#Legacy software & devices

[stormkeepergu]

This is...

My second sealed Cybiko Xtreme that I just received in the post earlier today! The second I saw it on eBay, I knew I needed to get it there and then, as an opportunity like that – and especially at that price – doesn’t come round that often! I’m going to leave it sealed for now, because I think that if it doesn’t touch any air outside of the seal, the batteries will have a better chance of not…

[skeedog]

Friedman Unveils New Signature IR-J, Capturing the Essence of Jake E. Lee's Iconic Tones

Product Review: Friedman IR-J Dual-Channel Tube Preamp Featuring Jake E. Lee Friedman and Jake E. Lee, known for his iconic work with Ozzy Osbourne, have collaborated to launch the much-talked-about signature model - the IR-J dual-channel tube preamp. This meticulously crafted device promises an exhaustive range of tones encased in a pedal-sized unit designed to fit seamlessly into any guitar player's rig. Key Features - Dual High-Voltage 12AX7 Tubes: The heart of the IR-J is powered by two high-voltage 12AX7 preamp tubes ensuring warmth, clarity, and dynamic response. - Two Independent Channels: Each channel can be foot-switchable offering versatile playing experiences—ranging from crisp cleans to robust overdrives. - Diverse Tone Shaping Controls: Gain control paired with Volume are standard on both channels alongside three-band EQ controls (Bass/Mid/Treble), Bright switch options for added sparkle on Channel one; ensure precise sculpting of your sound. 4.Jake legacy designs blend brilliantly together within this unit--from British voiced cleanness reminiscent Plet amplifiers all way through more aggressive textures when channel kicks intosignature JEL voice territory boasts percussive punch note clarity singing sustain epitomize 5.editorial software Free man edition allowing adjustments power amp simulation characteristics(Thump Presence Low Pass Filter) loading custom-loadedsaving presets MIDI format facilitate integrated play setups 6.additional features Comprise gain structure toggle higher setting tapping‘800’style circuitry low position Increased flexibility performance scenarios Include boost lock function selection between active bypass modes Expand overall versatility product Pros: -Dual independent chanelsprovide unparalleled tonal variety Rugged construction Fit perfectly modern guitarist requirements -Supports intricate tone crafting thanks inclusion comprehensive equalization section further enhanced bright/IR individual contexts or preferencesMade accessible settings via onboard switches dials but also external editor enhances convenience usability aspect considerably Cons: -Priced at $599099 might deter budget-conscious musicians despite value proposition presents owing qualityof craftsmanship inherent noted brand association enduringmaterials used production process could argue justification price point nevertheless remains significant investment some players Customers FeedbackOverall feedback received overwhelmingly positive users lauded intuitive operationabilityfeatures provided built contrasts notably traditionaloriented ensembles necessitating extensive backline gear Prior hallmark renowned its exceptional buildquality authentic sounding emulation capabilities discussions forums social media platforms indicated satisfaction realm customer experience end ARJoudly stands testament joint venture excellence toggling successful collaboration intermingles astute understanding artists' needs nuanced approach engineering marvel Customers hailed seamless integration into their existing setups ease customizable nature greatly facilitated creativeness onstage studio alike Some highlighted effectiveness 'Boost Lock' feature tightening soloshunting fuel argument favor innovation retaining classic analog feel Grievances few far between mainly hovered around financial barrier making inaccessible certain segments market others wished color variation cater aesthetic diversity Stillbalance tilts favour pros delineate acclaim continues garner circles crossing genre boundaries affirming status indispensable tool arsenal discernible musician seeking amalgamate reliability stateart technology vintage charm without compromising authenticity essence music being produced https://friedmanamplification.com/shop/pedals/friedman-ir-j/ Read the full article

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Latest iPhone Phones Continue Getting Significantly Better

Users more than likely are in agreement with me personally that iPhone X design was among the very best, and that is exactly why Apple decided to keep the identical look for their next set of exclusive cell phones. Introduced a year ago, it's the very first Apple cellphone to take out the main button. In the other, I held its own brand-new successor, the Iphone Xs. My eyes squeezed shut, I passed them back and forth between my hands, rolling each phone above, feeling the curves, glass springs, dual lens camera bumps, and radar vents. I realized that I couldn't tell the difference between the two phones. This is not a criticism. It is just a simple fact of S version years, in which Apple locks at the iPhone design and concentrates, rather, on upgrading key internal parts. Therefore, the biggest changes to the 5.8-inches Iphone Xs and its big brother, the 6.5-inch iPhone XS Max, each of which I analyzed, can be seen in functionality (thanks to this new A12 Bionic CPU), photographs and movies, (new digital cameras and a new ISP endorsed by the A12), along with functionality (iOS12, the last version of which came pre-applied in my test units). The outcome is a pair of fantastic, tasteful, and high-performing devices that will please iPhone enthusiasts and receive over a few glances out of Android smartphones. It still has the exact rigid surgical steel frame wrapped into a brand new glass material which Apple stated was devised to be scratch resistant and heavy duty. I gave the phones a couple half-hearted drops on a thin-pile rug but wasn't prepared to let them slide away . So far I have discovered just one very nice scrape on your iPhone Xs Max. So let us consider them scratch-resistant, however still not scratch-proof. The bigger iPhone Xs Max shares all the iPhone X's substance and layout attributes, but does this in a 6.2-inch x 3.05-inch x 0.30-inch human anatomy. In 208 grams, it is substantially thicker than the Iphone Xs. The Xs Max is really a hair shorter (0.04 inches) and thinner (0.02 inches), however, it's also a couple of grams bulkier when compared to the Iphone 8 Plus, the big-screen telephone that from a space the Iphone Xs Max most looks like. Button positioning power/sleep, quantity controllers, ring/silent switch -- will be exactly the same. However, there is one minor chassis difference. At the bottom edge of the telephones sits the lightning connector. It's book-ended by means of a pair of drilled holes that accommodate one half of their stereo speaker program and among the telephone's microphones. There was six openings on either side. Now the ideal side includes six slotsbut the left, that just houses a microphone, has just three. This small change was done, in part, to adapt the new inner antenna configuration which includes 4x4 MIMO and License Assisted accessibility, which utilizes unlicensed 5 GHz range to provide 1 Gbps chip over LTE. Apple updated the water and also dust-resistance rating to IP 68, which translates to the handsets residing in 2 meters of water for up to half an hour. I did not get to go swimming with all the iPhone Xs or Xs Max, but didn't run the latter phone below normal water, juice and milk. Afterward, as advocated, I rinsed and dried off the smart phone. I was careful not to plug it back into a lighting cable (that is a no-no after a dowsing) but didn't put it on a wireless charging foundation at which it had no problem accepting a fee. Apple, incidentally, said it put some effort in making the wireless charging platform (basically the hidden coils within the phone) more forgiving. This is great news, since I have, on more than 1 occasion, woken up to find that my iPhone X did not charge because I placed it a modest off-axis about the charging base. I have never ran into that issue with the iPhone Xs or Xs Max. The Iphone Xs and iPhone Xs Max body frames are somewhat rigid and solid-feeling, but torqueable, particularly the bigger telephone, which actually creates a tiny clicking sound once I attempt to twist it. Apparently, I've just had those iPhones for a week, but based on a calendar year's experience with the original iPhone X (granted, mostly in a thin instance ), I consider this design framework tough and ready for the long run. Even now as Samsung follows Apple to the dense black cutout at the peak of this iPhone Xs and Xs Max, Apple shows no traces of going backwards in the multi-option technology, which neither grew nor slipped in the most recent iPhones. Just like the original TrueDepth Module, that one is still packed with all the exact components (none of that, as much as I can tell, have been updated). There is a 7 MP camera, dot projector for depth sensing, infrared camera (depth sensing), flooding illuminator (yes, too for depth-sensing), proximity detector, ambient light detector, the second half of the stereo speaker program, plus a mic. On the backs of the iPhone Xs and Xs Max, there is more of the custom glass, the Apple Logo, the word Iphone (but no"X" or"s"), along with the 12 MP dual camera system. This vertically-oriented, pill-shaped camera module appears exactly the same as it did to the last iPhone X. It is still a prominent bulge, but it didn't get any bigger. Within the module is new hardware backed by new image technologies, but more on that later. I've always considered that the 5.8-inch Iphone X an fantastic tradeoff involving a big-screen phone and hand-friendly ergonomics. The screen is large and immersive, however, the body is comfortable to hold and pocket. The iPhone Xs Max in comparison can, particularly if you're used to holding a more compact phone, feel big. It is not embarrassing to hold, however people with smaller hands will probably fight with one-handed use and will likely want to turn Reachability, which with a swipe down on the flat bar moves all halfway down the screen, which makes it longer accessible. Still, the trade-off might be worth it. I forgot just how much I like the larger iPhone display, and about the iPhone Xs Max, you get much more screen without contending with a bigger phone (there is just that 0.04-inch height difference between the Iphone 8 Plus and the iPhone Xs Max). Apple's full-stack management of the iPhone layout, development, and production process pays dividends throughout the handset. However, it's most clearly from the silicon, which can be designed and developed in conjunction with the software and hardware components that will rely on it. Last year, Apple revealed the A11 Bionic, a powerful cellular CPU with built in Artificial Intelligence Power. The newest A12 Bionic assembles on that short legacy with a more powerful Neural Engine and much more impressive graphics performance. When I discuss a brand new Iphone, I begin using Geekbench 4 to check out the raw CPU operation. To ensure that there are minimum background processes going, I usually run the exam before I've set up a single app. I ran the Geekbench CPU benchmark and (together with understanding that Apple stuffed an additional gig of memory within the brand new Xs course iPhones) found that the single core scores had improved marginally between the A11 Bionic along with A12 Bionic. However, that the multi-core score was inexplicably lower. Not by a good deal, but I hadn't ever seen that happen. The amounts were still much higher than what I obtained from Qualcomm's Snapdragon 845, however a lower result on the new Iphone didn't make sense. However, once I reran the Geekbench CPU evaluation per day or so after, the A12 multi-core numbers beat those of the A11. My guess is that, though I set up the iPhone Xs and Xs Max as fresh iPhones, there may nevertheless have been some background setup process going on that dragged down the CPU amounts. The bigger leap in functionality is in the Geekbench Compute Metal Score, which jumped from 15,145 on the Iphone X into 22,245 about the Iphone Xs and Xs Max. Apple's done a great deal of work to beef up graphics performance, particularly for the raft of ARKit two (and Surface 2) software heading into the stage, some of which can support multiplayer gaming. While there aren't a lot of ARKit 2 programs in the program store, I did get a hands-on time using an Iphone Xs operating Galaga ARthe identical demonstration Apple showed off during the iPhone Xs unveiling. To play with, me and a couple of other writers stood on a desk and pointed out our telephones at the Galaga video arcade game console. Soon, alien attackers began streaming first from the video game display and from all round us. I swung the phone from side-to-side up and up and down to watch and then shoot the incoming assault. It had been fast-paced and a lot of fun. In the same way, I've seen how, together with ARKit two, the telephone can set, say, a very realistic digital pressure stove or sneaker to a real table or at my toes, the illusion broken only when I slid my hands to the framework and, about the iPhone Xs screen, it looked just like my notes had been stuck beneath the pot. You can't encourage these kinds of real-virtual combinations without ample graphics horsepower, thickness mapping, and the AI required to identify how surfaces, shadows, and even reflections will work on virtual shapes in a real open space. This processing ability also helped amp more ordinary operations such as Face ID. While the procedure for registering my head was unchanged from the original iPhone X, opening either phone with my face, in addition to utilizing Face ID to access password-protected apps and services, is significantly faster than it had been about the iPhone X. Overall, in actual programs, both Iphone Xs and Xs Max run reliably. Apple place massive work into enhancing the photo and movie experience on the Iphone Xs and Xs Max. Along with brand new lenses and a bigger sensor, both the cameras (rear and selfie) are all backed by a fresh picture signal cpu. The technical specs on the double cameras are untouched by the iPhone X (and would be the same on either the iPhone Xs and Xs Max). There is the 1.8 wide angle lens along with the f 2.4 2X telephoto. Both of those comprise optical image stabilization and will shoot around 4K video at 60 fps. They still take slow-motion video in up to 240 frames per second. If you'd like insane 960 fps super-slo-mo, then you are going to have to look to Samsung. In the pure-play photography race, though, Apple requires the head. The Smart HDR uses detector, ISP, and neural engine enhancements to catch a number of the finest high-dynamic range photographs I've ever seen. The gap between what has been possible on the first iPhone X and the Xs and Xs Max is stunning. Apple produced a system suitable of shooting 2 frames each thirtieth of a second, and immediately analyzing and combining them into a single image that preserves not only foreground and background detail, but that can freeze actions without presenting tremendous grain. In multiple images, I saw that the iPhone Xs and Xs Max find colour and detail in dark spaces without wasting out the lighter areas. The Samsung Galaxy Note 9 is also an excellent low light shooter, however I think the Xs line is a little better. I'm particularly impressed with how Apple's built upon its own position position in Portrait Mode digital photography. Apple created Portrait Mode in 2016 using the iPhone 7 Plus (the applications lagged from the hardware). Since that time, Apple's elegant the technology, adding items such as Studio Light, Contour Light, Stage Light, and Stage Light Mono. All these attributes remain, and are somewhat enhanced. That which I love and, as an amateur photographer who regularly performs with f-stops to get just the perfect depth of field effect, is that the newest Depth Control. Depth Control lets you choose a Portrait Mode photo and correct the Bokeh, or depth of field attention, after you shoot the photographs. This works with both front and rear cameras, which means that the image chip is using two different types of depth details. On the rear, it's the benefit of two lenses to find stereoscopic info. The front camera relies on the depth-sensing hardware. I understand, Samsung's Galaxy Note 9 gives the capability to correct background attention as you're shooting the image, as well as after. But, there is an essential difference here that is evident in the iPhone Xs and Xs Max Depth picture editor. It's a slider that lets you adjust smoothly from an electronic f 1.4 aperture to a virtual f16. At a real camera with a mechanical aperture, higher numbers interpret to sharper focus from the background along with reduced numbers imply the focus thickness is significantly shallower. About the Galaxy Note 9, Live Focus basically sees the pictures as two planes: the foreground and background. The slider blurs the background plane. The Iphone Xs's depth slider is based on all of the depth advice to reduce or enhance background focus through all of the planes between the very front of their subject and the background. Together with the enhanced Portrait Mode stitching (handling how the subject and a blurred background fit together), the subtlety of this effect through the selection of virtual f-stops is remarkable and, Apple's explained, is modeled on how actual lenses together with hardware apertures would influence each image. For most people the smartphone is their only camera. This places a pro-level command from the hands of millions of individuals, who are about to begin taking some really awesome portrait photographs. Just after capturing normal pics, movie, and even 4K, I continue to be stunned with the standard of photos and videos coming out of their iPhone Xs and Xs Max. Sure, it is strange that the larger Xs Max doesn't, as might be tradition, have any enhanced picture capturing features, however I doubt anyone is going to be dismayed with the photo quality delivered by either new mobile phone. There are a couple of other hardware-related enhancements, such as the guaranteed dual-sim technology which allows for multiple telephone numbers (believe work and individual numbers of one phone) via the support of eSIM technology. Unlike ordinary SIMs, you don't require a carrier card just for the provider to confirm it and allow it on your phone. It's a wonderful characteristic which, for obvious reasons, I could not test. For sound aficionados, there's also the new stereo recording and wider-stereo playback. This can be relatively hard to check, and I occasionally worry my ears aren't good enough to notice what could be a more nuanced difference. However, I'd find a method. I recordedin landscape mode, a few cars driving by. They begin on the left of this screen and push to the right. In video I recorded together with all the iPhone Xs, the noise travels from one side of the telephone to the other. Playback about the iPhone X is loud but lacks the identical degree of separation noise. Clearly, films with a great deal of sound engineering aren't just great displays for the amazing displays, but highlight the new, wider stereo playback abilities too. As hardware/software relationships go, you can not do better than the Apple iPhone Xs and iOS 12. I have been running betas of their new mobile OS for months on my iPhone X and found it incredibly smooth and stable. About the iPhone Xs and Xs Max, it becomes even better spouses. In addition to butter-smooth and lighting fast operation (in matches, video, and internet browsing), the augmented reality abilities first released into iOS 11, ARKit, along with the iPhone X tend to be far more refined and easy to customize from iOS 12 and the Iphone Xs. The smart assistant is a much better listener than ever, and getting smarter. Her address is much more conversational and she is requesting follow-up queries. Siri can also be more proactive, putting connections between benign items such as locations and schedules and offering them beforehand. There are also a number of third party programs tapping into Siri, allowing you to use only your voice to access program features and data without even launching the app. You can set up iOS 12 on your older Iphone (down into this iPhone 5s), however not all of attributes, particularly those involving AR, will operate on the older devices. Still, I clearly advise the upgrade with anyone operating an Iphone 7 and up. It is simply a much better, more polished, educated, and smart user experience also, to be fair, I have hardly scratched the surface of all of the updates and feature improvements you'll find. Apple claims 30 minutes more battery life involving the iPhone X and Xs and 90 minutes more with the Iphone Xs Max. In my experience, either new phone might get you through the majority of the afternoon on a single charge. I spent one day using only the iPhone Xs Max. I retained the brightness high and ran all types of programs and procedures. It lasted a strong 10 hours. Perhaps a tiny bit less than I expected, but still enough for me through the majority of the working day. In all honesty, with less than a week under my belt, it is difficult to give a full assessment of battery performance. There are so many variables and, obviously, battery life will be good on new mobile phones. Talk to me in 6 months or one year, and we're going to see if I am still satisfied with battery life. It is not strange that Apple did not bring down the cost for the brand new $999 iPhone Xs (or hold onto the original model and market it at a lower price). I'm not even shocked that we finally have a nearly $1,100 version or that we're able to cover a whopping $1,449 for the 512 GB iPhone Xs Max (which happens to be the version that I tested). Apple's already proven that individuals will pay almost anything to get their hands on the latest iPhone. Is $1,000 or more to cover a mobile phone? Perhaps, however many people think about the entire cost instead of monthly payments? I am, however, a little annoyed that Apple stopped the lightning -to-3.5 mm adapter. It's as if, in the last 12 months, we've gotten rid of our audio and Bose headsets, such as it is a solved issue. Memo to Apple: It is not. What I will say is that these are the iPhones you desire. The iPhone Xs does not mess with that which I consider a traditional layout, and also the Xs Max simply takes all that's amazing about the iPhone X and expands it. As a set, they are just as beautiful as the original home-button-free Iphone X. The plan looks especially elegant in a gold finish. Photographers will love the new camera, and gamers and content consumers will want the big-screen iPhone Xs Max. Even if you own the iPhone X, I still wouldn't upgrade unless you absolutely need more realistic augmented reality and full depth control on your portraits. For iPhone 6s, 7, 8, as well as 8 Plus owners, the iPhone Xs and Xs Max is going to feel as a massive leap to the foreseeable future.

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Audified is proud to announce availability of MultiDrive Pedal Pro

Audified is proud to announce availability of MultiDrive Pedal Pro

Audified is proud to announce availability of MultiDrive Pedal Pro — pushing further forward with its virtual stomp box breakthroughs by bringing the legacy of erstwhile brand DSound’s first guitar software (released as Stomp’n FX Vol. 1 and Stomp’n FX Vol. 2 way back in 2000) and later featured, for example, in Audiffex’s inTone2 (multifaceted multichannel effects processor, software mixing console, virtual instruments host, and flexible multitrack zonal player) back to the future as 12 legendary effect pedal plug-ins, professionally primed to provide the perfect bundled blend of overdrive, distortion, fuzz, and boost for today’s DAW-driven studio setups — as of November 27…

You can never have enough effect pedals. Just ask any guitarist worth their sonic salt! Since there are literally thousands of stomp boxes on the market, maybe this is hardly surprising — all the more so since they each offer something different in terms of sound, purpose, or quality. Quantifying this time-honoured trend in today’s DAW-driven workflow with its all-new MultiDrive Pedal Pro plug-in bundle sits naturally with the future-facing nature of Audified. As such, it is professionally primed to provide the perfect bundled blend of overdrive (for power), distortion (for complexity), fuzz (for fuzziness), and boost (for allowing every detail to shine through). The talented team of Audified engineers expertly draw upon the company’s rich history of creating quality guitar software to simulate 12 legendary effect pedals that every musician should have in their studio setup. Since this effectively represents the company’s third generation of stomp box models — made with totally new modelling technology — they simply sound perfect!

Put it this way: with MultiDrive Pedal Pro, Audified removed every last screw from every effect pedal modelled, meticulously measuring all components within, so users cannot tell the difference between the real-world stomp boxes and the following software simulations so readily accessible in the resultant bundle. 808-Scream is based on the TS-808 Tube Screamer, a guitar overdrive pedal made famous by Ibanez. It was originally released in the late Seventies, and its characteristic mid-boosted tone soon proved popular with blues and rock guitarists. It has since been used by countless guitarists to create their signature sound, remaining one of the most successful, widely copied, and ‘modded’ overdrive pedals in the history of the electric guitar! 9-Scream is based on another overdrive guitar pedal from Ibanez — the TS-9 Tube Screamer. Indeed, Ibanez produced the so-called ‘9-series’ between 1982 and 1985, with the TS-9 Tube Screamer being almost identical, internally, to the TS-808 Tube Screamer, but boasting a different output, resulting in a brighter, less smooth sound.

B-Drive is based on the BOSS BD-2 Blues Driver, delivering the creamy, yet crunchy sound associated with great blues guitar. This popular pedal provides instant access to the kind of warm overdrive and emotive distortion usually reserved for 30-year-old tube amps.

O-Drive is based on the now-legendary BOSS OD-1 OverDrive. Seventies-vintage artists mostly made use of a fuzz distortion sound, so the overdrive produced by the OD-1 OverDrive was not exactly typical for the time. It was, however, soon accepted as a new standard of guitar sound. Speaking of sound, the OD-1 OverDrive features an asymmetric circuit where the positive and negative halves of the waveform are not distorted equally.

S-Drive is based on the BOSS SD-1 Super OverDrive. This sonic stalwart has been around for a very long time and has gone almost unchanged from its inception back in 1981. Again, an asymmetric overdrive circuit is at its core. This responds very well to the force of a player’s picking, producing a dynamic and smooth overdrive effect well suited to any type of rock music. Many guitarists also use the SD-1 Super OverDrive as a booster pedal for valve amplifiers.

One-Distortion is based on the BOSS DS-1 Distortion, a true icon in the wonderful world of guitar effects. Introduced in 1978, BOSS’ first distortion pedal defined a bold new sound, delivering hard-edged attack and smooth sustain that has been a staple of players for generations. Get this, though: the DS-1 Distortion is the top-selling BOSS compact pedal of all time, and its original, unchanged design continues to inspire the creation of great music worldwide.

BAT-Distortion is based on Pro Co Sound’s RAT Distortion. ‘The Rat’ became very popular in the early Eighties, thanks, in part, to being used by several famous artists. As a primary distortion device, it excels at arena rock rhythm tones and soaring leads, but its true beauty lies in its versatility.

XXL-Distortion is based on the Distortion+ pedal originally designed in the Seventies by MXR Innovations. Its name implies distortion, and indeed it does distortion (parallel clipping) well, but boasts a rather mild sound. It is perhaps best known for its crunchy heavy metal sound that was featured by Randy Rhoads in his work with Ozzy Osbourne. The Distortion+ delivers everything from cool overdriven blues tones to huge Eighties hard rock distortion.

M-Distortion is based on the MT-2 Metal Zone, one of BOSS’ most popular pedals. Duly delivering a wide range of distortion sounds with three-band EQ and strong sustain, it is capable of some of the most over-the-top, insane distortion tones in the world — with huge mids and lows, alongside an ultra-saturated sound!

F-Fuzz is based on Jim Dunlop’s Fuzz Face, an effect pedal mainly used by electric guitarists and also some bass players. Designed to produce a distorted sound from an electric guitar, a sound often referred to as ‘fuzz’ — which was sometimes achieved by accident earlier through broken electrical components or damaged speakers, this particular Fuzz Face distortion is constructed to vintage specs, featuring the original Germanium PNP transistor design for a rich, creamy fuzz sound.

M-Fuzz is based on the Big Muff Pi (��). Produced in New York City by Electro-Harmonix, along with Russian sister company Sovtek, this fuzz box is primarily for use with electric guitar, but also used by bassists due to its squeaky frequency response. Hendrix and Santana were among the first to get a piece of the Pi, so-to-speak, and the Big Muff — as it has become simply known — has been defining the sound of rock guitar for over 40 years!

T-Booster is based on the Brian May Treble Booster, an effect unit used by guitarists to boost volume and especially the high end of their tonal spectrum, which was particularly popular during the Sixties. Beloved by guitarists such as Ritchie Blackmore, Marc Bolan, Rory Gallagher, Tony Iommi, and, of course, Brian May, treble boosters were used to overdrive amplifiers in order to create a more distorted yet focused sound.

So that’s Audified’s all-new MultiDrive Pedal Pro... providing a perfect bundled blend of true tone pedal plug-ins, professionally primed for today’s DAW-driven workflow — fresh from the company with over 20 years’ worth of exemplary effects development to its notable name. No need to buy dozens of stomp boxes separately or download imperfect simulations; simply download MultiDrive Pedal Pro for perfect simulations of 12 legendary effect pedals at a pocket-friendly price! MultiDrive Pedal Pro is available to purchase for $69.00 USD from Audified’s online shop here: https://shop.audified.com/products/multidrive-pedal-pro (Note MultiDrive Pedal Pro requires iLok License Manager 3.1.6 or newer as it is protected by PACE Anti-Piracy Inc.’s software machine licensor USB smart key device, details of which are highlighted here: https://shop.audified.com/pages/how-to-activate-ilok-license) MultiDrive Pedal Pro can be directly downloaded as a bundle of multi-format (AAX, AU, VST2, VST3), 32- and 64-bit native plug-ins for MacOS (10.9 and above) and Windows (7, 8, and 10) — alongside a fully-functional, 30-day trial version — from Audified here: https://services.audified.com/download For more in-depth info, please visit the dedicated MultiDrive Pedal Pro webpage here: https://shop.audified.com/products/multidrive-pedal-pro Watch Audified’s official MultiDrive Pedal Pro video here: https://youtu.be/sWdoJgIxMsc

MultiDrive Pedal LE, a limited-edition version of MultiDrive Pedal Pro featuring O-Drive only, is available to purchase for only $5.00 USD from Audified’s online shop here: https://shop.audified.com/products/multidrive-pedal-le

MultiDrive Pedal LE can be directly downloaded as a 32- and 64-bit native plug-in for MacOS (10.9 and above) and Windows (7, 8, and 10) — alongside a fully-functional, 30-day trial version — from Audified here: https://services.audified.com/download

For more in-depth info, please visit the dedicated MultiDrive Pedal LE webpage here: https://shop.audified.com/products/multidrive-pedal-le

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If your new or existing Anthem, Paradigm, or MartinLogan product is ARC or PBK enabled*, you can experience a new level of room correction technology and convenience by downloading ARC Genesis software. * ARC Genesis is not compatible with older products that rely solely on RS-232 connections for data transmission. For legacy product support, please download ARC-1 software.

About This Game As a man or woman stranded naked, freezing and starving on the shores of a mysterious island called ARK, you must hunt, harvest resources, craft items, grow crops, research technologies, and build shelters to withstand the elements. Explore immersive news content, game enhancing challenges and exclusive rewards through Arc for free. Arc gives you inside access with in-depth content showcases, player spotlights, event calendars, and more! Be delighted with free items and giveaways for your games and challenge yourself by accumulating points that can be cashed in for epic rewards. This application supports English.

New Features Include:

Gis For Mac

Support for Mac & Windows

New target curve adjustment options, including deep bass and high frequencies

Save, stop, start, resume measurements, and remeasure individual speakers

Improved user interface

Improved algorithms

Set unique maximum correction frequencies for each set of speakers

Automatic speaker/subwoofer phase alignment for Anthem STR Series products

How does ARC work?

An audio system’s performance is always negatively affected by a room’s unique characteristics. The size and shape of the room, its construction, the furnishings, and other factors cause standing waves, resonances, and reflections that can color the sound played by loudspeakers. Utilizing proprietary algorithms developed by Anthem engineers, ARC Genesis creates custom correction curves that retain the favorable acoustic signature of speakers and remove negative room contributions. These custom filters are then used to program high-quality digital signal processing (DSP) technology embedded within compatible audio products.

Click the button below to download Arq Backup: Download Arq 6 for Windows or Get Arq 6 for Mac; Double-click Arq6.msi in your Downloads folder to install Arq. When Arq launches, enter your email address and click Start Trial (or click Enter License Code if you already have a license code). Click 'Create a new backup plan'.

Advanced REST Client comes with 3 preinstalled themes: light, dark and Anypoint. Thanks to open standards and ARC's open architecure you can create your own theme and distribute it within your organization.

What do I need to install ARC Genesis?

Download ARC Genesis

For Mac or PC Windows = 7/8/8.1/10 Mac OSX = 10.12 +

Expanded Compatibility

ARC Genesis® is backward compatible with many Anthem, Paradigm, or MartinLogan products that are ARC or PBK enabled (see full list of compatible products below). Mac os x lion 10.7 dmg free download. This third generation of ARC represents a major leap forward in room correction with the most comprehensive features ever. ARC Genesis transforms the audio performance of compatible speakers or electronics to the unique characteristic of any room. Proprietary Digital Signal Processing (DSP) software works in tandem with the calibrated microphone provided with your ARC enabled product to provide an astonishing improvements to the sound you hear.

ARC Genesis Compatible Products:

AVM 60

MDX-16 / 8

MRX Gen 2 (710 / 510 / 310)

MRX Gen 3 (1120 / 720 / 520)

STR Integrated / Preamplifier

ARC Genesis Compatible Products:

Defiance V12 / V10

Defiance X15 / X12 / X10

Millenia SUB

Persona 9H / SUB

Prestige 2000SW / 1000SW

PW 800 / 600 / AMP / LINK / Soundbar

Seismic 110

Soundplay

X-850

ARC Genesis Compatible Products:

BalancedForce 212 / 210

Bravado / Cadence / Forte / Unison / Verse

Dynamo 1600X / 1500X / 1100X / 800X / 600X

Expression ESL 13A

Illusion ESL C34A

Impression ESL 11A

MDA16 / 8

Renaissance ESL 15A

ARC Genesis Key Features

Demo Mode: Experience the software first hand. Demo mode offers access to the full suite of tools without having an Anthem, MartinLogan, or Paradigm compatible product connected.

Assign Amp Channels: For products such as Anthem’s MRX audio/video receivers and AVM home theater processors, ARC Genesis allows you to configure the assignable amp channels from within the software, making quick work of setting up your receiver for zone 2 or height effects channels.

Set Up Bass Management: For products such as Anthem’s MRX audio/video receivers, AVM home theater processors, and STR preamplifier and integrated amplifiers, ARC Genesis not only optimizes the performance of your system, it also lets you set up bass management from within the software. To redirect bass to a subwoofer (below a speaker’s Crossover frequency), set the Send Bass to Subwoofer (or Low-Frequency Extension Slope) control to “Send bass to the sub.”

Customize Target Curves: With ARC Genesis’ Professional Mode, the target curves for the system as a whole, are adjustable using room gain, deep bass boost, and tilt controls. Individual sets of speakers allow for the adjustment of high-frequency roll-off and crossover frequencies and slopes. Subwoofers allow for the adjustment of high-frequency extension, low-frequency extension, and low-frequency extension slope.

20 Hz to 20,000 Hz Full-Range Room Correction for Each Set of Speakers: For products such as Anthem’s MRX audio/video receivers, AVM home theater processors, and STR preamplifier and integrated amplifiers, ARC Genesis allows you to set a different maximum correction frequency for each set of speakers, up to 20,000 Hz. For example, you may want to use room correction on your dipole electrostatic front speakers up to 400 Hz and your small in-ceiling height effect speakers up to ARC’s default of 5,000 Hz.

Multiple Measurements: Some devices allow you to create multiple measurement sets (up to four, depending on the device). We recommend more than one if some significant transformation predictably takes place within the room that can alter the room’s acoustic response. For example, take one set of measurements with a drop-down video screen deployed and another with the screen hidden, drapes up or down, doors open or closed, and so on.

Multiple Profiles: Alone in the dark mac download. Some devices allow you to create multiple system profiles (up to four, depending on the device). For example, one profile can optimize your system as a multi-channel home theater with sub and another as a 2-channel music system without a sub. Can't transfer photos from iPhone to … - Apple Community.

Remeasure: If you’ve spent time working with ARC to dial in the performance of your system and later decide to upgrade your center channel or another speaker, ARC Genesis allows you to open a saved configuration file, remeasure only your new speaker, and update your target curves without needing to start over from scratch.

Pan and Zoom: ARC Genesis allows you to examine graphs in great detail. To zoom on a computer, place your cursor over the graph and spin your mouse wheel or choose Zoom In or Zoom Out. To pan on a computer, left-click on a graph and drag it to change position. On a touch screen enabled device, you press the Zoom In or Zoom Out controls or press and drag to pan.

Multiple Languages: Support for several languages is available under ARC > Preferences > Languages. To switch to a different language, select your preferred language from the Preferences panel, close the application, and restart it. At the time of launch, ARC supports Chinese, English, French, German, and Spanish.

Free Download Arcgis 9.3 Software

Quick Measure and Snapshots: Quick Measure allows you to experiment with speaker and subwoofer positioning and settings outside of ARC while monitoring the resulting acoustic response in real time. The snapshot feature allows you to freeze a curve to compare against subsequent changes that affect the acoustic response.

ARC: Frequently Asked Questions

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Audified is proud to release AmpLion 2 Rock Essentials

Audified is proud to release AmpLion 2 Rock Essentials

Audified is proud to release AmpLion 2 Rock Essentials — effectively revamping its long-lived AmpLion Pro software stalwart as a rip-roaring plug-in putting three legendary amplifier models, four cabinets, 15 stomp boxes, and 10 microphones meticulously recreated using state-of-the-art component modelling alongside a totally redesigned GUI (Graphical User Interface) and numerous new features into the hands of present-day DAW-driven guitarists — as of March 18… Audified’s AmpLion Pro has proven popular with discerning DAW-driven guitarists as a complete software processor since its introduction to widespread critical acclaim during 2014’s long hot summer. Several years is a veritable lifetime in the wonderful world of ITB (in the box) mixing — exclusively inside a DAW (Digital Audio Workstation) once tracking is complete; indeed, it is also a veritable lifetime in terms of computing power pressed into running those plug-in-hosting DAWs. Readily revamping its software stalwart as a rip-roaring plug-in putting three legendary amplifier models, four cabinets, 15 stomp boxes, and 10 microphones meticulously recreated using state-of-the-art component modelling alongside a totally redesigned GUI and numerous new features into the hands of present-day DAW-driven guitarists is easier said than done, however. Having taken time to combine its proprietary research with the latest trends in the scientific community, AmpLion 2 Rock Essentials’ power amp section uses a loudspeaker impedance model to replicate the interaction between the power amp tubes, output transformer, loudspeaker, and power amp feedback, while its analog delay and modulation effects use a bucket-brigade delay model with an exact number of buckets and virtual clock rate instead of a simple delay to add a small amount of aliasing to the sound output, heard as a typical ringing sound; all are latency-free for immediate playing response, including the all-important cabinet models. Audified ably applied the best of both worlds to design a new real-time nonlinear dynamic circuit equations solver which was used as the basis for modelling all circuitry creating AmpLion 2 Rock Essentials’ stunning sound — essentially encompassing a gear selection anchored around absolute rock staples, as implied by its apt appellation.

Those three amplifier models are as varied in tone and as great-sounding as their real-world hardware counterparts when imaginatively implemented in AmpLion 2 Rock Essentials: meticulously modelled after a small-sized yet monster-sounding low-wattage amp of choice for many players across many genres — gracing recordings ranging from traditional country to alternative rock, Bartender Delux 65 offers two main channel choices, each with low and high INPUT option, a hyper-realistic, separately-engaged spring REVERB, and a choppy or lush VIBRATO, plus (Rear & Mods Panel-accessible) Pushed mode; JUKEBOX 30 musically mines a rich rock spectrum of classic sounds with aNORMAL channel acting as a perfect companion to using treble boosters (of which two are included in AmpLion 2 Rock Essentials’ extensive stomp box selection), switchableREVERB and TREMOLO, plus TOP BOOST controls, as well as Rear & Mods Panel-selectable Voicing and Custom EQ options; Martial 59 realistically represents a real rock legend (without which rock ’n’ roll itself might never have happened) with a traditional four-input configuration and a parallel channel holding the key to screaming rock sounds, while Master and Pushed options are also available alongside Rear & Mods Panel-selectable SLP/HW/Brown sound revision switches and Ohm selection — the latter making a noticeable difference in itself! Indeed, the three amps in question have been modelled above and beyond their standard stock real-world hardware counterparts courtesy of Audified’s own custom mods, fan-favourite mods, specific tweaks, and various version revisions — all accessible via their respective Rear & Mods Panel-positioned additions.

All adding their own distinctive dimension to the discerning DAW-driven guitarist’s tone palette, AmpLion 2 Rock Essentials features four cabinet models: Bartender 112 J represents the sound of a classic 1x12” combo and a J-style speaker as a matching cabinet for the Bartender Delux 65 amp model to duly deliver tightness with low- end focus, though of course can also be paired with AmpLion 2 Rock Essentials’ other amp models; JUKEBOX 212 GB models one of the most classic 2x12” cabinet designs ever created, matching the JUKEBOX 30 amp model to create clean through to crunchy sounds, as well as variations thereof when used with either of the other two amp models; modelling classic 4x12” half-stacks, Martial 412 GB and Martial 412 G12A are both a perfect match for the Martial 59 amp model, the former being fuller in bass response with somewhat scooped mids while the latter is more focused on mids for a tighter tone — combine them in stereo or work with Double Track mode for fulsome fun and tumultuous tones! Audified’s AmpLion 2 Rock Essentials enables various ways of working with the cabinets — selecting only one as active allows the mic to be panned across the stereo field, for example, but blending two cabinets leaves the pan centred, or use two cabinets and mics to pan them hard left and hard right, while taking the aforesaid Double Track route results in a different sound altogether.

By building upon a lengthy legacy of virtual stomp boxes that led up to MultiDrive Pedal Pro — pushing further forward with Audified's virtual stomp box breakthroughs by bringing the legacy of erstwhile brand DSound’s first guitar software (released as Stomp’n FX Vol. 1 and Stomp’n FX Vol. 2 way back in 2000) and later featured, for instance, in Audiffex’s inTone2, AmpLion 2 Rock Essentials features 15 new and redesigned stomp box models, including two T-Boost treble-boosters with their not-so-widely modelled Sixties- and Seventies-vintage sound, as well as overdrives and distortions aplenty — 808 IceScreamer, distortion PULS, Melted Face Fuzz, and O-DRIVE 1; very versatile Jukebox Wah 84; MEMORIZED DELAY, DigiDelay, and DigiVerb delays and reverb; mrs. flanger, STONED PHASER, and CLONED CHORUS modulation effects; plus proprietary stomp box equalisers — GraphEQ and ParaEQ. Pushing flexibility further forward, AmpLion 2 Rock Essentials encompasses two pedalboards with one positioned before the amp and the other after the whole rig; while wah and drive stomp boxes are restricted to only pre-placement availability and DigiDelay and DigiVerb are restricted to only post-placement availability, all other stomp boxes are available to both. But wherever they are positioned, all work wonders when finalising guitar tones! Audified’s AmpLion 2 Rock Essentials comes complete with 10 fan-favourite mic models — 121 Rodger, 414 OMG, 421 Sensei, 451 Pencil, 57 Legend, 5i Audition, 7B Podcaster, 87 Oldman, and 906 S-Cube, plus a special Flat response model — based on thorough and repeated measurements in an anechoic chamber for amp and cab recording and re-amping. Moreover, maximising tonal variability is a given when using different mic models with different cabinet models and experimenting with their positions. Position and Distance controls are self explanatory, and are based on real science, yet AmpLion 2 Rock Essentials ups the recording ante still further by also offering a Mic Angle function ranging from a default position of 0 degrees — positioning the mic perpendicular to the cabinet grill cloth — to 75 degrees. Different mic’ing techniques are available to all with the greatest of ease. Elsewhere, an advanced Noise Gate algorithm is thoroughly pre-tuned to assist AmpLion 2 Rock Essentials users with eliminating noise, even when using high gain, while the proprietary Hiss Gate function even eliminates subtle pickup noise amongst other things — without affecting playing dynamics in any way — by being based on envelope tracking for both signal level and signal frequency bandwidth with automated release time to work both for palm muting and playing solo with the same settings.

Sounding complicated? Time to think again. AmpLion 2 Rock Essentials eases signal flow navigation thanks to being divided into four pages, each engaged using its own Power button. By focusing on presenting a few precisely modelled devices packaged into a guitarist-friendly GUI, AmpLion 2 Rock Essentials is surely set to achieve its goal of total classic rip-roaring rock domination! DAW-driven guitarists buying into the AmpLion 2 Rock Essentials ethos are in for an audible treat — and all without digging deep into their pockets, virtual or otherwise! AmpLion 2 Rock Essentials is available to purchase for an introductory price of $79.00 USD — rising thereafter to its regular price of $149.00 USD — from Audified’s online shop, which also includes further information and sound samples, here:https://shop.audified.com/products/amplion-2-rock-essentials AmpLion 2 Rock Essentials can be directly downloaded as an iLok-protected plug-in, available in AAX, AU, and VST3 64-bit native formats for Mac OS X 10.11 - macOS 11.1 (Apple Silicon-compatible) and AAX (64-bit) and VST3 (32-bit and 64-bit) native formats for Windows 7 - 10 from Audified here: https://services.audified.com/download

See and hear AmpLion 2 Rock Essentials in action as Audified aims at classic rip-roaring rock domination in its introductory video here: https://youtu.be/bUcdoOVzrxs

:https://shop.audified.com/products/amplion-2-rock-essentials

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The Mac App Store makes it easy to find and download Mac apps as well as widgets and extensions — like editing extensions for the new Photos app. You can browse Mac apps by category, such as games, productivity, music and more. Or do a quick search for something specific. Read descriptions and customer reviews. Flip through screenshots. When you find an app you like, click to buy it. The Mac App Store has apps for just about everything and everyone. Here are a few of our favourites.

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The same principle applies to macOS® and Mac OS X®. We call them “Kext” files or “Extension” files. By default, Apple provides all the required kext files with the operating system to run on a legitimate Apple computer. Hi, sorry about my english:) i have a OS X 10.8 on my Lenovo Y580 ( ALC269 ) and also i have a Samson Go Mic USB. My problem is - when i connect a Samson to USB, OS X detected it in USB Device, but not as Microphone. I have a VoodooHDA Kext. But on AppleHDA is the same efect. Dec 16, 2015 -I have OS X 10.11.2 running on it's own HDD-I am using legacy boot mode in the BIOS and have the Clover boot loader on the Mac OS drive.-Everything seems to be working great except for audio output/device. I have a Realtek ALC269 as my soundcard driver and I have tried several scripts and kext combinations but nothing seems to work.

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[samersmusicalendeavours]

Sampling

Sampling is a widely used technique in modern music production and the means in which it can be achieved are much easier, faster and more accessible than that of the past. In this post I will be discussing the historical development of sampling technology and current methods of incorporating sampling as a music producer.

So what do we mean by sampling? Sampling involves capturing a section of pre-recorded material(music or other sounds) and creatively incorporating the material into your own music. Various forms of processing can be implemented in order to manipulate the sample.

The first known instances of sampling, without the use of sampling technology, appeared in the early 20th Century, with Jazz musicians integrating sections of music originally created by their peers into their live performances.

Moving on to sampling using technology, and we have a French composer known as Pierre Schaeffer experimenting with sounds using a tape recorder in the 1940′s. He was the founder of Musique Concrette - a technique of composition which relied on recording natural sounds on tape and manipulating the samples with effects to form a unified composition of sonic art.

Not too long after, between 1949 and 1956, The Chamberlin was developed. It was an electro-mechanical keyboard, using magnetic tape, with pre recorded sounds on them, which could be triggered by the keys of the keyboard. Samples of instruments and sound effects could be played on The Chamberlin, but it is rather different to what we think of as sampling nowadays.

Similarly, the Mellotron was a device based on The Chamberlin. Still using magnetic tapes, each tape corresponded to the pitch of the key that it is placed under. This feature, in addition to its unique desirable sounds made it popular with Rock musicians such as The Beatles, Led Zeppelin, and The Moody Blues. 

Although the Mellotron was a predecessor to the digital sampler, it was an expensive and fragile piece of equipment, meaning its use after the 60′s died out as the first digital samplers were produced.

Some of the earliest digital samplers, which could be used in the studio, include the Computer Music Melodian and the Fairlight CMI. Both being developed in the late 1970′s, with the CMM being a monophonic digital sampler, and the FCMI a polyphonic computer based instrument. The latter offered more features which seemed ahead of its time.  Both were very expensive and only the largely successful musicians of the time purchased them, with Stevie Wonder being the first to buy the Fairlight CMI. Not only was it a sampler, but it acted as a digital synthesiser with an in built DAW. To make things even more exciting, a touch screen was fit into the machine and waveforms could be edited using a light pen. Although an impressive piece of music technology, the Fairlight CMI was too expensive for the average musician. computer Music from MusicRadar states “ it cost around $25,000 when it went on sale in 1979, the equivalent of about $77,000 in today’s money.”

During the 80′s, it became possible for the average musician to have access to portable and compact samplers. A classic digital sampler to mention here is the E-MU SP - 1200. It was an important sampler as it was widely used by hip hop producers and enabled the majority of a song to be produced without needing a studio or heavy machinery. Jason O’Bryan from Abbey Road states “the SP 1200 is an extremely iconic and desirable sampler because this was pretty much the key bit of kit used by many original Hip Hop producers. It’s like the holy grail of samplers in a way” (Hannah, 2020).  

After the advancements in hardware samplers were achieved, a newer form of sampling was made possible in the 90′s and early 2000′s: software sampling. This method of sampling music is one which most producers today will be most familiar with, although hardware samplers are still utilised. One of the earliest software samplers to be released include the Nemysys Gigastudio, EXS24 and Kontakt. Software samplers offer the advantage of having a clearer and more convenient interface which can be incorporated into a more efficient workflow, in comparison to the older hardware samplers with tiny screens. ‘Having a larger screen workspace can make a huge difference when creating sampled instruments with hundreds of individual samples’ (Mcguire, 2013)

Another key advantage of software samplers is the vast range of editing tools available and the ease of use within the modern DAW, with many DAW’s updating their samplers with extra features as time goes by. One tool which I have recently come across is Logics sampler, which has replaced the previously mentioned EXS24. Using a simple drag and drop tool, audio files containing samples of music or any other form of audio can be placed in the sampler, making it an efficient method of loading up samples. The zone panel is where the sample can be controlled by chopping it up and a clear visual representation of the sample can be seen. Manual editing of MIDI mapping of individual sample sections is enabled with the Mapping parameter. In addition, the synth engines purpose is to enable customisation of the sample by using pitch control, filters and other performance settings can also be adjusted here. The modulation matrix enables one to route modulation sources and targets, such as LFO’s and velocity. Intensity of these factors can also be set. Lastly, with the modulators panel, up to five individual envelopes can be added, as well as four LFO’s. 

Whilst there are many software samplers available these days with editing and processing tools found within them, there are other methods of affecting the sample by using plugins and the editing tools of DAW’s. In this example I have used a mix of both, Logics sampler and plugins to affect the sample:

The sample I have used is taken from the intro to ‘Loner’ by Black Sabbath. Firstly, I dragged the audio file into the sampler and cropped it to the section I wanted to use.Then I altered the speed by clicking on the follow tempo button and setting the speed to 2(twice the original tempo).

By using the mapping function, I could choose the pitch range, in this case any combination of notes ranging from C1 to C4. This enabled me to play part of the sample at different octaves.

To alter the sound of the sample the synth tool could be used and I used it in this instance to slightly change the pitch and increase the volume from the amp. Theoretically one could use the sampler to add many different effects, but this example uses a more simple approach as I wanted the sound to not be too different from the original. 

To conclude, sampling has been around for a while and the technology has improved to make it more accessible and easier to use now more than ever. Although hardware samplers might be the less commonly used samplers today, they still have a place alongside modern software samplers. I am looking forward to future developments within this area.

References:

nord.(N/A) Chamberlin. [Online] Available at - https://www.nordkeyboards.com/sound-libraries/nord-sample-library-archive/chamberlin. Accessed: [29/11/20]

MotorMouthMusic (n.d). Home [MotorMouthMusic]. Available at - https://www.youtube.com/watch?v=tTKPW92ndUA. Accessed: [30/11/20]

Matrixsynth. (2014). FAIRLIGHT CMI Series I Sampler Synthesizer. [Online]. Available at - https://www.matrixsynth.com/2014/12/fairlight-cmi-series-i-sampler.html?spref=pi. Accessed: [30/11/20]

Hannah. (2020) SAMPLING: IT’S ROLE IN HIP HOP AND ITS LEGACY IN MUSIC PRODUCTION TODAY. [Online] 19/10/20. Available from - https://abbeyroadinstitute.co.uk/blog/sampling-role-in-hip-hop-and-its-legacy-in-music-production/. Accessed: [1/12/20] 

Mcguire, SM. (2013) Audio Sampling: A Practical Guide. [Online]. Taylor and Francis Group. Available from - https://tandfbis.s3.amazonaws.com/fp-usermedia/uploadedFiles/Books/Book_Media/Audio/9780240520735_cs.pdf. Accessed: [2/12/20]

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Although similar in many ways, the M1 Le software synthesizer has some minor differences from the M1 software synthesizer. For full details of these differences,. Download Korg M1 Vst Download Free - best software for Windows. KORG M3 Plug-In Editor VST: M3 Editor and M3 Plug-In Editor are applications for. KORG Collection - M1. SOFTWARE INSTRUMENTS. * Downloadable version only. You will be emailed a product code(serial number) and a link to download. Wavestation ((((Important Note for Korg Legacy users only.)))) If you wish to load the files contained in this part of the download section, you should Click Here to visit our Legacy Forum to obtain the necessary tools and information you need to successfully load these files. All the files contained in this part of the download section are in Sysex Format.

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KORG M1 Le antivirus report. This download is virus-free. This file was last analysed by Free Download Manager Lib 37 days ago. Korg Legacy Collection Digital Edition - 88MB VST AU v1.32 MAC OSX UB-ArCADE Introducing the Korg Legacy Collection -- Digital Edition; stunning software versions of 2 Korg digital synthesis masterpieces -- the M1 and Wavestation -- plus the MDE-X multi-effect plug-in.

The year is 1988, and the electronic music industry is at a turning point. Knob-laden analogue synthesisers have faded into memory, and the sample-based wavetable synthesis so beautifully presented by PPG is about to be whitewashed for the masses in the form of the soon-to-be-ubiquitous ROMpler. Roland's entry for 1987, the D-50, combined sampled attack transients with sustained synthesised waveforms, and slathered the lot in a gauzy haze of reverb. It was a mighty success, with the instrument seeming to be on perpetual back-order.

But the D-50 was only the start. Korg, too, had dabbled in sample-based synthesis back in 1985 with their DW-6000 and DW-8000 units, both of which contained a handful of single-cycle sampled waveforms that were pumped through filters, envelopes and even - on the flagship model - a built-in digital delay. With the D-50 selling like hot cakes, it was only natural that Korg would up the ante by tapping once again into sample playback technology.

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The result was the M1, which did nearly everything the D-50 did and more, with class, sophistication and refinement. Where the D-50 relied on sampled attacks and novel loops, the M1 offered up a then-burly 4MB of meticulously multisampled real-world instruments that actually made it sound like you were playing the real thing. Like the D-50, the M1 also boasted a full range of effects - and even multieffects - that could be used by its two built-in processors.

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There were two inclusions that were crucial to the astonishing success of the M1. The first was a complete and sophisticated eight-track sequencer (the M1 was eight-part multitimbral) that allowed users to cobble together complete arrangements via a familiar pattern/song paradigm. It was friendly and powerful, that power being reinforced by the inclusion of some excellent sampled drum sounds. The M1 was, truly, a musician's workstation.

Users looking to create their own sounds could combine a pair of oscillators (no sync or cross-modulation, alas) and shuttle them through a non-resonant filter, modulating them with envelopes, LFO, keyboard, pedal and joystick. This simple pathway allowed the original samples to shine through.

Those who didn't want to do too much back-end tweaking could avail themselves of a veritable industry of support that grew up around the M1. Third-party patches and add-ons were common currency even into the 1990s. By that time, the M1 had become the biggest-selling synth ever produced, that popularity made evident by its instantly recognisable sounds popping up on radio and TV, and in the cinema. The M1's Pole, Magic Organ and Universe patches have become (perhaps overly) familiar, and its slap bass will resonate forever thanks to Jonathan Wolff's Seinfeld theme. Serie enterprise discovery download torrent. And then there's that iconic piano sound - still popular today with dance music producers.

Today, the M1 continues to sell in virtual form from Korg themselves. However, its spirit also lives on in every hardware workstation and software ROMpler on the market.

Three great M1 emulations

Korg Legacy Collection M1

Containing all the sounds of the M1 and all 19 of Korg's optional add-on cards, the Legacy Collection M1 provides more than 2700 preset sounds in all. Coming in standalone, VST, AU and RTAS formats, it also adds filter resonance. The effects are ramped up, too, with dual dedicated effects processors available for all eight multitimbral parts.

FULL REVIEW:Korg Legacy Collection Digital Edition

Korg iM1

A different beast to the desktop version, Korg's iM1 for iPad offers the additional after-market cards as in-app purchases (for a total of over 3300 sounds), but adds a keen KAOSS pad controller in addition to filter resonance and beefed up effects. The touchy-feely interface answers any and all complaints about the original's lack of physical controls.

FULL REVIEW:Korg iM1

Sonic Cat Luxonix Ravity

A conscious attempt to offer a virtual equivalent to the M1 and all of the hardware ROMplers that followed it, the Windows-only Ravity and its big brother, Purity, provide a collection of bread and butter sounds, along with neat electronic timbres and percussion in a trim, easy-to-use package. It's a bit dated, but still useful. Just like the M1, then!

READ MORE:Sonic Cat Luxonix Ravity

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Optimization Licensing & Configuration for IBM ILOG CPLEX & Decision Optimization Center

This Licensing and Configuration helps you to estimate the cost of developing and deploying a custom IBM ILOG CPLEX Optimization application with CPLEX Studio or Decision Optimization Center (DOC).

When you are ready to leverage IBM Decision Optimization to develop and deploy a custom optimization application, here we listed the IBM Decision Optimization licensing and potential configuration.

You can have an early rough cost estimation. Or you can contact us directly to get the exact quote.

For in depth details about IBM Decision Optimization offerings, please refer IBM Decision Optimization for Application Development and Deployment.

CPLEX Studio Community Edition (CE) / Preview Edition

When you solve locally with CPLEX Studio CE, your optimization problem size is limited to 1000 variables and 1000 constraints.

Licenses for ILOG CPLEX Optimization Studio (as of Feb 2015)

Product Name D p/n Description Price Subscription & Support IBM ILOG CPLEX Optimization Studio Developer Edition Authorized User License + SW Subscription & Support 12 Months D0CV0LL Named (aka authorized) user for development. 9550 per AU 20% of list IBM ILOG CPLEX Optimization Studio Developer Edition Floating User Single Session License + SW Subscription & Support 12 Months D16I8LL Simultaneous use, where the entitlement quantity specifies how many users can use the SW at the same time for development 14400 per FUSS 20% of list IBM CPLEX Optimizer Deployment Entry Edition Processor Value Unit (PVU) License + SW Subscription & Support 12 Months D120VLL This is a PVU metric but it has a 140 PVU limit, how much a client can buy maximum of this type. Once the client reached the 140 PVU, the client cannot buy more of this type. Then the "entry" has to be traded up to "ordinary" PVU, then more PVU can be purchased. 175 per PVU 20% of list IBM CPLEX Optimizer Deployment Edition Processor Value Unit License + SW Subscription & Support 12 Months D0CV2LL The "regular" deployment metric. 290 per PVU 20% of list IBM CPLEX Optimizer Deployment for Non-Production Processor Value Unit (PVU) License + SW Subscription & Support 12 Months D0TKXLL The non-production version of the deployment metric. 137 per PVU 20% of list IBM CPLEX Enterprise Server Processor Value Unit (PVU) License + SW Subscription & Support 12 Months D0LF1LL The deployment metric for the optimization server. 845 per PVU 20% of list IBM CPLEX Enterprise Server for Non-Production Environment Processor Value Unit (PVU) License + SW Subscription & Support 12 Months D12N0LL The non production version of the deployment metric. 411 per PVU 20% of list IBM CPLEX Optimizer Single User Edition Client Device License License + SW Subscription & Support 12 Months D0TLFLL This entitlement's intention is to embed on intelligent devices (like smart meters). The entitlement has 3 limitations. 19700 per client device 20% of list

Licenses for Decision Optimization Center (as of Feb 2015)

Product Name Part ID Description IBM List Price Subscription & Support IBM Decision Optimization Center Developer Edition D0951LL All you need to develop, debug and test Decision Optimization Center applications. For SW developers and optimization experts. Includes CPLEX Optimization Studio. 11,200 per Authorized User (Lic. + Maint.) 20% of list IBM Decision Optimization Center CPLEX Server D0955LL Deployment to serve remote solve requests. Includes IBM WebSphere Application Server for Developers 8.5. 820 per PVU (Lic. + Maint.) 20% of list IBM Decision Optimization Center CPLEX Engine D0IV2LL Deployment to serve local solve requests. 492 per PVU (Lic. + Maint.) 20% of list IBM Decision Optimization Center Data Server D0IV6LL Manages the Scenario Repository. Deployment to serve remote scenario management. Includes IBM WebSphere Application Server for Developers 8.5.5. 546 per PVU (Lic. + Maint.) 20% of list IBM Decision Optimization Center Client Edition D0IVQLL This is the business UI. Scenario creation / edition / modifications via Decision Optimization Center Data Server. Submit of solve requests to Decision Optimization Center CPLEX Server (remote) or Decision Optimization Center CPLEX Engine (local) 5,000 per Authorized User (Lic. + Maint.) 20% of list IBM Decision Optimization Center Planer Edition D095PLL Same functionality as Client Edition + single-user local scenario management. Possible direct access to Scenario DB (for legacy users, deprecated) 90,000 per Authorized User (Lic. + Maint.) 20% of list IBM Decision Optimization Center Solution Accelerator Client Edition D0N7BLL Provides components that allows the execution and customization of business optimization solutions developed with Decision Optimization Center. 4,670 per Authorized User (Lic. + Maint.) 20% of list IBM Decision Optimization Center Solution Accelerator Server Edition D0N2ULL Provides components that allow the execution and customization of business optimization solutions developed with Decision Optimization center. 796 per PVU (Lic. + Maint.) 20% of list

Licensing & Configuration Remark

Authorized User

The number of named individuals authorized to use the program at any point in time.

Floating user single session

The number of individuals using the program at any given time is limited by the entitlement (quantity).

Processor Value Units (PVU)

Used to differentiate distributed processor technologies (defined by Processor Vendor, Brand, Type and Model Number) based on cores.

pricing metric through Passport Advantage.

Each processor has a unique price per PVU.

PVUs are transferrable among systems and product within the enterprise.

PVU pricing provides flexibility and granularity.

Fair price per core for software value on multi-core technology.

enables virtualization sub-capacity licensing at the processor core level.

Client Device

Meant for (small) device embedding. It has 3 limitations:

the device cannot have more than 6 cores

only 1 "derived application" can run with an entitlement on the device.

only 1 simultaneous user can access the "derived application"

Multiple entitlement cannot be combined for cores, e.g. 2 purchasing 2 entitlements would not enable the user to have a 12 cores machine use.

However, for other 2 types (users / "derived applications") multiple entitlements can be combined on 1 machine, e.g. 3 client device entitlements would allow a client to use 3 "derived applications" with 1 simultaneous user OR 3 simultaneous user using 1 "derived application" on a 6 cores machine.

Look up exact values by server vendor / model and processor at https://www-112.ibm.com/software/howtobuy/passportadvantage/valueunitcalculator/vucalc.wss?

Processor Technology PVUs per processor core x86 or RISC, single core 100 x86, multi-core 50 or 70* RISC, multi-core 30 - 120 * IFL, single core (running Linux on System z) 100 or 120*

Common License Configurations

Case Study 1: Analysis Research ~10,000

1) D0CV0LL IBM ILOG CPLEX Optimization Studio Developer Edition Authorized User License + SW Subscription & Support 12 Months

License Metric is per Authorized User.

Required for each 'developer' of Optimization model.

User is entitled to develop and test/run optimization model.

User is not entitled to run optimization model in stand alone environment or distributed results (service bureau).

Case Study 2: Departmental Application ~75,000

1) D0CV0LL IBM ILOG CPLEX Optimization Studio Developer Edition Authorized User License + SW Subscription & Support 12 Months

License Metric is per Authorized User.

2) D0CV2LL IBM ILOG CPLEX Optimizer Deployment Edition Processor Value Unit License + SW Subscription & Support 12 Months

License Metric is per PVU.

Must calculate number of PVUs required for hardware that will be running optimization based application.

Example: Intel Xeon, 4 cores = 200 PVUs (50 PVUs per core x 4 cores).

Case Study 3: Enterprise wide Application ~250,000

1) D0CV0LL IBM ILOG CPLEX Optimization Studio Developer Edition Authorized User License + SW Subscription & Support 12 Months

License Metric is per Authorized User.

2) D0LF1LL IBM ILOG CPLEX Enterprise Server Processor Value Unit License + SW Subscription & Support 12 Months

License Metric is per PVU.

Production: IBM Power 6/550, dual core = 240 PVUs (120 PVUs x 2 cores)

Non-production (50% discount with use of IBM approved Sales Play)

QA: IBM PowerPC 970, dual core = 100 PVUs (50 PVUs x 2)

Hot Back-up: IBM Power 6/550, dual core = 240 PVUs

D0CV2LL can be substitute product.

Optimization Server Optimization Engine Planner Data Server Client Enterprise Yes Yes Yes Hybrid Yes Yes Yes Desktop Yes Yes

[whoistuanhai]

Cài hackintosh trên HP Elitebook 8470p sử dụng Clover UEFI hotpatch

Bài này chủ yếu để note lại để tra cứu nên mình sẽ không giải thích nhiều mà chủ yếu hướng dẫn kiểu mì ăn liền, phù hợp cho những ai đang sở hữu laptop HP Elitebook 8470p với cấu hình giống như mình 😀

Mình không phải là một chuyên gia cài hackintosh. Ban đầu khi mới học iOS, mình được cài miễn phí do đăng ký khóa học iOS của Techmaster. Lúc đó, năm 2014, con laptop của mình là Asus K40IJ, vừa cùi vừa khó cài, lại còn không nhận được QE/CI làm xem video còn bị giật tung đít. Sau đó, mình mua con HP Elitebook 8470p này và tự tìm hiểu để cài. May mắn là con laptop sau này của mình khá dễ cài và có guide rất chi tiết.

Nội dung của bài viết chủ yếu dựa trên hướng dẫn sau, do RehabMan, một moderator nổi tiếng trên trang tonymacx86. Mình đã sử dụng hướng dẫn này để cài macOS các version từ 10.11 đến 10.14 dual boot với Windows 8 và chạy khá ổn.

Tại thời điểm này (9/11/2019) thì macOS đã ra version 10.15 Catalina. Tuy nhiên theo tham khảo từ nhiều nguồn thì bản mới này còn nhiều lỗi nên mình chưa cài vội, vì thế mình sẽ chọn bản 10.14.5 trong bài viết này.

Cấu hình máy

Brand: HP Elitebook 8470p - 7th series laptop

CPU: Intel core i5 3320M (Ivy Bridge)

GPU: Intel HD4000 (không card rời)

Wifi: phải thay do card wifi của máy không được hỗ trợ bởi hackintosh. Mình dùng con Broadcom 943224 mua 200k của bạn Sơn nhà ở Ngụy Như Kon Tum, dùng 5 năm rồi vẫn chạy tốt, mỗi tội không có bluetooth 😛. Bạn Sơn này cũng là người cài cho mình con máy đầu tiên để học iOS.

RAM: 8 Gb (2 thanh 4 Gb 1333 Mhz).

Hard drive: 1 ổ HDD 500GB, chia làm 3 phân vùng. Phân vùng cài macOS 150 Gb, phân vùng cài Windows 100 Gb, còn lại để chứa dữ liệu. Lưu ý là ổ đĩa phải được định dạng kiểu GPT thay vì MBR. Nếu ổ của bạn đang được định dạng là MBR thì bạn phải chuyển đổi sang GPT. Kinh nghiệm của mình là backup tất cả dữ liệu của mình lên mây rồi format lại cả ổ đĩa và chia lại ổ từ đầu.

BIOS setting

Khởi động máy và ấn F10 để vào BIOS setting. Sửa lại các option sau:

Enabled UEFI boot (hybrid/with CSM)

Secure boot - Disabled

Fast boot - Disabled

Serial port - Disabled

LAN/WLAN switching - Disabled

Extended Idle Power States - Disabled

Wake on LAN and Wake on USB - Disabled

Firewire/IEEE 1394 - Disabled

Save và khởi động lại máy.

Cài đặt Window

Việc tiếp theo bạn cần làm là cài Window. Lưu ý là bạn phải tạo bộ cài Window theo chế độ UEFI vì mặc định Window sẽ được cài theo chế độ legacy. Hướng dẫn tạo bộ cài ở đây

Sau đó thì cài thôi, cài Win dễ mà!

Khi cài Window theo chế độ UEFI, Window sẽ tự động tạo ra một phân vùng EFI để phục vụ cho việc cài macOS sau này.

Chuẩn bị USB cài đặt macOS

Chuẩn bị một USB dung lượng 8 Gb trở lên, khuyến khích nên dùng USB 2.0 để tránh lỗi. Lưu ý để tạo USB cài đặt bạn cần phải truy cập được vào một bản macOS thật. Bạn có thể mượn máy macbook hoặc máy đã cài hackintosh của bạn bè hoặc đập vào mặt chúng nó cái guide này và bảo nó tạo hộ bạn, dễ mà 😄.

1. Cài Clover lên USB

1.1. Phân vùng USB

Liệt kê các ổ đĩa trên máy:

diskutil list

Format và chia USB ra thành 2 partition, một partition để cài clover, một partition để cài macOS:

diskutil partitionDisk /dev/disk1 2 MBR FAT32 "CLOVER EFI" 200Mi HFS+J "install_osx" R

Lưu ý: trên máy mình /dev/disk1 là USB, tùy vào máy mà thay đổi phần này.

Sau bước này, USB của bạn sẽ có 2 phân vùng với tên và định dạng và dung lượng như sau:

CLOVER EFI - FAT32 - 200 Mb

install_osx - HFS+ - dung lượng còn lại của USB

1.2. Cài Clover

Chọn bản Clover mới nhất ở đây: Download Clover. Phiên bản tại ngày mình viết bài là v2.5k r5098.

Cài Clover trên CLOVER EFI partition của USB với các option sau trong trang Customize :

Install for UEFI booting only

Install Clover in the ESP

Recommended driver (sub-menu của UEFI Drivers)

ApfsDriverLoader (sub-menu của File System drivers)

AptioMemoryFix (sub-menu của UEFI Drivers->Memory fix drivers)

OsxFatBinaryDrv (sub-menu của UEFI Drivers->Additional drivers)

Black Green Moody (sub-menu của Theme)

2. Copy driver còn thiếu lên USB

Sau khi cài Clover lên USB, trong folder EFI/CLOVER/drivers/ đã có gần như đầy đủ driver. Nhưng vẫn còn thiếu 2 driver quan trọng:

HFSPlus.efi

HPFanReset.efi

Download và copy vào folder EFI/CLOVER/drivers/UEFI

3. Copy kext lên USB

Xóa hết các folder trong EFI/CLOVER/kexts mà chỉ giữ lại folder Other. Download và copy các kext sau vào thư mục ``EFI/CLOVER/kexts/Other` trên USB:

FakeSMC.kext

VoodooPS2Controller.kext

USBInjectAll.kext

Lilu.kext

WhateverGreen.kext

SATA-unsupported.kext

IntelMausiEthernet

4. Config

Thay thế file confilg.plist mà Clover tạo ra trong USB bằng file config.plist của Rehabman đã chỉnh sửa.

Download (nhớ save dưới định dạng .plist nhé) và copy vào EFI/CLOVER

5. Copy macOS installer vào USB

Trước tiên, ta cần phải download macOS Installer. Thông thường, bạn chỉ cần lên Mac App Store và search macOS Mojave và download. Tuy nhiên, Apple sau khi ra một phiên bản mới của macOS thường giấu đi các phiên bản cũ trên Mac App Store. Tại thời điểm này, macOS Catalina đã ra. Vì thế, khi bạn lên Mac App Store và search "macOS Mojave" thì không có kết quả. Mình có google và tìm ra được link này, click vào thì sẽ nhảy thẳng đến trang download của macOS Mojave trên Mac App Store.

Sau khi download, ta sẽ sử dụng createinstallmedia method để copy macOS installer vào phân vùng install_osx trên USB.

Copy installer image:

sudo "/Applications/Install macOS Mojave.app/Contents/Resources/createinstallmedia" --volume /Volumes/install_osx --nointeraction

Đổi tên phân vùng:

sudo diskutil rename "Install macOS Mojave" install_osx

Vậy là chúng ta đã hoàn tất việc tạo một USB boot để cài đặt macOS. Bước tiếp theo sẽ là cài đặt macOS lên HDD.

Cài macOS lên HDD

Khởi động máy và ấn F9 để vào boot menu. Chọn USB device mà ta vừa tạo.

Màn hình Clover xuất hiện, chọn Install macOS Mojave.

Sau khi load xong, màn hình cài đặt xuất hiện. Sử dụng Disk Utility để tạo một phân vùng 150 Gb với định dạng Mac OS Extended (Journaled) và cài macOS lên đó.

Khởi động lại và lại boot vào USB giống bước 1

Màn hình Clover xuất hiện. Chọn phân vùng mà ta vừa cài macOS lên.

Màn hình cài đặt xuất hiện và tiếp tục công việc của nó.

Khởi động lại máy và boot vào USB giống bước 1

Màn hình Clover xuất hiện. Chọn Boot macOS from PARTITION_NAME . PARTITION_NAME sẽ là tên phân vùng bạn đã đặt ở bước 3. Máy mình đặt là MOJAVE.

Nếu mọi thứ suôn sẻ, bạn sẽ kết thúc quá trình cài đặt và đến với desktop của macOS

Cài đặt Clover lên HDD như cách mà bạn đã cài với USB. Đừng quên copy driver, kext và config vào phân vùng EFI trên HDD nhé.

Cách mount phân vùng EFI:

diskutil list // Check cột IDENTIFIER của EFI nhé. Của mình ở đây là `disk0s1` /dev/disk0 (internal, physical): #: TYPE NAME SIZE IDENTIFIER 0: GUID_partition_scheme *500.1 GB disk0 1: EFI EFI 209.7 MB disk0s1 2: Microsoft Basic Data WINDOW 100.0 GB disk0s2 3: Microsoft Basic Data DATA 250.1 GB disk0s3 4: Apple_APFS Container disk1 149.8 GB disk0s4 /dev/disk1 (synthesized): #: TYPE NAME SIZE IDENTIFIER 0: APFS Container Scheme - +149.8 GB disk1 Physical Store disk0s4 1: APFS Volume MOJAVE 109.1 GB disk1s1 2: APFS Volume Preboot 43.9 MB disk1s2 3: APFS Volume Recovery 506.8 MB disk1s3 4: APFS Volume VM 5.4 GB disk1s4 sudo mkdir /Volumes/EFI sudo mount -t msdos /dev/disk0s1 /Volumes/EFI/

Hoàn thiện

Sau khi cài Clover lên HDD, bạn có thể boot vào macOS mà không cần đến USB nữa. Giờ chỉ cần cài kext, patch DSDT/SSDT, sửa file config nữa là xong. Rehabman đã cung cấp sẵn các script trong repo để đơn giản hóa việc này. Việc của chúng ta là clone repo về và chạy các script có sẵn.

Trước tiên phải cài git:

xcode-select --install

Sau đó, clone repo của Rehabman trên Github:

mkdir ~/Projects cd ~/Projects git clone https://github.com/RehabMan/HP-ProBook-4x30s-DSDT-Patch probook.git

Download và cài đặt các tool và kext:

cd ~/Projects/probook.git ./download.sh ./install_downloads.sh

Power Management

Disable hibernation, do hackintosh không hỗ trợ:

sudo pmset -a hibernatemode 0 sudo rm /var/vm/sleepimage sudo mkdir /var/vm/sleepimage

Download và chạy ssdtPRGen script để patch SSDT:

cd ~/Projects/probook.git curl --fail -o ./ssdtPRGen.sh https://raw.githubusercontent.com/Piker-Alpha/ssdtPRGen.sh/master/ssdtPRGen.sh chmod +x ./ssdtPRGen.sh ./ssdtPRGen.sh

Mount EFI và copy file ssdt.aml đã được patch vào EFI/CLOVER/ACPI/patched:

cd ~/Projects/probook.git ./mount_efi.sh cp ~/Library/ssdtPRGen/ssdt.aml /Volumes/EFI/EFI/Clover/ACPI/patched/SSDT.aml

ACPI Configuration

Build add-on SSDTs:

cd ~/Projects/probook.git ./build.sh

Copy các add-on SSDTs (SSDT-8x70.aml, SSDT-FANREAD.aml, SSDT-IGPU.aml) vào EFI/CLOVER/ACPI/patched trên HDD

./install_acpi.sh install_8x70

Config

Bước cuối là chọn file config.plist cho máy:

cd ~/Projects/probook.git cp ./config/config_8x70.plist /Volumes/EFI/EFI/Clover/config.plist

Review

Hoàn thành các bước trên coi như bạn thành công 95% việc cài hackintosh. Các tính năng đã hoạt động cho đến giờ:

UEFI booting với Clover

Power Management

Bàn phím

Trackpad

Wifi

Ethernet

Audio

Graphic

Mic

Camera

USB 2.0/3.0

Pin - hiển thị dung lượng, trạng thái

Mac App Store

Các tính năng chưa hoạt động, lỗi nhỏ:

Messages/Facetime - do chưa config SMBIOS trong config.plist. Mình không dùng đến tính năng này nên bỏ qua. Nếu muốn bạn có thể làm theo hướng dẫn này hoặc hướng dẫn này.

Khi khởi động luôn hiện lên thông báo:

This Mac can't connect to iCloud because of a problem with ...

Lỗi này cũng do chưa config SMBIOS trong config.plist. Sửa bằng cách làm theo một trong 2 hướng dẫn ở trên

Kết

Đấy, cài hackintosh cũng dễ mà 😁. Đùa thôi, đấy là với những máy mà có guide chi tiết và dễ cài như máy mình thôi.

Nếu bạn thực sự cần dùng macOS cho công việc mà không có thời gian tìm hiểu thì đi cài dịch vụ cho nhanh cũng được. Giá cả thì cũng không quá đắt, dao động từ 200-300k, tùy máy và tùy hình thức. Một số bạn cài dịch vụ mà mình biết:

Sơn Công Nghệ - 078.706.5634 - Hà Nội

Sơn Huỳnh - 093.622.5565 - Hà Nội

Tô Hùng Dương - Sài Gòn

Còn nếu có thời gian thì đây là một số địa chỉ để bạn có thể tìm hiểu:

Forum tonymacx86

Forum insanelymac

Thời gian tới mình cũng sẽ viết thêm về hackintosh, các bạn chú ý đón đọc nhé.

[theteenagetrickster]

Producing Live House & Techno with Hazmat | Waves

Performer, talk carton fanatic, songwriter and also manufacturer Walter Howard-- a.k.a Hazmat Live (Charlie Wilson, 4 Leadings, Amp Fiddler, Spirit Clap)-- speaks digital improv, producing live techno/house and exactly how he remixes traditional songs, taking them to yet another sonic size.

By David Ampong, Waves Audio

Where carries out the title Hazmat arise from?

The label Hazmat originates from an area where I believe the popular music I make is actually harmful material that interrupts mainstream complacency. I do not count on cookie-cutter labels or keeping in my street. I desire to push limits as well as produce eternities. The tag "Hazmat Live" gives me the cover-up to operate with.

Being coming from Detroit "Electric Motor Metropolitan area," native home of Techno as well as Motown-- as well as all the various other changes in scripture, rut, jazz and deeper home that were actually generated in this wonderful city-- I have actually been honored to operate in each of these categories and it has actually assisted me promote a definitely special noise. The influence Detroit carries the planet is actually crystal clear and also found. I am actually very blessed to become an aspect of the popular music textile of Detroit. It is actually incredibly necessary that I exemplify my people.

What plugins do you make use of throughout the creative procedure in the studio?

I am actually a large supporter of the Bass Fingers. When I initially heard this VST, it streamed my mind! I could not feel what I was actually listening to-- The fatness, fret sound, the strand rattle, etc.-- Everything merely matched up for me. It matches all my bass production necessities as well as is really easy to use.

I also can't reside without the Friary Road Selection (specifically, Abbey Street Plastic as well as the J37 Strip). It strikes my thoughts just how hot and textural you can obtain with the entire collection. Awakening Vox is actually a standard in my audio chain; coupled with the H-Delay, you can't lose. The Element Digital Analog Synth is just one of the only software application synths I as if to make use of. It possesses a really uncooked and analog feel, plus the sequencer spares the time for me. Truly fantastic tools for my innovative process.

How perform you make and play online techno & & home? Just how do you specify 'Digital Improv'?

Well, my current scenic tour rig is a light one, but quite strong! I possess the Roland TR8-S, MC-707 and a JD-Xi together with an Akai MPC Live. I possess an external clock that I deliver to a MIDI center which manages the entire gear. And depending on the space and also what kind of efficiency I am actually performing, I may deliver the chat box out with me also.

Playing online house/techno for me is a lot like the post-bop, complimentary jazz-era. I am actually a jazz performer through profession as well as "electric improv" is merely me being applicable the policies of jazz music to a dance flooring. I could transform the drum gouge totally or remix the bass line by adding and also subtracting keep in minds. I might get on a synth lead as well as produce a haunting melody and loop, then generate a totally various monitor altogether. There is actually something about playing along with musical instruments that gives me a different feeling of spontaneity.

I opt for to create 90% of right stuff I perform coming from blemish, merely because I really want the dance flooring and also audiences to feel me in that second. Eventually, I want folks to experience the tough work as well as musicality I put into each collection. Making the popular music in the house just gets you until now; it's the live electricity of the people that helps spark originalities and also boosts the audience or even dance flooring to one more amount. My target is actually to embody who I am actually though house/techno and also as a Detroit artist. My hope is to motivate additional entertainers to produce house and techno as well as give the terms "live collection" their appropriate dental crown.

You lately did a remix cover of Sade's timeless song: 'No Ordinary Passion'. Exactly how did you create it unordinary?

Sade's songs has actually always interested me! I like every gouge as well as by chance, I feel an exotic wind on my face when I pay attention to their music. For eight moments I failed to wish you to become on the dancing flooring; I desired you to be drifting over it. I wanted people to be actually moved in to a vibrant sonic size where they may experience wind on their faces, as if they were actually piloting over a lovely sky line.

I am actually a massive synth nerd as well as I would like to make all my textures with the old equipment and also drum machines I invite my compilation. I feel this really provided me a way to arid my soul and also to possess a limitless combination to coat with. The groove of Sade's "No Ordinary Love" is super-sexy, and I desired to honor among the dopest bass pipes ever through merely maintaining it the same and property electronic feelings around it. Hopefully I did right through it and the globe dancings along with my analysis of this particular wonderful tune.

The mix on this monitor is actually very fat deposits and also I can not take any type of credit rating for that. Grammy-award winning designer Khaliq Glover (a.k.a Khaliq-O-Vision) placed his stamp on this tune as well as made it stand out. I will mention that I am actually a budding mix developer and also I possess a lot to discover the sonic world. Waves plugins have entirely given me fantastic devices for finding my noise. However I enjoy to work off the mixing parts to the sonic artist or mix developer to accomplish their point and also bring all of it to lifestyle.

Vocoders as well as talk packages are actually nothing at all new, yet what is it regarding all of them that can create something audio new again?

The talk container may turn minds immediately! It's a tool I utilize to be actually lively vocally and also to grab the audience's curiosity. It can easily bring brand new life to a dated item and add an indisputable twist to the right song. I utilized it on my remake of "No Ordinary Affection" and additionally to enrich my remake of "Songs & & A glass of wine" in 2018. I believed the talk box would be actually a wonderful treatment for this classic jam. I made an effort very challenging to layer the components and also give the track an emotional shipment.

Some people still possess no tip what a speak box is actually, however they have actually heard it their entire lives. The talk carton includes many hrs of intense test and also inaccuracy, ear training, exercising scales and learning just how to sing along with a cylinder in your mouth! It absolutely is an art type and also a 10,000-hour task. My goal is to carry even more understanding to a currently worldwide popular music fighting style. Talk boxers like Byron 'Mr. Talkbox' Chambers have actually made substantial strides in maintaining the talk trap the mainstream radio as well as present day songs. Our experts get on the sonic battlefield, preserving the art and also legacy of Mr. Roger Troutman, the master of speak container. Hopefully even more people will definitely help us maintain this craft constitute a component of the future as well as recover its own due area as the forerunner of voice modulation.

Stay in the loop along with the current material as well as jobs from Hazmat Live.

This content was originally published here.

[hardwarecomponents]

Sonos will stop issuing software updates for 'legacy' speakers and devices in May

If you’re using an older Sonos device like the CR200 remote, a Zone Player, or the first-generation Play:5, you have some tough decisions to make. Sonos just announced that starting in May, a variety of its oldest products will stop receiving software updates, which means they’ve effectively reached “end-of-life” status as far as Sonos is concerned. “We’re extremely proud of the fact that we build products that last a long time,” said Sonos in a blog post. “However, we’ve now come to a point where some of the oldest products have been stretched to their technical limits in terms of memory and processing power.” Among the Sonos speakers and devices that will no longer receive software updates as of May include: Owners of “legacy” Sonos products have a couple of options. For starters, they can keep using them, with the understanding that over time, they’ll start to lose functionality. For example, music streaming services may stop supporting the older devices, as well as “voice partners” such as Amazon and Google. There may be another serious drawback to keeping an outdated Sonos speaker or component connected to your other Sonos devices. According to an email sent to affected Sonos users, a legacy Sonos product that no longer receives software updates will effectively block updates for any of your other connected Sonos components, even the newer ones. That said, a Sonos rep told us that users will, in fact, be able to “separate” legacy Sonos devices from “modern” Sonos systems, with more details to be revealed “closer to May.” ”Please note that because Sonos is a system, all products operate on the same software,” warns the Sonos email. “If modern products remain connected to legacy products after May, they also will not receive software updates and new features.” A second option is to “trade up” for a newer Sonos device at a 30 percent discount. To take part in Sonos’ “Trade Up” program, you’ll need to connect your device to your Sonos account, then confirm that you want to trade it for a newer model. Part of the process involves putting your older device in “Recycle Mode,” which wipes any personal info before permanently deactivating it for recycling. The writing was on the wall for some of Sonos’s older “legacy” products. When Sonos initially announced its “Trade Up” program last October, eligible products included the Zone Players and the first-gen Play:5 speaker, which is more than 10 years old. The Bridge, meanwhile, used to be a necessity for connecting Sonos speakers and devices to your Wi-Fi network, but a 2014 software update enabled Sonos speakers to connect directly to Wi-FI, thus eliminating the need for the Bridge. Still, many home audio aficionados are accustomed to speakers that can last indefinitely; for example, I have a 5.1 speaker set that’s close to 20 years old, and it sounds (and works) just as good as it did on the day I bought it. But that’s the thing with connected speakers and home audio devices such as those sold by Sonos: unlike “dumb” speakers and amplifiers that can last for decades, connected speakers have a shelf life that’s limited by the hardware under their hoods. Indeed, the very features that make Sonos’s speakers, amps, and devices so enticing, such as their ability to connect directly to streaming music services and each other, while (in some cases) working with Alexa and Google Assistant, dramatically shorten their “sell by” date. Updated shortly after publication to add information from an email sent to Sonos users about how connected legacy Sonos products that are no longer receiving software updates will block future updates to newer Sonos devices, along with word from Sonos that a fix is in the works. Note: When you purchase something after clicking links in our articles, we may earn a small commission. Read our affiliate link policy for more details.