#Internet Marketing Importance

[willowcrowned]

the bait and switch here.... gotta give it up to tumblr's team for this one never in my life have I ever clicked on something more furiously or been more relieved to see it was a bit

[dallonwrites]

bestie how the fuck do you start writing again when you haven't written in years bc you're so paralyzed with Fear of Writing Badly mixed with How Do I Get Started and also WHAT do I write about HELP

I WANT to write but every part of it is. so. DAUNTING

Ohhh bestie I have BEEN there. Whenever I take breaks from writing I find myself scared that I'll have just….forgotten to write?? I think the fear of "bad writing" is amplified when you don't write for a while, however long, because you have to like hype yourself up to go back to writing and it's like what if I do all that and then I just can't do it? Returning to writing, especially after a long time, for me has taken a lot of mental work, trying to understand what will make writing fun and healthy for me. A lot of it, honestly, is easier said than done, but also it's mental work you'll keep doing after you start writing again and as you write, and for me it's easier to process my relationship with writing when I am actually writing.

A big part of that mental work for me, and something I think is so valuable, is to reconsider what "bad" writing is and give yourself permission to write it. Sometimes you will think your writing sucks, happens to all of us, but that isn't all it has to be. Like yeah, I'll think something I wrote sucks, but I still wrote it. I can revisit it and work on it and maybe I'll turn it into something I'm happy with. And even if I don't, I still wrote it, I learned from it. Writing does not need to be "good" by whatever standard we're holding it up to for it to have value. And you can delete it! Nobody has to see it! Also you can have fun writing something and still think it's not your best. I've written a lot of "bad" scenes that I had fun with because the scene was entertaining to me! I love when writing turns out how I like it, or I write a banger prose line, but equally I found it helpful to give myself permission to not worry about that all the time and just focus on my interest/enjoyment in what I'm writing, regardless of the "quality". Again, easier said than done, but something I've found easier the more I write, because you'll have bad writing days but you'll also have writing days that are so good

I know a lot of people see writing as a skill that they want to improve, and like I agree it feels really good to see your writing grow, but writing is so much more than the skill and the craft and the theory. There is no objective "perfection" to reach with writing like we are not Sims with levelled skills LOL. Writing is art and creativity and it should be fun and fulfilling. And IMO, the more you focus on what makes writing fun, you will grow and "improve" as a writer a lot quicker and in a way that is a lot more enjoyable than if you treat writing like some icy quest for perfection. You also get to decide what "good" writing is for you/your story. Some of my stories are more prose focused and I'll play more with language, imagery etc. Others are more about the plot and just having fun imagining this scene. Sometimes it's a mix of both. What is "good" writing depends on the writer, story, genre, etc. There is no one way to write.

I'm rambling a lot because I'm just really passionate about this and I cannot express enough how easier writing got, including all the difficult and ugly and frustrating parts, when I gave space to prioritise my enjoyment and fun. People love to romanticise the idea of the "struggling" writer. I see stuff on here and I'm like you guys….writing should be fun. Like yeah sometimes it's hard and we should talk about that but like, you Need to make sure you are having fun. Anyway I'm going to try not to ramble and bullet point some things that helped me:

Make Writing Fun: Lol! Literally whatever makes writing fun. Sometimes I just write super indulgent scenes and the fun of that sets me up to work on my projects. When I work on my projects I try to find what in each scene I'm going to enjoy the most, and focus on that to help me write the rest. I make playlists, moodboards, memes, art etc for my story because it's fun, and it helps me be engaged with my story outside of writing it. Just, have fun.

On productivity: some people will benefit from setting clear goals and running towards them. Some people don't. For me it depends on my headspace. I don't think productivity is a bad thing, it can feel good, but productivity should not be the only reason you write. And the most productive writing process is whichever one makes writing enjoyable for you, because that's how you'll get words on the page

On that note, please be wary of anyone online who who treats the writing advice they share as Fact. I'm not saying every writing teacher out there does...but some of them market it that way! And creators do not have an authority on writing just because they have a platform however big. There are some AMAZING content creators out there who talk about writing, and I have found them motivating, but like just let yourself be picky about who you listen to/engage with. I say this because I consumed some very Strict writing advice when I was younger and it literally contributed to my years long slump so like...I'm picky now LOL

About goals: Personally, gentle goals are what help me get back into writing. Maybe just write for 20 minutes, or write every day for a couple days. When I do word count goals, I base them on how I feel that day, and recently I don't make a word count, I'll transfer it to the next session but smaller. So if I try to write 500 words but can't I'll say okay, lets try 250 next time. Goals can be a great motivator and way to feel achieved, and maybe bigger goals will help you, but you're also allowed to adjust them as you go to make it easier

On finding new ideas, having been there before, you don't need a fully fleshed out idea to start writing. My longest break I came back to writing with...one character and a backstory? If you have stories/characters already you can revisit them, either build on what you have or completely change it. Or if you don't have that, if there's a piece of media you like you can take that concept and play around with it in your own way, or you can even just write fanfic until you have your own idea (if you want your own idea, fanfic is cool too!) You can even just find a cool pic on pinterest and play around with describing it, writing about it, seeing if you can get anything from that. Ideas are everywhere and they can be tiny, and I think if you have that want to write you Will find your story eventually. All writers have had the Idea struggle, but I think the more you engage with writing and think about what concepts and stories interest you already, the more you'll like train yourself to get ideas

That was very long and maybe a lot but like, I am very passionate about this! I've been in writing "slumps" where I didn't know if I would write again, I've started writing again with no ideas, and in those times all I had was the fact I knew I wanted to write. There are a lot of reasons why we end up having long breaks from writing and it is totally normal, sometimes beneficial for us, and we should never give ourselves a hard time for not writing for however long. But also remember that you can always come back. Every one of us has the capacity to create, whatever that looks like, and you can make it as self indulgent and self serving as you want.

[birlwrites]

like when i was in 6th grade i started an original novel that i then abandoned mostly-complete, came back to a few years later, and finished it, out of SPITE because i didn't like seeing it in my drafts and knowing it wasn't done.

and was it cool that i'd written a whole novel? sure! do i wish i'd, like... enjoyed it more? ABSOLUTELY YES. but at the time when i began the story, i had no idea how to write something that would feel like me. when i returned to it, proofreading was a massive pain because i was constantly cringing at what seemed like sixth-grade-me's embarrassingly clumsy attempts at writing something Cool™. i didn't see any way to salvage the story. and that was because all it had originated in was that desire to write something Cool™. that goal drove every creative decision. not a shred of it was genuine. there was nothing to salvage. so i just slapped together an ending, out of a sense of obligation, and that was that.

in 8th grade, i wrote a psychological horror short story about someone trapped in a room full of unsynchronized clocks. i think i'd just read the tell-tale heart. it creeped out everyone who read it. it wasn't at all Cool™. it was leagues, LEAGUES better - more sincere, more committed, more impactful - than that novel i'd started a couple of years earlier.

fanfiction isn't Cool™. fandom is still often cringed at in the Mainstream™. but Coolness and the Mainstream are the death of creativity. if all you're doing is imitating whatever's recently achieved commercial success, it will feel empty. a pastiche of booktok buzzwords is just that.

but if you allow yourself to create something ~cringe~, fully and wholeheartedly, then you can connect with your readers. you can figure out how you want to write. and you'll enjoy the writing process, instead of staring at a draft you started years ago, wondering how to finish it with the minimum possible effort so you can cross it off your list.

[braceletofteeth]

Congratulations to Never Let Me Go for being the second drama to get the highest rating from me this year. Currently preparing my mind and body to be insufferable about it forever.

[krokaxe]

If I see you copying posts/concepts from other users know I'm laughing at you. What are you doing. Why are you doing that. Why clout fish so hard you yoink whole ass posts. You could even make your own post and kindly reference back to the material that made you have Thoughts.

If you cannot go outside consider a small patch of inside grass, so that you can touch it when your meter is apocalyptically low

[trivalentlinks]

there should be a prediction market on when the Important Blue Internet Checkmarks will carcinize*

do we think the carcinization will happen all at once? some fixed amount of time after the checkmarks are acquired?

maybe it should be like radioactive decay where they have some probability of turning into crabs independently of each other so at some point most people will have some mix of checkmarks and crabs and we can measure the half-life

🦀🦀🦀

*for those unfamiliar with the term, carcinize = taking a cancroid form in the course of evolution, i.e., turn into crabs 🦀🦀🦀

[disneyprincessdxminatrix]

who needs one blue checkmark on twitter when you can have two on tumblr ?

[digitalmojo01]

Why Invest in AI Stocks?

Investing in AI stocks presents numerous benefits. AI technology is at the forefront of the fourth industrial revolution, promising substantial market potential and growth opportunities. Companies that excel in AI are likely to experience increased efficiency, cost savings, and competitive advantages, making their stocks attractive to investors. Moreover, as AI continues to evolve, these companies are well-positioned to capitalize on new advancements and market demands.

For more visit our site: https://thepandamarketing.com/2024/05/24/top-5-ai-stocks-in-india/

[iseou]

Significance Of SEO In Digital Marketing - #iseou #ContentManagement, #ContentMarketing, #DigitalMarketing, #Google, #ISEOU, #OnlineMarketing, #SearchEngine, #SEO, #SEOCompany, #SEOStrategy, #SEOTips, #WebMarketing, #Website - https://www.iseou.us/significance-of-seo-in-digital-marketing/

[mostlysignssomeportents]

Tesla's Dieselgate

Elon Musk lies a lot. He lies about being a “utopian socialist.” He lies about being a “free speech absolutist.” He lies about which companies he founded:

https://www.businessinsider.com/tesla-cofounder-martin-eberhard-interview-history-elon-musk-ev-market-2023-2 He lies about being the “chief engineer” of those companies:

https://www.quora.com/Was-Elon-Musk-the-actual-engineer-behind-SpaceX-and-Tesla

He lies about really stupid stuff, like claiming that comsats that share the same spectrum will deliver steady broadband speeds as they add more users who each get a narrower slice of that spectrum:

https://www.eff.org/wp/case-fiber-home-today-why-fiber-superior-medium-21st-century-broadband

The fundamental laws of physics don’t care about this bullshit, but people do. The comsat lie convinced a bunch of people that pulling fiber to all our homes is literally impossible — as though the electrical and phone lines that come to our homes now were installed by an ancient, lost civilization. Pulling new cabling isn’t a mysterious art, like embalming pharaohs. We do it all the time. One of the poorest places in America installed universal fiber with a mule named “Ole Bub”:

https://www.newyorker.com/tech/annals-of-technology/the-one-traffic-light-town-with-some-of-the-fastest-internet-in-the-us

Previous tech barons had “reality distortion fields,” but Musk just blithely contradicts himself and pretends he isn’t doing so, like a budget Steve Jobs. There’s an entire site devoted to cataloging Musk’s public lies:

https://elonmusk.today/

But while Musk lacks the charm of earlier Silicon Valley grifters, he’s much better than they ever were at running a long con. For years, he’s been promising “full self driving…next year.”

https://pluralistic.net/2022/10/09/herbies-revenge/#100-billion-here-100-billion-there-pretty-soon-youre-talking-real-money

He’s hasn’t delivered, but he keeps claiming he has, making Teslas some of the deadliest cars on the road:

https://www.washingtonpost.com/technology/2023/06/10/tesla-autopilot-crashes-elon-musk/

Tesla is a giant shell-game masquerading as a car company. The important thing about Tesla isn’t its cars, it’s Tesla’s business arrangement, the Tesla-Financial Complex:

https://pluralistic.net/2021/11/24/no-puedo-pagar-no-pagara/#Rat

Once you start unpacking Tesla’s balance sheets, you start to realize how much the company depends on government subsidies and tax-breaks, combined with selling carbon credits that make huge, planet-destroying SUVs possible, under the pretense that this is somehow good for the environment:

https://pluralistic.net/2021/04/14/for-sale-green-indulgences/#killer-analogy

But even with all those financial shenanigans, Tesla’s got an absurdly high valuation, soaring at times to 1600x its profitability:

https://pluralistic.net/2021/01/15/hoover-calling/#intangibles

That valuation represents a bet on Tesla’s ability to extract ever-higher rents from its customers. Take Tesla’s batteries: you pay for the battery when you buy your car, but you don’t own that battery. You have to rent the right to use its full capacity, with Tesla reserving the right to reduce how far you go on a charge based on your willingness to pay:

https://memex.craphound.com/2017/09/10/teslas-demon-haunted-cars-in-irmas-path-get-a-temporary-battery-life-boost/

That’s just one of the many rent-a-features that Tesla drivers have to shell out for. You don’t own your car at all: when you sell it as a used vehicle, Tesla strips out these features you paid for and makes the next driver pay again, reducing the value of your used car and transfering it to Tesla’s shareholders:

https://www.theverge.com/2020/2/6/21127243/tesla-model-s-autopilot-disabled-remotely-used-car-update

To maintain this rent-extraction racket, Tesla uses DRM that makes it a felony to alter your own car’s software without Tesla’s permission. This is the root of all autoenshittification:

https://pluralistic.net/2023/07/24/rent-to-pwn/#kitt-is-a-demon

This is technofeudalism. Whereas capitalists seek profits (income from selling things), feudalists seek rents (income from owning the things other people use). If Telsa were a capitalist enterprise, then entrepreneurs could enter the market and sell mods that let you unlock the functionality in your own car:

https://pluralistic.net/2020/06/11/1-in-3/#boost-50

But because Tesla is a feudal enterprise, capitalists must first secure permission from the fief, Elon Musk, who decides which companies are allowed to compete with him, and how.

Once a company owns the right to decide which software you can run, there’s no limit to the ways it can extract rent from you. Blocking you from changing your device’s software lets a company run overt scams on you. For example, they can block you from getting your car independently repaired with third-party parts.

But they can also screw you in sneaky ways. Once a device has DRM on it, Section 1201 of the DMCA makes it a felony to bypass that DRM, even for legitimate purposes. That means that your DRM-locked device can spy on you, and because no one is allowed to explore how that surveillance works, the manufacturer can be incredibly sloppy with all the personal info they gather:

https://www.cnbc.com/2019/03/29/tesla-model-3-keeps-data-like-crash-videos-location-phone-contacts.html

All kinds of hidden anti-features can lurk in your DRM-locked car, protected from discovery, analysis and criticism by the illegality of bypassing the DRM. For example, Teslas have a hidden feature that lets them lock out their owners and summon a repo man to drive them away if you have a dispute about a late payment:

https://tiremeetsroad.com/2021/03/18/tesla-allegedly-remotely-unlocks-model-3-owners-car-uses-smart-summon-to-help-repo-agent/

DRM is a gun on the mantlepiece in Act I, and by Act III, it goes off, revealing some kind of ugly and often dangerous scam. Remember Dieselgate? Volkswagen created a line of demon-haunted cars: if they thought they were being scrutinized (by regulators measuring their emissions), they switched into a mode that traded performance for low emissions. But when they believed themselves to be unobserved, they reversed this, emitting deadly levels of NOX but delivering superior mileage.

The conversion of the VW diesel fleet into mobile gas-chambers wouldn’t have been possible without DRM. DRM adds a layer of serious criminal jeopardy to anyone attempting to reverse-engineer and study any device, from a phone to a car. DRM let Apple claim to be a champion of its users’ privacy even as it spied on them from asshole to appetite:

https://pluralistic.net/2022/11/14/luxury-surveillance/#liar-liar

Now, Tesla is having its own Dieselgate scandal. A stunning investigation by Steve Stecklow and Norihiko Shirouzu for Reuters reveals how Tesla was able to create its own demon-haunted car, which systematically deceived drivers about its driving range, and the increasingly desperate measures the company turned to as customers discovered the ruse:

https://www.reuters.com/investigates/special-report/tesla-batteries-range/

The root of the deception is very simple: Tesla mis-sells its cars by falsely claiming ranges that those cars can’t attain. Every person who ever bought a Tesla was defrauded.

But this fraud would be easy to detect. If you bought a Tesla rated for 353 miles on a charge, but the dashboard range predictor told you that your fully charged car could only go 150 miles, you’d immediately figure something was up. So your Telsa tells another lie: the range predictor tells you that you can go 353 miles.

But again, if the car continued to tell you it has 203 miles of range when it was about to run out of charge, you’d figure something was up pretty quick — like, the first time your car ran out of battery while the dashboard cheerily informed you that you had 203 miles of range left.

So Teslas tell a third lie: when the battery charge reached about 50%, the fake range is replaced with the real one. That way, drivers aren’t getting mass-stranded by the roadside, and the scam can continue.

But there’s a new problem: drivers whose cars are rated for 353 miles but can’t go anything like that far on a full charge naturally assume that something is wrong with their cars, so they start calling Tesla service and asking to have the car checked over.

This creates a problem for Tesla: those service calls can cost the company $1,000, and of course, there’s nothing wrong with the car. It’s performing exactly as designed. So Tesla created its boldest fraud yet: a boiler-room full of anti-salespeople charged with convincing people that their cars weren’t broken.

This new unit — the “diversion team” — was headquartered in a Nevada satellite office, which was equipped with a metal xylophone that would be rung in triumph every time a Tesla owner was successfully conned into thinking that their car wasn’t defrauding them.

When a Tesla owner called this boiler room, the diverter would run remote diagnostics on their car, then pronounce it fine, and chide the driver for having energy-hungry driving habits (shades of Steve Jobs’s “You’re holding it wrong”):

https://www.wired.com/2010/06/iphone-4-holding-it-wrong/

The drivers who called the Diversion Team weren’t just lied to, they were also punished. The Tesla app was silently altered so that anyone who filed a complaint about their car’s range was no longer able to book a service appointment for any reason. If their car malfunctioned, they’d have to request a callback, which could take several days.

Meanwhile, the diverters on the diversion team were instructed not to inform drivers if the remote diagnostics they performed detected any other defects in the cars.

The diversion team had a 750 complaint/week quota: to juke this stat, diverters would close the case for any driver who failed to answer the phone when they were eventually called back. The center received 2,000+ calls every week. Diverters were ordered to keep calls to five minutes or less.

Eventually, diverters were ordered to cease performing any remote diagnostics on drivers’ cars: a source told Reuters that “Thousands of customers were told there is nothing wrong with their car” without any diagnostics being performed.

Predicting EV range is an inexact science as many factors can affect battery life, notably whether a journey is uphill or downhill. Every EV automaker has to come up with a figure that represents some kind of best guess under a mix of conditions. But while other manufacturers err on the side of caution, Tesla has the most inaccurate mileage estimates in the industry, double the industry average.

Other countries’ regulators have taken note. In Korea, Tesla was fined millions and Elon Musk was personally required to state that he had deceived Tesla buyers. The Korean regulator found that the true range of Teslas under normal winter conditions was less than half of the claimed range.

Now, many companies have been run by malignant narcissists who lied compulsively — think of Thomas Edison, archnemesis of Nikola Tesla himself. The difference here isn’t merely that Musk is a deeply unfit monster of a human being — but rather, that DRM allows him to defraud his customers behind a state-enforced opaque veil. The digital computers at the heart of a Tesla aren’t just demons haunting the car, changing its performance based on whether it believes it is being observed — they also allow Musk to invoke the power of the US government to felonize anyone who tries to peer into the black box where he commits his frauds.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/07/28/edison-not-tesla/#demon-haunted-world

This Sunday (July 30) at 1530h, I’m appearing on a panel at Midsummer Scream in Long Beach, CA, to discuss the wonderful, award-winning “Ghost Post” Haunted Mansion project I worked on for Disney Imagineering.

Image ID [A scene out of an 11th century tome on demon-summoning called 'Compendium rarissimum totius Artis Magicae sistematisatae per celeberrimos Artis hujus Magistros. Anno 1057. Noli me tangere.' It depicts a demon tormenting two unlucky would-be demon-summoners who have dug up a grave in a graveyard. One summoner is held aloft by his hair, screaming; the other screams from inside the grave he is digging up. The scene has been altered to remove the demon's prominent, urinating penis, to add in a Tesla supercharger, and a red Tesla Model S nosing into the scene.]

Image: Steve Jurvetson (modified) https://commons.wikimedia.org/wiki/File:Tesla_Model_S_Indoors.jpg

CC BY 2.0 https://creativecommons.org/licenses/by/2.0/deed.en

[seemyblogs]

The Digital Journey of Sweet Delights: From Bakery to Empire

Discover the inspiring digital transformation of Sweet Delights bakery, from struggling to thriving, through the power of digital marketing.

Read more: https://www.reddit.com/user/RelinaBasu/comments/14d6l55/the_digital_journey_of_sweet_delights_from_bakery/

[jaykumar702388]

https://www.digitalcomputerclasses.com/courses/digital-marketing/

[fredsonlinebiz]

Boost Your Online Presence: The Importance of SEO in Internet Marketing

What is SEO? SEO, or search engine optimization, is the process of optimizing your website so that it can rank higher in search engine results. This means that when someone searches for keywords related to your business or industry, your site will appear at the top of their results page. There are many benefits of having a high-ranking website: You’ll be able to reach more potential customers…

[endless-ineffabilities]

chemical override (4)

Ewan Mitchell x actress!reader

series masterlist ▪︎ main masterlist

Ewan wants to clear things up about the night out and his mystery companion, and the reader gets another surprise in LA. Will the two finally have their first date or will something get in the way once more?

Ewan's publicist Donna has never had any issue with her client before. Always present and accounted for, on time for whatever interview, photoshoot or audition he has booked for the day.

But she hasn't been able to get a hold of him in the past two days, which is worrying her to no end, because he is set to meet with a major casting director in New York some time in the coming week.

Donna may have a clue as to why. It's only been two days as well since the pub incident, when The Sun ran a story speculating on Ewan's lovelife - the exact kind of thing he's always been trying to avoid.

It had taken a life of its own, with fans taking it upon themselves to track down every clue of the girl on the internet. Her instagram. Her relation to the cast - apparently she is a cousin of Luke and Elliott. Even the marketing agency where she works. Louise, a 26-year old graphic designer, admittedly harbours a crush on Ewan, and when she heard that her cousins were hanging out with him at a pub nearby, she almost immediately invited herself and her friends over.

But that's all, according to Ewan. After talking to Luke, memories of the night came rushing back to him.

Stumbling out in the alley to send you that voice message. Rejoining the boys to see that they've got new company. Being introduced to Louise, with Tom joking that he should be careful with the missus. Wouldn't want her - you - to think that he's flirting with anyone else.

Even though that's exactly what happened. Not the flirting, per se. Not from Ewan's side, at least. Louise had been brazen with admiration, barely leaving his side the rest of the night. Asking him a bunch of probing questions he had neither the interest nor the patience to answer.

They had all thought the pub was safe from prying eyes. No one approached them for anything, not even a single look of recognition followed by the question, “Are you that guy from House of the Dragon?” Unfortunately, it only takes one rat for a headline to surface. Ewan Mitchell’s mystery girl has been the talk of the fandom and Donna has been trying hard to quell the rumours. 

Such is the nasty nature of the business, as she knows Ewan has quickly learned.

She dials him again, and to her surprise, the call actually patches through.

Her client's throaty voice is heard on the other line, "Hey, Donna, sorry if I've missed your calls."

"It's alright, it's alright, Ewan," Donna stammers. "Just glad to hear from you. Where are you? I've managed to do some damage control about those rumours and - "

"Oh, I'm in LA. I just landed about an hour ago," Ewan responds casually, not mirroring the stress in Donna's tone. Has he gotten over the fuss so easily?

"LA? You know your meeting is not till next week, right? And it's in New York. It's very, very important that you don't miss it, Ewan."

"And I won't," Ewan affirms, laughing dryly to console his worried publicist. "I just need to see about something over here."

Someone, he thinks. He's got his priorities straight.

"Work-related?" Donna asks, curious.

"Uhhhm," Ewan dithers, but decides against telling her about you. Not just yet. "Just visiting a friend. I'll stay here for a while then fly out to New York, don't worry."

"Okay, just keep in touch, alright? I'll send more details about the meeting soon."

"Sure thing. Thank you, Donna."

"Talk soon, Ewan. Take care of yourself."

Donna feels a huge sense of relief wash over her when the call ends, knowing the whereabouts of one of her biggest clients. But why LA? Perhaps Ewan just needed some time off after the flurry of annoying headlines put out in the UK.

Or maybe he's visiting with a friend? Who is stateside right now? Fabien's filming in Philly. The rest of the boys are still in England. But then...

Her thoughts land on the one thing - the one person - that would make him fly out on such short notice. Without giving thought to anything else, especially after the speculation on his romantic life.

Ewan's never been one to share about personal affairs, not even to his close-knit team, but no matter how reclusive he is, no one can deny the way he looks at you. The way he lights up when you're brought up in conversation. The number of times he had excused himself from their meetings to make a call, standing in the corner with a permanent smile etched on his face.

Oh, Donna knows now just who he is in LA for.

▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎

Like inevitable spectres haunting someone of his profession, Ewan noticed the papparazzi snapping away as he arrived in LA.

He told no one he would be coming, so it must be an automatic thing in the city. The photogs are always scurrying in the periphery, ready to catch anyone of note, no matter the degree of fame or notoriety.

If you were keeping up with such news, you would know he is in the city.

But according to your assistant Clara, who was kind enough to inform him of your schedule, you are still finishing up on another day of rehearsals for your upcoming rom-com. Ewan checked in the same hotel as you, planning to seek you out as soon as you arrive back from work.

He hasn't spoken to you since the voicemail, and since those false news broke out. Not that he can blame you - wouldn't anyone be suspicious of a drunken confession made by a guy who was allegedly in the company of another girl?

He hates it, being subject to all of this. This nonsense that is keeping you from him, not even worth any consequence.

But he will deal with the blows. As long as he sets things right with you. As long he gets you in the end.

He settles in his suite, getting ready to meet with you once more. He showers, shaves, tousles his hair. He even checks whether he smells decent after all of that - once, twice, and another time. Being nervous to stand in front of a crowd is one thing; it's a whole other conundrum for him finally see you again.

Maybe the crowds are more manageable, and it baffles him to realise so. He can put on a persona, be the actor, and disappear inside himself as the cameras flash bright enough for him to disassociate.

But not with you. He wants to show you everything that he is, who he truly is, and it scares him. There is no team to help him get ready now. It's all him, just Ewan.

Clad in his trusty black jeans and a comfortable hoodie of the same dark colour, he looks in the mirror one last time after receiving a text from Clara that you've arrived at the hotel about half an hour ago.

He contemplates opening the bottle of bourbon from the minibar and taking a shot of liquid courage - something to help him get his explanation ready. Just so he wouldn't stammer in front of you.

Just so you he can make you see, without any error or trace of doubt, that he meant every word in that voicemail, no matter how embarrassing it might have sounded.

He decides against it, imagining the wrinkling of your nose as you catch a whiff of the alcohol. It's cute when you do it, and he adores it so dearly, but he knows that it isn't the right moment.

He rights himself, rolls his shoulders, and he's out the door.

▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎

Jacob trails you inside your hotel suite, laughing at some shared remark about the scenes you rehearsed for the day.

They were emotionally demanding and even after tossing around ideas for hours, the two of you were unable to achieve a satisfying approach to the scenes.

Which is why he had proposed practicing well into the evening, and you found yourselves heading back to your suite together. He has his own house in LA, but your hotel just happened to be closer to the rehearsal studio.

"Care for a drink?" you asked him.

"Why the hell not?" he immediately assents in that easy, Aussie drawl. "We might need it for this shite."

You laugh in agreement, "Indeed. I've got some canned gin and tonics if that's alright.. or beer... or whiskey... " you trail off as you study the contents of your fridge.

"G and t, please, mate," he settles down on the couch, legs stretching in front of him. "We were so unproductive today. I just could not get that line right."

"Tell me about it." You hand him his drink, and he clinks it with yours with a mumbled cheers. "It was me who can't land the right tone," you say. "I mean, is my character supposed to be confused in that moment? Or angry? Or sad?"

"Or all of 'em." he shrugs. "Tricky, isn't it?"

You hurriedly fetch your script from a table, getting right down to it. "So for the first scene in the third act..."

Moments later, with cans of gin and tonic discarded on the coffee table, you and Jacob sit with legs crossed on the couch facing each other. Scripts in hand, you go through the lines over and over, with only seemingly minor tweaks each time. To an actor though, even just the slightest change of pitch or expression makes all the difference.

"Is that better? I think we almost got it," you say after a read-through.

"Yeah, so much better," he grins, holding his hand up for a high-five. Just as your hands smack in the air, another sound echoes faintly from the door.

"Someone's knocking?" Jacob asks. "You expecting anybody? Room service or anything?"

"No," you shake your head, trying to think of whether your assistant or publicist said anything about dropping by. "Maybe it's just housekeeping?"

"I'll get it," Jacob states, already padding his way to the door.

A beat later, you hear Jacob loudly exclaim, "Ewan, mate! It's good to see you!"

Ewan? A shiver runs up your spine. Craning your neck to get a view of a doorway, you catch sight of him, half-obscured by Jacob's tall frame.

Confused, surprised, and feeling some other emotion you can't pinpoint, you head over to greet him.

"How are you doing?" Jacob greets, shaking Ewan's hand, oblivious to the poorly hidden distaste in his eyes.

"Wh-what are you doing here?" Ewan finds himself asking Jacob, a bit rudely, just as you ask him the same.

"What are you doing here?" you mirror his question at the exact same time.

"Oh!" Jacob breathes out a laugh, "Well, I'll go first. We were just practicing lines."

"In her room? Isn't it a bit late for rehearsal? I thought you're supposed to be off work." Ewan asks, and it sounds like an accusation. He starts to feel all kinds of uneasy - were the twins right about life imitating art?

You narrow your eyes at him. "We decided to continue running lines after rehearsal. There's a scene we can't get right. It's quite tricky - "

"Just the two of you? Alone, here?" Ewan tilts his head, gesturing towards the room like it's some forbidden place.

Jacob shakes his head, smile steady on his lips. If he's caught on to how Ewan must be feeling, he doesn't let it affect him. He gives you a look, as if to check your reaction, and you give him a reassuring shrug.

Ewan does not overlook this exchange. He clenches his jaw, irate from the assumptions popping up in his mind. Before he forgets his manners, he says, "Excuse me, I just... wasn't expecting... I just wanted to speak to you."

"I didn't even know you were in LA," you say, before moving aside to usher him in. "But I'm glad you are, of course. Come join us - "

He nods, making his way to the seating area, where he spies the discarded cans of alcohol and dog-eared scripts. Maybe he should have taken that bloody shot after all.

He laughs joylessly to himself, shaking his head. "Sorry, you guys. I just flew in today, and I must have been exhausted from the flight."

"Hey, no worries, mate," Jacob says. "You know what, I'll be on my way. Give you time to catch up and all." He picks up his own tattered script then gives you a kiss on the cheek, bidding you with a, "I'll see you tomorrow. Have a good night, sweetheart."

If looks could kill, and if his dear mother hadn't raised him right, he would have incinerated Jacob in that moment.

He is snapped out of his thoughts when Jacob claps him on the shoulder, "Great to see you again, mate. Have a good night, eh?"

Ewan knows he's being ridiculous. There's nothing wrong with two friends and co-stars spending some time alone to rehearse. Besides, last he heard, you were adamant that you and Jacob are just friends.

So why is he being so irrational? Why does the idea of you spending more time than necessary with Jacob, possibly falling for him, bother him so much?

Ewan realises that this is what jealousy must feel like.

He's had career envy before. Another actor landing a role he vied for. Someone else getting the praise he deserves.

But nothing like this. It's petty and possessive.

He wants you to just be his.

You stand in front of him once more after you walk Jacob out of the suite.

"Hey," you say, smiling weakly.

"Hi, darling."

Both of you want to do more. Say more. Usually you would greet each other with a hug and a kiss on a cheek, his hands lingering on your forearms even after you pull away, but the air is thick with tension.

You look at him with those bright, expecting eyes of yours, and Ewan just wants to cave in and make a sloppy confession. But not after that voicemail, no. He's determined to do this right. Words not slurred, head clear.

"So I got your voicemail," you finally say, smiling coyly. "That was... something."

"Hmm," he can't help but mirror your smile, as always. "It was, wasn't it?"

"I understand," you continue, taking a step closer, "if you were drunk. We all say things when we're off it that we maybe don't mean - "

"But darling, I meant every word," he says, way too quickly.

You laugh, the sound of it erasing whatever apprehension remained in him. "Do you even remember what you said?"

"I do," he counters, moving even closer to you. Another step and he'd be able to wrap his arms around your waist and pull you to him. "At least, some of - no - most of it."

"Oh yeah?" you ask cheekily, aided by the effect of gin. He still has your heart racing, but a part of you now knows that the feeling is mutual. "What did you say again?"

He sees that glint in your eye, and it causes him to smirk. "Why don't I make it simple for you, darling?" He closes the distance, one hand brushing the hair from your face.

"Okay," you swallow, getting lost in his blues.

"I missed you." He kisses your cheek. "I like you. A lot." He kisses the other. "And I, uh, I would like to take you on a date."

His eyes meet yours. His voice is steady, but you notice some nervousness in his gaze. How the tables have turned. You make Ewan Mitchell's heart go awry.

"Please, darling?" he timidly adds, the sentiment so sweet you want to blurt out yes immediately. Before you can, he's already leaned back, an explanation rushing out of his lips, "And... I'm not sure but you must have seen those headlines? They're not true, I swear. We were out drinking and - "

"I know, Ewan." You cut him off with a hand pressed gently on his chest but he keeps going.

" - some other people joined us. One of them being - "

"Luke and Elliott's cousin. I know. Elliott called and told me everything."

"Oh. He called you?" A huge sense of relief washes over him, better than any comfort he might have found in a shot or three of bourbon.

"Mhmm, he called me yesterday. So, you know, you didn't really have to fly out. I was about to call you eventually."

He smiles bashfully, eyes cast down as a blush spreads across his cheeks. Damn it, Elliott, you brilliant lad. He reminds himself to treat Elliott to a pint the next time he sees him.

"I still wanted to see you," Ewan maintains, pressing a kiss to your forehead and you're immediately enveloped by the familiar comfort of his scent. Surprisingly without the staple hint of cigarette smoke, due to his frantic scrubbing after the flight.

"I'm happy you're here," you say, wrapping your arms around his waist, cheek pressed against his chest. "And no offence to Louise or anything, but she needs to learn some boundaries with my - "

Ewan looks down at you fondly, squeezing your arms to prompt your next words, "Yeah, darling? Your what?"

"My - " you attempt to bury your face in his hoodie, but he keeps your gaze with a hand cupping your jaw. So you end up saving yourself with " - my Aemond."

"Hmm," he hums, lips curling, and it's so very Aemond of him it makes you feel warm all over. "Your Aemond.Your Ewan. I'm all yours, love."

The whole thing couldn't have gone any better, all things considered, and Ewan feels content to have gotten over his first brush with the rumour mill. What matters is right in front of him, and you know the truth.

"Are you staying in this hotel? How did you even know I was here?" You take his hand, guiding him over to the couch.

"Clara," is all Ewan says by way of explanation.

"Well, thank you, Clara," you declare. Ewan shuffles closer to you and rests his arm around your shoulders, planting a kiss on your forehead again. The gesture is already becoming instinctive, providing the both of you with a sense of ease.

"Darling?"

"Yeah?" you respond absentmindedly, fingers toying with the soft fabric of his hoodie.

"Is that a yes?"

You exhale deeply. As if it wasn't clear enough already. "What do you think, handsome?"

"I don't know, angel. You tell me," he counters cheekily, his fingers playing with your hair as you playfully glare at him.

"What if I say no, baby?"

"Then I'll have to work hard to change your mind, princess."

"And how would you do that, honey?"

His gaze darkens, and something flashes across his blue eyes as he whispers intensely, "Use your imagination, bunny."

"Ri-right," you bite your lip, then shake your head to snap out of it. "We'll have to draw the line at bunny."

He laughs at your flustered state, pleased by the effect he has on you. "What's wrong with bunny?"

That elicits a groan out of you, but you smile anyway. "I already said yes, Ewan. Quit it with the bunny."

"Alright, beautiful," he relents, making you lean even closer against him.

The haze of gin after a long work day starts to subside and the rush of emotion is coming back to you. You find yourself gazing at Ewan in mild disbelief, in awe that he just confessed that he wants you.

Feeling antsy, you stand and pace around the room. You start tidying things, putting your scattered knick-knacks back in your handbag. If you sit with him any longer, you just might end up hurrying things through and jump his bones already, kiss him the next time he does that hmm.

"Can I get you anything?" you ask.

"No," he says smoothly. "I just need you." The words make you stop in your tracks. He still sits in the same position, looking at you with that undeniable desire in his eyes.

"Uhhhm," your mouth feels dry all of the sudden. Nothing his tongue past your lips can't fix, your intrusive thoughts barge right in. "So... the... the media rollout's still going on isn't it? Should we check and see?" You take your laptop and plop back down next to him. He doesn't miss a beat and cuddles against you once more, wrapping his arm around your tense frame.

"I think so, darling." The media rollout is how the interviews and promotional material filmed by the cast is being released gradually, on a weekly basis, after each new episode comes out.

A simple search on Youtube confirms it, and the first thing that popped up is the Where is The Lie? video you did for Elle.

It was slated for just Tom, Phia, and Ewan but your Blackwood character became such a fan-favourite that they asked you to join in. Not to mention the frenzy you and Ewan caused online with the initial interviews you did together.

"Shall we watch this?" Ewan offers, solely for the intent of seeing you in the video.

You click on it, and for the next 8 minutes or so, all you can take note of are the signs that had clearly already been there. The fans were on to something when they claimed that you and Ewan are a really good ship.

The video starts with a clip of Phia hitting her head on the overhead lamp when she stands, prompting her to uncontrollably giggle along with you and Tom. Ewan, being the exception, is beside himself with worry, and he appears to instinctively reach for your hand as you sit beside him.

"Huh," Ewan smiles, taking your hand and pressing a kiss to the back of it.

Tom is the first to be put on the hot seat, and he slowly recites the three statements he prepared. "Ewan, pay attention," Tom blurts out when he notices that Ewan kept sneaking glances at you. "Sure, I'm locked in," Ewan says right back, as you and Phia share a look.

"What were you looking at?" you ask playfully, poking him in the side. "You seem plenty distracted there."

He snorts at himself in the video, when he ends up smiling as he caught your eye. "It was your fault. You were distracting me."

"I was not!" you exclaim. "I thought you were just being competitive then."

Phia is next to have a go. She tells you of a Wifi repellent necklace, a wrestling career, and saving a squirrel from a drainpipe. "The Wifi thing sounds like something Ewan would have," Tom jokes. "Oh sure," you concur, "except that he'd actually keep it so he can watch films." Ewan smiles at your acute observation.

"I'd also keep it to stalk your Instagram," Ewan mumbles from beside you. "And you know, just stalk you in general."

"I'm sure you do, Mitchell," you respond casually, but your face warms up anyhow.

It's Ewan's turn, and as he sits on the hot seat, you see Tom and Phia casting a look at each other then at the two of you, a secret message shared between them. "I bet she will know the answer right away," Phia says. "Yeah, how do we know the two of you didn't conspire together?" Tom asks. "Are you kidding me, you guys?" you laugh at them, thinking how silly they were being, not knowing then that they were definitely on to something.

"Darling, you have to know this," Ewan tells you specifically as you all try to guess the answer. "Oh, darling!" Tom mouths to Phia, dramatically flipping nonexistent long hair over his shoulder. Phia laughs at his antics, before nudging you and saying, "Which one is it? Which is the lie? I trust you." You respond, "Why me? You two should know this too!"

"Because I wasn't trying to date them, my love," Ewan says, smiling at the screen.

"Oh, come on now." You crane your neck up to press a soft kiss against his cheek before turning your attention back to the video. So you don't notice the switch in Ewan's breathing. The jumps in his heartbeart. The way he subtly clears his throat to deal with his flustered state.

The video comes to a close after your turn and even at the very end, Ewan can be seen admiring you as you give the closing remarks with Phia.

Admiring you, as he does in the moment.

"You're beautiful, you know that?" he says, when you turn to look at him.

"Thank you," you reply softly, your voice barely audible.

Some time passes with the two of you catching up, talking about your upcoming projects, his big meeting in New York - all the while his fingers trace patterns on your exposed skin, his arm wrapped around you snugly.

"Have you been keeping up with the show?" he asks.

"The last episode I saw fully was... the second one? I got pretty busy after that. How about you?"

"Oh," he looks down in thought, piquing your curiosity, "so you didn't get to see the third episode yet then?"

"No, not yet," you shake your head, "but I've seen some stuff here and there."

He hums again and he wants to ask, have you seen his stuff? There are around a dozen or so potential jokes at play here. He has an inkling to tell you to watch the episode so you can see just what you're in for. So you can see him and all he has to offer. He'd also fumble through a justification, as he had done in some interview, about the new studio they had filmed in being cold as a fridge freezer.

What to say? What to say? He picks at some lint on his jeans, smirking to himself.

"Yeah," you eventually giggle at his obvious hesitation. "I've only seen some of the episode. But what I've seen... is enough to make me jealous of Madame Sylvie."

He stiffens, throat suddenly dry, but one look at your smile does away with his concerns.

He soon finds himself laughing, a muffled, "Oh, darling," whispered lovingly against your hair.

"That was very brave of you, Ewan," you express sincerely.

"Thank you, love."

"So... just how cold was it in there?"

Your shared, unrestrained laughter echo throughout the room.

▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎

Your first date was meant to happen the following night, but such is the nature of the job that Ewan's schedule gets moved up all of a sudden.

Once the bigshot casting director in New York found out that Ewan is already stateside, he requested that the meeting be held at the earliest possible opportunity.

He calls you while you are in rehearsals, profusely apologizing and promising to fly back to LA in the next two days, right after his meeting is all sorted.

"It's okay, Ewan," you reassure him, genuinely understanding. "I will see you when you come back. Good luck, I know you're going to smash it, whatever opportunity this is!"

"Thank you, darling," he says, already wanting to have you back in his arms already, mentally kicking himself for not kissing you when he had about a hundred chances to do so. "I'm going to miss you."

"I'll miss you too," you respond, blushing silly with the phone pressed to your ear. "But it'll only be two days."

"Hmm, doesn't matter. I need to take you on our bloody date, darling. I've already taken so damn long."

"Don't worry," you say, "I've already seen you way more than I should before the first date."

"Wha - " a protest forms on his lips, but he gets your point right away. "Oh. Clever, darling."

"I know."

"But I'm planning to give you something that's just for you. That the whole world won't ever be privy to."

You swallow hard, your very being heating up at his insinuation. "Don't make promises you can't keep, Mitchell."

"I guess you'll just have to wait and see."

Bonus chapter!

Nocturnal file 🤫

💌 next chapter

Taglist: @sprinklesprinkle888 @namelesslosers @skymoonandstardust @valyrianflower @luckyfirebasement @omgsuperstarg @elissanatok @callsignwidow @sinistersnakey49 @darkwriteracademia @yyrzmomo @queenofshinigamis @luvaerina @shamelessblazecrown @mirandastuckinthe80s @elleinex0x0 @pierrotlu @aegonswife @strangersunghoon @lunampacheco @writer-ann-artist @gaiaea @of-swords-and-words @ateliefloresdaprimavera @m00n5t0n3 @helaenaluvr @peachysunrize @annie-ruk @luvly-writer @ananas26t @athenafaes @lovelyteenagebeard @mamawiggers1980 @moongirl27 @luckyfirebasement @katherine93 @barnes70stark @justbelljust @cloudroomblog @somestufftoday @esposadomd @girl-in-the-chairs-void @insideyourimagination @hotdismylife @vyctorya @wildrangers @livcookesgf @dracaryxzs @aemondwhoresworld @aisselasstuff

The cast's Where is The Lie? video is an actual thing! I hope yous got the reference!

Notice how the two nerve-wrecked shites didn't have their first proper kiss yet??? Will they ever?? 😩😩😩

Taglist is officially closed for this one. Please bookmark this series or the masterlist (or follow my page) to keep up with updates <3

I can't even overstate how mad all the love for this series has been! I'm always looking forward to hearing from you guys - suggestions, comments, complaints are always welcome!

See you in part five! (preview: something will happen in NY that might cause Ewan to question things!)

[sresultsmedia]

Social media has developed from simple profiles and status updates to a sophisticated network of multimedia information, augmented reality filters, and virtual reality experiences. But what is the future of social media in Metaverse, to know more visit https://searchresultsmedia.com/ or call us at (866) 203-6272.