#I'm not saying it means anything but...

[fallenxfaith]

they had seats assigned by the DM, Wiley assigned Spade the seat right next to them 👀👀👀

[romansleftshoulderpad]

As a writer, I love going back through the comments I've gotten on AO3. I promise that the minute you take of your time has been appreciated for hours/months/years

[egophiliac]

I loved your drawing(and I love your style in general) with Leia in your recent post! If/when you have time can we see more of her in your style? I get so happy whenever I actually see people mention/talk about her and she’s not just forgotten because we didn’t get to see much of her. 😭

thank you! 💙💙💙 Leia/Leah/Lea/whatever is fascinating to me. she is the ultimate unknown. what was she like? how involved (or even aware of any details of the invasion) was she? Silver's basically a physical carbon copy of his biodad, so what did he get from her? like, I understand why the two of them kind of have to stay as these super vague and mysterious figures -- the whole point of them is that their story ended 400+ years ago and they're not really relevant anymore (and. well. the more that gets explained about them, the less that can just kinda be handwaved as "oh the politics were Very Messy") (we can sit here and theorize all day but let us acknowledge that, ultimately, canon gave us almost nothing about them post-Meleanor and we'd just be making things up). I do still wonder about her though! RIP Lea, we never knew you and we probably never will.

actually you know what, as long as we're here, I think I WILL go ahead and just make some stuff up about what Silver might've inherited from her instead.

[juney-blues]

when you're part of a group with structural power over another goup, you really do gotta just learn to say "i am not exempt from 'fuck 'em' when relevant" whenever someone expresses frustration with you or people like you.

[vaguely-concerned]

the strength it must have taken for illario to not immediately go full 'lmao since when have you even had a kiss hello lucanis' sibling violence mode during the café talk. inspirational. rook and lucanis really were doing all that right in front of his salad huh

[autisticrosewilson]

"Oh Steph wouldn't like Jason just because they have similar backgrounds because he kills people/is a criminal/fights the bats!!"

This is in the 90's BEFORE he even tortured her. She doesn't go through with it, but she sees the evil he's capable of and its enough for her to justify it. She only doesn't because it "goes against what Batman taught her" but well.

That's the same man who would let her dad's friends infest her house for MONTHS until BLACK CANARY came to Gotham and handled it

A grown man who would go on to verbally degrade her, withhold the tools he gave everyone else, keep her intentionally isolated and then use her lack of resources against her.

So yeah. I'm sure Steph's faith in Batman and his teachings have wavered plenty. Just because DC casually discarded the way she was treated so she could play happy family with the boys, but she has NO REASON TO. Before she was aged down there was definite tension between her and Tim, and while Babs worked to get that relationship back, Bruce did no such thing. "Oh I'm just as proud of you as I was with the boys" when he thought she was dying doesn't fucking change how he treated her.

And of course, there's her own forray into betraying the family and being a criminal in The Next Batman series.

That's without getting into how she was compared to Jason, the way she watched a murdered east end kid be toted as another violent, reckless, idiot who didn't think and got himself killed.

"Oh but he tried to kill Tim!" First of all, you didn't read that comic. Jason was TESTING him, they were 2 years apart MAXIMUM, and Tim FOUGHT BACK. Jason gave him a little cut and a nose bleed that he slapped a bandage on and was fine. Damian also started his first meeting with Tim antagonistically and even though he was actively hostile to her, Steph still formed a close sibling bond. Her first meeting with Tim she threw a brick at him. He spent a not significant amount of time belittling her and telling her she wasn't cut out for hero work when she came back. This is the same guy who hallucinated Jason just so Jason could be like "Oh I got myself killed don't be like me!" Can we be real she doesn't give a shit. I guess you could count Hush but. I know they retconned it so that was Jason but when the fuck would he have had the time to do that between death, catanoia, the All-caste, and his murder tour.

Stephanie understands better than anyone that desperate circumstances lead to desperate people who do bad things. Stephanie understands being belittled and compared to a rich white boy who never had to fight to survive like you did. She understands being isolated from the hero community. She understands the evil that exists and the ways the system is corrupt, and that the bad guy never STAYS caught. And it's not like she has any big problem with people who kill, Babs said in 90's she would fucking LOVE Joker to drop dead and Dinah has killed multiple times. She literally switched places with Lady Shiva? These are both women Steph looks up to. You don't think Steph would feel any admiration at all for someone who gave Bruce a taste of what it feels like to be shown up? Someone who made Roman's life hell? Someone who made Tim put action behind his shit talking? An alley kid who came back and refused to be another statistic, who showed everyone who spent the last decade calling him stupid and reckless EXACTLY how cunning he can be? None? At all?

I just find it a little hard to believe.

[forgettable-au]

Something about hands....

Pssttt if you haven't seen it already, check out the new forgettable-au amv These are some of the still frames from that animation hehe

[heyimkana]

A compilation of Sung Jinwoo being a soft, gentle, protective, warmhearted gentleman 😌

(Eng Dub because Aleks' gentle voice is unmatched)

[lazylittledragon]

so uhhhhhhhh. not to be cryptic and bitchy on main but congratulations to everyone in my messages for like 5 months on being right i guess

[bumblingbabooshka]

People honestly portray Tuvok as far too "rolling his eyes, reluctantly going along with Janeway's silly little shenanigans" - he's literally so serious about being right there with her on every decision she makes. Janeway's like "I'm going to stay behind if the ship blows up" and Tuvok's like "I'm staying with you." Janeway's like "I'm going to deliver every member of the Equinox crew into the jaws of death via an alien revenge massacre" and Tuvok protests a grand total of one time before being fully on the bridge assisting her. He was the only one with her when she made the decision to honor the caretaker's wishes and save the Ocampa, dooming them all. He was willing to get court marshalled in order to fulfill a wish she couldn't grant by her own hand: Get them home [no matter what happens to me] <- wherein 'me' is Tuvok. This was the same wish that spurred him forward when he had to leave her on that planet and everyone left thought him cold for trying to fulfill it without her when in his mind it was akin to a dying wish, the last thing she'd ever express to him: Get them home [no matter what happens to me.] <- wherein 'me' is Janeway. He told Seven that the golden rule to follow is that the captain is "ALWAYS RIGHT" <- (His ACTUAL words) and when Seven asks if the captain should be followed even if someone KNOWS she's wrong he says "Perhaps." This man is perhaps the most ride or die dude in the universe about Janeway. Despite her labeling him her 'moral compass' he is by NO means impartial or unbiased. He'd defend her to his last breath. He canonically makes detailed psychological observations about her and has for years. He accounts for her luck when calculating the success of certain plans. It's implied in 'Twisted' that Janeway typically listens to Tuvok's suggestions and follows them nearly without fail - to the point that he's surprised and obviously irritated when Chakotay doesn't. Despite this they've been inside one another's quarters so infrequently that Tuvok can remember each instance. They call each other "Captain" and "Mr. Tuvok" even though they've known each other for twenty years. There's something wrong with them.

[conscydraws]

My first 15 hours in Death Stranding

[whenthelightisrunninglow]

how's the other guy holding up

[wildcatblues]

[benevolenterrancy]

("Always. Continuously. With increasing apprehension, and decreasing hope. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you as a corpse loves the beak of the vulture. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this." -- paraphrased from The Beatrice Letters, Lemony Snicket)

[patch-of-roses]

In Stars and Time AU where everyone is looping. However, each member can only remember the loops that they personally reset.

So, everyone thinks that they're the only one stuck in a time loop. The only person who actually knows what's happening is Loop, who is having a very frustrating two days.

Siffrin: "Since I remember, isn't there a chance? A chance they'd all remember?"

Loop, who just had this conversation with Isabeau last loop and is currently trying to bottle up seven different layers of anger and exhaustion: "... Who, your party?"

I'm imagining Odile determining that she's currently in loop 24 despite knowing for certain that she's only looped back four times so far.

Mirabelle pretending that she doesn't know about the Carrot Method shield skill when Siffrin tells her about it before thinking, "Wait a second, they shouldn't know about that either!"

Bonnie trying to zone out of the conversation about what to do should any of them die (it doesn't work).

Isabeau recognizing that for some reason everyone seems a lot more tired and stressed than they were at the beginning.

I thought of this as a funny concept and wondered how long it would take for the party to communicate with each other before realizing that, if they don't talk about it, they're going to find out at the end of Act 3.

[cuddlytogas]

So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.