#I'm trying to improve my art in all kinds of ways with making myself draw heads at different angles being one of them

[meanbossart]

hi. i want to start by saying i love your artwork so much. it gives me so much inspiration and hope when i feel like i absolutely hate everything im making, because as long as i am trying, i will one day get to a place where my art makes me feel as (captivated??? in awe????? appreciative??? idk) as yours does. (GO OFF ANATOMY!!!!! i stare at any muscles you draw for 20 minutes un-blinking and begin foaming at the mouth so it burns into my brain). du drow is also very silly i like him very much. his eyes sort of look like fish eyes and they make me a little afraid but in a good way. i fear i am realizing something about myself as i type this.

ANYWAYS!!!! my original ask was going to be; do you have any drawings of astarion smiling?? like teef and all. the kind of smile you can’t suppress. the way you draw him scratches my brain in a spot nothing else has reached and this has been on my mind for days, so i thought it’d be worth asking. thank you for reading!!!! and keep up the absolutely incredible work!!!! i adore your content!!

Thank you so much for your sweet message! Honestly, I think that being unsatisfied with your own work is just the perpetual artist's curse, so don't overthink it! That's a feeling you likely won't ever be able to shake off, but hopefully you're able to turn it into something productive instead of destructive while recognizing the merit in your own art, even if it will never be perfect. There's not a single piece I've done that's ever turned out exactly as I hoped it would, and that's precisely what drives me to keep going.

Not to mention the fact that others will always be able to appreciate the things about your art that you miss while being self-critical - case in point. Point is, I'm flattered that my stuff has encouraged you to to improve.

I'm sure I've drawn Astarion grinning a couple of times, but here's another for your trouble!

[oc-atelier]

I've only been practicing drawing different angles of heads for two days now and I'm already so excited at the results I'm getting in just this silly sketch of Leo alone

[punkitt-is-here]

How can I cultivate the same, "just keeping making stuff all the time" kind of energy you have? It's very impressive and something I wish I could do!

well, theres a couple reasons i think! one is that i just found ways to be satisfied with small amounts of work. its in part because of my ADHD, but my parents were always trying new things (motorcycles, leatherwork, acrylic paint, collage art, photography, video editing) so that definitely rubbed off on me; i had a great example of people just wanting to try stuff. i keep making stuff all the time because i love trying out new things; you don't have to be an expert to try something new! you just have to have a desire for it! wanna make a zine? google it! wanna write a comic? give it a shot! wanna get into woodworking? buy a carving knife and find a stick or something! i think theres plenty of ways to find entry points into interesting stuff and you gotta let yourself be okay with making shit that sucks just because its fun. which leads me to my second point!!

im okay with being dogshit at stuff! i try new things, i kind of suck at them, and i think it's either 1. cool that i made it this far or 2. kinda funny that this is what its like at the moment. i know that sucking is never permanent, everything can be improved with time, and rarely does anyone ever magically get good at something first try. i think of myself as a talented artist, but its over the course of 2+ decades of drawing; im always improving, and no matter what im going to find things i want to get better at, so why fault myself now for not being perfect? a couple of months ago i really wanted to try woodcarving, so i made spoon with my dad. did it turn out great? not really! you cant even use it as a spoon! but im glad i tried it, it was fun, i had a great time with my dad, and now i know a little bit more going in next time. the idea that you have to be perfect or make tangible progress every single time you try something new is a recipe for burnout. i promise you, it doesnt matter if something doesn't come out like God's Gift to Humanity! Did you have fun? did you learn something? are you satisfied in some small part? good!

(pictured: tha spoon)

last, im just really easy to please myself! I'll make a doodle or implement an idle animation in my game or color a piece and go "wow! thats so cool i did that :)" and it really is just a matter of realizing that its fucking COOL to create stuff, no matter how small! whatever you made didn't exist before you, especially in your own unique way, and now it does! doesn't that rule?! i'm obsessed with it! even if its just a stick figure, its a stick figure you made, and it wasn't there before. thats fucking awesome!!! art is so cool!!!! i think that being happy with small goals and victories is a great way of trying out new things and showing off cool stuff u made, no matter what skill level. :) this turned into a whole big thing, but i hope this helps! tl;dr is try things if they seem fun, be okay with not being good at them, and find stuff about it that makes you happy or satisfied!

[nei-ning]

Gonna rant a bit. I saw one set of beautiful anthro arts on another website. Sadly they were done in AI. I did left a comment, complimenting how beautiful these arts were but how sad it made me that they were AI arts.

The artist themselves was kind and polite, telling they use AI because they want to learn and be able to make game arts one day (but they too, apparently, with AI so...)

But then there was another user, AI "artist" too who replied to me that there's absolutely NO ARTIST who can draw anthros with detailed fur, goat like arm, lights, colors etc without editing or photoshopping. On the whole planet, absolutely none! This person clearly don't believe in people's skills when it comes on arts. Heck, I followed one artist on DA who drew ALL her arts traditionally and she drew, and still does, SUPER DETAILED FURRY ANTHROS! No photoshop, editing, nothing digital. Just her hands, paper and a set of color pencils.

Also, if people's art skills wouldn't had been amazing back in the days through mankind, we wouldn't have cave paintings, old amazing paintings or sculptures, ALL DONE BY HANDS IN TRADITIONAL WAY. NO AI, NO PHOTOSHOP OR EDITING.

Humans can learn amazing skills if they only want to. AI artists, maybe not all, just wants to take the easiest way / be lazy (and get lots of likes - like that other person who straight forward said it. That he uses AI to create furry arts to get hundreds of likes).

They also mocked my style / arts, saying they are not good enough to be used in AI arts - yet.

Like what the actual fuck?! I am pissed! I don't even want my arts to be used in AI arts by some lazy idiot (or at all). At least I draw EVERYTHING in my arts, from first sketch line to the last shade / light. Surely my skills are not as good as they could be. After all I'm self-taught, not gone in art school like some have. Not to mention I draw for fun, I draw to bring joy to my watchers, I draw therapy arts to myself, I like to keep my style easy and simple. My arts are a hobby, not professional thing or to fish a lot of likes. If my arts can make someone's day a bit better, then I've done my job! I never haven't taken my arts or skills too seriously, trying to improve them to the top.

Is there times when I wish I would put more effort to my arts, learn and study more, becoming better? Absolutely! But do I bother? Not really. Like I said, this is a hobby. I know I would burnout myself if I would start to force and pressure myself to do better, to learn more, to improve my skills. I mean I struggle to draw even now!

I do have some saved tutorials on Pinterest what I would like to try, yes, but still not in a way like if I would have a fire under my ass.

[hullangking]

(I'm sorry if this comment bothers you, and I apologize that it is so long! 😅... I hope I'm not pestering you or being annoying with any of these questions or comments 🥲 I understand if you either don't have time to answer or don't want to because all people have lives to live and reasons for choices... ;3) Firstly, I admire Raven-Wally so dang much I want to cry... he somewhat reminds me of a dark/black/fallen angel in a way at times... Your art is ✨DROP-DEAD GORGEOUS!!!...✨ Secondly, I may go insane due to the urge to hug Raven Wally at first sight...- *cries* I want to hug him... or maybe I just really want a hug for myself and he looks so huggable, especially due to how you draw him so splendidly... I ended up getting carried away at one point, when I was trying to make the original comment, and then it started to turn into an accidental poem, which I then tried to improve, but eventually didn't send because I was and still am a bit anxious and nervous to send that... 😅... but if you want it you can have it... . . . . . . . Lastly, Does Raven-Wally like cats?... 🐾 (Again, I'm sorry for pestering you!!!) - Sincerely, an admirer of your art!

OH MY GOoDNESS!!!! No it didn’t bothered me at all!! I’m very happy to have a comment like this🥹😭💕❤️💕✨

Thank you so much for liking my boy!! He would love to hug with you🥹💕💕 plus, I would be so happy to see your poem about Raven!!

+ Yes! He likes all sorts of animal, and that includes cat of course!! >:)

Thank you again for kind compliments..I’m so touched💕❤️❤️💕

[moons-of-dewclan]

I was curious how to get your clan really set off? I recently (LIKE EARLIER TODAY JFJSJFJ) started my own clangen blog but idk if it's worthy of Tumblr😭

How can I improve my art and improve my process? You're one of my BIGGEST inspirations ngl you're literally him (or her or they I'm so sorry I never caught your pronouns) but I was just curious on how to be better? If you wanna look, don't. It's like, rlly bad so.... save your eyes. Have a lovely nighttt <33

HELLOOOOO I'M NOT 100% SURE WHAT YOU MEAN BY SET OFF I'M SORRY :{ if you mean to get people reading it, i think it's vastly just luck also appealing to an audience by accident i posted my art online for 10 years (i started posting in 2010 as a wee ka- told you i'm an adult haahahueu) before anyone showed consistent interest and i valued those two or so commenters who occasionally had something to say about my stuff, so much LAKSNLKD. that entire decade i got between 2 and 30 favourites for every piece i posted- usually between 2 and 10- until around 2021 when a making a comic aANNND joining a wolf ARPG group exposed me to many kindred art-enjoyers that wanted to keep up with my goofy stories then for some reason, i posted Dewclan's first page on tumblr and it got way more engagement than any other piece of art i've ever posted SO LAKSDNLKDAS WE CANNOT PREDICT THESE THINGS.. at least i can't if you're looking for engagement, pLS AIM FOR ENGAGEMENT THAT FEELS MEANINGFUL over anything else IN MY OPINION, and it's just my opinion- part of being 'better' is, first and foremost, being able to enjoy your art alone. and then being excited with what you choose to share! even if you don't care about your quality of art, care about the story. if you don't care about the story, care about the process and just having fun. but you have to have fun in doing it, and do it for your own eyes primarily. like if you were alone in a room and creating only for yourself! because, until you happen to find others who like what you're liking, you are then when someone is interested and you get to share that excitement, even that ooone comment on something you care about is OOGHHH SUCH A NICE FEELIN. enter communities, comment on other artists' work, try to make friends! but make sure to remember, if you create with the hopes others will like it, without liking it yourself, you're going to be really broken down if someone doesn't like it FOR you :{ loving your own art is tough work but it's integral to your longterm relationship with drawing ON IMPROVING.. for me, nothing is more integral to improving than finding a way to practice that suits you (looking at live figures doesn't help me at all. i don't know why. it's insane), and having fun doing it. i can't grasp anatomy unless i break it down with shapes. SHAPES ARE EVERYTHING. study the shapes of what you want to draw. break em down by tracing simple shapes over your subject. see if the leg is the same length as the head from muzzle to neck and lock that info in. STUFF LIKE THAT on the technical side of things, it can be super helpful to dedicate half an hour or so to drawing a day- eventually it becomes a habit and you just default to 'oh i think i wanna draw' when you've got nothing else to do. more drawing, more improvement!

HONESTLY THO another important thing is not putting yourself down. i know it's a hard habit to break (i struggle with it outside of art myself!), but it doesn't do you any favours. the more you rag on yourself, the more it'll manifest as something that actually damages your art, AND your relationship with it. let it be fun- don't sabotage yourself! you can be critical of your work and still kind! little tip here, improving can take a while, but experimenting with styles can make an INSTANT shift in how you perceive your stuff. ALSOOO EXPERIMENT WITH DIFFERENT BRUSHES FOR SKETCHING AND LINING. I PROOMISE. PLS DO IT. IT'S LIKE A MAGIC TRICK. i cannNNNOT sketch with a hard brush. everything looks horrible. marker brush tho?? so smooth. full of character. lovely. binary brush sketches? suddenly i'm Anime. pencil brush?? i digidevolve back into baby ka who loved to crosshatch and do semi realism. airbrush??? i explode into atoms actually

i find for a lot of people, they don't need to improve or be 'better' at art, they need to learn to enjoy what they're capable of doing now, and improvement is a byproduct. from what i've seen through the years, unless you work to curb it the negative view of your art will stick with you no matter what 'skill level' you get to bc the calls' comin from inside the house, yknow what i mean 3: it can be a long process to learn to accept your art, and sometimes you just plain grow out of it over time! but in the meantime it can't hurt to make efforts to fight your d e m o n s

I'M SORRY I WROTE SO MUCH IK YOU DIDN'T ASK FOR THIS ALL IT ISN'T JUST TO YOU, ODESSY-CLAN BLOG RUNNER, IT'S AIMED AT ANYONE WITH ARTSY SELF DOUBTS. i hope i phrased everything kindly bc i meant it all kindly 3: i hate to see an artist doubt their work, but THERE IS NO SHAME IN IT. i want to encourage loving it regardless of any flaws tho, even though it takes time!

[feyspeaker]

Hi! I made an account just so I could follow your work. Your art is brilliant and honestly and inspiration to where I want to be. I’m an older artist who has all the anxiety when it comes to improving my process. I’m trying to get into digital portraits and I have so many ideas in my head, but it’s frustrating because I’m not where I want to be to make this happen. What are some tricks that help you/software do you use? Of course, you don’t have to share anything that makes you uncomfortable. I currently have procreate and an iPad, but I feel a little lost. Wondering if I need a different writing tablet and photoshop. Not sure. I just eventually want to find that 3D, but also artistic look you are able to achieve.

hey there! thank you so much!!

ultimately, I will sound like a broken record but I always recommend you sign up for local figure drawing or painting classes. have people pose for you at home and sketch with charcoal and paper. go to the zoo and sit down in front on an exhibit for an hour and try to draw the animals in front of you as fast as you can and fill a couple of pages, move on to a new exhibit and do it again!

nothing is more powerful of a tool to learn than whatever writing utensil you have in your purse and the back of a napkin when you see something you'd like to capture. I've spent quite frankly my entire rememberable life doing this. I used to spend every single day in middle school/high school/my brief failed stint in community college with a pack of cheap sharpies and a beat up binder full of old worksheets and homework to draw on the backs of.

drawing/painting from life will teach you better than anything.

I use a very outdated version of Photoshop, and only got a "nice" tablet in the past 7 months.

Also, a huge tip to you and anyone else reading this: do NOT get too focused on a "style" that you want. Obsessing over that just ruined me for years and years. I wanted so, so, so badly to be the next Matsuri Hino when I was a kid. I copied her work religiously and it NEVER looked right. Frustrated me to no end. And you know why my stuff never looked like hers? Because I'm not her! You can't force your art to come out any way that isn't natural, and the sooner you can accept the art your hand wants to create, the happier you'll be and the easier art will get for you.

The past couple of years before I started diving into this more realism based work, I was just shoving myself through trying to make what art I envied of others. Very stylized/textured watercolor comic book style stuff. And I just was NOT getting any better at it. I have always been more inclined toward realism work, but I've hated it and yearned for stylized work. Yoshitaka Amano? God, I just drooled over that artstyle and beat myself up for never being able to capture it in studies or otherwise.

I finally essentially restructured my entire career around making the art that makes me happy instead of what I "wanted" it to look like. I was extremely depressed, my life was falling apart, and I still needed to make art to survive but I couldn't "art" if I was depressed and hated doing it, so I just had to step back and stop worrying so much about what I thought I wanted to make, and started making what felt most natural.

there's no easy way, and art can be a soul destroying path at times, truly. your software and hardware should come very last place compared to practicing from life (it doesn't matter if you want to paint cartoony stuff of realistic stuff, always start from life). naturally you will find what makes your heart sing the most.

I get a lot of messages from people telling me similar stuff "oh your art is EXACTLY what I want to do!" but I promise you that kind of thought process is chasing a dragon that is likely to harm or drag your creative process down. art style is such a deeply personal thing, so of COURSE it's important to find inspiration, but the second looking at someone else's artwork stops inspiring you and starts frustrating you, put it away.

There are some artists who I love, that I do not check up on often because their artwork ignites, like, serious bitter jealousy in me. It's the truth. I get so mad at myself for not being more like them, and it's such a poison. I think more artists should be transparent about this feeling because I KNOW the art community has a lot of jealousy and ugliness in it.

A fact of being an artist is that you will never be completely happy with a piece you make. You are always going to see the flaws, and that doesn't change whether you'd been drawing for 2 months or 20 years. Occasionally, you will get one piece that you are like "how did I make that???" and then get frustrated that you can't recreate it lol! It's a tough beast.

It's just really important to step back and work on yourself and where you are at, because at the end of the day, the way your soul wants to express artwork might be WILDLY different from what your brain wants, and it can be really detrimental to let those two go to war.

I hope this helps. I'm very passionate about this, and when I started out I ALWAYS ignored the artists who gave the same exact tips as above. I thought they were so annoying and unhelpful, but now I /get it/.

[rontra]

My hand never seems to actually translate the ideas that are spinning up in my brain. how do you get it all out? any advice? just draw more? do i need to use more references? your art is just so beatiful you are one of my top inspos.

ah first of all thank you very much! i'm honored! 😳

(long post incoming lol)

to answer the question though, i don't think i sufficiently translate what's in my mind and i frequently let myself down! but it's important not to let that Stop you. i think overall it's sort of multifaceted and different for everyone--theres no single answer i can give you that will guaranteed work for you--but for me personally i think it mainly comes down to Derangement, DISCRETION!!, Discipline, & Diet

before i say anything more though it's important also to remember that making visual art (in our case drawings/comics) is training like 2 or 3 separate skills (depending on how you divide them). the HAND represents your current drawing ability & technique; what your drawing hand is physically able to produce when you set pen to paper. the BRAIN is the creative engine that cooks up your ideas and thinks of ways to assemble them. and the EYE represents your ability to recognize what art looks like and how it "should" look. when your brain is thinking of ideas and your hand can't capture them, that is not because you're "bad" at it: it means your eye skill is currently outpacing your hand skill. your ability to discern art, to see things like proportions and anatomy and composition and whatever else is going on, is currently stronger than your ability to draw them yourself. this is not a flaw. this is not a flaw. this is not a flaw!!!! but it does mean your hands' ability to capture what your brain has imagined will let your eyes down until your hands catch up. once they do--by studying, practicing your technique, using references, and gaining confidence--your eye skill will then begin to outpace it again. this cycle, the dance between the two skills, is why you might sometimes feel yourself suddenly "getting good" at art, then just as suddenly plateauing or "getting worse"; you are training different parts of what makes art happen. there is nothing wrong with this. you are improving even when it doesnt feel like it--even when it feels like THE LITERAL OPPOSITE is happening. because you're improving different skills!

(and of course as your eye skill develops you will look back at previous stages of development and go "HOW COULD I NOT SEE HOW BAD THIS LOOKS!"--and yeah. that's the thing; you probably, rather literally, couldn't see it! you only think it looks bad now because you've improved your "eye" skill. you should try to be proud of that feeling, even though it also likely sucks and is embarrassing to you at the same time. there's posts, even recent ones, that i go "i cant believe i thought that looked OK enough to post PUBLICLY" and it is embarrassing for me! but all it means is that i'm better at what i do now...so it doesn't get me down too badly. you gotta shrug that stuff off.)

with that out of the way, my four evil councilmen are as follows:

DERANGEMENT: find something you are not normal about. this can be anything (whether it's a topic that interests you, The Character, a medium, a damn color palette...anything!), as long as it captures your mind and motivates you to create. your brain should be spinning up ideas like crazy and your only choice is to draw them. because once you have Derangement the only thing that feels worse than Making Something Subpar is sitting around Not Making Anything At All. you should be interested in what you draw. you should ideally love it, even if you don't love your own art yet. once you know what motivates you, let that simmer until you have no choice but to draw even if you're scared it'll turn out bad. and hey--there will probably (unless you become some kind of Art God) always be parts you think should've turned out better in some way, however:

DISCRETION!!: realistically nobody NEEDS to know what parts of a piece you're unhappy with. it's valuable to have friends/art partners/mentors/whatever that you can comfortably check in with and go "i dont like [part], what do you think" and get feedback, but that's for YOU. for the audience at large, maybe people will notice, maybe they won't, but as an artist you are constantly growing and you will very likely be constantly looking back at past pieces (even just days or hours old sometimes) and going "what the hell was i thinking? how did i not see [error/s], or why didn't i go for [different idea/finish/color palette/etc]?". getting hung up on this will probably either light a fire under you or demotivate you completely depending on your particular brain soup. for me it can go either way depending on where i'm at in my current hand/eye development phase. but i try not to fixate on it. it's enough to observe it and take notes for next time. every drawing is part of your growth and you have to make wonky art in order to occasionally make something that satisfies your eyes. in the meantime, don't beat yourself up or put yourself down. you are gaining experience and technical know-how, and spotting things you'd like to work on for next time; especially if you're sharing this work and other people are telling you they like what you made, there's no need to undercut this by dwelling on the rough parts so much that you can't enjoy it. the important thing is that you made it.

DISCIPLINE: you made it, it's done, now make something new. do it again from the top! you're right: Drawing A Lot is absolutely the key to Drawing Better. it is also usually an evil curse that reveals How Bad You Drew 3 Months Ago. but you have no choice, if you want to hone your skills and improve the Brain Image -> Art Image translation. you have to do it even when it sucks. do it bored, do it scared, but you have to do it or you'll never get anywhere. when improving yourself, you have to draw a lot to see change, and this is the part that sucks, right? feeling like you're not really getting anywhere or like you'll never capture what's in your mind. you can do studies where you collect references and focus in on ironing out something that's bothering you (such as, like, specific objects, perspectives, clothing details, anatomy pieces, light and shadow, etc etc); this can help crack the malaise for sure... learning how to use references is good, as well as whatever tools are available to you (in your medium/software). How To Do This is sort of a different post, but it does help (and sometimes annoyingly so; there's been rare but very annoying moments in my career where i will be simply looking at a picture and idly make an observation that cracks a style/anatomy problem i've had for Years and im always like COME ON!!! hahaha--but yes looking at references and studying them "like an artist" definitely helps, even when it's not as miraculous as that). overall work smarter and nail down the stuff you're unsure about, then incorporate what you've learned into your art style until it looks a way you like. you will likely have to just grind it out sometimes, and often this grind will not feel particularly fun. but you can Dog Medication Salami Pocket yourself into it if you're drawing something you're sufficiently Deranged about. <- this is what diesel is always doing with those women (LOL)

also, Output. you do have to Be Making Stuff in order to finish stuff. for example for comic projects like adastra or failteacher au, if i can draw ~1 page a day, the update will be complete in no time. but i have to draw that 1 page every day to make it happen, even if i feel off or lack confidence about what i'm making. of course i'm not saying you shouldn't take breaks; you NEED to take breaks, set your goals to your own level, and listen to yourself (and don't get some kind of wrist problem like me please). but the point im trying to make is that if you can make yourself sit down and do it even though you're scared it'll turn out bad, (or, hell, even if this part of your project is Simply Boring), then you can do it anytime. this is important too. but you will probably still sometimes feel stuck if you try to work and grind all the time.

DIET: regularly, but especially when you're stuck in a rut, step away from your craft and enrich your diet. you have to play just as much as you have to work. for example, i am always ALWAYS reading comics. at any given time i probably have 1-4 (sometimes more) tabs open of different comics i am simultaneously reading!!!! i read webcomics, webtoons, manga, DC--any demographic or genre, i take random recs from people and just go read them. whatever medium you're in, you have to take in what other people are doing with it, you have to let them teach and inspire you. you have to branch out and look at genres and styles you usually don't. unwind and look at comics, at illustrations, at design, at animation, at video games. enjoy them as an audience, but look at them like an artist too. when you like something, pause and examine (as both an artist and audience) why you like it. (vice versa: if you don't like something, you can try to figure out why that is!) let other people's ideas and habits flow over you. you have to relax and enrich your mind, to refresh your creativity and motivation. this is crucial. when you come back, you'll feel refreshed and ready to go, and your big brain cauldron of tools + ideas + techniques will be all shiny and bubbling. it's just as important to experience art as it is to make it. i really can't stress that enough!!!!

i talk about comics specifically here because right now obviously i am making a lot of comics (adastra, failteachers). i often feel like i get stuck in boring page layouts and can't think of how to panel something. and honestly sometimes a basic layout that just Gets Through The Scene is simply sufficient (after all, not everything has to be a Groundbreaking New Masterpiece; we would all get fatigued by that!)--or otherwise a "boring layout" is just what i have to put down in order to put down anything at all. but in both cases, reading comics and taking in what people are doing with their layouts makes me feel refreshed and i can return to my own work all rested and bright-eyed. everything we read and watch and take in is added to our "mental library" for the brain to reference when it's time to create something. it is just as enriching and important to experience someone else's art and perspective, and to enjoy a diverse range of impressions. you are always learning and observing, so try to pay attention--it's feeding your brain... :j

(and now, hopefully, your enriched Diet has added fertilizer for your Derangement, and the entire council can take their turn again from the top of the order. HDFHBJFS)

hmm...

well, overall, like i said at the top, there's no One Solution or really Single Piece Of Advice i can offer you. but i hope maybe you got something out of it anyway. everyone's a bit different and everyone's ideal workflow and journey is different too. but don't give up, keep at it, and...GOOD LUCK!!! 🫡🫡🫡

& always remember: in the end, making something YOU like, that looks good to YOU and fulfills YOUR goals, is more important than making something "perfect" (if such a thing even exists). as long as YOU'RE enjoying making your art (yes, even when making the art is hell and sucks!), that's all that matters. 🤝

[circus-clangen]

Hi!! Fellow clan gen comic creator here, i check your blog regularly and you are so fast with updates! And nothing looks rushed or messy (well, messy in a bad way, i know your style is sketchy and sort of glitchy which is why i like it) how do you keep everything so updated all the time?? I struggle makeing one comic in just a week.

ArE yOu A wIzZaRd???

HAHA so FULL disclosure for everyone reading this: My upload schedule is about to change because I'm moving in a week and am going to be searching for a job 😭

BUT to answer your question: I have ALWAYS drawn fast. From when I started art some 8 years ago, I had no trouble whipping out 4-5 drawings every day, sometimes more. DOESN'T MEAN THEY WERE GOOD but I just hit the ground running when it came to art. AND because of that, I've built up more line confidence, and have been able to teach myself to draw cleaner even as I draw faster. In 2021 I even made 1+ finished drawings every single day 😭 (here's that if you wanna see it). Also last February I drew one OC 69 times in like 20 days.... TLDR: I've always been this way, and so I've just kind of adapted to it. PLUS it helps that cats are faster to draw than people (in my mind; people are my primary subject matter) Here are some tips, if you Do wanna draw a little faster: 1. Nail down an art style, in general, and for each individual character. It's WAY easier to draw quickly if you already known how each part of the drawing is going to look (i.e. You draw eyes This way and you draw bangs This way and you shade skin This way and you use These colors)(I personally have one color pallet I use in every drawing)

2. If you can't clearly picture a drawing in your head going into it, let it marinate for a little longer, and come into focus. If you know down to the linework how you want your piece to look, you don't have to hesitate as much going into it.

3. FORGO the sketch, even if its just for practice! Try to draw your character starting with the lineart, thats what I do for my asks especially

4. Take breaks! Don't always force yourself to make art. Some of my best improvement happens after I've quit art cold turkey for weeks or months at a time. You draw faster when you're inspired and have a fresh, clear picture in your head Hope this helps!

[factual-fantasy]

24 ASKS!! AAA THANK YALL SO MUCH THIS ONE WAS VERY FUN :}} ✨💖✨

Ah no worries about not understanding! I would prefer no fanart was drawn of my cookie ocs.. thank you for asking to double check though! :}}

(Post this ask is referencing)

I explain it all in this post! :00

:DD Thank you so much!! And yeah, I just didn't have the heart to keep Papyrus suffering 😭😭 as much as it really seems like I don't-- I do love Papyrus as a character. And I felt like he really deserved some kind of salvation after everything I put him through.. Also it'll make for some interesting dynamics in the group! Looking at Seam and Jevil.. 👀👀

Oh yeah, and poor Coconut. If I hadn't drawn angst of Octo already she wouldn't have been the subject this time! <XDD And thank you!! :DD I'm glad to hear that she's your favorite!! :}}

And yes! I always saw the other koopa kids- especially Ludwig- to be older than JR. Maybe its the bib-- and who knows! I tend to loop back around to old fandoms from time to time so I can see myself drawing the koopa kids again XDD

As for the Mario Movie,, shockingly enough I still haven't seen it. What can I say? I have some kind of problem upstairs I'm sure of it--

Though its interesting to hear that the movie blue shells are similar to mine! :0 And I'm honored to hear that you like my version more than the movies! :DD 💖💖

XD Its been a while since I've seen those movies. So I cant really remember much of Jack Sparrow.. but I trust that you are right! XD

@foxythefox11

XD If I do that Jangles will probably super bounce her into the sun-

And thank you! And hey, I'm sorry that you're not very confident in your artwork right now.. Just keep in mind, all it took for me was time. Your art will improve with time. Try your best to cut yourself some slack. Understand that you're still learning. We all are! Remember that your art will continue to improve if you just keep drawing!

I don't play it or know anything about it either <XDD but I'm glad you like them!! :}} ✨💖✨

(Post in question)

AWW! THAT SOUNDS ADORABLE!! 😭😭🥺💖

@solst1ce-sketches

@komikudikentalendo

Its actually the 3rd option. Usually when I'm in some kind of fandom I prefer my own AUs as opposed to others AUs or even canon. :00

That's probably becuase most of my AUs consist of removing things from canon I don't like and adding in random things that I do like-

@abaroo (Post in question)

AWWW THAT WOULD'A WORKED TOO THOUGH :(

I guess I was thinking that Frisk fully trusted Papyrus instantly. And so did not hesitate to give her cape to him 🥺💖

@natewithacake

ASKSAKSFDJ THANK YOU!! :DD MEGA HIGH FIVE VIBES FRFR!!

@skulls-and-cypresses (Post in question)

WHW- WAHG??? THAK YOU?? THANK YOU SO MUCH!! THAT'S SO KIND!! PROBABLY THE KINDEST THING ANYONE HAS EVER SAID ABOUT THE WAY I DRAW PAPYRUS!! ME?? REPRESENT HIM PERFECTLY??? WAAAA THANK OU!!! 😭😭💖😭💖💖

THANK YOU!! THANK THANK THANK YOU!! FOR EVERYTHING!! 😭😭💖💙😭😭😭

@dementia27

Aww! How cute! That might work! :000 Why do I want one now- XDD

@khoiazo

Aw, I'm sorry! <XDD I don't mean to make you sad :(((

AND YOOO!!! Its Friday when I'm answering this but the Wednesday dude is welcome any day of the week! :DD

Yeah, both canon Jevil and Spamton would be pretty dangerous to have around XDD But out of the two I think original Spamton would be interesting.. 👀

Not really for the personality, because my Spamton's personality is actually a bit similar.. but more for the visual aspect. I headcannon that canon Spamton's body shrunk when he fell into an acid pool. My Spamton fell into an acid pool as well, but it didn't shrink him. It destroyed the structure of his body and elongated him. Making him much taller and extremely deformed..

Imagine the two of them standing side by side. Original Spam would be up to my Spams knee! <XD

@minnesotamedic186

Evil voice: ehhehghehe... noted... hehehghehee

@pythecyberguy

Me when someone compliments me on the characters design that I was least confident about:

(fr tho THANK YOU!! THAT MEANS A LOT TO MEEEE😭😭💖💖😭💖 )

@nunyabusiness459 (Post in question)

Whoopsies! <XDD (jk jk light hearted--)

SHE WOULD THO XDD

I wouldn't say near-death.. Spade King didn't want to kill Jevil. So any injuries he inflicted upon him were injuries he could recover from..

@beryl-shade

Yeah :( their value to him was that of a grain of sand..

@neo-metalscottic

AAAAA THANK YOU SO MUCH!! I'M SO GLAD YOU LIKE THEM!! :DDD

As for what kind of monsters they'd face,, I'm actually unsure- I haven't played either game and I don't know any of the lore or characters.. so I'm not sure what kinds of dangers the real cookie run pirates face.. :( But what I DO know is that Blue Beauty is their main form of protection.

She's not exactly threatening to a lot of creatures I'd imagine.. She is just a Mer-whale. No teeth or stingers to make her more intimidating.. But what she is, is huge. And incredibly strong. She's a real power house and uses tools and weapons the crew taught her how to use to defend herself. And I imagine with her thick blubber, it takes a really deep wound to actually hurt her. So she doesn't fear getting a couple scratches here and there.

When it comes to the other cookies, most everyone stands up and fights. Only a select few retreat to the lower decks to protect their goods or hide. Those likely being Ellie, she's too old for this crap- and Coco and Red, though don't be fooled! Coco can fight! She's just retreating with Red in order to protect him. Everyone else though is up there duking it out with who ever dares cross their ship! ⚔⚔

@lildiaperboyjake

Ah! Sorry for the late reply, this ask got buried--

I'd like to think Funtime Freddy would have a really hard time deciding on a favorite song. California girls, call me maybe,, wannabe?? But after a loooot of careful thinking, he'd pick all star by smash mouth XD

Hello hi yes this ask was sent weeks ago but then it got lost and buried but then revived in a way that I cant explain but my intended response was--

Awwww.. imagine her in tears after drawing a picture of a little girl she remembers. She holds the drawing up to the night sky, trembling.

"S-She dreamed of seeing the stars one day.." 💔

[lynxgriffin]

Sorry to bother you again but do you have any tips on improving my art?

I always imagine stories that I can't animate or draw because I'm not skilled enough and I always feel discouraged.

Thanks!

There's a couple of different things you can do, depending on what angle you think suits you best! Although the truth behind all of them is that the way to improve your art is to do it, and just to keep doing it. Time and practice will always get you closer to where you want to be!

If there's something specific that you feel needs improving, spend a few weeks focusing just on that. Whether it's something like faces, hands, expressions, backgrounds, values/grayscale, or what have you, actually buckling down and studying just that thing for awhile can help you take a big step forward with it. The downside is that it can become tedious, and requires a lot of actual study and focus, which can be hard to maintain on your own.

If there's not anything in particular you want to improve, honestly just doing a completed comic or animation project (especially a short one) from beginning to end will help a lot. Doing any kind of sequential art forces you to tackle a lot of different things at once, but also teaches you how to handle them all, and to do so coherently. Even finishing a five-page comic or a 10-second animation can do wonders for the next thing you do!

If what you're worried about is how people will perceive your art, especially online or with social media, remove that aspect from it and just make something you don't plan on sharing. It can be very freeing to make something for just yourself, and can help lessen any discouragement you may feel.

When in doubt, you can always go back to the well...see comics or animation that inspire you, since for me that's often a good kick in the pants to want to try and create myself. Instead of comparing yourself, see it as a sort of thing where you go, "That looks really fun! I want to have fun, too!"

Hope that helps, and good luck!

[ineed-to-sleep]

hey hi hello!! I'm such a big fan of your art, ITS SO BEAUTIFUL - I was just wondering if you have any tips for younger artists such as myself (I haven't been doing it for that long) - I'm just looking to improve and I really look up to your art as inspiration because of how much I love it 😭 your colours and lines are gorgeous I mean even your sketches are so fleshed out aaaa!!

Hii thank youuu <3 and sorry for taking so long to respond, I kind of forgot about my askbox for a while fjksksfk but yeah I can definitely spare some tips!!

First off, for learning I'd recommend the site drawabox. It's perfect for beginners and has videos that walk you through each of the early steps of learning how to draw, from how to hold your pen to what the fundamentals are to gradually giving you drawing challenges. It's sooo so helpful, besides being really comprehensive in how it teaches you. I can't recommend it enough.

There's also a lot of great teachers on youtube, like Ahmed Aldoori, Marc Brunet, and Proko who all have great study tips and tutorials organized in playlists on their channels, whenever you want to keep expanding your skillset.

Another tip I have, which is more of a mental health tip(though just as important in my opinion), is to be patient with your art. It's a journey, it's long and the road isn't straight, and that's okay. What's important is that you stick to it and keep finding ways to have fun along the way. There's a lot to learn and a lot to study, and honestly I don't think artists ever really stop learning ajdkkd there's always more things to study, more things to get better at. So I definitely recommend you don't overwhelm yourself with how much there is or get frustrated with not being able to "get there" fast, but instead try to enjoy the process. Do studies, do challenges, but don't neglect drawing for yourself purely to have some fun. Not everything needs to help you improve, not everything needs to serve a purpose, not everything needs to even be seen by others. Sometimes all you need is to draw this thing you really wanted to draw and that's it. And that's the healthiest thing you can do for yourself, honestly. I can't deny that art is frustrating sometimes, but it shouldn't be frustrating all the time. If it is, you could be walking right into a burnout and get the art block that comes along with it. So I definitely recommend taking it one step at a time and always making time to draw for yourself.

That's all I can think of right now! Good luck on your art journey!!! This is such a wonderful skill to develop and it's so satisfying to see your own progress on the long run, I wish you all the best!! <3

[arealtrashact]

(Anonymous because i tend to be Shy af when it comes to making asks like this XD)

First things first, your artwork Always takes away my breath and legit You're one of my inspirations to keep drawing and improving Myself as seeing your art always brings a smile to my face and def makes me want to practice digital arts

Secondlly, if its ok to ask. What are program do you use? I am always curious into what other programs artist as the curious cat that I can be. Personally I use Clip Art Studio and i've love it so far (Still learning how to fully use it tho lol) Sorry if it came out as a weird question or you have answered it before

-Phantom

Thank you for the kind words ♥ Knowing that my work helps motivate you to create in any small way makes me very happy.

Not a weird question at all. I use Paint Tool Sai. I've been trying to make the transition to Clip Studio for a little while now but I'm an old dog. Learning new tricks seems less and less appealing these days.

[thephooka]

How we got here from there

Or, the long journey of a longform long-running webcomic about a long man with long wings.

In the spirit of @feathernotes and @phantomarine who have been talking about just starting your webcomic and not worrying about being "ready", I was inspired to do a post about White Noise's origin! I'm a little limited by the fact that I either left behind or destroyed a lot of the art I have from prior to 2009, so you'll have to take my word for it.

Cringe Truth below the cut!

The Cringe Truth of White Noise is that it has its roots in a Pokemon x Yu Yu Hakusho x self-insert(s) roleplay thread I used to do with an internet friend I made on Neopets guild forums way back in 2002-ish. We would come home from school every day and RP over AIM, and then when we had to get offline, whoever left first would email the other one, and we would continue via email until we were back on AIM at the same time.

Liya was my self insert.

This isn't even remotely the earliest art of her, it's just the earliest I have on hand. I was drawing her for almost a decade by the time I drew this one. Imagine the earlier drawings as being like I traced over Sailor Moon characters that I printed out from deviantART and gave them a brown ponytail.

The funny thing is Liya really hasn't changed much from her original form! I also had loose brown curls that I kept in a ponytail 24/7 to the point that it showed when I had it down (which is why her hair is 'dented' like that). I did it because I was trans and didn't know it; she does it because she hasn't realized she can just cut it off and be butch yet.

Other characters that date back from this time period: Yoshi (originally an InuYasha/Rurouni Kenshin pastiche), Hawk (I don't remember when he got wings but they were white at first), Numair (named after the Tamora Pierce character and filling a Koenma kind of role), Helly (sort of--I had an elf character named Kamui who had the same temperament, and he was eventually transmuted into Helly) and...Kurogane.

I've never named Kurogane but he appears in the background of the comic a few times, as my own personal inside joke.

Vlad came along somewhere between this RP period and planning the comic, but I can't remember when or why. I don't have drawings from that time (~2004?) but he was the first character I drew when I got a tablet for the first time.

Everyone else came along later when I started actually planning out the comic.

All this said: the reason I started White Noise as a weekly webcomic is because I wanted to learn to draw better.

At the time I was in college majoring in animation, but I didn't feel like I was learning very much at all (the program was badly structured; I had more art history classes than anything else. It was a mess.) I was also working nights in order to feed myself, and so had a lot of downtime. I had this story rattling around in my head from my RP days, so I figured, why not just give it a go?

For posterity here's a photo of a chapter 1 panel in progress, back in 2011 with my typical college diet in the bg:

(Chapter 1 was originally pencil on paper, scanned in and colored in PS. I later re-drew it to make it fully digital to match with the rest of the comic.)

There's been a lot of talking about not waiting until you're 'ready' to start a webcomic, and I agree with that sentiment. Try framing it like this: making a comic every week for years and years will improve your art way more than any prep work you can do before starting the comic. It's like learning to swim. You can read about swimming all you want, but you're not going to really figure it out until you do it. If your early comics are bad, well, that's normal. It used to be an expected part of doing webcomics; I blame the shift into expecting webcomics to be polished from start to finish partly on commercialization in the space, but that's an angry rant for another time.

With this background, here's the collage I posted for WN's 10 year anniversary back in 2021:

And now we're here.

So do your webcomic. Put it on ComicFury or make a janky little site for it. Be okay with imperfect pages and be prepared to shout into the void for a while. Even if it's always a hobby, if it never makes you a dime or wins you any awards--that's fine! You'll be a lot happier if you learn not to worry about that stuff, and just make something that will help you grow and make you happy. We could do with a lot more work like that in the world imo.

[marciaillust]

Hey! I just wanted to say I’ve been following you forEVER now, and that your art has been inspiring me since i was a teenager. I was wondering if you could share a little about your rendering process? How did you improve it over the years, what did you learn you wish u knew sooner, stuff like that?

(Thanks anyway, and definitely getting myself ur new comic)

Hi! oh wow thank you so much for the kind words!

My rendering process hmmmm.... I will try to sum up the thoughts that come to my mind as I'm writing this, though I might be missing some proper vocabulary

The first thing that surfaced in my brain is exposition within a picture. This is what the picture focuses on - things in the light, or things in the shadow, and how much details each of these two receive rendering wise.

It's basically like taking a photo with a phone - if you click on a bright thing (say, a window), the phone will automatically adjust the exposition and all the other bright things will be visible(lotta detail), but the shadows will become turbo dark (no details). Alternatively, if you click on a dark shadow, all the dark things will become visible (details) but the hypothetical window will become blown out and turbo white (no details). You can basically have one or the other but never both. (or I guess you can who am I to tell anyone how to make art yanno no rules up in this house)

anyway, so for example, this pic^ focuses on the things in the dark, meaning everything in direct light receives no details.

and this pic^ focuses on the light and so all the cast shadows are pitch black.

One other thing that I learned a longass time ago was that edges(and shapes) are arguably the most important part of an object within a picture. Clean edges immediately call for focus, while softer or vague edges allow things to fade in the background and communicate the idea of a thing rather than showing you the thing itself. On a related note note, clean edges also make work in progress appear about 25% more finished.

I guess this all has to do with contrast and contrast can be created in many ways - edges (soft/sharp), colours (eg. red fish in a blue sea), spacing (objects being grouped vs. a single object), the amount of detail per object etc etc etc. and all of these can be controlled to solve specific issues within a picture.

In short, if a thing is important aka the focal point, make it stand out - sharp edges, details, specific colours and a lighting situation that make it pop. And if a thing isn't too important leave it vague, communicate the idea of it rather than focusing on drawing it.

On the note of things being sharp, a thing that I always swore by is, if there are eyes in the picture those eyes better be d-o-n-e. Pristine. People will look at the eyes, eyes communicate 90% of emotion, the eyes are the it girl of the picture forever and always, nobody will look at the wonky foot, they will look at the eyes and judge the quality of the picture. If the eyes are shit the picture is shit. (I'm exaggerating but fr. eyes are a big deal.). They don't have to be turbo rendered or physically mad sharp but they need to be done. Whatever that means, take what you will from my word soup.

One thing that I've become a big fan of over the years is the concept of wear and tear. This has to do with texturing things in pictures and I looooooooooooooooove thinking about ways items are used in order to create bumps and scratches that can be featured.

It always makes things look like they belong to someone?? It makes them real? Like the tip of that bone. that bone has been places. That belt has seen use. That bag carried things. Like yanno?? I looove things that chip and have nicks. Give me wood and I'll put a dent in it I swear.

And I thing the latest thing that I'm trying to incorporate within my art, though I haven't had much time or opportunity to do it in personal art because of work, is colour variation within each element.

Like his face. His skin is obviously "beige" but you will see red, and blue and yellow and green in there too. Stuff like that yanno? I'm quite interested in taking this further in my future paintings. I'm still learning how to push what, where and how but ayyy issa journey I'll happily embark on.

And of course apart from all that it's the usual jazz, working on anatomy composition perspective doing it a lot over and over again babababababa and so on and so forth.

I haven't had much opportunity to paint since I started working on the comic last year but it had it own set of challenges for me. Linework is a completely different kind of rodeo and I've improved in different departments a lot and I'd be happy to bring those things into my paintings when I have the chance. I feel like I'm at a point where I know a lot more than what I've had the opportunity to put on paper, it feels exciting!

I hope at least some of my ramblings were of interest to you!! Again, that you for the nice message and have a nice day :)

[basiatlu]

@black-occamy here again 🖤

Oh, amazing Artist! Would you be so kind to share some tips for absolute crap beginners?

Love 😘

Helloooo~☆ I took a moment to type this out a little bit ago and to tweak and edit as I saw fit so ty for waiting.

Ok ok so here's Crap Tips for Crap Beginners:

Stop calling yourself "crap, bad, and trash" when first starting out. - You wanna improve and have the drive to make art and feel satisfied at the end of a drawing? Then give yourself the positive reinforcement that most pups need in learning a new skill and trick. Treats and good pets and "nice jobs!" The whole world will fight against you, they'll try to beat you down and tell you what you do and how you do it doesn't matter. You've got to tell them to stick that where the sun doesn't shine. Aggressively support yourself - fake it till you make it etc etc. Pretend everything you do is intentional until you see yourself making more intentional decisions with your artwork.

With the pep talk out of the way - Warming Up is so important. Just like athletes and dancers do beforehand, you need to stretch your hands and arms and shoulders. And then you need to have a healthy back posture if possible. Draw with your whole arm and not just your wrists and fingers. Aaaand then you need to get the squiggles out. By that I mean make marks on your medium/paper/tablet. Little hatch marks, boxes, circles, tornados, silly emoji faces! When learning to draw, there will be 100 bad drawings before you reach a single good one, is what my college professor would say. And damn was he good.

If you can't draw something well or easily then you need to draw it again and again and again.... and again. I was really struggling to draw hands and feet! So I took pictures of my own hands, of my friends' hands, saved pictures from online, etc and made studies of them. Just paid extremely close attention to what I was actually looking at (and not what I thought hands where supposed to appear as). I also studied medical anatomical diagrams on hands to learn the bones, muscles, and tendons in the hands! It's very important!!! Studying can be applied to anything: cars, plants, animals, braids, fabric textures....

You have to refresh your lessons - once you do a study it doesn't permanently install into your brain for you to copy/paste whenever you need it. You have to revisit and keep that muscle memory in your hands for when you go to draw. I fall out of practice ALL the time and need to dedicate time to relearn how to draw things. And this isn't because I'm failing or wasting away as an artist, it's just a simple fact that I lost a little bit of my artist muscle mass and need to work out those muscles again. See?

You don't need fancy tools to draw, but they do help. I always break it down to the simplest form of sticks and mud. You can draw with pencils, twigs, charcoal, paint, on paper, in the dirt, in the sand, on canvas, on your phone, on a tablet. On and on it goes. Have the tools you need so you don't hinder yourself but don't hold back because you need to 'wait for the latest and greatest tech.' Why wait? Brush packs will not instantly make you a better artist, my dude. Printer paper and a sharpened pencil will take you miles.

And that's honestly it! Generally all good tips to keep in mind for when you're first starting. Some of these I have to also remind myself. I get down on my abilities and need the reminders too. Getting down to the basics is really important. Stretch, practice, stay strong, and oh! Also take breaks. ✨️