#If you need to be mean- be mean to me <3

[somaticmilk]

Okay I think I’m like genuinely tweaking cause I spent like 4 hours of my day at work then 5 hours of my day at the mall third wheeling my friends

So-

Uh.. since we’re all here -

Good night - to all the artists I harassed to draw me Derek Goffard

Good night - to all the anons that came absolutely out of no where (my thumbs hurt..)

Good night - to that one moot I won’t stop sending voice messages to COUGH COUGH- 🦌-

Good night - to that one moot who is SO FINE FOR NO FREAKING REASON- RESPECTFULLY - /p

Good night to Vexy for being— uh- himself..

Good night to the RP’ers that put their whole Fox’ussy into their work

And good night to that one moot.. my first moot which we don’t talk to that much anymore but still hope we’re cool!!^^*

Soma cat under cut

->

[sparkleofstardust]

in light of the recent news that Iranian President Ebrahim Raisi has been found dead after a helicopter crash you might be wondering 'who the hell is this guy and why are so many people celebrating his death??' and i'm here to answer that!

to fully understand what's going on we need to look into Iran's history: when the Iranian revolution in 1979 happened the authoritarian king who was ruling at that time was overthrown, but the ensuing power vacuum lead to the islamic regime seizing power and establishing Iran as an islamic republic

the following years were incredibly cruel to the Iranian people; thousands of people (especially minorities) have been protesting against the strict islamic regime leading to many being jailed, tortured and executed.

and this is where Raisi played a big part: in 1988 he was part of a committee that ordered the execution of thousands of political prisoners who were protesting the islamic regime, earning himself the title of "the butcher of tehran"

do not be fooled by what the state media wants you to believe, the Iranian people are celebrating his death. he was a cruel mass murderer who has destroyed the lives of thousands of people, his death should be used as a time to mourn for all the suffering he has caused, and bring new attention to the political prisoners still being held in Iranian prisions today

because sadly the fight is far from over. many of you have probably heard of the murder of Mahsa Jina Amini back in 2022, causing a new wave of nationwide protests and establishing the "woman, life, freedom" movement. the regime has gotten increasingly cruel in their treatment of the Iranian people, especially women, but the people of Iran are not deterred and keep fighting for a free Iran.

if you want to know how you can help, please keep talking about us. the one thing the regime hates is international attention, and in the past it has been proven that international pressure has stopped the regime from executing various political prisoners. people like Toomaj Salehi are under imminent threat of execution and spreading their names could save their lives. so whether you share social media posts or talk to your family and friends about what is happening in Iran, anything helps 🙏🏼

jin, jiyan, azadi ✌🏼

[inkskinned]

so one of the things that's so horrifying about birth control is that you have to, like, navigate this incredibly personal choice about your body and yet also face the epitome of misogyny. like, someone in the comments will say it wasn't that bad for me, and you'll be utterly silenced. like, everyone treats birth control like something that's super dirty. like, you have no fucking information or control over this thing because certain powerful people find it icky.

first it was the oral contraceptives. you went on those young, mostly for reasons unrelated to birth control - even your dermatologist suggested them to control your acne. the list of side effects was longer than your arm, and you just stared at it, horrified.

it made you so mentally ill, but you just heard that this was adulthood. that, yes, there are of course side effects, what did you expect. one day you looked up yasmin makes me depressed because surely this was far too intense, and you discovered that over 12,000 lawsuits had been successfully filed against the brand. it remains commonly prescribed on the open market. you switched brands a few times before oral contraceptives stopped being in any way effective. your doctor just, like, shrugged and said you could try a different brand again.

and the thing is that you're a feminist. you know from your own experience that birth control can be lifesaving, and that even when used for birth control - it is necessary healthcare. you have seen it save so many people from such bad situations, yourself included. it is critical that any person has access to birth control, and you would never suggest that we just get rid of all of it.

you were a little skeeved out by the implant (heard too many bad stories about it) and figured - okay, iud. it was some of the worst pain you've ever fucking experienced, and you did it with a small number of tylenol in your system (3), like you were getting your bikini line waxed instead of something practically sewn into your body.

and what's wild is that because sometimes it isn't a painful insertion process, it is vanishingly rare to find a doctor that will actually numb the area. while your doctor was talking to you about which brand to choose, you were thinking about the other ways you've been injured in your life. you thought about how you had a suspicious mole frozen off - something so small and easy - and how they'd numbed a huge area. you thought about when you broke your wrist and didn't actually notice, because you'd thought it was a sprain.

your understanding of pain is that how the human body responds to injury doesn't always relate to the actual pain tolerance of the person - it's more about how lucky that person is physically. maybe they broke it in a perfect way. maybe they happened to get hurt in a place without a lot of nerve endings. some people can handle a broken femur but crumble under a sore tooth. there's no true way to predict how "much" something actually hurts.

in no other situation would it be appropriate for doctors to ignore pain. just because someone can break their wrist and not feel it doesn't mean no one should receive pain meds for a broken wrist. it just means that particular person was lucky about it. it should not define treatment.

in the comments of videos about IUDs, literally thousands of people report agony. blinding, nauseating, soul-crushing agony. they say things like i had 2 kids and this was the worst thing i ever experienced or i literally have a tattoo on my ribs and it felt like a tickle. this thing almost killed me or would rather run into traffic than ever feel that again.

so it's either true that every single person who reports severe pain is exaggerating. or it's true that it's far more likely you will experience pain, rather than "just a pinch." and yet - there's nothing fucking been done about it. it kind of feels like a shrug is layered on top of everything - since technically it's elective, isn't it kind of your fault for agreeing to select it? stop being fearmongering. stop being defensive.

you fucking needed yours. you are almost weirdly protective of it. yours was so important for your physical and mental health. it helped you off hormonal birth control and even started helping some of your symptoms. it still fucking hurt for no fucking reason.

once while recovering from surgery, they offered you like 15 days of vicodin. you only took 2 of them. you've been offered oxy for tonsillitis. you turned down opioids while recovering from your wisdom tooth extraction. everything else has the option. you fucking drove yourself home after it, shocked and quietly weeping, feeling like something very bad had just happened. the nurse that held your hand during the experience looked down at you, tears in her eyes, and said - i know. this is cruelty in action.

and it's fucked up because the conversation is never just "hey, so the way we are doing this is fucking barbaric and doctors should be required to offer serious pain meds" - it's usually something around the lines of "well, it didn't kill you, did it?"

you just found out that removing that little bitch will hurt just as bad. a little pinch like how oral contraceptives have "some" serious symptoms. like your life and pain are expendable or not really important. like maybe we are all hysterical about it?

hysteria comes from the latin word for uterus, which is great!

you stand here at a crossroads. like - this thing is so important. did they really have to make it so fucking dangerous. and why is it that if you make a complaint, you're told - i didn't even want you to have this in the first place. we're told be careful what you wish for. we're told that it's our fault for wanting something so illict; we could simply choose not to need medication. that maybe if we don't like the scraps, we should get ready to starve.

we have been saying for so long - "i'm not asking you to remove the option, i'm asking you to reconsider the risk." this entire time we hear: well, this is what you wanted, isn't it?

[cuddlytogas]

So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.

[utterlyazriel]

an eternity, my love

eep! this is a bit longer than the last at just over 6k forgive me... but thank so much for all love on the first piece 🥹 and thank u for all your lovely ideas! i hope this does sum justice to the nonnie who asked for further miscommuncation... <3 part one here but u don’t need to read it to read this :)

How does one even begin to decide what to wear to dinner with a person, the person, who matched your soul perfectly?

When your friend had hunted her way through clothing stores of Velaris and stashed away a custom dress — far fancier than anything you owned — for the first date with her mate, you had laughed at her.

Now, staring at your closet in only your undergarments, you were beginning to envy her preparation.

Seriously, how are you supposed to choose?

You pick up your latest addition to your closet, a glossy dress the colour of red wine that reveals the length of your legs and planes of your collarbones— perfect for a night out dancing.

With a grimace, you place it back on the hanger. It was far more scandalous than you would want to be on a first date, even though — well, you’re sure that, being mates, Azriel would like anything you wore.

You heave a sigh. An uneasy prickle beneath your skin has you crossing your arms; it was almost alarming how badly you wanted to impress him. But… mating bonds were rare and powerful.

Almost as if you had summoned it — in fact, maybe you had — there’s a soft shimmer in your chest. Your beautiful glow, the bridge between you and Azriel humming to life. In a way you can’t explain, it’s as though you can feel him soothe across your mind, his soft touch full of assurances.

He’s comforting you. All your emotions must be shooting down the bond without your permission. Gods, that would take some getting used to. You wonder if he can feel your resounding pang of embarrassment as well.

You do your best to push back something less nervous, more of your excitement for the night to come — and you know, without even seeing him, he’s smiling.

After another moment of fussing, you decide on something simpler than your glossy night dress.

Comfortable black slacks with plenty of flow to them and a shirt you thought was one of your nicer ones. With the slightest touch ups to your makeup, you rush yourself out the door before you convince yourself to change all over again.

The Sidra keeps you company, a rush of water beside you as you wind through the streets of Velaris, eyes flicking up to take in the darkening sky. The sun was sinking below the mountain tops, rays tickling across the ridges.

And while you could admit that Velaris was very beautiful in the daytime, you were a true Night court citizen— and believed its true beauty came out at night.

Somehow, despite the lack of concrete plans made as you had ushered the male out of your office, you knew resolutely that you would be able to find him. You weren’t even worried about the timing of it all. It was… what was the word? Absurd. Insane. Utterly, breathtakingly incredible.

Sure enough, as you exit the alley and round the corner, your eyes falling on the sage green building you reside in for work, there he is; waiting for you.

You inhale a sharp breath. A thousand cells in your body fizz, hum, and glow, at the mere sight of him.

It's easy to understand just how he had garnered his dark reputation, the image of him every bit of the Spymaster of the Night Court — a title like Shadowsinger has never been so fitting for him.

He’s blurred at the edges, a thousand tiny wisps that blend him into the shadows of the nighttime. His wings stretch up behind, towering over his already tall frame, black as ink, and beneath his darkened attire, you can spot his tan skin. Your eyes drag up his neck, tracing his adam's apple, along the scruff of his sharp jaw until you reach his hazel eyes.

Your heart burns.

In the depth of it, you know, if he doesn't love you, he will undo you completely.

It's wholly terrifying to come face to face with — the intensity of the mating bond scorching through your mind like a fierce wind, burning embers left in its wake.

It's enough to make you pause, the definitive thought that doing this, offering him your heart and trusting him, could very well lead to your ruin.

Your chest squeezes tightly. You let your eyes drink in the Illyrian, the Male who waited so patiently for all those years and was prepared to wait years more, if you had asked.

Focusing, you pluck up that golden thread in your chest and hold it tightly. It heats and melts, hotter and hotter, and you know that any fear you have, you can conquer to be with him.

Ruination be damned.

—

Azriel notices you the moment your frame exits the alley, notices the moment you pause — has been able to feel you drawing nearer to him this whole time. Your every emotion is transparent to him through the bond between you, whether you’re aware of it or not.

You must not have the tightened mental shields he had come to be so familiar with over all his years. It makes sense; you are no warrior. Mental walls over your mind are not something you have ever had to concern yourself with.

Azriel vows it to be one of the things he teaches you. You deserved the privacy of your emotions, at the very least.

But... for now, Azriel can feel them all. It's why, as you round the corner, Azriel can feel your eyes on him and then, then he feels it.

The wash of fear that spills over your bond like icy water.

An old enemy rises within him. He grits his teeth, even as he feels the fear from you slide away and he tries to ignore the sting from an unhealed wound. But self-deprecation never seems to drown, no matter how much he tries to suffocate it within him.

He shifts his hands, relieved suddenly to have them covered up beneath gloves. His wings tuck in tighter, if possible, and he wills his shadows sternly to contain themselves. Something in the slightest baring of his teeth has them obeying. They shoot to his sides and make themselves scarce.

All this in time to greet you pleasantly as you bounce into view, sidling up before him with a shy grin. It's only been a few hours since he got his proper look at you and yet, you're every bit as breathtaking as you were earlier. More so, in fact.

It feels as though Azriel has never seen the sky before and you before him, are the first sunset of his life. You look so pretty that Azriel could probably gaze at you all evening if you so allowed him to.

And then, he remembers the pang of fear.

He doesn't waste time mulling over which detail of him had made you afraid — only that he would dim or change or hide any part of himself to stop it from happening again.

"Hello, again," You say, your lips pressed together to contain your smile. You have to tilt your head back to look up at his handsome face. His shadows swirl around him and despite his strict instructions, one still slips away to touch you.

You don't notice it circling your ankle, tentative and shy.

"Hello, again." Azriel echoes your words, unable to help his own glimmer of joy.

He wants to offer you his arm, his hand. Can feel it within him, down to the very marrow of his bones, the craving to be closer to you, to touch you, however he can.

Azriel swallows heavily and does what he has done over decades, over centuries; he takes the wanting and pushes it down, down, down.

The two of you begin to walk, side by side, with no destination in mind. Aimless and content at the same time.

Azriel doesn't need the bond to see the flittering of nerves hidden in your expression. The shadow still circulating around your ankle climbs higher, like it wants to comfort you too.

Azriel wills it to still, desperate to not scare you again. He drops his shoulders from his usual warrior posture in hopes of making himself a little smaller.

“You don’t need to be nervous.” He says reassuringly.

You steal a glimpse at him, your smile breaking into a grin. Your nerves are still potent but less so.

“Who says I’m nervous?”

Azriel smiles gently, his eyes dancing across your face as he reads your lie easily. “I do."

There's a scrunch between your eyebrows then, like he had seen during his time in your office earlier. Azriel places a hand on his chest, over the place where the glowing tug is strongest.

"I can feel it.”

Your eyes widen slightly as you stare at his gloved hand, the cogs in your brain spinning and turning at a rapid rate. Still strolling, your hand rises slowly and touches to the same spot on your own chest. Azriel can feel his heart stutter at the sight, you holding the spot that connected you to him undeniably.

"You can?" Your gaze lifts to his face, puzzlement adorning your features. You frown and focus for a moment, staring hard into the distance — and Azriel feels a sudden twinge of disgust through the thread.

"Did you feel that?" You ask, eyes wide and curious.

Azriel nods wordlessly and he can't help but ask. "What is it you were thinking of?"

You look embarrassed for a moment, eyes averting to the ground. You chuckle awkwardly and tuck your hair behind your ears, glancing back up at the Male with a sheepish smile.

"Brussels sprouts."

Azriel blinks once, twice, and then has to turn to hide his smile. He tries to cover his laugh with a cough. It doesn't work, given how you make a small noise of indignation. He turns back, his politest expression on.

"Don't laugh at me!" You whine, reaching out to poke him in the shoulder. Your touch radiates through his body like a drop of golden sun, blazing warm.

"You're right," Azriel hums, his lips twitching as he presses back his smile. "My apologies, my lady. This is important knowledge I should be filing away. I swear on my life I will feed you no brussels sprouts this evening, or any in the future."

He wants to nudge your shoulder with his own, just to touch you, wants to reach out as easily as you had. But his shadows slip before his self-control does, skittering out along onto your shoulder and giving you a small shock and Azriel remembers himself. His fists clench tightly at his sides.

You walk side by side all evening, like two planets in orbit — close, oh so close, but never quite touching.

—

The first date you share is nothing short of… wonderful.

Resolutely and overwhelming good, the entire date you can't help but feel as though your very soul is singing, a thousand particles blithesome at the nearness you get to share with Azriel. He's surprising in a manner of ways.

Firstly, he's terribly quiet.

Next to him, you look quite the blabber-mouth, no matter how much he insists he enjoys it. His dark eyes are intense as they watch you closely, soaking in every word that passes your lips, and yet, beneath it, his dry sense of humour comes out to play. There's the occasional tease, almost as if just to see if he could make you flustered. (He could, easily).

With a Male as beautiful as him, suited to your very being in every way, it's nearly unbearable how much you ache for him. How much his very attention creeps down your neck and makes every nerve along your spine tingle.

You know it will take some time to get used to his unwavering and devoted attention.

There’s… just one small, itty-bitty, tiny problem.

He doesn’t touch you.

Throughout that whole first evening, you had noticed it somewhat— a flex in his gloved hands, a moment where his wing strayed too close only to be pulled back in a flash, even his shadows, darting out to be near you but never quite touching you as they had on that first meeting.

His hands reach out but they do not find you.

At first, you believed it was a first date thing. Azriel was, first and foremost, a gentleman, and you thought perhaps, his skirting touch, like his hand lingering over the small of your back but not touching it, was to be polite. Courteous and gracious.

Then, you had seen him just two days after that date, all bundled up in your giddiness that it had managed to slip your mind.

The two of you had spent the day together, traversing through the market — before you quickly found a quieter space for your mate as it became clear that large bustling areas, such as the Palace of Threads and Jewels, were not so suited to his tastes.

As you had tugged him out of the crowd, laughing over your shoulder at how he fought to keep his broad wings from knocking into anyone else, the thought suddenly snapped back into you.

Though you yearned to link his arm with your own, to interlace your fingers with his, you remembered his hesitance. Remembered the hover of his gloved hand.

And so, you dropped his arm the moment you cleared the crowd.

A hurt warbled deep within you to so do and knowing you were not the deftest at schooling your expressions, you hid your face so you could contain your childish reactions. You huffed at your own upset. What matter is it if your mate has no affinity to touch?

Truly, it was a miracle to have found a mate at all, you tried to scold yourself. You would not take him for granted for a moment, not even if it was not quite the picture of perfection you had envisioned.

Rooted deep in you was a truth; you could abide by this, abstain to his level of comfort for years, for millennia, if it made him happier.

The fabric of the mating bond, connecting the two of you intrinsically, made it so you would not want it any other way.

It's a decidedly Azriel thing.

He always wears the gloves, he never touches you more than he has to, and he's got... this really specific look when you're doing a terrible job of hiding your emotions.

As he had vowed, Azriel had set about teaching you how to build the mental walls up within your mind, brick by brick by brick. While it would help you hold against daemati if that loathsome situation should ever arise, it would also shield you from your mate.

It would protect you from having your emotions ripped out for him to see, no matter how much you held back — if it was in your mind, it would travel down the bond.

So, the wall had to be built. It had been tedious, tricky, and tiring work. Yet every time you would feel yourself ready to throw in the towel, Azriel would lean in closer, his hazel eyes softened, and his hand resting upon your arm, thumb swatching up and down, to encourage you.

"I know it is tiresome," He had mused, that faint smile twitching at his lips as you scowled at the ground. His thumb was still moving, still drawing light circles on your bicep. The skin beneath it blazed with warmth. "But it is worth it, that I can promise. You deserve this privacy, my dear. I would never wish to take it from you."

My dear, my dear, my dear— the words had sunk into your sternum and bloomed, bright and golden.

It's enough to hold onto, his kind affections. The sweet shape of his mouth when it says your name. The way his lashes kiss in the corner when he can't hold back his smile.

It's enough to soothe yourself over. To take the lack of touch on the chin and swallow down your desire for more.

It's why— why you can't help yourself— why you couldn't tear your eyes away from Azriel's hand where it touches Cassian's arm.

You're meeting his family today, which you've quickly realised doesn't mean his mother or father but instead means... the literal Highlord of the Night Court.

There are several warriors crowded around the cramped entrance room to the River House. Each of them is taller than you, and two of them with the very same huge wingspans that you've come to revere on your own mate.

Your usual talkativeness has been dimmed in your shock, though, really, it shouldn't be such a surprise. Azriel is a force to be reckoned with, honed over decades, and the Spymaster of the Night Court. You know these things. The company he keeps makes sense.

Somehow... still, seeing them all together leaves you strikingly speechless. The legion that protects your home — a family.

Rhysand greets you first, dapper in his dark attire, his violet eyes equal parts calculating and welcoming as he steps forward and offers his hand.

Despite the fact you have never bowed to him before, you still have to repress the urge. His power is overwhelming, the very night lapping at his edges and you're suddenly very grateful to be meeting him as a friend and not as a foe.

"It's a pleasure to meet you," Rhysand's voice purrs out, soft as silk. When you place your hand in his, he brings it to his lips and presses a polite kiss to the back of your hand.

"Any friend of Azriel's is a friend of mine."

You can feel your own heart thundering in your chest. Azriel hovers behind you, his presence soothing in itself. You can't see it but his wings are outstretched towards you, cocooning around you ever so slightly. A shadow hovers behind your shoulder, just out of sight.

"I— the pleasure is mine, my Highlord." You manage to make yourself speak.

You almost wish you hadn't when your words inspire a burst of laughter from one of the others behind Rhysand, the other Illyrian. He's tall, his hair dark but longer than your mate's own.

As your hand is dropped, Rhysand turns to scowl at the Male laughing, and you only grow further perplexed when he gives a whack against the other's shoulder. They begin to squabble for a moment — and you don't even hear Azriel move until he's speaking, his lips right by your ear.

"You'll have to forgive Cassian." His voice is low, raspy in a way that sends a zing down your spine. You shiver lightly. "He can be well-mannered at the best of times. But I promise he isn't laughing at you."

The two Males seem to tune back into Azriel's words, even though they had been whispered for you specifically.

"It's true!" The Illyrian, Cassian you now know, pipes up. He brandishes a devilishly handsome grin at you, with his hands held up in defense. "I apologise. It just still makes me laugh to see someone address this one so formally."

You blink. "But... he is the Highlord."

Azriel speaks again, bent over still to talk in your ear, but much less of a whisper this time. "Rhys is our Highlord but he does not bother with such formalities."

"And," Cassian interjects, lugging a punch into Rhy's shoulder, much like the other had done to him not a moment before. "Before he was the o'mighty Highlord, he was our friend."

Cassian says the word o'mighty with such an air of sarcasm that you can't help but glance at Rhys, sure he wouldn't take such disrespect. But around you, there are only easy grins.

"Might we move to somewhere more comfortable than the doorway," Azriel speaks up from behind you, his voice dry. "Unless that is, you're all hoping to do one-on-one greetings with her?"

There it is, the dry sense of humour you've come to adore. The group before you seems to grumble, as if they were quite keen on the one-on-one meetings but begin to move through the house.

One of the group dips back to walk beside you and you do your best not to repeat your past mistakes, even as your eyes widen almost comically. Azriel chuckles silently to himself, feeling your polite astonishment down the bond.

"It's so great to finally meet you.” Feyre, your Highlady greets you, her pretty face rife with glee. She seems genuinely very happy to make your acquaintance. "Azriel has told me all about you."

You stumble in surprise, your eyes casting back to Azriel behind the pair of you. His eyes are fixed on Feyre, narrowed at her blatant betrayal, his shadows swirling around him. She sticks her tongue out at him playfully and you smother a laugh.

When his eyes shift over to you, you're positively delighted at how his cheeks have turned the lightest shade of ruby.

"Feyre is very persuasive when she wants to be." He murmurs, almost grumbling. You turn back to the Highlady and she grins at you, devious and captivating all at once.

It’s a whirlwind once you reach one of the many living rooms, each member of Azriel’s family all very eager to shake your hand.

Cassian grips it firm, his grin still on the side of wicked as he tells you he’s been waiting years to find the woman who could contain Azriel. Nesta, his mate as you find out, is a fierce kind of pretty with a grip as strong as Cassian’s. She tells you welcome to the family with the smile of a shark.

Morrigon is next, breathtakingly gorgeous, and every bit as charismatic as Azriel had described. You don't catch the glimpse between Mor and Cassian, not the beat of relief they both feel at your arrival in their lives— in Azriel's life.

It's swallowed up in her words, going a mile a minute. She jumps about, like popcorn in a pan, overly keen to finally speak to the one whom the Mother deemed worthy of Azriel’s heart. Where are you from? What do you do? How did you meet?

“Mor,” Azriel warns, after her twelfth consecutive question about your life. He hasn’t moved from his protective position behind you, close enough you can feel the heat of his body. His wings had brushed your shoulder just once.

“Yeah, Mor,” Rhys jeers. He nudges his cousin in the side playfully and Cassian snickers behind the group. “Give the girl some time to breathe.”

Even with all of Azriel's masterclass on who you would be meeting, it's still terribly overwhelming just trying to keep track of them all. They're each such strong spirits, each with seemingly a thousand battles in their past and far more years with Azriel.

On top of this is the fact you met both your Highlord and Highlady so casually in one single afternoon. It's difficult to not be daunted by the group that is so clearly intertwined with each other on a deeper level altogether— bonded by devastation and choosing each other through love.

Try as you might, you can feel the seed of doubt, of insecurity, make a home between your ribs.

You clamp down the shields you've spent the last few weeks learning, building the wall up and holding it tight. It's silly to feel dismayed because these Fae, these friends, know your mate better than you do.

Azriel had told you he had been waiting for you for five hundred years. For the first time since you've met him, you wonder if he was ever disappointed.

And then— then, you see it.

Azriel's hand on Cassian's arm. Then the half embrace they share, a hand on each other's neck as Cassian grins, wild and fierce, and presses his forehead against Azriel's own; brothers, sharing a moment of euphoria at the other finding his long-deserved happiness.

You should be soaking in the smile Azriel hides from you too often, showing his teeth and crinkling his eyes. But instead, you can't see past it, can't stop the loop in your own mind as it prints a fact over and over and over.

It isn't an Azriel thing; it's a you thing.

He doesn't touch you.

The mental walls in your mind feel paper-thin as a fresh kind of agony ripples through your chest. The soft rejection of a mate stings, a papercut on your very heart. You can feel it warble through you and know, terribly, the exact moment that Azriel feels it too.

His head whips around, his dark shadows that surround him suddenly spinning and flitting faster than before— a couple dive across the room to you.

You stand up and the chair scrapes noisily beneath you.

"I—" You say before you realise you haven't planned an exit or an excuse in the slightest. Azriel's gaze burns into you. You turn to Feyre instead, who had been talking across from you when you rudely stood up.

"I'm so sorry, I just—" Some excuse, any excuse! "I think I— left the stove on."

It's a lie. A complete utter lie that fools no one in the room as you retreat from it hastily. None of them try to stop you though, which you're thankful for. Each of them watches, every expression slightly concerned as you hurry out of the room, your feet walking backward rapidly until you bump into the door frame.

You pass through it with your eyes on the floor, knowing that all of the eyes are on you. You know the ones you can feel searing into your soul are Azriel's.

You leave the River House. You walk along the Sidra, your steps hurried and your chin tucked low. It hurts. It hurts the feeling inside you. A tear streaks down your cheek, unbidden, and collects on your jaw. You wipe it away meanly.

The sight of your apartment door is an overwhelming comfort, one that has you sighing aloud as you rush up to it, your fingers already digging around in your pockets for your key.

And like always, you never hear him coming.

"What happened?" Azriel asks, his voice almost pained.

You give a little yelp of surprise and whip around, remembering half a second later that there's still evidence on your face of your tears. Azriel grows characteristically still, his hazel eyes fixed on yours as you sniffle for a moment, aggravation beginning to creep in.

He could feel everything from you and you got... what? Whatever he deemed fit to offer? How is that fair?

His usually wispy shadows are inkier than usual, almost tornado-ing around his shoulders. They keep leaping out towards you before being caught in an invisible net, a barrier between you and them.

Even as Azriel remains motionless, his eyes are the opposite—they jump around, searching, hunting, begging to find the cause of your pain. Had it been one of his friends?

"Please," He tries his words again.

His heart throbs painfully when you finally find your key and turn your back on him without a word, unlocking your door and pressing your way inside. He follows quickly, wings tucked in tight, unable to keep his shadows at his side this time. They whiz to you, circling your ankles protectively.

"Please," Azriel says, an anguished growl to his words. "What hurt you? I will— my friends, if they said something— if it was someone, I hunt them down and make it right for you."

You inhale sharply and when you speak, your tone is cold in a way you have never used before with Azriel. You say the words without thinking.

"It would be impossible to hunt yourself, Azriel."

Regret howls through you like a hurricane the moment you say the words. You don't mean to be mean, jealous, or whatever unseemly emotion you can't stop from sprouting in your chest, growing in size, tangling into your heartstrings like twisted gnarled vines. It hurts.

You turn back to him, mouth open. No words come out.

Hurt is slashed across his face, his eyebrows furrowed tightly, his shadows tucked in tight. It's as though he's blended into the very air, the wispy edge of him threatening to retreat into his own shadows.

All his emotions on display just for a moment, before they're schooled away. Tucked away, hidden, not for you to see.

Inside, your hurricane howls again, this time in pain.

You can tell he feels it, even as you mentally gather your bricks. It isn't fair. How can he have every bit of you and you get what he pleases to return?

You want to know him completely, want to see every part of his rugged, weathered soul, and love him anyway. It's an untold type of agony to have him deny you.

"My love," His feet finally move, his wings almost dragging on the floor as he steps forward, slowly, as though he was afraid he might spook you.

"Tell me how to fix this pain." He pleads. His gloved hands are held out, palms up and suddenly, he looks nothing like a warrior. Just a Male, afraid of losing what is most dear to him. You shake your head, like a child, and keep building your brick wall.

"Please don’t keep this from me," He takes another step forward, his shadows sent awry as they dart across to you. You can feel them on your calves, on your arms, feel the tiny kisses they leave. Azriel speaks again, voice low. "My love, I can feel your pain.”

You can't help how you screw your eyes closed, the ache in your chest unbearable— made worse when you know he can feel it too.

"That is my problem." You utter the words quietly, eyes still clenched shut, knowing he can hear you. He takes another step, close enough now that you can feel the heat of his enormous frame, his wings bracketing around you. "I cannot hide anything from you."

Azriel makes a noise, a punched-out wounded sound that reverberates down the bond.

"My love," He murmurs for the third time. Down the bond, you can feel his sweet love, his golden gentle feelings travelling along to assure you. "I would not wish for you to hide anything from me."

“But you hide everything from me." You whine, eyes finally crinkling open. Azriel stares down at you, his eyes softer than they've ever been. You can see the hurt swimming in them, the hurt you've caused. Still, you speak.

"You hide your emotions. You hide your touch, yet you give it willingly to your friends." You share each ugly thought with him, whispered as you gaze into his face to search for your answers.

Lifting your hands, you curl your fingers around his wrists tentatively. Azriel swallows heavily, his eyes dancing down to where you're touching him. You slide your hands forward, dragging the pads of your fingers over his pulse, along his palm, til your hands are holding his gloved ones.

"Is there some test I don't know about?" You ask, your focus on your intertwined hands. "Is there— do I have to earn this?"

"No," Azriel chokes out the word suddenly. You look up at him. He clears his throat and you feel his hands grip yours back, surer and stronger than you had. "No, I'm sorry. There is no test, nothing to prove you deserving of this. I just..."

His words trail off and you watch as he closes his eyes, inhaling deeply, as if gathering his courage. His hands slide from yours, pulled backward and you nearly feel the urge to cry once more— before you realise he's removing his gloves.

The skin of them is warped, you realise acutely with horror. The skin of his hands is swirled and mottled, an injury long healed but scarred for eternity. Azriel is watching your face closely, holding his hands close to his chest as though he was prepared to hide them away at the first flicker of fear.

You're grateful for the link between and all your shoddy attempts at blocking him out. Your love and your unwavering devotion drifts along the bond.

Azriel shudders, his wings giving the tiniest shiver. Slowly, gently, he reaches out towards you. You feel his hands, the unruly scarred feel of his skin sliding along your jaw to hold it tenderly. He has never held you like this before.

He cradles your face gently — like his hands have never held weapons of war, like they aren't twisted and marred with a memory he can't forget, like they're worthy of holding something so precious.

Azriel holds you as if you're holy — and he's come to kneel at your altar.

"I was afraid of what you would think." He admits. His voice is hoarse, gravelly as he fights off the lump in his throat. "I— on the first day we met, I felt your fear along the bond and—"

"It was not of you." You interrupt him, your hands jumping up to cover his own where they hold you. Azriel inhales sharply, eyes darting to watch.

But you pay him no heed, the palm of your hand covering his like a lover would. You let your thumb soothe up at down the ridges of his skin. You let your love ripple along the bond.

"It was not fear of you, Azriel." You repeat, your voice soft. His eyes are still fixed on your joined hands. His wings have begun to pick up, no longer drooping behind his back— you're not sure if he even notices.

"It was fear for how strongly I already felt for you." You lean into his hand and Azriel lets you, lets the length of your nose nuzzle into the touch of his hands — something no one in all his years of living had ever done before.

"It was fear that you already could ruin me," The words are murmured. "And that I would let you."

You whisper his name to pull his wide-eyed gaze from where his hands touch you and his hazel eyes burn into yours. Every whitened scar on his skin, every eyelash, the adorable pinch between his eyebrows; you drink it all in and smile at him. Azriel, your mate.

"Azriel, I chose this despite that fear. I choose you.”

Azriel quivers at the words, at your unflinching tone and suddenly the world seems such a perfect place, time moving around you, untouching, with such a perfect grace.

“I choose you too,” He murmurs, an emotion so strong a fire of possessiveness streaks down the bond. This time, you can feel his wall melt away, allowing you access to all he feels — his mountain of fear and his melting relief.

“Forgive me—” He begins and you laugh without meaning to, cutting him off.

“Stop,” you say, the word light and as pretty as your grin. “We keep doing this to ourselves, tying ourselves in knots over and over.”

Azriel laughs, his lips twitching into a smile as he allows himself to stroke his thumb lovingly over your cheek. The way you melt beneath it, your lashes fluttering and heart burning so brightly he can feel it in his own chest too— Azriel knows this longing will long outlive his body.

“We do,” He agrees. He dips his head a little lower, probably the only apology you’ll let him have, and inhales shakily. His hands shift across your face, down to hold your chin, his fingers pressed together tightly to hide the way they quiver.

“Then let me apologise in another way,” He murmurs, his voice closer to playful. “In a way I’ve been selfishly depriving you of.”

And when he kisses you, it’s with a reverence that softens all your corners.

His lips are plush and sweet, and with the way he dedicates himself to your bottom lip, you can’t help how you sigh into his mouth. He finds home in the curve of your mouth.

It’s delirious the way he kisses once, twice, three times like he’s hungry for something found only in your lips.

Your hands stagger forward, leaving his own to wind over around his neck. Your fingers curl up, raking through the hair on the nape of his neck — feeling the shiver that travels up his spine, his wings giving a little flare out.

He kisses you breathless, one hand abandoning your jaw to wrap snugly around your waist, bringing you closer to him.

When he pulls back, something within you glows molten gold at the panting that leaves his lips. He’s gazing at you, his hazel eyes alight in a way you haven’t quite seen before. His wings shift behind his shoulders, curling forward to wrap the two of you together, not quite touching.

Your heart thrills. You grin, your lips still just an inch apart as Azriel nudges forward, his own twitching in that way when he fights his smile. His lips brush yours, his smile barely held back.

“Have you forgiven me yet?” He says, sweet and low, allowing the smile to finally pull his pretty mouth up at the corners.

“Or should I make it up to you a little more?”

He kisses the corner of your mouth, chaste and gentle.

“Mmm,” your eyes are bright as they peer up at him, full of playful mirth and adoring affection. “You're forgiven but... I think you should make it up to me, just a little more.”

Azriel willingly obliges, his smile as sweet as the moonlight.

—

some people i thought might want to be tagged :)

@strangerstilinski @astoriaviviane @lana08 @florence-end @lportes-22 @torrick17 @florencemtrash @sidthedollface2 @seafrost-fangirl @goldenmagnolias @jeweline16 @meshellexplosionmurder @michellexgriffey @susiekern @toobsessedsstuff @fxckmiup @littlebookbengal @elenapril0502 @glitterypirateduck @hnyclover @technoelfie @itsapunklife @coffeecares

[kaladinkholins]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[aphel1on]

AURGH auwarghh the autistic parental trauma... the epi was wacky hijinks then dropped this on us out of nowhere... (sobs) laios... laiiiiooooos

[b4kuch1n]

same teacher, different lessons

transcript

[perryabbott]

The beloved Ranger... I... I can't believe it! I grew up hearing all about your brave deeds. And Boo's, of course.

[daily-sifloop]

YOOOOOO SLOOPS BLOG!!! A request......perhaps post dueling. But of the silly variety and not the "I'll kill you and take your place" variety.

Day 3: out of adrenaline

[bixels]

While I do think anon was rude, I do think it's pretty shitty to set up all this stuff you were going to add the au and then just drop it. It's disappointing. Definitely unfollowing.

Bye.

[jacobglaser]

OUR FLAG MEANS DEATH 1x06 // 2x04

Stede responding to Ed's body language (requested by @273blw0)

[taikk0]

the unspoken broflovski family curse

[inkskinned]

you're grabbing lunch with a nice man and he gives you that strange grimace-smile that's popular right now; an almost sardonic "twist" of his mouth while he looks literally down on you. it looks like he practiced the move as he leans back, arms folded. he just finished reciting the details of NFTs to you and explaining Oppenheimer even though he only watched a youtube about it and hasn't actually seen it. you are at the bottom of your wine glass.

you ask the man across from you if he has siblings, desperately looking for a topic. literally anything else.

he says i don't like small talk. and then he smiles again, watching you.

a few years ago, you probably would have said you're above celebrity gossip, but honestly, you've been kind of enjoying the dumb shit of it these days. with the rest of the earth burning, there's something familiar and banal about dragging ariana grande through the mud. you think about jeanette mccurdy, who has often times gently warned the world she's not as nice as she appears. you liked i'm glad my mom died but it made you cry a lot.

he doesn't like small talk, figure out something to say.

you want to talk about responsibility, and how ariana grande is only like 6 days older than you are - which means she just turned 30 and still dresses and acts like a 13 year old, but like sexy. there's something in there about the whole thing - about insecurity, and never growing up, and being sexualized from a young age.

people have been saying that gay people are groomers. like, that's something that's come back into the public. you have even said yourself that it's just ... easier to date men sometimes. you would identify as whatever the opposite of "heteroflexible" is, but here you are again, across from a man. you like every woman, and 3 people on tv. and not this guy. but you're trying. your mother is worried about you. she thinks it's not okay you're single. and honestly this guy was better before you met, back when you were just texting.

wait, shit. are you doing the same thing as ariana grande? are you looking for male validation in order to appease some internalized promise of heteronormativity? do you conform to the idea that your happiness must result in heterosexuality? do you believe that you can resolve your internal loneliness by being accepted into the patriarchy? is there a reason dating men is easier? why are you so scared of fucking it up with women? why don't you reach out to more of them? you have a good sense of humor and a big ol' brain, you could have done a better job at online dating.

also. jesus christ. why can't you just get a drink with somebody without your internal feminism meter pinging. although - in your favor (and judgement aside) in the case of your ariana grande deposition: you have been in enough therapy you probably wouldn't date anyone who had just broken up with their wife of many years (and who has a young child). you'd be like - maybe take some personal time before you begin this journey. like, grande has been on broadway, you'd think she would have heard of the plot of hamlet.

he leans forward and taps two fingers to the table. "i'm not, like an andrew tate guy," he's saying, "but i do think partnership is about two people knowing their place. i like order."

you knew it was going to be hard. being non-straight in any particular way is like, always hard. these days you kind of like answering the question what's your sexuality? with a shrug and a smile - it's fine - is your most common response. like they asked you how your life is going and not to reveal your identity. you like not being straight. you like kissing girls. some days you know you're into men, and sometimes you're sitting across from a man, and you're thinking about the power of compulsory heterosexuality. are you into men, or are you just into the safety that comes from being seen with them? after all, everyone knows you're failing in life unless you have a husband. it almost feels like a gradebook - people see "straight married" as being "all A's", and anything else even vaguely noncompliant as being ... like you dropped out of the school system. you cannot just ignore years of that kind of conditioning, of course you like attention from men.

"so let's talk boundaries." he orders more wine for you, gesturing with one hand like he's rousing an orchestra. sir, this is a fucking chain restaurant. "I am not gonna date someone who still has male friends. also, i don't care about your little friends, i care about me. whatever stupid girls night things - those are lower priority. if i want you there, you're there."

he wasn't like this over text, right? you wouldn't have been even in the building if he was like this. you squint at him. in another version of yourself, you'd be running. you'd just get up and go. that's what happens on the internet - people get annoyed, and they just leave. you are locked in place, almost frozen. you need to go to the bathroom and text someone to call you so you have an excuse, like it's rude to just-leave. like he already kind of owns you. rudeness implies a power paradigm, though. see, even your social anxiety allows the patriarchy to get to you.

you take a sip of the new glass of wine. maybe this will be a funny story. maybe you can write about it on your blog. maybe you can meet ariana grande and ask her if she just maybe needs to take some time to sit and think about her happiness and how she measures her own success.

is this settling down? is this all that's left in your dating pool? just accepting that someone will eventually love you, and you have to stop being picky about who "makes" you a wife?

you look down to your hand, clutching the knife.

[caelanglang]

Living Longer

a message for someone on the edge…

from the waters of the sea, to the sands of the beach, to the concrete of the city, to the floorboards of your home — i hope you’ll be proud of yourself for living longer.

[twentyfivemiceinatrenchcoat]

one thing i really wish people wouldn’t forget when it comes to suguru’s character is that his core desire is just to have a family. not in a nuclear family way, but in a “i want a place where i belong / i want to protect the ones i love” way…… literally everything else is just an extension of that desire. a means to meet that end. he broke down after being forced to realize that staying with his family meant having to watch them die, so he left and made a new one. and he got stronger. and his core wish was always, always always to create a world where he’d finally be able to protect them :(((((((((