#Jordan Peele’s get out

[clarkarts24]

Jordan Peele movies

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[jellymonstergrrrl]

Daniel Kaluuya in Get Out (2017)

Lupita Nyong'o in Us (2019)

Keke Palmer in Nope (2022)

[hellboys]

GET OUT (2017) US (2019) NOPE (2022) dir. jordan peele

[brokehorrorfan]

Out There Screaming: An Anthology of New Black Horror will be published on October 3 via Random House. It's curated by filmmaker Jordan Peele, who also provides an introduction and serves as editor with John Joseph Adams.

It features short stories by Erin E. Adams, Violet Allen, Lesley Nneka Arimah, Maurice Broaddus, Chesya Burke, P. Djèlí Clark, Ezra Claytan Daniels, Tananarive Due, Nalo Hopkinson, N.K. Jemisin, Justin C. Key, L.D. Lewis, Nnedi Okorafor, Tochi Onyebuchi, Rebecca Roanhorse, Nicole D. Sconiers, Rion Amilcar Scott, Terence Taylor, and Cadwell Turnbull.

The 400-page book will be available in hardcover, e-book, and audio book. The synopsis is below.

The visionary writer and director of Get Out, Us, and Nope, and founder of Monkeypaw Productions, curates this groundbreaking anthology of all-new stories of Black horror, exploring not only the terrors of the supernatural but the chilling reality of injustice that haunts our nation. A cop begins seeing huge, blinking eyes where the headlights of cars should be that tell him who to pull over. Two freedom riders take a bus ride that leaves them stranded on a lonely road in Alabama where several unsettling somethings await them. A young girl dives into the depths of the Earth in search of the demon that killed her parents. These are just a few of the worlds of Out There Screaming, Jordan Peele’s anthology of all-new horror stories by Black writers. Featuring an introduction by Peele and an all-star roster of beloved writers and new voices, Out There Screaming is a master class in horror, and—like his spine-chilling films—its stories prey on everything we think we know about our world... and redefine what it means to be afraid.

Pre-order Out There Screaming.

[chaoticroad]

Get Out (2017) | Us (2019) | Nope (2022)

Filmography: Jordan Peele

↳ @creatorsofcolornet event 19: Black history month

[drchucktingle]

work of jordan peele is BIG influence on chuck this is correct. there are quite a few similarities actually, especially when you consider both of us are coming to horror from place of comedy (i personally do not see tinglers as comedy but obviously this timeline has placed them there and i am perfectly okay with this trot).

we are both creating horror stories for our own historically marginalized groups and in particular, writing stories that are SPECIFIC to those groups.

for example when thinking about QUEER HORROR there is plenty of queer horror where the horror itself has nothing to do with queerness, or the queerness is subtext. for instance you could have a slasher where the main characters happen to be gay, but their queerness is not necessarily part of the fear.

on the other hand, CAMP DAMASCUS is directly commenting on a queer issue

BURY YOUR GAYS is directly commenting on a queer issue

by the same token GET OUT is directly commenting on a race issue

US is directly commenting on a class issue which is, of course, going to be wrapped up in topics of race and marginalization

it should be said that the other kinds of horror where issues of the marginalized groups is more in the SUBTEXT are not wrong. there is a time and a place for that. the book that will likely be chucks next horror novel is about bi erasure, but it is much more about the subtext and symbolism. there is a bi lead, but also a monster that does not seem to be about bi erasure AT FIRST. it is much less direct. so there is a time and a place for both kinds of approaches.

but i think the biggest thing that is similar about jordan and chucks approach (and what has been a big influence on me specifically) is that our goal is NOT: 'how HORRIFYING AND TRAUMATIC AND MESSED UP CAN WE MAKE THIS?'

we are doing something else

processing trauma by exposure can be a common goal for horror AND honestly i think it is also totally dang fine to make art like this. there are some incredible pieces where trauma and tragedy is the goal. however (and i will speak for myself here) when you are coming from a buckaroo community that has been through so much of this trauma in real life, i PERSONALLY find that goal to be a little too boring.

my goal is more like this: how can we use this genre of fear and tension that i love to comment and explore and say something new? how can i pull apart an issue and deconstruct it in a way that is cathartic and maybe even changes minds?

so i cannot speak for jordan but i feel like our approaches are similar in this way. i see a LOT of reviews that make comparisons between CAMP DAMASCUS and GET OUT and i am always very flattered

[filmgifs]

All I know is sometimes, if there's too many white folks, I get nervous, you know.

GET OUT (2017) dir. jordan peele

[caroldanversenthusiast]

keke palmer and daniel kaluuya 🥹

[pedro-pascal]

GET OUT (2017) dir. Jordan Peele

[wizzard890]

WE ARE SO FUCKING BACK

from Variety

[stannisbaratheon]

"[Jordan Peele's GET OUT (2017)] resists neoliberal racism by compelling audiences to both recognize historical forms of racism and experience contemporary forms of racism that are the foundation of real terror people of color continue to face every day in predominant spaces of whiteness. ... [The protagonists] feel out of place, outsiders in the controlled and unnatural suburban environment, allowing audiences to feel the fear generated by the loss of power and privilege." (Elizabeth Patton, Get Out and the legacy of sundown suburbs in post-racial America)

THE BUILT ENVIRONMENT IN MEDIA GET OUT (2017), dir. Jordan Peele — American suburbia

[niallsdaya]

[haveyouseenthismovie-poll]

[sunny-rants]

Mike Flanagan 🤝 Jordan Peele

cramming so many layers into their works that I’m constantly noticing new details and realizing new connections with every rewatch

[sillybadger]

thank god when jordan peele films night scenes he lets us actually see what the fuck is happening on screen

[rodrickheffeley]

in the name of the father (get out 2017), the son (us 2019) and the holy spirit (nope 2022)