINECRAFT THAN ANY OF US.
The whole thing is a contrived and buggy mess that feels like it was written by a Hollywood CEO who watched someone play the game for 30 minutes, looked up some basic information like how to beat the game and whether there's any in-game lore, and then riffed on that until a script outline was finished. The programmers, visual artists, and composers clearly did a ton of work to make MCSM feel like minecraft. And they did a good job -- clearly, a much better job than the Movie is going to do. But that doesn't change the fact that the Story -- the focal element advertised in the title -- completely misses the fucking mark and centers around a group of characters who are largely incompetent and stupid in an unfunny and uninteresting way. MCSM was a shitty cashgrab by telltale games and I am not apologizing to it.
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Something I noticed about myself is that, what attracts me to a new content creator/artist, and what actually keeps me there long term is often very different.
Most often, what attracts me to a new artist is an interesting story beat, a unique situation, a really good video
What actually makes me stick long term is more the artist themselves and how they appeal to me. Their content is still a big facet, but it's no longer the only facet.
This is kind of a fancy way of saying: I'm excited to see what you're cooking. I'm sad to see the cats get put in burnout timeout, and I can't wait for the trials and tribulations in Project MOLD. Because at the end of the day, it's Loupy I'm interested in.
Awww, that's sweet of you!!
I agree about the cats, I wish I could stay into them forever and ever. But sadly that's not how my brain works, and I have to give myself permission to accept that--Calling myself "Loupy" (Loopy) was literally an attempt to do just that! X3
(Also "burnout timeout" is a great phrase. XD)
I'm sure I'll come back to them one day. But for now I hope my other stuff can be enjoyable too! ^w^
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Nene’s Role in Wonderlands x Showtime
The release of The Miniature Garden’s Coral seems to have confirmed some things I’ve recently speculated might transpire in future Wonderlands x Showtime events-- namely regarding Nene and how she may actually be the most important member of the troupe-- so, let’s talk about them! I’ll be using zui’s lyrics video for my translations, so hopefully they’re accurate.
With the past couple of WxS events in mind, it’s easy to see that this 3DMV is also about endings. While the MV begins in a sunny blue afternoon light...
...the characters and set eventually bask in a beautiful sunset orange, signaling the end of the day. The lyrics even mention being “between the end of the blue sky and the beginning of the night sky,” further emphasizing that we’re in the middle of the story. When the sky is blue, the troupe expresses uncertainty: Rui mentions that he feels lost, and Tsukasa, scared. But eventually, Nene admits that, in this beginning period, she was “spoiled by the sound of the waves,” AKA that the commotion surrounding WxS’s formation led to a troupe that became a source of comfort for all of them.
Once the sun sets, there are a lot of “even ifs.” Nene sings about how she’ll continue to sing this song, even if things are starting to look unsteady and she’s not sure if she should proceed. However, by the end of the song, she resolves to "still sing this song” while keeping up a smile.
I think that the fact that Nene says she will sing this song is incredibly important, because, as established, this song is about endings. Meanwhile, back in Mr. Showtime, Tsukasa firmly didn’t want WxS to end, and was holding out until closing time. Rui’s What Sort of Ending Are You Wishing For? and Emu’s Starry Sky Orchestra seemingly both acknowledge an ending as well, but it’s not at all easy. Rui seems to fall into a resigned depression at the thought, keeping a whimsical facade up when the very thought of separating kills him inside. The thought haunts him, MV riddled with hourglasses that he can’t get out of his head. Emu can only tolerate taking the first step towards a breakup with tooth-rottingly sugarcoated promises of eternal togetherness and literally holding hands as they go (I love her btw this is not Emu slander). She never even says the word “end,” only “tomorrow.”
Rui, Emu, and Tsukasa are basically Denialx3. Rui tries to deny his emotions regarding disbanding, Emu tries to deny that the ending is coming at all, and Tsukasa tries to deny that there’s nothing he can do to keep them from inevitably drifting apart. And that’s where Nene comes in again.
Rui’s dream is to perform technically complex shows that will resonate with an audience. He can do that from Phoenix Wonderland. Emu’s dream is to keep the Wonder Stage up and operating forever. She has to do that from Phoenix Wonderland. Tsukasa’s dream is to become the number one world star and make everyone smile. While this would likely take him away from the park, in another story, I could see it being possible that, in the end, Tsukasa decides that making the people in his local community happy is more important than trying to change the entire world. Thus, he could also follow his dream from Phoenix Wonderland, even if it’s not ideal.
But then there’s Nene. Her dream is, and always has been, to perform in Broadway musicals. Broadway is a live performance in New York City. There is no possible way for Nene to get what she wants while staying in Phoenix Wonderland. And that is possibly why Wonderlands x Showtime’s ending is the easiest for her to process.
Now, I’m not trying to say that Nene doesn’t love her friends. She adores them. Her three previous commissions have proven that. It’s the amount of love she has for them that will propel her to make what is actually the best choice for their dreams. Nene is the little mermaid, both when swimming freely the oceans with a beautiful, unstoppable song, and when enduring pain herself to stand with and for the ones she loves. Her friends, in this situation... are coral.
Remember that coral, “blurred” and uncertain in the water and “stained orange by the setting sun”? The miniature garden is Phoenix Wonderland; the coral is Emu, Rui, and Tsukasa; and that coral is stained orange by its desperation to keep rereading the final chapter instead of closing the book for now and putting it away to revisit in the future. Coral, while a beautiful living organism, is also completely static.
Static like stone statues which, at least by my interpretation, is what the rest of WxS turns into at the end of the 3DMV. The three of them (and Kaito) are paralyzed with the fear of the suffering an ending would bring. Only Nene is alive and human to be the one to show the group the benefits it can bring as well.
There are a lot of aspects of this song and Nene’s entire personality that lead me to believe that she will be the one to bring about change in WxS. First, she most often “has the braincell,” so to speak. I don’t think it’s a coincidence that she performs this song with Kaito, the most mature of the WxS vocaloids, either. During April Fool’s 2023, she was put into the Solid Heart class. One might think that troupe leader Tsukasa should be the Solid Heart, and that shy Nene should be the Cautious Heart, but they (accurately) sorted it the other way.
Nene is a very strong-willed person. In other stories, it might be seen as a negative that Nene is always the most hesitant one to get into shenanigans, or that she would even dare to be the one to suggest a WxS split in the first place. What an ungrateful wet blanket Nene is, willing to throw away her friends for the sake of her own selfish dream. But in this story, staying at Phoenix Wonderland isn’t really what will make Rui or Tsukasa happy, and even Emu may have to graduate to focusing on the entire company instead of just one stage someday.
Nene’s friends brought her out of the darkness and into the light of day, and she is so grateful for that. She knows how amazing they are, which is how she knows that they can make more friends and continue to do even more amazing things in the future if they can bear to leave their high school part-time jobs behind and enter the real world, just like her.
So, Nene’s role is to be Wonderlands x Showtime’s guiding light. She’ll tell Rui what sort of ending she’s wishing for, and then console him when he can’t repress his tears. She’ll be the one to hold Emu’s hand while they take that next step into tomorrow. Her three best friends helped her to grow from the loner who operated a robot from the theme park bushes, and she’ll help them step out of that theme park and be who they truly want to be.
There is one other thing I wanted to mention, though...
Tsukasa.
As I mentioned previously, while all three of Rui, Emu, and Tsukasa are in denial, Tsukasa is the most actively in opposition to an ending. He’s also the troupe leader, and the sole creator of the Wonderland Sekai. If someone is going to actively try to stop Nene from suggesting separation, it’s definitely going to at least start with him. But as Nene has already stated in The Miniature Garden’s Coral, despite any opposition that makes her question whether or not she should proceed, she already plans to continue singing her beliefs about a bittersweet yet timely goodbye.
And, their conflict is something that’s basically been foreshadowed from the beginning too, right? Nene has always roasted Tsukasa, giving a counterpoint to his blindingly bright worldview. In upcoming chapters, however, I believe that may start to transform from simple fun banter into a genuine conflict with clear sides drawn...
And THAT’S why ColoPale gave them Childish War.
Nenekasa nation get ready, ‘cause I don’t think this is the last Nene and Tsukasa fight we’re going to see.
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bunch of Phantasy AU doodles n wip from earlier this year
Basically I just found out this year that ball-jointed dolls actually have strings in them and not just... magically attached by the ball joints themselves?
And 31 in this AU is a ball jointed doll that were made out of Danny's energy so here we are :3c
I've been watching a lot of doll customization since earlier this year and found out from dollightful's video that no they are all connected by elastic strings inside so that's where the idea came from
...i was looking on google to find a good example to put here and clearly I'm not exactly paying attention to how the main body strings are actually.. pinned to?
the video I've been watching the most is dollightful n moonlight jewel and they have their bjd usually only to the bottom of the doll head instead of all the way to the top on the skull pin like the diagram above
Which is why 31 has his strings all connected to the 'heart' in the middle instead of the head kasjdnkasjnd
But yeah uhhh specifics aside...
----
Those ball jointed dolls made me think of 31, and then thinking about the clones in Phantasy AU and like.. the logistic of it
for 31, the idea is that during the circus gothica arc for this AU, Danny actually got kidnapped all the whole way into another universe/plane in which he met Valeska (Enn's oc) who unalive what his face the circus leader n break Danny's hypnosis
and now that Danny is essentially stuck in a whole other plane/realm/or sth he just following Valeska hoping she'll help him find his way back.
In one such trip, Danny got kidnapped (again) by another group/cult who wanted to use his power/energy as a gate keeper to the ghost zone to make their own gate keeper so they can open portals to ghost zones and maybe other realms too
31 is part of the experiments. He's a doll made with part of Danny's energy as his core.
And then it's.. uhh.. sth sth Valeska finally found out where they kept Danny and devour everyone there safe from Danny n 31 who helped him escape so now the three of them travel together~
The last pict is me thinking about clones and kingdom hearts :tm: so
dramatic about Danny being the soul separated from the main body and 31 a clone made from part of the soul too and all that
Not sure where I'm going with that but it do sound cool
And there's also Danielle but I'm not exactly sure.. how she would fit in? but it would be interesting if she was made from Danny's body somehow
so 31 made from part of teh soul and Dani from part of the body sounds poetic somehow
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