#Lighting Returns

[mostfuckableffvillain]

Round 1

Nag'molada: I never played XI, I'm so sorry.

Bhunivelze: BIG. SEXY. WILL EAT ME.

[ofswordsandpens]

directors using colorful or "impossible" lighting to convey mood and meaning and beauty my beloved. directors making night scenes impossible to see for the sake of realism my beloathed.

[lgbtlunaverse]

Fanon likes to portray Jiang Cheng and Lan Wangji as being jealous of each other because they fear wei wuxian will choose one of them over the other. Which is ignoring the fact that at least in novel canon Jiang Cheng did not even fucking know wangxian ever got along let alone that lwj was in love with wwx until at the very end of the story (in cql canon he does go through a wangxian phase early on and gets very confused by their "breakup" during wwx's sunshot era) and that Lan Wangji is mostly filled with loathing towards both himself and Jiang Cheng for 'abandoning' Wei Wuxian and not being able to save him.

It also ignores the much bigger point that both Lan Wangji and Jiang Cheng are actually jealous of Wen Ning. And why wouldn't they be? That is who Wei Wuxian chose in his first life. He left the Jiang, told Lan Wangji to fuck off no he is not coming to gusu with you, and spent his days with his little-brother-shaped corpse bestie on his mountain in yiling. And then when he came back he immediately called him up the second he could string together more than two notes on a flute. Wen Ning is the real competition. (And he's winning)

[rebloggerandy]

the “she” incident.

[hmura-hmara]

“You were right. You were right about me. Tell your sister…you were right.”

[demigods-posts]

luke fumbling in recruiting percy has to be one of his greatest failures. a beautiful thing the show does regarding luke and percy's relationship is building rapport between them through shared moments like settling into camp, eating meals together, but especially through swordfighting lessons. the swordfighting scene at the beginning of episode 8 not only reveals that percy and luke already share similar beliefs about the fear-based system the gods have cultivated, but it's clear the conversation stays with percy when he fights ares and later calls out zeus on his waning skills as a father and a king. however, luke's plan fell through the moment percy learned that the winged-shoes were meant to drag him to tartarus. not only that, but the shoes nearly killed grover, a friend percy cared for deeply. if nourishing loyalty and trust was the key to ensuring a partnership with percy, then it was luke's faulty planning, arrogance, and impatience that cost him the greatest ally he could ask for.

[buttercupshands]

can you even call it a warm up if I'm going to bed without drawing anything big

and a sketch I made while sitting in the park today

[canisalbus]

I was thinking of Machete and his sheep toy 🐑

Also sorry I keep drawing him, I just love him so much ♡

.

[littlecrittereli]

That moment when your non-affectionate brother is suddenly affectionate

[nocturnalfandomartist]

sorry for the lazy post this is mostly a twitter thing but it's so funny i had to make it them

[alexparozi]

shakes them around like little dolls

[good-fwiend-in-wome]

this would work much better with a third naissancee-ultrakill axis but that's beyond my graphing capabilities

[lightwise]

Omega is not okay

I know we've all been over the moon about Crosshair and Hunter's dynamic in The Return, but I want to draw some attention to Omega in this episode, and something that I think Joel Aron is trying to draw attention to with his lighting choices.

Omega is not okay.

Joel has made pointed out many times that he loves doing reveal lighting (think the overhead light in Crosshair's cell or on the freighter at the end of A Different Approach giving him a halo, or how Hunter stops short of the overhead light on the Marauder before stepping out to greet Omega). And throughout this whole episode, the light is breaking over Crosshair and bathing him in warmth more and more. He is slowly returning the light and coming home to his family.

Omega, however, in nearly every single scene in this episode, is in shadow.

Yes, her hairstyle is contributing to the fall of light on her face, and yes, she has her hat on while they're on Barton IV. But this is showing that her psychological state since they escaped Tantiss is uneasy, at best, and very conflicted and darkened, at worst. Even when she wakes up in the comfort and safety of the Marauder, she is shrouded in shadow. And even in scenes where the light wraps around and highlights Crosshair's face, Omega's is kept harshly defined, and she is often looking away from the "camera".

Even when we see her somewhat happier at points in this episode, usually due to watching her brothers reconnect, her face is not as well lit as theirs.

Omega kept her positivity and optimism at the forefront while she and Crosshair were in prison, and throughout most of their escape. It's what we most associate with her--being a ray of sunshine and encouragement for those around her. Now, however, she has the opportunity to relax a bit, for the adults to be handling certain things, and the trauma and perspective shift that she has just gone through is coming to the forefront.

Her survivors guilt, her shock at not being the only female clone, her confusion and questions over who she is and why she is so important, the cruelty she's seen Hemlock be capable of, and her continued empathy for anyone who is suffering is all swirling around in her in ways that she doesn't know what to do with yet. Yes, she has seen much suffering in the galaxy already in her short life, and has always been adamant about her need to help others. But ultimately it had never impacted her like this. Until now.

Crosshair has been broken and remade by his experiences. Omega is being broken and remade by hers as well. And I'm not sure the boys fully realize just how much yet.

Omega refuses to be left behind. She feels responsible for the fact that the rest of the clones are still on Tantiss. She feels guilty that she could have a chance at a life still and they don't. She feels an all-encompassing need to help them if she can, even though she is still young and vulnerable. This is ultimately going to conflict with Hunter's desires to keep her safe and hidden. Echo has already chosen the fight. Wrecker is willing to go wherever he's needed. Crosshair has been through too much to not be willing to fight back however necessary.

Hunter is going to eventually realize that while Omega is still a child, and does need to be protected, at the same time, her own sense of responsibility is going to eventually supersede his desires.

Echo and Crosshair especially will be able to understand some of what she is feeling and hopefully help guide her through it. Hopefully, Omega will be able to reconcile who she is, what she is capable of, and what is outside of her ability to fix, sooner rather than later. But it's safe to say she will never be the same after this. At least she has a little bit of reprieve before facing whatever is next.

[lightthewaybackhome]

Quite possibly one of the most beautiful moments ever written by man.

[starfruit-baby]

how is it i know

[guadalajarawontdonow]

"think nothing of it."

"no, i'm thinking a lot about it."