#I'm just saying there are some noticeable similarities

[idliketobeatree]

dead boy detectives characters as art objects and sculptures; extended ---

hello, i remembered i made some subjective explanations and notes on few of my choices for this post, and i thought some folks might enjoy it. soo let's get into it.

1.

monty finch

author: anders krisár

pretty self-explanatory; it's a moulded male torso with visible inprints on its skin.

anders krisár’ artistry explores the themes of loss, separation, and the condition of the psyche through the lens of a human body in duality: perfectionism meets unsettlement, skin meets marble and bronze and polyester, to create sculptures spanning geological time far beyond the living's capabilities.

monty's creation by esther was already stripped of any human agency. "he was made a boy, not a person", small, almost doll-sized, with a singular purpose: to seduce and entice the chosen dead boy into their doom. the naked skin and specifically the position of its arms are mildly erotic, but in a way that makes your skin crawl. the imprints are intimate, placed possesive; notice the thumbs digging close to especially sensitive areas like nipples and the belly button.

the latter seems to connect the "creator" to the subject, the navel here as a symbol of cruel, invasive motherhood. the fact that the torso is cut off in the middle and at the neck furthers the uncanny valley feeling of a young male body, but then again. this is a realistic portrayal. so was it ever a person? what does it have inside to make dents so profound? how deep you can press until it breaks?

--- i'm leaving out crystal and edwin (for now?), but @nicheoverhere brilliantly noticed that it was the same author for both. that was intentional! because glen martin taylor is all about taking kintsugi, which is a beautiful art form of repairing fine china and generally delicate things with veins of precious metals, but with materials like— nails. scissors. barbed wire. all ugly. the repair after a great shattering is seldom pretty after all, they really are similar in this regard. ---

2.

charles rowland

author: robert hudson

okay, strap in. this funky dreamy world belongs to robert hudson, and i picked it for charles rowland because it's all first impressions. the colours? the composition? they give you the 80s vibes, almost; like something a kid would design if you asked them what a time machine would look like. it could probably move in several ways. the pieces seem mismatched, but hold themselves together surprisingly well. or maybe you underestimate it?

it's neither big nor small. you can't tell its size at all. it's a bit overwhelming to look at, at first, and at second, and after a while, but it carries that comfortable familiarity and nostalgia for— well, nothing in particular, because the longer you look, the sadder its past seems. the bold pops of contrasting colour are fighting for your attention. they want you to like it! and yet, the major material seems to be just. rusted steel. made from tools.

and look at that botched up sphere, it wants so badly to be a perfect sphere and it knows it'll never be one. fine!! perhaps it could be a football ball instead! or maybe a head. if you close your eyes, that is. and this facing-up horseshoe? a lucky charm, made to collect good luck and keep it from falling out cause god, it needs it.

---

3.

niko sasaki

author: justin cloud

---

niko sasaki, now how do i describe her? let's start by saying— she's cleary a her. this one is a she. and there's something to be said about blooming, and femininity, and delicacy, because pink is a hopeful girly colour and a surprise and a delight.

what are you doing in a gallery, little flower, shouldn't you be at home? in a field? look how pretty you are! mind you, of course there's something wrong with her as well, but you're not sure if that is because someone messed it up, or because of a different entity alltogether. was it always half-electric? its elegance seems purposeful— the iridescent metal fits all too well with the white-pink petals— but also uncanny. and oh suddenly you can't stop looking at the stigma from which a pollen should release aaany time now.

when i look at her, at her black artificial stem and the small leaves imitating the real ones, i wonder if she doesn't want to lure me into a trap. is it her fault?

the beautiful petals seem like the only thing left real of the flower. whichever way she turns, it will probably mean— death. and flowers are ephemeral. what is a flower mounted to a wall, fortified with steel, connected with cables and enfused with electrical energy, then?

i think she's a self-preserving survivor. ---

4.

the night nurse

author: elizabeth turk

---

now. the night nurse.

of course it's the only piece in the collection where the background needed to be dark. no one here is older than her. there is no inoffensive, fading-into-background white for this absolute pillar of truth. or maybe something like a totem, quite protective in nature. and it's terrifying, 'cause you're immediately hit with the feeling that you're looking at something out of this realm, something you're not supposed to witness. the perspective is all wrong. is it downwards or upwards? why does it seem unstable when the pieces are so perfectly centered and seemingly well-balanced? child, you should calm down, it's not like you will destroy it with a stronger puff of air. will you?

this sculpture is called "tipping point — echoes of extinction", and it's actually a mix of technology and sculpture and sound, with elegant visualizations of the lost voices of birds and sea mammals. the author said it "was conceived in reverence to the astounding lives the species which envelop humans have lived and the mysterious ways they have contributed to our well-being. the shadows of their memory, whether a shape or a sound, have inspired this project." so the piece deals with death. moreover, it deals with murder. it records the harsh reality and makes sure the ones that suffered horribly at the hands of humans are, in a way, celebrated. but also— categorised. like epitaphs. the birdsong, once a living sign, is only visually represented by the lines of varying lenghts in 3D, and you can do nothing about it anymore, right, you can't bring back the dead, you can't help the innocent dying in any way other than— stacking them on top of each other and moving on.

---

so that's for now, i might someday write more if anyone's curious. :")

[thefandomenchantress]

I know I predicted radio silence from me...But I had what I think is a cool idea and wanted to share it before anything gets disproven in the next episode (Brief, singular mention of the Eden!Culprit theory).

So, I saw a lot of people talking about the Arei-Eden parallels, and the Ace-Arei parallels (and differences), and the Min-Eden parallels in the hug scene...Because of that, I started thinking about how Eden and Ace relate to all the others. And then I remembered the very obvious Teruko-Ace parallels.

Ace and Teruko both trusted someone who betrayed them in one way or another. Teruko with...Well, everyone, and especially Min, and Ace with Levi. In chapter two, they're both pretty similar, being closed-off and trying to not care about others with varying degrees of success. And, of course, Ace almost dies just like Teruko did, in an attempted murder.

All those things are fairly obvious, especially them being the only participants to be almost-victims. And I'd always noticed that, but it got me thinking...

In chapter one, Teruko was the victim of an attempted murder, surviving on the pure luck of the knife just-so-happening to miss anything vital in her abdomen. Then, instead of sympathy for her life almost being taken, people are upset with/suspicious of her because they think she was the one who killed Xander. And that fact is no fault of Teruko's, she just had the misfortune of being at the scene of the crime (and Min moving the evidence to further incriminate her). Barely anyone asks if she's okay or shows much concern other than Min, who betrays her, and Eden. She is then forced to defend herself in the trial almost completely alone until finally some others start to come to her defense.

In chapter two, Ace has been put in the position of being the victim of a murder attempt but surviving through the pure luck of Eden and Teruko just-so-happening to come to the second floor late at night. If Teruko hadn't happened to forget her clothes on the second floor, chances are that Ace would be dead. No one feels sorry for what Ace went through, because he was a total asshole to Nico and along with no one taking him seriously to begin with, they think he, in a way, had it coming, trauma and injuries be damned. Now, he is forced to defend himself, presumably alone unless Levi decides he wants to help and be the Eden equivalent. And Ace has been blamed for Arei's death not through any fault of his own, but because he had the misfortune of being at the scene of the crime, where someone else tried to murder him.

I guess what I'm trying to say is that it would honestly be pretty cool if Ace finished this chapter going through rather similar events to the ones Teruko experienced last chapter. Some people say that Ace being her parallel will show her during this chapter that distrusting isn't the right way to go, but he doesn't have to die to show her that at this very moment. Hell, it might hit even harder if he manages to go through everything she did, since it would make them even more similar.

Plus, if Eden is the Min parallel, and Ace is the Teruko parallel, that's pretty dang cool! Of course, if Ace does all the Teruko stuff during the trial, it makes sense for Eden to have done all the Min stuff...And I mean, the episode seems to be saying that's depressingly possible, so maybe.

So yeah, I just thought Ace and Teruko's similarities continuing into the trial would be fun. After all, he's been pretty consistent about following in her footsteps so far, so you never know. Like imagine if he says a protag line or something it'd be hilarious. Especially if all his points during his defense are like Teruko's, but with an Ace-y twist that makes them more funny or stupid or whatever. Fun!

Or who knows, maybe Ace will just hire David as his defense attorney, since he's the only one to have successfully defended Ace so far. /j

[matrixbearer2024]

“Daddy dearest can't save you now squirt! You're mine!”

Aeschylus has nightmares about a familiar chaotic triangle we yeet around because LORE! I'm planning to make a comic about him waking up from the nightmare because holy SPAZZ he needs some good shit to recover and help with this.

More lore and context under the cut:

Way back when Aeschylus was a kid he used to adventure out of the shack and into the woods to explore and or bring back neat little critters to ask papa Sixer about(despite his mom having scolded them both about bringing random specimen of all kinds into the house). The behavior didn't really stop even after Ford got sucked into the portal, hell it happened more often because Max kept looking for his dad- convinced he just got lost on an expedition or something similar.

However, as you all know how Cipher messes with everyone's minds when granted the opportunity- the triangle tried to beeline for the kid that most resembled his darling Fordsy in both personality and behavior when the researcher finally grew wise to his shenanigans. He didn't really have many opportunities to for a couple years because of Stanley and Ford's wifey protectively hovering over the triplets but Bill would say waiting four earth years was well worth the return for the damage he had inflicted.

All it took was a little bit of stroking that same flame of curiosity as he did Sixer and Aeschylus was all his for the taking. Like father, like son, Bill couldn't have found it more amusing. Slowly he guided the kid deep into the forest, away from the eyes of mother mayhem and uncle irritating.

Much to the triangle's annoyance however, Aeschylus was more cautious of him than Ford ever was. The kid refused to make a deal with him and even tried running away at some point when he finally realised what the triangle was trying to do.

"Nu-uh! You're the weird guy that made my daddy crazy! My mommy says to never make a deal with you!"

Bill was pretty pissed at this point that his plans are being proper screwed with so he forced his hand.

"If you're not going to give me access to your head, I'll just take it then!"

Imagine having taken your eyes off your eldest toddler son for just a second only to find him suddenly gone. It took so much strength to even allow the kids outside of the cabin you called your home ever since Cipher started haunting you and the family since Ford's unfortunate incident with the portal. To find Aeschylus missing would've driven anyone at that point into a flurry of panic.

When Stan came out to check on the both of you, his expression of dread and anxiety merely mirrored your own to a lesser extent. The two of you immediately shouting for the kid as you checked the nearby area thoroughly, the both of you making your ways deeper into the forest surrounding the log cabin cautiously.

It was Stanley who found Aeschylus first, seeing the kid strung up high into the canopy was eerie enough but noticing he wasn't responsive made the panic shoot sky high. There was some kind of large furry creature that poked and swat around the young boy like a pinata which Stan immediately threw hands with the get rid of the darn thing in his emotional high.

You heard the screaming and shouting and rushed over before feeling sick to your stomach, there your kid was- but strung by the neck by a vine so high he seemed to nearly be a part of the forest canopy. You steeled yourself and pulled the small pistol from your pocket which your husband had made prior with the intention to use it for hunting creatures.

Who knew it's first use would be as a pivotal tool to save your son?

Despite shaky hands and eyes blurred with tears, your aim rang true and the ion blast burnt the vine clean a couple inches above the toddler's head. You didn't account for the tall drop however, as the priority was first and foremost to get him down before he was hung to death.

Thankfully, Stanley had been paying close attention as he managed to catch Aeschylus with a loud grunt. The kid was dropped on him like a bomb multiple times both literally and metaphorically but this moment falls under the former. Your stomach dropped to the floor when you also started to smell the familiar metallic tang of blood.

It wasn't rocket science for both you and Stanley to know that you needed to rush Aeschylus to the hospital, especially as the vine around his neck unwound to leave a large and nasty wound that seemed to circle around his entire neck. The vine itself was thorny and barbed but it had apparently dug deep enough into the kid's skin to cut.

Stanley drove to the hospital like a bat out of hell while you kept a towel firmly pressed into your son's neck in an attempt to stop the bleeding. The kid was breathing but shallowly, not to mention he was turning paler by the second.

You and Stan were never really religious, but you could both only really pray to whatever deity was up there if there even was any- to keep Aeschylus alive. You wondered how much your husband would've lost his shit had he been here, but you swallowed down the grief at the reminder of him as your in-law pulled into the ER parking lot.

Memories from that point on were a blur, you could only be grateful that despite the apparent tension between your husband and his twin brother- Stanley didn't just leave your family behind. He was expectedly dejected that he wasn't even told about the triplets getting born, much less his brother getting married, but he still stayed to care for you all in place of his brother. Not to replace him, but to do what he knew Poindexter would've and should've had he not been stuck wherever the portal threw him.

By the time you'd been able to see Aeschylus again, the doctors claim that it's a miracle the kid even survived. It's as if just enough pressure was put on his neck not to kill him but to make him suffer. He didn't pass out from oxygen deprivation, but from the pain.

You fell to your knees sobbing when you heard that, already knowing what or who was responsible rather because of their words. Aeschylus couldn't talk for a couple weeks due to this incident, and even afterwards his voice had changed due to the damage.

You regretted this moment every single day afterwards, all the more when your son even refused to step a foot outside anymore. He refused to explore the woods he once loved, the woods your family used to stroll by sunset or camp out in when Ford was still around.

Aeschylus started wearing high-collared shirts or turtlenecks to hide the scar as well, not telling anyone exactly why or how he got into that situation in the first place as everyone in the family already had an inkling or hunch. They didn't need to ask. He didn't want to be shifted to homeschool however, as much as you and Stan tried to convince him- since he seemed determined to study for whatever reason.

This event still gives Aeschylus nightmares until the present day, Bill Cipher didn't get into his head- but the triangle got damn well close and he would've had to pay his life if you or Stan hadn't found him.

Those same nightmares is why Aeschylus barely manages to sleep, having developed insomnia out of the fear and paranoia around the same time he was able to come home from the hospital. Even if you asked him now what was the scariest experience in his life, Aeschylus would likely mention this near death experience- as nothing else in his life has ever come quite close to this incident, not even weirdmaggedon.

Sketchy for this piece is here:

[nanabansama]

hiii it’s tsutsumi-kurose!! would to hear your thoughts on the new chapter!! do you have any thoughts on who the people in the red house were this time? do you think they were really trying to help mitsuba? they seem different from the kannagi we originally saw in the red house arc! also just any thoughts overall bc wow what an ending!!

Hiii!!!! 💖💖💖

I really should write a proper post but...let's see! Yes, the new victims are mysterious, aren't they? I enjoyed the twist that they aren't evil and actually tried to help Kou and Mitsuba. At first their "Get Out"s seemed malicious, but then you realize it was a warning... (so yes, I do think they tried to help Mitsuba!)

I also don't think it's weird to say this is Amane's doing. This was his house, and these people weren't here in the old timeline, to our knowledge. And yes, I'm also thinking these aren't exactly kannagi...

That said, notice where they are. They're submerged in water. They're gurbling and glubbing out their words.

As I've talked about before, the Entity beneath the Red House is associated with water. Water bubbles float around its speech bubbles. It lives in a well. The kannagi were sacrificed into a water-filled chasm. Given that we are in the Red House itself, I am very confident when I say the Entity is a part of all this. (Very obvious conclusion, I know, lol.)

Anyway, I have to imagine these people are similar to Kou in that they were lured to the Red House by Amane. What the victims have in common I'm not sure... however given the fact that Kou was drawn here after being possessed by "Tsukasa-kun" it wouldn't surprise me if these people also came into contact with Tsukasa-kun.

But if that is the case that is extremely concerning... are there a bunch of missing person cases linked to people from Kamome Academy? Or does Tsukasa-kun have a farther reach than we thought?

Let's also remember Amane's age. If I remember correctly the latest we've seen him alive was as a teacher spreading rumors in 1983. It seems like he died that year, or soon after anyway, given his relatively young appearance in Chapter 118.

This could mean he's been at this forrr... more than 30 years?! With over 10 victims at that. It's not too crazy then if he's been getting away with it and that people think the missing person cases are unrelated...especially since the perpetrator, Yugi Amane, is probably considered dead...

One thing I found interesting is some of the victims are rather tall. And some rather short. Either this is a stylistic choice or the victims are all ages. Kind of mysterious! It's hard to imagine elementary schoolers being connected to Kamome Academy, for example, and these beings are really quite short...

They are very vaguely defined though so maybe it's not important. I mean, they don't even have legs.

Regardless, it's at least safe to assume the victims are all from the city of Kamome. Which isn't too weird considering the Red House from the old timeline also had many victims from Kamome.

Anyway, as I was saying earlier the victims are submerged in water which is famously linked to the Entity. I really don't think it's too crazy if these were victims sacrificed to the Entity in order to grant a wish. The Red House has always been a wish-fulfilling house, after all; from when Tsukasa sacrificed animals to it to give presents to Amane, to when Tsukasa asked Kou if he would sacrifice Nene to get his mom back.

It would be strange if the Red House of the new timeline didn't have anything to do with wishes! But that's time paradoxes for you I suppose.

Much to think about...I'm sure I'm overlooking something obvious right now. But I really loved the chapter! Threw a big curveball at me with Amane having a hole for a face. It tickles me that the twins still resemble each other so much, despite the age difference.

Really curious about the ways in which they are different though... and how much of their true selves remain... hmm... still kinda hoping we might find Tsukasa in the Red House!!! Feels wrong without him tbh. Thanks for the ask!!

[drama-glob]

Where have I seen this color palette and design before? Hmmmmm....

[moe-broey]

HELP maybe this is influenced by how I'm writing this, or maybe it was supposed to be gleaned from canon and I just. Haven't fully thought about it til now. Haven't Deeply analyzed it beyond the blaring alarm bells that go off when reading this. But. Alfonse's,

Straight into.

This isn't him doubling down. This is him BACKTRACKING. This is him going, "oh fuck I think maybe I came on a little too strong maybe I was a bit too vulnerable and that's really scary. How do I fix this" and he's running through all the dialogue options in his head like Okay. Play it Cool. Keep it Casual. Proclaim your undying loyalty and devotion to your Trusted Partner (person he just told in the beginning of this conversation that he didn't intend to become friends with) by making yourself a blade and shield for them. NAILED IT 👍

[the-priestess-of-dawn]

I went looking and couldn't find any record of me ever actually posting this on tumblr, oops, but a couple years back I wrote this thread on twitter about how Emmeryn's sacrifice absolutely is not supposed to teach Chrom (or Robin, for that matter) that "sacrifice is necessary" or anything like that and mmmm for reasons I am getting Upset about it again so asdfghjkl I'll actually share the Rant with my tumblr followers this time.

[theflyingfeeling]

...💩

[kyros-tha-soldier]

King riku: *asleep in his bedroom at the palace*

Doflamingo: *BUSTS WINDOW OPEN*

T H I S K I N G D O M B E L O N G S T O

M E N O W

[the-eclectic-wonderer]

This is gonna sound so simple but one thing the show did really well is make the ladies so distinct that even in writing, especially in writing actually. It's not just a personality thing or a context thing, they had very distinct speech rhythms and joke structures. I feel like so many shows forgo this and are just amorphous blobs of humor.

Anon, that's not simple at all, and I agree with you completely!! The writers really knew what they were doing with the Girls as characters. Each of the Girls has her own particular way of speaking and joking and telling stories -- it's a lot of fun to analyze!! Especially when you notice they've picked up on one of the other Girls' speech patterns :)

Honestly, the Girls feel like complete, strong characters under all POVs! Even the costume people were incredible in their work -- I don't know a thing about fashion, and even I can tell that each girl has a peculiar style (in the kind of clothes they wear, the colours, the cuts, the inspiration...). They all have a *strong* identity, both visually and in writing / speech patterns!

[nexus-nebulae]

i always really like how i can slowly pick up words as i listen to a language more and more. I'm learning japanese by accident

[idiosyncraticrednebula]

I don't understand why TLM 2 tried so hard to emphasize and clarify how much Ariel is like her mother in terms of personality when she is, in the movie, quite frankly, written to be more like Eric in character. She was really primarily introverted, shy, awkward, tomboyish, mild-mannered and more serious, which is more like her father. I guess it was her impulsive, curious, rebellious and reckless nature that made the characters in the movie go, "Ow, she is so like her mother!", but I don't know, whenever I see Melody, I see her as closer to her dad. I'm pretty sure I'm not the only one who sees it this way. I don't believe for one second that NO ONE in that universe was able to notice the similarities she had with her father. C'mon, she even has his doggone smile! 😂

[vargaslovinghours]

In case it was ever a question

[medicinemane]

You know... watching a tv show via a streaming service really kinda... makes you realize how much the art of it is constrained by the medium; specifically ad breaks

Like, they actively disrupt the flow of things because they need a chance to insert commercials, and even if you're not watching it with commercials, there's something forever built in to the timing of the show that's specifically for those commercials

The entire pacing of the show is forced to be warped around it and it's not like that can every be changed cause... show's been shot

Just kinda sucks you know? That cause of toyota or pepsi or all the other pricks who gotta run the ads, a whole lot of shows (good and bad) have ended up having to build in this concession

No grand narrative here, it's just a little bit ass

[fortes-fortuna-iogurtum]

neurodiverse tumblr friends, I have some autism questions!! if you have autism, and especially if you were older when you found out about it: at what age did you begin to suspect you had autism? when/if you got an official diagnosis and how you went about it? would you recommend pursuing a diagnosis or at least talking to a medical professional about autism to someone wondering if they may have it? to you, what are the benefits of having a diagnosis/not having a diagnosis (depending on which one applies to you)?

[somelazyassartist]

Why does Emma Frost consistently have such difficult to work with fashion choices. Girl help I need to fucking sew this outfit and I only have so much clothing tape you are going to be the death of me (/lighthearted /not mad)