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danganronpasurvivoraskblog · 5 months ago

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Dangancember 2024 - Danganronpa Top 24 Class Trials - NUMBER 1🥇: Danganronpa 2 Case 4 {BEST CASE IN DR2}

//One could argue that this case doesn't reach the same incredible heights as the case that comes after it. One could also argue that the emotions that this trial gives off make it unworthy of the top spot.

//Many could argue that there are holes in the writing that really make the intentions not come through as clearly as they could do.

//And to be honest, I was seriously considering putting 2-5 at the top of this list, because I do agree that it's probably the better mystery, and story arc, of this game.

//However, this is still my list. And as I said before, I am ranking these trials based on how important they are to me, how much they resonated with me emotionally, and how much I enjoyed them. Effectively, if they had a lasting impact on me, and how strongly they did.

//And with that in mind, I simply could not put Game 2 Case 4 anywhere else.

//As I’ve mentioned before, the fourth cases in these games often mark the point where the mysteries start to push boundaries, leaning into ideas that feel uniquely suited to the medium of video games. This is usually when the developers get more daring with the setup, location, atmosphere, and sometimes even technical elements of the case.

//This applies to both Kodaka AND LINUJ.

//But among them, this particular case holds a special place in my heart.

//Here's why:

//For starters, I absolutely adore this chapter.

//It’s one of those rare gems where everything feels deliberately crafted to mess with your head, in the best way possible. Much like Chapter 4 in V3, the environment itself takes center stage, practically becoming its own character in the narrative.

But while V3’s virtual world only influences the case itself, this chapter traps you in its bizarre locale for the entire duration. This location, as we've referenced a few times up until now, is a giant, fruit-themed funhouse.

//A murder mystery set in a place that sounds like it was dreamed up by a sugar-high interior designer with a vendetta against logic. It’s as unusual as it is brilliant.

//But yes. We've talked about Sakura's locked rec room, the virtual world, the ballroom, and the Tower of Babel, and now we finally get to talk about the infamous Strawberry House/Grape House; a maze-like funhouse whose entire purpose is to confuse the living daylights out of everyone inside.

//And trust me, it succeeds spectacularly. Like V3-4, and what made that case so damn good, is that understanding how the building, particulatly the central tower, works, is downright essential.

//But while the mechanics of the funhouse are enough to make your head spin, what really elevates this chapter is the contrast. For a case that’s as ridiculously complicated and meta as they come, the setup is shockingly raw, relatable, and utterly heartbreaking.

//The despair kicks in from the moment you wake up in this architectural fever dream. There’s a sense of suspense hanging in the air, and before you can catch your breath, Monokuma drops his latest sadistic twist: you’re not leaving the funhouse unless someone kills someone.

Also, to add to the desperation, despite the fact that we're in a funhouse based on food, there IS NO FOOD! So, you’re left with the cruelest ultimatum imaginable: kill or starve. Survive or succumb.

//Personally, I think this setup is complete bullshit, but it’s also what makes this chapter so unforgettable. It’s a constant pressure cooker, and just when you think things can’t get worse, Monokuma turns the dial up to eleven with mandatory Monokuma Tai Chi sessions. Fun fact: Tai Chi on an empty stomach only makes you hungrier! Who knew?

//But yeah, we've already talked about the motives in this story that are basically "kill someone, or die," but I think that argument works for V3-1, and not so much 2-4. And it's mainly got to do with the difference in motives for the Masterminds.

//While Tsumugi is just desperate to get the latest season of her killing game kicked off, AI Junko in DR2 REALLY needs people to die so she can take over her bodies, which is largely why the motives in Game 2 feel like more targeted attacks. If you think about it:

Case 1's motive feels like it could apply to anyone, but Monokuma must have known that Teruteru especially would fall for the trap because he's the one with the sick mother that he needed to get out and save.

Case 2 was set up to be a targeted attack against Fuyuhiko so that he would stage a plan to kill Mahiru and avenge Natsumi.

Case 3 is bullshit because it's literally a brainwashing disease that conviniently makes you act the opposite of how you usually act.

//Compared to some of that, this is tame by comparison.

//At least in terms of ridiculousness and unfairness. Not in terms of desperation; I will make that VERY clear.

//As the days drag on, the desperation becomes almost unbearable. Watching Hajime slowly unravel under the strain is one of the most emotionally gut-wrenching experiences in the entire series. You can practically feel his grip on reality slipping as hunger, confusion, and tension eat away at him and the others. It’s a situation that’s so dire, it might even make you consider snacking between play sessions just to cope.

//(Pro tip: don’t play this chapter while hungry. You’ll regret it.)

//Now, let’s circle back to the Funhouse itself. It’s divided into two sections: Strawberry House, where most of the boys sleep, and Grape House, where the girls and a room-less Hajime bunk down.

//Each side SUPPOSEDLY has its own tower, and while they seem connected, no one can figure out exactly how, besides a single, maddening elevator.

//There are no windows, Monokuma cancels the morning announcements, and any sense of time completely disintegrates. Oh, and there’s something called the Octagon thrown into the mix, just to make everything even more mind-bending.

//This chapter is an assault on the senses, a test of endurance, and a masterclass in psychological tension. It’s frustrating, fascinating, and unforgettable all at once. By the time you finish, you’ll likely be as emotionally drained as the characters. And that’s what makes it so damn great.

//But when the murder actually happens, things get even CRAZIER!

//One of the standout reasons this case is so phenomenal is because it dares to be wildly different from the others, and not just in a "slight deviation from the norm" way, but in a "what-the-actual-fuck-is-happening" kind of way.

//Let’s dive into the first element that makes this case unbelievably unique: the Victim.

//The unfortunate soul this time around is none other than Nekomaru Nidai, and...I do admit that one of the more unfortunate parts of this case is the fact that Nekomaru gets cucked REALLY bad by the narrative in this later part of the story.

//At this point in the story, Nekomaru has already met his untimely demise in an execution that wasn’t even meant for him. But Monokuma, ever the stickler for his own twisted rules, couldn’t let him stay dead, as that would technically break the school trip regulations.

//So, what’s the solution? Resurrect him, of course! But because Monokuma is also a petty jerk, he didn’t just bring Nekomaru back to life, he brought him back as a robot. A full-fledged, chrome-plated, hydraulically-enhanced robot. Out of pure spite. You know, like any sane bear would do.

//So after his execution, he's not only absent for all of Trial 3/the Despair Disease segment of Chapter 3, but after they bring him back, he DIES AGAIN.

//And it makes me feel a lot of shit, because Nekomaru, when you do his FTE's, is actually a RIDICULOUSLY INTERESTING character!

//The big issue with DR2's characters, as much as I love them, is the fact that the best parts of them are only seen in the optional Free Time Events, and without them, they're honestly kind of one-dimensional, and it doesn't make them as sympathetic when they die. Mahiru, Hiyoko, and Teruteru are easily the biggest examples, and Nekomaru is another one.

//All these characters are amazing, but you have to look deeper into them if you really want to see that. I just feel really bad for Nekomaru, because this part of the story screws him over so hard.

//However...Here’s where things get even more interesting: while Nekomaru himself doesn’t play a massive role in the overall murder plot, his robotic status is absolutely central to how the crime unfolds.

//In fact, it’s safe to say this murder could only happen to someone like him. It’s a case tailor-made for a victim with robot-specific quirks, and the execution is nothing short of brilliant.

//Let’s talk specifics, shall we? First up, Nekomaru’s internal radio clock. Unlike everyone else, he has a perfectly accurate internal timepiece, making him the only one who would know the exact time down to the second.

//Then there’s his sleep function. He has a built-in mechanism to enter sleep mode, complete with a timer that can wake him up. And it’s not just a nifty feature; it’s a key element in how the murder plays out.

//Add in a host of other robot-specific traits, and you’ve got a murder mystery that feels refreshingly original, pushing the boundaries of what a Danganronpa case can be.

//What makes this all work so well is that it embraces the absurdity of the situation without losing sight of the logic and strategy that define the series. The murder isn’t just unique for the sake of being unique, it’s a puzzle that could only exist in this specific set of circumstances, with this specific victim. It’s bizarre, it’s intricate, and it’s utterly unforgettable.

//Which is also a large contributing factor to why this investigation sequence stands out as my absolute favorite in the entire Danganronpa series. From start to finish, it delivers a perfect blend of creativity, complexity, and downright bizarre twists that keep you on your toes. The clues you uncover are not only unique but also challenging, making it nearly impossible to predict how everything will play out. It’s a mental workout in the best way possible.

//Let’s start with the setup. By the time Nekomaru’s body is discovered, the group feels like they’ve got a decent grasp on how the funhouse operates. But then, as you start piecing things together, you realize, some of the evidence directly contradicts what everyone thought they understood about the layout.

//This throws a wrench into the group's theories and forces you to think beyond the obvious. The only way to crack this case is by carefully examining each clue, laying them all out in a neat little mental grid, and connecting the dots one by one.

//What’s brilliant here is that almost all the conclusions the group reaches feel logical in some way, even if they’re hilariously off the mark at times.

//Now, let’s talk about the real highlight of this investigation. We all love to rave about the protag switch in Danganronpa V3, but does anyone remember that Game 2 briefly pulled the same trick?

//During this investigation, Hajime, who’s stuck in Grape House, can’t cross over to Strawberry House to investigate. So who steps up to the plate instead? None other than everyone’s favorite chaotic wildcard, Nagito Komaeda. And let me tell you, it’s every bit as wild as you’d expect.

//The peak of Nagito’s investigation is the iconic Final Dead Room sequence. This part is pure nostalgic gold, as it feels like Danganronpa took a detour through an early 2000s Big Fish-style point-and-click adventure game. The sheer absurdity of solving puzzles in this creepy, isolated room, combined with the ominous atmosphere, makes it a standout moment.

//And then, of course, there’s the Russian Roulette scene. This is where Nagito’s…unique...personality really shines. Not only is the concept of spinning a loaded gun for clues objectively insane, but the way he handles it, like it’s just another Tuesday, is as hilarious as it is unnerving.

//tldr; It’s a brilliant combination of clever game design, character development, and humor, all wrapped up in the offbeat charm that Danganronpa does so well. Whether it’s the jaw-dropping twists, the nostalgic game mechanics, or the pure chaos of stepping into Nagito’s shoes, this sequence has it all, and that’s why it works so perfectly.

//And then when we get to the trial, and all of these things are brought up. And holy shit, basically ALL of these elements come together in a way that is downright MASTERFUL!

//Let me say it again for emphasis: this case isn’t just one of the most engaging mysteries in all of Danganronpa, it’s also one of the hardest to crack.

//Seriously, you’ll need to flex every neuron in your brain to make sense of this mind-bender. From understanding time consistencies to grasping environmental nuances, this case demands a lot from you.

//And that’s part of its charm. It’s a delightful challenge that pushes your detective skills to their limits while keeping you glued to the screen.

//The pacing here is impeccable, and every character gets their moment to shine (or stumble hilariously). Even the less-than-genius members of the group, like Akane, contribute to the discussion in surprising ways.

//In fact, not only does she join in in a meaningful way, but Akane ends up being the closest to cracking the case early on, proving that sometimes brute-force logic works!

//I...almost forget that despite being so dumb, Akane is actually super helpful in these trials, because her gut instinct is almost always right. Case 3 notwithstanding.

//The debates feel surprisingly realistic for such an outlandish scenario, with each character proposing their own theories. These range from plausible to downright wacky, but they all make sense in their own way.

//The theories fly fast and furious, covering everything from the layout of the funhouse to the relationship between Strawberry House, Grape House, and the mysterious tower in the middle. Questions about how the elevator works, how it moves, and what secrets it might be hiding dominate the discussion.

//And here’s the kicker: unlike some other cases, almost nothing in this investigation is a red herring. EVERY clue matters, and EVERY detail ties back into the murder somehow. It’s an intricate web that rewards careful observation and critical thinking.

//Now let’s talk about the murder itself, because, wow, it’s a doozy. The killer ends up being, in a very unexpected fashion, Gundham Tanaka, the Ultimate Breeder and hamster enthusiast extraordinaire. Not only that, but he orchestrates one of the most elaborate kills in the series, using almost EVERY aspect of the funhouse to achieve his goal.

//The method is as over-the-top as Gundham himself, and it’s a blast to unravel. Here’s how it went down:

//Gundham manipulated the funhouse’s alarm clocks, setting them back so they’d go off much later than usual. However, Nekomaru had that internal radio clock that always kept perfect time. So, while everyone else is blissfully unaware of the real time, Nekomaru is the only one to wake up for Monokuma Tai Chi.

//Once Nekomaru is alone, Gundham uses the "power of hamsters" to shut him off and ties him to the handle of one of the tower doors.

//Here’s where it gets even crazier: the tower itself is a giant elevator that moves between floors, though it’s designed to keep this fact hidden.

//Gundham manipulates the tower, causing the floor to descend and leaving Nekomaru suspended in midair. When Nekomaru reactivates, he struggles, triggering his fall, and ultimately, his death.

//What makes this case so brilliant is how satisfying it is to piece everything together. The complexity of the setup keeps you guessing until the very end, and the realization of how it all fits together is genuinely exhilarating.

//The sheer creativity of Gundham’s plan, combined with the funhouse’s disorienting design, makes this case a true standout. It’s a wild ride from start to finish, full of twists, turns, and insane moments. And that’s what makes it work. It’s challenging, inventive, and, above all, fun.

//But of course, we need to talk more specifically about Gundham here. And trust me when I say I have been waiting for this for literally almost a month.

//Gundham Tanaka isn’t just my favorite killer in Danganronpa 2, he’s my favorite killer in the ENTIRE SERIES.

//And no, Kaede does not count, because 1) Kaede did not actually kill Rantaro, and 2) even though I like Kaede more as a CHARACTER, I like Gundham's role as a killer more than hers.

//Largely because he combines a brilliant murder plan with an equally compelling motive, both of which fit his eccentric, larger-than-life personality perfectly. His scheme is a masterpiece of manipulation, utilizing every rule and quirk of the funhouse setting to orchestrate an elaborate, nearly unsolvable murder. Add in the unique mechanics of Nekomaru's robotic body, and you’ve got a case that’s as ingenious as it is wild.

//Honestly, this plan was so good that the ONLY reason Gundham lost was due to a minor accident that most players (myself included) don’t even notice until it’s pointed out in the trial!

//Even if the group figured out how Nekomaru died, they might never have deduced who did it if not for sheer chance. Specifically, if Fuyuhiko had chosen to sleep in his assigned room, Gundham’s identity could’ve stayed hidden. That’s how airtight his plan was.

//But what elevates this case even further is Gundham’s motive, which is one of the most fascinating in the series.

//When the trial ends, Chiaki posits that Gundham and Nekomaru might have fought to determine who would die, with Gundham initially luring Nekomaru out with the intent to sacrifice himself so the others could escape the funhouse.

//It’s a noble, heart-wrenching idea that makes perfect sense, but at the same time, it’s only an implication. Gundham never outright admits to it, which adds layers of depth to his character and his actions.

//Instead, Gundham ties his motive to his grandiose, demonic-villain persona and his unique philosophy on life.

//Earlier in the chapter, Hajime expresses his despair over the situation, saying he’d rather starve than see another murder. To Gundham, this attitude is utterly repugnant.

//His entire reason for committing the murder is to jolt the group out of their apathy, to remind them that clinging to life, even in dire circumstances, is a battle worth fighting. It’s a twisted, almost poetic motive that fits Gundham’s character to a T.

//What really makes Gundham’s actions unforgettable, though, is his refusal to drop his villainous façade, even in his final moments. His last words are both inspiring and devastating, cementing his role as a tragic anti-hero.

//Why doesn’t Gundham explicitly admit to his noble intentions? Well, I think there are two reasons.

//First, as he states during his monologue, he wants to uphold his villainous philosophy until the bitter end, sticking to his "evil" persona even as he faces execution.

//Second, I believe he wants to avoid being called a hypocrite. How could he tell the others not to give up on life while willingly sacrificing his own?

//So by keeping his true motives ambiguous, Gundham ensures that his message is one of strength and perseverance, free from contradictions.

//Now...*sigh* Let's talk about the elephant in the room.

//Not too long ago, and while I was looking at references for this review, I have seen a multitude of people talking about Gundham's motives, and being generally confused, and some even upset by the notion. That they think the game is playing it as a noble sacrifice, but believe that it's anything but.

//Beyond what I've just talked about, the murder itself is so elaborate that it overshadows Gundham’s motivations. The focus on the mechanics of the crime, the tower, Nekomaru’s robotic body, and the use of the funhouse’s unique design, leaves little room for deeper exploration of Gundham’s internal reasoning.

//So people usually walk away more impressed by the puzzle-solving than by Gundham’s character arc, leading to dissatisfaction with how his motives are addressed.

//Some fans take issue with this vagueness, finding it hard to reconcile the idea of Gundham as a noble sacrificer with his over-the-top villainous persona. The lack of an explicit confession leaves people questioning whether his actions were truly altruistic or just a convoluted ploy to "play hero."

//And generally, a lot of people seem confused as to why Gundham didn't just step forward and out himself from the start, like how Satsuki Iranami did in A-4.

//What upsets me most, and not to sound rude, is that the reasoning is so BLATANTLY OBVIOUS that I don't see how people miss it. The reason why Gundham stands on ceremony, lets the trial happen, even though he always intended to give his and Nekomaru's life for this cause, is very simple.

//Gundham’s ultimate goal wasn’t just to save the group but to teach them the importance of persistence. He saw that the others were beginning to waver, paralyzed by the dilemma of starvation versus murder. So his actions were designed to snap them out of their indecision, reminding them that survival often requires difficult, morally ambiguous choices.

//He wanted to inspire them to keep moving forward, even if it meant being vilified in the process. And the reason he didn't step forward is BECAUSE of this.

//Gundham wanted everyone to put more value in their lives.

//So what's the best way to do that?

//He makes them FIGHT FOR THEM!

//I'm in no way saying that this kind of moral quandry justifies murder, but while if Gundham had just outed himself as the killer, that would have gotten everyone out of the funhouse quickly and easily, but he didn't WANT it to be easy! Because even if they do escape, that pessimism will be brought out with them, and if Hajime and co. are so willing to give up here, who's to say they won't lay down and die when they reach the NEXT roadblock?

//Gundham’s disdain for Hajime’s willingness to starve reflects his core belief: that life, no matter how dire the circumstances, is WORTH fighting for.

//His decision to kill Nekomaru wasn’t an act of giving up; or an act of burtality or spite. It was a calculated risk to prevent the group from succumbing to Despair.

//By orchestrating the murder, he ensured that the group would be able to escape the funhouse, while also having them struggle to achieve their goals, and realize that their lives are important to them, effectively preserving their ability to continue the fight for survival.

//On top of this, Gundham’s refusal to admit to a noble sacrifice aligns with his commitment to his "evil overlord" persona. To him, openly admitting a selfless motive would contradict the image he’s built for himself and dilute the impact of his message.

//By framing his actions in philosophical terms rather than emotional ones, he maintains his integrity and avoids being seen as a martyr.

//And I would quote his final lines so I can pick apart what all this means, but...

//I think I'd rather let the man himself do it. Take it away, Chris!

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//Love this man and his voice btw^^^

//But yeah, this is such an important sequence of dialogue for me, and if you don't mind (you probably do, but I don't care about your feelings) I'm going to pick it apart.

//Gundham begins by acknowledging that he cannot, and will not, force others to adopt his perspective. He's aware that his views are unconventional and that others may not fully understand his actions or motivations. However, this also demonstrates his resolve. Even if his beliefs are not embraced, he remains steadfast in them, confident in their validity.

//Gundham directly challenges the resignation and apathy that had gripped the group in the funhouse. For him, life is inherently valuable, and simply waiting for death without striving for survival or growth is cowardly and meaningless. This sentiment reflects his earlier disdain for Hajime's suggestion that starving to death was preferable to murder. Gundham views such passivity as an insult to the struggles and instincts that define life.

//Gundham identifies the root of the group’s despair: their sense of abandonment and hopelessness. By calling this out, he frames his actions as a rebellion against this mindset. He believes that resignation breeds stagnation and that nothing meaningful or productive can come from surrendering to despair. His words highlight his desire to jolt the group out of their apathy and push them toward action.

//And then the statement "Giving up on life…That's just an insult to life itself!"

//This statement is the core of Gundham’s philosophy. To him, life, regardless of its hardships, is sacred and worth fighting for. Surrendering to despair or choosing to give up on life, in his eyes, is a betrayal of the very essence of existence. This belief underpins his actions throughout the chapter, including his willingness to kill Nekomaru to ensure the survival of the group.

//He goes on to use a zoological metaphor to explain his perspective on survival. By referencing the natural world's harsh realities, he justifies his actions as being in line with the instinctual drive to live. In his view, killing for survival is not inherently evil but rather a natural part of life. This perspective contrasts sharply with human moral frameworks, which often demonize such actions. By invoking nature, Gundham suggests that survival often requires difficult choices that transcend conventional notions of good and evil.

//But then, Gundham flips the moral question back on the group. If survival through killing is deemed evil, then allowing oneself to die without resistance, effectively rejecting life, must be an even greater moral failing. His rejection of this so-called "justice" underscores his defiance against societal norms and his commitment to his beliefs. This statement also reinforces his role as a philosophical antagonist: someone who challenges the group’s, and by extension, the player’s, assumptions about morality.

//In Gundham’s eyes, resignation to death is not just cowardly but also a rejection of the natural order. He believes life is a sacred, universal force, and to willingly abandon it is to defy the very principles of existence. His critique of humanity’s "arrogance" suggests that humans, in their pursuit of moral absolutes and societal constructs, have lost touch with the primal instincts that drive life. To him, embracing those instincts, even when it involves moral ambiguity, is the true path to honoring life.

//People are free to interpret Gundham's words however they want, but for me personally...these words matter.

//These final words encapsulate his philosophy: life is sacred, and to give up on it is the ultimate sin. His rejection of resignation and embrace of survival, even through morally ambiguous means, reflect his unwavering commitment to his ideals, making his character and his death both memorable and thought-provoking.

//This sequence, and Gundham as a character alone, carry this case to the high-heights, but coupling that with what is generally the best mystery, most engaging investigation and trial, and greatest logical loops in the series.

//And it takes it all the way to numero uno.

//So let's give it EVERYTHING we've got! It's RECAP TIME!

#24: Danganronpa 2 Case 3 #23: Danganronpa V3 Case 6 #22: Danganronpa Another 2 Case 5 #21: Danganronpa 1 Case 3 #20: Danganronpa V3 Case 5 #19: Danganronpa 2 Case 2 #18: Danganronpa Another Case 1 #17: Danganronpa Another Case 2 #16: Danganronpa Another Case 5 #15: Danganronpa 1 Case 6 #14: Danganronpa Another 2 Case 4 #13: Danganronpa V3 Case 2 #12: Danganronpa Another 2 Case 6 #11: Danganronpa Another 2 Case 1 #10: Danganronpa 2 Case 1 #9: Danganronpa Another Case 6 #8: Danganronpa Another Case 4 #7: Danganronpa 1 Case 4 #6: Danganronpa V3 Case 4 #5: Danganronpa V3 Case 1 #4: Danganronpa 2 Case 6 #3: Danganronpa 1 Case 2 #2: Danganronpa 2 Case 5 #1: Danganronpa 2 Case 4

//And with that...Happy Dangancember everybody ;) And Merry Christmas!