#Macedonian Court

[jeannereames]

Whenever we think of royal families our minds tend to go to the concept of the European noble House. The House of Habsburg, the House of Windsor, the House of Stuart etc. I understand that we should look at the Ancient Greek, Macedonian & Hellenistic royal families in a different way becuase of the different family & power dynamics - could you please help us understand the difference?

Ancient Court Societies vs. Modern

Probably the biggest difference is greater organization of hierarchy. Modern royal houses have had a lot of time to evolve.

Norbert Elias’s The Court Society has become the foundational study on court systems, although it’s western-focused by intent. Nonetheless, it’s a useful introduction to how courts function with inner courts, outer courts, etc.

The biggest things to keep in mind are:

The degree of formality between court members. How “deep” and structured is the hierarchy? (Smaller courts typically have far less formality than larger ones.)

How formalized are matters of succession and marriage ties? Particularly the presence (or absence) of royal polygamy can affect that.

Court societies inevitably progress from less formal and hierarchical to more of both. We can sometimes talk about earlier court societies as chieftain-level societies versus more organized royal, or even imperial societies.

Part of the struggle first Philip, then Alexander faced was transforming a chieftain-level court system into something that would work on a (much, for Alexander) larger scale. Unsurprisingly, there was push-back against, essentially, “bureaucracy.” Nobody likes it, but the larger an area controlled, the more necessary it becomes.

Traditional Macedonian courts were fairly informal, the king being primo inter pares (first among equals). No titles were used when addressing him—he was called by his name—and the only thing expected of the speaker was to take off his hat. “King” (basileus) was used when speaking OF him. We don’t see “King ___” employed in Macedonia (at least in inscriptions) until Kassandros, who needed it to buck up his claim.

None of that means the average person could wander into the palace and start chatting up the king. He was protected by his Bodyguards (Somatophylakes), who also apparently managed access to him. Yet he was expected to sit in judgement as an appellate court, where anybody could appeal a case before him. How often this occurred no doubt depended. Philip was gone a lot, and Alexander was permanently out of Macedonia two years into his reign. Presumably his regent fulfilled the role in his absence. (As I depicted near the beginning of book 2, Rise, when Alexandros is hearing cases.) Anyway, that’s one place the “average person” could get the ear of the king. Also, it seems that he was more approachable by soldiers in battle circumstances. We’re told Alexander got right in with his men to do work during sieges. It was to encourage them, but he was standing next to them so they could see and talk to him, if they wanted to. He seems to have known many of his veterans by name.

Another factor in Macedonia was lack of formal hierarchy among nobility. They had a nobility—the Hetairoi (King’s Companions)—but theoretically all Hetairoi were equal in status. In practice, they absolutely weren’t. The king also had an inner circle referred to as “Friends” (Philoi), who acted as chief advisors. The problem with both terms is their use as common nouns as well as special titles. When is a friend a Friend?

Also, at least some of this was hereditary. Yes, making (or removing) Hetairoi was in the power of the king. But it was much easier to do the former than the latter, and even strong kings didn’t do the former early in their careers, never mind the latter. For many, becoming Hetairos was a rubber-stamp. They were Hetairoi because their fathers had been. We’re also not sure if the title was extended only to the eldest male in a household, or more than one could hold it at once, but for most, it was a birthright.

So, when Alexander took the throne, he was stuck with his father’s Somatophylakes (Bodyguard) and inner circle of advisors. He absolutely could not toss them out on their ear to install his own men. He had to proceed sloooowly. Which is why we don’t see Hephaistion as a Somatophylax even by the Philotas Affair, five years into ATG’s reign. He was clearly an advisor (Philos), but didn’t become Bodyguard until sometime later. Same thing with Ptolemy, who apparently got Demetrios’s slot—the Bodyguard (almost surely one of Philip’s) behind the actual conspiracy of Dimnos, not the made up one of Philotas. When he was executed, Alexander promoted Ptolemy to his slot. Note that Ptolemy was made Somatophylax before Hephaistion. Politics, family status, and probably age trumped personal affection.

If Hetairoi couldn’t be kings themselves (unless they were also Argeads), they were king makers, and kings had to take their influence into account. Especially new kings.

As a chieftain level society, Macedonia operated on “rule by clan” with the king being the senior male Argead. His brothers, sons, nephews, and male cousins might all have important roles, as did the women, although theirs were primarily religious and the running of the royal household. Yet royal women could do limited politicking in the way of donations (eurgetisms) to create goodwill, promote the family, or make alliances—as well as (of course) the alliance created by their marriage itself. Most of these roles were informal and ad hoc, rather than titular, if also expected of them. For instance, the king’s wives were just that: king’s wives. The title queen (basileia) wasn’t used until the Hellenistic courts of the Diadochi.

Ancient near eastern courts were more stratified, with more distinct roles. In fact, it seems that Macedon, from Alexander I onward, borrowed offices from the Achaemenid Persian court, including the Bodyguard and the Royal Pages (King’s Boys). So as early as the late Archaic Age, Macedonia looked east for how to formalize a court. Certainly Philip did it well before Alexander. The notion that Alexander’s Persianizing was somehow new is bull malarky.

Anyway, in the ANE, kings tended to fit one of two traditions: shepherd king or heroic king. The Sumerian kings and Hammurabi (Old Babylon) were both examples of the shepherd-king model. Heroic kings began with the Akkadian, Sargon the Great, then the neo-Assyrian kings, especially the Sargonids. Cyrus cast himself as a heroic king, but we see a shift back to shepherd kings with Darius the Great. Another aspect of ANE kingship were three chief expectations: win wars, build big shit, and administer justice.

Due to a much longer tradition of kingship extending from the Early Bronze Age, as you may imagine, these court systems developed much more in the way of formalized structures and offices. If these changed from king to king, at least by Bronze-Age Babylon (Hammurabi), then Neo-Assyria, access to the king was severely curtailed. At least the Persian kings got out and moved around on a sort of “King’s Progress,” but that was to check up on satraps. The average citizen saw them only at a distance. In contrast the Sargonids of neo-Assyria emerged from their palace complexes almost exclusively when going to war.

The Medes and Persians, like the Hittites before them, fit themselves into ANE traditions after they arrived in the area. Less is known about pre-ANE Hittites, but if they kept some unique religious traditions, when it came to How to Run an Empire, they used Akkadian and Egyptian precursors. Similarly, the Medes and Persians who came from the steppes, also adopted ANE patterns while retaining some traditions—again particularly religious (Zoroastrianism). We know a wee bit more about them prior; they (like Macedon) seem to have had chieftain-level monarchy with rule by clan, plus tribal princes, before conquering the whole area.

I hope that helps in understanding ancient eastern Mediterranean and near eastern notions of a court. We know less about the Odrysian Thracian and Illyrian kings to Macedonia’s north, but I suspect they were similar to early Macedon. Just tooling around Thrace, it was very clear to me that we’re looking at a shared regional culture between that area and Macedonia. Similar vibes attended my visit to Aiani (ancient Elimeia) and Dodonna (Epiros). I didn’t get up into Illyria, but what I do know of the archaeology suggests the same. ALL these cultures, despite the ethnic and linguistic differences, influenced each other. Yes, ancient Macedonia was at least “Greek-ish,” but we can’t and shouldn’t dismiss the impact on them from their northern neighbors.

Last, let’s consider the role of royal polygamy. Well back into the Bronze Age, ANE kings might marry several wives and also kept concubines for political purposes. That’s why we call it royal polygamy, not just polygamy. Royal polygamy might exist in a society that otherwise limits the number of wives anyone not the king can have.

Macedonian kings also practiced it, and Thracian and Illyrian, but on a more limited scale. Greeks and Romans, then Christians, depicted any polygamy as a “barbaric Oriental” (= morally corrupt) practice that supported their general view of Asia as soft and indulgent. (Sex itself wasn’t a vice, but too much sex was: uncontrolled desire.)

In later Europe, kings might have mistresses, but it wasn’t “official,” and they certainly didn’t have multiple wives. Christianity frowned on that. Even before, Roman emperors didn’t employ royal polygamy, although they did use serial monogamy—a long-standing practice back into the Roman Republic. Yet that required divorce. When the Christian church made marriage both a sacrament and a vow (not a contract, as it had been pretty much everywhere else), they made divorce impossible without either a wife’s death or religious shell games like annulment. Until Henry VIII, European kings were largely stuck with just one marriage.

Ancient courts didn’t have that problem. And from a political point of view, monogamy is a problem. It reduces the number of political ties available. Having royal polygamy offers more fluidity in possible heirs, and increases, sometimes exponentially, avenues for political alliance.

That said, the downside can be messy inheritance. Two of the more infamous inheritance disputes (other than Alexander’s) involved Esarhaddon, youngest son of Sennacherib, and Cyrus the Younger vs. Artaxerxes II. The latter dispute resulted in civil war (thank you, Xenophon, for telling us about it). As for Esarhaddon, he was so in danger from his older brothers, his mother kept him out of the capital until claimants were dead. There are others, but these two leapt to mind. There are also Egyptian examples, but I’m far less knowledgeable about those dynasties. And, as we see later in Europe, disputed successions can occur without polygamy!

Anyway, when it comes to selection of the heir, two things that matter in polygamous courts: status of the mother, and (for the ANE) whether she was queen. Not all wives were also queens. In the case of Esarhaddon, his mother Naqiʾa was of lower status and not a queen, so when his father named him heir, his older brothers (and their court allies) blew a gasket. Both Assyrians and later Achaemenid Persian kings could marry as many women as they wanted, plus take concubines…but the heir was expected to be from his Chief Wife, or Queen. Of “pure” blood. Cyrus the Younger’s argument against his older brother rested on a similar status technicality: he’d been born after his father became king, while Artaxerxes II was born before. We’d say Cyrus was “born to the purple.” But it was just an excuse; he was the ambitious one, and their mother favored him. If Macedonia didn’t have queens, the status of the mother mattered to being selected as heir there as well.

So these are some of the chief differences between ancient Mediterranean and near eastern courts, compared to later European.

[imthemuthafuckingcricket]

Amazingly -and oh so not surprising-the way people conduct their selves and talk about Cleopatra's physical appearance still piss me off.

[chidoknowshit]

Very fucked up of us to concentrate so much on Alexander the Great and his father, when his mother Olympiad, his grandmother Eurydice I, his sister Cynane and his nice Eurydice II were there

[bijoumikhawal]

Ive been reading the Persian Boy and I'm not suprised by the orientalism but I am disappointed

[if-you-fan-a-fire]

"HIT THE MAN WHO REPEATED A TAUNT," Toronto Star. January 16, 1913. Page 17. --- Foreman Resented Remark With Blows, and Pays a Fine for Doing So. ---- CASES IN POLICE COURT ---- Macedonians Fined for Supplying Liquor to a Youth of Fourteen. ---- A dispute as to whether or not Herman Torman should go to work ended in the Police Court to-day in a charge of aggravated assault, laid by Torman, against Wm. Briggs, foreman at the Standard Sanitary Company's factory, Lansdowne and Royce avenue. Briggs did not deny blows, but as Torman had been the bearer of an unpleasant taunt to him, from former associates in Pittsburg, the charge was reduced to common assault, followed by a $5 fine.

Flim-Flammer Sentenced. Twice Sidney Smith, colored, worked his bill-switching successfully, back in December, and now he goes to jail for sixty days. The men beaten out of $5 each were H. Hanna, 106 Spadina avenue and G. Miller. 336 Queen east. Smith's system was to walk into a store, make a five or ten-cent purchase, present a ten-dollar bill, and when change was brought he would ask for a return of the bill, saying he had found the proper change. The bill would be returned. Smith would hand back the change, but not before he had slipped a $5 bill from the bottom.

Accused of Theft. Matthew Weisley, of Leonard avenue. employe of the Vokes Hardware Co., of 68 King street west, was committed for trial, charged with the theft of $40 worth of locks, hinges, brassware, etc., from his employers.

The charge originated when Constable Eakins found a peddlar staggering under a heavily roaded bag in Leonard avenue.

"I fancied it might be lead pipe," the officer stated, "but it wasn't. The peddlar gave Weisley's address as the place of purchase."

Liquor Given to Boy. Macedonians at 120 Spadina avenue began a birthday festival on Sunday morning, and ended in the police court, charged with supplying liquor to a minor. They were Antonio and John Oriss, the boy who drank being aged fourteen. Antonio settled for both by a fine of $10 and costs.

Just on Suspicion. The fact that George Clarke was seen too often about Jacob Davis clothing store at 326 Queen street west. from where a pair of trousers disappeared, led to his arrest on a charge of theft. As Clarke denied it, he remains in custody a week. Putting grocery collections in his pocket and blaming short returns on tardy customers, is the charge against Albert Smart, brought back from Sea- grave yesterday by Detective Armstrong. Smart was employed as driver for the J. W. Sweet grocery at Carlton and Sackville streets. Evidence will be taken on the 20th.

[aphroditelovesu]

˚̩̥̩̥♡₊*｡❝masterlists❞₊˚.*✩

*:･ﾟ✧.for you, 𝐼 ★•¸— ̶c̶o̶u̶l̶d̶ pretend like ❝.╭.+I w͟a͟s͟ h𝑎ppy°⊹when I was⋆◟̆๑𝓼𝓪𝓭; for you❝.:*｡I could p͟r͟e͟t͟e͟n͟d͟˘.+*✦like I ɯαs▾₊˚𝓈𝓉𝓇𝑜𝓃𝑔 wh𝑒𝑛 I｡*☆𝙝𝙪𝙧𝙩; ℐ wish･ﾟ｡❥love was ᴘᴇʀғᴇᴄᴛ❀⊰｡as love ̶i̶t̶s͟e͟l͟f͟╮ⵓ❞¸I ɯısh all あ.♡my 𝔀𝓮𝓪𝓴𝓷𝓮𝓼𝓼𝓮𝓼 could ❞.ᔘ❀be 𝖍𝖎𝖉𝖉𝖊𝖓; I୭.° grew a 𝑓𝑙𝑜𝑤𝑒𝑟+*.♡:th𝑎t can't be ↬,｡˚𝘽𝙇𝙊𝙊𝙈𝙀𝘿 in a↷.dream•that c͟a͟n͟'͟t͟ come ★*̣̥⁄⁄𝓽𝓻𝓾𝓮৴☽❰❪+

↳¸•.↑✿cited song: fake love by BTS.

➷°.[✩] BTS ╭⟡;💜

➷°.[✩] BLACKPINK╭⟡;🖤

➷°.[✩] ITZY ╭⟡;🧡

➷°.[✩] Stray Kids ╭⟡;💙

く く く EXO: Yandere Baekhyun (Romantic), Yandere Suho (Romantic). く く く TWICE: Imagine as Classmates.

➷°.[✩] Greek Mythology ╭⟡;⚡

➷°.[✩] Egyptian Mythology ╭⟡;𓂀

➷°.[✩] Historical Characters ╭⟡;📜

く く く The Lost Queen | Yandere!Alexander the Great ❝You woke up near a military camp without remembering how and why you got there, you didn't understand why they were dressed like ancient Greeks, all you knew was that you weren't safe and you needed to get out of that place as soon as possible. Too bad for you that you found yourself attracting unwanted attention from the Macedonian King and he won't let you go so easily.❞ The Lost Queen Series Masterlist

➷°.[✩] The Vampire Diaries // The Originals╭⟡;🧛

➷°.[✩] House of the Dragon╭⟡;🐉

➷°.[✩] Game of Thrones╭⟡;❄️

➷°.[✩] The Sandman╭⟡;⌛

➷°.[✩] Outlander╭⟡;🗿

➷°.[✩] Wednesday╭⟡;🎻

➷°.[✩] Brooklyn Nine-Nine╭⟡;👮‍♂️

➷°.[✩] Bridgerton╭⟡;🐝

➷°.[✩] Shadow and Bone╭⟡;☠️

➷°.[✩] Outer Banks╭⟡;💰

➷°.[✩] K-Dramas╭⟡;❤️

➷°.[✩] Reign╭⟡;👑

➷°.[✩] The Tudors╭⟡;🗡️

➷°.[✩] Hannibal╭⟡;🍽

く く く The Bloody Viscount | Yandere!Anthony Bridgerton ❝You had fallen in love with Viscount Bridgerton and he had fallen in love with you. The marriage seemed perfect, but then why did Anthony Bridgerton always come home late and bloodstained?❞ Prologue; Chapter 1; Chapter 2;

➷°.[✩] Percy Jackson╭⟡;🌊

➷°.[✩] Harry Potter╭⟡;🔮

➷°.[✩] A Court of Thorns and Roses╭⟡;🌹

➷°.[✩] A Song of Ice and Fire╭⟡🔥

➷°.[✩] Attack on Titan╭⟡⚔️

➷°.[✩] Naruto╭⟡🍥

➷°.[✩] One Piece╭⟡👒

➷°.[✩] Death Note╭⟡📓

➷°.[✩] Miraculous: Tales of Ladybug and Cat Noir╭⟡🐞

➷°.[✩] How To Train Your Dragon╭⟡🐲

➷°.[✩] Marvel╭⟡۞

➷°.[✩] Love Letters╭⟡💕

➷°.[✩] Love Letters II╭⟡💕

➷°.[✩] Kinktober 2023╭⟡🎃

く く く A Black Rose | Yandere!Ian Daerier ❝A cruel and narcissistic reaper falls in love with the woman he was supposed to take the life of.❞ Oneshot;

[mythologyofthepoetandthemuse]

The Derveni Krater, a masterpiece of ancient metalwork. Found in Derveni, near Thessaloniki, in 1965. The funerary inscription on the krater writes it's dedicated to Astiouneios, son of Anaxagoras, from Larissa, an aristocrat. Some believe that this elaborate artefact was made in Athens while others suppose that it could be created in the Macedonian court, the date of its creation isn't clear as well, generally categorised as Hellenistic. What is most important though is the krater's vivid, playful and sensual decoration with satyrs, maenads and the pair of Dionysus and Ariadne. Usually, when someone died unmarried and the family had the means, such a depiction of a happy mated afterlife was preferred so to comfort the relatives for their loss. The relationship depicted between Dionysus and Ariadne seems more than sensual, the transparency of her clothing, along with his nakedness and their stances are more than revealing of their common passion.

Now at the Archaeological Museum of Thessaloniki, Greece. The Derveni Krater may seem gold but it's actually made of bronze.

[planet-gay-comic]

Homosexuality in History: Kings and Their Lovers

Hadrian and Antinous Hadrian and Antinous are famous historical figures who epitomize one of the most well-known homosexual relationships in history. Hadrian, the Roman Emperor from 117 to 138 AD, developed a close friendship with Antinous, a young man from Egypt. This relationship was characterized by deep affection and is often viewed as romantic. There are indications of an erotic component, evident in Hadrian's inconsolable reaction to Antinous's tragic death. Hadrian erected monuments and temples in honor of Antinous, underscoring their special bond.

Alexander the Great and Hephaestion The ancient world was a time when homosexuality was not as taboo in many cultures as it is today. Alexander the Great and Hephaestion are a prominent example of this. Alexander, the Macedonian king from 336 to 323 BC, and Hephaestion were best friends and closest confidants. Their relationship was so close that rumors of a romantic or even erotic connection circulated. After Hephaestion's death, Alexander held a public funeral, indicating their deep emotional bond.

Edward II and Piers Gaveston During the Middle Ages, homosexuality was not as accepted in many cultures as it is today. The relationship between Edward II and Piers Gaveston was marked by rumors and hostilities, demonstrating that homosexuality was not always accepted in the past. Their relationship is believed to have been of a romantic nature, leading to political turmoil and controversies. Gaveston was even appointed Earl of Cornwall by Edward, highlighting their special connection.

Matthias Corvinus and Bálint Balassi In the Renaissance, there was a revival of Greco-Roman culture, leading to increased tolerance of homosexuality. Matthias Corvinus ruled at a time when homosexuality was no longer illegal in Hungary. The relationship between Matthias Corvinus and Bálint Balassi is another example of homosexuality being accepted during this period. Matthias Corvinus had a public relationship with Bálint Balassi, a poet and soldier. Their relationship may have been of a romantic nature, as Balassi was appointed as the court poet, and it had cultural influence.

These relationships between the mentioned kings and their lovers are remarkable examples of the long history of homosexuality in the world. In many cultures of antiquity and the Middle Ages, homosexuality was not as strongly stigmatized, demonstrating that homosexuality was not always rejected in the past.

Text supported by Bard and Chat-GPT 3.5 These images were generated with StableDiffusion v1.5. Faces and background overworked with composing and inpainting.

[city-of-ladies]

"During the reign of her husband the primary function of an Augusta was the orchestration of ceremonial at the imperial court, a highly stylised and intricate affair given the ceremonial nature of imperial life, which was based primarily around the Great Palace, a huge complex extending from the hippodrome to the sea walls, with its own gardens, sporting grounds, barracks, audience halls and private apartments; the Great Palace was the official residence of the emperor until 1204, though under Alexios Komnenos the imperial family usually occupied the Blachernai Palace in the north-west of the city, while there were other residential palaces in and outside of the capital. Empresses’ public life remained largely separate from that of their husbands, especially prior to the eleventh century, and involved a parallel court revolving around ceremonies involving the wives of court officials. For this reason an empress at court was considered to be essential: Michael II was encouraged to marry by his magnates because an emperor needed a wife and their wives an empress. 

The patriarch Nicholas permitted the third marriage of Leo VI because of the need for an empress in the palace: ‘since there must be a Lady in the Palace to manage ceremonies affecting the wives of your nobles, there is condonation of the third marriage…’ While the empress primarily presided over her own ceremonial sphere, with her own duties and functions, she could be also present at court banquets, audiences and the reception of envoys, as well as taking part in processions and in services in St Sophia and elsewhere in the city; one of her main duties was the reception of the wives of foreign rulers and heads of state. Nor were empresses restricted to the capital: both Martina and Irene Doukaina accompanied their husbands on campaign.

The empress was also in charge of the gynaikonitis, the women’s quarters in the palace, where she had her own staff, primarily though not entirely composed of eunuchs, under the supervision of her own chamberlain; when empresses like Irene, Theodora wife of Theophilos, and Zoe Karbounopsina came to power they often relied on this staff of eunuchs as their chief ministers and even their generals. Theodora the Macedonian was unusual in not appointing a eunuch as her chief minister, perhaps because her age made such gender considerations unnecessary. The ladies of the court were the wives of patricians and other dignitaries: a few ladies, the zostai, were especially appointed and held rank in their own right. The zoste patrikia was at the head of these ladies (she was usually a relative of the empress),and dined with the imperial family."

Byzantine Empresses: Women and Power in Byzantium AD 527-1204, Lynda Garland

[caesarsaladinn]

Today in “Sal, what the fuck are you talking about?”: the middle Byzantine period.

The period from the mid-ninth century to the late 11th was defined by a resurgence in the empire’s fortunes, as the Abbasid Caliphate weakened and the bloody stalemate on the eastern border yielded to conquest, plunder, and expansion into regions that the empire hadn’t controlled for centuries. Domestic politics responded predictably to this influx of land, wealth, and prestige: the generals who led these conquests became immensely rich, respected, and in some cases powerful enough to make themselves emperor. Byzantium had never had a true hereditary aristocracy—when you died, your titles generally died with you—but these guys came pretty close, as a few dozen intermarried clans came to dominate both military and civilian politics for generations.

Making military leadership into a family business generally went well, as future commanders could begin learning the trade from a young age, instructed by the most experienced leaders in the empire. The downside was that their egos grew along with their conquests, and when they felt they weren’t being treated with the honor due to such a distinguished family, they had all the resources they needed to launch a rebellion against the throne. This happened again, and again, and again, and again; it’s no coincidence that this was the period when surnames became common among the wealthy.

In the palace, this era was defined by the so-called Macedonian Dynasty, a string of emperors and usurpers founded by Basil, a peasant from—you guessed it—the military district of Macedonia. Basil took the throne by becoming the emperor’s confidant and most trusted servant, before quite literally stabbing him in the back.

The next two centuries saw an alternating series of Basil’s descendants and usurpers take the throne, with coups and rebellions too numerous to list here. Basil’s heirs had a tendency to die while their sons were still minors (or to leave no sons at all), leaving a mad scramble for a new man to marry or kill his way into the imperial family. This was also the heyday of the court eunuch, as aristocrats looked for servants who would serve their family without trying to displace them in favor of their own sons; of course, plenty of eunuch did displace emperors in favor of their own friends and family, or else overshadowed them so completely as to become the functional ruler themselves.

Culturally, this period was quintessentially Byzantine. Emperors were very concerned with soft power, so they poured money into anything that would make them seem like the holy sovereign they considered themselves to be—histories, encyclopedias, churches, monasteries, public games, bejeweled reliquaries, and the like. Foreign ambassadors were feted with gold and silk in front of a throne that could rise from the floor until the emperor was looking down at the from the heavens. My favorite piece of writing from this era is the Book of Ceremonies, which spends hundreds of pages detailing the protocol for every imaginable public event, from the order of seating at imperial feasts to the proper weight of cargo loaded onto an army packhorse; it shows how the emperors tried to synthesize the importance of orderly, standardized, professional administration with the need to appear wise, just, and all-powerful to their subjects. It also shows how unbelievably wealthy the government was—very few states, at any point in history, had the time and resources and literal tons of gold to spend on court ceremonies that intricate and impressive!

I’ll spare you the list of emperors, their personalities, and the various schemes and subordinates that put them on the throne; that’s a whole separate post. Suffice to say that I think this is one of the most interesting eras of history, and I encourage everyone to learn more about it.

[whencyclopedia]

Aristotle

Aristotle of Stagira (l. 384-322 BCE) was a Greek philosopher who pioneered systematic, scientific examination in literally every area of human knowledge and was known, in his time, as "the man who knew everything" and later simply as "The Philosopher”, needing no further qualification as his fame was so widespread.

He literally invented the concept of metaphysics single-handedly when he (or one of his scribes) placed his book on abstract philosophical speculation after his book on physics (metaphysics literally means “after physics”) and standardized in learning – how information is collected, assimilated and interpreted, and then communicated – across numerous disciplines.

During the later Middle Ages (c. 1300-1500 CE), he was referred to as "The Master", most notably in Dante's Inferno where the author did not need to even identify Aristotle by name for him to be recognized. This particular epithet is apt in that Aristotle wrote on, and was considered a master in, disciplines as diverse as biology, politics, metaphysics, agriculture, literature, botany, medicine, mathematics, physics, ethics, logic, and the theatre. He is traditionally linked in sequence with Socrates and Plato in the triad of the three greatest Greek philosophers.

Plato (l. c. 424/423-348/347 BCE) was a student of Socrates (l. c. 469/470-399 BCE) and Aristotle studied under Plato. The student and teacher disagreed on a fundamental aspect of Plato's philosophy – the insistence on a higher realm of Forms which made objective reality possible on the earthly plane – although, contrary to the claims of some scholars this did not cause any rift between them. Aristotle would build upon Plato's theories to advance his own original thought and, although he rejected Plato's Theory of Forms, he never disparaged his former master's basic philosophy.

He was hired by Philip II, King of Macedon (r. 359-336 BCE) as tutor for his son Alexander the Great (l. 356-323 BCE) and made such an impression on the youth that Alexander carried Aristotle's works with him on campaign and introduced Aristotelian philosophy to the east when he conquered the Persian Empire. Through Alexander, Aristotle's works were spread throughout the known world of the time, influencing ancient philosophy and providing a foundation for the development of Jewish, Christian, and Muslim theology.

Early Life

Aristotle was born in 384 BCE in Stagira, Greece, on the border of Macedonia. His father, Nichomachus, was the court physician to the Macedonian king and died when Aristotle was ten years old. His uncle assumed guardianship of the boy and saw to his education. Aristotle probably spent time with the tutors at the Macedonian court, as the son and nephew of palace staff, but this not known with certainty. When he was 18, Aristotle was sent to Athens to study at Plato's Academy where he remained for the next 20 years.

He was an exceptional student, graduated early, and was awarded a position on the faculty teaching rhetoric and dialogue. It appears that Aristotle thought he would take over the Academy after Plato's death and, when that position was given to Plato's nephew Speusippus, Aristotle left Athens to conduct experiments and study on his own in the islands of the Greek Archipelago.

Continue reading...

[jeannereames]

where would i be able to read your monograph? especially about the ‘you are nothing without me’ incident

The Protracted Reality of Writing Academic Shit 😂

First, and assuming the asker means my Hephaistion-Krateros book, the quick answer is: It’s still in process, not even close to being in print. In the meantime, a number of my articles are available on academia-edu.

Now, to explain why the book is “still in process,” let me explain the monograph writing progression. IME, the average person uninvolved in academia is often surprised by the sheer complexity and time involved. (After all, why would you know if you don't need to?)

Below, I talk only about academic monographs, although I’ve also edited academic collections, and of course, have published a number of articles. I started to tackle fiction publishing too, but that quickly devolved into a long-ass post (even for me), so I’m sticking only to the topic the asker requested. It's long enough! Maybe I’ll do fiction later, assuming anybody wants to read that. (If so, put it in an ask.)

To write an academic book in the humanities typically takes years. There are several stages just to produce the initial manuscript, never mind getting it into print. I’ll outline the general process below, using my current project to illustrate the steps. One thing I’ve found consistently among both students and non-academics is utter surprise at just how extensive research/writing is. New grad students often think writing a thesis/dissertation is akin to writing a really long term paper. Oh, no. You will write it, submit it, get critique and feedback, go research some more and revise it, get critique and feedback, go and research yet more and revise it again … rinse and repeat. How long? Until it’s cooked. There’s not a set timeframe. It will always take longer than you expect. Always. I’ve been teaching grad students almost 25 years. I have yet to have any require less time than they first assumed.

Writing a monograph (including the thesis/dissertation, which is a type of monograph) is one of the toughest forms of academic writing. Papers/articles are much easier, and not just because they’re shorter, although that’s some of it. They also generally have a simpler point. They’re proving ONE thing, like a string.

A monograph presents a coherent, complex argument like a rope woven from several strings (the chapters). It’s not an edited collection by multiple authors in a single volume (or two), or even a collection of various essays by a single author. Collections may have a general topic, like, say, Macedonian Legacies (the collection we did for Gene Borza), or the one I’m editing now, Macedon and It’s Influences. Just trying to figure out a decent order for the varied papers can prove a challenge in these. If some of the papers actually do bear on each other … bonus! But the papers aren’t necessarily expected to come together at the end in any cogent way. A monograph’s concluding chapter should, however, bring together the chapters into a solid conclusion, like the arch’s capstone, holding it all together.

Yet the researcher may not know the answer to that until done with much of the research. After reading everything, and considering it, she may wind up in a different place from where she started. Like any good, responsible research, the researcher must be prepared to follow the data and facts, not cram them into a preconceived notion. I’ve changed some of my ideas and goals for my current monograph, as I no longer think I can do the project I originally intended because the nature of the sources get in the way too much. But I have a more interesting project as a result.

The first phase is research: pretty much for any academic field, period. How this progresses, and how quickly, varies with the individual, field, and topic. Furthermore, some of us are planners (that’s me), others are pantsers (e.g., they dive in and figure it out as they go: by the seat of the pants). But we all start with a question or observation, then go out to track down information about it. In history, sometimes we just read the primary sources/archival material and see what we find. Something strikes us, so we go on to read more, which produces either refined questions or entirely new ones.

Right now, I’m finishing up the initial stages of the research. Then I’ll start work on the chapters, which, yes, I’ve outlined as a result of my initial research. But those chapters may (and probably will) morph as I write them. It’s during the writing phase that the other, “attendant” research comes into play: chasing down all the references in other secondary sources for smaller points. Rabbit-hole time.

My initial research tends to be more measured. I read a while, stop to think—sometimes do stuff like write replies to asks on Tumblr while my brain churns. 😉 Then I go back and read some more. But the writing phase is where I can lose all track of time while running down just-one-more-citation-then-I’ll-stop. The last time I looked at a clock it was 3pm and now it’s 9pm, I’m weak with hunger, I really have to pee because I’m drinking too much tea, and the cats are mad because I’ve not fed them in hours. 😆 It’s two really different types of research for me.

Anyway, for the initial (pre-writing) stage, there are really two substages. The first is what I think of as archival work: e.g., getting down and dirty with the original (primary) sources, including digging into the Greek and Latin to see what it actually says, and if there’s something noteworthy in the phrasing. At this point, I may not really know what I’m looking for, except in the broadest sense. For my current project, I collected every single mention of Hephaistion and Krateros in the original sources. For all five ATG bios, I read them front to back, tagging all sorts of things, plus large chunks of important other books (e.g., the first part of book 18 of Diodoros, the extant fragments of Arrian’s After Alexander, plus a couple bios, esp. Plutarch’s Eumenes, etc.) in order to get a FLOW, not just collect things piecemeal. There are some passages that may not name Hephaistion or Krateros specifically, but they would include them. Piecemeal will always be incomplete, like trying to see a clear image in a broken mirror (a mistake I made with my dissertation, in fact, but I was young).

Then I assembled all that collected data on huge sheets, arranged by author for each man, so I can cross-reference and compare. I also did a deep-dive across 4 days, grabbing everything in Brill’s New Jacoby (BNJ), so I can also tag the original (lost) author cited in our surviving sources, where we know who it is. Not actually that many, but it’s useful and can prove significant. I want to see where the same information, or anecdote, crosses sources, and how it changes.

All of that (except adding the BNJ entry #s to my big sheets) is now done. The next step is figuring out what it all means. For that—and where I am right now—involves historiographic reading/rereading of secondary sources on the ancient authors. What is Curtius’s methodology? Arrian’s? Plutarch’s? What are the themes of each? What is the story they’re telling? They’re not just cut-and-pasters from the original (now lost) histories; they have agendas. What are they? How do Hephaistion and Krateros fit into those agendas? How do the sources use them? This is, to me, the really interesting piece.

It's also why this book will not be just a cleaned-up version of my dissertation, but a completely new look at Hephaistion, and now Krateros too. I haven’t even consulted my old dissertation chapters. I started over from scratch. Sure, I remember my main conclusions, and as I write, I’m sure I’ll go back to check things, but the same as I’d check anybody else’s.

I’d hoped to start writing by May, but I’m not quite there yet, in part because, between the Netflix series plus helping to write/edit a grant that I didn’t expect to have to do, I lost virtually all of February. Now, about half of April has been eaten by home repair/yard stuff plus small family crises. That’s just the nature of a sabbatical, especially if you don’t have a spousal unit or SO to take care of everything for you while you just write. 😒

Now I hope to start writing by mid/late May. But as this 9th International ATG Symposium is looming in early September, plus I go back to teaching in the fall, I’ll have to knock off by the end of July, if not sooner. Ergo, not a long writing time. I can do some more during winter break, but I probably won’t have a draft done until next summer. If I’m lucky. It is just not possible, at least for me, to write while teaching! As I do plan to present at least one (startling!) piece of my research as the ATG conference, I have a concrete deadline for a subchapter bit. Ha.

So, what happens after a draft is done? Well, if one is smart, one finds a reader or three. One just to read it for sense, but (if possible) another specialist to start poking holes in the arguments, noting secondary sources one forgot, and to offer general pushback in order to refine it all. This assumes your friends/colleagues actually have time to look at it, as they, also, are teaching and writing their own stuff. (I’ll go after my retired colleagues.) At the same time, one may also begin seeking an academic publisher.

It’s important to match the project to what the publisher is already publishing. It can also help, but isn’t necessary, to have an in: somebody known to/trusted by the editor of one’s broad field (ancient history, in my case) who can vouch for the scholarship. Submitting means writing up a summary of the work, perhaps including letters from colleagues/readers, etc., etc. I’m not even close to this stage yet, so I’m primarily going by the experiences of friends. At this point, it starts to dovetail a bit with fiction publishing. You’re on the hunt and do some of the same homework.

Once a publishing house requests the manuscript, they’ll farm it out to 2-3 readers to evaluate. This is the “refereed” part, as the readers will be specialists in the field. The publisher, who can’t be a specialist in everything, may ask for a list of names for these potential readers.

As with academic papers/book chapters, the book will come back from these readers with a vote on publishability, plus suggestions for improvement. The basic choices range from, “Go back to the drawing board; this has major issues and here they are” (e.g., not ready yet for publication). To, “It’s got good bones but here are improvements on chpts X and X, oh, and go read ___ works you forgot,” (e.g., revise and resubmit). To, “this is pretty solid as-is but could use a few more things” (e.g., revise but ready for a contract). You will NEVER get a “Publish it right now.” 🤣 It’s hard to say how much time this revising phase will take, as it depends entirely on the level of revisions requested. This is why it’s often wise to find a reader or three in advance, to make this phase less lengthy. Yes, books do sometimes get turned down entirely, with no “revise-and-resubmit,” but more often it’s one of the three above. And yes, sometimes an author may be unwilling to make the requested changes, so finds a different publisher, with different readers, hoping for a more positive outcome. Sometimes, with the revising stage, there’s a non-binding contract involved, but this seems to be usefully mostly for younger scholars who need some sort of proof for their RPT (Reappointment, Promotion and Tenure) committees.

Once a publisher gets a manuscript they believe is worthy, the author receives a (real) contract and is provided with in-house editors to fix grammar, sense, etc.: copy- and line-editing. What would (in fiction) be called “developmental editing” is what the refereed part entailed. This is the simple part. Getting TO the contract stage is the tough part.

The publishing house will then schedule the book with a publication date and discuss things like page-proofs, cover art, permissions, formatting, etc., including indexing, which most publishers either don’t do, or charge a high fee for. It’s almost always cheaper to hire an indexer separately. I’ve already got mine lined up for the Hephaistion-Krateros book. But that can’t be done until it’s typeset and through page-proofs as one needs, yeah, the page numbers. Ha. From contract to the book hitting shelves can take a full year, or more.

So, with the exception of those folks who are just writing machines, the average monograph is c. 5+ years, at least in the humanities. This assumes the luck to get a sabbatical, not trying to do it all crammed into summers or breaks.

So yes, I’m still a couple years from this book seeing print. And that assumes there’s not a lengthy revise-and-resubmit process because my readers don’t like my conclusions.

[wishesofeternity]

"Arsinoë (II) lived a dramatic and adventurous life, full of extreme highs and lows. In its course, she played a part in the courts of four kings, married three times (twice to a sibling or half sibling), saw two of her sons murdered, fled two kingdoms because her life was in danger, yet ended her days in great wealth and security and ultimately was deified. Born in Egypt (as the daughter of Ptolemy I Soter and Berenike), she departed as a teenage bride for marriage to Lysimachus, ruler of Thrace, parts of Asia Minor, and Macedonia. After her husband died in battle, she tried to protect the claims of her three sons to rule in Macedonia against the attempts of others to seize the kingdom. In support of this effort, she married one of these rivals (her half brother Ptolemy Ceraunus), only to have this marriage alliance end in a bloodbath that compelled her to return to Egypt, where her brother Ptolemy II had succeeded their father as king. Once back, Arsinoë married her brother (the first full brother-sister marriage of a dynasty that would make such marriages an institution). She died in Egypt, having spent her last years playing a prominent role in the kingdom. Throughout much of her life, Arsinoë controlled great wealth and exercised political influence, but domestic stability characterized only her last few years.

Bitter and sometimes violent struggles for the throne marked nearly her entire career [...] Her childhood experience coping with life in a court divided by succession politics colored virtually all the major decisions of her life. She played the roles of both victim and victimizer: Arsinoë likely had a hand in one murder but endured the slaughter of her younger sons. She possessed some political acumen and considerable drive, but boldness and the willingness to take risks were her most salient personality traits, the ones that led to her most dramatic successes and failures. Like most of the members of the Macedonian elite, male and female alike, Arsinoë single-mindedly and sometimes violently pursued kleos (fame, renown) for herself, her sons, and her dynasty."

-Elizabeth D. Carney, "Arsinoë of Egypt and Macedon: A Royal Life"

[worldhistoryfacts]

In the Alexander Romance, a medieval collection of mythical stories starring Alexander the Great, Alexander's father isn't Philip II of Macedon. It's Nectanebo, the last Egyptian pharaoh (after Alexander conquered Egypt, pharaohs were Greek). In the Romance, Nectanebo was a magician and trickster who supposedly fled to Macedon after a military defeat and found a place in the Macedonian court as a fortune-teller. He told the queen that she would be impregnated by a god. He then disguised himself as that god and slept with Olympias, fathering Alexander.

Here’s a French depiction of that moment from the 1400s:

You can read the whole piece here:

{WHF} {Ko-Fi} {Medium}

[olympic-paris]

THIS DAY IN GAY HISTORY

based on: The White Crane Institute's 'Gay Wisdom', Gay Birthdays, Gay For Today, Famous GLBT, glbt-Gay Encylopedia, Today in Gay History, Wikipedia, and more …

August 29

886 – Died: Basil I, called the Macedonian, (b.811) was a Byzantine Emperor of probable Armenian descent who reigned from 867 to 886. Born a simple peasant in the Byzantine theme of Macedonia, he rose in the Imperial court, and usurped the Imperial throne from Emperor Michael III (r. 842–867). Despite his humble origins, he showed great ability in running the affairs of state, leading to a revival of Imperial power and a renaissance of Byzantine art. He was perceived by the Byzantines as one of their greatest emperors, and the dynasty he founded, the Macedonian, ruled over what is regarded as the most glorious and prosperous era of the Byzantine Empire.

Basil was born to peasant parents in the area of Adrianople in Thrace. One story asserts that he had spent a part of his childhood in captivity in Bulgaria, where his family had, allegedly, been carried off as captives of the Khan Krum (r. 803–814) in 813. Basil lived there until 836, when he and several others escaped to Byzantine-held territory in Thrace.

The barest bones of Basil’s story are that he arrived in Constantinople as a penniless wanderer, and finessed friendships with a series of influential men to a point of immense political influence of his own, before assassinating his last and most powerful patron, assuming control of the empire, founding the Macedonian dynasty, and ruling over what is regarded as Byzantium's most glorious and prosperous era. A less discreet account would say that he slept his way to the top.

When he arrived penniless in Constantinople, Basil was befriended by a man called Nicholas, from the church of St Diomede. Two accounts make clear that Nicholas and Basil were joined in some formal of formal rite of union, one of them using precisely the term “adelphoeisis” (the liturgical rite for church blessing of same sex unions):

On the morning after finding him, Nicholas ‘bathed and dressed Basil and was ceremonially united to him, and kept him as his housemate and companion.

and, more explicitly

“on the next day he went with him to the baths and changed his clothes and going into the church established a formal union with him and they rejoiced in each other”.

This was just one of two such formal unions, and other less formal unions, Basil contracted with men. What was the appeal? He was a hunk, with notable physical charms, as John Boswell points out referring to Basil’s service with his next patron, Theophilos, who

‘had a great interest in well-born. good-looking, well-built men who were very masculine and strong’.and when he saw how exceptional Basil was in these respects he appointed him his chief equerry. Basil was ‘loved by him more and more with each passing day.’

The attachment to Theophilos did not last, however. Basil soon found a more useful patron, in the form of a wealthy widow, Danelis, who “showered him with gifts of gold and dozens of slaves”. Why? She clearly had a keen eye for a coming man, and asked nothing except that he form a ceremonial union with her son John. Basil made a good show of demurring so as not to look cheap – but he could see where his interest lay.

He duly entered his second same sex union, this time with John – and accepted the money and salves which came to him as a dowry.

But Basil had other fish to fry, and other beds to occupy, on his climb to the throne. First was the young Emperor Michael III, who was still in his teens.

Michael became so attached to Basil that he named him ‘companion of the bedchamber’, a position usually held by a eunuch….Ultimately he named Basil co-emperor.

Both contemporary and modern accounts see physical attraction as influential in Micahael’s choice:

Bad as Michael’s character was,..it seems clear that we must also credit him with homosexualism (sic); and this is confirmed, both by making Basil his bedfellow, and by his choice, when when he grew tired of Basil of a pretty boy to succeed him as favourite.

Basil was not content to share the empire, and in time assassinated Michael, and reigned alone. Basil I died on August 29, 886 from a fever contracted after a serious hunting accident when his belt was caught in the antlers of a deer, and he was allegedly dragged 16 miles through the woods. He was saved by an attendant who cut him loose with a knife, but he suspected the attendant of trying to assassinate him and had the man executed shortly before he himself died.

1844 – Born in Brighton, England, Edward Carpenter (d.1929), English socialist poet, socialist philosopher, anthologist, and early gay activist, was educated at Brighton College where his father was a governor. He then attended Trinity Hall, Cambridge before joining the Church of England as a curate.

Carpenter left the church in 1874 and became a lecturer in astronomy. During this period, he moved to Sheffield to live in a same sex relationship with George Merrill, a working class man he had met on a train. Two men of different classes living together fairly openly as a couple was almost unheard of in England in the 1890s, a fact made all the more extraordinary by the hysteria about alternative sexualities generated by the Oscar Wilde trial of 1895 and the Criminal Law Amendment Bill passed a decade earlier "outlawing all forms of male homosexual contact," but they would remain partners for the rest of their lives. E M Forster was close friends with the couple, and he claimed that George Merrill was the inspiration for his novel Maurice. Carpenter was also a significant influence on the author D H Lawrence, whose Lady Chatterley's Lover can be seen as a heterosexualised Maurice.

Carpenter and George Merrill

Their relationship not only defied Victorian sexual mores but also the highly stratified British class system. Their partnership, in many ways, reflected Carpenter's cherished conviction that same-sex love had the power to subvert class boundaries. It was his belief that at sometime in the future, Gay people would be the cause of radical social change in the social conditions of man. Carpenter remarks in his work The Intermediate Sex:

"Eros is a great leveller. Perhaps the true Democracy rests, more firmly than anywhere else, on a sentiment which easily passes the bounds of class and caste, and unites in the closest affection the most estranged ranks of society. It is noticeable how often Uranians of good position and breeding are drawn to rougher types, as of manual workers, and frequently very permanent alliances grow up in this way, which although not publicly acknowledged have a decided influence on social institutions, customs and political tendencies." (Note: The term "Uranian", referring to a passage from Plato's Symposium, was often used at the time to describe someone who would be termed "Gay" nowadays. Carpenter is counted among the Uranians himself.)

In 1883, Carpenter joined the Social Democratic Federation, and in 1885 he left with William Morris to join the Socialist League. Never committing to any narrow doctrine, he dabbled in the Labour Church movement, and studied Eastern Religion, travelling to Ceylon and India in 1890. On his return he developed a kind of 'mystic socialism' which produced campaigns against air pollution and vivisection, promoted vegetarianism and 'rational dress', a reaction to Victorian clothing which included the making and wearing of sandals. These ideas were considered crackpot by many in the Left.

Later he became a founder member of the Independent Labour Party in 1893. His pacifism led him to become a vocal opponent of first the Second Boer War and then the First World War.

In the 1890s, Carpenter began to campaign against discrimination on the grounds of sexual orientation. He strongly believed that homosexuality was a natural orientation for people of a 'third sex'. His 1908 book on the subject, The Intermediate Sex, would become a foundational text of the LGBT movements of the 20th century. Carpenter also both supported and drew inspiration from the Women's movement.

!t is his writings on the subject of homosexuality and his open espousal of this identity that makes him unique. If you are unfamiliar with Carpenter, find him - read him. He is one of the formative, foundational Gay philosophers in the late 19th and early 20th century. His influence was widespread at the time, and is no less innovative and profound, today. Harry Hay spoke many times of the influence Carpenter's work had on his early understanding of Gay sexuality. His important writings include:

Towards Democracy (1883)

England's Ideal (1887)

Civilisation: Its Cause and Cure (1889; reissued 1920)

Homogenic Love and Its Place in a Free Society (1894).

Love's Coming of Age (1896)

Days with Walt Whitman (1906)

Iolaus — Anthology of Friendship (editor, 1908)

The Intermediate Sex: A Study of Some Transitional Types of Men and Women (1908)

The Intermediate Types Among Primitive Folk (1914)

My Days and Dreams (autobiography, 1916)

Pagan & Christian Creeds: Their Origin and Meaning (1920)

After the First World War Carpenter had moved to Guildford, Surrey, with Merrill. In January 1928, Merrill died suddenly, leaving Carpenter devastated. Carpenter's state of mind is described vividly by the noted political activist G. Lowes Dickinson,

"Edward's grief when that occurred was overwhelming. I remember him walking on my arm to the cemetery at Guildford where they had buried George a few days before, and where he himself was to lie a year or so later. It was a day of pouring rain, and we stood beside the grave, while Carpenter [cried] again and again, 'They have put him away in the cold ground'."

In May 1928, Carpenter suffered a paralytic stroke which rendered him almost helpless. He lived another 13 months before he died on Friday June 28, 1929. His own words form the epitaph engraved on his tombstone:

"Do not think too much of the dead husk of your friend, or mourn too much over it, but send your thoughts out towards the real soul or self which has escaped — to reach it. For so, surely you will cast a light of gladness upon his onward journey, and contribute your part towards the building of that kingdom of love which links our earth to heaven."

Edward Carpenter was the first gay activist of the modern age. A true pioneer.

1922 – (Richard) Mr. Blackwell, born Richard Sylvan Selzer (d.2008), in Brooklyn, New York was a fashion critic, journalist, television personality, artist, and former fashion designer known internationally as Mr Blackwell. He was the creator of the Ten Worst Dressed Women list, an annual awards presentation he unveiled in January of each year. He also published the 'Fabulous Fashion Independents' list and an annual Academy Awards fashion review, both of which received somewhat less media attention. His longtime companion, former Beverly Hills hairdresser, Robert Spencer, managed him. He wrote two books, Mr. Blackwell: 30 Years of Fashion Fiascos and an autobiography, From Rags to Bitches.

After a troubled and poverty-stricken childhood he began acting in theatre in his teens. After relocating to the West Coast in the 1930s he adopted the name 'Dick Ellis' and was signed by the studios to play small parts in movies. Howard Hughes changed his name to Richard Blackwell when he signed him to RKO. He went back to Broadway in 1944 but eventually left acting for a short stint as a Hollywood agent. He discovered a talent for design while making his client's stage costumes.

The name, 'Mr. Blackwell' came in the late-1950s when he launched his clothing line. He was an important designer and during the 1960s he became the first in history to present his line on a television broadcast; and the first to make his line available for plus-size women. During the nearly two decade existence of the 'House of Blackwell', he was designer to Yvonne DeCarlo, Jayne Mansfield, Dorothy Lamour, Jane Russell and California first lady Nancy Reagan. During the 1980s the emerging drift toward casual wear brought an end to The House of Blackwell.

The first 'Ten Worst Dressed Women' list premiered in 1960, to moderate media success, but as the House of Blackwell became more successful, the list took off. By its third year every television and radio network and virtually all news services worldwide began to cover it. For more than forty years after first released, Blackwell annually spent a week after its publication on telephone interviews to fashion magazines, radio programmes and news networks. No star, celebrity or royal was immune to his scathing critique of their wardrobe. He on occasion included men in his lists. His lists have inspired many imitators and today's often cruel and judgemental view of celebrity fashion owes a debt to Mr Blackwell.

Blackwell lived in the Hancock Park enclave of Los Angeles with his partner of 60 years, former Beverly Hills hairdresser Robert Spencer, his longtime companion and manager. In 1964, they rented their home to The Beatles for the English band's first visit to the city. It was leaked to the media, however, and the group made other arrangements

In 2001, Blackwell was diagnosed with Bell's Palsy which causes limited to severe paralysis of facial muscles and effects the use of the extremities and can effect eyesight as well. Although it is treatable it is incurable, however often it tends to clear up on it own. He was unable to unveil the 2000 list at a live news conference for the first time in its 40-year history and remained out of the public eye for six months. He came back for the 2001 Worst Dressed and continued his great work, awarding 2006's No 1 spot jointly to Britney Spears and Paris Hilton.

Blackwell died in Los Angeles in October 2008 of complications from an intestinal infection. He was 86.

1928 – Charles Gray (d.2000) was an English actor who was well known for roles including the arch-villain Blofeld in the James Bond film Diamonds Are Forever, Dikko Henderson in a previous Bond film You Only Live Twice, Sherlock Holmes's brother Mycroft Holmes in The Adventures of Sherlock Holmes and as the Criminologist in the cult classic The Rocky Horror Picture Show in 1975.

Gray attended Bournemouth School alongside Benny Hill, whose school had been evacuated to the same buildings, during the Second World War. Some of his friends remember that his bedroom walls were plastered with pictures of film stars.

Charles Gray distinguished himself in theatrical roles, in the Regent's Park Open Air Theatre, London, at the Royal Shakespeare Company, Stratford-Upon-Avon, and at the Old Vic. He received his vocal training at the RSC and became noted for his imposing stage presence; features which would translate impressively to character parts on screen.

During the 1960s, Gray established himself as a successful character actor and made many appearances on British television. Work in this period included Danger Man with Patrick MacGoohan and Maigret. Gray also appeared opposite Laurence Olivier in the film version of The Entertainer (1960) as a reporter. In 1964 he played murderer Jack Baker in the Perry Mason episode, "The Case of the Bullied Bowler."

His breakthrough year came in 1967 when he starred with Peter O'Toole and Omar Sharif in the WWII murder-mystery film The Night of the Generals.

The following year he played Henderson, an Australian intelligence officer assigned to the Australian Embassy in Tokyo, in the 1967 Bond film You Only Live Twice. Four years later he appeared as Ernst Stavro Blofeld in the James Bond movie Diamonds Are Forever, both films starring Sean Connery as Bond. These make Gray one of the small number of actors to have played a villain and a Bond ally in the film series, another being Joe Don Baker.Gray's most prolific work as an actor was between 1968 and 1979 when he appeared in more than forty major film and television productions. In this period he is perhaps best known for portraying the Criminologist (the narrator) in The Rocky Horror Picture Show, and a similar character, Judge Oliver Wright, in its 1981 sequel Shock Treatment.

He regularly dubbed for Jack Hawkins after Hawkins's larynx was removed to combat throat cancer, as the two otherwise highly distinctive men's voices were similar. An example of this is in the film Theatre of Blood.

a young Thom Gunn

1929 – Thom Gunn born in Gravesend, Kent (d.2004), was an Anglo-American poet who was praised both for his early verses in England, where he was associated with The Movement and his later poetry in America, even after moving toward a looser, free-verse style.. In his youth, he attended University College School in Hampstead, London. Later, he read English literature at Trinity College, Cambridge, graduated in 1953, and published his first collection of verse, Fighting Terms, the following year.

In 1954, he emigrated to the United States to teach writing at Stanford University and to remain close to his partner, Mike Kitay, whom he had met while at college. After relocating from England to San Francisco, Gunn, who became openly gay, wrote about gay-related topics — particularly in his most famous work, The Man With Night Sweats in 1992 — as well as drug use, sex, and topics related to his bohemian lifestyle. He won numerous major literary awards.During the 1960s and 1970s, his verse explored society's increasingly liberal views of drugs, homosexuality, and poetic form.

The poet's major stylistic change in his shift toward free verse roughly within a decade that included much of the 1960s, combined with the other changes in his life — his move from England to America, from academic Cambridge to bohemian San Francisco, his becoming openly gay, his drug-taking, his writing about the "urban underbelly" — caused many to conjecture how his lifestyle was affecting his work "British reviewers who opposed Gunn's technical shifts blamed California, just as American critics would, later on, connect his adventurous lifestyle with his more 'relaxed' versification," according to Orr, who added that even as of 2009, critics were contrasting "Gunn's libido with his tight metrics — as if no one had ever written quatrains about having sex before"

His most famous collection, The Man With Night Sweats (1992), is dominated by AIDS-related elegies. Neil Powell praised the book:

"Gunn restores poetry to a centrality it has often seemed close to losing, by dealing in the context of a specific human catastrophe with the great themes of life and death, coherently, intelligently, memorably. One could hardly ask for more."

As a result of the book, Gunn received the Lenore Marshall Poetry Prize in 1993. Although AIDS was a focus of much of his later work, he remained HIV-negative himself.

In 2004, he died of acute polysubstance abuse, including methamphetamine, at his home in the Haight Ashbury neighborhood in San Francisco, where he had lived since 1960.

1966 – Stephen Trask, (né Schwartz) is an American musician and composer who graduated from Wesleyan University. He was the music director and house band member at the New York City club Squeezebox, where they performed with stars such as Debbie Harry, Lene Lovich and Joey Ramone.

Trask composed the music and lyrics for the stage musical Hedwig and the Angry Inch (also a 2001 film), about a struggling rock star named Hedwig. Trask's real-life band Cheater performed as Hedwig's band "The Angry Inch". He received an Obie Award for the play and a Grammy Award nomination for the movie.

Trask resides in Lexington, Kentucky, with his husband Michael Trask, who is a professor at the University of Kentucky. They were married by their neighbor, former state senator Kathy Stein.

1977 – Thomas Ays, born in Säckingen, now Bad Säckingen, Germany, is a German author, of gay fiction.

Thomas Ays writes novels for gay adolescents and adults, but they are also strongly aimed at heterosexuals sensitize them about certain problems of being gay. In his debut novel Romeo and Julian, for example, he not only addresses the problems of coming out, but also primarily deals with the relationship between parents and their homosexual children.

His first novel Romeo and Julian was published in 2010 by Himmelstürmer Verlag in Hamburg , a publishing house for gay literature. In September 2011, the second novel followed, The inner scream , which deals with homosexuality only marginally and at its core deals with depression.

In addition to his work as a freelance writer, Thomas Ays was also the owner and editor-in-chief of the web-based film critic database moviesection.de. The portal existed from 2001 to 2016 and contained over 6,000 film reviews. From 2002 to July 2020 he also headed the sister site booksection.de. More than 3,000 short book reviews have been published in the privately managed database. At the same time he has been the head of the Tourism and Culture Office of the city of Bad Säckingen since January 2019.

1993 – Lucas Cruikshank is an American actor and YouTube personality. Living in Columbus, Nebraska, he created the character Fred Figglehorn and the associated Fred series for his channel on the video-sharing website, YouTube. These videos are centered on Fred Figglehorn, a fictional 6-year-old who has a dysfunctional home life and "anger management issues".

Cruikshank, while testing character ideas, created the Fred character in a Halloween video, and uploaded it to a YouTube channel that he had started with his two cousins. Upon the success of Fred, he started a video series, and set up the Fred channel in April 2008. By April 2009, the channel had over one million subscribers, making it the first YouTube channel to do so, and the most subscribed channel at the time. In December 2009, Cruikshank filmed Fred: The Movie, which aired on Nickelodeon in September 2010. Nickelodeon created a franchise surrounding the character, and began producing the sequel in March 2011. Fred 2: Night of the Living Fred aired on October 22, 2011, also on Nickelodeon. In 2012 Fred: The Show aired, consisting of 20 11-minute episodes, as well as a third movie.

Lucas Cruikshank was born on and raised in Columbus, Nebraska. Cruikshank is openly gay. In a video released August 20, 2013, he came out saying "I'm gay. I feel so weird saying it on camera. But my family and friends have known for like three years. I just haven't felt the need to announce it on the Internet."

[if-you-fan-a-fire]

"SHOWER BATH IN THE JUVENILE COURT TENT," Toronto Star. October 24, 1913. Page 12. ---- Small Macedonian Proves Impossible as Canadian, and May Be Deported. ---- MOONLIGHT FOOTBALL ---- May Be Room for Tom in Mimico, Now That Jimmy Has Escaped. ---- Billy was passed without a murmur at the port of Quebec. He was a bad boy in Macedonia so the family shipped him to Canada where his big brother, who is studying here, undertook to remodel him. But the attempt has proven a failure.

Billy stood in the Juvenile Court grinning aimlessly and referred all questions to his brother. The family in Macedonia are laborers, and since the war are in very hard circumstances. They placed Billy in the Working Boys' Home, but he refused to work, and made up in the way of clothes by purloining those of the boys who did work. He was remanded to the Shelter, with a recommendation for his deportation.

"But how under the sun he ever got past Quebec, I don't know," commented the commissioner. We haven't a home for our own mental deficients, without importing them."

Football By Hydro. The whole team was arrayed before the court this morning, but the bail had been wisely left at home. They have been trying an innovation of playing football by Hydro light, but the bystanders objected, and the police called the game long before half time. "They all have respectable homes, and they're good boys," explained the sympathetic white helmet, "but when they get out in the gang they're just a crowd of hoodlums

The curfew law was read to them, and with the aid of a suspended sentence of $2, it is expected they will all retire at 9 p.m. for some time to come.

Back to Mimico. Tom's brother was put on a farm some years ago, and has attained the honor of a prize in the plowing match, but all that Tom did when they sent him there was to steal his brother's valuables and decamp. He spent three years at Mimico, and escaped from there.

"They won't take him back till there is room, will they?"

"Well, Jimmy escaped from there last week. There is room for one more at any rate," concluded Mr. Starr. So back he goes.