#Its a short video

[froggybich]

Hey! My aunt is trying to win a contest (I think, idk the details) for an oral surgery and wants the video to just get some sort of traction, you don't have to watch the video but just copy the link, like, or comment.

https://youtu.be/GAI5dF50Eds?si=QERNptYh3pUTxJnV

[anintroverteddarling]

I was gonna try drawing smth cute but ended up drawing these two again help--

[answermywearyquery]

daniel molloy | my kink is karma (on youtube)

[anominous-user]

Double Indemnity, Veritas Ratio and Aventurine

This was originally a part of my compilation post as a short analysis on the Double Indemnity references, linking to this great thread by Manya on Twitter. However, I've recently watched the movie and found that the parallels run much deeper than just the mission name and the light cone itself, plus as the short synopsis I've read online. Since there isn't really an in-depth attempt at an analysis on the film in relation to the way Aventurine and Ratio present themselves throughout Penacony, I thought I'd take a stab at doing just that. I will also be bringing up things from Manya's thread as well as another thread that has some extra points.

Disclaimer that I... don't do analyses very often. Or write, in general — I'm someone who likes to illustrate their thoughts (in the artistic sense) more than write. There's just something about these two that makes me want to rip into them so badly, so here we are. If there's anything you'd like to add or correct me on, feel free to let me know in the replies or reblogs, or asks. This ended up being a rather extensive deep dive into the movie and its influences on the pairing, so please keep that in mind when pressing Read More.

There are two distinct layers on display in Ratio and Aventurine's relationship throughout Penacony, which are references to the two most important relationships in the movie — where they act like they hate/don’t know each other, and where they trust each other.

SPOILER WARNING for the entire movie, by the way. You can watch the film for free here on archive.org, as well as follow along with the screenplay here. I will also be taking dialogue and such from the screenplay, and cite quotes from the original novel in its own dedicated section. SPOILER WARNING for the Cat Among Pigeons Trailblaze mission, as well.

CONTENT WARNING FOR MENTIONS OF SUICIDE. YOU HAVE BEEN WARNED.

To start, Double Indemnity (1944) is a film noir by Billy Wilder (and co-written by Raymond Chandler) based on the novel of the same name by James M. Cain (1927). There are stark differences between the movie adaptation and the original novel which I will get into later on in this post, albeit in a smaller section, as this analysis is mainly focused on the movie adaptation. I will talk about the basics (summaries for the movie and the game, specifically the Penacony mission in tandem with Ratio and Aventurine) before diving into the character and scene parallels, among other things.

—

[THE NAME]

The term "double indemnity" is a clause in which if there’s a case of accidental death of a statistically rare variety, the insurance company has to pay out multiple of the original amount. This excludes deaths by murder, suicide, gross negligence, and natural causes.

The part of the mission in Cat Among Pigeons where Ratio and Aventurine meet with Sunday is named after the movie. And before we get further into things, let's get this part out of the way: The Chinese name used in the mission is the CN title of the movie, so there's no liberties taken with the localization — this makes it clear that it’s a nod to the movie and not localization doing its own thing like with the mission name for Heaven Is A Place On Earth (EN) / This Side of Paradise (人间天堂) (CN).

—

[SUMMARY OF THE 1944 MOVIE]

Here I summarised the important parts that will eventually be relevant in the analysis related to the game.

Insurance salesman Walter Neff, wounded from a gunshot, enters his office and confesses his crime on a dictaphone to his boss Barton Keyes, the claims manager. Much earlier, he had met Phyllis Dietrichson, the wife of Mr. Dietrichson and former nurse. Neff had initially wanted to meet Mr. Dietrichson because of car insurance. Phyllis claims her husband is mean to her and that his life insurance goes to his daughter Lola. With Neff seduced by Phyllis, they eventually brew up a scheme to murder Mr. Dietrichson in such a way that they activate the "double indemnity" clause, and the plan goes off almost perfectly. Initially, the death is labeled a suicide by the president of the company, Norton. 

Keyes finds the whole situation suspicious, and starts to suspect Phyllis may have had an accomplice. The label on the death goes from accidental, to suicide, to then murder. When it’s ruled that the husband had no idea of the accidental policy, the company refuses to pay. Neff befriends Phyllis’ stepdaughter Lola, and after finding out Phyllis may have played a part in the death of her father’s previous wife, Neff begins to fear for Lola and himself, as the life insurance would go all towards her, not Phyllis.

After the plan begins to unravel as a witness is found, it comes out that Lola’s boyfriend Nino Zachette has been visiting Phyllis every night after the murder. Neff goes to confront Phyllis, intending to kill her. Phyllis has her own plans, and ends up shooting him, but is unable to fire any more shots once she realises she did love him. Neff kills her in two shots. Soon after telling Zachette not to go inside the house, Neff drives to his office to record the confession. When Keyes arrives, Neff tells him he will go to Mexico, but he collapses before he could get out of the building.

—

[THE PENACONY MISSION TIMELINE]

I won’t be summarising the entirety of Aventurine and Ratio’s endeavours from the beginning of their relationship to their final conversation in Heaven Is A Place On Earth the same way as I summarised the plot of the movie, so I will instead present a timeline. Bolded parts means they are important and have clear parallels, and texts that are in [brackets] and italics stand for the names of either the light cone, or the mission names.

[Final Victor] Their first meeting. Ratio’s ideals are turned on its head as he finally meets his match.

Several missions happen in-between their first encounter and the Penacony project. They come to grow so close and trusting with each other that they can guess, understand each other’s thoughts, way of thinking and minds even in high stakes missions. Enough to pull off the Prisoner’s Dilemma (Aventurine’s E1) and Stag Hunt Game (Aventurine’s E6) and come out on top.

Aventurine turns towards Ratio for assisting him in the Penacony project. Ratio's involvement in the project is implied to be done without the knowledge of Jade, Topaz, and the IPC in general, as he was only sent to Penacony to represent the Intelligentsia Guild, and the two other Stonehearts never mention Ratio.

Aventurine and Ratio cook up the plan to deceive Sunday before ever setting foot on Penacony. Aventurine does not tell Ratio the entirety of his plan.

Aventurine convinces Topaz and Jade to trust him with their Cornerstones. Aventurine also breaks his own Cornerstone and hides it along with the jade within a bag of gift money.

[The Youth Who Chase Dreams] They enter Penacony in the Reverie Hotel. Aventurine is taken to the side by Sunday and has all his valuables taken, which includes the gift money that contains the broken aventurine stone, the jade, and the case containing the topaz.

Aventurine and Ratio speak in a “private” room about how Aventurine messed up the plan. After faking an argument to the all-seeing eyes of Sunday, Ratio leaves in a huff.

Ratio, wearing his alabaster head, is seen around Golden Hour in the (Dusk) Auction House by March 7th.

[Double Indemnity] Ratio meets up with Sunday and “exposes” Aventurine to him. Sunday buys his “betrayal”, and is now in possession of the topaz and jade. Note that this is in truth Ratio betraying Sunday all along.

Ratio meets up with Aventurine again at the bar. Ratio tells Aventurine Sunday wants to see him again.

They go to Dewlight Pavilion and solve a bunch of puzzles to prove their worth to Sunday.

They meet up with Sunday. Sunday forces Aventurine to tell the truth using his Harmony powers. Ratio cannot watch on. It ends with Aventurine taking the gift money with his Cornerstone.

[Heaven Is A Place On Earth] They are in Golden Hour. Ratio tries to pry Aventurine about his plan, but Aventurine reins him in to stop breaking character. Ratio gives him the Mundanite’s Insight before leaving. This is their final conversation before Aventurine’s grandest death.

Now how exactly does the word “double indemnity” relate to their mission in-game? What is their payout? For the IPC, this would be Penacony itself — Aventurine, as the IPC ambassador, handing in the Jade Cornerstone as well as orchestrating a huge show for everybody to witness his death, means the IPC have a reason to reclaim the former prison frontier. As for Ratio, his payout would be information on Penacony’s Stellaron, although whether or not this was actually something he sought out is debatable. And Aventurine? It’s highly implied that he seeks an audience with Diamond, and breaking the Aventurine Cornerstone is a one way trip to getting into hot water with Diamond. With Aventurine’s self-destructive behaviour, however, it would also make sense to say that death would be his potential payout, had he taken that path in the realm of IX.

Compared to the movie, the timeline happens in reverse and opposite in some aspects. I will get into it later. As for the intended parallels, these are pretty clear and cut:

Veritas Ratio - Walter Neff

Aventurine - Phyllis Dietrichson

Sunday - Mr. Dietrichson

There is one other character who I feel also is represented in Ratio, but I won’t bring them up until later down the line.

For the sake of this analysis, I won’t be exploring Sunday’s parallel to Mr. Dietrichson, as there isn’t much on Dietrichson’s character in the first place in both the movie and the novel. He just kind of exists to be a bastard that is killed off at the halfway point. Plus, the analysis is specifically hyper focused on the other two.

—

[SO, WHAT’S THE PLAN?]

To make things less confusing in the long run whenever I mention the words “scheme” and “plan”, I will be going through the details of Phyllis and Neff’s scheme, and Aventurine and Ratio’s plan respectively. Anything that happens after either pair separate from another isn’t going to be included. Written in a way for the plans to have gone perfectly with no outside problems.

Phyllis and Neff —> Mr. Dietrichson

Goal: Activate the double indemnity clause by killing Mr. Dietrichson and making it look like a freak train accident

Payout: Twice or more of the face value of the life insurance ($100,000)

Main Actor: Walter Neff    |    Accomplice: Phyllis Dietrichson

During the entire time until the payout, Phyllis and Neff have to make sure to any outsiders that they look like complete strangers instead of lovers in an affair.

Step-by-step:

Neff convinces Mr. Dietrichson to sign the policy with the clause without him suspecting foul play, preferably with a third party to act as an alibi. This is done discreetly, making Mr. Dietrichson not read the policy closely and being told to just sign.

Neff and Phyllis talk to each other about small details through the phone (specified to be never at Phyllis’ own house and never when Neff was in his office) and in the marketplace only, to make their meetings look accidental. They shouldn’t be seen nor tracked together, after all.

Phyllis asks Mr. Dietrichson to take the train. She will be the one driving him to the train station.

On the night of the murder, after making sure his alibi is airtight, Neff sneaks into their residence and hides in their car in the second row seating, behind the front row passenger seat. He wears the same colour of clothes as Mr. Dietrichson.

Phyllis and Mr. Dietrichson get inside the car — Phyllis in the driver’s seat and Mr. Dietrichson in the passenger seat. Phyllis drives. On the way to the train station, she makes a detour into an alley. She honks the horn three times.

After the third honk, Neff breaks Mr. Dietrichson’s neck. The body is then hidden in the second row seating under a rug.

They drive to the train station. Phyllis helps Neff, now posing as Mr. Dietrichson, onto the train. The train leaves the station.

Neff makes it to the observation platform of the parlour car and drops onto the train tracks when nobody else is there.

Phyllis is at the dump beside the tracks. She makes the car blink twice as a signal.

The two drag Mr. Dietrichson’s corpse onto the tracks.

They leave.

When Phyllis eventually gets questioned by the insurance company, she pretends she has no idea what they are talking about and eventually storms off.

Phyllis and Neff continue to lay low until the insurance company pays out.

Profit!

Actual Result: The actual murder plan goes almost smoothly, with a bonus of Mr. Dietrichson having broken a leg. But with him not filing a claim for the broken leg, a witness at the observation platform, and Zachette visiting Phyllis every night after the murder, Keyes works out the murder scheme on his own, but pins the blame on Phyllis and Zachette, not Neff.

Now for Aventurine and Ratio. You can skip this section if you understand how deep their act goes, but to those who need a refresher, here’s a thorough explanation:

Aventurine and Ratio —> Sunday

Goal: Collect the aventurine stone without Sunday knowing, ruin the dream (and create the grandest death)

Payout: Penacony for the IPC, information on the Stellaron for Ratio, a meeting with Diamond / death for Aventurine

Main Actor: Aventurine    |    Accomplice: Veritas Ratio

From the moment they step onto Penacony, they are under Sunday’s ever present and watchful eyes. “Privacy” is a foreign word to The Family. They have to act like they don’t like each other’s company the entire time and feed Sunday information through indirect means so that the eventual “betrayal” by Ratio seems truthful to Sunday. Despite what it looks like, they are closer than one would ever think, and Ratio would never sell out a person purely for information.

Step-by-step:

After Sunday takes away the bag of gift money and box, Aventurine and Ratio talk in a room in the Reverie Hotel.

Aventurine establishes the Cornerstones’ importance, and how he lost the gift money and the case containing the Cornerstones to Sunday. Ratio turns to leave, saying “some idiot ruined everything”, meaning the Cornerstones were vital to their plan. (Note that Ratio is not wearing his alabaster head while saying it to said “idiot”.)

Aventurine then proceeds to downplay the importance of the Cornerstones, stating they are “nothing more than a few rocks” and “who cares if they are gone”. This lets Sunday know that something suspicious may be going on for him to act like it’s nothing, and the mention of multiple stones, and leaves him to look up what a Cornerstone is to the Ten Stonehearts of the IPC.

Ratio points out his absurd choice of outfit, mentioning the Attini Peacock and their song.

Ratio implies that without the aventurine stone, he is useless to the IPC. He also establishes that Aventurine is from Sigonia(-IV), and points out the mark on his neck. To Sunday, this means that Aventurine is shackled to the IPC, and how Aventurine may possibly go through extreme lengths to get the stone back, because a death sentence always looms above him.

Aventurine claims Ratio had done his homework on his background, which can be taken that this is their very first time working together. (It isn’t, and it only takes one look to know that Aventurine is an Avgin because of his unique eyes, so this comment does not make sense even in a “sincere” way, a running theme for the interaction.)

Ratio mentions how the true goal is to reclaim Penacony for the IPC, establishing their ulterior motive for attending the banquet.

Ratio asks if Aventurine went to pre-school in Sigonia after saying trust was reliant on cooperation. Aventurine mentions how he didn’t go to school and how he doesn’t have any parents. He even brings up how friends are weapons of the Avgins. This tells Sunday that the Avgins supposedly are good at manipulation and potentially sees Ratio possibly betraying Aventurine due to his carelessness with his “friends”. Sunday would also then research about the Avgins in general (and research about Sigonia-IV comes straight from the Intelligentsia Guild.)

Ratio goes to Dewlight Pavilion in Sunday’s Mansion and exposes a part of Aventurine’s “plan”. When being handed the suitcase, Ratio opens it up due to his apparent high status in the IPC. He tells Sunday that the Cornerstone in the suitcase is a topaz, not an aventurine, and that the real aventurine stone is in the bag of gift money. This is a double betrayal — on Aventurine (who knows) and Sunday (who doesn’t). Note that while Ratio is not officially an IPC member in name — the Intelligentsia Guild (which is run by the IPC head of the Technology Department Yabuli) frequently collaborates with the IPC. Either Aventurine had given him access to the box, or Ratio’s status in general is ambiguous enough for Sunday not to question him further. He then explains parts of Aventurine’s gamble to Sunday in order to sell the betrayal. Note that Ratio does not ever mention Aventurine’s race to Sunday.

Ratio brings Aventurine to Sunday. Aventurine offers help in the investigation of Robin's death, requesting the gift money and the box in return.

Sunday objects to the trade offer. Aventurine then asks for just the bag. A classic car insurance sales tactic. Sunday then interrogates Aventurine, and uses everything Ratio and Aventurine brought up in the Reverie Hotel conversation and their interactions in the Mansion, as well as aspects that Ratio had brought up to Sunday himself.

Aventurine feigns defeat and ignorance enough so that Sunday willingly lets him go with the gift bag. After all is said and done, Aventurine leaves with the gift money, where the Aventurine Cornerstone is stored all along.

Ratio and Aventurine continue to pretend they dislike each other until they go their separate ways for their respective goals and plans. Aventurine would go on to orchestrate his own demise at the hands of Acheron, and Ratio… lurks in the shadows like the owl he is.

Profit!

Actual Result: The plan goes perfectly, even with minor hiccups like Ratio coming close to breaking character several times and Aventurine being sentenced to execution by Sunday.

This is how Sunday uses the information he gathered against Aventurine:

• Sunday going on a tirade about the way Aventurine dresses and how he’s not one to take risks — Ratio’s comment about Aventurine’s outfit being peacock-esque and how he’s “short of a feather or two”. • “Do you own a Cornerstone?” — Ratio talked about the aventurine stone. • “Did you hand over the Cornerstone to The Family when you entered Penacony?” — Aventurine mentioned the box containing the Cornerstones. • “Does the Cornerstone you handed over to The Family belong to you?” — Aventurine specifically pluralized the word Cornerstone and “a bunch of rocks” when talking to Ratio. • “Is your Cornerstone in this room right now?” — The box in the room supposedly contained Aventurine’s own cornerstone, when Aventurine mentioned multiple stones. • “Are you an Avgin from Sigonia?” —Aventurine mentioned that he’s an Avgin, and Ratio brought up Sigonia. • “Do the Avgins have any ability to read, control, and manipulate one’s own or another’s minds?” — Aventurine’s comment on how friends are weapons, as well as Sunday’s own research on the Avgins, leading him to find out about the negative stereotypes associated with them. • “Do you love your family more than yourself?” — His lost parents. “All the Avgins were killed in a massacre. Am I right?” — Based on Sunday’s research into his background. • “Are you your clan’s sole survivor?” — Same as the last point. “Do you hate and wish to destroy this world with your own hands?” — Ratio mentioned the IPC’s goal to regain Penacony, and Aventurine’s whole shtick is “all or nothing”. • “Can you swear that at this very moment, the aventurine stone is safe and sound in this box?” — Repeat.

As seen here, both duos have convoluted plans that involve the deception of one or more parties while also pretending that the relationship between each other isn’t as close as in reality. Unless you knew both of them personally and their histories, there was no way you could tell that they have something else going on. 

On to the next point: Comparing Aventurine and Ratio with Phyllis and Neff.

—

[NEFF & PHYLLIS — RATIO & AVENTURINE]

With the short summaries of the movie and the mission out of the way, let’s look at Phyllis and Neff as characters and how Aventurine and Ratio are similar or opposite to them.

Starting off with Aventurine and Phyllis. Here is where they are the most similar:

Phyllis is blonde and described as a provocative woman. Aventurine is also a blond and eyes Ratio provocatively in the Final Victor light cone.

Phyllis was put under surveillance after Keyes starts figuring out that the so-called accidental death/suicide may have been a murder after all. Similarly, Aventurine was watched by Sunday the entire time in Penacony.

Phyllis never tells Neff how she's seeing another man on the side to possibly kill him too (as well as how she was responsible for the death of her husband‘s previous wife). Aventurine also didn't tell Ratio the entirety of his plan of his own death.

Phyllis puts on a somewhat helpless act at first but is incredibly capable of making things go her way, having everything seemingly wrapped around her finger. Aventurine — even when putting on a facade that masks his true motives — always comes out at the top.

Now the differences between Aventurine and Phyllis:

Phyllis does not care about her family and has no issue with killing her husband, his previous wife, and possibly her daughter Lola. Opposite of that, Aventurine is a family man… with no family left, as well as feeling an insane level of survivor’s guilt.

Really, Phyllis just… does not care at all about anyone but herself and the money. Aventurine, while he uses every trick in the book to get out on top, does care about the way Jade and Topaz had entrusted him with their Cornerstones, in spite of the stones being worth their lives. 

Phyllis also uses other people to her advantage to get what she wants, often behind other people's backs, with the way she treats Neff and Zachette. Aventurine does as well (what with him making deals with the Trailblazer while also making a deal with Black Swan that involves the Trailblazer). The difference here is Phyllis uses her allure deliberately to seduce men while Aventurine simply uses others as pawns while also allowing others to do the same to himself.

Phyllis makes no attempt at compromising the policy when questioned by Norton. Aventurine ends up compromising by only taking the gift money (which is exactly what he needs).

The wig that Barbara Stanwyck (the actress of Phyllis) wore was chosen to make her look as “sleazy” as possible, make her look insincere and a fraud, a manipulator. A sort of cheapness. Aventurine’s flashy peacock-esque outfit can be sort of seen as something similar, except the outfit isn’t cheap.

Moving on to Ratio’s similarities to Neff… There isn’t much to extrapolate here as Ratio is more of a side character in the grand scheme of Penacony, however this is what I’ve figured out.

Neff has dark hair. Ratio has dark purple hair.

Neff almost never refers to Phyllis by her name when speaking with her, only as “baby”. The few times he refers to her as Phyllis or Mrs. Dietrichson is during their first conversations and when he has to act like he doesn’t know her. Ratio never calls Aventurine by his name when he’s around him — only as “gambler”, sometimes “damned” or “dear” (EN-only) gambler. Only in the Aventurine's Keeping Up With Star Rail episode does Ratio repeatedly say his name, and yet he still calls him by monikers like “gambler” or, bafflingly, a “system of chaos devoid of logic”.

Both Neff and Ratio committed two betrayals: Neff on Mr. Dietrichson and Keyes, and Ratio on Sunday and Aventurine. With the former cases it was to reach the end of the trolley line, and with the latter it was on a man who had put his trust in him.

As for the differences…

Neff is described as someone who’s not smart by his peers. Ratio is someone who is repeatedly idolised and put on a pedestal by other people.

Neff is excellent at pretending to not know nor care for Phyllis whenever he speaks about her with Keyes or when he and she are in a place that could land them in hot water (the office, the mansion when there are witnesses). His acting is on the same level as Phyllis. With Ratio it’s… complicated. While he does pull off the hater act well, he straight up isn’t great at pretending not to care about Aventurine’s wellbeing.

Instead of getting his gunshot wound treated in the hospital like a normal person, Neff makes the absolutely brilliant decision of driving to his office and talking to a dictaphone for hours. Needless to say, this is something a medical doctor like Ratio would never do.

Now here's the thing. Though it's very easy to just look at Phyllis and Neff in the movie and go "okay, Aventurine is Phyllis and Ratio is Neff — end of story" and leave it at that, I find that they both take from the two leads in different ways. Let me explain. Beginning with Aventurine and Neff…

Neff is the one who hatches the plan and encourages Phyllis to go through and claim the double indemnity clause in the first place. He is also the key player of his own risky plan, having to fake being the husband to enter the train as well as fake the death. Aventurine puts himself at great risk just by being in Sunday’s presence, and hoping that Sunday wouldn’t figure out that the green stone he had uncovered wasn’t the aventurine stone.

Adding onto the last point, Neff had fantasised about pulling off the perfect murder for a long time — the catalyst was simply him meeting Phyllis. Aventurine presumably sought out Ratio alone for his plan against Sunday.

Neff makes a roulette wheel analogy and talks about a pile of blue and yellow poker chips (the latter in the script only). I don‘t even have to explain why this is relevant here. (Aventurine’s Ultimate features a roulette wheel and the motif is on his belt, thigh strap, and back, too. And of course, Aventurine is all about his chips.)

Neff has certain ways to hide when he’s nervous, which include hiding his hands in his pockets when they were shaking, putting on glasses so people couldn’t see his eyes. Aventurine hides his left hand behind his back when he’s nervous: Future Aventurine says that "they don't know the other hand is below the table, clutching [his] chips for dear life", and in multiple occasions such as the Final Victor LC, his character trailer, and even in his boss form in the overworld you can see that Aventurine hides his left hand behind his back. And he is also seen with his glasses on sometimes.

Neff says a bunch of stuff to make sure that Phyllis acts her part and does not act out of character (i.e. during their interactions at the market), like how Aventurine repeatedly tries to get Ratio back on track from his subpar acting.

Neff is always one step ahead of the game, and the only reason the plan blows up in his face is due to outside forces that he could not have foreseen (a witness, Keyes figuring out the plan, the broken leg). Aventurine meanwhile plays 5D chess and even with the odds against him, he uses everything he can to come out on the top (i. e. getting Acheron to kill him in the dream).

Even after coming home on the night of the murder, Neff still felt that everything could have gone wrong. Aventurine, with his blessed luck, occasionally wavers and fears everything could go wrong whenever he takes a gamble.

Neff was not put under surveillance by Keyes due to him being extensive with his alibi. After witnessing Robin’s death with eyewitnesses at the scene, the Family had accepted Aventurine’s alibi, though he would be under watch from the Bloodhounds according to Ratio.

Neff talks about the entire murder scheme to the dictaphone. Aventurine during Cat Among Pigeons also retells his plan, albeit in a more convoluted manner, what with his future self and all.

Continuing with Ratio and Phyllis, even with their personalities and motivations being quite different, they do have a few commonalities.

Phyllis was a nurse. Ratio is a medical doctor.

Her name is Greek of origin. Veritas Ratio, though his name is Latin, has Greco-Roman influences throughout his entire character.

The very first scene Phyllis appears in has her wearing a bath towel around her torso. Ratio loves to take baths to clear his mind.

Phyllis was instructed by Neff to be at the market every morning at eleven buying things. Ratio is seen in an auction house with his alabaster head on so no one could recognize him.

Phyllis mostly acts as an accomplice to the scheme, being the one to convince her husband to take the train instead. She is also generally seen only when Neff is involved. Ratio plays the same role as well, only really appearing in the story in relation to Aventurine as well as being the accomplice in Aventurine’s own death. Even him standing in the auction house randomly can be explained by the theory that he and Aventurine had attempted to destabilise Penacony’s economy through a pump and dump scheme.

With these pointers out of the way, let’s take a closer look at select scenes from the film and their relation to the mission and the pair. 

—

[THE PHONE CALL — THE REVERIE HOTEL]

Before the murder, there is a scene with a phone call between Phyllis and Neff discussing the plan while Keyes is in the same room as Neff. Neff has to make sure that Keyes doesn’t think of anything of the phone call, so he acts like he’s calling a “Margie”, and says a bunch of stuff that sounds innocent out of context (“Can’t I call you back, ‘Margie’?” “What color did you pick out?” “Navy blue. I like that fine”), but are actually hinting at the real plan all along (the suit that Mr. Dietrichson wears.)

In a roundabout way, the conversation between Ratio and Aventurine in the Reverie Hotel can be seen as the opposite of that scene — with the two talking about their supposed plan out loud on Penacony ground, a place where the Family (and in turn, Sunday) has eyes everywhere. Despite being in a “private” room, they still act like they hate each other while airing out details that really do not make sense to air out if they really did meet the first time in Penacony (which they didn’t — they’ve been on several missions beforehand). It’s almost like they want a secret third person to know what they were doing, instead of trying to be hushed up about it. The TVs in the room that Sunday can look through based on Inherently Unjust Destiny — A Moment Among The Stars, the Bloodhound statue that disappears upon being inspected, the owl clock on the left which side eyes Ratio and Aventurine, all point to that Sunday is watching their every move, listening to every word.

Rewinding back to before the phone call, in one of the encounters at the marketplace where they “accidentally” run into each other, Phyllis talks about how the trip was off. How her husband wouldn’t get on the train, which was vital for their plan, because of a broken leg. All this, while pretending to be strangers by the passersby. You could say that the part where Ratio almost leaves because Aventurine had “ruined the plan” is the opposite of this, as the husband breaking his leg was something they couldn’t account for, while Aventurine “being short of a few feathers” was entirely part of the plan.

—

[QUESTIONING PHYLLIS — THE INTERROGATION]

This section is going to be a little longer as I will cover two scenes in the movie in a more detailed manner — Mr. Dietrichson signing the policy, and Phyllis being questioned — and how they are represented in the Sunday-Aventurine interrogation and the prior conversation between Ratio and Sunday in multitudes of ways.

Going about their plan, Neff has to make sure that Mr. Dietrichson signs the policy with the double indemnity clause without him knowing the details, all the while having Phyllis (and Lola) in the same room. He and Phyllis have to pretend that they don’t know each other, and that this is just the standard accidental insurance process, instead of signing what would be his downfall. To sell it, he gets Mr. Dietrichson to sign two “copies” of the form, except with Mr. Dietrichson’s second signature, he’s duped into signing the accident insurance policy with the respective clause.

You can tie this to how Ratio goes to Sunday in order to “expose” the lie that the suitcase didn’t actually contain the Aventurine Cornerstone, as well as there being more than one Cornerstone involved in the scheme. Ratio must make sure that Sunday truly believes that he dislikes Aventurine’s company, while also making sure that Sunday doesn’t figure out the actual aventurine stone is broken and hidden in the gift bag. The scheme turns out to be successful, as Sunday retrieves the two Cornerstones, but not the aventurine stone, and truly does think that the green stone he has in his possession is the aventurine.

This whole scene with Sunday is also reminiscent of the interrogation scene in the middle of the movie, where Phyllis was questioned by the boss (Norton) who was deducing that Mr. Dietrichson's death was a suicide, not accidental death. Neff, Phyllis, Keyes and Norton were all in the same room, and Neff and Phyllis had to act like they never knew the other. Phyllis acts like she knows nothing about what Norton insinuates about her husband and eventually, Phyllis explodes in anger and storms out the room, even slamming the door. Her act is very believable to any outsider.

Now back to the Ratio and Sunday conversation. One glaring difference between the movie and here is that his acting isn’t great compared to either Phyllis nor Neff. It never was throughout the Penacony mission. He even comes very close to breaking character several times, and is even defending Aventurine in a somewhat aggressive manner during his one-on-one conversation with Sunday, as in he literally tells Sunday to see a shrink. It’s very different from the way he was acting in Herta Space Station — like Ratio cares about Aventurine too much to keep his hands off.

It's also worth pointing out that Neff doesn't speak a word when Phyllis was being interrogated. Similarly, Ratio is silent throughout the entire scene with Sunday and Aventurine, with his only “line” being a “hm”. When Aventurine calls him a wretch to his face, all he does is look to the side. In fact, he can only look at Aventurine when the other isn’t staring back. Almost like him uttering a single word would give them away. Or his acting is terrible when it has to do with Aventurine, as he has no issue doing the same thing in Crown of the Mundane and Divine (Mundane Troubles).

So, Sunday finds out about the Cornerstones and reveals them to Aventurine, and reasons that he cannot give them back to him because Aventurine had lied. Note that in that same scene, Aventurine attempted to use the two murders that had occurred beforehand against Sunday to retrieve his own cornerstone. Similarly, when it was revealed that Mr. Dietrichson did not know about the accident policy and that the so-called “accidental death” was not, in fact, accidental, the insurance company refused to pay out the money.

Unlike the movie, this was all planned, however. The double-crossing by Ratio, the gift money being the only thing required for Aventurine’s real plan. All of it was an act of betrayal against Sunday, in the same manner as the meticulous planning as Mr. Dietrichson’s murder — To sign the policy, get him to take the train, kill him on the way, and to have Neff pose as the husband on the train until the time is right to get off and lay the body on the tracks. A key difference is that they could not have expected their scheme to be busted wide open due to forces outside of their control, while Ratio and Aventurine went straight down the line for the both of them no matter what.

From here on out, we can conclude that the way Ratio and Aventurine present themselves in Penacony to onlookers is in line with Neff and Phyllis.

—

[“GOODBYE, BABY” — FINAL VICTOR]

And now for the (in)famous light cone, Final Victor. The thing that truly kickstarted the Ratio and Aventurine ship in the fanbase, and the partnership between the two in general. It’s a direct reference to the final confrontation between Neff and Phyllis in the movie.

I’ll fire through all the similarities between the two scenes.

During the respective scenes, Aventurine and Phyllis both outsmart their partner one way or the other: Aventurine with his one-sided game of Russian Roulette, and Phyllis hiding her gun underneath the cushions until Neff turned away.

The guns are owned by Phyllis and Aventurine, not Neff and Ratio.

Phyllis couldn’t bring herself to fire any more shots after she realised she truly did love Neff. Ratio could do nothing but watch as Aventurine did what he did — he couldn’t even pull away if the LC animation is anything to go by him struggling as Aventurine firmly keeps the gun to his chest.

Neff says he doesn’t buy (believe) that Phyllis loved him. She then goes “I’m not asking you to buy […]”. The LC description has Aventurine ask Ratio “You don’t believe me?”, while in the LC animation Ratio straight up says “You expect me to believe you?” and Aventurine answering “Why not, doctor/professor?”

The visual composition of the LC and the scene are nearly identical, from the lighting to the posing to the way Aventurine looks at Ratio — Aventurine and Ratio are even wearing different outfits to fit the scene better. The background in the LC is also like the blinders in the movie, just horizontal.

In the shot where Phyllis’ face is more visible, the way she looks at Neff is strikingly like the way provocatively looks at Ratio. Even their eyes have a visible shine — Phyllis’ eyes brightly shining the moment she realised she really fell in love with Neff, and Aventurine having just a little light return to his eyes in that specific moment.

And now the differences!

Neff holds the gun in his right hand. Aventurine makes Ratio hold his gun in his left.

Neff is the one who takes the gun from Phyllis‘ hand. Aventurine is the one who places the gun in Ratio’s hand and fires it.

Three gunshots are fired. In the movie, Phyllis shoots the first shot and Neff the second and third. Aventurine unloads the gun and leaves only one bullet for this game of Russian Roulette. He pulls the trigger three times, but they all turn out to be blanks.

Phyllis does not break her façade of not smiling until the very last moment where she gets shot. Aventurine is smiling the entire time according to the light cone description, whilst in the animation, it’s only when he guides the gun to his chest that he puts it on.

So, you know how Neff meets Phyllis and it all goes off the rails from there. The way Neff goes from a decent guy to willingly involve himself in a murder scheme, having his morals corrupted by Phyllis. His world having been turned upside down the moment he lays eyes on Phyllis in that first meeting. Doesn’t that sound like something that happened with the Final Victor LC? Ratio, a man all about logic and rationality — a scholar with eight PhDs to his name — all of that is flipped on its head the moment Aventurine pulls out his gun in their first meeting and forces Ratio to play a game of Russian roulette with him. Aventurine casually gambles using his own life like it’s nothing and seemingly without fear (barring his hidden left hand). All or nothing — and yet Aventurine comes out alive after three blanks. Poetic, considering there’s a consumable in the game called “All or Nothing” which features a broken chess piece and a poker chip bound together by a tie. The poker chip obviously represents the gambler, but the chess piece specifically stands for Ratio because he plays chess in his character trailer, his Keeping Up With Star Rail episode and his introduction is centred around him playing chess with himself. Plus, the design of the chess piece has golden accents, similar to his own chess set. In the end, Aventurine will always be the final victor.

Furthermore, Neff had deduced that Phyllis wanted to kill her husband and initially wanted no part in it, but in a subsequent visit it was his own idea that they trigger the double indemnity clause for more money. As the movie progresses though, he starts to have his doubts (thanks in part to him befriending Lola) and makes the move to kill Phyllis when everything starts to come to light. It’s strikingly similar to how Ratio initially wanted no part in whatever Aventurine had in mind when they first met, but in the subsequent missions where they were paired up, he willingly goes along with Aventurine's risky plans, and they come to trust each other. Enough so that Aventurine and Ratio can go to Penacony all on their own and put on an act, knowing that nobody in the IPC other than them can enter the Dreamscape. The mutual respect grew over time, instead of burning passionately before quickly fizzling out like in the movie.

Basically, in one scene, three shots (blanks) start a relationship, and in the other, it ends a relationship. In the anan magazine interview with Aventurine, he says himself that “form[ing] an alliance with just one bullet” with Ratio was one of his personal achievements. The moment itself was so impactful for both parties that it was immortalised and turned into a light cone.

—

[THE ENDING — GOLDEN HOUR]

The ending of Double Indemnity that made it into the final cut has Neff continue his confession on the dictaphone until he realised that he wasn’t alone in the room. Keyes had come inside at some point, but none had said a thing, only listening to a dead man speak of his crime. When Neff sees Keyes, they talk for a moment, Neff says he plans on fleeing to Mexico. Keyes does not think he will make it. He tries to leave, only to collapse at the front of the elevator, Keyes following just behind him. Neff attempts to light a cigar but is too weak to do so, so Keyes does it for him.

Parts of the ending can still be attributed to the interrogation scene between Sunday and Aventurine, so I’ll make this quick before moving on to the conversation in Heaven Is A Place On Earth, Ratio and Aventurine’s final conversation together. Once Sunday mentions how quickly Aventurine gave up the suitcase, he inflicts the Harmony’s consecration on him, which forces Aventurine to confess everything that Sunday asks of. In a way, it’s the opposite of what happens in the movie — where Neff willingly tells the truth about the murder to his coworker. Aventurine does not like Sunday, and Neff is close to Keyes. Ratio also does not speak, similarly to how Keyes didn’t speak and stood silently off to the side.

Post-interrogation in Golden Hour, Ratio worriedly prods at Aventurine and asks him about his plan. He then gives him the Mundanite’s Insight with the Doctor’s Advice inside when Aventurine tells him to leave. Throughout Heaven Is A Place On Earth, Aventurine gets weaker and his head starts to buzz, until he falls to the ground before he can hand in the final gems. Similarly, Neff progressively grows weaker as he records his confession. Keyes says he’s going to call a doctor and Neff says he’s planning to go to Mexico. And when Neff collapses near the elevator, they talk one final time and Keyes lights Neff’s cigar as the other was too weak to do so himself.

—

[OPPOSITE TIMELINES AND DEVELOPMENTS]

Remember how I said the way certain events happen in the movie and the game are mostly opposite and reverse of one another? 

The Final Victor LC is the first meeting of Ratio and Aventurine, and Neff killing Phyllis is their final meeting.

Between that first and last meeting between Phyllis and Neff’s whirlwind romance, their relationship becomes strained which ultimately leads to Neff not trusting whatever Phyllis has to say at the end point of the movie. As for Ratio and Aventurine, the exact opposite had happened, to the point where Ratio trusts Aventurine enough to go along with his plans even if they went against his own ideals. The basis of the mission involved Veritas Ratio, whose full name includes the Latin word for “truth”, lying the entire time on Penacony.

Aventurine is sentenced to the gallows by Sunday after his unwilling interrogation. The movie starts and ends with Neff willingly confessing everything to Keyes.

It bears repeating, but I have to make it so clear that the trust between Ratio and Aventurine runs incredibly deep. Being able to predict what your partner says and thinks and plans in a mission as critical as the Penacony project is not something first-time co-workers can pull off flawlessly. All the while having to put on masks that prevent you from speaking sincerely towards one another lest you rat yourselves out. You have no way of contacting outside reinforcements from within Penacony, as the rest of the IPC are barred from entering. To be able to play everybody for fools while said fools believe you yourselves have handed your case on a silver platter requires a lot — trust, knowledge of the other, past experience, and so on. With Phyllis and Neff, the trust they had had been snuffed out when Neff grew closer to Lola and found out what kind of person Phyllis truly was on the inside. Phyllis did not trust nor love Neff enough and was going behind his back to meet with Zachette to possibly take Neff and Lola out. And the whole reason Neff wanted to perpetrate the murder was due to him being initially taken by Phyllis' appearance, which single handedly got the ball rolling on the crime.

Now then, how come trust is one of the defining aspects of Aventurine and Ratio’s relationship, when Phyllis and Neff’s trust eventually lead to both their deaths at the hands of the other? Sure, this can be explained away with the opposite theory, but there’s one other relationship involving Neff which I haven’t brought up in excruciating detail yet. The other side of Ratio and Aventurine’s relationship.

—

[NEFF & KEYES — AVENTURINE & RATIO]

Here is where it gets more interesting — while Phyllis and Neff are at the centre point of the movie, there is another character to whom Neff has a close relationship with — Keyes. It’s also the only relationship with no pretences, at least, until the whole murder thing happened and Neff had to hide his involvement from Keyes. Watching the movie, I couldn't help but feel there was something more to the two than meets the eye. I knew that queer readings of the film existed, but I didn't think too much of them until now. And though Aventurine and Ratio parallel Phyllis and Neff respectively, the fact that they also have traits of their opposite means that it wouldn’t be completely out of the question if parts of their relationship were also influenced by Keyes and Neff on a deeper and personal level. Let me explain.

Keyes and Neff were intimate friends for eleven years and have shown mutual respect and trust towards one another. They understood each other on a level not seen with Phyllis and Neff. Even after hearing Neff confess his crimes through the dictaphone (and eventually standing in the same room while Neff confessed), he still cared for the other man, and stayed with him when Neff collapsed at the front door. The only reason Keyes hadn’t deduced that it was Neff who was behind the murder was because he had his absolute trust in him. Keyes is also Neff’s boss, and they are always seen exchanging playful banter when they are on screen together. Neff even says the words “I love you, too” twice in the movie — first at the beginning and second at the end, as the final line. There’s also the persistent theme of Neff lighting Keyes’ cigarettes (which happens in every scene where they are face-to-face), except in the end where it’s Keyes who lights Neff’s.

Doesn’t that sound familiar? Mutual respect, caring too much about the other person, the immense amount of trust… Ratio says he’s even the manager of the Penacony project (which may or may not be a lie), and despite their banter being laced with them acting as “enemies”, you can tell that in Dewlight Pavilion pre-Sunday confrontation that Aventurine genuinely likes Ratio’s company and believes him to be a reliable person. From the way he acts carefree in his words to the thoughts in his head, as seen in the mission descriptions for Double Indemnity. Their interactions in that specific mission are possibly the closest thing to their normal way of speaking that we get to see on Penacony.

Not to mention, this is the way Neff describes Keyes. He even says (not in the script) “you never fooled me with your song and dance, not for a second.” Apart from the line about the cigar ashes, doesn’t this ring a bell to a certain doctor? “Jerk” with a heart of gold?

After solving the puzzle with the statues, Ratio jokingly offers Aventurine to join the Genius Society. Aventurine then goes "Really? I thought you’ve given up on that already", and then Ratio says it was, in fact, a joke. Solving the puzzle through brute force has Ratio telling Aventurine that the Council of Mundanites (which Ratio himself is a part of) should consider him a member. In the movie, where the scene with the phone call with Neff and Phyllis reiterating details of their plan happens, Keyes actually offered Neff a better job (specifically a desk job, as Keyes’ assistant). The two pairs saw the other as smart, equals, and were invested in each other’s careers one way or another.

Because of all this, the character parallels for this side of the relationship are as follows:

Aventurine - Walter Neff

Veritas Ratio - Barton Keyes

With the way I’ve talked about how Aventurine and Ratio take from both leads in terms, it does fit to say that Aventurine is Neff, and Ratio is Keyes in this layer of their relationship. Since we’re on the topic of Keyes, let me also go through some similarities with him and Ratio specifically.

Keyes says the words “dimwitted amateurs” in his first on-screen conversation with Neff. You can’t have Dr. Ratio without him talking about idiocy in some way.

Keyes almost only appears in the movie in relation to Neff, and barring a single interaction in Neff’s house, is also only seen in the office. Same with Phyllis, Ratio also only ever appears regarding Aventurine.

Keyes genuinely wanted the best for Neff, even offering to celebrate with him when he thought the case truly had been busted wide open by forces when Zachette entered the picture. You could say the same for Ratio, as he hoped that Aventurine wouldn’t dwell on the past according to his response on Aventurine’s Interview, as well as telling him to “stay alive/live on (CN)” and wishing him the best of luck in his Doctor’s Advice note.

Whether or not you believe that there was more going on with Neff and Keyes is up to you, but what matters is that the two were very close. Just like Ratio and Aventurine.

—

[THE ORIGINAL FILM ENDING]

Something that I hadn’t seen brought up is the original ending of Double Indemnity, where Neff is executed in a gas chamber while Keyes watches on, shocked, and afterwards leaves somberly. The ending was taken out because they were worried about the Hays Code, but I felt it was important to bring it up, because in a way, you can kind of see the Sunday interrogation scene as Sunday sending Aventurine to his death in seventeen system hours. And Ratio doesn’t speak at all in that scene, and Keyes doesn’t either according to the script.

Another thing that’s noteworthy is that Wilder himself said “the story was about the two guys” in Conversations with Wilder. The two guys in question are Keyes and Neff.

—

[THE NOVEL]

With the original film ending covered, now it is time to bring up the novel by James M. Cain. I bought the book just to read about the differences between the adaptation and the original source material, and to list a few more similarities and opposites I could gather. For this section alone, due to the changes in the (last) names of certain characters, I will be referring to Walter Huff (Neff in the movie) as Walter, and Mr. Dietrichson as Nirdlinger. The plot is pretty much the same as the movie’s apart from a couple of changes so there isn’t a need to recount everything.

From my two read-throughs of the novel, these are the following passages that stood out to me the most. Starting with Aventurine:

Walter, as a top businessman of the company, knows how to sway a deal and to get what he truly wants with what the other gives him. Aventurine is the same, reliant on his intuition, experience and whatever information he has on the table to claim the win. Him luring out Sparkle in Heaven Is A Place On Earth and his conversation with Acheron in the Nihility is indicative of that.

• "But you sell as many people as I do, you don't go by what they say. You feel it, how the deal is going. And after a while I knew this woman didn't care anything about the Automobile Club. Maybe the husband did, but she didn't. There was something else, and this was nothing but a stall. I figured it would be some kind of a proposition to split the commission, maybe so she could get a ten-spot out of it without the husband knowing. There's plenty of that going on. And I was just wondering what I would say to her." 

Phyllis, like in the movie, had been hiding her true intentions of talking to Walter in their first conversations, always saying things that she didn’t actually mean. In a similar vein, Aventurine consistently says stuff but almost never truly means any of it, which is all part of his façade.

• "And I could feel it again, that she wasn't saying what she meant. It was the same as it was the first afternoon I met her, that there was something else, besides what she was telling me. And I couldn't shake it off, that I had to call it on her."

When discussing the murder plan with Phyllis, Walter makes this comment, kind of like how Aventurine seems to operate in a way where he has a plan, but is ready to improvise and think fast when needed.

• "And then it's one of those things where you've got to watch for your chance, and you can't plan it in advance, and know where you're going to come out to the last decimal point."

Remember the roulette wheel line from the movie? In the novel, the gambling metaphor that Walter makes about the insurance business goes on for two paragraphs, mentioning a gambling wheel, stack of chips, a place with a big casino and the little ivory ball, even about a bet on the table. Walter also talks about how he thinks of tricks at night after being in the business for so long, and how he could game the system. Needless to say, insanely reminiscent of Aventurine.

• "You think I’m nuts? All right, maybe I am. But you spend fifteen years in the business I’m in, and maybe a little better than that, it’s the friend of the widow, the orphan, and the needy in time of trouble? It’s not. It’s the biggest gambling wheel in the world. It don’t look like it, but it is, from the way they figure the percentage on the oo to the look on their face when they cash your chips. You bet that your house will burn down, they bet it won’t, that’s all. What fools you is that you didn’t want your house to burn down when you made the bet, and so you forget it’s a bet. To them, a bet is a bet, and a hedge bet don’t look any different than any other bet. But there comes a time, maybe, when you do want your house to burn down, when the money is worth more than the house. And right there is where the trouble starts." • "Alright, I’m an agent. I’m a croupier in that game. I know all their tricks, I lie awake thinking up tricks, so I’ll be ready for them when they come at me. And then one night I think up a trick, and get to thinking I could crook the wheel myself if I could only put a plant out there to put down my bet." • "I had seen so many houses burned down, so many cars wrecked, so many corpses with blue holes in their temples, so many awful things that people had pulled to crook the wheel, that that stuff didn’t seem real to me anymore. If you don’t understand that, go to Monte Carlo or some other place where there’s a big casino, sit at a table, and watch the face of the man that spins the little ivory ball. After you’ve watched it a while, ask yourself how much he would care if you went out and plugged yourself in the head. His eyes might drop when he heard the shot, but it wouldn’t be from the worry whether you lived or died. It would be to make sure you didn’t leave a bet on the table, that he would have to cash for your estate. No, he wouldn’t care."

Returning home from the murder, Walter attempted to pray, but was unable to do it. Some time passed and after speaking to Phyllis, he prayed. Aventurine presumably hadn’t done the prayer ever since the day of the massacre, and the first time he does it again, he does it with his child self.

• "I went to the dining room and took a drink. I took another drink. I started mumbling to myself, trying to get so I could talk. I had to have something to mumble. I thought of the Lord's Prayer. I mumbled that, a couple of times. I tried to mumble it another time, and couldn't remember how it went." • "That night I did something I hadn’t done in years. I prayed."

Phyllis in the book is much more inclined towards death than her movie version, even thinking of herself as a personification of death. She’s killed ten other people (including infants) prior to the events of the novel. Something to keep in mind as Aventurine had mentioned several times that he attempted to kill himself in the dream, plus his leadup to his “grandest death”. Just like Phyllis, he’s even killed at least a few people before, though the circumstances of that were less on his own volition and more so for the sake of his survival (i.e. the death game in the maze involving the 34 other slaves where he was the winner and another time where he murdered his own master). Instead of Phyllis playing the active role of Death towards everybody else, Aventurine himself dances with Death with every gamble, every time his luck comes into play. Danse Macabre.

• "But there’s something in me, I don’t know what. Maybe I’m crazy. But there’s something in me that loves Death. I think of myself as Death, sometimes." • "Walter, The time has come. For me to meet my bridegroom [Death]. The only one I ever loved."

Moving on to Ratio:

Walter says several times that it’s hard to get along with Keyes, and how he says nice things after getting you all worked up. A hard-headed man to get along with, but damn good at his job. Sound like someone familiar?

• "That would be like Keyes, that even when he wanted to say something nice to you, he had to make you sore first."  • "It makes your head ache to be around him, but he’s the best claim man on the Coast, and he was the one I was afraid of."

Keyes sees Walter as smarter than half the fools in the company. Ratio can only stand the company of Aventurine in regards to the IPC.

• "Walter, I'm not beefing with you. I know you said he ought to be investigated. I've got your memo right here on my desk. That's what I wanted to tell you. If other departments of this company would show half the sense that you show—" • "Oh, he confessed. He's taking a plea tomorrow morning, and that ends it. But my point is, that if you, just by looking at that man, could have your suspicions, why couldn't they—! Oh well, what's the use? I just wanted you to know it."

After going on a rant about the H.S. Nirdlinger case (Phyllis’ husband) and how Norton is doing a horrible job, he ends it by saying that it’s sheer stupidity. “Supreme idiocy”, anybody?

• "You can’t take many body blows like this and last. Holy smoke. Fifty thousand bucks, and all from dumbness. Just sheer, willful, stupidity!"

Phyllis’ former occupation as a nurse is more elaborated on, including her specialization — pulmonary diseases. One of Ratio’s crowning achievements is curing lithogenesis, the “King of Diseases”.

• "She’s one of the best nurses in the city of Los Angeles. […] She’s a nurse, and she specialized in pulmonary diseases. She would know the time of crisis, almost to a minute, as well as any doctor would."

As for the murder scheme, they talk about it a lot more explicitly in the novel. Specifically, Walter mentions how a single person cannot get away with it and that it requires more people to be involved. How everything is known to the party committing the crime, but not the victim. And most importantly: Audacity.

"Say, this is a beauty, if I do say it myself. I didn't spend all this time in the business for nothing, did I? Listen, he knows all about this policy, and yet he don't know a thing about it. He applies for it, in writing, and yet he don't apply for it. He pays me for it with his own check, and yet he don't pay me. He has an accident happen to him and yet he don't have an accident happen to him. He gets on the train, and yet he don't get on it."

"The first is, help. One person can't get away with it, that is unless they're going to admit it and plead the unwritten law or something. It takes more than one. The second is, the time, the place, the way, all known in advance—to us, but not him. The third is, audacity. That's the one that all amateur murderers forget. They know the first two, sometimes, but that third, only a professional knows. There comes a time in any murder when the only thing that can see you through is audacity, and I can't tell you why."

"And if we want to get away with it, we've got to do it the way they do it, […]" "Be bold?" "Be bold. It's the only way."

"I still don't know—what we're going to do." "You'll know. You'll know in plenty of time."

"We were right up with it, the moment of audacity that has to be be part of any successful murder."

It fits the situation that Aventurine and Ratio find themselves in extremely well: For the first point— Aventurine would not be able to get away with simply airing out details by himself, as that would immediately cast suspicion on him. Having another person accompany him who not only isn’t really a part of the IPC in name (as the IPC and The Family have a strenuous relationship) but would probably be able to get closer to Sunday because of that means they can simply bounce off each other without risking as much suspicion with a one-man army. Which is exactly what Ratio and Aventurine do in the conversations they have on Penacony. Secondly — they knew how Sunday operates: as a control freak, he leaves no stone unturned, which is how he became Head of the Oak Family, so their acting required them to give off the impression that a. they hated each other, b. Ratio would go against Aventurine’s wishes and expose him in return for knowledge, c. there were only the two Cornerstones that were hidden. This would give Sunday the illusion of control, and lead to Sunday to lower his guard long enough for Aventurine to take the gift money in the end. The pair knew this in advance, but not Sunday. And thirdly — the plan hinged on a high-level of risk. From breaking the Aventurine Cornerstone, to hoping that Sunday wouldn’t find it in the gift bag, to not telling Ratio what the true plan is (meaning Ratio had to figure it out on his own later on), to Sunday even buying Ratio’s story, it was practically the only way they could go about it. “Charming audacity”, indeed.

An interesting aspect about the novel is that the ending of the novel is divergent from the movie’s final cut and the original ending: Phyllis and Walter commit suicide during a ferry ride to Mexico. The main reason this was changed for the movie was because of the Hays Code, and they wouldn’t allow a double suicide to be screened without reprecussions for criminals. There’s also a bunch of other aspects that differentiate the novel from the movie (no narration-confession as the confession happens in a hospital, less characterization for Keyes and instead a bigger focus on Lola and her boyfriend, the focus on the murderous aspect of Walter and Phyllis’ relationship instead of actual romance, Walter falling in love with Lola (with an unfortunately large age gap attached), etc.)

As for the ending, this wouldn’t even be the first romance media reference related to Aventurine and Ratio where both the leads die, with the other being The Happy Prince and San Junipero (in relation to the EN-only Heaven Is A Place On Earth reference), which I normally would chalk up as a coincidence, though with the opposite line-of-thought I have going on here (and the fact that it’s three out of four media references where the couple die at the end…), I think it’s reasonable to say that Ratio and Aventurine will get that happy ending. Subverting expectations, hopefully.

—

[THE HAYS CODE — LGBT CENSORSHIP IN CHINA]

I’ve brought up the Hays code twice now in the previous two sections, but I haven’t actually explained what exactly it entails.

The Hays Code (also known as the Motion Picture Production Code) is a set of rules and guidelines imposed on all American films from around 1934 to 1968, intended to make films less scandalous, morally acceptable and more “safe” for the general audiences. Some of the “Don’ts” and “Be Carefuls” include but are not limited to…

(Don’t) Pointed profanity

(Don’t) Inference of sex perversion (which includes homosexuality)

(Don’t) Nudity

(Be Careful) Sympathy for criminals

(Be Careful) Use of firearms

(Be Careful) Man and woman in bed together

What does this have to do with a Chinese gacha game released in 2023? If you know a little bit about miHoYo’s past, you would know that pre-censorship laws being upheld to a much stronger and stricter degree, they had no problem showcasing their gay couples in Guns Girl Z (Honkai Gakuen 2/GGZ) and Honkai Impact 3rd, with the main three being Bronya/Seele, Kiana/Mei (admittedly the latter one is a more recent example, from 2023), and Sakura/Kallen. Ever since the Bronya and Seele kiss, censorship in regards to LGBT content ramped up, causing the kiss to be removed on the CN side, and they had to lay low with the way they present two same-sex characters who are meant to be together. They can’t explicitly say that two female or male characters are romantically involved, but they can lace their dynamics with references for those “in the know” — Subtext. Just enough to imply something more but not too much that they get censored to hell and back.

So what I’m getting at is this: The trouble that Double Indemnity had to go through in order to be made while also keeping the dialogue of Phyllis and Neff as flirtatious as they could under the Hays Code among other things is quite similar to the way Ratio and Aventurine are presented as of now. We never see them interact outside of Penacony (at least up until 2.2, when this post was drafted), so we can only infer those interactions specifically until they actually talk without the fear of being found out by Sunday. But, there’s still some small moments scattered here and there, such as when Aventurine goes near Ratio in the Dewlight Pavilion Sandpit, he exclaims that “the view here is breathtaking” (he can only see Ratio’s chest from that distance) and that Ratio could “easily squash [him] with just a pinch”. Ratio then goes “If that is your wish, I will do so without a moment’s hesitation.” Not to mention the (in)famous “Doctor, you’re huge!” quote.

It’s not a coincidence that Ratio and Aventurine have three explicit references to romance media (Double Indemnity, Spellbound, Oscar Wilde’s The Happy Prince), possibly even four if you take the EN-only Heaven Is A Place On Earth as a reference to Black Mirror’s San Junipero. It’s not a coincidence that the storylines or characters of said references parallel the pairing, from surface-level to deep cuts. It’s not a coincidence that the CN voice actors were asked to “tone it down” by the voice director when it came to their chemistry. It’s not a coincidence that Aventurine has only flirted with (three) men throughout Penacony, even referring to a Bloodhound NPC as a “hunk of a man” inside his thoughts, all the while ignoring Himeko and Robin when it came to their looks — women who are known across the cosmos with a myriad of adoring fans. There are so many other so-called “coincidences” related to the two that you could make an iceberg just based on versions 2.0-2.2 as well as content miHoYo themselves have put out on social media. They absolutely knew what they were doing, and were trying to get their point across through subtle means — the extent they went to with the Double Indemnity reference while also keeping it under wraps from a “surface” level point of view is proof of this — the implications are there if you take the time to look for them, and are simply hard to ignore or deny once you do find them.

—

[CONCLUSION]

This was supposed to be short considering the other analyses I’ve seen were also pretty short in comparison, but I couldn’t get the movie out of my head and ended up getting carried away in the brainrot. I hope you could follow along with my line of thinking, even with the absurd length of this post, and the thirty-image limit. I tried to supplement context with some links to videos and wiki pages among other sources wherever I can to get around it.

I will end it with this though — the love in the movie turned out to be fake and a farce, going off track from what was a passionate romance in the beginning because of the murder scheme. Meanwhile, the whole reason why Ratio and Aventurine can pull off whatever they want is because of their immense trust in one another. What was initially shown to be distrust in the Final Victor LC grew into something more, for Ratio, someone who would have never put faith into mere chance and probability before this, put his trust in Aventurine, of all people.

TL;DR — (I get it, it’s over ten thousand words.)

Not only is the relationship between Neff and Phyllis represented in the deception and acting side of Ratio and Aventurine, but the real and trusting side is shown in Neff and Keyes. They have a fascinating, multi-layered dynamic that is extremely fun to pick apart once you realise what’s going on underneath the bickering and “hatred” they display.

Many thanks to Manya again for making the original thread on the movie. I wouldn’t be here comparing the game and movie myself if it weren’t for that.

By the way, I really do believe that Shaoji totally watched this movie at least once and really wanted that Double Indemnity AU for his OCs. I know exactly how it feels.

—

Other points I'd like to mention that didn't fit anywhere else in the main analysis and/or don’t hold much significance, have nothing to do with the Penacony mission, or may even be considered reaching (...if some of the other points weren’t). Just some potentially interesting side bits.

Phyllis honks three times to signal Neff to go for the kill. That, and the three gunshots in the confrontation. Aventurine is all about the number three.

The height difference Aventurine and Ratio have going on is close to Phyllis and Neff’s.

Phyllis had killed her husband’s previous wife and went on to marry Mr. Dietrichson, pretty much taking the wife’s place. Aventurine killed his previous master, and had taken certain attributes from him like his wristwatch and the rings on his hand and the “all or nothing” mantra.

When calling Ratio a wretch (bastard), Aventurine smiles for a moment. This is exclusive to the EN, KR and JP voiceovers, as in CN, he does not smile at all. (Most definitely a quirk from the AI they use for lip syncing, but the smile is something that’s been pointed out quite a few times so I thought I’d mention it here.)

Sunday specifically says in the CN version that he knew of Aventurine's plans the moment Aventurine left the mansion, meaning that he realized he had been played the fool the moment Ratio and Aventurine talked in Golden Hour

In the description for the "All or Nothing" consumable, teenage Aventurine says this specific line: "Temptation is a virtue for mortals, whereas hesitation proves to be a fatal flaw for gamblers." According to Ratio, this is Aventurine's motto - he says as such in Aventurine's Keeping Up With Star Rail episode. Note that in the anan interview he explicitly says he does not have a motto, and yet Ratio in the video says otherwise. They definitely have to know each other for a while for Ratio to even know this.

A big reason why Neff even pulled off the murder scheme in the first place was because he wanted to see if his good friend Keyes could figure it out, the Mundane Troubles Trailblaze Continuance showcases Ratio attempting to teach the Herta Space Station researches a lesson to not trust the Genius society as much as they did.

In Keyes’ first scene he’s exposing a worker for writing a policy on his truck that he claimed had burnt down on its own, when he was the one who burnt it down. Ratio gets into an Ace Attorney-style argument with the Trailblazer in Mundane Troubles.

Neff talks repeatedly about how it won’t be sloppy. Nothing weak. And how it’ll be perfect to Phyllis, and how she’s going to do it and he’s going to help her. Doing it right — “straight down the line”. Beautifully ironic, considering what happens in the movie, and even more ironic as Ratio and Aventurine’s scheme went exactly the way they wanted to in the end. Straight down the line.

[odysseus-crewmate-number38]

ppl who say “why didn’t odysseus just leave calypso’s island” are my number one opps

[danandfuckingjonlmao]

“omg we’ve been there” “omg this happened there” “omg this hint is an in joke that only applies to us” “omg even though i made this to challenge you and know all the answers i’m gonna help you get them right” WHY DID THEY COUPLEIFY GEOGUESSER I DIDNT EVEN KNOW THAT WAS POSSIBLE

[ratatatastic]

the things ekky has done or said that i cant stop thinking about. the 4 minute cut.

[rowanthestrange]

The Media Overanalysis (O)Mega Essay: Why Rogue Is The Bad Guy. Duh.

Code Mauve. Sorry, you’re a mutual and directly responded, so now you get The Post. It was bound to be someone eventually, and it was you. It’s nothing personal. You were just the first to dare my parapet.

@icantleave replied: rogue definitely isn't the master because the master is simply incapable of cosplaying someone this genuine and unlike himself, his disguises are always essentially very him with a few traits hidden or amplified.

Either there is a psy-op and Disney aired a different version of this or a solid quarter of you got brain broken by American Mr Darcy- no don’t try and run, get back here. The only running you’re doing is this essay equivalent of a 10k.

You are intelligent. All of you. And yet what the hell does this mean? “rogue definitely isn't the master because the master is simply incapable of cosplaying someone this genuine and unlike himself”

We’re going through this episode. All of it. This is not actually an ‘it is the Master’ post, it is a ‘but at the very least he sure acts like the Master would’ post, which is the above premise. But also just in general that Rogue is The Bad Guy.

Take it as the Master cosplaying Jack; a Pantheon member whose theme is Roleplay who like the others has watched the show and is deliberately filling the void daddy created and getting in by cosplaying the Master cosplaying Jack (has to be doing both to be skilled at Roleplay ala Maestro and the Toymaker’s skills in their areas, else he’d just be shittily cosplaying Jack); or literally he is just baddie Chuldur #6 fanboy who wants to bang the Doctor he saw on TV cus he’s sexy and they get Doctor Who out there as well as Bridgerton. All the concepts are adjacent:

Baddie fanboy roleplaying as Jack to fuck-slash-fuck-with the Doctor.

Places people. Let’s take it from the top:

-We start with a scene showing someone (Chuldur #2) who wants to roleplay as the bad guy because that would be fun.

-(Bonus: the writers talking about themselves - “Wonderful party, your Grace.” “Some are saying best of the season. A triumph. A new standard set. And I, of course, could not comment. But I think the real estimation of an evening is in the matches made.” I quite agree.)

-(We are also in Tredegar House, which you may recognise from The End Of Time, Spyfall, and other times in New Who. We like this place.

-There is electronic interference in Ruby’s earpiece. The Doctor scans this and finds it’s coming from Rogue. The Master is a frequent user of manipulative electronics both towards other people and to disguise himself. Put a pin in this, it’ll come up at the end. ✅

-The Doctor meets Rogue to the backing of hit pop song, Billie Eilish’s “I’m The Bad Guy”. The Master is a famous lover of fun pop, and being obvious to an oblivious Doctor. ✅✅

I wrestled with iMovie at midnight to put the lyric subtitles to this video and you are going to watch and appreciate it:

[If at any point you want out of this essay, all you have to do is come back to here and watch this video again while singing in your head along with the lyrics to receive a passing grade.]

-They deliberately work the lines around the music, not just thematically but so you can clearly hear what the backing song is. And made sure they kept the scene going long enough all the way into the next section just so they could keep the line: “I like it when you take control, even if you know that you don't, own me, I'll let you play the role, I'll be your animal.” Fuck’s sake. Most Thoschei song. Interchangeable freaks.

-Rogue is critiqued by the Doctor for not acting appropriately broody enough. The Master well known for being a fairly shit actor. ✅

-That is an American accent. This is a red flag for either being a Pantheon member, or the Master Dressing For The Occasion (which Rogue certainly has).

-“Do you practise in a mirror?” - him roleplaying would mean literally yes.

-“I didn’t know the Duchess employs a court jester.” - Alexa please search every time the Master has called the Doctor some derivation of clown. ✅

-“O…Kay…Rude. Lord-?” “Not a Lord.” Our last outing with the Master was all about his psyche-destroying discovery of being made from the Not-A-Time Lord Doctor; and if he is Pantheon The Rogue roleplaying as the Master, then just chef’s kiss line. But I will be magnanimous this early in proceedings, and let you go ‘technically a valid meta read is saying that conforms he’s not a Time Lord’. But the paragraph stands.

-He calls himself Rogue:

1. noun: a dishonest or unprincipled person. "You are a rogue and an embezzler" Similar: scoundrel, villain, reprobate. 2. noun: an elephant or other large wild animal living apart from the herd and having savage or destructive tendencies. "a rogue elephant"

If it’s the Master then straight up naming himself “The Bad Guy” is on brand. The Master is a Rogue Time Lord. That is what fandom has long called them - ‘Rogues and Renegades’. The Master is shite at names, if you haven’t had the pleasure of the Third Doctor’s company yet. Shitty anagrams, tenuous links to goals and character aspects, and crappy puns are the standard ✅. If Pantheon, then his choice in lifestyle that’s more about personally having fun (ultimately still Doctor compatible), with a group, in a non-competitive game which has no win condition other than enjoying the game, though rip to the NPC’s being played with as character, would definitely put him somewhat apart from the wreaking havoc on the universe others. If a Pantheon member, he literally did choose his own name from D&D.

-Just generalised throughout: Rogue is not actually suave. Some people find his secret awkwardness under the posh gear charming. The Master is not suave and is awkward, but desperately tries to style it out like he is anyway, that’s just his character. ✅

-We kinda feel like we’re going into some Karny Shobogony kind of cave area, we’re not, but just for the hitting home that this is another Upper Class Gallifrey mirror for the season. You don’t need to think the Master’s involved for this, don’t worry, wasn’t in Dot And Bubble was he, but that was a clear enough mirror. A person appearing as a servant forces their way up the social ladder. If you like some mirror play and are really deep in your TC ‘what kind of person would name themselves Master’, you’re having fun. Also I can’t see that type of death lightning without thinking of Simm!Master. Costly effect, but we went with it, and it does add some panache.

-Chuldur #5 is roleplaying Emily (this is used both in her disguise and out - potentially playing the same ‘character’. We’ll come back to this too, explore more later), who will be something of our Master this evening in the Gallifrey mirror if you’re going in for it. Also coincidentally is half the mirror pair with Ruby to the Doctor and Rogue. “Emily, please-” “But you consume me sir. I think of you every waking hour and I hate myself for it!” yeah we know babe… Anyone else hearing Dhawan!Master’s “I cannot bear that”?

-“I love these old skies” - all the stars makes it arguably sound more like a Flux reference rather than just light pollution. And we all know what event by who triggered that off.

-Finally we get more lines from Rogue, this has all been very one-sided. “Do you never stop chattering?” - a frequent refrain of the Master, who, fun fact has told the Doctor to shut up in every incarnation in New Who (and probably Old but this is the trivia I have) ✅

-If Rogue is supposedly wanting to stop the bad birdies, real weird he doesn’t give an appropriately flying fuck about the mysterious lone shoe. And simply says “I suggest look for the other shoe” like it doesn’t matter with a shrug. Because the Master is stupid and shite at keeping in-character. ✅ Makes sense if he’s on the bad guy’s team though. Also Cinderella. Noticing themes in today’s mirror subtext.

-They find it plus corpse. “And you knew. You didn’t even flinch.” Actually wrong, the Doctor can’t see behind him but we can. Rogue doesn’t flinch at the shoe, or coming up to the body, but when the Doctor says it’s the Duchess, Rogue does a slight ‘oh’ lean back, and then a sigh with a bit of a slump. To me this reads as a ‘oh you fucking idiots’ for doing it this blatantly, but I won’t mark it, cus you could argue that ultimately maybe a bounty hunter might care more about the death of the duchess in particular and sigh about it etc. (Or he is Pantheon roleplayer getting annoyed his gang can’t stick to a character and risking the outline going off-track and more bodycounty). “And you knew” - Rogue doesn’t keep eye contact but closes his eyes, opens them immediately up and a little to the side, thinking of what to say next style. ((This specific circumstance he couldn’t have known about prior, cus the murder happens while he’s inside))

-“This is a murder far beyond the technologies of planet Earth. It could only be done by someone brilliant.” “And monstrous.” [-horny flirting tone looking him up and down] “And ruthless.” “And contemptible.” Both: “You.” He is the Master and in with the bird gang. No bounty hunter with a heart of gold is calling the murderer brilliant because also, may have been easy to miss, but the Doctor hasn’t done anything brilliant yet unless you include owning a scanner and briefly infodumping about constellations. That is a Master talking about himself kinda line. ✅

-The Doctor thought Rogue was a murderer who was calling himself brilliant, and it only made him more horny, and proceeded to dance along with that little two-step. If I’m Master-brained, what’s he? Cus he’s usually only into one murderer. If that guy had snogged him instead of pulling the gun they’d have fucked right then and there, that scene has so much sexual tension that should not be there.

-Edit - courtesy of @katoska: “#though dimensionally transcendental pockets would explain where he'd hidden that big gun in that form fitting outfit.” - And why wouldn’t you have given him one of Jack’s guns, they’re all smaller? But they made Rogue a huge one.

-“So who do you think I am?” “I know you’re a Chuldur.” “The shapeshifters? Ha, I’ve heard of them. I’ve never met one,” *tilting head back towards Rogue and smiling* “Unless I have.” Please, if nothing else, come out of this thinking at minimum he is bad birdie Chuldur #6. Maybe we’re rewriting Frobisher. Heavily, heavily rewriting.

-“[his ship] cloaked behind that shed.” Calling the TARDIS a shed. It was Three that technically said it but the Master has repeatedly expressed his disdain for our beautiful police box before so that’s a Master-fitting line, be it intentional disdain or not yet. ✅

-Won’t call it a point, but he tells us he is a bounty hunter sent here to find them for the money. (Note: not kill - at the very least a bounty hunter would be bringing back the body to get, you know, the bounty). Aside from being a cheap and easy backstory it’s evidently morally bad, for all the Doctor literally goes ‘that is so…cool’ - which is absolutely not his usual position on bounty hunters.

-The thing he uncloaks the ship with? Same thing that controls the traps. How multitool. How sonic screwdriver. Or Laser screwdriver TCE as you prefer.

-His ship is a bird. It has wings, two eyes, and a beak. He is with the birds. He is The Bad Guy ✅. He is using and familiar with the bird ship; or at the insane alternative a TARDIS that completely disguised itself both outside and inside as neighbouring bird ship. There is no good guy answer for why he is in a bird ship. We never ask how the birds got here. But it was probably the bird ship. Bird ship.

-Meta so I can’t give it a point cus it’s beyond our scope but: “Oh you’re the Duchess! Of course, I should have scented you.” Not immediately recognising one of your own species when you should have sensed them thank god that’s not a mirror.

-His ship has an angular console in the middle of it with mirroring angular shape above it, the same taste in decor as the Master does with a TARDIS, like it’s almost designed to put you in mind of one, cute. ✅

-“This place is a mess.” Dhawan!Master’s TARDIS house and console room proper were a massive mess, these guys share housekeeping habits too. ✅

-“I live alone.” The Doctor notes this sort of ship would be piloted by two. Aw sad. Except he’s lying, he’s obviously lying, because he has dice on the table and he’s not playing D&D in his bird-shaped ship alone or with only two fucking people, is he? You need a group. Maybe of Bird roleplaying enthusiasts. Liar. Bad conduct. And failed to remove the evidence that contradicted the lie - dumbass Master behaviour. ✅

-Rogue declares “You’re a killer.” And the Doctor goes “Oh well,” before trying to sonic himself out of the situation, without actually defending himself against the charges. Maybe doesn’t feel the need to. For some reason.

-“What do those things do?” “It’s a trap. Triform on.” Now that could easily be a Master when he’s being sexier line, complete with his classic dumbass behaviour of declaring to the Doctor that something’s a trap before actually springing it. ✅

-He says he is going to send the Doctor to the incinerator. Why? ‘Uh he’s a bounty hunter’ Yeah. So why would he burn the evidence that would get him the money? Can’t just rock up and say ‘I dealt with it I pinkie-promise’.

-The Doctor attempts to sonic his way out of the trap before it finishes charging. Rogue says immediately that it’s deadlocked. The one thing that stops a sonic screwdriver. You can’t deny, that is the level of forethought the Master would manage to scrounge together. ✅

-Rogue scans the Doctor’s gadget, allowed in cus it doesn’t recognise it as dangerous device (oh the old ‘temporal grace field’ in the TARDIS, that’s a nice little mirror), and apparently the scans say it’s a screwdriver. I can’t prove this is a lie, but even we don’t think it’s a screwdriver, the last one with 14 literally was so much not a screwdriver it couldn’t unscrew screws, so unless it connects to the system with the name 15_screwdriver_1 again, feels too convenient. But a toxic Doctor fanboy would be able to identify what it was.

-I don’t know why we have a Sonic Monocular scene that cost us money and effort to produce when we could have just glanced across the table, but since all things that cost money in production have a reason, maybe the laser screwdriver style object we pan over? Point of interest but not a countable one, and either way the main argument is aligning character traits not convincing you he literally is the Master.

-“Roll for insight”, he cracked a smile, so surprising it uncloaked the Doctor’s full Scottish accent. This is the first positive character trait we have seen. We are just shy of halfway through the story.

-Telling the Doctor to “Roll for insight” after he sees the dice, is a dungeon Master’s instruction.

-of course he likes D&D, he plays it with the birds on the bird ship, he’s sent the birds he plays it with off out to continue the game in Bridgerton, he’s being their dungeon Master in real life too

-Seriously if you think Rogue is genuinely just a good guy bounty hunter and we should believe that uncritically, why would they tell us he likes roleplaying in D&D so much he picked his name from it? He roleplays. That’s one of the very few things we know about him. Why not chess? Or Minecraft? He could have liked Tetris? Why would he like roleplaying in the episode about roleplaying if him roleplaying isn’t relevant?

-The Master too adores roleplaying while also not being that great at it. Just putting that out there.

-“And it says that you’re wired for sound!” *sonics* ‘I Just Can’t Get You Out Of My Head’ by Kylie Minogue plays. *Rogue looks up in full wide-eyed uh-oh then turns to the Doctor* “Now this is a surprise.” - I mean, yeah, it is actually. I mean why would there be such anachronistic music playing in a ship owned by a guy from…well funny I guess he never said and the Doctor never asked. Well from a species like…well alright uh guess we didn’t do that either. Said ‘planet Earth’ that’s a pretty alien way of phrasing it. “Hey but in the Whoniverse Britney Spears’ Toxic is a traditional Earth ballad”, and maybe usually I’d let it go, but this is the second anachronistic bit of music we’ve heard, and the third we hear later is even more pointed to draw your attention to it. No. It’s weird. You know who it wouldn’t be weird to though? Our pop loving Master! And that’s the most Thoschei Thesis Statement song in Kylie’s repertoire! ✅ (Or Pantheon sharing daddy’s Spice Girls thing for 90’s pop). The Master would also absolutely have forgotten to delete his playback history before all this and pull an ‘oh shit’ face not from embarrassment but cus he knows this looks fucky because he doesn’t have a poker face he’s an idiot that panics the second anything in his plans ever goes wrong. ✅

-The Doctor mouthing: “Boy your loving is all I think about.” A sentiment that’s cropped up multiple times now this episode. Also in a Master mirror. Mhm. It’s a sickness babes.

-But hey we’re up to two positive character traits for Rogue so far - likes D&D and Kylie (both anachronisticly).The Doctor was willing to follow him out and blow him in the shrubbery for less, and honestly, respectable. “I just have a crush on prettyboy American Mr Darcy” is a defence, not a good one, but still.

-The Doctor and Master with one turning the music on and the other trying to turn it off would be a scene, you can imagine it, don’t lie, you’re imagining Missy and Twelve right now. (I think for annoyer-and-annoyed Three and Delgado could go either way depending on the episode. How appropriate for them.) ✅

-Also Rogue attempting to snatch the sonic screwdriver from the taller Doctor’s hand as he plays keep-away. Bitchy, gay, very character-breaking with the rest of the episode, deeply funny. The Master would. ✅ Then gathering himself, putting on the I’m In Charge voice and holding out his hand for the Doctor to hand it over and he does. (Huh, have you guys as a whole watched Delgado? Is this what creates the ‘the Master would never’? Cus actually if you’ve not seen these two just be a bit silly with each other and think that’s just fan characterisation that would actually explain a lot. Eh, but Missy and Twelve(/Clara) have some silly too, if not Three and Delgado level. Hm, to ponder).

-Psychic paper would also not work on the Master and he would say “it says ‘you’re hot’” to fluster the Doctor. Also we know he’s lying about it saying that, because he’s the one saying he’s seen it written, yet immediately follows up as the Doctor babbles with, Rogue: “Is it ‘you’re hot’, or I’m hot’?” Rogue would know which word was written the funny ambiguity is only from the non-seer’s side on hearing the other person say ‘you’re’. ✅

-“Suits you, flustered, it’s a good look for you.” Finally we get some fun confidence - which only appears the second he actually gets an upper hand with the Doctor on the back foot. Like someone else we know. Also yet again we have the phrase “a good look” for you in this episode all about shapeshifting. The phrase is applied to Rogue by the Doctor, to the Doctor from Rogue, and among the birds to each other. It establishes an equivalence between them, which is odd if Rogue is supposedly the only one not shapeshifting and roleplaying.

-The boss thing, callback to the Meep. Again this isn’t a ‘convince you it really is the Master’ thing, it’s character analysis that their traits overlap and he is a bad guy. But since we’re here, the Master is often technically working for someone else he intends to double-cross while thinking he’s ahead of them (nearly every time incorrectly), and we know he is/will be involved with the Pantheon — given this guy is a dice rolling gameplayer, the Master gambling and losing to the Toymaker, just vibes like it’d be out of order and future toothening imo — while there’s nothing to say our hidden ‘The Boss’ is Pantheon, I’m gonna Occam’s Razor and assume both those plot threads tie together, and for now that’s a reasonable way to explain how the Master got involved with the Toymaker at all.

-“I’m just so trigger happy.” Literally a Master line, and one we just had: “Oh, shoot. I should've said, somebody needs to cut you down to size, then zapped you. I was just trigger-happy. I'll use it next time.” ✅

-Floating Doctor heads literally the Master’s nightmare. Literally literally but I can’t remember where from and ‘master nightmare floating head doctor who’ gets you about as useless information as you’d imagine.

-Look. Rogue goes from confidently being about to kill the Doctor. The Doctor forces the scanner to show some other of his faces with the psychic paper, does his whole speech saying he’s “not a Chuldur. I’m something much older and far more powerful. A Lord of Time from the lost and fallen planet of Gallifrey” (this is a special surprise that will help us later) “Now, let me go, bounty hunter. We have work to do.” It is cringe, it is up himself and lording over others which is nearly always punished, the Doctor uses his special Deep And Majestic voice, and our stoic confident Rogue is suddenly wide-and-starry-eyed and breathily says, “Wow.” In the fakest response I have ever seen. Sadly I am not allowed more than one video. But oh my God, if you need a refresher it’s 18:14. And if you think it isn’t fake, yes you need the refresher.

You can’t be buying that OwO “Wow”. You think that was the turning point? I know I’m supposed to provide better analysis, but the writing is cringe, the acting is completely counter to what it was a moment ago for both parties, is over the top, and you think a bounty hunter would do a 180 from that?? Why?? ‘Oh you’re showing me the faces you’ve been before, yeah, I know, you’re a shapeshifter’. Nothing in the scanner says he’s a Time Lord, just the words from his mouth, why would he not be lying to save his own skin? And again, what would a Time Lord mean in the universe now? Who gives a shit, if you know what they are you know they’re all dead and reasonable shot you’re happy about that. Failing even that, Rogue is working for the same Boss as the Meep - if the word Time Lord rang a bell it’d be cus Fourteen caused problems last time ‘bring him to me’, surely. “Wow” uwu so cool! Really??? Nothing, not a thing Rogue has done so far, indicates he would be “Wow” to that. Not a damn thing.

Fakest response I’ve ever seen - Groff is actually a good actor so it’s supposed to be fake, at least one of the writers is award winning and may well be both, and Ncuti went out of his way to make it look like unnatural arrogance that doesn’t fit with the previous acting choices either in this scene or the whole show so far. So either all these people were crap at their jobs, or, it’s supposed to smell like bullshit. Would the Master look exactly as fake going “wow” because his character needs to have the heel-turn now? Yes ✅. And that you pulled this speech in front of him would complete its vast circle of cringe and roleplaying.

And what happens next? We cut straight to Ruby and Cosplaying Chuldur #5: [Giggling] “We can’t keep hiding like this!” You guys are smart, don’t pretend you’re not smart, if you follow me you know how good writing works, and are choosing to ignore the meta and mirrors and themes of the episode in a way you wouldn’t with a normal Rusty-written one that you’d sit and deeply analyse. Different writers yes, but smart and capable and award winning ones. These aren’t two disparate stories smushed together, they’re the same story in different keys, that’s the Rule One here.

Continuing, Ruby tries to convince High Society Lord- Lady that she doesn’t have to marry another Lord but could be a normal person, and then the Lady says “I’ll marry someone lesser, and smaller…it may not be love but perhaps a kindly smile at dinner…and then a shared grave” cus she doesn’t want a normal person, that’s what Ruby wants her to want, she wants to marry her kinda shitty Lord. Because that’s what this fantasy roleplay is all about.

Okay essay portion over we got out of hand, bullet points, re-engage.

-A motherfucking owl hoots, with the subtitle “owl hoots”, while Rogue recloaks the giant bird ship, giving us a second look at it again, making sure we get the full distance shot and shimmery cloaking effect to highlight the wings if they get lost in the shadows. Rogue. Is with. The birds. It’s a bird ship. There is no good guy explanation for the bird ship and its D&D equipment that can only be used by multiple people in our episode about obsessive-roleplaying birds.

-Rogue has now packed. ‘What?’ Rogue has now packed. He is now carrying a small bag, cross-body strap over his shoulder. We will not use anything from this bag or see him access it or acknowledge it at all. He’s just brought it with him. Perhaps like he knows he’s not going to be going back to the ship again. Curious.

Dice Bag propoganda post

-“You ready for this?” [low tone] “It’s not my first shed.” - woah woah woah, where’s all the sparkle of a minute ago babes, I thought you were ‘OwO wow’, if you know what a Time Lord is you know what a TARDIS is, but you’re not excited no mo? Or he’s doing it to deliberately make the TARDIS inside reveal cooler in contrast because he knows how much the Doctor likes this moment.

-“O my God” - haha namedrop. This happens to be Mastery behaviour cus this is just the Dhawan!Master pretending to be O entering the TARDIS scene. You were catfished by this before, come on babes. ✅

-“Come with me, and we’ll be, in a world of pure imagination…” - what are you imagining babes? Are ya roleplaying son? Cosplaying? Engaging in a bit of the old fantasy right now. No? He’s just feeling in a chocolatey kind of mood? Uhuh.

-“I’m in love!” - Now isn’t this a 180 on the character? From so reticent and ‘most serious man on earth’ to loudly declaring his love for the ship. Which just so happens to be the Doctor’s number one kink. And what does the TARDIS do in response? She growls. Rule one basic storytelling - the new boyfriend is evil, we knew cus the beloved dog growls at him. Rogue said he was in love and she growled. Gave Jack a bar, an ensuite, and let him tinker with her insides. But to Rogue she growls. Baddie. ✅

-The TARDIS lights are in a red-and-white checkerboard pattern. Our dimensionally transcendental TARDIS is literally a 5d chessboard. I won’t count it, but come on.

-Speaking of dimensionally transcendental, that’s exactly what Rogue called her. Yet didn’t anticipate a TARDIS thirty seconds ago. It takes work to argue he knows about dimensionally transcendental spacetime ships but not know of TARDISes that Time Lords travel in, but does know enough about Time Lords to be dazzled by them when he clearly isn’t of earthly Lords. Much easier to go ‘eh’ keeping the story straight when you’ve got extra knowledge you’re pretending you don’t have, but also need to come across as intelligent, is hard. We’ve all played D&D or at least Let’s Pretend. It’s hard. Lying is hard.

-After a quick “and so clean” back-and-forth, Rogue runs up the stairs, hand on the bannister and leans on the railing. The TARDIS growls again, louder, like a whale. Like she did in the episode with the Not-Things, and with The Maestro. (Arguably her ‘Pantheon’ noise?) Both of them notice. Rogue’s expression immediately turns from an awed open-mouthed smile to blankness, with a head tilt and turn, slowly coming back. “What was that?” The Doctor claims indigestion and she doesn’t like bounty hunters. Not true of the ones with hearts of gold. We’ve seen her with Jack, and River, and she adores them. “It’s the moral void - no offence.” So you’re admitting it. Stating it directly. He’s not got a heart of gold, the omnipotent spacetime ship can see that he’s a moral void. That is what you have said. ✅

-“And this, from the ancient and fallen world of Gallifrey…Where the hell is that?” *buzzer* Wrong. You tried to be clever and aren’t - that wasn’t the line. The line was ‘lost and fallen’ not ‘ancient and fallen’. Oh but Gallifrey is ancient though- *buzzer* He says in the same sentence he doesn’t know of Gallifrey. And yet, he got all wide and starry-eyed over a Time Lord, when he is saying he knows nothing about them. Why? Because he can’t keep his character straight pun intended, which is a character trait of another undercover ex-agent we know. ✅

-“Well I might take you one day.” - bananas response by the Doctor for multiple reasons. ‘I’ll take you to my lost and fallen homeworld’ ok what? Second, Fifteen has for once been very open about his loss in this regard, said repeatedly that it’s gone, and how much it hurts him. Said it to Ruby, to Carla, to complete strangers. But here he’s out of character. Why? Maybe he’s roleplaying one that doesn’t hurt. Maybe because he thinks it’s the Master and is fucking with him. But I’m going with the roleplaying and saying what this character feels. Fucky from the Doctor rather than Rogue.

-“In a few minutes it will no longer be a deathtrap, you are welcome.” [Rogue casually] “Why, what does it do now?” This is all important but also pause to reflect for a moment on whether the character we saw up to this point would have handed his essential survival and work gear to a shapeshifter who claimed to be a Time Lord with zero proof and let him just modify it however. ‘He’s just a very trusting bounty hunter, is all.’ I mean he wasn’t at the start of all this though, was he.

-Doctor boundaries: I can’t let you kill it, “So instead we will transport it to a random barren dimension, no-one to hurt, no way back.” Passing over the obvious, the Doctor is the one programming this. We agree we’re probably not literally installing a randomiser onto the device, we’re just randomly picking one and assigning those coordinates. How do you know it’s barren? Oh the TARDIS is dimensionally transcendental we just reminded people, so she can probably see, she’s picking it. Ok. …So there’s no reason she wouldn’t have a record of what she set it to. That’s information we should have. Ok. Which are the letters Rogue says. Ok. What about your bounty job? Not even a response to the no-killing? Or that this seems worse if anything? No. Just ok. We’re saying that a lot in this episode. Ok. Just going along with things. Ok. I know what that word means. Ok.

-“Who did you lose?” “How do you know?” “Cus I know.” Cus we covered this earlier actually when he mentioned the usually two-person’s for captaining an asteroid hopper. Forgot? No worries Rogue, been a long ten minutes. No attempt to make a proper backstory just stares at the Doctor like a cow looking at an oncoming train and goes, “There was- …Yeah. We travelled together, we had fun, you know. And then a day came along, and at the end of that day…I lost them.” Now if this was the Master you’d be saying no shit he can’t provide details and only parrot what the Doctor always says in these situations, he is a moral void, bro has one friend and only knows what it’s like to love that one friend obsessively, he can’t even empathise enough to improvise a backstory that feels realistic. Maybe only lies have details but you can argue my guy didn’t even commit to a gender. It’s also a valid read to assume he’s just short on words at losing his fellow they/them bounty-hunter crook friend. Maybe the OwO Time Lord thing is enough to make him open up a little even if the Doctor’s done nothing to earn that trust yet. But both work just fine, if it was the Master it’d be how he’d do it. ✅

-“What about you?” The Doctor’s expression hardens here. Maybe cus it just hurts. Maybe for other reasons. [coldly, we linger on him] “I lost everyone.” Rogue still with too-wide-cow-train eyes . “But at the party I saw you with that woman...” That tone. And how we immediately wave his ‘Best Friend’ aside. Look, again it’s a watch the scene. These two are good actors, they’re excellent. And down to the ‘huh’ head tilt before Groff’s line with every microexpression he is radiating a guy playing a role while still trying to poke his roleplaymate in his open wound with a stick. There has never been just one layer in anything in the show so far why would it start now in the episode about cosplaying people to death do you part, why? Why?? The one mirror everyone can accept is Captain Jack and he was literally a con man. This is a con man you are being conned. If you look at his face and think he’s being earnest you are extra weak to con men do not give strangers your credit card details. Didn’t you have jerk friends? We all had jerk friends. That is the expression the jerk friend made when they were just asking questions *blink* *blink* don’t get upset. Or Groff is a garbage actor. But he isn’t. Just the character he’s playing is crap at acting. Go back and watch O, the cow-eyes are textbook liar, any liar, but especially the Master ✅. They’re doing a scene, it is diegetic. The acting is diegetic.

-“You don’t have to stay a bounty hunter, [beat pause] Rogue.” You can say it’s just cus he knows Rogue isn’t his real name but the Doctor’s usually fine with that sort of thing. “You could travel with me[…]the worlds I could show you…” “And what if I like what I do? Would you travel with me?” “That is quite an argument. ((No it isn’t he doesn’t like bounty hunters)) I’ll tell you what, when we both get out of this, let’s argue across the stars.” This is the Doctor and Master scene, we do these scenes every incarnation all the way since half-share in the universe, you don’t have to think he’s the Master but we know these lines damn well are. ✅

-They nearly kiss but the TARDIS cockblocks them with a beep of being finished with the rewiring, because again, she doesn’t like the moral void, and does not want the Doctor to stick his dick in it. And what does the Doctor say as he steps back from their almost kiss? “The trap is ready.”

-[Rogue is sans new bag for the indoor scenes here, I believe this is just a costuming error that happened from them probably reshooting the dancing a bajillion times, it will come back when they’re back outside again and in every subsequent scene onwards]

-They meet back up with Rubes and Roleplaying Chuldur #5. Ruby asks a very good question. “Ok, but what does anyone get out of killing these people? I mean I know they’re posh nobs and all that, but we found the housekeeper dead. I mean why would anybody do that?” And the Doctor, instead of saying ‘it’s how they steal their bodies they’re shapeshifters’ says the meta-important answer first. “The dance. The drama. The emotion.” THIS IS ABOUT GALLIFREY. High society here is a mirror for the aforementioned fallen Gallifrey. The Master didn’t just genocide the Time Lords, he killed every Shobogon/lay-Gallifreyan without Child-stolen regenerations, he killed every TARDIS, every living thing on the planet. Why? The drama.

-“It’s cosplay. All of this is cosplay.”

-The Doctor turns to a non-plussed looking Rogue and says: “You said that a Chuldur comes to a planet and tries on people like outfits just for the fun of it.” …Wh- when? When did he say that?? (I’m being facetious - he doesn’t). Also does that seem rich coming from the ‘multiple costume changes per episode’ Doctor? Mirrors.

-(If the background music here is Vitamin String Quartet I don’t recognise it unfortunately. Fun Fact, I used them exclusively as background music for my own wedding, cus I thought it’d be fun for people to try and guess the songs if things got boring and it’d be a conversation starter. Ate my wedding cake to Poker Face. We like resonating with the universe here.)

-“Those TV signals beam out across the stars.” “What are these T-V signals?” I can’t add more than one video, so if you’re not willing to take the description on faith it’s 24:45. But watch Rogue here. He slightly turns to her with a little glare and that exact same frustrated little sigh he did with the Duchess corpse earlier. Dungeon Master’s stupidest soldier? Cus you’d think if he was annoyed she was being anachronismatised (real word), he’d have given the Doctor the shut up glare but doesn’t give him bother for it at all. Maybe he’s just a conflict averse bounty hunter. But that’s what the Master would have done, he has low lackey/idiot friend tolerance. Both reads valid. ✅

-The Doctor dances, we know what that’s a metaphor for and what episode it’s from. Good thing Rogue knows all the moves ahead of time.

-Just putting the reminder here cus there’s no clear place - I go with Master because Dungeon Master, I’m A Bad Guy, the mirrors *gestures at everything above* etc. but mostly because this is a deliberate attempt to cosplay Jack. Thus it requires someone who has watched the show. The Pantheon, the Master seems like a good bet, however, could admittedly be Chulder #6 (and they’re just supposed to be a very strong but purely mirror for the Master) and because of their different dimension-ness has watched the show on TV and has figured out how their self-insert is gonna bang the Doctor. But one way or the other, our baddie here has seen Doctor Who The TV Show in the same way the birds watched Bridgerton and this is an intrinsic part of this that shouldn’t be separated. That we have a fanboy who is deliberately cosplaying Jack and invoking him and references to that episode is important.

-Rogue: “So what is this ancient Earth tradition of cosplay?” No-one said it was ancient (twice now), no-one said it was Earth, no-one said it was tradition, even Ruby had to clarify ‘so you mean it’s literally dressing up and playing at Bridgerton?’ Rogue almost certainly already knows what it means. And we know the birds do. This is our baddie having fun. Because as the Doctor says next: “Oh, Rogue. It’s when fans dress up as characters that they like.” (Point to Pantheon, because roleplaying the Master would be dressing up as a character from Doctor Who that they like).

-General note again: both prior to but especially 13’s era really spent some subtext time building up the whole ‘The Doctor’ and ‘The Master’ are roles they play. If you know you know. We’ve been continuing on Chibs’s themes. Just reminding.

-The Doctor takes the male i.e. leading position judging by the other couples visible. As per traditional Thoschei.

-Lights dim in our usual diegetic/non-diegetic playing that we’ve been doing. Soft point to Pantheon - remember if The Rogue’s theme is Roleplaying it must be a double bluff for him to actually be being skilled at it, and he is cosplaying the Master cosplaying the Doctor, with the conceit that the Doctor gets this but not that it’s someone cosplaying the Master, thus he’s winning. If he is Pantheon this is the only potential evidence of fuckery besides having brought non-native-dimensional creatures into ours, which we do have other explanations for.

-“We need to have a big fight so one of us can storm out and the Duchess follow us.” “The Chuldur cosplay, not me.” Mhmm. You had D&D dice. But regardless if you buy that, we have now spontaneously swapped from engaging starry-eyed Personality B, back to Personality A: strong and silent.

-“How dare you my Lord! You would ask me to give up my title? My fortune? But what future can you promise me? *Rogue shaking his head, not good at deviations from the script, nor is the Master fwiw* ✅ “You cad! Tell me what your heart wants, or I shall turn my back forever!” “I…” Fifteen whispers, “Say anything.” If you are not internally writing the pre-show Doctor/Master fanfiction I cannot help you. Jo describing the Master like a jilted lover or whatever the hell it was. But at least here, with admittedly a little open-mouthed smirky smile, Rogue gets down on one knee and offers his ring. (From non-marriage hand, 4th finger, don’t completely see him pull it off but he was wearing it in the dance scene). If we are re-writing history with this cosplay, which given the Doctor’s reaction he certainly seems to consider it meaningful, that’s definitely what the Master would do here. ‘This is what I wanted you to do back then.’ ✅

-Obviously the Master has used that sort of flat-topped large round ring before, we’ve had the callback to it with the red-nailed woman and the tooth just recently. The insignia is not entirely decipherable. Most default I’ve seen is an angel (Master coding, especially if we’re wearing it upside-down hoo), I’ve also seen a ‘rod of asclepius with 3d coiling tails’ (A Doctor fanboy who has come prepared for this moment), and just plain bird of some kind given the little wings.

-The Doctor says a very genuine “Sorry I can’t- …I ca-” and runs off. (Which definitely happened the first time). This almost certainly isn’t River trauma, Twelve wore the implied wedding ring until it fell off when he regenerated. And we’re just supposed to be making a scene and this is an obvious way to do it - he’s already nearly kissed him and invited him, the Doctor put relationship on the cards, and could easily still be haha fun joke but you are still coming right? If it was just Yaz Making Everything Feel Like Touching A Hot Mind Stove then the near kiss feels like that would have been included in the trauma reaction. So presumably engagement based triggering specifically. Probably not from Cameca either. That had cocoa involved.

-Rogue seems a little surprised at this reaction. Fair all round, the Master might not have expected it either, but also the sort of thing a fanboy might not have been able to pre-empt - it wasn’t in the show after all.

-They actually join back together almost immediately and they run outside, so it wasn’t that overwhelming.

-“Oh, we must play them!” - no ‘aha’s’ from the peanut gallery, we already saw the birds can potentially not recognise each other in costume, and in the baddie camp (bird ship, he’s in a bird ship) we can be pretty sure that Rogue didn’t arrive here looking like Mr Darcy since none of the others were pre-costumed and just nicked people when they got here. (number 2 shows they didn’t pre-organise characters - “nice costume”). If Chulder #6 - nicked a guy. If Pantheon - conjured himself a bespoke Darcy form. If the Master potentially still body-stealing or simply we’re cloaked - remember the electronic interference from the start that pointed the Doctor to him specifically rather than the Chuldur? Dhawan!Master previously cloaked himself, plenty of scope there. (Why would the Master need to cloak? If the Doctor’s already familiar with his form. Either from other plans or the fact that, well, there’s a world where this could literally still be Dhawan!Master.)

-The Master nicks bodies by the way, for New Who-onlys. We haven’t actually done it for a while, and for earring interference reasons I don’t believe we’re doing it now, but it’s actually a Classic Who staple.

-“Now keep the Duchess talking, a Chuldur is strong, and if she starts to change you it won’t stop.” First, now that’s a meta, second, do we want to add a sketchy point for the gendering of the Chuldur? Cus we’ve seen one of them explicitly say they’re fine with different bodies (‘oh I wanted to be the Duchess’)? Hm. It’s an assumption on thin ice but I’ll allow it. We don’t ask Rogue why he knows so much about the Chuldurs considering they’re different dimension beings. There are non-problematic options there to be sure. But will say that Dhawan!Master was previously messing around with different dimension beings hoping to find out if they were what the Doctor was, got trapped in their dimension at the end, and these ones are literal shapeshifters. If it is the Master, he has plenty of reason to be here with them and know a lot about them. ✅ If he is a Chuldur, well, obvious reason.

-[Rogue now has his bag back on. This is why I believe it’s a costuming error it wasn’t on indoors just then - the TARDIS and real outdoor areas were obviously filmed in very different times and places, the fact the bag travelled to both is suggestive that it was clearly supposed to be a part of his outfit at this point. BTS: the indoor and outdoor scenes were obviously filmed at different times, (3 weeks of night shoots oof) they’re not actually walking in and out of the building. But it’s also a deliberate costuming addition after the ship because he wasn’t wearing it in the night scenes where he’s holding the Doctor at gunpoint or anything. Tl;dr - no bag before the “Wow” heelturn in the ship, carries bag after.]

-There’s not one but multiple of the Chuldur shapeshifters. A ‘family’ according to Rogue. (Who are playing two characters that are getting married. Oh Doctor-Master mirrors, never change). Something you’d think would be on the bounty hunter note - are you just getting paid for the first one? Can you claim extra if you make multiple runs? These are important questions. Or not.

-“I want to be the Doctor.” …How does she know it’s the Doctor? ‘Uh, the Duchess was introduced to him earlier.’ Yeah. The Duchess. Who died. Childur 1 was still the housekeeper when that happened. She knows who the Doctor is.

-Doctor-Master inverting with the “Run.” “I’m the one who usually says that.” Our beloved theme returns to us. Of course maybe it’s just the cosplaying self-inserting whatever could be any baddie by which i mean really only Pantheon or Chulder #6. Bird ship. The Master was literally cosplaying as the Doctor the last time we saw him, like physically in the Doctors clothes. And probably underwear. Does anyone in this essay smoke weed?

-“Breaking spines! Removing tonsils! Live vivisection!” Gallifrey Time Lords mirror previously engaged, re-engage plus Timeless Child. But we uh haven’t had them do any of that stuff yet and they already suck people dry (don’t. I think it’s meant to be a kind of bolus, if you know your birds of prey) so I don’t know why this line is here. Actually maybe I do - now they’re roleplaying playing scary beasts hunting prey, doesn’t mean they’re actually going to do any of those things. Removing tonsils stands out. …We have a rogue (can’t say that now. Odd?) line from Ruby at the beginning about falling over in front of a fit dentist, the Master’s in the Toymaker’s gold tooth, tonsils feel adjacent, it’s almost certainly just funny, and it is, but if that bangs any bricks together in someone’s head go to town.

-I think the “breaking spines! removing tonsils! live vivisection” line is there to showcase that they are roleplaying Baddies. Because while murdering, they have done literally nothing like that, and it’s the sort of silly thing a child would say when playing a monster trying to think of the nastiest things a monster could do). “We still have the big finale wedding to come. And then… London. We can play our games on a magnificent scale. Parliament first, then royalty. I can be King. And we can start wars with the French and the Spanish and the Portuguese, and everyone who doesn’t look British.” This is their spitballing Season Two. As another point to all being one character and that them being Secret Monsters may be accounted for in the game - Emily is always called Emily whether humanning or in bird form.

-The Doctor and Rogue hide in the carriages. (Matilda style). If you’re building that pre-show Thoschei story, hiding from Time Lords in a TARDIS was probably already there, but if it wasn’t, now it is. Or hurr durr hiding in a carriage is funny I don’t know.

-“Back to the house. We must advance with the wedding! That should get them out of hiding.” …Bestie? What does that mean? Why would that get what we were led to believe that you believe are ‘two random interesting people one introduced to you earlier as the Doctor’ out of hiding? They have skedaddled so as not to be eaten by birds, right? They’re gone, lassie, why would they come back? …Unless she already knew who a character called the Doctor was before they were introduced? And that the Doctor’s M.O. will bring him back? Cus they’ve been watching more than one show.

-We modify the transporter: “I can make this transport gate carry four.” “What if there’s more?” “Right…Six. Six maximum.” How convenient. Personally don’t feel that worry is realistic for the character to have (while acceptable to write), and that if Rogue was as he was originally portrayed, he would be saying “Worst comes to worst, I could always…” *lifts jacket* *Doctor has brief moment of distracted horniness* “Nobody is going to be shooting anybody.” But he’s so perfect pacifist for the Doctor so quickly, I guess he just never would. Of course if he’s on their side, especially if also a Chuldur, he’s not wanting to kill any of them.

-Also feels like a Dungeon Master-whisper in the ear the Doctor just goes with: What if there’s more birds? *sets it to 4* What if there were more. *immediately sets it to 6 skipping 5 entirely*. (We talked about Missy’s comment of there always being a way out being potentially meaningful re: the Master’s traps for the Doctor; and counterbalancing the Doctor giving them a way out ‘come with me don’t be evil’. This would be a fun thing to do with that. Trying to create and order a good story and satisfying conclusion based on the Doctor and other players’ choices - pure DMing work at its finest.).

-“And I thought I was interesting. A bookish little wallflower risking it all for a secret love… But you. You are wild, and brave, and rude, living a life of adventure” again you don’t have to be team Master to enjoy the Gallifrey mirror. The potential in these mirrors for the Master is mmm gorgeous and I’m so here for it. Going back in time to when One ran away with Susan and slapping him for not proposing because he would have come with you, we could fix the universe, we-

-Question, cus I’m bored and this has become sort of a general analysis essay: When the birds transformed there were at least some people inside who screamed, you hear them. …Why is the party still here and going on and everyone’s chilling. Eh maybe Dot And Bubble explained that. Or maybe it was delayed screaming at seeing the gays. That’d be a Time Lord mirror. A marriage proposal probably gets you arrested for public indecency.

-The birds speak English, French, and German. Or at least a few words thereof. Multidimensional telly and I’m surprised it’s got foreign channels? How anglocentric of me. *shakes head*.

-“This is the endgame, Chuldur’s leave no witnesses ((yes they do they just abandoned bodies everywhere)), they’ll slaughter everyone.” If he’s not a bad guy then why, why the fuck, did he spend about fifteen minutes fucking around and not shouting “If we don’t stop the Chuldur they’re going to massacre everybody the second they stop having fun! Yeah, I’m bringing the gun!” like you mention this now??? Of course he mentions it now, he’s building dramatic tension because he is like our favourite dramatic bitch. ✅

-R:“I’m sorry.” 15:“They got her.” Ruby cosplaying as a Chuldur cosplaying as Ruby (see you thought my Pantheon cosplaying as the Master cosplaying as Jack was too much - we did double-layering in the episode itself) enters the room. Rogue gives his line but immediately turns away and watches only the Doctor and his reaction (who stares for a moment then gets up and walks away). Autism collective that we all are, this:

is not an expression of someone whose heart is breaking for his new friend. Just so we’re clear. Which is an odd choice for a new love interest - no sympathetic pain, eyes closing, not even a pat on the arm. He’s just observing what the Doctor does, and then gets up and follows the Doctor out. ✅ If he’s a good guy (he’s not, bird ship) you’re not selling him well. And if he’s a bad guy turning noble, he doesn’t have that part down yet. (Also Rogue said he’d tried looking for Ruby but they’d locked the doors. They manage to get through the section they’re in just fine. YMMV. Not enough on its own imo).

-“Madam. Your Grace …Your Birdiness. I cannot sanction wedlocke…between creatures from Hell.” They let the vicar be the one with the banger line, damn. Only one with a spine. Dead obviously but getting a high-five from some angel out there. (Me turning that into a vicar’s reaction to being asked to wed the Doctor and Master, whatever the fuck they are.)

-Speaking of which, here we explicitly see a Chuldur kill a man and copy his outfit but not his face. The Chuldur. Have no difference. Between body. And clothing. *flashback the Not-Things, and Fourteen regenerating* If you weren’t sure they were mirrors, you should be now.

-“How long do they live for?��� “Chuldur?” “Mhm.” *Rogue comes up from behind to stand alongside him where he can see him.* “They have a lifespan of about six-hundred years.” “Good, good. That’s a long time to suffer.” A slight negative in ‘this can be validly read as the Master’ behaviour, because this yields only a tiny expression change of a slight raise of eyebrows, not a wild-eyed smile, and I don’t think the Master’s been able to restrain himself that well since he was Delgado. God what that man could convey with an eyebrow. Also we’ve all agreed that the funniest thing is that the plan doesn’t even change, he just knows how long their torment will last now and is happy about it, and if you ever need to explain the horror underpinning the Doctor it’s that.

-Now this is a hell of a thing to reveal about yourself to your brand new love interest and companion. That you’re down for some serious torture. Thirteen went well out of her way to be a monster only when they couldn’t see her. (Works nicely as a soft threat though. ‘If you’re involved with killing mine, I will torture you til you die or the sun does’. Good to have boundaries in a relationship.)

-“Taste his inhuman scent.” - A) Nice double-meaning line considering *gestures above*, B) Confirmation she knew earlier the Doctor wasn’t human, and so combining that with the belief he would come back if they started the wedding…

-“And I am one of a kind.” “He is quite unique…” Hold this in your mind we’ll be back to it in just a minute. *

-The birds immediately recognise the transport trap, by name, and that there’s only one third of it. Which would make a lot of sense if Rogue and the birds’ ship are the same bird ship so they’ve seen it before. Can’t be that they’ve encountered Just A Bounty Hunter Rogue before - he ‘didn’t know’ there was more than one, there’s no visual recognition, and previously it led to an incinerator not something escapable from.

-That we don’t see presumably Rogue placing the other traps, not even a glimpse of someone shuffling in the background, is to me extremely interesting. Not only like with the Carla flashback scene, playing with the unseen, but perhaps critically that this certain someone might know where the cameras are…

-Were you going “why don’t they just take their shoes off” when they got stuck in the triform? Well makes sense that they didn’t now, right?! Cus we know now there’s no difference to them between their clothing and their skin! …Admittedly Ruby…hopefully is fine and as human…well maybe not human…hopefully she’s whatever she was at the start of the episode. I, uh, maybe would mark that down as a concern though.

-Ruby’s chemistry with Lady roleplaying #5 was rewarded by attempted murder as Emily sought to turn into her. That happens a lot here. Let’s not worry about them as the partner mirror for Doctor-Rogue. Or what just happened with Dhawan!Master and 13. If you consider ‘Poker Face’ to be obviously meta-relevant here but ‘I’m The Bad Guy’ not earlier, question yourself.

-* I told you we’d be back. “She smells like a Chuldur.” “Idiot! It’s a false scent from that cheap psychic jewellery!” - The Doctor smells unique but this doesn’t mean they aren’t palling around with the Master. We’re specifically given a reason for this to not be an issue and well, I guess that would explain why she gets earring interference when Rogue’s around huh? If they’re using the same technology. (Same goes for a Chuldur faking being a human etc.)

-Do I believe the Master could perform a fireman’s lift to yeet #5, yes surprisingly, he is actually physically strong, a fencer, rower, and it’s been noted before. (Ainley’s six pack haunts me still). Dhawan!Master in particular has lugged corpses. It’s only running he doesn’t do/have stamina for. However, do I think he would risk it in-situ just for cool points? Don’t know. However, for this free bit of mental torture to work, the final bird has got to be in the enclosure. If it’s not all or nothing, then of course the Doctor would release Ruby. To get the Doctor to have to choose either to kill his companion or the world? He would carry the earth like Atlas. ✅

And that’s what he immediately proceeds to do with no hesitation. ✅

“Doctor, press send. We’ve only got one chance.” “I can’t.” “Press. The button.” *The Doctor openly, loudly panicking* “It will send Ruby!” “No, Doctor, it’s fine.” “NO! No! No! No!” “If you don’t press send, the Chuldur will escape and Ruby dies anyway.”

The Rogue that you think is real is not doing this. Is not convincing the Doctor to kill his companion. He is taking out his gun, and shooting the struggling birds while they are still stuck to the glue trap. It’s not a nice thing. But it is the Heart Of Gold thing. But he’s not that. He’s just The Bad Guy. ✅

“They’ll kill us. Then this house. Then London. Then the world. You know that. You absolutely know it.”

He doesn’t. The Doctor doesn’t know a thing about the Chuldur other than that they are shapeshifters and what he’s seen. How does he even know what London is?? And he wasn’t there for the scene where the Chuldur said it themselves.

He can’t have logicked that out. There were a few deaths sure, but one housekeeper and a duchess not only isn’t ‘these are extremely dangerous and fast killing machines’-worthy, that leap doesn’t make sense.

It’s not even true in their possibly-just-roleplay Baddie Plan. ‘And we’ll start wars with x y and z and everyone who isn’t British! Bloodshed, cannons, gunpowder!’, like that is a lonnnnnnng plan. Like I said before this situation is no ‘we don’t have time to run away and regroup’ thing, they’re slow killers, and especially with Ruby with battle mode engaged she at least would be fine. But it’s that taking over London bit. Very specifically. He claims he hasn’t met them, doesn’t know how many there are, he’s not admitting to any prior knowledge of these guys. So the only way he comes up with that line is if he already knew what they wanted out of their campaign in the first place.

They have not yet proven any more dangerous than any human gunman, in fact less, they clearly can’t spray bullets, they kill one at a time and so far only people they’ve wanted the appearance of in some way. They have been in rooms crammed with people who survived the encounter. Are you going to have to leg it to the TARDIS to regroup? Yes. Would people die? Sure. But probably not her, she’s fast and has a battle bot controlling her movements. Multiple posh nobs have died already and we only got a little sad over the housekeeper. Our hearts will survive. The one putting the pressure on the situation is not the Chuldur. It’s Rogue. There is no time limit. No rush. It’s waiting for you to press the button on the Laser TCE- I mean control stick. But Rogue is not giving him a second to think. ✅

*Rogue approaches, step by step.*

“So can you do it?”

GUYS, your supposed hero is TORTURING the Doctor, who is fucking ugly crying his two broken little hearts out. ✅

“Can you lose your friend to save the world.”

‘I am very sane and staring at you in a normal way the normal amount. Choose to kill your friend yourself, or choose to allow the genocide of every person on this planet including her. I want to see you choose, choose, choose.’

“Ok, but what does anyone get out of killing these people? I mean I know they’re posh nobs and all that, but we found the housekeeper dead. I mean why would anybody do that?”

“Remember how we used to run through those streets as children? The alleys where we'd hide from Borusa as we skipped classes? All gone now. Come on, ask me why I did this.”

*Sobbing Doctor shakes his head, making his decision* [quietly] “No.”

*Rogue with hitherto unseen tenderness, wiping one of his tear away* “I know.”

No, he doesn’t! If he is a random fucking bounty hunter he does not in fact know that. He knows because he already knows the Doctor. From real life or from being a bad guy who just kind of likes to watch TV - which actually I guess does describe the Master✅✅

*Rogue kisses him. Because a tortured ugly crying Doctor is hot to him.* ✅✅✅✅✅✅✅✅✅✅✅✅✅✅✅✅✅✅✅✅✅

(If I need to explain why the Master snogging the Doctor here, or the fact that he genuinely loves him in his own twisted way, you can’t be helped, or maybe were just a Ten viewer when you were 8 so missed stuff, and have watched nothing else in the show and just stumbled back in here - go watch Twelve there’s Simm!Master in it for you, and Thirteen’s second series onwards).

Live ‘About To Be Ripped Apart By Murderous Birds In Another Dimension If She Even Physically Survives The Trip’ Slug Reaction. Ruby straight up like ‘well at least he won’t be alone’, babes we’re gonna get you some sertraline, a psychologist, it’s gonna be ok, you’re worthy of life, we’re gonna get you help, we have a therapy circle.

The grin and hoppidy-skip jump Rogue does here when they break for air and he’s holding the Laser TCE/controller is a level of happiness we have yet to see from Rogue. A still cannot do it justice. (40:17 - though if you’re going, may as well watch the whole torturing scene from 39:00). It’s a bit more than a wee smile.

Then Rogue leaps over and knocks Ruby out of the triangle! Something he could apparently have done at literally any time before or during torturing the Doctor to his breaking point!

Why can he do this when she is molecularly bonded to the floor? We don’t know! It’s not explained! But he clearly knows his fucking device doesn’t he?! Why didn’t he tell the Doctor at any point that it would be possible to get Ruby out with a thing called a matter exchange? Who knows?! Maybe it slipped his mind til the last moment? The Doctor being the one to take her place would sure have been an answer, but oh well!

‘Maybe he didn’t want to risk his life for Ruby’s unless he really had to.’ - Then that’s shit hero and love interest behaviour isn’t it! But since it says “Matter Exchange” I’m pretty sure he could also have knocked Ruby out of the triangle using that vicar corpse on the floor a few feet away, then neither would have to die! So he must be real sure he’s gonna be ok! ✅

He’s so happy and chill. The music is happy too. Rogue jauntily throws the bouquet - ahh look who’s next to be married *wink*. This is the happiest and funnest and most genuine he’s looked the entire episode. Almost like he got exactly what he wanted! ✅

“Find me.” *click*

Ruby you’re such a dick, why couldn’t you be as happy as him? If you’d trusted the Doctor to find you instead of you die by bird and/or dimensional anomaly before he got there this could have been such a peppy scene the whole time. It’s almost like Rogue is absolutely certain he’s not going to die doing this. You know I know a character who’s been transported to a different dimension at the end of his episode before and got out of that just fine! ✅

Almost like this was the end of a live D&D session he was hosting. That’s a wrap everyone, great job. Just imagine what I’ve got in store for us next week. Good thing the car transports all six of us together! Well done for not panicking, screaming, or interrupting what I had going on with the Doctor at the end, and trusting this wasn’t going to teleport you into an incinerator. Thanks for playing along, excellent improv as always, I’ll be marking your RP points highly.

And then the Doctor screamed “I’ll find you! I promise I’ll find you!” it was very romantic, and then he got out the sonic and started scanning everything for traces, anything, he was still upset and panicky of course, I mean his new love interest had just snogged him and given his own life to save Ruby’s. But Rogue had believed in him to do this impossible impossible task so he would. So he and Ruby ran back to the TARDIS as fast as they could, maybe she’d picked something up or *gasp* she was the one who configured the trap in the first place so maybe there would be a record of what random dimension she chose! Except she wouldn’t let them access it for some reason and she kept growling and the Doctor was crying with anger and-

No wait, none of that happened, sorry, not sure why I thought it did.

Actually the Doctor went to comfort Ruby and her comfort him, sombrely put the bouquet down where Rogue was. (And left the trap technology behind. So got engaged and invented a glue/tarmac trap.) The Doctor remotely sent the Bird Ship to orbit around the moon, “so it can wait…as long as it takes”. In the 19th century. …Babe, you know they can see the moon, right? They have telescopes. This is a mavity waiting to happen.

(Genuinely choosing not to think about how we last left Dhawan!Master messing about with the two moons in the 1900’s, I’mma be real, I don’t know what was going on and when there, hope it doesn’t fit in actually because I’m not gonna get it. If he’s the Master he turns up, that’s all I ever need to know.)

-“Can’t we use the TARDIS and go find him?” Ruby asks. Good question. If the TARDIS can determine whether a dimension is uninhabited or not that’s definitely gonna narrow it down. Maybe she could outright search for him? If she, you know, didn’t hate his moral void.

-“There are as many dimensions as there are atoms in the universe.” *Ruby arm cuddles* “Anyway! It is what it is, so onwards, fine, next.” So is it ‘as long as it takes’ or are you not even going to try and find him? That and the bouquet really feels like you’re giving him up for dead and just hoping he finds his way back himself some day. It’s not what you were told to do. You can wear that ring and salute the sky with a smile all you like. He said “Find him.” Bad fiancé behaviour.

Cus the thing is, here is the ‘uwu small bean Rogue’ paradox. If this is just a normal guy, he’s not making it back on his own. He’s dying to the birds. The Doctor isn’t looking for him, and Rogue clearly didn’t think he could return on his own - he says “Find me” not “I’ll be back”. So if you believe we’re going to see Rogue again…he’s going to not be a normal guy, but be the type who can survive and make his own way back from a wrong dimension surrounded by free murderous birds. *piano rendition of The Cat Came Back starts playing* ✅

But luckily he’s not normal. He’s a man/bird with so much forethought he knew he wasn’t going to be coming back to his bird ship and took whatever it was that can save him from a teleport trap from the spaceship with him in that bag. Always have a getaway plan. That’s Masterful thinking. Unless you just think he wanted his wallet and keys on him ✅ (Point against Pantheon though - pretty sure being able to move reality around doesn’t require props. But then D&D. Maybe he just likes props.)

-“Doctor, you don’t have to be like this.” “I have to be like this because this is what I’m like.” And in our story about roleplaying, shouting out our longtime theme of the most important roleplaying of all, that we follow a character who’d rather be called Lulubelle playing The Doctor™. Doctor Who is a show.

-The fires whole and reflected and internal everywhere, like our Gallifrey mirror is on fire.

-Final additional literal-meta that may be of interest: the costume designer said Ncuti’s outfit is designed as a nod to Three - the original Thoschei pairing origin. We canonise Shalka!Doctor - famously and frankly exclusively known as ‘that animated one who made a robot boyfriend Master to be his Companion’, with lines in the episode Cornell said was indeed intended to suggest a relationship there and would have continued had that pilot been picked up. Relevant or not we’ll see.

And to all those who read that and yet still think that I am just very cynical and mean, and he really does have a single heart of gold, he’s just got flat affect and is socially awkward and autistic maybe and-

His ship IS A FUCKING BIRD. OWL HOOTS.

🎉 You did it! You read the full analysis! Great job! You passed Media Overanalysis, Rogue Edition. I told you it was a 10K. Look at how much you just read that had already been effectively covered in the first minute with just one thing.

“I’m The Bad Guy. Duh.”

(‘I am now convinced, but do you have a blessedly far shorter essay about why a Chuldur/Pantheon The Rogue perfectly cosplaying the Master cosplaying Jack would be the way to go?’ Why yes I do, strawman.)

Assorted later Additions:

Pantheon!Rogue: Why the bird ship?

Maybe that’s why the ship’s so fucky actually, DM’s love their props, this is about playing D&D In The Real World, so maybe he got one originally, short hop standard Asteroid Hopper. but now they’ve just kept (perhaps Pantheon-magically) editing it over time as the campaign and rule of cool needed. Appearance, better space travel, time travel etc. “It should look like a bird!” “…Yeah! It should look like a bird! Great idea Emily, we’ll work that in!” Of course if he’s a Chuldur this is just…their ship. Maybe classicly upgraded.

What might Rogue’s original plan for the Chuldur’s live D&D Session supposed to have been:

We know they were going to have a big wedding, but maybe that they’re also Baddies going to take over the world muhahaha! Cus they went into that monster-playing real quick and also they said that the panicking and screaming is their favourite bit - so there must have been a plan to include that after the wedding part of the game! They thought the wedding would lure The Doctor out so there must have been nefariousness in it or else why would The Doctor be drawn out? They were playing Baddies! So, thinking like what our lead bird would want for a moment, if you were to DM that, maybe he’s both playing the bounty hunter sent to catch them …But maybe also was going to do an “I Object!” scene too. Their faces in that scene, they’re so excited. Let’s say Rogue doesn’t know the Doctor was coming in advance. He’s already got ‘I’m The Bad Guy’ playing if this wasn’t a live magical edit on seeing him. Oh, maybe that’s why he chose to look like Mr Darcy. Maybe he was going to woo one of them - a good reason to already have the ring. Cus a big wedding can’t go right, that’s not drama, that’s boring. We know he’s probably cloaked - not only do they not recognise him but we have Ruby’s earring interference pointed directly at him (same tech frequency problems?) and even mention the psychic jewellery’s ability to mask a scent with a false one. So he was an NPC just meant to turn up and add some of their beloved drama. So he’d woo a Chuldur, he’ll object and then he would reveal himself as a bounty hunter with his Big Glowy Gun and trap! It was a dastardly trick! You knew he was a Rogue and a cad all along, you just let yourself fall for his deceit! *teleports to ship rather than incinerator* BRO. Even the bird’s D&D plot would naturally be the ‘I was tricking you and am actually your enemy’ twist!

Post-Empire, The case for the Chuldur Phoenix: Rogue being (unbeknownst to himself) the Master cosplaying a Chuldur cosplaying the Master.

[puppyeared]

adhd is when you shoot for the moon but you forgot the rocket fuel and by the time you realize it everyones already on the moon and then you panic and crash into the sun and it explodes

[the-king-of-lemons]

undefined

AND FUCK TWITCHCON

[3-aem]

i really need stsg taking care of each other like so bad.

i do think suguru would be 10X better at it than gojo. He’d make gojo broth or smth when he’s sick and keep him hydrated, vs gojo would probably bring him like a 12 pack of sunny d equivalent and say he needs his vitamins.

[softiedingo]

𝒂 𝗙𝗟𝗔𝗨𝗡𝗧 𝒇𝒊𝒍𝒎 𝒇𝒆𝒂𝒕𝒖𝒓𝒊𝒏𝒈 𝐏𝐄𝐃𝐑𝐎 𝐏𝐀𝐒𝐂𝐀𝐋 𝒑𝒓𝒆𝒔𝒆𝒏𝒕𝒆𝒅 𝒃𝒚 𝐋𝐎𝐑𝐎 𝐏𝐈𝐀𝐍𝐀 (2023).

[catdrawinfs]

woah...goign to think abotuthis for years

[paulmccartneyprostateorgasm]

this is like 13 whole minutes into the video....rude 😭😭

[urmultideadfandomperson]

I DID IT Y'ALL

SHANE'S NOW MY BABY

[editing-tips69]

okay but fr how much is dragon city forking over for these insane sponsorships??