#I'm actually looking forward when all the manga scenes are animated

[innovativestruggles]

Hi, hope u r doing well 😊! Have you seen the news about Haikyuu's 10th anniversary projects? I would love to hear your thought regarding those projects! ((I personally hoping for more Tsukiyachi crumbs 👀))

Heya lovely! ⭐️

It's great to hear from you again! 😄😄I'm so so sorry it's taken me a hundred years to respond. I've been taking a bit of a hiatus from social media (mostly Tumblr and a few others) so I haven't gotten around to responding.

And I did briefly read about the 10 year projects (mostly bits and pieces from twitter). I believe each project is quite different i.e. one shots, promotional materials, plays etc. At first I thought it would all be one shots but (unfortunately) it is an array of things. I think there is an upcoming one about Hinata and his friends in 2022 - possibly a slice of life kinda one shot so I'm really hoping to see some tsukiyachi crumbs there! I also came across a promo poster (and I will try and find it) with a tiny tsukiyachi crumb drawn together. It was so cute!🥺🥺 I should totally do a big collation post of all the times they were drawn together or something...

[tofixtheshadows]

I should've made this in the first place to go as a reference to my post about Kabru rarely being shown eating (and when he does it, it isn't pleasurable) and linked it somewhere. I didn't feel like I needed to go through every example and based on people's tags I do think everyone gets it ... but I'm compiling this anyway because I find it really interesting from an artistic/writerly standpoint.

Like, Kabru obviously is eating meals in the abstract sense. But as I said, Kui almost never actually draws him putting food in his mouth. At first I assumed that she was avoiding it to save on space because he needs to be shown talking instead, but as I've looked back, I've noted that she doesn't usually shy away from giving characters speech bubbles even when they're chewing or they have utensils in their mouths. Unless they're Kabru.

This would realistically be the best time to actually show him eating, since it's a normal meal at a normal restaurant, but no. He doesn't actually put food in his mouth in this entire scene. They show him taking a bite in the anime, so I almost forgot, but honestly the manga just makes it look like he's picking at his food. Again: I'm sure he does eat this meal. My point is that I think it's a deliberate choice to keep that off-page, to contrast all the other characters who get to both visibly eat food and enjoy it.

As mentioned, Kabru is only shown drinking wine while his party eats the snacks in chapter 32. I think it's possible to infer that he doesn't actually eat any food here at all.

The harpy egg omelette bit barely counts as eating lmao we all saw him struggling to even swallow a bite down. Let's move on.

Quick sidebar:

Are we all going insane over this panel or is it just me? Okay continue.

Like with the omelette, it gets a checkmark for actually going into his mouth but no checkmark for enjoyment. He hates this. He's being spoon fed bad cake and patronized.

Next:

Literally the worst meal in Dungeon Meshi lmao.

Barometz:

He does actually eat this. Rare Kabru mastication panel, not clickbait. But it's kind of a sad moment when you remember that he was looking forward to a cultural dish of his mother's- literal comfort food from his childhood- and instead got the weird godless crab-meat-plant that is the barometz. This may be the only time Kabru goes looking for comfort, and he's pointedly denied it.

Next:

Yeah he isn't drawn eating during this entire scene either. Only drawn holding the food and his utensil.

As stated: still never shown eating. Deliberately shown getting Mithrun to eat instead. Kabru, the call is coming from inside the goddamn house.

Bavarois is next, and once again it gets a checkmark for actual on-page chewing but as we see, he still hates it and has to concentrate very hard and block out all thoughts of what he's doing in order to swallow it down without making a scene.

Okay. Faligon feast. Kabru does canonically spend days eating for the sake of Laios and Falin! Yay! Caloric fucking intake! Clean plate club!

And yet.

Literally shown stopping himself before he can put the food in his mouth.

Mickbell is so real for this. No one needed to hear a lecture from Senshi more than Kabru.

Anyway. Given how surgically precise Kui is with everything else in this story, I just feel the choice to constantly show Kabru focusing on his worries during mealtimes, instead of drawing him just enjoying food, was purposeful.

[yumeka-sxf]

Thoughts on Spy x Family CODE: White

My thoughts on CODE: White will likely be different from most people since I knew pretty much the entire plot beforehand. I'm a spoiler fiend when it comes to my hyperfixations like SxF, so I read the novelization of the movie back in January and kept up on all the promotional videos and images that were released. But when it was finally time to see the movie for myself, did that ruin my enjoyment? Not at all. For me, it actually made me enjoy it more because 1) I knew what to expect so I wasn't disappointed, and 2) I found myself looking forward to seeing all the scenes I only read about or saw short clips of.

With that said, yes, I enjoyed the movie so much! If you're a Spy x Family fan, or even just a casual enjoyer of the series, it's a ton of fun. It has all the elements we love about the series: clever humor, sweet family moments, and spy action/drama. And because it's a movie, we get to see all of this with a movie animation budget instead of a TV series budget, which is another plus!

One thing to keep in mind with these original, stand-alone anime films based on series is that they're meant for a more general crowd than just fans of the series. Since theaters attract a wider audience than late-night TV and online manga chapters, movies like this serve as a means to introduce the series to people who may only have a vague idea of what it's about. That's why these movies contain a storyline that can fit mostly anywhere in the series chronology and don't have anything canon-altering.

CODE: White is an interesting mix of plots that, for the most part, blend together well. There's the main plot that continues throughout, which is saving Operation Strix by having Anya learn how to make the meremere for the cooking contest, but then there's the Yor jealousy plot B which is resolved in the first half, but is then replaced by the next "plot B" in the latter half of the movie, which is saving Anya from the military.

A lot of people didn't like the "Yor gets jealous" subplot when it was first revealed before the movie even came out, since it seemed to be a rehash of her being jealous about Fiona. I personally didn't have a problem with this since I don't think it's unreasonable for her to get jealous a second time, especially when she thinks she sees Loid doing something extreme like kissing another woman (as opposed to just talking). But the way it was resolved could have been a bit better in my opinion. The ferris wheel scene in the movie very much mirrored the bar scene from the series, but the reason the latter is so effective is because we get to hear Loid's inner thoughts during it; we know he's going full Twilight-mode and isn't being sincere, and that's why Yor kicks him. But then at the park, he talks to her much more genuinely and they work things out. But in the ferris wheel scene, we don't get to hear his inner thoughts so we don't get any indication as to whether his repeating of the marriage vows, etc, is him being sincere or not. Then she smacks him, they insist they aren't fighting when Anya brings it up, and that's the end of it.

I do like the fact that Anya reads their minds and seems happy with what she "hears" in their heads, but I still think the subplot would have felt more complete if it ended after Yor realized her mistake rather than have Loid do the ambiguous Romeo act again. Or it could have been brought up one more time later in the movie, for example, Yor apologizes for hitting him, he talks to her more sincerely, etc. If you're gonna rehash the bar scene, at least rehash the scene that brought it closure, which is the park bench scene. Again, I'm totally fine with the jealously subplot overall, just thought it could have been wrapped up a bit better.

Other than that, there were just a few little issues I had, like how was Anya able to afford what was probably an expensive liquor? (was she really packing that much dough in her little bag? She went straight from the bedroom out the window so it's not like she "borrowed" any money from Loid). Also seemed weird that she didn't pick up on Yor's infidelity worries until last minute. A few things stretched the line of believability a bit far too, like Loid's ability to make perfect masks so quickly, and Anya just happening to hit her head on the button that conveniently opened all the windows on the bridge. Also something here and there that didn't align with the manga, like Yor not having any reaction to sharing a room with Loid, whereas she has a totally different reaction to this in chapter 94. Maybe a bit more resolution for the fates of the villains too. I guess Luca and Dmitri survived the crash, but what about Snidel? Did Loid actually kill him or just knock him out? And if it's the latter, Snidel seems like the type who would want to get revenge. A quick cameo of what happened to them in the end would have been nice.

Speaking of the villains, normally I wouldn't like the fact that they're pretty one-dimensional and not that interesting, but for a movie like this where most people just want to see the Forgers being themselves in fun and exciting scenarios, taking time away from that to make more developed villains who likely won't be seen again in the franchise, would have not been the best choice, lol.

But even though I had some criticisms of the movie, all of them are minor and not enough to overshadow everything else that was enjoyable about it. Besides all the humor, of which there was plenty, there were so many cute "awww" family moments that perhaps didn't lend anything to the plot, but were still important to establish the characters and their relationships, and thus make us care about what happens to them. Like the scene of Anya, Yor, and Bond playing at the hotel...it could have been skipped without anything seeming out of place, but it reveals so much about the characters without being blatant about it: how Yor wants to please Anya despite being a bit embarrassed at first to take part in her game, and then how Anya's eyes light up with happiness when Yor starts playing with her...for a series like SxF that's character-driven rather than plot-driven, scenes like this are so important and I'm glad the film creators realized this too!

There were also so many cute, subtle scenes as well, like when Loid and Yor smile at each other after chiding Anya, as if they're happy to share this moment of exhausting yet satisfying parenting; when Anya reads Loid's mind after he saves her but doesn't reveal what he's actually thinking yet we can imagine what it is based on her expression; Loid showing feelings of comradery with the restaurant owner because their pasts are so similar; Anya quietly and sadly hugging Bond in the bedroom; and in the ferris wheel after Yor feels so embarrassed about misunderstanding what happened with Loid and the woman but then can't help but smile with motherly love when she sees Anya waving at her...the movie is filled with moments like this that are like little love letters to fans who know the true heart of SxF isn't so much the action and spy drama as it is the family relationships.

And of course, as I mentioned before, the animation of the movie is fantastic! Not just the action scenes, which are great by the way, especially Yor's fight with Type F, but the character expressions as well. Anya's always had the most varied and hilarious faces of all the characters, but the movie goes even harder with her expressions, especially when she has to hold in her stool! Her faces were making me both cringe and laugh at the same time! The animators did such a good job making me feel sorry for her but also laugh at her.

I'm not a fan of potty humor, but I was confident SxF would make it funny, and I was right! The poop god sequence in particular was as equally cringe as it was hilarious!

To conclude, CODE: White is a must-see for anyone who likes or loves Spy x Family. I can't say it's a cinematic masterpiece or anything, but for what it's supposed to be - a fun and enjoyable film for those who like the series, it definitely delivers! Can't wait to see it at least two more times during its showing in the US...and more times in the future!

[piracytheorist]

FINALLY

Thoughts on episode 2x01!

I'm so making a crack recap out of this. Idk if it's going to be this week, but I may have to skip all the other episodes up to this point XD

Ok for those of you who don't know, the bullet-in-butt date (which I can finally mention openly as it's not manga spoiler anymore!) was the only manga chapter that hadn't been adapted that I read from very early on, way before I decided to stay anime-only so I knew everything about it. So I expected the beginning. I actually like that we don't see Yor do her slaughter at that place. She's like a ghost, or a legend, as the short-lived survivor calls her.

Look at her! So cute, covered in the blood of her victims 😌

I do have to say, I was surprised by the amount of blood they showed. I think they actually put the violence up a notch in comparison to the previous season, bringing it much closer to the manga levels of violence.

It's also a bold choice to like, actually open the season with this. It's serious business and I appreciate that. I'm not too big on violence but I also don't like it when it's "purified" or whatever. We're watching a show where two of the main characters kill people left and right. Blood is a prerequisite at this point.

Anyway! GRANDE upgrade on the animation, oh my god! It's all in the little movements and additional "swerves" of the characters' forms. I don't have the time to make a gif now showing that but it's obvious they took the money they made the previous year and put a lot of it on animation budget! Love it!

Aaaaaaaand new music! Most of the new stuff is quirky and funny, perfect for Anya and Franky's shenanigans :D Looking forward to see what new pieces we'll get with this season!

I had some frail hope they would have titled the episode "Date with a Bullet in the Butt". Can you imagine. We were robbed. Robbed!

Ever since I read that chapter I went like, Yor says she treated the wound... does that mean she got the bullet out? Or is she actually walking with the bullet in her buttcheek all this time? I mean... it is called the "bullet-in-butt date" after all...

The way all of this could have been solved by Yor going like "I tripped down the stairs and fell on my butt and now it hurts to walk and sit". But then we wouldn't have this! It's the funny miscommunication that makes them, really <3

The way Anya worries about her! I felt a little sad for her because this is the first time she sees her mama so beaten down by a job, I think?

One of the ways you see the upgraded animation: the way Yor trembles as she straightens up after reassuring Anya, and then the dizzy walk to her room as she goes to rest. Awesome.

Yor just walks it off and Anya is like "Mama is actually immortal, wow" meanwhile Loid is losing his absolute shit

"WIFE IS SAD. THE WORLD IS ENDING. I SHOULDN'T HAVE ASKED HER TO GO GROCERY SHOPPING. I AM A HORRIBLE HUSBAND."

Oh, I adore the different colouring on the memory scene. I also love how the gossip trio just falls on Yor the moment she slips out that oh no they don't do all the conventional couple things!!

Dude is genuinely confused. BestTM SpyTM of WestalisTM, flabbergasted by a woman with social skills in the negatives.

It was eight in the morning. On a weekend. Yor was way too excited for the date she ran to get ready and they were out all day. My god. When am I gonna get my learning date with my emotionally constipated fake husbando

Twilight has a smug grin on his face as Franky accepts the cheque as payment to do chores. I love that addition!

As I love this

Franky grabbing Anya's hand and waving to them for her. They really knew how to handle an already funny chapter and use animation to add more humor to it!

Look at him, starting off so smug but then

He's truly an intelligence agent, trying to work with the information he has on hand. Since he doesn't have the information that Yor is injured, his plans are doomed to fail.

The way Franky is down with everything crazy Anya proposes. I love that duo.

I also liked the way they allowed Bond to sit this episode out, since that manga chapter takes place before the Doggy Crisis arc and Bond is not yet part of the family. I do have some thoughts about the timing of this episode but I'll get to that later.

And here we have the angst punch in the gut, as others talked about it, it's a point in Twilight's character to not see anything fun about the spy work that it's not even fun to play spy. Since one of the moments adding to that is an anime only scene (from the part where Anya makes secret codes) and the dialogue here is just slightly different from the same scene in the manga, it looks like it's a deliberate choice to make anime Loid more sensitive about this specific thing. Interesting!

I gotta say, it would be so easy to objectify Yor and her body with where her wound was. But even though they showed her in a pants-tight-enough-to-hurt-your-butt-wound situation, it was still pretty clear what the focus was. I really appreciate that.

Yor says no to the tight pants and Loid apologizes??? Why wasn't that in the translated version of the manga??

Like here especially, with the face they gave him and the way Eguchi delivered that line it was pretty clear that Yor's reaction made Loid feel like he crossed a line with what he told her. What happened in the manga translation???

VERY interesting picture choice for the movie poster! Ostania gots propaganda to do, after all!

I love how Anya fell asleep during the film while Franky cried his eyes out. Poor sap XD

And LMAO Anya seeing her parents leaving from the spa and trying to get Franky to move but he's too busy getting a massage! And then some added wackiness with Yor being so tense from her wound that she made a murder glare enough to scare a bear!

And Loid is still like DAFUQ AM I DOING WRONG

I like though, that he is not blaming Yor at all. He doesn't consider her irrational or ungrateful for the date, he just sees it as him not having done enough research... and in actual reality, he doesn't have all the data needed, specifically the whole "bullet-in-butt" thing. I'm sure he would have planned differently had he known that XD

Poor Franky XD at least he's finding ways to vent XD

The way they animated Yor's reluctance to sit was great, lol. I'm not sure it was clear she was "hover-sitting" but it was funny in any case.

I loved the tension when we saw the surviving Red Circus member! It was handled so well dropped right in the middle of a funny episode.

This had no right being this funny. But also. Anya is imagining a "default" kind of guy because even though she's reading the guy's mind she doesn't know how he looks like, so she's just making up a face to play out her imagination. Great detail from the manga already.

Anya imagines Loid saying he'll abandon her if he finds out about Yor being an assassin. That's another angsty punch in the gut but also for another post probably XD

The timing here feels a little weird. This chapter was supposedly long ago, when the family was still getting used to living together. Franky sees Anya worried and goes like "Even though they're a fake family, she worries so much?" and seeing that in the anime, practically two episodes before this one he went like "Hey do you love your dad and mom" and she said she does... idk maybe in the adaptation process some things could be left out so that they can make more sense.

How did neither Yor nor Loid suspect something wrong with the suddenly very thick and muddy cocktail she was offered?

Once again, upgraded animation as Yor drinks the pufferfish poison! I love it! Hopefully it'll keep being that good for the rest of the season :D

I remember the tension I felt when I first read the manga in that moment. I was like oh no! And then I was Anya

Gremlin Anya is back and I love it

Anya goes ahead and Home-Alones too close to the sun and fucking makes a bomb. That's a whole other level. You really don't want this girl turning evil, she'll take over the world XD

She should have seen her entrance as Thorn Princess' ally! She was epic!

There was some violence censorship there, as the bad guy in the manga is shown a little burned and bleeding after the explosion, but in the anime he's just... ruffled or whatever.

Idk they probably decided it would be too much to show that a child caused such violence XD

So does Loid go on thinking that Yor was in a super bad mood and then everything went away as soon as she downed a glass of cocktail? I also just realized she just went bottoms up on it, lol.

The episode was great and the date was funny and cute at the end. But.

GIVE ME BLUSHING LOID YOU COWARDS. SHOW ME THAT BLUSH. YOU GAVE US "HIS SMILE HIDES A HINT OF REAL EMOTION" YOU CAN AFFORD GIVING US A BLUSH. *screams* *eats drywall*

The date ends well and with fun! Then the monster wakes up again the next day.

Loid's got a lot to learn. Who knew humans can be complicated!

Overall, a great introduction to the second season! I'm happy we got the bullet-in-butt date and I'm so excited to venture into new stuff that I know next to nothing about :D

[vendettasfanfictioning]

The Nightmare of Zoldyck (Musical) was gay as fuck and here's why you should watch it.

Bingeing The Nightmare of Zoldyck reminds me just. Just how fucking gay it was??????? And this was made almost 11 years ago???? And it's just so insane and surreal to me?????? They could've added any sort of twist to the Zoldyck Arc and yet the twist they chose was 🌈🏳️‍🌈??? In all fairness, they did also add Hisoka so maybe that's just how it is lmao

Now you may think I'm joking or being delusional—but no I swear THEY MADE IT GAY AS FUCK OK. IT'S ACTUALLY AMAZING

First, we have the obvious; the adorable, blossoming friendship between Gon and Killua. The very reason this arc exists is because Gon refused to let Illumi's teachings corrupt Killua's self-esteem. It's so, so, so touching in the manga and both anime adaptations, but in the musical they just... The songs just made it come off more romantic?

I'm biased, I love the friends-to-lovers development these two undergo, but I swear, take the shipping goggles off and it's still has a subtle if not in-your-face obvious, romantic tone.

Why? First, the presentation. The Zoldycks are introduced by Milluki through song. They each get lines which are backed up by epic music and stage effects, come together for the iconic chant of, "Zoldyck," before ultimately gathering around and sitting down.

Kalluto, Kikyo, Illumi, Silva, Milluki, and Zeno have a family meeting while Killua's hung above them, representing where he is in the dungeon, and right off the bat, you get hit with "forbidden romance" vibes.

The family talks about what Killua did, what he said, while Killua sings about how he doesn't want to inherit his dad's position. HE ALSO SINGS THIS LINE WHICH IS SO?????

And he sings a little after Illumi visits him in the dungeon and, y'know, messes with his head even more. He writes a letter of sorts to Gon, Kurapika, and Leorio, telling them they should go to protect them from Illumi and he just sounds SO heartbroken...

Then we skip forward, this is after the gang has won Gotou's approval. Gon writes a letter, and it's so fucking sweet because it's basically him saying look. Look at Zebro, Gotou, Canary, these people who care for you, who love you. You're not alone, we understand your feelings, ok? AND THIS PANEL IN PARTICULAR IS SO RAPUNZEL SO ROMEO AND JULIET IDK

And that super serious discussion between Killua and Silva? He gushes about Gon a lot, and they really took some liberties with Silva because this man keeps grinning like he knows his son's got a crush.

And of course Gon's not gonna back down. Canary asks how their Young Master Killua was like, outside Kukuroo Mountain, and... just look.

I'm not gonna include every damn time they sing together but when they finally meet? They're so. so happy. I can't.

And there's this scene after the party (yes they have a goodbye party of sorts for Killua) where Killua thanks Gon for coming to get him and Gon says ofc we're friends and they play around and they're so happy together...

Look at them they ded

There's also this moment when it all goes to shit and THIS SONG SLAPS Gon metaphorically slaps Killua out of it too but just. Just listen to it, it made me cry

And since this happens right after the Hunter's Exam, Kurapika and Leorio are still a bit wary of Killua, so while Gon's ecstatic and unwavering about being Killua's friend, the other two sort of bond in the sidelines as well?

Take this shot of leopika dancing. It's short and sweet and they're so stupid but they're at least getting along!!!

I forgot they bickered a lot, especially during the Hunter's Exam, but now look at them. This isn't the gayest part though, because Leorio finds out there's a hot spring in the Zoldyck mansion... and... yeah... I'll let y'all watch this scene for yourselves but uh, stuff happens and I fucking screamed is all

LIKE LOOK THESE MFS END UP STAR GAZING TOO COME ON

They also share a bit in the end where Gon sniffs Zebro??? And he says that Zebro has a similar scent to Leorio??? And leopika turn to each other and go:

LIKE HELLO?? HELLOOOOO???

And of course, I saved the murder husbands for last. While the gang have their fun, we would sometimes cut to black and these two would be shown, scheming in the dark and talking about their own plans.

They be dropping some bomb ass dialogues tho

AND APPARENTLY ILLUMI GAVE HISOKA A TOUR LMAO

Mind you, there is no fucking explanation as to why Hisoka's there. His narrative purpose is ofc to sow chaos and stir trouble, look out for Gon or whatever, but why is he here specifically in the Zoldyck Estate is never stated. BUT he does refer to it as a vacation. Twice.

Like sure this is just him being a little shit but COME ON. If Illumi really didn't want him there, he'd have chased Hisoka out, swatting him with a broom while at it. But no. They scheme in the dark and Illumi shows him around and Hisoka says it's a vacation. Wonder who could've invited him.......

This interaction also happens. And I will only be thinking about this for the foreseeable future.

HISOKA CHASES AFTER HIM OFFSCREEN IT'S KINDA CUTE AND ALSO RUINING MY LIFE????

Insane that the killugon heart-to-heart, leopika hot spring moment, and hisoillu bickering happen back to back to back. They're all paired off. The way they switch the audience's perspective actually really satisfying. Each couple gets their alone time and it's like seeing the different stages of a relationship. INSANE and HELLA GAY

And, of course, the heart of the cards—easily one of the most iconic lines Hisoka's said, which is, coincidentally, the point of conflict of the entire musical

While Killua's fighting for his life, here's the magician who's basically getting everything he's ever wanted served on a silver platter. This mf is so happy he got to fight Illumi's family lmaoooo

AND HE SAYS IT TWICE!!!!

ONLY FOR MAMA ZOLDYCK TO MIC DROP WITH THIS IN THE END

I just. I love this musical so much. It used to be my comfort watch when I first got into HxH, and while I joke about how fucking gay it turned out to feel (I'm being serious about it though) I do think it's a great production.

The actors did amazing, the dance/fight sequences and the dialogue were so well done, and it just added so much depth to the Zoldycks, y'know? I do wish Alluka was here, but we all know why she's not... That would've been so fun though.

Anyways, if I've convinced you, then you can watch it here!!!

[plinko-mori]

Why do I think this scene:

Is a horrible adaptation from this manga panel:

Dialogue

That's an important thing to consider, because we have a case of almost opposite messages

In the anime it is «That's right, what of it?»

It's a confirmation of what Yosano is asking to Ougai, almost immediately when she spoke to him. First point to consider

He's answering "yes" in other way, he's basically doing an affirmation of what Yosano said. While also telling her indirectly that he doesn't care and doesn't feel bad about it using a question, we have an affirmation and a question in the same sentence

We can interpret that easily because everything points to that option

«What you say is correct, why should I care?»

But in the manga it is complete different

We have «... Even if that's true, so what?»

It's a question in all the dialogue I'm analyzing, being that the first difference

He takes a pause, takes his moment to think of an answer and then he speaks, those details are important differences because it shows you how different they are

His questions is related to a possibility. In other way to say what Mori said would be «Even if what you say is true, what does it matter?»

We can't do an affirmation/confirmation if he cares or not, because what Ougai says makes us do multiple interpretations based in Yosano's reaction, his facial expression and character in general since the intention isn't 100% clear... Basically doing theories and more theories because everybody has their perspectives and own ways to interpret what happened there

Expression and feelings related

In the anime we can say Mori speaks self-confidently as if he were too superior to the others

Acting like that, he doesn't care, he doesn't even look at here

While he's just acting calm, a little grumpy maybe, fixing his clothes... The anime indicates that he cares so little about what she says that he does something else at the same time

I could add that he even looks disgusted and annoyed but I'm horrible at socializing and reading emotions-

And the scene is too different from the manga that he has his eyes closed in all the dialogue while in the manga they are open

In the manga we can't guess emotions at all since Ougai looks extremely cold! Those dark eyes, that expression, his words of not caring about the consequences, here we can do a confirmation about it

Something to add is that we can see Yosano's reaction, because in the anime we lost all of those expressions that it's so sad :(

Ougai in the manga is more cold, less expressive, gives more things to leave many to imagination

How does Mori's character work?

It's not like saying «Mori in the plot works in a specific way»... But a «Mori has this behavior that repeats a lot»

He acts when necessary, speaks and gives orders when he considers necessary, he's a rational character that is thinking most of the time (to not say all the time)

The fact is that, when he doesn't gives orders... He says things that are left to interpretation since he doesn't explain them deeply

Things that actually share the real life author, and we have seen it in many times in the manga that, since Ougai doesn't explain anything, sometimes it feels like he says something that doesn't make sense or contradicts himself

We can't deny that he's smart enough to understand, know and comprehend the impact of his words

Mori is a genius, is a fact that we can't deny... It's just that we don't compare him too much with Dazai, Ranpo and Fyodor, specially when they have more time that “we can see them being intelligent”

But if it counts as a proof... Mori was steps forward compared to Dazai, just one specific time, that Dazai ended up

Mori knows, and we have to agree that Mori is capable to do many things

Why do I say it reflects Mori's character?

The scene has specific things... That I will explain

✓Pause → The detail of Mori taking his time to think reflects his rational side that doesn't get carried away by his emotions when acting, something that we see in him a lot, that he knows what he does, is aware of this and tries to make it all work out in his "somewhat dirty way of playing"

✓Dark eyes → A fact that we forget is we don't know how he ended up being like that. He's cold He can be cold when necessary, and we can't read Mori at 100%, no matter how hard we try is like trying to understand a void that you can't see their begining and end

✓Even if that's true, so what? → Both character and author: Interpretation. The author was characterized by playing with perspectives, showing different ones, leaving things to interpretation and letting the reader draw his own conclusions from what he read... Something that is also seen in the character. You have to draw conclusions from how he acts and talks, it's hard to understand him 100%, he makes people have so many different perspectives towards him that matches his author. Ougai plays with the perspectives and emotions of the rest, the author to tell stories to the people around him, the character to act and keep on living in his world with all the danger around him, and around his organization

[my-rose-tinted-glasses]

This week has not been awesome but thank the lords of bl for Cherry Magic, because I haven't met a bad mood that a japanese bl cannot help.

So, I was thinking about writing something when all versions of Cherry Magic finished airing but this episode of the anime was too interesting for me, so I thought I'd share.

[spoilers for episode 3 of the anime]

There's been a lot said about the changes made for Thai version so I don't think it's necessary to mention them all. I already said something about the umbrella change being my favourite as well as the fact that Karan can't sing. Another big change that happened on the latest episode of the anime was the missing bus scene. If you watched the Thai version you know the one. That scene is not in the Japanese live version or the anime, but it is in the manga. Slightly different of course, in the manga the excuse that Kurosawa uses to change seats with Rokakku is that a girl has a crush on him so he should sit with her. But still, I find it interesting that in this particular case the Thai version was the closest of all to the source material.

In the anime the trip is not really a trip, more of a get together and they also change the Rokakku scene that in the manga happens on the bus ( Rokakku is feeling car sick and that's when Adachi gives him some anti-nausea meds) but in the anime happens like the Japanese live version, over a work dinner.

I did however enjoyed that they kept the sauna scene pretty much loyal to the manga, because as much as I laughed out loud at that scene in the Thai version, the manga/anime version I find much more interesting. Kurosawa basically having to confront the fact that Adachi is a man and his own thoughts surrounding his attraction.

This is actually one of the many reasons the manga Kurosawa is my favourite, because we get much more insight into him and his attraction to Adachi.

But yeah, this episode of the anime is the first that starts to deviate from the manga and I wonder if that's going to continue because I was really looking forward to seeing some of the manga scenes in the anime and now I don't know what to expect.

Still, in case it wasn't obvious, I'm having a great time with all these versions and I can't believe we get so much Adachi and Kurosawa.

[5-pp-man]

another tierlist because ppl actually liked that first one;

the crème de la crop;

the first 2 eps i thought it was fine, but it didnt really captivate me as much as id hoped. but then ep 3 changed everything for me. i started to think "how could living armour work logically? everything so far has been edible, so this must be too, right?" i actually managed to think of the exact thing that this series did. that really made me realise the worldbuilding in this was something unique, and it only got better and better with each episode. its really managed to captivate me and i look forward to "delicious donderdag" every week :)

ANIME ORIGINAL LETS GOOOO absolutely bonkers show that almost slipped by me because it initially tried to fool its audience into thinking it was a regular dramatic military show. it still is but theres also a giant robot who plays by saturday morning cartoon giant robot rules. if that sounds like tonal whiplash to you, trust me, it is. and its amazing. have i mentioned how homoerotic this one is as well? yeah. originally a tier below this one, but immediately after finishing this post i watched the newest ep. i had to make an exception and edit the list because ep 9 changes everything. i havent been gobsmacked by a show this hard in a while.

(return of the) show(s) that execute their own premise very well;

i havent read the manga for yubisaki to renren so i cant compare, but the quality of this adaptation has been very consistent. you need a little sweet romance every once in a while :) this is one of those series where the characters really grew on me the longer it went on. im always a fan of mixing realistic struggles with romance and this one has been doing it well so far

adaptations that are ok (i read the manga for both of these);

i've been a mashle fan since before s1 aired. and the anime has some good changes and additions here and there! but its not very consistent in terms of quality, it does that shonen thing where the animation quality suddenly spikes for certain action sequences, but it also frequently had a lot of scenes where they recycle shots a lot and nothing interesting happens on the screen for a considerable amount of time. still! its a fine adaptation. and yeah the op for this. blew tf up lmao? very strange to see happen in real time

i actually rlly like the manga for this one. i read the whole thing up until vol.6 before the season started (all that was available back then) and it made me cry multiple times throughout. i was sort of missing that connection with the show, though some of the later episodes still hit. its mostly to do with the animation quality, which isnt that great unfortunately. the voice actors are knocking it out of the park though

wghere am i;

is this show good? i. uh. will you hate me if i say yes...? objectively, i know its not that good. especially in the animation department. but if you like other Umatani shows, you'll like this one. it's got the same brand of goofy reactionary humour mixed with gimmicky tacky characters and crazy stupid plot twists. ive been faithfully watching this one each week and I'm afraid i've become very invested. overscientific indeed

bro you fell off...;

i was so beyond excited for this one. i replayed the op a million times, watched each preview, rewatched multiple episodes. and then. ep 5 happened. and i started to realise. oh this show kind of sucks doesnt it? the pacing of the first ep was great, but the rest? way too fast. it became clear with ep 6 that theyre trying to do a double cour show with half the length, which is why they started hauling ass plot-wise. now. i was an arajin apologist for the longest time. but at that point i honestly started to loathe him. even when he stepped up, his praise still felt sort of unearned. and to top it all off, shindou's motivation sucked so he felt like a lousy antagonist. ep6 was better than 5, but it really made me lose my enthusiasm and hope for the series. and right as we were talking about them probably not having time for a filler ep, ep7 happened. feels like a waste of time to do an ep like that when you've still got a whole 2nd arc to go through. but who am i

it started off pretty good honestly. but then chris went to the hospital and it kind of just dwindled from there. this season does so much with characters that have not even been properly introduced like how am i supposed to care about these people if i barely know who they are. the stuff with finn and leo respectively was good though. but the lore dump? lord help me. also vijay just kind of. exists to be there in the background huh? i would not call him a main character they never give him any attention. wendy had another ep again and he didnt get shit. again. also i think finn was stupid as fuck for not listening to lala but again. who am i. i know we cant destroy high card because we need a show but. cmon man.

i am severely behind on these;

reason why im behind is because most of the eps are a bit heavy so i kept. not watching them. its starting to get rlly interesting though so i'm def gonna catch up this is one of those robo-racism shows so i have to really watch out to see where its going. dont want another marginal service situation...

sorry this is just. a little too boring for me. its charming, sure. but i think this wouldve worked better as something with an 11 min timeslot instead of 23 min. theres just a bit too mu- or well, too little for me to rlly get into this. i think reading it would be more fun for me personally

[animereviewsbykyranskye]

My current top 15 Anime and why

Because why the fuck not. I'm doing top 15 so that I have some variety behind it. Otherwise I would just be gushing non stop XD

Apparently numbers go big now - AND THEY GO SMALLER IF YOU TRY TO TYPE IN THE SAME LINE AS THEM???

comparison:

15

15 -

DA HECK????

(Edit: I was going to colour all the numbers because I wanted a rainbow. WHY THE FUCK FOR THEY CHANGE TO SMALL WHEN YOU COLOUR THEM??????)

Guess the titles of the anime get a small heading. Anyways. Onto the actual list!

15

Technoroid OVERMIND

Ayo. Starting out with a really random one. So if anyone were to look at my Anilist then they might be a bit confused. I decided I'd keep movies out of here as well as anything I haven't specifically finished. Also takt op. Destiny needs a re evaluation.

Anyways. This premise is so sick and I feel like they managed it really well. The characters were all really fun and the music was fantastic which is honestly the most important thing about Idol shows. I really like idol shows but often struggle with the stupid drama in them that just leads to seasons upon seasons that didn't need to happen or wouldn't actually happen.

In this they're just androids. The fantasy twist works so well for the genre and I honestly don't know why it isn't done more often. This way they can bullshit the drama and it actually makes sense.

Honestly my favourite character was Kite. He was great and his voice always gave me shivers. Especially his piece in the closing. Damn.

I don't want to go into full reviews with this, rather just gushing about things I like and stuff. I really don't think this got the recognition it deserves - probably because of it's deviation from the norm - but it would be cool to get some sort of sequel.

(Edit: There's a manga releasing apparently. Imma check that out.)

14

UniteUp!

Continuing on with the trend of idol animes apparently. UniteUp! was so good. As I mentioned in my Reviews while I watch of the show, it felt so grounded and real that other idol shows just don't seem to capture. These were all real people with real problems dealing with real life.

I also like how we had such a large cast of characters but it never really felt overwhelming as they focused on group dynamics and specific individuals rather than trying to cram every single person into their own arcs.

Once again the music was fantastic and by god was this show pretty gay. Honestly I don't know what the sentiments of others are, but the Anela duo definitely weren't straight and neither were Akira and Daiki. That bath scene says it all.

Anyways. If you want a fun time with a really solid idol anime, please check it out. I saw earlier that we're getting a season two soon. I am so looking forward to it.

13

Trigun Stampede

Damn! I don't even know what to really say about this one. The visuals are absolutely stunning - there is no doubt about that. The score and the characters are excellent. And how dare they leave us on that cliff hanger.

I have absolutely no history with this story and still need to watch and read the originally but I am really looking forward to seeing how the story adapts between the three.

You can ask my partner. I've already said we're watching everything trigun related as soon as we are done with our current show.

I'm really looking forward to season two. And especially seeing how this all pans out. Apparently there will be tears according to the fandom. Concern.

12

Re-main

Damn this show came out of nowhere for me. I watched it quite awhile ago and have been meaning to rewatch it again.

The premise is definitely a sports anime but honestly so different. All because of one thing. The fact that he is an amnesiac is such a fascinating concept to work with - especially with how he was before (trying not to spoil - can't remember when this comes up in the anime)

And then the ending?? Damn. They seriously set up that cliff hanger and I really hope this show gets a sequel.

I really can't say too much about it without giving away some spoilers but damn does it change up the formula and do it so fucking well.

11

Given

Given is great. Such a pure but heartbreaking portrayal of love on one side with such conflicting but also nurturing views on the other. Having the different realtionships throughout this is really well done how they all bounce off of each other. Especially when they entertwine it with the music.

As it is said. That is how they communicate - through the music.

I'm busy catching up with the manga and really hope the anime continues with it.

Also the fucking is just fucking gorgeous. It has no write to hit you that hard.

Also - something else that shouldn't be allowed to hit you that hard. Damn Mafuyu has had a difficult past. We love how he learns to heal and grow with Uenoyama at his side.

Anyways, moving on.

10

Bakuten!!

Okay. Who said a sports anime could be this pretty.

I love the art style and the music throughout all of this. I love the portayal and the evolution of these character - seriously all their arcs are great. The interactions of the team is so tangible and real.

I watch a lot of sports anime and I often struggle with some of the drama used within the sports - it feels like the only thing that ever fuels the story is the matches. Whereas in Bakuten - the character seriously fuel the story. You can understand their motivations much more than just - I want to play this sport and be the best!

I also feel like they really captured everything really well in the movie. The whole concept of wanting to sore is great and really well executed.

I also love the interactions they have with the other team. It's not just a once off competition or practice match that they face each other. We actually get tangible characters for the whole team and see how much they two teams are similar to one another. It's a very healthy rivalry that isn't normally this expanded on in sports anime.

9

Sasaki and Miyano

Yesssssss. These two are just absolutely amazing. Their whole story arc and relationship is just tooth rottingly sweet. They bounce off of each other so well.

And I love the fact of how slow the actual story is. They meet at the start of Miyanos first year (from what I know - I still need to read the novels) and sasaki's second and they only end up confessing just before graduation happens. It really plays out well and is so healthy.

There is no problematic elements like in so many BL stories which is such a breath of fresh air. And the fact that sasaki is very specific about making sure to maintain boundaries to ensure that miyano is comfortable is also excellent.

On a slightly different note - I still need to see the Hirano and Kagiura movie. Been dying to watch it. I've been keeping up to date with both manga and both of these stories are amazing. I love the dichotomy of the two stories and how they are coming to their own realisations of their feelings in honestly very different ways.

I also recently watched the dub of the anime due to some videos on tiktok. Fucking hell it is absolutely hilarious. Kellen Goff as Sasaki has no reason for being that good. Seriously. Damn.

8

Link Click

On a completely different note. Damn this one makes you questions your own morals and reality as you know it.

I really don't want to get into this one much as I do believe watching it blind is the best way to go.

The art style is fantastic and that opening hits like a truck it is so good. The characters just click (pun not intended) and you just understand their motivations and don't know which side to side with most of the time. It brings about such high moral dilemmas that will seriously mess with your brain sometimes and there is one episode that will likely make you cry.

Anyways. Season 2 has just started airing and I am so ready for it.

7

Buddy Daddies

Why did a show about two queer platonic dudes who adopt a child while beings assassins hit so damn hard.

The show jumps between episodes with backstory and episodes with them just being good dads and it is balanced so well. This anime won't end up getting a sequel most likely with how it ended but damn I wouldn't say no to one.

Rei is my favourite character and I relate to him far too much. His interactions with the world are so fascinating and his whole arc with Miri is honestly some of the best media I've seen.

I absolutely loved watching this show weekly and it always brightened up my day when I realised a new episode would be up.

If you would like further thoughts on this one then check the Reviews while I watch on it for more chaos.

6

No Game No Life

So. This was the first ever anime that I ever watched. It was a random recomendation from a friend. Look at where we are today.

This show is honestly just so fun. The characters are silly and the whole plot is just absolute chaos. I really enjoy the games aspect and how it was all incorporated into the world.

I can't even really say much about it. It is just a guilty pleasure of mine and will always hold a special place in my heart.

Also. Please can it just get a second season already.

5

Assassination Classroom

So. Unlike everything else on the list - this one I only finished really recently. My partner and I were watching it together. And to put it out there straight away. I cried. That ending was far too emotional.

I really enjoyed the humour throughout the whole thing as well as the constant underlying dread of the whole situation.

They also really played out Koro-senseis backstory really well. The teasing to it was excellent. I must say though that one of the twists seriously came out of left field. Like damn.

I've just recently bought the boxset and am reading through the manga. Once again. It's absolutely amazing.

Also the openings of them all jumping are absolutely fucking hilarious and you can't tell me otherwise.

If you want to know what officially sold me on the show was just in the first episode. (Note we watched in dub)

Don't ask me why but I found this to be the most hilarious thing ever. The absurdity and the line delivery was magnificent. I annoy my partner by quoting it atleast once a day.

4

Life Lessons with Uramichi Oniisan

Speaking of comedies. This show has no right to be this good. The absudist dead pan comedy in the middle of whats meant to be a TV show is such a random premise but just works so well.

Due to the nature of the show, the characters are extremely relateable. I especially love Kumatani and Kikaku.

If your on the same side of anime tiktok that I am then you have definitely seen/heard snippets of the dub.

I think this was the first anime that I originally watched in sub and then tried it in dub and actually enjoyed it. (I often find that whatever I originally watched it in is the only one I can watch it in - it's very difficult for me to change it)

The voice acting on both sides just works perfectly for the show. And that final episode and how they did it was the best thing ever.

Please just give it a try.

3

Angel Beats

Okay. Time for a hard hitter. This comedy like assassintaion classroom is fucking excellent but will make you cry, like damn.

In complete and utter contrast to No game no life, this was the second anime I had ever watched. I had found a video that gave some suggestions and thought I would give this one a try. When I say it destoryed me, I mean it literally. I constantly think about the end of this and I absolutely love revisiting it.

The twist and turns along the way are fascinating and I love how each one alters the characters and the narrative. Each of the characters feel unique - even the lesser developed side characters - with fascinating and complex backstories.

The whole thing just makes you question your own place in life.

2

Moriarty the Patriot

Another one I just randomly tried because I saw a video on tiktok. The first episode immediately pulled me in. I thought it was just going to be some simple detective story (At the time I didn't know much about Sherlock Holmes and who Moriaty was so I didn't have any of that to guide me into this story.) But nope.

I keep saying this but in this one I really mean it. The characters are built so well. The dichotomy between William and Sherlock - as the fandom would probably agree - is just amazing. How they bounce off of each other - i don't even know how to really descirbe it.

Honestly just go watch it.

And if you enjoyed the anime - please go check out the manga too. If the anime was done well - then the manga is done to lamost perfection.

This show was what got me into reading and then eventually buying manga. I now have every single one that is out.

1

Yuri!!! on ICE

Did I make the title gay? Yes.

Okayyyyy. This is just going to be me going on about how much I love this show. Bare with me.

So I was in an anime watching slump just before I picked up this show. I had been seeing some videos popping up talking about it and decided to give it a try (this was in 2020)

I immediately fell in love with this show. Literally everything about it. I ended up rewatching it three times over the course of a week. It got to a point where I was so upset that there wasn't more content for it that I just cried for half a day. (Ask my partner - it was chaos)

This show is the reason I now read fanfiction - all because I found a way to technically have more content for it.

This show holds such an important place in my heart that I sincerely cannot express it properly.

If you've never watched it - go give it a try. It would mean a lot - and hopefully one day we might get a season two.

----

Thanks for reading, if you managed to get to this point. I find it interesting how my explanations managed to slowly get shorter throughout the list as I just started becoming more emotional than factual.

I hope you enjoyed it and maybe grabbed a recommendation or two. If you'd like to know more or hear me ramble on more about anything in particular then please let me know.

[moenonsense]

Yandere Rant.

What Is A Yandere.

—The "yan" in "yandere"  comes from the verb "yanderu", which means "to be mentally sick."

"Dere" is an abbreviation of "deredere", which means "lovey-dovey." —

[A Yandere is a character who seems sweet and innocent on the outside, while on the inside they're obsessive and aggressive.] 

We all know this, right?

Is the most basic and common definition of a Yandere, cute and innocent.

Some examples of this type are characters like;

Yuno Gasai from Mirai Nikki, the most known Yandere and who made the trope popular in it's early days, earning her the name of the 'Queen of Yanderes', at least in the side of the fandom I was in at the time, as Mirai Nikki was one of the first animes I've ever watched.

Kotonoha Katsura and Sekai Saionji from School Days, an anime that caused shock at the time due it's ending, coming from a visual novel (and a saga) that has a whole lot of another endings that show their Yandere behavior.

Misa Amane from Death Note, most popular although we're not fully able to see her in proper Yandere behavior aside from her.. devotion, to the main protagonist.

And one of my personal favorites, although kinda problematic? But I'll use her as an example on how a Yandere character can see love.

Satou Matsuzaka, from Happy Sugar Life.

I'll be talking about my personal take of the characters, the trope, and in general how I see these type of characters I'll be talking about.

I'm not an expert, I watched Mirai Nikki when I was 7, watched a review of the whole School Days visual novel and it's ending, and the only manga I've take the time to read it's Happy Sugar Life, so I might be biased, and probably totally romanticizing this but i'm writing this because it's a bit tiring seeing the 'Yandere' characters being written down to just "I'll KILL whoever DARES to BREATH the same air as my beloved!" Instead of the original 'two-faced' character that it was supposed to be, and also just for fun.

I'll call Yanderes only the characters that are explicitly driven by love. Not just killing because they're evil or for fun.. kinda.

Spoilers under the cut.

Let's start with Gasai Yuno.

She was my first introduction to the Yandere Trope, and the hold it had on me for my whole teen years.

She's first shown as.. I think a popular classmate? of the protagonist, Yukiteru Amano, pretty, mysterious, and she's quick to claim her love for the protagonist when she tells him how to survive the serial killer after him.

Then she pretty much carries him the whole anime, for no other reason than "I love you, Yukki!" Which makes the moment of "You can use me, I don't mind" a mess.

But, personally, she's not that 'baseless', at least in her love for Yukiteru, since there's a small scene in the anime's background that indicates that things happened differently in the first world.

The second world, the one the anime sets in and where we follow Yukiteru's point of view. We're we don't know why she's so insistent to protect and do anything for him.

I don't remember correctly, but if Yuno had time traveled or not by the time she made the promise with Yukki to marry, it still works.

If not, she's still that innocent girl who maybe has a crush on her classmate and has something to look forward to, despite having to bear her home life.

If yes, she just came back from a whole timeline where he was the one who protected and helped her survive the killing game, only for him to commit and leave her alone again.

Wether it was her survival instinct or her having seconds thoughts and thinking he wouldn't actually die for her. She was already at a point where she loved him, she was vulnerable, and was just handed the power to become a God, and she sure was willing to change the curse of time if it meant to be with him again.

She wanted to protect him, just like he protected her in the first world, not matter what she had to do.

Kotonoha Katsura + Sekai Saionji.

She's presented as a shy girl who's disliked by her female classmates and chased by her male classmates by her big breasts since she developed earlier.

As far as I remember, her situation at home isn't great either, she doesn't have any friends, and struggles in her love life due being unable to interact with men properly.

That is, until Sekai Saionji becomes her friend.

Sekai, unlike Kotonoha, is popular among their classmates and is the one who introduced Kotonoha to Makoto, and the one helping him to win Kotonoha's heart, telling him what to do when he messes up to win her over again, and ultimately, the one who ruins it all.

Kotonoha decides to let herself give in and becomes Makoto's girlfriend, even kissing him, which for her was a huge step, but for Makoto.. the relationship wasn't going as fast as he would like to.

And Sekai had also developed feelings for Makoto at one point, kissing him as a 'reward' for her help in pairing him with Kotonoha, which just gave Makoto another option to do when he was bored of his girlfriend.

Now, I fully condone cheating, under no excuse, it's the worst thing someone could do, in my eyes.

But, being the devil's advocate, they were teens, right? since the anime literally sets in a school, teens aren't that mature to think how to deal with a relationship, worse if it's their first one, and what boundaries they should put, they don't know how to communicate.

I don't even remember the reason why Makoto liked Kotonoha aside from the fact that.. they used the same train everyday.

While Kotonoha liked Makoto because it was probably the first boy who showed some interest in her and was good enough to hide his true intentions, having not much experience and no other friends to refer to other than Sekai (who was biased) she clinged to their relationship the most she could. (And this is speaking about the anime)

In some of the endings of the visual novel, Kotonoha goes as far as to:

Delude herself into thinking Makoto is still her boyfriend after they break up in some routes.

Coerce Makoto into sleeping with her, then makes him promise that if she's able to make Sekai leave him, he'll get back with her.

Trick Sekai into breaking up with Makoto showing her a picture of herself and Makoto that she took without him knowing, telling Sekai that he's just using her.

Lie(? To Makoto, telling him that the father of the baby Sekai's carrying is not him, making him abandon her while pregnant, that can lead to Sekai killing Makoto, or killing Kotonoha.

And even commit in order to keep Makoto to herself, saying that she'll never let him and Sekai be together, jumping from the building in front of them, making them unable to stay together without remembering her face before she died.

Along with the many endings where she kills. She kills Sekai once the other is in a official relationship with Makoto.

The extra of an ending where wether intentional or not she causes Sekai's death by pushing her down to the train racks after Sekai pushed her first.

Killing Makoto unintentionally when she pushed Sekai to the train racks and the other helped Sekai out, but was unable to get himself out in time.

As far as I know, in the whole Saga she has a kill count of 5 (+2 non-confirmed deaths), plus her own.

Kotonoha always obsesses over Makoto, refusing to believe their relationship is over in repeated occasions, and often trying to get him to take her back, by any means, no matter what he does, as it's shown in the anime.

Now, I focused too much in Kotonoha, but she's mostly seen as a victim of the circumstances, unlike Sekai, who.. pretty much caused all the shit she got.

Sekai paired Makoto with Kotonoha, then prompted him cheat, not only with her but with many other girls, although unintentionally as she didn't thought Makoto would sleep with anyone else but her while he was in a relationship with Kotonoha.

And while Sekai has a kill count of 4 (one from the manga), it's done more because of 'desperate circumstances require desperate measures'.

She pushed Kotonoha in the train racks after Makoto broke up with her because of Kotonoha, leaving Sekai pregnant and blaming the Kotonoha for how everything turned out.

Kills Makoto after both her and Kotonoha get pregnant by Makoto, but in this ending Makoto is dating Kotonoha, and Sekai is angry of their happiness, although she quickly regrets it.

It's not shown directly, but in one ending it implies that she (with Makoto's help) killed Kotonoha so the two of them could be together.

Satou Matsuzaka

Now, with Satou were clear with what's her backstory, and what she does, and how she views her actions, as she's one of the protagonist of her anime and manga.

Satou's parent are absent in her life, it's not said why but we can assume that they either died or abandoned her, since Satou lives with her aunt.

Aunt, who.. doesn't show Satou the healthiest depiction of love.. basically teaching her that,

Love = Sex.

That's why Satou is said to be an easy girl among her classmates, that she changes boyfriend's every week after sleeping with them even if she doesn't feel anything for them, slightly hoping that one of them will make her feel different.

That is, until she meets Shio. An abandoned little girl who's still too young to understand all that's wrong with the world, still pure.

Satou immediately feels the need to protect her, resorting to killing the guy the moment she saw him hurting Shio, just so Satou would remain empty (the guy who's the actual owner of the department Satou lives in, I think? and the one who painted her portrait), and I think it's the first time she ever kills someone, so it could be seen as a desperate measure too.

Satou knew about the concept of friends, but she didn't seemed to know until the end of her life that you could love someone platonically, when her and Shio jump from their burning building, and Satou shields Shio from the fall, making the little girl live while Satou died, realizing she loved Shio as if she was her mother.

Now, there's a whole dilemma about her relationship with Shio but I want to prioritize how Satou views love.

“You taught that kid the wrong idea about love. That’s why you have a responsibility to pay me back. A responsibility to help me. Take responsibility for doing this to me.” (Satou to her Aunt.)

“I didn’t know…what warmth felt like. What kindness was. And more than anything else… I couldn’t understand what love was. It’s all thanks to Shio-chan. It’s because Shio-chan took my hand that one time. Shio-chan led me. I learned what happiness meant for the first time in my life. I never understood love before. But Shio-chan is the one who taught me what love means. I see! This is an even deeper feeling for Shio-chan…. I… finally…. Shio-chan, I hope you still love me when we’re reborn. I’m sorry…and thanks.” (Satou's thoughts just before her death.)

Satou sees/describes her feelings with how, well, how she feels, she feels at peace and warm with Shio, a sweet feeling.

When she's unable to spend time with Shio due the extra hours of her work, or when she forces herself to kiss a coworker so the other wouldn't snoop into her life and discover Shio, she describes it as bitter.

Satou kills around 4 times.

The painter guy.

The two guys who had hit(? Shio in the park.

Her best friend, Shouko Hida. After she takes a picture of Satou and Shio and sends it to Shio's brother, who's been looking for her.

Satou manipulates her way out more often than resorting to killing, keeping up more frequently the innocent persona since she has to hide Shio while Satou continues her normal life as a school girl.

When her boss was giving her more hours out of jealousy and refused to pay her (when Satou was trying to save money so she and Shio could live away.) She threatened her to get her pay, not caring about the boy her boss had kidnapped.

Made her coworker help her (I don't remember in what, but I think it was in escaping?) after taking advantage of her crush on Satou.

Asked her Aunt to help her burn the building so there was no evidence left, telling her she was responsible with how Satou turned out.

Blackmailed her disgusting teacher so he'd burn(? some evidence for her.

Blackmailed the kidnapped (and traumatized) guy so he'd help her hide Shio from her brother.

Almost killed Shio's brother when she heard him say the vows(? her and Shio shared. (And if I remember correctly, she didn't do it just because she was interrupted.)

Make the trauma of the kidnapped boy worse by leaving him with her Aunt..

And at the end, permanently traumatized/influenced Shio to think like her after her death.

Reading about a platonic yandere was a nice change of breath, even if it was weird at first since I had been sell on Satou in some of the anime clips before even knowing about Shio, and having heard that the anime spoiled the ending I decided to read the manga first and.. the surprise I got seeing the little girl.. almost made me drop the manga.

Almost, as I was too curious about how the story would explain this and Satou's yandere tendencies.

It would be nice to see that kind of platonic yandere because of the.. lot, of bro/sis complex in anime..

One of the scenes that stuck the most with me was the breakdown Satou has when Shio says she hates her, when Satou has already done a lot for Shio (moments earlier she had killed her own best friend) and feels abandoned again.

I don't remember how she stabilized herself after, but it's clear that like many Yanderes, her mental stability depends on her beloved, Shio's rejection had quickly made her spiral into despair when Satou had already killed without even blinking, but it was useless if Shio wasn't with her.

Honorary mentions.

Mikan Tsumiki from Danganronpa 2, the infamous fan service character that claims love as her motive, although it was after she was brainwashed..?

Misa Amane from Death Note, aside from her dying devotion to Light, and her jealousy later with his past girlfriend, we don't really see much of Misa as a yandere..? She cut her life-span twice just for him, and literally stalked Light as a way to find and meet him.

Himiko Toga from My Hero Academia was often called a yandere because of saying she liked Deku(? But mostly because of her relationship of Uraraka. I don't know what did that hellhole of a series ended up like, but I thought it was worth mentioning, only heard about it.

Monika from Doki Doki Literature Club, although crude, her actions weren't as bad(? as the other yanderes, as Monika was fully sentient that the other girls were just code and not real, making it easier for her to worsen them just to appeal to the player, and by the end she has a change of heart, and if you take the time to make each happy, the ending of the game is different too. Along with Doki+ showing us more about how she interacted with the girls before the events of the main game take place.

Lucy from Elfen Lied.. honorary mention as I can't really see it, since she has kind of a double personality thing going on, only watched reviews of the anime.

Ren from Re:Zero, although short and sneak, there's hints of it aside from her 'main scene', and it's the only thing I know from that anime.

On characters that I barely know of, or I don't have much to say about them.

Yuka Mikase from 11eyes.

Toma from Amnesia.

Mana Ouma from Guilty Crown.

Kaede Fuyou from Shuffle!

All the guys from Blood Soup.

Homura Akemi from Puella Magi Madoka Magica, there's lot of analysis of her character on YouTube, and she's personally one of my favorites.

Ren Yamai from Komi Can't Communicate.

dishonorable mention

Ayano Aishi.

[kaythetrashcan]

Here are some of my thoughts on DN: short stories!

And it's a lot. I'm crossposting this from my reddit account. Spoilers ahead

Book cover

Why does Ryuk look different on the cover? He looks like normal in all the actual stories but on the cover he has a red spot on his chest and red lips (among other things).

I do really like his right bracelet, it reminds me of the handcuffs Light and L had. I'm not sure if it's new but it's cool.

Speaking of the cover, there is 'Death Note' written in shiny letters and I only noticed once I turned my lamp on. That's such a nice detail.

Onto the stories themselves.

C-Kira

When I read the name Yamamoto, I though it was one of Light's friends from the manga, since they have the same name and appearance (spiky black hair and glasses). But apparently they are different characters entirely, which is kinda disappointing even if it doesn't change anything.

I'm bit confused on what's up with Matsuda. He tries to justify actions of C-Kira and I'm not sure where the writers where going with this. Like he was supportive of the original Kira but I kinda thought that ended when he shot Light several times.

I like that Near's hair got a bit longer from last time. Also the tator card towers are insanely cool.

And the way he just pops out of them on page 22 XD.

When Near recalls the video chat, we see a kid with a striped shirt, who I'm guessing is Matt

I haven't seen the Relight movies (I'm planning to one day), but I saw L's monster speech and I'm guessing it's based on this scene. The manga is pretty different from it, L is more forward and cold.

It's pretty interesting to hear that L picked Near and Mello because they didn't ask him any questions, just listened. Also bc of their glares.

And if this is the only time Near interacted with L, how does he know his appearence for his finger puppet? Did he see a photo or did he just get a description from someone else?

I can't believe Ryuk got other shinigamis, including the actual King of Death addicted to apples. Good lord.

Also I love how Ryuk refers to king of death as an "old fart". Makes it sound like he's the shinigami's dad XD

Near just tuning in, calling C-Kira a murderer and then signing out was pretty badass. Rip C-Kira, you were okay.

Speaking of C-kira, we actually know really little about them. All we got was they own a bunch of anime figurines.

I noticed how many bananas Meadra has eaten. Do all shinigami's have a specific food they like? Although all seem to like apples.

I like Near not being sure if he acted like L and how Rester tells him he's L now, it's pretty sweet and adds a bit of humanity to Near.

Also how are the towers holding together? Near's breaking laws of gravity

Meadra is such a nice friend, bringing Ryuk an apple.

This was a pretty fun story and it's always nice to see Halle Linder.

A-kira

I really like Minoru's design. He looks unique but still natural and his hairstyle is bit more modern compared to Light's.

Ryuk picked Minoru rather than just throwing the death note and waiting for somebody to find it. It's a interesting shift from his first appearence.

I love Ryuk's disappointment when Minoru told him he can't read the rules and demanded translation.

Minoru is so based for just trying to sell the notebook and his plan is really clever.

Ryuk holding the sign while literaly everyone in the studio can't see him is hilarious.

Near looks gorgeous with the long hair. <3 And so does Halle Linder with the shorter hair cut

Is that Donald Trump???!!! What even is this story?!

I love how Armonia just shows up with his chair and leaves immediately.

Wait, Yotsuba??? I was wondering what the Yotsuba group was actually leading, nice to get a conclusion.

I'm also intrigued that Minoru decided to keep only a fraction of the money, but it was pretty smart and he still got a bunch of money from it.

I can't believe Ryuk met Donald Trump.

In the end, Ryuk writes the name of Minoru in his note book. I thought the rule would kill him immediately? Or is Ryuk obligated to write it?

Anyways, this story was goofy, Minoru was entertainingly smart and I liked it.

Scribbles

I love how insane and fun everyone in this. We need more. Also Sayu has more to do. Yay :D

Why does Light think strawberries are more sexy than apples?

Misa's back!!! I missed her so much.

Her swimsuit is really bland, but Light looks great in the Hawaian shirt. He should wear it more often.

I'm not sure how to feel about Misa getting sexualized in this. I'm fine with fanservice and her being sexy, but I feel like she sometimes gets treated more as a source of fanservice than an actual character.

I noticed she's the one driving the car. And I don't think I ever saw Light drive. This leads me to a conclusion that Light never learned to drive. Headcanon that Misa just drives him around during those 5 years.

Also I live for Misa and Sayu's friendship!!!

Misa making bunny apples for Ryuk is so cute.

Somehow, "Disappointment" makes Misa and Light into a somewhat healthy couple.

In second to last strip, Light somehow pulls L up using only one arm. My boy is strong.

And the last strip, "Debate" depicts Rem holding a glass of wine (?). Since Rem doesn't have a favourite human food (unlike Ryuk, Meadra and Sidoh), maybe she likes to drink wine? Misa seems to enjoy drinking (in that one scene in the anime). Maybe she shared some with her.

L - one day

Watari narrates this like an animal documentary.

It also gives L both really bizarre and really normal traits, like he bathes in a washing machine and can't be bothered to put a shirt on, but he is fond of art galleries and theme parks.

Also L's a pop fan. Love that but I'm bit said we didn't get this in the main series. I'd love to see what interactions with Misa could come from that.

I'm glad to know that L does more than just sit in front of a computer.

L- Wammy's house

I love L, but he looks so weird as a kid. Glad he didn't stay like this forever.

So L came into the orphanage without a name. Did he name himself or did Wammy gave him that name? How do all the kids get their names? Why does Near have a normal name but then we have a guy named Mail?

How did L manage to defeat a group of kids who were trying to beat him (the new kid) up? And judging from what L says, this might be a common thing, so why isn't anyone doing anything about it?

Kids in Wammy's house share bedrooms so I wonder who did Near and Mello live with.

L and Watari's dynamic here is so hilarious.

Overall I'm not really big on this story. I know it's a matter of preference but L feels really overpowered and inhuman here. I kinda prefer when he gets some grounded moments, like his monster speech in Relight movies or even just his reaction to Misa kissing him on the cheek. I'm not saying it's bad, it's just not really my thing.

Taro Kagami

This is also a pilot for the series.

I noticed that the shinigami's look more human. I'm glad their designs got changed, I don't like how they look like sexy women with weird faces.

Taro is so cute! I really like his design.

I like how he just uses the Death note as a regular notebook and accidentally kills someone. It's a pretty common concept in memes about DN so it's nice to see it in a serious story.

I appreciate Taro's reaction to Ryuk and accidentally killing people. It's pretty realistic for a kid like him.

Takagi kinda looks like Raye Penber while Yamanaka's design didn't make it into the series. Its kinda a shame, since it's pretty unique.

I also like to see Taro's mom getting involved. We never really got any reaction from Sachiko.

The conversation between Yamanaka and Takagi about how they'd use the death note is really interesting. Yamanaka makes a great point on how most people would use it.

I also love him saying that Takagi would have to kill half the world to achieve his harmonious world.

And personality wise, Takagi reminds me a bit of Matsuda.

The death eraser is a cool concept. While it probably would be too overpowered in the main series, I'd love to see what could be done with it.

I'm also intrigued by the author of detective novels. His design is cool as well and I wonder if he somewhat inspired L's character. His deductions were great.

And so we're Taru's, when he figured out Miuro is the second DN owner.

The ending itself is amazing in my opinion. Taro manages to twist the truth just right, so Miuro trusts him while he keeps the original note book. Death note becomes a legend but Taru still has it after all these years. The ambiguity is brilliant.

And older Taru looks great with long hair.

I read on the wiki that Taru might have inspired Mikami and I honestly believe that, but he seems like a combination of both Taru and Miuro.

He gets his long hair from Taru, glasses and fanatism from Miuro (who kept screaming "Die, die, die" while frantically writing names of criminals) and being bullied from both.

This was my favourite story. It flows a bit better than the A and C kira stories and it had some really cool ideas.

Final thoughts

While I'm bit sad we didn't really have any female characters (since DN doesn't really have many and as a woman I'd like to see them) I had fun with this book, the art's great and it's nice to see the pilot, shorter funny comics and what's most of the living cast up to after Light's death.

[acacia-may]

Hi again Acacia! Could I please get a request in for Ed x Winry before you close your shipping game asks? 💜

Hi there, friend! Thank you so much for the ask and for asking about one of my all time favorite pairings. 💕 Ed x Winry definitely makes sense and is beyond compelling to me, but I'm going to put my ramblings under the cut because I specifically mention some spoilers for the ending.

Fullmetal Alchemist Brotherhood was actually the 3rd anime I ever saw, and it will always be particularly special to me because it got me into the anime genre and to this day, is still probably my favorite anime of all time (though I love so many at this point). Winry was my favorite character, and I adored her relationship with Ed. That bantering, slow-burn friends-to-lovers dynamic is probably my favorite kind of relationship trope, so I was really invested in them and in their relationship throughout the series.

I adored their platonic friendship as well. There was just something so endearing to me about how they'd bicker but really had so much respect and admiration for each other underneath it all, and I think they way that they encouraged, inspired, and supported each other was really beautiful. There was something so natural about the progression of their relationship over the course of the series too, and it really so wonderful getting to see them deepen their relationship, fall in love and realize their feelings for each other. I remember literally screaming (in a good way) when Winry had her "feelings realization" moment, and their final love confession scene on that train platform at the end of the series is just everything to me.

As soon as I started writing these ramblings I had to get my out my manga volumes and just read through the scene again because it's one of my favorites in the whole series. There is something so refreshingly different about it, and it perfectly summarizes their characters and their relationship to me. I love how they so clearly expressed their love without saying the words "I love you" and instead used that equivalent exchange metaphor. Confessing in that way is just perfectly, perfectly Ed, and I found it really endearing, but what really gets me, is how he only asks for "half of her life" at first and suggests that 50/50 split which leads to this just amazing reaction from Winry.

That bantering is just so wonderful, especially when followed up by this sincere confession that she wants to give him her whole life and her whole heart. Her unwavering devotion to him is just beautiful, and I love that she finds the words to express that (when Ed, who loves her just as deeply and just as devotedly, struggles to find his words). I'm getting emotional just thinking about it. They are so in love!

When my friend brought over her dvd box set for us to watch the final 5 episodes together, I literally got up from my seat on the sofa, squealed, and danced around when there was this absolutely glorious flash forward photo of them with their kids at the end of the final credits. (Needless to say, it really shocked my friend because I do not get into shipping. She teases me about it to this day, but there is just something about these two, okay? They're too perfect together, and look they're married with babies!!! How else am I supposed to react to that?)

At this point in my life, I have seen this anime too many times to count and have read through the manga series several times as well, and every time I reach this photo (or the similar one in the manga) and see Ed and Winry together with their family, I still, without fail, get so giddy and excited. I love them so much! And I still can't get over how canon they are. If only all my ships ended up married with kids...they do in my mind, but to see it actually happen for real is everything and it's everything that an amazing pairing like Ed x Winry deserves.

Thank you for asking about them! They probably rank on my ultimate OTP list from anything ever! Just perfect and meant to be 💖💖

[444lpblue]

The Witch and the Beast Anime's Outlook

I've finally awakened from my anime slump and have been catching up on a lot of anime. I learned my lesson about trying to do too much and watch too many shows. Therefore, I'm going to limit the number of anime I watch going forward so that I actually have time to write about them. I was barely finding time to watch the shows I've decided to begin, let alone write about them. I'm feeling a bit more comfortable now after grinding a ton, and I would like to talk about one of my anxiety-inducing and highly anticipated anime, The Witch and the Beast.

If you didn't know, The Witch and the Beast is possibly one of my favorite mangas of all time, if not my absolute favorite. It's very under the radar, and I think if you love the world of Ancient Magus Bride or enjoy The Case Study of Vanitas and want a darker twist with a highly aesthetically pleasing art style, I think you should give it a try. But back to the anime, like most people when their manga get adapted, when I first heard it was announced, I was extremely excited—after all, who wouldn't be? Getting an anime adaptation is probably one of the things you wish for your favorite series. After months of confirmation, we finally got the first teaser PV, which looked fine (I did have some complaints about it, but it was mostly fine). We learned that the studio working on it is Yokohama Animation Lab.

If you've been watching anime recently, you might have come across some of Yokohama Animation Lab's works, as they have been quite active since 2017. They have produced visually appealing shows such as Miru Tights and Lapis Re:LiGHTs. However, more recently, they've released shows with less-than-stellar visuals, like Kingdoms of Ruin, The Great Cleric, and Rail Romanesque 2. Even their highest-rated show at the moment, The Genius Prince's Guide to Raising a Nation Out of Debt, doesn't exactly have amazing animation quality; it's more of a passable-looking show. Which made the studio choice a huge large concern for me, as The Witch and the Beast is a series that relies a lot on its visuals. It's an integral part to the enjoyment of the series, it's a series that relies on its aesthetically pleasing artwork for the sake of showing off the characters and the worldbuilding.

However, studios aren't people, and I didn't want to adopt an incredibly negative outlook because the people working on it will change over time, and anime relies heavily on freelancers. The quality of the anime you see from individual studios will differ greatly. But there is a difference in that aspect to an extent in Yokohama Animation Lab, much like in this interview said. They are looking to become more of an in-house studio rather than freelance due to the costs of subscription programs. Oogami Yuuma emphasizes that while digitalization in anime is often viewed as a cost-cutting measure, setting up the required digital environment can be initially expensive. So they are seeking a cost-effective solution. His statement, to this day, still rings pretty true. If you look at the staff for Yokohama's series episode by episode, you might be surprised that a majority of the episodes do seem to involve in-house staff more than the average anime. However, that doesn't seem great when their recent quality, especially in shows like Kingdoms of Ruin, has been rather atrocious. In all visual aspects, animation (incredibly lacking), storyboarding (low quality and not engaging, scene flow to eachother like a slideshow), compositing (incredibly jarring). The only thing I can praise about it is its art direction.

I mentioned Kingdoms of Ruin specifically as it does share several key staff with The Witch and the Beast and I think it's just worth mentioning. Now with all that being said you can see how my worry for the adaptation was incredibly large at the time (in the fact it still is), but I've lessen my worry of it when I tried to look at the individual staffs working on this show and the stafflist of the recent Yokohama shows.

Unfortunately, I did sit through some episodes of Kingdoms of Ruin (do not recommend), and I found it interesting that the staff list for the show was rather small at times— a lot of animation directors, but not many actual animators. For example, one of the action-heavy episodes only had a singular key animator. It's as if they didn't have enough staff. I would say that Kingdoms of Ruin is of lower quality than even the average Yokohama series.

This got me thinking, where are the staff going? Well, there are several options. Yokohama has some upcoming releases, but unquestionably, their biggest series coming out is Whisper Me a Love Song (which I also love), followed by The Witch and the Beast. The other two upcoming series are not nearly gaining as much traction.

This is all just a guess that likely won't amount to anything, but just the type of series that The Witch and the Beast is and the fact that it's the series coming right after Kingdoms of Ruin, I think it's possible that it will end up benefiting from the staff that was missing from that series. I feel like Yokohama will try to put more effort into this series, considering they didn't opt for their usual newbies and completely in-house directors; rather, they got a veteran director in Takayuki Hamana.

Hamana has been in the industry for an incredibly long time, but chances are you haven't heard of him. Recently, he directed Power of Hope Precure Full Bloom, which had a lot of great cuts from what I've seen. He has also recently finished working on the Sorcerous Stabber Orphen series, which didn't receive the best reception (more so for its rushed nature rather than visuals). Additionally, he worked on the Rakudai Majo movie recently, which unfortunately doesn't have an English release yet.

While it's not like these recent shows have the best ratings on MAL or other sites, it tends not to be because of the visuals but rather the story, over which he likely didn't have much control, especially in the case of Precure. He's very much capable of delivering a good product if the source material and the script are solid. Beast Player Erin is his highest-rated work, but he also has shows like Library Wars or Arte, which I know many people like.

In studios like Yokohama, I always tend to favor veteran directors, as they have been in more situations and will likely be able to find a way to maintain quality better than newbie directors; their industry connections should allow them to get external staff to help out. Hamana has shown evidence of this many times, even in the rushed release of Sorcerous Stabber Orphen and the hazardous release pace of each season. They all still managed to have well-animated cuts here and there, and that has been a trend for a majority of his series.

If you just put some of his randomly directed series on Sakugabooru, for example, you'll find that every one of his series tends to have cuts listed there. I think this is a testament that Hamana, while he won't always make the best shows, knows who to bring in and how to manage them for the more important parts of a show. He's a very consistent director, and I think he's someone who could and likely will benefit The Witch and the Beast's studio situation a lot in terms of its production quality. Whether you'll like his directing style (which tends to remind most of 2008s anime) is an entirely different matter, but he is a source of hope in terms of its production quality.

And you know with all this talk of Yokohama and the many people, like me worried for The Witch and the Beast's quality, while I may not be a fan of the many visual direction choice that has been shown in the PV, we haven't gotten any real evidence that the production quality or animation quality will be bad. From the most recent PV and likely final PV, the character designs look fairly well-maintained for the most part. Close-ups are impressive. I also like the expressions for them, strong eye work. Overall CAD work seems good.

Though, essentially, there isn't a lot of animation shown, so that aspect of it can't really be touched on at the moment. So, conclusion? It's a really lazy thing to say since I made you read through this long spew of mine, but I don't really know either. It really is a wait-and-see situation; however, I do encourage you not to write it off just because of the studio choice. A good pick in a director like Hamana, and some other staff I haven't even touched on, like the character design by Hiroya Ijima, and the external studio situation in terms of releases, provide hope for the series, and I genuinely believe that, at the very worst possible version of the series, it probably will be about the Genius Prince's visual quality, which isn't great but won't be a complete disaster. However, with Hamana at the helm, I do expect a better quality show than that.

I'll see you guys next time on January 11th when the show comes out, because, trust me, I will be there.

[edelbleu]

you know, even tho some people seem to think that reo's actions were selfish, i kind of get him tho... i'm not justifying him lashing out to nagi, but i do recognize that he did it 'cause he was hurt, and it's completely fine to feel like that. no one wants to be left behind by someone we hold so dearly, it's not selfish (even tho we all know nagi's intention wasn't to hurt him, he just wanted what was best for both). i think their main problem is their miscommunication, nagi failing to express to reo his true intentions and thus hurting him, and reo not being able to see past his insecurities and pain.

their relationship is a really interesting one. sorry for the rant! just wanted to add my two cents abt them ♡ really love your blog!

You're so right, anon!

I totally agree with the notion that Reo isn't the one in the wrong for their fight - neither is Nagi. It's a failure on both their parts to properly communicate and express their true feelings.

I don't think Reo's reaction is disproportionate at all - let's face it, when I first watched (yes, I'm an anime first) the scene where Nagi joins Isagi's team, I gasped out loud, because I knew something huge had just happened, and I knew Reo wouldn't be happy about it. I think that was the intended reaction for that moment; it comes as a shock for the audience, so it must've been even worse for Reo!

At the moment Reo doesn't even lash out, he shuts down and tells Nagi "to do whatever he wants", which I actually think is a much more mature answer rather than start losing it in front of them. We now know thanks to Episode Nagi that he cries after that, and well - he just lost (or he believes he's lost) the person he's been building his future dream around for the last 6 months... of course he's upset!

And really, if we hadn't gotten to see Nagi's pov of that moment.... we wouldn't have known he was doing it for their sake, either. Sure, in the main manga you get the idea in later episodes that he doesn't hold any kind of grudge against Reo and that he actually looks forward to seeing him again, but... from a third person pov, it looks like a solo move, with the goal of "I want to get stronger", not "I want to get stronger so that we can reach our dream."

And the first option would've been totally fine too, but man, cut Reo some slack. He deserves to be a bit upset. Later things get worse before they get better, and I believe that's due to Reo having too much time to wallow in self-pity and listen to his insecurities.

Reo's denial -> depression -> anger -> acceptance emotional pipeline is really well-written IMO.

In the end, I think their behavior is... human, and very realistic at that. I was genuinely impressed to see such a complex dynamic between two characters in a shounen about football of all things, and honestly, that's what got me hooked.

TL;DR: Reo isn't selfish, he's insecure, and Nagi didn't help him realize he wasn't just moving on without him.

[kolbisneat]

MONTHLY MEDIA: February 2024

A real grey month broken up by the colours and beauty of art. Here's how I spent the month of February.

……….FILM……….

The Beekeeper (2024) Perfect February movie.

……….TELEVISION……….

Succession (Episode 1.01 to 2.04) Wasn't sure I was going to like this (every single character is just awful) but now I'm keen to see how these awful people are increasingly awful to each other. So far I'm really appreciating every shot that shows the staff and just the sheer number of people responsible for making the lives of these awful people as low-friction as possible. We 100% need to tax the rich more.

Delicious In Dungeon (Episode 1.05 to 1.08) Now having seen more episodes, the shifting animation styles feels more consistent overall and I love the frenetic style during the high-stress/combat scenes. If you like this show then know it's a near 1:1 with the manga but still worth reading.

……….YOUTUBE……….

Pinocchio is a Story About Art and God by Jacob Geller This opened me up to a wholly new interpretation of what the story of Pinocchio is about. Also go watch the Del Toro adaptation on Netflix it's truly a work of art. VIDEO

Vape-o-nomics: Why Everything is Addictive Now by Tom Nicholas In short: everything is a subscription now and it's making everything worse. Worth the watch and looking forward to further installments in this series. VIDEO

This Experiment Undid Our Cities. How Do We Fix It? by Strong Towns Push back against any local government that doesn't want to introduce mixed use zoning into neighborhoods. The suburbs are subsidized by density, it's as simple as that. VIDEO

……….READING……….

How To Watch Football: 52 Rules for Understanding the Beautiful Game, On and Off the Pitch by Tifo (Complete) So I actually read this over the course of a month or two. I'd read a rule or two, process, then read a couple more a day or two later. I don't even really watch football but this helped so much and now I expect I'll crush the fantasy premier league I'm in.

The Big Four by Agatha Christie (Complete) Only my second Christie novel and this felt SO different. Turns out that's because it really is an outlier amongst her other works. So that was reassuring. Not terrible but I wouldn't exactly recommend it as it felt thoroughly disjointed (a result of stitching together a series of unrelated short stories).

The Last Continent by Terry Pratchett (Complete) Hey I love the Discworld series. You know this. I know this. But there's always gotta be an entry that goes on the bottom of any list. I love Rincewind, but prefer the other wizards in a less prominent role. Not one I'd recommend when trying to get into the series and probably not one I'll revisit. Oh well.

Catwoman: Lonely City by Cliff Chiang (Complete) Big fan of Chiang's artistry on Paper Girls and really enjoyed this interpretation of an aging Gotham. It has such a clear and singular voice it covers so much in just four chapters! Really great read.

Silver Surfer: Black by Donny Cates, Tradd Moore, and Dave Stewart (Complete) Every time I read this I love it more and more. It's truly what I pictured comics to be when I was a kid: vibrant, dramatic, and a little bonkers. Why does the villain ride a dragon? WHO CARES it looks cool. I love it all.

Delicious in Dungeon Vol. 4 by Ryoko Kui (Complete) Watching the series and rereading the manga is really making for a great experience. This volume really highlighted that Senshi isn't a man with all the answers. In the upper levels of the dungeon, he's competent, but as they go deeper and face more dangerous monsters, the rest of the party take more of the lead. It's so good. This series is so good.

……….AUDIO……….

Wolves of Glendale by Wolves of Glendale (2024) Comedy music is always tricky but for me, the comedy is second. If I don't enjoy the music having no understanding of the lyrics then I probably won't stick with it. Some tracks strike this balance better than others but I found The Gym to be a good introductory track.

……….GAMING……….

Disco Elysium (ZA/UM) On one hand, I tend to prefer more...active games. Something that requires hitting buttons at the right time. On the other hand, I'm really digging the mystery and complexity of the game. It really feels like I can play this detective however I want without being forced to follow any one playstyle. Not sure how far into it I am but I read the review that it's less a detective game and more a game about being a detective and that really feels right. But I do have to say that it's...rather buggy on the Switch so that might not be the recommended way to play it.

Neverland: A Fantasy Role-Playing Setting (Andrews McMeel Publishing) The Tuesday crew is working towards ridding the island of a competing group of adventurers. Hook wants them gone, the Gnomes want them gone, heck even the Moss Mother wants them gone. But will they be able to do it? And the more lengthy recap is over here.

Oz: A Fantasy Role-Playing Setting (Andrews McMeel Publishing) The Mof1 D&D crew found a (literal) underground magic item shop so did a bunch of shopping after their big funeral heist. Everyone loves a good shopping session!

And that's it. See you in March!

[canmom]

mmo rp is kind of fundamentally not so different from RPing in any messaging program, something we've been doing since the days of IRC. the story you co-create is primarily driven by what's written in the text box. no matter how well made the emote animations are, they are not communicative enough to really tell a complex story, so you always fall back to prose. your character's voice will be limited to a handful of nonverbal expressions - a laugh, mm-hm, uh-huh. you are constantly having to reinterpret bits of game jank as you construct your mental version of the 'real story'. and yet

these visual aids do make a really substantial difference in how you experience it i think. to honestly a kind of surprising degree. of course having a character design on screen helps avoid writing tons of descriptive prose - but there's also a lot that can be done with simple movement through space, like a character positioning themselves besides another, retreating to sulk, getting up to dance.

like in visual novels and manga, you have essentially a set of codified, symbolic expressions - but in FFXIV, every race has its own set of very charming and polished animations for nearly every emote, which adds a huge amount of info in how you interpret that character (and slot them into the otaku database). a roegadyn will by default be loud and brash, a viera refined and dreamy, a lala mischievous and childlike. a mi'qote is a cat. since all of these are chosen by the player, they act as a strong signal of what your character's deal is - their body language comes across even if it's not like the actual scene fully acted out.

and what's fascinating to me is that even when i know what the player looks like irl, i still find myself responding to their game embodiment in how i think about them, i don't picture them irl... but also, having the embodiment helps me get into character. I have two alts, and with each one i feel drawn to a different style of roleplay. just like a list of prompts in a ttrpg sourcebook, the embodiment you've chosen gives you something to bounce off when you're improvising.

roleplaying is very similar to improv comedy, and many of the same analysis concepts - 'offers', 'yes, and' - apply. we're essentially improvising a digital puppet show. building up an RP venue and customising our model is a way of laying out props to help that process roll smoothly.

i often dream about an mmo animation system that would be less janky - more control over camera placement, better handling of interactions between player characters and characters with their environment, more ability to plan out timing and blocking and so on - essentially trending towards multiplayer source filmmaker.

the problem is that such a system would probably have way too much cognitive overhead to be usable in real time improv. i think what something like ffxiv shows is that even very simple elements - besides the emotes, your character looks towards your target and moves their lips when you talk, you can adjust their expression and there's animation hooks all over the place line chairs you can sit on - can actually be a very expressive palette and people are pretty good at filtering out the jank when they want to create a story together.

indeed, it becomes a skill - knowing what animations you have, how to reinterpret them, how to line yourself up with other players. and in the end you don't remember the time spent shuffling forwards and typing /hug again and again, or standing up and sitting down repeatedly until it lines up right. you remember the cute sight of your character sitting beside your friend, looking fondly at each other.

there's also another angle which is like... i find real life 'going out' very difficult - usually hitting a point of information overload very quickly in a pub environment, and while music is easier to manage than a wall of conversation, i never really learned how to interact with strangers at a club, concert, convention. I'm not good with alcohol. when i try to a pub, i usually end up retreating into myself and ducking out. in mmos, though... i find prose much more easy to be expressive in, and the limits of the animation system kind of level the playing field a bit in terms of The Autism when it comes to body language and the like.

still, sometimes it feels like a very sad existence - i rely on this simulacrum, pretending i am being intimate and social with people i can't touch through a computer program that draws triangles. everything in an mmo is muted, blunted by the medium - which makes it 'safe', but also tinges it with a loneliness that can't really be broken. but for now, i guess the simulacrum is all I've got, you know? and i can appreciate how it's put together, all the effort that has gone in from devs and players alike to realise this alternative channel for connection.

but yeah. i guess it comes back to this again... there's a reason my online 'face' is a low poly approximation of an animal!