I've been wracking my brain trying to find out who exactly Detective Noel might be and I think I have a vague hand wavy idea.
I know people want it to be Parker, Kayne, or even the KIY but I think Arthur would have recognized Parker's voice even if John struggled to recognize him, Kayne was pointed out to have never known about the lighter, and the King seems like a long shot, but not altogether impossible. However!
Way back in season 1 we learned that the book that had once held John was actually addressed to Roland Cummings, a retired private investigator who owned 13 Mosby Avenue (Arthur and Parker's office) and as of now is MIA after the police found the body of his wife in the freezer and the neighbors suspected he fled to Canada (Part Two: The Missing Girl). He's also the father of Amanda Cummings, one of the missing girls who was later killed by the King (because of Arthur, whoops). Now, his office was leased out to Elijah Strong and his partner, Teddy Caine before being taken over by Arthur and Parker. Elijah had committed suicide in prison and we later find out that the Butcher was the one who actually killed him. As of right now we have no definitive answer as to what became of Teddy Caine.
Arthur's engraved lighter came from the desk of their office.
My reach is that Detective Noel is either Roland Cummings or (less so) Teddy Cain. I'm leaning more towards Cummings simply because he had seemed the most knowledgeable about The Horrors™️ and was in fact sort of the catalyst to the entire series being the original receiver for John's book. And it's also possible he and Arthur never really met. It would also make sense as to why he's working under a different name because he would still be under suspicion after what happened with his family near Arkham. Teddy Caine I'm less sure about because all we know is that he worked at the office for a time and had a run-in with the Butcher.
Detective Noel could also literally be none of these people or someone else entirely and I'm just thinking too hard. But ooh the possibilities! They make me [stick figure gore]
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MCFLY JULY ‘24 ⸺ 「 1 / 31 * MOUNTAIN DEW HAT MAN 」
November 12, 1955
“No, I can’t stay. I told Ronnie I’d be home after work to give him the news about whether or not Marty really existed or this was the longest-running prank in history. He’s been just as interested as we were ever since I brought it up.” Walter chuckles, scrawling his signature on the day’s log. “He’ll be happy to know he was right. Kept trying to convince me that he’d be there—you’ll see, Dad. Even had a little bet of our own going—”
“And you lost that one too.” Kenneth barks out a deep, rumbling laugh that very nearly shakes the foundations of the building.
“I still can’t believe it. How the hell could a seventy-year-old letter know the exact time, date, and location that some kid named Marty McFly would be standing there?”
“Beats me.” Kenneth smirks, mischief glimmering in his deep blue eyes, and Walter rolls his eyes, knowing exactly the turn the conversation is about to take. “Maybe he’s an alien. Or a time-traveller on a secret mission and this kid’s his partner.”
Time-traveller. Those two words wind themselves around every nerve and muscle, rooting themselves so deeply into his mind Walter isn’t sure he’ll ever get them out of his head.
It’s crazy talk. Just like everything that Marty kid said.
Kenneth quirks a brow when the normally quick retort is nowhere to be found.
“—Yeah, right. And I’m a mind-reader.” Walter stands, retrieving his still-damp hat and coat from the coatrack by the door. “You’re watching too much Science Fiction Theatre.”
“I don’t see you offering any better explanations. And we know from that state of that old thing and the letterhead of the instruction letter that this wasn’t a joke. Or if it was, it’s a damn good forgery. Think about it. You said the kid started talking crazy after you gave him the letter, didn’t you?” Kenneth’s voice deepens, holding an air of secrecy and conspiracy meant for their ears only. He steeples his fingers, both elbows now propped up on the desk as his thick brows pull together in intense concentration.
“He’s a teenager. They’re all talking crazy. Even Ronnie, sometimes.”
There’s a look on Kenneth’s face that says he doesn’t agree, but if he has any further thoughts on the matter, he keeps them to himself, offering little more than a shrug and a drawn-out sigh. “Suit yourself. Go on, get out of here. I’ll talk to you tomorrow. The whole office is going to be waiting to hear about this, you know. Tell Ronnie I said hi.”
“I will. By the way, you think you can try and find the name of whoever it was that left that letter here? The box said it came all the way from corporate; someone’s name is attached to it. There must be a record somewhere.”
“You want me to dig through seventy years’ worth of records to find something that might not even exist?”
“If anyone can—”
Kenneth rolls his eyes, resignation flickering across his face and sagging his shoulders. “God damn—fine. Don’t get your hopes up.”
“Thanks.” Kenneth mumbles something that Walter doesn’t catch as he puts his hat on and steps outside to his car, letting the night’s strange meeting play out on repeat in his mind for the twenty-minute drive home.
The living room lights are still switched on and the moment Walter opens the front door, Ronnie all but leaps up off the couch, nearly losing his glasses in the process. “So? Was he really there?” Walter chuckles at his son’s enthusiasm, having expected exactly this moment he stepped through those doors. Ronnie had been almost more excited about it than the boys in the office, eagerly anticipating the night of 12 November with the same fervour as he would his birthday.
“C’mon, Dad,” Ronnie demands to his father’s back as he removes and hangs up his coat for what, hopefully, is the final time tonight. “Did that Marty guy show up?” Did I win the bet?
“He did,” Walter finally answers, dropping down into the armchair with a groan. Ronnie’s eyes widen and before he can get even a single one of the multitude of questions untangled from the knot they’ve twisted themselves into on his tongue out, his father continues, seemingly having plucked the questions right out of his mind.
“Exactly like the instruction letter said he would. Right time, right description, right place—everything.” Kenneth’s words rattle around Walter’s mind again as Ronnie beams, shouting triumphantly to the tune of I told you! I knew it!
“What’d it say? You saw it, right? You gotta tell me everything.”
—
May 21, 1986
That's him again, Ronald muses at the increasingly familiar sound of the thud of what three prior incidents already have taught him is hands grabbing onto the back of his Jeep.
Ronald glances over his shoulder and just like the last several times, the kid nods his acknowledgement and appreciation for the ride yet never says a word. This is becoming a pattern now, always on weekdays if his memory serves him correctly, and if nothing else, he should at least know the name of the kid he’s been ferrying around throughout the town.
“You ever think about getting a car of your own? They’ve got some cheap ones I’m sure even a student can afford.” Young kid, backpack slung over his shoulders—must be a high school student. He blinks, pulling the headphones off his ears. “You keep this up I’m going to start charging you for the ride.”
The kid throws him a winning smile. “Nah, I’ve got a car.” Ronald scrunches his brows together, wondering just what the hell the kid is doing grabbing onto the backs of cars and doing something so dangerous when he’s got a car of his own to get him around. If it were broken, maybe in the shop—
But this isn’t the first time.
“Did you ever—?” He eases into a left turn and behind him, the kid leans into it, unfazed. Ronald quirks a brow, waiting for him to finish whatever question he’d started, but he never does, continuing on as if the question had never been a thought in his mind. “Driving’s great, but sometimes I just—it’s not the same as putting on headphones and feeling the wind on my face as I’m skateboarding, you know? Helps me think.”
The kid almost looks surprised when he answers, “Yeah, I think I do,” and Ronald smiles at that.
“Oh—we’re almost at my stop. Hey, thanks. For, uh, not trying to shake me off or call the cops or something.”
He slows the car down as the driver ahead of him attempts to turn off onto a side street. “Before you go—what’s your name, kid?”
He hits the car twice with his hand before kicking off, shouting “It’s Marty! Marty McFly!”
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it’s a little frustrating sometimes to watch people try to “debunk” gay mike evidence by quibbling over things that are. kind of beside the point? like arguing that mike’s consistently negative (or even neutral, if you want the benefit of the doubt) reactions to girls aren’t “disgust” therefore they don’t mean anything. but like 1. yeah i agree, cates gate isn’t about mike being “disgusted.” mike’s face when el kisses him isn’t “disgusted.” mike’s reaction to el, to max, to girls in general doesn’t really read to me as “disgust” either. so 2. what DOES it read to you as? incredulity? confusion? discomfort? those…. still aren’t positive reactions.
the point is that mike actively and blatantly Does Not react positively toward el kissing him. and he also Doesn’t react positively to dustin’s description of a girl being “hotter than phoebe cates.” he asks “is she cute?” with maybe preemptive incredulity (in line with will's question "girls go to science camp?") over a girl who goes to science camp being cute, or perhaps just a neutrally curious state over dustin's new girlfriend, but then dustin doesn’t say “she’s hotter than phoebe cates.” he says, “think phoebe cates. only hotter.” that’s a prescriptive statement. you want to know if she’s cute, mike? think about phoebe cates, and then imagine someone hotter than that. and mike’s expression doesn’t improve in the slightest. think about someone hotter than phoebe cates, dustin tells mike. and mike? remains confused and entirely unintrigued. no, he’s not disgusted, but the point is not his negative reaction, it’s a complete lack of any sort of positive reaction. if he’s listening to dustin, he should have, in that moment, thought of phoebe cates. and his reaction?
nothing.
(but. this is also just to say... i don’t even think it's fair to call most of mike’s facial reactions “proof” of his sexuality in any argument… i think they’re fun little easter eggs that add an extra visual element to his gay characterization. but. it’s not WHY people think he’s gay. it's funny to point out BECAUSE he's gay)
[edit: AND this is not even to mention the direct line drawn to this in season four via stobin's discussion of fast times, linking phoebe cates to 'people who like boobies.' #notmikewheeler]
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