#Loren Sunni

[willstafford]

Yule Have A Ball

CINDERELLA Belgrade Theatre, Coventry, Sunday 24th December 2023 Writer-director-genius Iain Lauchlan is back at the Belgrade once again to deliver yet another hit pantomime.  Lauchlan is a safe pair of hands; he knows what he’s doing yet, curiously, this one begins with two opening numbers: a duet between the Fairy Godmother and the eponymous heroine.  Then Cinders sings another song with her…

[charmac]

hey seth! i'm just a random guy that's been really into sunny for the past year, and i always love your tweets. you, loren, and anna have been on my fyp a lot the past weekend, and i know a lot of people are being assholes about it, but it's genuinely so heartwarming to see. you three definitely deserve it and are the best kind of people for this to happen to. you always come off as respectful of rcg. hope you can pass the message along to them both too! have a great day

Thank you for the kind message, I really really appreciate it and so do Anna and Loren! Glad you got into the show :)

Honestly I get people are lashing out/shit talking because it does seem kinda weird to witness through a screen how much we’ve been able to interact with them and the interactions we’ve had. I know people are jealous, too (as in have told me they are, and I was certainly jealous last year when Rob didn’t do any events in NYC bc he was sick but did them in Philly a few days later) and I totally get that. Whatever the reason for people being assholes is, I don’t really take it personally. They don’t know the full story of literally anything that happened, they’re just watching through a screen and making their own assumptions of before, after, and in between all these clips they’re seeing, and trying to find something to justify how they feel. The claims that I’ve been ‘stalking’ them or ‘overstepping boundaries’ are genuinely just funny to me when every place we’ve met them has been an event that was publicly posted to Instagram/Facebook well in advance.

(And I’m not gonna talk on Twitter about certain details of this, but I feel like I can probably disclose here that the Four Walls people approached me to tell me/give me things and not the other way around. Their socials dmed me, followed me, Rob followed me, etc. I had literally no sway in them choosing to do those things or introducing themselves to me in person and organically engaging in conversations with me.)

We want to share our interactions with RCG on social media because we think most people appreciate and enjoy their interactions with fans (and also the small amounts of Sunny info we got), and that’s it. I don’t need to share or brag about anything. I would be perfectly content keeping everything that happened this weekend to myself (I very much avoid otherwise sharing my face or voice on social media, so I genuinely have to overcome that insecurity to even be able to share these things), but we know the majority of fans like to see this stuff and that’s why we have been posting everything.

Your message (and others i’ve received) means a lot. I’m glad the majority of people are enjoying our interactions with them and I really appreciate the time you spend to send this ask, really! And I’ll be back to posting regularly scheduled actual Sunny content very shortly :)

[dollfacedsl1ut]

Hands are for choking holding

➙ compendium : He was a deadly and sociopathic killer needing to be on watch every second, coming back to Arkham after your attack you caught his attention the dead but playful look in your eyes when you got into trouble he wanted you breaking all boundaries and rules. At what cost would you realize being with him was mistake.

➙ dynamic : !joker Taeyong x !psycho reader

➙ warnings : reader is called “Jane doe”, sexism, reader is in fight mode all the time, Taeyong in love, joker lore

➙ word count : around 1.5k

A/n: GUYS THIS IS PART 1 there will be more parts since this is a reoccurring series honestly I wanted to start this a while ago

⋆⋆⋆⋆⋆⋆⋆⋆⋆⋆⋆⋆⋆⋆⋆⋆⋆⋆⋆⋆⋆⋆⋆⋆⋆⋆⋆⋆⋆⋆⋆⋆⋆⋆⋆⋆⋆⋆⋆⋆⋆⋆⋆⋆⋆⋆⋆⋆⋆⋆

October 31st 3 a.m.

Your head bumped against the metal barrier of the van your body chained to a cold metal seat your ankles and wrist handcuffed to bars as much as you tugged it was so use, the city looked so pretty at this time you smiled hearing the news report covering your case “Jane doe is on the way back to Arkham asylum for the 3rd time this year after her 4 hour homicidal rampage, authorities stated she was willing to be arrested although she has been know for her devious acts of permanently injuring police officers from broken bones to death we have no further knowledge on janes case we will update you when we have more Intel” the driver you presumed was a associate with Arkham turned the radio down before chuckling

“You’re too pretty of a woman to be doing all this Jane” the man glances at you before facing the road “you could easily be the perfect house wife if you weren’t so damn crazy” he said with a monotone tone assuming what he said would change your mind and mood about everything you’ve done “you should really watch your tongue” you grinned the driver scoffs “I’m just saying you have the perfect body for reproducing I bet men dreamt about pumping their children into you Jane whether they’re mental or not” his words were starting to really piss you off although you’ve always heard these things but hearing them directly to you without being able to do anything didn’t sit right

You stayed quiet the rest of the ride hearing the drivers occasional smart remarks, finally arriving at the asylum the driver parked the van in the back entrance the back door open as Ms. Loren stood there waving at you with your documents “this is your 3rd time Jane what happened” Ms. Loren always spoke to you like you were a fragile child “well a lot I just got upset at something” she nodded before jotting it down on her clipboard the driver from before came inside the back uncuffing you his hands caressed your thighs midst way seeing him angered you, it made your veins pulsate knowing you couldn’t do anything he gripped you by your arms before practically pushing you out the van as the door closed you noticed a pic of you on the back “they had it revamped for you specifically Jane” you smiled at the gesture “thats cute” Ms Loren leaded you towards your room giving you a fresh pair of clothes she also handed you a sandwich and a bag of chips you noticed how it came with 2 triple AAA batteries you furrowed your brows but paid no mind eating your meal then heading to bed….

9:45 a.m.

Ms. Loren shook you awake “cmon Jane it’s time for breakfast in the common room” you woke up groggily “can I freshen up” Ms loren nodded as you walked out your room towards the bathroom you washed your face and tried to manage your hair before just putting it into a low ponytail “you look pretty jane” Ms. Loren always complimented you even when you looked your worse, walking to the common room you seen a bunch of new people in the cells banging on the door “Some of your old friends are already in the common room so don’t worry” loren smiled a bit unlocking the common rooms door ushering you inside as she followed, “what do you wanna eat”. She walked to a menu before handing it to you “chocolate chip pancakes, sunny side up eggs, toast with Jam and a cup of apple juice” Ms.Loren smiled as she asked the chef to prepare you breakfast you noticed a bunch of your old acquaintances wave at you, “can I-“ before you finished your sentence Loren nodded “I’ll bring you your food in a bit” waking over to your friends you noticed a green haired one with unusually red lips and pale skin “ah welcome back” a guy named scar smiled patting a seat next to him, you sat down as you started to talk with your group the guys with green hair occasionally glancing at you, he was starting to piss you off, “what are ya looking at” you glared at him as your fist clenched “easy, easy go take a break don’t hurt em he’s a wild one I’ve seen him fight people here myself” scar said trying to rub your shoulders “yeah anytime he fights I never see the other person again..you remember max” Max was a older man who was sent here for being schizophrenic, you nodded remembering max vividly talking with him before “well he’s not here anymore he possibly killed him” he said pointing to the green haired man “freak” your aimed your insult towards the man as you stood up walking to one of the bodyguards

“can I have your badge” you asked “why” the man sized you up “what’s it to ya lemme hold it” you plead and begged over and over until Ms. Loren called your name saying your food was ready “this isn’t over tubby” you pointed at the body guard before walking to ms. Loren sitting down at the table you noticed it was just you, Ms. Loren and the green haired guy from earlier “what’s he doing here” you glared at Loren “he says he wants to make friends with you” you smiled as you looked at the man “my friend?” He nodded his finally spoke up “my name is Taeyong, yours?” You body stiffens you never old anyone your name before you didn’t even know it yourself “She never tells anyone her name” Loren spoke up for you “just call her Jane doe we all do” Taeyong nodded before holding his hand out shaking yours “well I be right back I have to fill out some paperwork and Taeyong try to keep a eye on her she’s a crazy one when she’s upset”

Walking away you noticed the chef bringing your food out sitting a tray in front of you “thanks” eating your food you noticed Taeyong staring at you with a glint in his eyes “what is it” you stuffed a forkful of pancakes in your mouth glaring at him “you’re unlike anyone I’ve ever seen Jane” you noticed a slick yet neutral tone in his voice “I’m like everyone else so what are you getting at” he shook his head and laughed “Jane you’re different I’ve heard the stories about you, you’re everything I’ve ever hoped for in a woman” your eyes twitches at his confession “no thanks I don’t date people who watch me from afar it’s stupid and creepy love is something that can kill a person so easily falling in love with the Wrong person can lead to dead” he smiles at your words fascinated but the way you see life “so basically there’s danger at every corner??” He questioned, you nodded before finishing your meal setting the tray aside you held your face in your palms “you ask too many questions it makes me nervous like I’m being interrogated” he glared at you “imagine how I feel” you were taken aback “the fuck is that supposed to mean” your fists clenched, he noticed this placing his cold hands over your fists “Calm down doll..just saying I’ve been moved from Asylum to asylum this is the last location for me doll I might have control over my anger so I don’t scare you away” you hummed in response “so will you be my muse” his wide grin showed his straight teeth and sharp canines “no thanks it’s too early in the morning for me to think about my answer let me think about it”….:.

PART 2 COMIN SOOOON

[lizzisimss]

Gonzales Family Home

CC used (list below) Garden Essence in Willow Creek 40 x 30 8 bed, 3 bath $276,606

This build is part of the Lizzisimss Save File.

Aira – https://www.patreon.com/airacc

Birdie lamp

Frog incense

Froggy cushion

Ghibli clay 2

Ghibli painting

Heart night lamp

Mushroom plant

Tablet PC

Toast light

Vanilla flower candle

Vanilla recipe book

Woodenland bear holder

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Kitchenrack condiments

Kitchenrack utsensils

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The trouble with plants

Whatever you want

Steezy Skis

Heavy Metal Shelf

Clean sweep

Laundry Made Essentials

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The Lighthouse Collection merged

Diaper days

Dinna merged

Lavish Merged

M & S Constructions part I merged

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Modish Merged

Munch merged

Smol merged

Soak merged

Tarot posters simblreen treat 1 2020

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Fayun part 2 and 2

Georgian set

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London exterior

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KERV

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Orjanic

Bafroom

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Baysic Merged

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Jardane

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The Kichen

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Country collection

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Porto

Shop the look

Spoons part 1

Stockholm

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Blockhouse

Piha

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Citrus Room

KARLSTAD kitchen

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2202 Magnolia Bathroom

Aubrey office

Basil chair

Botanic boudoir

Calliope bathroom

Devon kitchen

Floret grove

Heirloom kitchen

Ivy hallway

Keller bedroom

Little ceramics

Old hat

Simblreen 2021

Starlight crystals

Sunbeam study

Sunny corner

Twee tablewar

Winter village

Patron gift 1, 2, 5 and 7

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Folklore set off the grid

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Record Player

I want to believe poster

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Deligracy merged cottage living update

Countryside cabin merged

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KC Salt & Pepper

Upcycle books

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Master bedroom

Child dream kit

Classic kitchen

Garden at Home

Poolside lounge

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Back to School Calendar

Bathroom set

Cyber girl

Desk planner

Essential Clutter

Groovy baby

Wiccan set

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Pufferhead

Computer emook

Computer mookbook

Deco deskop globe

Mycupofcc –

Colour talk dining stuff

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Maple manor the modernist collection living rm

August 2021

Tiny dreamers merged

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Riikka

The art room

Zephyr office

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Simmify instant camera

Herbalist kitchen

Simmify part 2

Vanity nook

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Max brick floor

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Artist’s old workroom

Kitchen peg board shelf long

peacemaker - https://peacemaker-ic.tumblr.com/TS4O...

Atwood Living

Cozy knits bedding

Creta kitchen

Elsie bedroom

Essa kitchen

Futura merged

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Seasons build mode expanded

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Bowed

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Calderone bedroom

MCM part 1, part 2, part 3, part 4 and part 5 merged

Oakhouse part 1, 2, 3, 4, 5 merged

The office mini kit

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Art attack

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Xfest22

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Tray files are available on my Patreon: https://www.patreon.com/lizzisimss

Please consider supporting if you wish :)

[trapdoornumberthree]

Even more beasts abound!

Characters in order: Mercury, @shokogast Bunni, ~ric3cakz Burger Alien, @bearlywolfish Lanta, ~Viridian_Pizza Zakhariah, ~NosuNassauSu Sunny, @dimetrodone Loren, @chromeknife Blaid and Heart, @g0dsp311 and myself! As always they're a 'do not separate' pair :]

[debdarkpetal]

Queen Gazette, "Back at the Hotel Sleazy", 9 jun 1976. By Ann Finnegan.

For all those fans who were misled by the media,

Queen did not spend a couple of days-relaxing on sunny

Perth beaches - it rained the whole bloody time they

were there. (In Melbourne the hotel was 'besiged' by

fans, who to quote Pete Brown — Queen's personal

manager - seemed to be emergirig'from the wood work).

Not to be put off however, by the Australian conditions

Freddie Mercury (lead vocals and keyboards) attended

the press conference in white pants and a simply

sumptuous summer synthetic top with delicate butterfly

sleeves curling gently over his shoulders. He was

even more beautiful than Sophia Loren.

They were all quite chatty only Roger (Meddows-

Taylor, the drummer) would keep interjecting, usually

over John Deacon (bass) who said not an audible word.

Q&A :

Press: WouId you describe your music as mock opera?

Freddie: They call it cock-opera back home.

Roger: I suppose because the vocals are in the 'grand

style'.

Press: When is your next album coming out?

Freddie: We'll have a rest and think about it..

Roger: We just don't bung'em together.

Brian: We don't sort of write sitting in hotel rooms

you know.

Freddie: We gather influences.

Press: Your music has been described as snob rock

What do you think?

Freddie: I couldn't describe our music as anything. We

certainly don't put across that this it intelligent

music that is on a completely different level

to the people who come to it.

Roger: It's written for the people. That's what it's

all about.

Press: The theme of death recurs on your albums

Why this preoccupation?

Roger: Freddie's morbid mind.

Press to Freddie:Do you consider yourself a sex-symbol?

Freddie: You're joking dear. I'm just a singer dear

Press to Roger: Do you consider yourself a superstar?

Roger: As meaningless, (blows kisses)

Roger on the media - absurd for a magazine to combine

bine rock and politics.

Press: Roger, you're noted for your amazing screams.

Freddie: It's a controlled scream. I'd rather call it art.

Undauted by the fearless Australians they continued

talking about their lyrics and the esoteric implication

Roger: Freddie just loves the word 'Beelzebub .

Freddie: yes, well, Brian's got a taste for unusual words.

Roger: You talking about dandling on your knee and

things?

All four of them write songs and each has at least one

song on 'A Night At The Opera'.

Brian: It's very difficult to talk about our songs as a

group because we all have different ideas of

what the songs are about.

Roger: No we don't.

Freddie: Roger's the sensitive one. 'I'm in love with

my car' is the most sensitive song on the

album (Night At The Opera).

Roger did tend to sit there pouting at the bows on his

pink lame gym-boots. One hardly noticed the dark

roots in this gold angelic hair. We did ask, but unfortunately

Roger didn't have a pic of himself in the gym boots.

Roger was later accosted by David Essex fans in

the foyer of the hotel, who wished to know if he was a

popstar, girls now have Roger's autograph Back

to the lyrics....

Freddie: Every song is written by one of us and means

something special to each one of us. Certain

songs have a very literal meaning and can be

understood straight away. Then there are some

songs that can be taken on a lot of different

levels.

He describes a lot of his songs as fantasies. 'We want to

consciously lose ourselves. There are certain things we

want to escape from in our lives or whatever.' He feels

that people should create their own private fantasies

from the images in his songs and so doesn't like to talk

about what they mean to him. 'I'd hate to shatter someone's

illusion. If I listen to somebody's songs I conjure

up a fantasy of what its about and I like to keep it that

way.'

He elaborated further .. . 'Lyrically it is helpful to use

certain words. You see it depends .... sometimes I want

to use words that are phonetically useful. In the beginning

they're surface words but you entwine them into

the meaning of a song. That's what I mean about

different levels.'

Brian May has a different approach to his songs, 'There's

usually something serious behind them, but I feel a big

responsibility not to over-indulge in ideologies. In

'White Queen' I was very interested in that significance

of Queens and White Ladies in English folk lore. The

song started off as a personal experience, the frustration

of not being able to communicate, I was thinking about

Robert Graves' White Goddess' and that became involved

in the song. '

Roger:

Brian:

Romantic slush.

Our 'Now I'm Here' song is really about our

first American tour. A big experience for anybody.

It's a conglomeration of all the experiences

we had on that tour. We had a great

time with Mott the Hoople. I suppose they

taught us to be a touring band.

We're very critical about each other and very

cynical. We don't get deeply into meanings

because you're living

have to

do it it all the time. You

me on

With the stage show the band is doing something

different to stimulating their records.

Brian: "You don't

get up there and behave like you do in the street. You

go up there to entertain people and give them some kind

of excitement". They have rearranged some of their

songs especially for stage performance, including a medley

of 'Bohemian Rhapsody', 'Killer Queen', 'Black Queen'

and 'Leyroy Brown', which grinds down into 'March

of the Black Queen' and then skips out on a lighter

note which features Brian on genuine Japanese ukulele.

The brilliant solo Brian performs in 'Brighton Rock',

with sweet high Paganini frills and harmonies, stimulating

two or three guitars on stage, is in a style he has

evolved himself. He got the idea the first time he was

in a recording studio.

Says Brian: "It was my first

experience of doing multi-tracking. It happened to be

in the cannon-things which repeat themselves. You play

one, then you play the same over the top of it after a

time interval. Later we started to do those things on

stage but there was the problem of how to do it. We

started having a single delay and then another one over

the top of it. Then afterwards you do another repeat on

the second. You can then do three part harmonies

with yourself. We started to base it all on ten second

solos and it grew and grew. There's a lot of other people

doing it now and I'm glad because its a thing you can

play around with.'

In the stage arrangement of "Prophet's Song' Freddie

uses a similar echo feedback system which multiplies

his voice into a celestial choir. His voice floats as a vision

- "Listen to the madman' - while Brian plays some

beautiful guitar.

Brian describes their encore performance as the time

when the band really unwinds. "It's nice at the encore

to just completely unbend and make a fool of yourself.

It gets rid of the tension between the band and the

audience. I used to get a kick out of going to concerts

to see rock groups like the 'Who' and feeling involved,

like the group knew you were there. We go by the kinds

of things we think people would like at an encore. It's

at a very basic level really, an energy level, a physical

level. Rock and Roll is kind of a body music. I get as

much satisfaction out of basic rock'n roll like Status

Quo as the most sophisticated music I know.'

The audience certainly enjoyed it and really let

loose their energy.

Roger (who claimed the most female

screams) in rainbow mop-wig opened the encore wjth

slow heavy rock-beat as Freddie did a dramatic entrance

in a silk kimono. As he eased into 'Big Spender', he

peeled off to striped hot pants for an outrageous version

of 'Jailhouse Rock' - simple hard-driving rock'n'roll

that had everybody out of their sets.

gettin' feelin' thru

transistors

Brian was rather upset that the Australian Press

should see them as a manufactured band. If 'Bohemian

,Rhapsody' can be seen as incorporating the spectrum of

theirs talent - mood changes, heavy stuff, the soft

it is not because they (men of letters from

universities) have developed a magic 'X' formula

can be seen as a musical progression,

working of motifs off their other albums. Brian can

y say that, ' They obviously didn't see us in the earl-

stages.

We started playing because

I vision that we thought was

over a year and a half we were playing

usally you gather people around who

the way it happened.

We're very lucky really

have the kind of audience who are attentive

to directions we choose to follow. One of us

end up with a song and we'll say, yeah it needs

that kind of treatment and maybe that turns out to be

something you call heavy and sometimes something

which is light.'

To get back to the charge that they are a manufactured

band, while he doesn't like it, he can only take it as

a compliment that they think the band is so good. He

doesn't consider himself a technician "technically I've

stayed the same for the last six or seven years. Progress

is what you feel and what you are putting across. That's

what playing is about for us.'

Freddie: There's a lot of music there too.

Roger: A bit of music, yeah.

Via _letusclingtogether_ on Facebook.

[mirabel393]

🦋Before 🏵(Floydrey)🏵After🦋

the Book of Once Upon A Time: A Tale of Madrigal Triplets: Beauty and the Troll

Juliano Pedro Madrigal

Meet Juliano Pedro, the youngest brother of Audrey Elena and the son of Julieta and Agustin

Full name: Juliano Agustin Pedro Madrigal

Age: one years old

Species: troll

Family: Abuela Alma (adoptive grandmother) Abuelo Pedro (adoptive grandfather) tia Pepa (adoptive aunt) tio Felix (adoptive uncle) Dolores (oldest cousin) Camilo (cousin) Anontio (youngest cousin) Josefina Sunnie (younger triplet cousin) Elio Pepito (younger triplet cousin) Pepe Felix (cousin) Alberto (eldest cousin) Alba (cousin) Billy (cousin) Marko (cousin) Martin (cousin) Esperanza (cousin) Gabriela (cousin) Adelita (cousin) Octavio (cousin) Amira (second youngest cousin) Pepo (cousin) tio Bello (biological uncle) tia Adama (biological aunite) Bena (cousin) Beau Rose (cousin) Isabelle (twin cousin) Bella (twin cousin) Emmo (cousin) Brianno (cousin) Odelia (cousin) Susie (cousin) Lila (twin cousin) Myla (twin cousin) tio Bruno (adoptive father) Oscar Anthony (youngest triplet cousin) Allyson Brunda (youngest triplet cousin) Brune Alma (cousin) Miguel (cousin) Melissa (cousin) Margo (cousin) Kuik (cousin) Fillip (adoptive cousin) Coraline (cousin) Bianca (cousin) Slivia (cousin) Rosa (cousin) Miya (cousin) Manuel (cousin) Juancho (cousin) Catalina (cousin) Bruna (cousin) tia Naveena (biological aunt) tio Tiano (biological uncle) Tasho (cousin) Talio (cousin) Tio (cousin) Tamera (cousin) Nathana (cousin) Naveena Jr (cousin) Jaime (cousin) Glooby (cousin) Lofty (cousin) Gooby (cousin) Kevin (cousin) Charlotte (cousin) Clarabelle (cousin) Opal (cousin) Clarity (cousin) Ralphie (cousin) Julieta (adoptive mother) Agustin (adoptive father) Isabela (eldest sister) Luisa (middle sister) Mirabel (youngest sister) Audrey Elena (twin older triplet sister) Spinel Juliano (twin older triplet brother) Priscilla (triplet sister) Fabiana (triplet sister) Sabina (triplet sister) Thumbelino (older brother) Tam Thumb (adoptive older sister) Nicholas (eldest older brother) Tobias (second older brother) Marta (third older sister) Luiza (fourth older sister) Petunia (fifth older sister) Jancinta (youngest sister) Natalia (second youngest sister) Pamela (third youngest sister) Ryian (older sister) Loren (older sister) Julieto (older cousin) Abuelo Constantino (biological grandfather) Abuela Maxine (biological grandmother) Cinderello (biological father) Christophel (biological mother) Chadae (oldest sister) Chleo (second oldest brother) Chrissie (third older sister) Cookie (younger brother)

Allies: his family

Likes: Audrey and Floyd singing together and sleeping with Floyd and Audrey too, telling a story of his big sister, spending time with Audrey and Floyd, Branch, Spinel, Thumbelino and Tam Thumb, Chrissie and Cookie, Oscar and Josefina, Allyson and Suvan, Tamera and Emmo, playing his plush elephant Dumbo, sing and dance with Barney on Audrey's Dino doll, eating his vanilla pudding and vanilla milk, singing lullaby, playing dressed up, art and crafts, hanging with Bruce and Clay, John Dory, Poppy and Viva, eating cookies and helping baking with his big sister, Audrey's Fairy Godmother, Qwerty the Disney Computer, hanging out with Audrey's Disney friends, going circus, befriend Veneer and Crimp, adventure, used a imagination and playing pretend, to the funhouse and Funny too, live in stage in the play, listening to her voice

Dislikes: nightmares, Audrey getting hurt, Floyd was under a sleeping spell by Evil Godmother, his cousins and family in danger, scared of dark like Audrey, Petunia being guilty and mean, boogie monster under his crib, Audrey being captured, brozone fighting and arguing, sleep alone

Backstory: Juliano Pedro was in his egg, Audrey promised her Nana Pippypuff to taking care of her new baby sibling in encanto in fifty years ago, before Audrey got captured by Velvet and Veneer in the Mount Rageous

[whump-me]

Protector: Chapter 22

Chapter 22 of Protector, a novella-length whump story about a ruthless superpowered assassin trained from childhood to kill, and the brother determined to save him from himself.

Masterpost | the Mind Games universe | Read the complete novel on Patreon

---

As promised, Zach told the others where to find Loren’s body. He gave them detailed instructions for disposing of the body in the lake, and doing it in such a way that it would never wash up on shore or get tangled in a fisherman’s line. Teddy turned green listening to his instructions. Sonia only nodded and promised to get it done.

If Sonia had been born Enhanced, she might have made a good PERI operative.

Zach wished he could be the one to handle the body himself instead of lying in bed. That way, he could be sure it was done right. Leaving the task to civilians made him feel tense and twitchy. But in a small, private part of his heart, he was also glad to have the excuse not to do it.

He had disposed of many bodies in his time with PERI. He had no idea whether handling Loren’s body would feel different—painful and personal in a way simply doing his job never had—or if it would feel the same as always. Easy. Ordinary.

He wasn’t sure which would be worse.

Now he would never have to find out.

He spent days in bed, sleeping and eating chicken soup and discovering how much TV had changed since he was twelve. Days turned into weeks. He began taking short, painful walks down Bryce’s hallway. Then he started walking outside instead, up and down the sunny suburban street, scanning the horizon warily for shooters.

The shot never came. He had done his work well. In addition to telling Sonia and Teddy how to dispose of the body, he had given them meticulous instructions on how to plant the evidence to throw PERI off. With any luck, they were currently scouring Perth for him and Loren.

It stopped hurting to climb out of bed. Zach’s walks became runs. His runs became dashes at unnatural speeds—first a few seconds at a time, then two minutes, then five. When he pushed himself to ten—the maximum amount of time he had ever kept up his full speed in training—he knew it was time.

“I need to go out for a few hours,” he told Bryce one morning, after Bryce had stuffed him full of breakfast—bacon, eggs, and as many homemade waffles as he could eat.

Zach’s words brought back the worried frown that Bryce had worn all the time during the early days of their shared recovery. “We still don’t know if it’s safe.”

“We’ll never know for sure,” Zach reminded him. “But I’ve been going for runs in your neighborhood for weeks now. No one has shot at me once.”

He attempted a smile. Smiling was one of those things he was still getting used to. PERI operatives didn’t show emotion—they were weapons, machines, and that meant they didn’t have feelings. His rare smiles, during his stolen moments with Loren, had been cautious and furtive. But the rules were different here. Bryce liked seeing him smile. He liked knowing Zach was happy.

Zach was trying.

Bryce didn’t smile back. “I don’t want to lose you again.”

“I won’t run off,” Zach assured him, because he knew that was what Bryce was really worried about, more than any PERI assassin. “I’m not going back.”

Bryce’s face didn’t lose its tense look. “Where are you going?”

Zach hesitated. But trust was another thing he was trying his best at. And openness. “To the lake,” he said.

Sympathy replaced the worry in Bryce’s eyes. Zach wasn’t sure which was worse.

“Let me come with you,” said Bryce.

For a moment, Zach was tempted to say yes. He was going there to confront his last remaining wound—the one in his heart, the one that hadn’t healed along with the others. It might be easier to face that pain with someone beside him.

But he shook his head. “I need to do this alone.”

Bryce didn’t like the idea. Zach could tell. But he lent Zach his car for the day. Maybe he guessed—correctly—that if Zach didn’t have a way to drive there, he would simply run the whole way.

The lake wasn’t as quiet as he remembered. Children laughed and splashed in the summer heat. Families grilled burgers and hot dogs on their back decks, looking out over the water. The smell of roasting meat made Zach’s stomach growl, even though Bryce’s homemade breakfast had filled him up enough that he had thought he would never want to eat again.

Zach threaded his way through the trees until he found an empty patch of beach. He stripped off his shoes and socks, tucked them under his arm, and padded awkwardly across the rough sand until the water lapped at his toes. He suppressed a yelp at the cold as he leapt back.

But when he got up the nerve to step into the water again, it didn’t hurt as much this time. After a moment, the cold faded entirely, and he waded in to the ankles. The water lapped at his hems, plastering the fabric to his legs.

He stared out past the swimmers and the kayakers to the deep, empty center of the lake. Loren’s body was out there somewhere, resting between the water and the earth. He knew that intellectually. But he didn’t feel any closer to Loren here than he had in Bryce’s spare room.

He had thought coming here might let him feel closer to the lover he had killed. He had hoped it might make it easier to say goodbye. Instead, it only made it clear that Loren was just one more mission completed, one more target down, one more body disposed of. The still waters of the lake would do nothing to fill the hollow place in his heart.

He slipped his socks back on, despite the sand clinging to his wet skin and the lake water that quickly soaked the fabric through. He pulled on his shoes and slipped back into the trees where he had come from.

But he didn’t go back to the car. Instead, he walked deeper into the woods. He had been barely conscious the last time he had walked this route, swaying on his feet in a fugue of pain, but somehow he knew the path by heart.

It didn’t take him long to find the tree where he had confronted Loren for the last time. He climbed the thick trunk, his breath catching as the movement pulled at his mostly-healed wounds. When he settled into the notch where Loren had sat, he paused to catch his breath, clutching his side. Then he relaxed and stared out at the trees and the sunlit glimmer of water beyond.

This was the way Loren had always seen the world: from a distance. Maybe that was how he had always held Zach and everything else at one remove. It had almost worked. But not completely. He had let Zach into his heart, even if only a little. Otherwise, he would have taken his shot when he had the chance, and Zach wouldn’t be here now.

Zach stroked the bark of the trunk beside him, where Loren might have leaned while he was watching Zach approach. “I love you,” he whispered.

At last, he felt what he had hoped to feel down there by the lake. A fresh, sharp pain in his heart. A lanced wound.

But then Zach felt himself separating from the pain—the automatic coping mechanism PERI had drilled into him to hold the horror of death at bay. PERI operatives were trained to kill without remorse. They were trained to face the deaths of their fellow operatives without grief. Such training wasn’t so easily overcome.

He felt like his heart was wrapped in Loren’s protective armor. He pressed a hand to his heart and imagined that armor cradling him, as strong and steady as Loren’s arms around him.

He stayed until the sun went down. He and Loren used to watch the sunset together, when they could. It wasn’t often, but sometimes the timing of a mission worked out. Other missions had allowed them to watch the sun come up together, faint light crawling up the horizon to transform into a conflagration.

Sometimes they would spend those moments talking. They would share with each other the thoughts they weren’t allowed to voice elsewhere. But the best sunsets were the ones they spent in companionable silence, holding each other.

Zach sat in that silence now, one hand still pressed to his armored heart.

When the last of the light faded from the sky, and the owls began to hoot in the distance, he climbed down. Bryce would be out of his mind with worry by now.

He could have raced to the car in less than a minute. Instead, he walked back at a snail’s pace. He wanted the time to think about what to do next.

He knew what he had told Bryce. But the truth was, he had left knowing there was a chance he wouldn’t go back.

For the past few weeks, in the back of his mind, he had been rehearsing his excuses for PERI—what he would say if he found himself in headquarters again, forced to account for his absence. He had told himself he was doing it just in case they tracked him down. But he doubted they would. Sonia and Teddy had done a good job following his instructions with the evidence. PERI wouldn’t look for him here.

He had known, deep down, what he was really rehearsing for. He had known there was always a chance he might go back.

He had hoped the homesickness would have eased by now. It hadn’t. He missed PERI as fiercely as he had missed his house and his family at twelve years old. Even knowing they had sent Loren to kill him. Even knowing it was their fault Loren was dead.

He missed it because it was what he knew, what he had known for more than half his life. But more than that, it was where he fit. His instructors had carefully sculpted him until he fit perfectly inside PERI, and now there was no other place that suited the thing they had made him into.

The more he recovered from his injuries, the more restless he felt. Bryce’s house had a room just for him, but he didn’t know how to resculpt himself so he would fit in it. He didn’t know how to live in his brother’s world. His daily attempts felt as uncomfortable as his first day of PERI training—and as terrifying.

With PERI, he had known his role, his value, his purpose. But out here… what was he supposed to do? Just… be with his family? Love and be loved? That didn’t seem like nearly enough.

Then again, his stolen moments with Loren hadn’t been enough either. If they had been allowed to love and be loved, maybe that would have felt like all he needed.

That thought might have been what made Zach drive back to Bryce’s house once he found his way back to the car. Or maybe it was the knowledge that even if he did go back to PERI headquarters, he wouldn’t find that perfect fit anymore. PERI’s training had changed him into someone who bore no resemblance to the brother Bryce remembered… and now, even his brief time with Bryce had changed him further. If he showed up at headquarters, PERI might not recognize him.

When he stepped into the house, Bryce had clearly been pacing in front of the door for hours. His face was flushed, his collar soaked with sweat.

He grabbed Zach by the shoulders. “Where were you?” he exploded. “Where have you been?” His voice was ragged. His eyes were hollow pits of fear.

Zach wanted to tell Bryce he didn’t need to worry anymore. He wanted to assure his brother that he had made the choice to come back and be part of his family, to love, to be loved. But he didn’t want to burden Bryce with the knowledge that it had been a difficult decision. Instead, he privately resolved to commit to that decision, and stop rehearsing for his return.

He had been trying. He could try a little harder.

Bryce let go. He sagged heavily back onto the couch. “I thought…” He shook his head, and didn’t finish the sentence. He didn’t have to.

Zach thought about telling Bryce he was worn out and needed to rest. It was the truth—even though he was almost fully healed, he could feel the strain of the day’s exertion in every line of his body, although he hadn’t done much but sit in a tree. Or maybe the exhaustion was more emotional than physical.

He took a deep breath and sat down on the couch next to Bryce.

“Would you sit with me for a while?” he asked, without quite looking at Bryce. “Like when we were kids, and there was a storm.”

He held out his hand for Bryce to take. With another deep breath, he met Bryce’s eyes.

“I’d like to tell you about Loren,” he said. “About why I loved him.”

---

Tagged: @sowhumpful

Ask to be added or removed from taglist.

[sky-kenobye]

when you get this ask you have to answer with 5 of your fav songs and then send this ask to 10 of your followers !!

I went waaayyyyy overboard here, so here's my 50 favorite songs instead lmao sorry (20 of those are instrumental music though).

I put it under the cut and sorted by different categories:

(There's a star wars category at the end)

English (the language, I don't know about the countries)

- Voulez-Vous, by ABBA

- '74-'75, by The Connells

- Take Me Home, Country Roads, by John Denver

- I'm still standing, by Elton John

- It's my life, by Bon Jovi

- Civil War, by Guns & Roses

- The Chain, by Fleetwood Mac

- You're So Vain, by Carly Simon

- The song of Silence, by Disturbed (the original too but I like this one better)

- Another Sunny Day, by Belle and Sebastian

- Because the night, by Patti Smith

- It's a Sin, by Pansy Division

- Any Other Way, by We The Kings

- The Story, by Sara Ramirez (the version from Grey's Anatomy)

- Dream On, by Aerosmith

- Children of The Sky, by Imagine Dragons

- Happy Ending, by Mika

Disney/musicals

- Speechless, by Naomi Scott (from Aladdin)

- Show Yourself, by Idina Menzel (from Frozen 2)

- I'll make a man out of you, from Mulan

- Friends Never Say Goodbye, by Elton John (from Road to Eldorado)

- Never Enough, by Loren Allred (from The Greatest Showman)

French

- Amour Censure, by Hoshi

- Kid, by Eddy de Pretto

- Dans les yeux d'Émilie, by Joe Dassin

- Mourir Sur Scène, by Dalida

- Pour que tu m'aimes encore, by Céline Dion

- Je te promets, by Johnny Hallyday

- Ce soir, by Amir

Instrumental

- Honoring the dead, by Marc Steitenfeld (from The Wolf's Call)

- Red & Black light, by Ibrahim Maalouf

- Fate has smiled upon us, by Marc Steitenfeld (from Robin Hood)

- The Landing, by Justin Hurwitz (from First Man)

- Victory, by Two Steps From Hell

- The Winner is, by DeVotchKa (from Little Miss Sunshine)

- Alan Turing's Legacy, by Alexandre Desplat (from The Imitation Game)

- the Main Theme from Europa Universalis IV

- Arrival to Earth, by Steve Jablonsky (from Transformers)

- Above and Beyond, by Audiomachine

- Into Eternity, by Brian Tyler (from Thor 2)

- Il Mostro, by Ashram

- Shattered Empire, by Secession Studios

- Conquest of Paradise, by Vangelis (from 1492)

- Arrival of the Birds, by the cinematic orchestra

Star Wars

- Ahsoka is ready, by Kevin Kiner (from Tales of the Jedi)

- My name is Kino Loy, by Nicholas Britell (from Andor)

- Battle of the Heroes & Up is Down (epic version), by Samuel Kim

- The Hyperspace Jump, by Kevin Kiner (from Ahsoka)

- Memory (star wars style), by Whitney Avalon

- Order 66 Theme Epic Version, by Samuel Kim

[hotdadlicense]

hmmm top 5 shows, top 5 animals aaaaand top 5 scenes from any show/movie

loren please..... i lve you.

top five SHOWS.

the walking dead - ................. like it has to be said. i'm so sorry. it didn't even really go 'bad' for me like it did lose me for a hot minute or two there originally but like. when i rewatched i was like no actually i love it here. i love this hot mess. and i tragically fucking do. could really do with bringing certain characters back etc or just dissappearing some storylines but like. i do fucking love it.

breaking bad - i didnt even KNOW what i was in for i was just like this'll be fine this'll be chill. and then my life changed forever y'know.

it's always sunny in philadelphia - my go-to show to have on in the background, to have on when im sick, to have on when i need a laugh, to have on when im feeling miserable, to have on when i just wanna feel like Myself. can probably quote like. every episode by this point.

black sails - literally don't even need to explain this one. bs is already tumblr critically acclaimed. if i could go back in time and watch the season two last two episodes for the first time all over again, i would in a heartbeat. the girl that existed in my bedroom when watching those eps? never seen her before and i'll never be her again.

911 - listen. it TRULY is tv show of all time. u KNOW this i know you know this. u can't put eddie diaz in a tv show and not have it change the lives of millions.

top fIVE animals.

SHARKS. sharks sharks sharks sharks sharks all types all kinds theyre all my children

foxes!!!!!!!!!!!!!!!!! please the fennec fox my BABY

long maned wolf.

dogs!

snakes. also HOW is your snake btw i miss them

top 5 scenes!

lets revisit black sails again and say season two finale as a whole? but also the 'in the light there is discovery' forest speech in the series finale............................i get chills like every time. WAIT ALSO 'my name is John Silver. and i've got a Long Fucking Memory.' INSANE acting also idk if this is really technically 'top five scenes' worthy but uknow that line where flints like 'where else would you wake up in the morning and matter?' @ silver??? yeah it ingrained itself into my brain and now whenever my brains having a bad day and being a bitch, it just repeats that line over and over to myself. again i dont know if that makes it a top five thing but boy oh bOY it sure made an impact !

iasip mac finds his pride when mac does the dance and franks crying and is like 'i get it. i get it now.' maybe its cos i feel like there is just a 00.01% chance of my parents ever accepting me and im projecting or whatever but that scene? every fucking time im like........ crying lol

my brain is one big jumble for the walking dead and i just can't pin down one scene? so i'm just gonna take a cop out and say that part where daryl and merle are in the woods huntin when they split off in s3 or whatever after they reunite and daryls got his crossbow simply becos i still remember watching it with my mum and her being like 'oh look at daryls Arms. he's really got Muscles.' and i was like. scandalised. in a Good way. and now everytime i see him in that scene i'm like justin beiber tweet i love Arm.

that scene in breaking bad where jesses in hospital after hank beats the shit outta him in the rv and walt visits him in hospital and jesse has that breakdown in 3.07? jesse pinkman crying in a hospital bed bruised and beaten saying 'i am not turning down the money, i am turning down you.' when he's yelling 'i have NOTHING. NO ONE.' ??????????????? scene of all scenes. wait also the peek-a-boo kid scene in s2

stuggling to think of a last one uh maybe in the seventh fast and furious movie when see you again plays at the end and they're all on the beach and then dom and brian are racing except you know its not paul walker and u know its CGI or whatever and ???? i still cry over that sorry

[themovieblogonline]

Chloe Bailey New Movie Trailer Praise This Is Online

Chloe Bailey is a rising star in music and also in the world of film and television. In between working on her highly anticipated series Swarm the actor is also releasing a new movie on Peacock. The new film, Praise This, also stars comedian Druski (House Party), hip hop sensation Quavo (Atlanta), Tristan Mack Wilds (The Wire), and more. Praise This Trailer https://www.youtube.com/watch?v=fs6W8jZ8bu8 Praise This Synopsis From director Tina Gordon, writer-director of Little and the writer of What Men Wantand Drumline, Praise This follows aspiring musical superstar Sam (Chloe Bailey), a young woman driven, at almost any cost, to break into the music business. So, when her father (Philip Fornah; Richard Jewel, Better Call Saul), worried that Sam is associating with a dangerous crowd, moves them from Los Angeles to Atlanta to live with Sam’s sunny cousin, Jess (Anjelika Washington; Stargirl, Tall Girl franchise), Sam is …not happy.  But when Sam is forced to join her cousin’s struggling, underdog praise team in the lead-up to a national championship competition, she sees an opportunity to finally make her dreams come true. What she discovers, though, is that ambition can command a high price and that praise is not about glory, but gratitude.   The film also stars comedian Druski (House Party, The Crew League), Grammy nominated hip hop sensation Quavo (Atlanta, The Crew League), Grammy nominee Tristan Mack Wilds (The Wire, 90210), Birgundi Baker (The Chi, Black Lightning), Loren Lott (Tag, The Young and the Restless), Kiara Iman Heffner (Resentment), newcomer Ilario Grant, Crystal Hayslett (Sistas, Zatima), Cocoa Brown (9-1-1, Ted 2), Vanessa Fraction (Barbershop 2: Back in Business, Mann and Wife) and Grammy nominated gospel stars Jekalyn Carr and Koryn Hawthorne. This trailer is giving me Sister Act 2 vibes in a great way. the star-studded cast looks fantastic and I am a huge fan of modern gospel music so this one has my attention for that alone. Chloe Bailey looks like she's delivering another awesome performance in this! The real focus of this movie is the music and what I'm hearing sounds amazing. The music we hear is inspired by some of the biggest hits and i can't wait to hear how they remix them. I love when modern songs get a gospel makeover and I'm getting my playlist ready. That's all I have for this one... Read the full article

[ulkaralakbarova]

In the 23rd century, inhabitants of a domed city freely experience all of life’s pleasures — but no one is allowed to live past 30. Citizens can try for a chance at being “renewed” in a civic ceremony on their 30th birthday. Escape is the only other option. Credits: TheMovieDb. Film Cast: Logan: Michael York Francis: Richard Jordan Jessica: Jenny Agutter Box: Roscoe Lee Browne Holly: Farrah Fawcett Doc: Michael Anderson Jr. Old Man: Peter Ustinov 2nd Sanctuary Man: Randolph Roberts The Woman Runner: Lara Lindsay Billy: Gary Morgan Mary 2: Michelle Stacy Woman Customer: Laura Hippe Sandman: David Westberg Sanctuary Woman: Camilla Carr Cub: Greg Lewis Timid Girl: Ashley Cox Sandman: Bill Couch Runner: Glenn R. Wilder Last Day Character (uncredited): Joe L. Blevins Sandman Daniel (uncredited): Roger Borden Sand Man (uncredited): Greg Bransom City Dweller (uncredited): Paula Crist The City Computer (uncredited): Virginia Ann Ford Cub (uncredited): Chuck Gaylord Cub (uncredited): Mitch Gaylord (uncredited): Johnny Haymer Confused City Dweller (uncredited): Jessie Kirby 3rd Sanctuary Man / Ambush Man (uncredited): Greg Michaels 1st Sanctuary Man (uncredited): Bob Neill Love Shop Woman with Toy (uncredited): Renie Radich 1st Screamer in Logan’s Apartment (uncredited): Candice Rialson Screamer Party Woman (uncredited): Cheryl Smith Runner Great Hall (uncredited): Ron D. Thornton Film Crew: Director: Michael Anderson Novel: William F. Nolan Novel: George Clayton Johnson Screenplay: David Zelag Goodman Producer: Saul David Original Music Composer: Jerry Goldsmith Director of Photography: Ernest Laszlo Editor: Bob Wyman Production Design: Dale Hennesy Costume Design: Bill Thomas Associate Producer: Hugh Benson Makeup Artist: William Tuttle Hairstylist: Judith A. Cory Unit Production Manager: Byron Roberts Stunt Coordinator: Glenn R. Wilder Casting: Jack Baur Set Decoration: Robert De Vestel Property Master: Jack M. Marino Sound Editor: John Riordan Visual Effects Designer: L.B. Abbott Music Supervisor: Harry V. Lojewski Music Editor: William Saracino Dialect Coach: Leon Charles Script Supervisor: Ray Quiroz Choreographer: Stefan Wenta Second Assistant Director: Alan Brimfeld Second Assistant Director: Win Phelps Assistant Director: David Silver Stunt Coordinator: Bill Couch Key Grip: Martin Kashuk Electrician: Don Stott Associate Editor: Freeman A. Davies Assistant Editor: Chuck Ellison Unit Publicist: Don Morgan Stunts: Dick Ziker Stunts: Jeannie Epper Stunts: Loren Janes Stunts: Beth Nufer Stunts: Alex Plasschaert Stunts: Regina Parton Stunts: Lori Thomas Stunts: Mike Washlake Stunts: Russell Saunders Stunts: Barbara Graham Stunts: Tommy J. Huff Stunts: Sunny Woods Stunts: Paula Dell Stunts: Chuck Gaylord Stunts: Mitch Gaylord Stunts: Rosemary Johnston Stunts: Whitey Hughes Stunts: ‘Wild’ Bill Mock Stunts: Gary Morgan Stunts: Dar Robinson Stunts: Walter Robles Stunts: Angelo De Meo Stunts: Paula Crist Stunts: Dottie Catching Stunts: Bill Couch Jr. Stunts: Gregory J. Barnett Stunts: Craig R. Baxley Stunts: Phil Adams Stunts: Denny Arnold Stunts: May Boss Special Effects: Glen Robinson Movie Reviews: Richard: It’s a ‘Future Vision’ type of movie, plus a bit of an adventure into the unknown. At least for the two “Runners’ who have escaped out of their bubble world. It is fraught with twists and turns in a post Peak-Oil world, where society has finally found a solution to the resources of the planet. The ‘chosen’ few, however have one little catch, their lives have a unique way of ending, until these two discover a new way, and a Lie that was being told to all of the citizens. (Warning for younger viewers,there are scenes where (At the time,) it was considered risque to show people jumping into a freshwater pond and going skinny dipping).

[empressofmankind]

2, 20?

2. Do you re/read your own fics?

Absolutely. I do it all the time, often while lovingly making minor edits to further polish them. I am, hands down, the primary target audience for my own fanfics. They are exactly what I want to read. You catch me reading fic, odds are I am in Scrivener reading my own content. Again.

20. What's a favourite title for a fic you've written?

'Lady Lorraine and the Monkey Butcher'.

My current sabbatical in One Piece aside, I spend most of my writing time in ASoIaF. The blessing/curse of those fics is that chapters are named after their PoV character. Cersei I, Jaime III, Tywin II, etc.

However, in my Scrivener, they all have titles. And this is the title of the chapter now better known as Dany I in my fic Sea Dragons.

It references Loren Lannister and Euron Greyjoy's hysterically unsubtle pseudonym game out East, in ever sunny Qarth. Lorraine and Urrathon. No way Varys will figure that out. Mhm.

Thanks for the asks! These are so much fun. ❤️

[tradedmiami]

SALE IMAGE: Marcia Page & Joseph Khalil DATE: 10/19/2023 ADDRESS: 16051 Collins Avenue #504 MARKET: Sunny Isles Beach ASSET TYPE: Condo BUYER: Nora and Loren Loverde SELLER: Marcelo and Ana Carolina Bittencourt BUYER'S REP: Joseph Khalil - Avanti Realty SELLER'S REP: Marcia Page (@MarciaPage_Realtor) - ONE Sotheby's International Realty (@OneSIR) SALE PRICE: $3,300,000 SF: 3,735 ~ PPSF: $884 #Miami #RealEstate #tradedmia #MIA #TradedPartner #SunnyIslesBeach #Condo #MarceloBittencourt #AnaCarolinaBittencourt #NoraLoverde #LorenLoverde #MarciaPage #ONESothebysInternationalRealty #JosephKhalil #AvantiRealty

[floripire]

“I’m not going to give up on you. I believe in you.”

today will be different // @archrite

flori doesn't know how long she's been laying on the couch. with her head in their lap. loren is on the phone with cleo and kaleb. mia has taken it upon herself to go get some snacks from the kitchen, where jed and his sisters are having hushed conversations about whether or not to ask hope and josie, as well as lizzie and mg, to meet up with them.

flori only moves to sit up when faith's hands move in order to sign something that makes her undead heart warm. i'm not going to give up on you. i believe in you.

faith believes in her. faith believes in her ability to get through this.

that's all she's gotta do. get through this. for her best friends. for the love of her life. for her family. all she's gotta do is take all the bad feelings - feelings that she's never liked to dwell on anyway - and turn them into something good. something useful.

and yet...

i can still feel them, rattling around in my head. digging around. logically, i know that makes zero sense. tami, doug and joe - they can't hurt me anymore. but i can still feel... i want my mind to be my own again.

the way she signs those words to faith is slow. much slower than usual. it takes flori much longer to get the message across and that is what breaks her.

it happens slowly, slowly, and then all at once.

because it's proof. proof that she can't hide behind sunny smiles and software anymore. proof that things have changed. that she has changed - has been changed. and not for the better, either.

there is no use in pretending that she's fine when she's clearly not.

what if i'm going to be like this for the rest of eternity? tears stream down her face as she sobs and curls in on herself, attempting to stifle herself because this is the opposite of taking bad emotions and turning them into something useful. just a useless, bogged down machine, unable to run like it used to?

[keepwalkingmusic]

The Big Nine: Night Acclaim x Myah Marie / Aurelia Sinister / MARY. / Chloe Copoloff / Lorana / Loren Aronov / davvn / MADELINE. / SUNNY.

The Big Nine: Every day we select tracks that definitely deserve more attention than Justin Bieber. Today's tracks feature: Night Acclaim x Myah Marie / Aurelia Sinister / MARY. / Chloe Copoloff / Lorana / Loren Aronov / davvn / MADELINE. / SUNNY.

The Big Nine: The following tracks are a selection of those submitted to Keep Walking Music that definitely deserve more attention than Justin Bieber! Night Acclaim x Myah Marie – GamesLocation: United StatesRelease date: Oct 14, 2022 Aurelia Sinister – ThingsLocation: United StatesRelease date: Oct 13, 2022 MARY. – Change (I Hoped)Location: New ZealandRelease date: Oct 09, 2022 Chloe…