♡ handwriting analysis: alex turner and miles kane ♡
as promised, here is the analysis my wonderful friend (who used to work as a professional handwriting analyst) did of miles and alex's handwriting! a couple of important points to read before you dive in:
my friend analysed these blind - to avoid bias, she always makes a point of never knowing whose handwriting it is she's looking at, so she had no idea that these samples were from alex and miles while analysing them (not that it'd have made much difference if she had, she can't even name one am song lol)
she stressed that her analysis should NOT be taken as fact - it's just one person's interpretation of the material, and handwriting analysis is ultimately always subjective
the two analyses below are based on notes i took while she was talking and is pretty much verbatim - none of the wording is my own and i have changed as little as possible in typing it up
she noted that it was harder to provide a full and accurate analysis just working with photos of handwriting, as you can't see things like pressure on the page etc. she also stressed that context is significant when it comes to interpreting someone's writing, and it's important to bear in mind that how someone writes in one context, e.g. signing autographs or writing something for the general public could show quite different characteristics to how someone writes in another context, e.g. personal letters to someone they're close to. in an ideal world she'd have access to samples from a different range of contexts to provide the most detailed and accurate analysis. in other words, this analysis is quite rough
alex's handwriting:
(samples taken from roughly 2011 - 2018)
block capitals suggest this is someone who don't want to show themselves, makes it hard for people to reach them
someone interested in thoughts and ideas, would engage with these in a way that's intelligent and very original
a lot of emotional and social inconsistency, suggests someone pulled in different directions. they might show very different sides of themselves with different people and probably have complex and/or conflicted feelings about identity
very creative, someone who'd make interesting and unusual connections about the world around them
highly intuitive but also lacking harmony from an emotional perspective. lots of internal emotional conflict and changeability
someone who fluctuates a lot socially as well as emotionally - might go from being quite sociable to withdrawing completely. ultimately struggles to reach out socially and holds back a lot, but there might be certain situations or people they feel particularly at ease with where this is different
really hard to read, don't give much of themselves away
thoughtful and enquiring, interested in ideas
someone who feels things very strongly
signature:
implies someone hiding themselves or presenting as someone they're not. they want to look confident and exciting, but they're actually much less confident that they'd like to appear. lets their creative and artistic tendencies hide them and take centre stage.
miles's handwriting:
(samples taken from roughly 2022 - 2023)
a little sharp, could suggest humorous wit and/or being critical (either of self or of others)
ambitious and incisive, intelligent and enquiring mind
fearful or wary about opening up and reaching out to people, emotional inconsistency. potentially quite restrained - looks like someone used to hiding a lot of hiding of emotions
has an enquiring mind but isn't particularly interested in abstract thought, more grounded in reality and social/emotional things
someone with strong feelings, they get held in and confused. could be warm and open on a surface level, but looks like they'd be reserved about their innermost feelings
could be sharp tongued to avoid dealing with their own feelings
lower zone suggests someone who might not be completely comfortable in their own body and/or sexuality, or have a complex relationship with these things
someone with a tendency towards strong feelings and devotion/worship (could be religious, or could just be to do with the way they relate to people or ideas)
signature:
someone who wants to look more confident they feel. sense of changeability and flashes of insecurity, but ultimately suggests strength of character, not someone who's a pushover. they know what they want and what matters to them.
interesting extra notes:
the wonderful @ballad-of-what-could-have-been managed to find this sample of alex's handwriting not in capitals from when he was much younger (from what i can see, it looks like it was early fwn era):
so i showed this to my friend too (after her analysis of alex's usual writing) and noted that it was probably done when he was a lot younger. she said that all her points from the original analysis still stood, and that despite the fact this writing isn't capitalised it was actually still very hard to read and definitely someone not comfortable with showing themselves. she also said that it was more emotionally conflicted and uncertain than the later sample of their handwriting. the phrase "emotionally all over the place" was used, and she noted a greater sense of inconsistency with identity. overall though she said the earlier sample confirms that this is someone with a high level of intuition and originality, and she said they're someone she'd be fascinated to have a conversation with!
thank you for reading! if you have any questions, please feel free to comment/drop me an ask and i can always pick my friend's brain again the next time i see her!
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ways journalists have really described alex turner and miles kane:
"Wearing matching outfits, gazing into each other's eyes, talking about their instant connection… Alex and Miles' claims that they wrote the Shadow Puppets' album about 'a girl' weren't fooling anyone. Quite simply Alex and Miles are hopelessly, madly, enviably in love with each other. Please lads, just be true to yourselves, embrace your feelings, and have a massive snog - we can't bear the tension any more." - NME
“If there’s one sexual dynamic at work tonight at the Usher Hall, it’s homoeroticism. The Last Brokeback Mountaineers are a camp pair of strutting cocks, to be sure.” - The Wee Review
"Speaking to them together feels like interrupting a conversation that's been going on since 2005." - NME
“Looking over at his manspreading counterpart, Kane gleefully points at Turner’s exposed bulge. Not wanting to be rude, I look away.” - SPIN
“Watching them finish each others’ sentences, agonise over their answers to how well they know each other and embrace when it’s time to leave... well, you’d need a heart made of Hoosiers CDs not to find it incredibly sickly sweet.” - NME
“Alex Turner and Miles Kane turn towards each other with fond looks when we suggest they’re best friends. Like doodle in each other’s notebooks BFF status. After spending 15 minutes with them though, we’re pretty convinced they’re going to grow old together in matching tracksuits.” - Sidewalk Hustle
“Miles Kane looks like he’s gagging for a great big man-hug (and maybe more...) off his buddy. These two have spent overly long admiring themselves and each other.” - The Wee Review
“As soon as I decide to just get started without Kane, Turner accidentally Facetimes him from his pocket, and the two erupt into a fit of giggles, our conversation veering off course for the third time in as many minutes.” - Consequence
“While Turner stares on the ground during his answers, Kane watches him like a lovestruck teenager from the side.” - Musikexpress
“Say this for Lennon and McCartney, or Plant and Page: they never had their own romantic rock ‘n’ roll portmanteau. But “Milex”—Miles Kane and Alex Turner, for the uninitiated—have just that enviable kind of bromance. The two even moved to Los Angeles in tandem a few years ago. No wonder multiple “Milex” pages have cropped up on Tumblr, breathlessly re-posting the duo’s every embrace and droll quip; there is fan fiction, too, the kind that would make a coal miner blush.” - Interview Magazine
'"Alex Turner is like a princess in need of his prince Miles's assistance to get down from a tower." - Dutch Review
"You'd be forgiven for barely noticing anything beyond the front of the stage, though. Like a pair of teenagers egging each other on, Turner and Kane are the most infatuated frontmen since the Pete Doherty and Carl Barat." - Hot Press
"If Miles Kane had a 'hard on' for being a front-man before The Last Shadow Puppets, he's grabbed the opportunity Turner's patronage presented him with both hands. So to speak." - Q Magazine
"The feeling is contagious too, as though we're looking in on star-crossed lovers finally reunited." - Hot Press
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"Nice place you have here," says Desire, sliding into the booth opposite Hob.
Hob, unfortunately, recognizes them by voice alone. Desire speaks with the melody of an arpeggio, smoothed into oblivion by the sustained press of a piano pedal. Drag without release, in comparison to Dream's resounding deep notes.
"Never seen you here before," Hob says, instead of get out of my pub. He doesn't actually need to start a fight.
"I've decided to respect my brother's play set for now," Desire says archly, as if this is a huge consideration on their part. "He's been through so much recently, after all."
"And you've been so much help with that," Hob says.
Something dangerous flashes briefly in Desire's eyes, and Hob remembers how fickle they can be. Like fire, Dream had said.
Then it subsides. "Careful, Robert," they say easily, leaning on their hand, "one might think you've chosen a side."
No thinking about it, Hob thinks. "Families shouldn't have sides."
"Oh, ours isn't supposed to," Desire agrees. "And yet."
And yet. "Is there something in particular that has you breaking your self-imposed generosity today?"
It's one day before his and Dream's usual meeting, after all. That can't be a coincidence. Technically, they meet all the time now, but they always keep June 7th for nostalgia's sake.
"I simply enjoy the atmosphere," says Desire, leaning back in their chair. They thrust out a hand, and a rainbow flag flutters off the wall into their grasp, drawn by their whims. Desire drapes it over their shoulders.
"I guess that makes sense," Hob says.
Desire raises an eyebrow.
Hob gestures at them. "Desire. Isn't that your thing?"
They give him a crafty smile, a little teeth, that suggests Hob's going to learn something he may not entirely like. "Well, it is certainly of interest to me."
"Of interest," Hob echoes. Might as well say fire was "of interest" to a pyromaniac. "Isn't that what you do? Dream makes dreams, and..." he trails off.
"I am Desire," they say. "So, in a way, I feel all desires at all times. Yes, even yours, Robert." They pat him on the cheek, and wink. "I know what you feel."
Hob's cheeks heat, but Desire doesn't linger on it, thankfully.
"But, my own desire? Hm, no, not in the way you would think."
"But you--" Hob doesn't know how to phrase the confusion in his mind.
Desire runs their tongue along their lower lip. "Are you calling me a slut, Robert?"
"Would take one to know one, I suppose," Hob says before he can even think about it, and Desire laughs, bright and loud.
"You are so cute. You would be delicious if you weren't obsessed with Dream. But, no. I can feel desired," Desire says, emphasizing the past tense. The objective nature of it. "But that, while certainly tasty, is not quite the same as feeling it oneself, now is it?"
What might it be like, Hob thinks, feeling a pang of sympathy for them despite how they've treated Dream, how he'd automatically marked them as an enemy in his mind, to be surrounded by wanting and not be able to feel it?
"I... guess not," he says. "So you don't want anything?"
Desire shrugs. "I enjoy things. But if I can't have them, it simply passes like--" they pull off the flag and let it flutter to the floor "-- a gust of wind. And I move on to something else. Otherwise, I chase others' desires. Your inn is full of them. Desires for peace, for belonging, for change and magic and-- yes, lust, too, but more of an undertone. It is..." they run their tongue over their teeth, thinking. "Aromatic."
"What does desire 'taste' like?" Hob asks.
"Why don't you tell me," Desire says.
"I'm not going to lick you," Hob says, and Desire cackles.
"Open offer," they say. "Be all metaphorical like Dream, then."
"Alright, fine." Hob decides to indulge them, because he has actually learned something interesting today. "It's like... the smell of a good meal. You don't quite... taste it, exactly? But you can imagine tasting it."
"Good answer," says Desire, and steals his drink for a sip. "I knew I could count on you to listen, Hob."
Hob's not sure if it's the tone, like something long undecided has now been settled, or if it's the use of his old nickname, but suddenly the afternoon tilts, and Hob realizes with a swoop in his stomach that they're here for a purpose, and not just poking at Dream.
The Endless almost never communicate directly, Hob knows this. Goddammit.
"I've spent a lot of time in these sorts of places, you know," Desire says, gesturing around. "They are right--" they interlace their fingers in example "--in the center of my realm."
"Depending on the year, I would have thought you and Despair together," Hob says, wary now that he's realized this is coming to some sort of point.
"A common assumption," Desire says, nodding like a teacher whose student is getting on the right track. "See, people often think my twin and I are opposites. Desire, Despair." They hold out both hands separately again, then clasp them. "But they don't have it right. Hope is the opposite of Despair. Do you know what the opposite of Desire is?" They reach across the table to tap their sharp nails against his sternum. "Shame."
"And that's... part of your domain, as well?" Hob guesses.
"Indeed. Who could know shame as well as one who desires? They both--" they lay their hand flat to his heart "--live here."
Hob supposes he himself has had plenty of desires over the years, and plenty of shame too -- though not necessarily over the same matters.
"Hence," they spread their hands wide, "my presence. The duality of Desire."
"So what do you do?" Hob asks. "When you're here because of shame, I guess."
"I am always both," says Desire. "But." They smile sweetly, and it actually does look sweet, for once. "I am merely here to hold your hand."
Hob must look at them with an expression of vague disgust, for they snort and roll their eyes.
"Not you, Robert. You!" They gesture broadly at the entire inn. "Death is always going on and on about serving humanity. I know how to do my job too, you know."
They frown at him, at the idea he might think otherwise, and it's-- it's actually kind of sweet, how much they care about this. It really is.
"That's sweet," he says, and Desire grumbles. Hob can't help but smile.
"I take the charge of those who live in the heart of Desire very seriously," they sniff. Their gaze slants over Hob's shoulder, watching something across the room. "Relatedly, if that man at the bar follows through on his desire to say something homophobic to those children on their date, I am going to shoot him."
"Ooookaaayyy," Hob says, snapping his fingers in front of their eyes until their attention turns back to him. Hob's bartender will handle any issues; he would really rather not have an Endless making a scene.
Desire smiles placidly at him. "What was I saying? Ah, yes. Desire and shame go hand in hand. Almost like dreams and nightmares, you might say."
Hob goes still again, on instinct. "Right."
"My sister and I are very close, even if we are not, actually, opposites. Dream and I were close, once." They drag their finger around the rim of Hob's glass. "Wanting. Dreaming. So similar, and yet, so different, too. It hurts, to really let yourself want what you've dreamt of. It hurts to desire, don't you think? It's sharp, like a blade."
"Yes," Hob says. "It is."
"Mmm. But shame... shame is like a heavy, warm blanket. It makes you want to just--" they mime pulling fabric over their head-- "disappear. My brother and I have a very complicated relationship. Perhaps, one day, we will be on better terms again, and he can tell me about his desires, and I can tell him about my dreams. I would love to know what it feels like."
Hob isn't sure if he's putting the pieces of this meandering conversation together correctly, but whatever he is picking up on, he doesn't like the sound of.
"Dream is always going on and on and on and on about the importance of dreams and it's so annoying but you know what? I'm starting to think he's right." They give Hob a warning glance. "Do not tell him I said that. But, yes, I'm afraid that desires without dreams hand in hand are just--" they slide their hand across the table and let it stop at the edge. "Impotent. Static. And god knows what good dreams even are without desire but Dream will never admit that."
"So you're what," Hob says, even though he knows this is not what this is about, "trying to mending fences?"
Desire smiles sunnily. "I just want him to call me. I'm bored, and he's spent far too much time in my sister's realm recently."
Then they stand in one fluid motion.
"What are you saying," Hob asks. He feels sort of faint, whiplashed.
"Oh, I've said nothing, I'm doing nothing. I merely don't want to have to fill an empty seat next June, that is all. I'll be far too busy." They wink, and then they're gone.
Hob sits still for a long time, after. He's still not sure he understood... all of that. He understands that the Endless aren't supposed to interfere in each other's affairs and that sometimes riddles result.
What he does understand is that if Desire, of all people, has decided to be helpful, then he definitely has something to be concerned about. Something he needs to do something about.
He shakily drains the rest of his glass, then stands. Hob has never gotten anywhere by being static.
Time to go try to do something about it.
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