Eric Cartman confronts Billy Spunkygal for ruining an ASMR video of Jeff Randell and Breehn whispering trigger words, especially soft spoken.
Cartman: Billy, get your retarded ass over here right now! You are so fucking guilty!
Billy: What the fuck do your fat ass want?!
Cartman: Did you seriously just ruin an ASMR video of Jeff and Breehn’s trigger words! Tell me right now or I’ll beat the shit out of you!
Billy: Yes!
Cartman: Why the fuck would you do that?!
Billy: Because they shouldn’t be doing this! That’s why!
Cartman: So?! That doesn’t give you the right to ruin it!
Billy: So they’re boys, and boys don’t do a mother fucking ASMR! All girls do!
Cartman: No the fuck they don’t t! This is the 21st century, and there are men out there who does the opposite too, retard!
Billy: I don’t give a shit! I want them out of the mother fucking video right now!
Cartman: And why the fuck do boys need to be out of ASMR videos, huh? Huh? Look at me when I’m talking to you! Why the fuck do boys need to be out of ASMR videos?!
Billy: Because it’s only for girls!
Cartman: No the fuck it’s not, you stupid ass piece of shit! I’m so sick and tired of you ranting on and starting sexism towards this video! I am so sick of your retarded ass nonsense! I’m done!
Billy: You better shut the fuck up or I’ll…
Kate Ashby: Am I hearing fighting?!
Billy and Cartman: Yes!
Kate Ashby: What the fuck is going on here?! What the fuck is all that racket about?!
Cartman: I wasn’t even doing anything, and Billy started ranting and sexism about an ASMR video of Jeff and Breehn’s trigger words!
Billy: That’s not fucking true! Eric’s being a fat ass and cannot shut the fuck up over…
Kate Ashby: I don’t care who started it! Eric, thank you for telling me! I will deal with him right away! Billy, I can’t, I seriously can’t! Why the fuck would you ever do that?!
Billy: Because they should be doing this, so that’s why I’m cutting them off!
Kate Ashby: So?!
Billy: So they’re boys, and boys don’t do ASMR! All girls do!
Kate Ashby: Shut up! Just, shut up! Just, shut the, fuck up! Bastard! Not all girls do ASMR, because they don’t have to do it if they don’t want to, you brat! You don’t ever rant on and start sexism towards an ASMR video of Jeff and Breehn’s trigger words! Do you fucking hear me you bastard?
Lucy Smith: I agree with my sister! You should know that ranting on good things and sexism are wrong, really wrong! They’re just wrong, they’re a sin! So stop all of those stupid comments you made, right now!
Billy: No! I don’t wanna stop making true comments, I want Jeff and Breehn to get the fuck out of the mother fucking video, because boys shouldn’t be allowed in ASMR videos!
Lucy Smith: Excuse me young man, but this is 21st century, and there are men out there who does the opposite too, so get the fuck over it and leave them be right now before I tell everyone, do you fucking hear me you annoying little brat?! Also, those stupid comments you made are not true, they’re just belittling, so stop, right, now, before we beat you up!
Billy: I don’t give a fuck! Jeff and Breehn need to be out of that stupid ass video, because they shouldn’t be allowed in there, and that’s final!
Lucy Smith: That’s it! I’m telling everyone about your stupid ass behavior!
Billy: Nooooooooooooooooooooooooooooooooooooo!
Narrator: Later, after Lucy Smith called Peacemakers about Billy Spunkygal’s behavior for ranting and sexism towards an ASMR video of Jeff and Breehn’s trigger words…
Part 1 of this Clip.
This clip appeared in Season 8 Episode 12: GoAnimate Boris vs Kyle Broflovski from Get On The Armor
What’s truly shocking is not the number of films who tried to capitalize on the success of Twilight. The surprise comes when you realize that - despite being a bad film - the original is one of the few to “get it right”. Fallen swaps out vampires for angels and the results are so disastrous it’s a wonder it was released theatrically.
Troubled teenager Lucinda “Luce” Price (Addison Timlin) is sent by her parents to “Sword and Cross”, a reform school for young adults. There, she notices that handsome Daniel (Jeremy Irvine) keeps acting strangely around her. There’s something amiss about him. Luce and her best friend Penn (Lola Kirke) become determined to find out what, though Luce secretly fears he is connected to the strange visions plaguing her.
While initially Fallen may not seem all that Twilight-y, give it time. It’s got the twist on the mythical creatures (if you can call angels that), it’s got the love triangle as Luce contemplates the ever-distant but handsome Daniel and "bad boy" Cam (Harrison Gilbertson). It even steals scenes directly from the 2008 film, like the one where Edward saves Bella from being crushed by an out-of-control car, confirming his identity as a supernatural being in the process. This puts me in the awkward position of - once again - having to defend Twilight and explain why it “works”.
Here’s the thing. Firstly, vampires are not real. Their abilities aren’t even consistent from one myth to the next. It’s fine to make up what happens to them in sunlight. Criticize the romance all you like, but it made sense, in that story, for the decades-old bloodsucker to fall for the plain girl: he can read everyone's mind but hers. You understand the appeal, or at least you see how it’d be plausible. Secondly, Twilight is relatively simple story. Jacob being a werewolf isn't introduced until New Moon and had the first picture not gotten a sequel, you would’ve never been the wiser. Finally, The film ends on a note that’s relatively conclusive. It never became overconfident. So yes, Twilight did some things right. Not convinced? Let's compare it once again to Fallen.
An immediate issue is the picture’s overcomplicated mythology. We’re told that Angels waged a war in Heaven, that some sided with Lucifer, others with God. A select few couldn’t make up their mind and were cast down to Earth (hence the term fallen angels). Over time, they picked sides… all except one, who sided with love. Until they stop thinking with their heart and pick either good or evil, all fallen angels are stuck on Earth. Got that? If not, don’t worry, the film explains it to you twice at the beginning of the picture. It should be easy to understand but then the film confuses you with some bewildering decisions. Of all the names you could’ve chosen for your protagonist, why “Luce”?! It sounds too much like Lucifer. Maybe there’s a revelation in the second, third, fourth or fifth book in the series, but that’s just another problem: this script follows the book too closely. We meet so many characters who serve no purpose or do so little they could’ve easily been trimmed out at no loss. Screen time would've been better spent on scenes that would at least attempt to make the incoming “twist” about Daniel less obvious. We only see Luce attend two classes: religious theology, and fencing. What kind of reform school has those two courses in its curriculum? These exposition dumps are so obvious you’ve got the whole movie figured out long before the ending… assuming you were able to understand that whole bit about the angels and the war in heaven earlier.
About that ending. Director Scott Hicks isn’t satisfied merely leaving us on an incredibly silly-looking action climax. They end the picture with a "to be continued" so unsatisfying you can't believe no one told the emperor they weren't wearing any clothes. This is where I guess I have to give it a bit of credit. At this point, I've invested so much time and energy making fun of this preposterous scenario I want to know how it ends. A sequel will never happen in a million years so I guess that means I’ll be reading the books…
Among the legions of Twilight knockoffs, Fallen isn’t the lowest of the low but it is kind of fascinating. It’s basically a sanitized, Christian version of a story in which vampires were themselves sanitized. It’s not good. It’s not even so bad it’s good, but if anyone involved with the production is reading, I’ll watch the sequel if you shoot it. (On DVD, October 6, 2018)
"The Young and the Restless" 50th Anniversary Interviews: Part 2!
Y&R 50th Logo
The BUZZ had the chance to attend the 50th anniversary celebration for CBS Daytime’s, “The Young and the Restless.” Cast members, current/new/alumni, walked down the red carpet at the Vibiana and relived some of their fondest memories of the show. Part 2 of our interviews continue with this round of stars:
Melissa Ordway (Abby Chancellor) spoke about the shocking Abby/Devon twist,…
A list of season 2 cast and crew members, confirmed and speculated
I will try and keep this updated
Not counting the obvious ones
Please note that this is a list of both cast and crew members, so PAs and such are also included and not just actors
Also if you're interested: on my bts instagram I only follow people who have worked on season 1, and people I suspect worked on season 2. So feel free to go through the list of people I follow if you're into that
A
Aaron Morton (Camera) - he’s listed on the very last picture as the camera-man
Adam Stein(Writer)
Alan F. (English solider)
Alexandria S.
Alison Telford (Casting)
Alistair Gregory - from this tweet so uncertain, but followed me back on my bts instagram account so seems to have some interest in ofmd
Amy Barber (Sound department)
Amy Tunnicliffe
Amanda Grace Leo
Amanda M. (Wedding guest)
Andrea Basile (Costume)
Andres Gomez Zamora (Visual effects)
Andrew DeYoung (Director) - I don’t remember if there was any other reason than the fact that he was in Aotearoa during filming
Andy McLaren (senior art director)
Andy Rydzewksi (Cinematographer)
Angelina Faulkner (Sound department)
B
Blair Nicholson (Camera)
Blair Teesdale (Camera)
Brad Coleman (Visual effects)
Brad McLeod (Special effects)
Brian Badie (Hairstylist)
Bronson Pinchot (“Torturer”)
Bryn Seager - I don’t remember why but I follow him
Bryony Matthew (Food stylist)
C
Caleb Staines (Camera)
Chantel Partamian (Visual effects)
Colin Elms (Art department)
Colin Rogers (Sound department)
Cora Montalban (Makeup and/or hairstylist) - I believe she was tagged in an instagram story once, and she’s followed by a ton of cast and crew members
Corrin Ellingford (Sound department)
Corey Moana (Camera)
Corry Greig (Art department)
Coti Herrera (Prosthetics/Makeup)
D
Damian Del Borrello (Sound department)
Daniel Fernandez (Spanish priest)
Danica Duan (Assistan accountant)
David Boden (production manager)
David G. (Stand in)
David Rowell (Financial controller)
David Van Dyke (Visual effects)
Dennis Bailey (Hairstylist)- Leslie revealed that he’s there.
Dion Anderson (Rescue diver)
Don A. (Swampy Town folk)
Donna Pearman (Assistant accountant)
Donna Marinkovich (set decorator)
Doug McFarlene (Pirate)
Duncan Nairn (Visual effects)
E
Eliza Cossio (Writer)
Erroll Shand (Prince Ricky)
Esther Mitchell (Camera)
F
Fernando Frias (Director)
G
Gareth Van Niekerk (Sound department)
Gary Archer (dental prosthetics)
Gemma Campbell (Visual effects)
Grant Lobban
Greg Sager (Safety manager)
Gregor Harris (Camera)
Gregory J. Pawlik Jr. (AD)
Gypsy Taylor (Costume designer)
H
Haroun Barazanchi (Set designer)
Harry Ashby (AD)
Helene Wong (Voice work)
I-J
Jacob Tomuri (Stunts)
Jaden McLeod
James Crosthwaite (Set decorator)
Jamie Couper (Camera)
Jason Samoa, possibly spotted on location
Jemaine Clement, pretty sure this is only based on his friendship with Rhys and Taika tbh
Jes Tom (Writer)
Jessica Lee Hunt (Makeup artist) - followed by a ton of crew and cast members and I believe she’s been tagged in instagram stories and such
John Mahone (Writer)
Jonathan Bruce (Sound department)
Jono Capel-Baker (Groom)
Jonno Roberts didn’t get the role from his audition, but could still have gotten a different role - hung out with Ruibo
Judah Getz (Sound department)
Julia Huberman (Sound department)
Julia Thompson (Costume)
Justin Benn (Republic of Pirates Town)
K
Karl L. (Action extra)
Kate Fu
Kate Leonard (Casting)
Kathleen Zyka Smith (“Red Flag”)
Kosuke Iijima (Fabricator/Sculptor?) - due to interaction on this post
Kris Gillan (Fabricator/Sculptor)
Kura Forrester - followed by quite a few cast and crew members, but I don’t remember if there was anything else to it
L
Laura Stables (SFX makeup artist)
Leanne Evans (Art department)
Lee Tuson
Leslie Jones (Spanish Jackie) - she’s spoiled this so many times, but gjfhdks
Leyla - followed by a lot of cast and crew members, don’t remember if there was more to it than that
You ate the seeds. I wanted to keep you safe, but you did and there is nothing I can do. They know you know!
A Nancy Drew inspired playlist 🧿 // listen here
🏺↓ tracklist and more down below ↓ 🏺
Featuring:
Poulaki Xeno - Kiki Fragkouli
The State of Dreaming - MARINA
I, Carrion (Icarian) - Hozier
Little Sunflower - Dorothy Ashby
Psyche - Love Spirals Downward
Cassandra - Florence + The Machine
The Sensual World - Kate Bush
As Above, so Below - TomTom Club
Persephone - Cocteau Twins
Fallen Fruit - Lorde
Sowing Seeds - The Jesus and Mary Chain
Kamia Den Miazi Me Sena Matia Mou - Giannis Ploutarhos
Chimaera - Tamta
The Devil - BANKS
Where the Water Clears the Illusion - Melody’s Echo Chamber
Minotaur - Thee Oh Sees
Genres include acoustic guitars and harps, greek tunes, and mythology inspired songs for persephone, part time queen of the underworld
Its nice to be back in a museum! Nancy should just go around from museum internship to museum internship. This time through the whole underground set thing finally made sense to me, its still ridiculous and everything but I understand the in game explanation at least
AISLING, SAOIRSE, and OSCAR LYNCH are the children of Tadhg Lynch and Niamh Kelly. Saoirse and Oscar are twins, five years younger than Aisling. They’ve generally got a good relationship, which is quite the antithesis to their father’s own sibling relationship. The three of them get on quite well, although Saoirse has a tendency to compare herself to her older sister and the twins are a bit closer to each other than they are to Aisling.
GIO, ENZO, and REVA ROVERE-PARSONS are the children of Georgie Parsons and Angelo della Rovere (@potionboy3). They usually get along alright, although the similarities between Gio and Reva can cause them to butt head and both of them are closer to Enzo than to each other. The Rovere-Parsons kids do have a good relationship, which is something their parents tried to foster in them… especially because there’s no extenuating circumstances that can cause too much damage to their sibling relationships.
MILES, JANE, and KATE O’NEILL are the children of Rory O’Neill. Miles is Rory’s son with his late first wife, Francesca Ashby, while Jane and Kate, are his twin daughters with his second wife, Ethel Malinda (@gaygryffindorgal). There’s a fourteen year age gap between Miles and the girls, which precludes a lot of chances for closeness between them during Jane and Kate’s childhood. However, as the girls grow up, their relationship with Miles grows closer and they’re able to find more in common with one another.
MAGGIE, RICHARD, and AUDREY SAPIEHA are the children of Aisling Lynch and Jojo Sapieha (@slytherindisaster). These three, in many ways, subvert expectations. Maggie’s the troublemaker, while Richard, who looks like his maternal grandfather, is the serious and responsible one and Audrey is the carefree animal lover. They generally get along, although Maggie is a bit older than Richard and Audrey. They do have a tendency to bicker a bit, but well, there’s genes from two of the Gryffindorks in these kids.
SETH, NAOMI, and CIARAN O’DONNELL are the triplet children of Conor O’Donnell and Ruth Lyman. Born shortly after Christmas, the triplets generally have a good relationship with one another. Seth, Naomi, and Ciaran are quite close and typically, their relationship is similar to their father’s relationship with his siblings. They’re rather similar to their parents and each other, which can cause some heads to butt. They’re also the youngest of the O’Donnell cousins.
WYATT, JONAH, and ZOEY MACKADE are the children of Nate MacKade and Nova Hartley (@gaygryffindorgal). Wyatt might be five years older than the twins, Jonah and Zoey, and a lot more carefree than either of them ever were, but he’s their big brother and he loves them. Jonah and Zoey love him too, even if they find him too obnoxious. Meanwhile, the twins have a strong relationship that’s prone to bickering as Zoey acts like the big sister and Jonah gets annoyed by it. Wyatt, Jonah, and Zoey love each other a lot, but like their cousins, they don’t always like each other.
LYLA, AMELIA, and TOMMY WHITTEN-MARCH are the adopted children of Thea Whitten and Noa March (@thatravenpuffwitch), although Lyla and Amelia are identical twins. Tommy joined the family last, at the age of four after the death of his father, while the twins, Lyla and Amelia were adopted as babies. Thus, it took them awhile to start forming a bond as Lyla and Amelia are also six years older than Tommy. However, they did eventually have a good relationship and prove that sibling bonds can transcend blood.
ASHER, HAZEL, and HUGH WHITTEN are the children of Jack Whitten and Sage Carridan (@kc-and-co). They have a good relationship, with Asher taking after their mother and Hazel and Hugh taking after their father. Hazel and Hugh have a slightly closer relationship than either of them have with Asher. However, this doesn’t stop a close bond from forming, as the siblings found ways to connect… commonly golf as they often accompanied their maternal grandfather to the golf course.
↳ for @endlessly-cursed’s fankid appreciation event
From Wichita to Dodge City, to the O.K. Corral in Tombstone, Wyatt Earp is taught that nothing matters more than family and the law. Joined by his brothers and Doc Holliday, Earp wages war on the dreaded Clanton and McLaury gangs.

Credits: TheMovieDb.
Film Cast:
Wyatt Earp: Kevin Costner
Doc Holliday: Dennis Quaid
Nicholas Earp: Gene Hackman
James Earp: David Andrews
Morgan Earp: Linden Ashby
Ike Clanton: Jeff Fahey
Josie Marcus: Joanna Going
Sheriff Johnny Behan: Mark Harmon
Virgil Earp: Michael Madsen
Allie Earp: Catherine O’Hara
Ed Masterson: Bill Pullman
Big Nose Kate: Isabella Rossellini
Bat Masterson: Tom Sizemore
Bessie Earp: JoBeth Williams
Mattie Blaylock: Mare Winningham
Mr. Sutherland: James Gammon
Frank McLaury: Rex Linn
John Clum: Randle Mell
Tom McLaury: Adam Baldwin
Urilla Sutherland: Annabeth Gish
Curly Bill Brocius: Lewis Smith
Young Wyatt: Ian Bohen
Virginia Earp: Betty Buckley
Lou Earp: Alison Elliott
Sherm McMasters: Todd Allen
Francis O’Rourke: Mackenzie Astin
Warren Earp: Jim Caviezel
Mrs. Sutherland: Karen Grassle
Frank Stillwell: John Dennis Johnston
Sally: Téa Leoni
Ed Ross: Martin Kove
Bob Hatch: Jack Kehler
Pete Spence: Kirk Fox
Johnny Ringo: Norman Howell
Marshal Fred White: Boots Southerland
Indian Charlie: James ‘Scotty’ Augare
Billy Clanton: Gabriel Folse
Billy Claiborne: Kris Kamm
Judge Spicer: John Lawlor
John Shanssey: Michael McGrady
Dr. Seger: Ben Zeller
Stable Hand: Rockne Tarkington
Mayor Wilson: David Doty
Gyp Clements: Matt O’Toole
Saddle Tramp: Brett Cullen
Danny: Owen Roizman
Gambler: Lawrence Kasdan
McGee: Matt Beck
Film Crew:
Costume Design: Colleen Atwood
Original Music Composer: James Newton Howard
Producer: Kevin Costner
Set Decoration: Cheryl Carasik
Production Design: Ida Random
Producer: Lawrence Kasdan
Executive Producer: Charles Okun
Director of Photography: Owen Roizman
Producer: Jim Wilson
Casting: Jennifer Shull
Editor: Carol Littleton
Art Direction: Gary Wissner
Set Designer: Charlie Daboub
Key Costumer: Barry Francis Delaney
Set Designer: Barry Chusid
Music Editor: Jim Weidman
Supervising Sound Editor: Stu Bernstein
Camera Operator: Ian Fox
Executive Producer: Michael Grillo
Hair Supervisor: Marlene D. Williams
Assistant Art Director: Gershon Ginsburg
Executive Producer: Dan Gordon
Camera Operator: Bill Roe
Foley: John Murray
Script Supervisor: Anne Rapp
Second Unit Director of Photography: Richard Bowen
Set Designer: Tom Reta
Dialogue Editor: Lewis Goldstein
Executive Producer: Jon Slan
Makeup Artist: Francisco X. Pérez
Stunts: Gary McLarty
Visual Effects Producer: Robert Stadd
Chief Lighting Technician: Ian Kincaid
Still Photographer: Ben Glass
Dialogue Editor: James Matheny
Costume Supervisor: Cha Blevins
Foley: Dan O’Connell
Property Master: William A. Petrotta
Supervising Sound Editor: Robert Grieve
Sound Re-Recording Mixer: Rick Kline
Sound Re-Recording Mixer: Kevin O’Connell
Construction Coordinator: Greg John Callas
Boom Operator: Joel Shryack
ADR Supervisor: Jessica Gallavan
Hairstylist: Elle Elliott
Dialogue Editor: Alison Fisher
Key Makeup Artist: Gerald Quist
Makeup Supervisor: Michael Mills
ADR Editor: Joe Dorn
Supervising Dialogue Editor: Bobby Mackston
Key Costumer: Ruby K. Manis
Key Grip: Tim Ryan
Location Manager: Paul Hargrave
Key Hair Stylist: Dorothy D. Fox
Steadicam Operator: Rusty Geller
ADR Editor: Stephen Janisz
Rigging Gaffer: Kim Kono
Dolly Grip: David L. Merrill
Costume Supervisor: Le Dawson
Key Costumer: James M. George
Casting Associate: Phil Poulos
Casting Associate: Elizabeth Shull
Movie Reviews:
GenerationofSwine: Tombstone was a different beast, and that sort of overshadows this, given that one tries to be more accurate and the other goes for entertainment.
Take Wyatt Earp as a biopic and it is a superb and fair film. Compare it to Tombstone which was more of a Western and it’s lacking the flair.
However, it ends abruptly, and it is miscast. Cosner (and i am a fan) doesn’t really make a good Earp. Dennis Quaid who I am also a fan of, doesn’t make a good Doc. This was 1994, in the 80s I might have a dif...
BLACK EARTH RISING: Showcase Edit 02: 9’55 from STUDIO AKA on Vimeo.
One of two montage edits of the work we created for this BBC/NETFLIX series.
Edit 02 (9 mins 55 seconds):
We were invited to create four sequences, totalling nine minutes of animation, as well as the main titles for this live-action drama. Produced, written, and directed by BAFTA award winner Hugo Blick and produced by Abi Bach (The Honourable Woman), Black Earth Rising is set against the background of the prosecution of international war crimes and the West’s relationship with contemporary Africa.
The animation sequences depict events around the Rwandan genocide and its aftermath, imaginatively interpreting violent and tragic events; events where, as one character puts it— “words would fail ” The story centres on Kate Ashby (Michaela Coel), who works as a legal investigator in the London law chambers of Michael Ennis (John Goodman). When Kate’s adoptive mother Eve (Harriet Walter) takes on a case prosecuting an African militia leader, the story pulls Michael and Kate into a journey that will upend their lives forever. Studio AKA director Steven Small designed beautifully rendered hand-drawn sequences to be inserted into four episodes in the eight-part series.
Along with a team of animators, Small drew references from a wide array of source materials, using a combination of 3D, rotoscoping and simple hand-drawn line artwork to create these impactful images portraying graphic events. The resulting imagery is captivating and powerfully wrought.
Steve Small says of the project:
“The opportunity to make imagery for writing as incisive as Hugo’s is rare. The sequences needed to resemble broken memories, be spare in their look and only say what needed saying; generating a fragmented quality that gathers the drawing and artwork together with its restless and unsettling style.” Client The Forgiving Earth Limited Executive Producer Greg Brenman Producer, Writer & Director Hugo Blick Producer Abi Bach Animation Production Company Studio AKA Animated Sequence Director Steve Small