#Oscar Otte

[stateofsport211]

Wimbledon MS Q3: Know Your Men's Singles Qualifiers + Lucky Loser Situation (2/2)

The qualifying competition as they happened, side-by-side (📸 AFP via The Japan Times)

Compared to the first batch, most matches covered in the second batch were concluded in four or five sets (as they happened). While some of these could be tense, some also featured the (possible) plot twists that only occurred in the best-of-five sets: either the match that could have finished long ago but the opposition dug deep (thus adding extra pressure) or another kind of turnaround that resulted in a rollercoaster of a kind.

Those stories enriched the Wimbledon qualifying rounds, making it distinct from the other Grand Slams since this is the only Grand Slam played on grass. It could be a good preparation for them coming to the main draw, so be sure to have these qualifiers (and possibly, lucky losers) on the lookout too!

The first part of the article can be found here, and the Twitter thread can also be found here.

Section 5: Radu Albot d. Felipe Meligeni R. Alves 4-6, 6-3, 6-2, 7-6(6)

Radu Albot’s point at 3-0* 0-30 to 15-30, 2nd set (left) and match point conversion to 7-6(6), 4th set (📸 Wimbledon qualification feed)

Having qualified for the Championships last year as well, Albot came with at least a tie-breaker set in his previous two rounds, one of which he had to dig deep against Johannus Monday 3-6, 7-6(2), 6-2. On the other hand, Felipe stunned two veterans by defeating Pablo Cuevas and Vasek Pospisil to prevent a vintage battle to claim the qualifying spot.

Although Felipe’s defense-to-offense approach worked to some extent, just like in the fast hard ones, Albot’s creative prowess enabled him to outhit Felipe. While his working drop shots were spotted making the difference, minimizing the gap before Felipe held 1-3 in the second set, Felipe’s balance already went off before his level raise in the fourth set was insufficient to hand Albot the win, all on Felipe’s double fault as an initial differential, that even if the latter saved a match point out of his own volley (to reply to Albot’s lob), it was insufficient to the match tie-break thanks to Albot’s forehand, which Felipe shanked after the ball reached the let cord (and turned out to be in).

Section 8: Dennis Novak d. Yosuke Watanuki 6-7(9), 6-3, 6-3, 6-4

Dennis Novak’s point to *3-4 40-40 to 40-ad, 3rd set (📸 Wimbledon qualifying feed)

Y. Watanuki’s return depth, which also bothered Hubert Hurkacz when the former was a qualifier in Stuttgart (250), could pose an interesting test in the final qualifying round as he faced a more experienced Dennis Novak, who avenged Charles Broom 6-3, 6-4 after his three heartbreaker tie-breaker sets loss in the second qualifying round of the Ilkley Challenger.

The moment shifted in the last three sets once Dennis gained control in the middle of the second set. Stemmed from the Austrian’s power and variety (inclusive of his often proper slice usage and a forehand winner, displayed during a break point creation in the third set), Y. Watanuki’s service games ended up being pressed, often getting his shots rushed when trying to finish a point, hence the rest of the three sets.

Section 10: Dominic Stricker d. Mattia Bellucci 6-3, 1-6, 6-3, 6-4

Dominic Stricker’s point to 3-3* 0-15 to 0-30, 4th set (📸 Wimbledon qualification feed)

M. Bellucci could regain his form in the grass season after reaching the second round of the Ilkley Challenger (l. Jason Kubler) after the rollercoaster clay season post-Australian Open qualifying rounds (l. Francesco Passaro in Q2). Somehow, after defeating Raphael Collignon and Ivan Gakhov in straight sets, he had to face a rising Dominic Stricker, who sought a main draw qualification to close his competitive grass season, notably keeping it close against Andy Murray in the Nottingham Challenger.

Stricker finally qualified for the main draw after sealing the fourth set with an ace. Before that, while handling M. Bellucci’s groundstrokes that worked better in faster courts (notably hard courts and grass), Stricker added more pace and spin to his shots, resulting in the sampled forehand winner to put himself 2 points ahead in the sixth game of the fourth set. In the end, after M. Bellucci got pressed, he rushed his final shots, which did not help anything except Stricker gaining his moment.

Section 2: Oscar Otte d. Marc Polmans 6-3, 7-6(4), 4-6, 7-5

Oscar Otte’s point at 3-3* 30-0 to 30-15, 2nd set (📸 Wimbledon qualification feed)

Otte came with a questionable form since the beginning of the year (even was the 32nd seed last year) but appeared trying to make his comeback count in the grass season. This was visible in his journey to survive this popcorn chaos section, where he defeated Benoit Paire and Leandro Riedi, of all people, to secure his third-round encounter against Marc Polmans, who was eliminated by Cristian Garin in the second round of Wimbledon 2021.

Somehow, his grass-court prowess appeared just in time during the qualifying rounds. Despite being a closer encounter than his first two rounds, Otte’s redirecting ability and shot selection (including some balance of power in between) were still strong, he caught unleashing a drop shot and perfectly landed it before Polmans replied. The margin was thin, where the latter became an important differential in another example, where Otte lobbed his way through the 3-1 lead in the second set tie-breaker, eventually pressing Polmans’ service games at some other moments.

Section 4: Kimmer Coppejans d. Taro Daniel 6-3, 4-6, 4-6, 6-4, 6-2

Kimmer Coppejans’ point at *4-4 15-15 to 15-30, 4th set (📸 Wimbledon qualification feed)

The fourth section partially fell apart when Coppejans defeated last year’s Ilkley Challenger champion, Zizou Bergs, in the second qualifying round after digging deep to defeat Timofey Skatov (in the first qualifying round) to conclude that match in a tie-breaker to break his 8-match losing streak on grass. On the other hand, although T. Daniel’s career grass records were an entirely different entity, he kept it competitive against Tommy Paul in the Queen’s Club’s first round; and it is possible to visualize the application of his game on the grass courts, with some pacing adjustments while trying to stay aggressive.

Had this been a best-of-three match, T. Daniel would have advanced. However, maintaining the rhythm looked like a tough challenge for T. Daniel, where his rushes only shifted his moment in Coppejans’ favor. Even if T. Daniel broke for the other two sets, Coppejans re-found his balance thanks to his systematic point construction, where not only his forehand caused more damage, but he also smashed his way to open the path before he broke T. Daniel’s service game in the fourth set. The latter then ended up having his balance further off, resulting in the fifth set beatdown with Coppejans dominating its flow.

Section 3: Maximilian Marterer d. Fabian Marozsan 7-5, 6-4, 6-7(5), 5-7, 7-5

Maximilian Marterer’s match point conversion to 7-5, 5th set (📸 Wimbledon qualification feed)

Upon winning the Perugia Challenger (which was held on clay), Marozsan entered the Top 100 for the first time in his career, currently sitting at number 95 in the official rankings. Playing his first professional grass-court Slam qualifying, Marozsan adapted his game in his own way by defeating Oleksii Krutykh and Elias Ymer before facing Maximilian Marterer, who qualified for the main draw last year after defeating Nicolas Moreno de Alboran.

This match became the match of the day as both players fought thick and thin in another five-set thriller. While Marterer often came up with passes caught off-guard in his strokes, Marozsan’s grass-court adaptation worked by using more slices and trying to use more drop shots despite its 50-50 success rate. However, as deep as Marozsan tried to dig, Marterer stood out by the end of the decider because of Marozsan’s rushed forehands, resulting in Marterer’s qualification to the main draw.

Section 9: M. Tomas Barrios Vera d. Thiago Seyboth Wild 6-4, 6-7(3), 2-6, 6-3, 6-2

M. Tomas Barrios Vera broke to 5-2, 5th set (📸 Wimbledon qualification feed)

Barrios Vera came to the qualification right after being the runner-up of the Poznan Challenger on clay (l. Mariano Navone 7-5, 6-3). However, having qualified in 2021 before his first-round elimination to Kevin Anderson, he might have a slight edge in facing an aggressive Seyboth Wild, who advanced after defeating Jelle Sels and Pierre-Hugues Herbert in the first two rounds.

After Barrios Vera took the first set 6-4, he tried to find his balance because Seyboth Wild tried to paint his own lines, with a forehand down-the-line winner sealing him the second set through a tie-breaker. However, a fall in the middle of the fourth set forced Seyboth Wild to take a medical timeout in the middle of a game, and Barrios Vera started to regain his pace and passed him in one way or another. The forehand winner to double the break in the fifth set was the pinnacle before he served it out to dominate the last two sets, finally securing his main draw ticket.

Section 13: Laurent Lokoli d. Michael Mmoh 2-6, 7-6(2), 6-3, 2-6, 6-2

Laurent Lokoli’s point to break 3-1, 3rd set (📸 Wimbledon qualification feed)

In an already chaotic section, Lokoli and Mmoh faced off to secure a spot in the main draw. While Mmoh had to dig deep in defeating Adrian Andreev and Dragos Nicolae Madaras in the first two qualifying rounds, Lokoli qualified for both the Nottingham and Ilkley Challengers in his maiden grass season, coming to the third qualifying round without dropping a set here.

Despite this match coming to a decider, Lokoli’s creativity carried several crucial parts in his favor. Not only his drop shot could run Mmoh over at the net (on his volley side) in this third set sample, but he also could utilize the open space to adjust his pacing, neutering Mmoh’s baseline game in one way or another. Things like these were behind Lokoli’s stand-out performance in the fifth set, resulting in a relieving ending as he qualified for his second Grand Slam appearance this year after the Australian Open.

Lucky Loser Situation

Lucky loser situation per the last two matches playing (📸 Entry List Updates via Twitter)

After Jan-Lennard Struff and Gael Monfils withdrew due to an injury, four highest-ranked people (lost in the third qualifying round) will be drawn for two spots in the main draw, which are Marozsan, T. Daniel, Y. Watanuki, and Mmoh (all of which, somehow, came from this batch). Two of them will appear in tomorrow’s main draw, while the other two would stand by (just in case).

By the time the last match ended, it means A. Kovacevic and Piros will stay on the borderline, leaving the first four names to be drawn (for that moment). The lucky losers will be covered in a separate article before or after the draw and could be updated should they increase. For the first time in the tournament's history, the main draw ceremony will be streamed live on their official website at 10am local time, where the qualifiers and lucky losers will also be placed.

[juergenklopp]

sending u a big hug rn

Wah thank you Cassy <3

[playermagic23]

Priyanka Chopra boards Oscar-nominated documentary To Kill A Tiger as executive producer

This news comes after Netflix inked a deal for the documentary to be launched globally on the streaming platform.

Priyanka Chopra Jonas has joined the Academy Award-nominated documentary feature To Kill A Tiger, as one of the executive producers. She joins a long list of producers, including Dev Patel, and Mindy Kaling, among others. This news comes after Netflix inked a deal for the documentary to be launched globally on the streaming platform.

As per Deadline, an official statement read, “Priyanka has stood as an unwavering advocate for the film since debuting at the Toronto International Film Festival in 2022, captivated by its poignant narrative depicting a father’s valiant struggle within the judicial system to secure justice for his daughter.”

Among the several executive producers include Dr. Atul Gawande, the surgeon and bestselling author, Canadian poet Rupi Kaur, writer-producer Andy Cohen, Deepa Mehta, Anita Lee, Andrew Dragoumis, Shivani Rawat, Mona Sinha, Mala Gaonkar, Regina Scully, Anita Bhatia, Niraj Bhatia, and others.

Co-produced by Notice Pictures Inc. and the National Film Board of Canada, To Kill A Tiger is a story about Ranjit, a farmer in Jharkhand, India, who takes on the fight of his life when he demands justice for his 13-year-old daughter, the survivor of sexual assault. In India, where rape is reported every 20 minutes and conviction rates are less than 30 percent, Ranjit’s decision to support his daughter is virtually unheard of, and his journey is unprecedented.

Directed by Nisha Pahuja, the documentary feature has won several awards including Best Documentary at the Palm Springs International Film Festival, the Amplify Voices Award at Toronto International Film Festival, and Best Feature Documentary at the Canadian Screen Awards. Nisha also won 2023 Excellence in Documentary Award from the Directors Guild of Canada.

[vivwritesfics]

Landoscar Masterlist

All of my Landoscar x Reader imagines, blurbs and series can be found here

NAVIGATION

Series

Hungry Like The Wolf

Imagines

Double Podium Baby!

Lando and Oscar get a double podium -their girlfriend has to celebrate

Landoscar HC's

Exactly what it says on the tin

All You Need Is Love (and sleep)

Uni is hard. Lando and Oscar turning up on your doorstep makes things much better

A Swing and a Miss

Crazy golf with the boys

Mrs Baker, Ma'am

Landoscar's girlfriend loved to bake and all of the grid love when she brings her baked goods to the paddock

Missing Home

When Oscar returns to Australia, Y/N and Lando can't help but miss him very very much. (Smut Warning)

Indian Summer

A collection of moments from their summer together. Lando and Oscar fell hard for her, but it wasn't meant to last. Summer was all they had.

"You did it!"

reader does good in academics

Blurbs

OTT Christmas

Jealous lil guy

'Landoscar taking your virginity'

Aussie Christmas

Nugget

Baby Fever

More Nugget

Supernatural AU

Book Shopping

Innocence

Snowy days

Just Christmassy Things

Oscar listens in

teasin'

the lie detector thing

x male!reader

Jealousy Jealousy

balcony

[sgiandubh]

When the brain turns into pretzel

Irrespective of who posted it, this sums up pretty well the confusion and grasping at straws of her Stans:

'This is not for fans unless they can afford it'. See how you are and see how you think, people? Taking your statement one step further, I come and ask: if this is not for fans, then who is it for? Imelda Marcos? Taylor Swift? A bored Russian female oligarch, who can afford to throw in almost 7k USD for a gadget? And if this is not for all the fans, are you suggesting C is discriminating? Not a pretty picture, mind you, and I doubt it was her purpose.

She did post the video on her SM, eventually (and unbeknownst to the person who posted the comment, at the time she posted it), but she cleverly shared her MUA's story, not the company's. Was she helping a friend? Doubtful. Was she endorsing a product that was obviously offered for free, test incentive on top? More like it, but still not entirely clear ('it happened during the break', LOL).

'Her glam team follows and uses the product'. That would have been a legit comment if all of them were promoting the PRO version (which they don't) and product placement is not a shame, in our world. It is what it is. There is no use to go OTT with defense, especially when nobody asked you to and nobody really cares: boredom is the reason this is discussed to death, right now.

Yeah, even Cillian Murphy uses it, before Oscar functions. But, as I said, the PRO version, according to the Daily Fail:

I have always thought she had the most appalling Stan community on this planet, whose stupidity regularly throws her under the bus, with the best intentions ever. Of course.

PS: I resolutely refuse to find out who Mrs. Emma Stone is.

[jadelotusflower]

So I finally watched Andor...

...and naturally I have thoughts (hey, it’s me). Maybe they're belated, seeing as this show was released almost two years ago, but I've been on the outskirts of the Star Wars fandom for a while now. This in and of itself isn't usual - I tend to drift between my core fandoms in phases, but since TLJ the GFFA hasn't really been a pleasant place to be so I haven't really had a reason to drift back to it for any length of time.

Which isn't to say I've avoided Star Wars altogether, dipping in when something piques my interest like Obi-Wan Kenobi (which I liked aspects of but ultimately felt like just a setup to the show I actually wanted to watch), and have absorbed some of the rest through cultural osmosis. Andor is a show I've been meaning to get to for a while, although it has been praised to the point of being overhyped (and there was a whiff of Not Like Other Star Wars to the critical reception) so I was concerned it would not meet expectations.

But I was pleasantly surprised as how much this show felt spiritually and aesthetically in tune with the original trilogy, and especially A New Hope, as opposed to Disney!Star Wars. Even if the tone and content of Andor is very different, it feels in conversation with the OT in a way the rest of Disney’s output has not - building on the story we already know, rather than trying replace or rewrite it as something else.

Aesthetically, we have the 70's vibe of the set design and costuming in middle-class Coruscant, the stark white jumpsuits and surrounds of Narkina 5 evoking Lucas's early film THX-1138, even the way we are plopped right into the middle of the story with very little exposition, but still eased into the narrative is very reminiscent of the first act of A New Hope. Thematically, of course we’re seeing the Rebellion in its earlier stages - small disparate cells of seditious activity directly acting against Imperial interests that will become the somewhat ragtag but nonetheless organised and unified Alliance.

While Star Wars was a cinema pastiche throwback to Flash Gordan serials and Campbell’s hero’s journey as an antidote to the grimdark antiheroes of the 70’s, in many ways Andor brings things back full circle to the grit of neo-noir. It holds a mirror up to the OT and lets us see the other side of the coin - and the full cost of victory. So many people have to die for Cassian to make it to the Rebellion - just like Cassian himself will die for the Death Star plans to make it to Leia, like Obi-Wan will die to ensure those plans make it to the Rebellion, and squadrons of rebel pilots will die so Luke can ultimately destroy the Death Star.

A stone is dropped in a pond, and we see the ripples but the stone itself sinks.

Overall thoughts

Tony Gilroy is the showrunner here, a veteran screenwriter notable for the Bourne films, and we can certainly see this influence at work. He also wrote The Devil’s Advocate, which is by no means good but I do enjoy in all its ott mythological monologues-and-accents glory, and seminal romcom (of my childhood at least) The Cutting Edge. He also wrote and directed Michael Clayton, which I have not seen but was nominated for several Oscars, including Original Screenplay, Director, and Best Picture (Tilda Swinton won for Supporting Actress).

Of course he's also a credited screenwriter on Rogue One, and I understand his contribution was mostly to the infamous rewrites/reshoots. I desperately want to read a full breakdown/bts of what went down with that film (well all of Disney-led Lucasfilm really) and see the deleted/original material, because I am fascinated. It's also interesting to note that Gilroy took over showrunning duties from Stephen Schiff pre-production. The show does very much feel like Gilroy wanted to make his own stamp on the Andor character and use him as a vehicle in his spy-thriller/political intrigue wheelhouse.

Reading some of Gilroy’s comments around the series had made me wonder how much of Andor being reflective/referential to the OT was intentional (on his part at least), and arguably Gilroy did overwrite the character of Cassian Andor so…there’s nuance. But as a story, to me it felt in tune with what I love about Star Wars rather than at odds with it, and that's what I appreciated most.

But first things first. B2EMO made it to the end! Finally, my expectations are subverted in a good way, because I love this little droid with all my heart. There are several key elements of Star Wars to me that separate it from other sci-fi/space fantasy and that is Jedi, distinctive aliens, and sentient droids. Obviously there's no Jedi here (nor does there need to be), my issues with the lack of aliens I'll address below, but when it comes to droids B2EMO fits right in, and we can assume is a precursor to Cassian's relationship with K-2SO.

Overall I thought the show was excellent (with a few caveats). What's impressive is the sheer number of characters and plots interwoven together, every conversation servicing character, the overall theme or setting something up that will pay off later, playing with coincidence and fate (the will of the Force), the interlocking domino effect. Arvel Skeen recognising the tattoo on Cassian's arm leads to a conversation of his history, but also sets up Skeen later offering to take and split the haul with Cassian (and getting killed for it). The raid on Aldhani triggers the Empire’s harsh new measures that gets Cassian sentenced to six years in prison, but also inspires the rebellion on Ferrix (via Maarva). The Aldhani heist is a triumph for Vel, but traps Mon’s financial contributions to the Rebellion by the Empire’s crackdown on banking, leading her and her daughter into an unwanted family alliance.

I'm a big proponent of Star Wars Dialogue is Good, Actually - not saying there's not clunkers or stilted scenes (the PT moreso than the OT) but there seems to be this weird consensus that Lucas-era dialogue sucks despite being some of the most quoted/referenced movies of all time. Lucas was creating a modern myth, of course a lot of it is arch and operatic. I love the dialogue in Andor too - which rightly gets high praise, and while it's arguably tighter, in many ways it's no more naturalistic than that of the Saga with everyone constantly speaking in metaphor, it's just pitched differently because this is a different genre (and the acting is uniformly excellent because they are actually interacting with each other and being competently directed).

There’s layers of meaning in almost every scene and subtle moments of foreshadowing that I really enjoy - Karis Nemik muses on the role of mercenaries in a rebellion that must use every tool and weapon at its disposal, and obviously Cassian starts out as that mercenary who will be pulled into the wider struggle, but this also foreshadows the importance of Han Solo - at first only out for the promise of a reward but ultimately instrumental in bringing the Empire down. But it’s not because he’s treated as a tool - as the Empire treats its workforce as tools - but because he’s treated as worthwhile, he’s valued as a person. The Empire casts people out while the Rebellion draws them in.

We also see this in the arc on Narkina 5, and the Empire’s tightening grip backfiring against them. In order to force the prisoners to speedily produce parts for the Death Star they work in close-knit teams, creating a close camaraderie ultimately allowing them to escape - because when you turn people into cogs of a machine, the machine can be turned back against you. Contrast this to the jockeying over position and territory and power in the ISB - they serve the Empire, but never at personal cost.

We see the Republic of affiliated systems from the PT turn into an Empire of conquered planets, where local cultures are subsumed into homogeneous Imperial rule. Even Corpsec is replaced by Imperial oversight, and we know that the Senate on Coruscant will be dissolved completely in ANH. But ultimately this ferments rebellion and unites the outcast and oppressed - the Keredians on Narkina 5 hate the Empire for their prison polluting the waterways, and so let Cassian and Melchi go. Cinta’s whole family was killed by stormtroopers turning her single minded focus to destroying them. The people of Ferrix respond to Maarva’s call and riot against the Imperial forces even though it will mean violent reprisal.

The Empire forges the weapons that will be used against them. As Nemik’s manifesto states: “The Imperial need for control is so desperate because it is so unnatural. Tyranny requires constant effort. It breaks, it leaks. Authority is brittle. Oppression is the mask of fear.”

And yet we're not there yet - it's important that this is still a Rebellion and not an Alliance, a disparate collection of segmented sedition with a myriad of agendas we see run by Saw Gerrara, Anton Kreegyr, Luthen Rael. They won't be a genuine threat to the Empire until they join forces, share resources and intelligence, and unite behind a collective goal. Although there may be sacrifices in this as well - Separatists, Partisan Front, Sectorists etc mentioned by Saw will either coalesce under the Alliance to Restore the Republic or be driven further to the fringes.

The thrust of Nemik's manifesto is that freedom is a natural state of being, while oppression is unnatural, and even though Andor has nothing to do with the Jedi it nonetheless echoes their philosophy: that the Force is in a natural state of balance, while the existence of the Sith who tap into the Dark Side upset this balance. As we see in Return of the Jedi, the balance is ultimately restored by the return to that natural state buffeted by the most powerful forces - friendship, love, sacrifice - forces that ultimately drive Cassian as well. While much has been said of the moral ambiguity and nuance of Andor, it's not incongruent with the OT, if anything it reinforces its power and message.

HOWEVER, I have my nits to pick - the lack of aliens is a serious flaw (and in particular, the lack of familiar aliens). In some cases they can get away with it and make subtle commentary - Coruscant is stark and grey as the centre of bureaucracy in stark contrast to the vibrant metropolis of the PT. Seeing the streets populated almost exclusively by humans where once it was a melting pot underscores the Empire’s segregationist policies. However the dearth of non-humans elsewhere - Ferrix, Aldhani, even the prison labour camp Narkina 5 - is disconcerting. These are places meant to depict the oppressive rule of the Empire and this undermines the strength of the rebellion as a group of diverse species fighting against the Imperial monoculture. It's odd, for example, that we see all the characters from Ferrix return except Vetch, the muscle employed "just to stand there" by Nurchi (a nice moment with Cassian!), and that Maarva's funeral procession seems entirely human.

Ultimately, I think the setup is much stronger than the payoff, and while I appreciate the slow burn, the show does have sometimes have difficulty juggling the plots. Once set up, characters are parked waiting to be incorporated into the narrative (it feels like we watch Syril stare at his cereal forever) and looking back not much actually happens to a lot of them- there are a lot of threads left hanging and not much resolution. Which is of course because this was only intended to be season 1 of 5, with each arc a year of Cassian’s life leading up to Rogue One. But sadly Andor has been given a second season only, leaving 12 episodes to wrap everything up, so ultimately I fear the show will feel like a slow setup and rushed conclusion, which is a real shame.

Cassian Andor

I’m went into this as someone who doesn’t really have a strong connection to Cassian as a character - I certainly liked him in Rogue One! But let’s just say he’s not my blorbo. And this not the backstory I would have expected for the character five years before Rogue One as someone who has “been in this fight since [he] was six years old.”

Diego Luna has such a charismatic presence and it is nice to have a more internal, insular character, but it’s kind of sad that Cassian is really the least developed character in a show ostensibly about him. It’s not really his story, but he’s the fulcrum (pun intended) around which most of the other characters pivot; this is a story of the rebellion of which he is just one part. So, I can see if Cassian fans may have been upset by his lack of focus, and I personally would have wanted to delve a bit deeper into Cassian Andor on a show called Andor, you know? And it does feel a little bit skeevy that the actual Axis (pun intended) of the show is Luthen in his middle age white man glory, with a whiff of Gilroy’s self-insert about him.

I do wish LFL would abandon simply naming their shows after the main character - presumably it’s for general audience recognition and algorithmic reasons, but my god how boring. If the show had been marketed as the ensemble it actually is I would take less issue with the lack of Cassian focus. But sadly I’m not sure we know that much more about Cassian at the end of the show than we did at the end of the first three episodes - or really, what it adds to his character and arc we see in Rogue One.

Yes he’s further radicalised by his experiences and is now presumably "all in" on the rebellion, but the events of the show are kicked off by Cassian searching for his sister which is a motivation that is all but dropped thereafter - although at one point I was half-expecting (dreading) it to be revealed that Luthen's assistant Kleya Marki was Kerri (and sidebar, Kleya - what a stone cold bitch! I love a stone cold bitch).

This plot will likely continue in season 2, but it felt a bit undercooked and too deep in the subtext given the prominence it had in kicking off the narrative. We get a flashback to Cassian’s childhood, but ultimately it feels like lipservice to his Indigenous heritage rather than true engagement since we don't see him reflect on it in any way, nor does it seem to have any impact on his choices throughout the series that seem primarily motivated by his life and relationships on Ferrix.

We get a strong start to Cassian and Luthen that peters out - he's intent on recruiting Cassian, but then writes him off when Cassian flees after Aldhani and wants him killed, then goes all the way to Ferrix for him, but is about to leave without actually doing anything? I know Luthen's meant to be ambiguous, but this is one area where plot is obviously driving things not character. I get that it was important for Cassian to be the one to go to Luthen at the end and choose the Rebellion unfetted, but the relationship is undercooked. I almost feel like the series is a procession of things that happen to Cassian rather than a journey I was on with him. There's external forces, but very little internal focus.

However, what I did love about the show was the thematic resonance that was happening on a macro and micro level - while the show as a whole is a mirror/reflection of the OT, we also see dichotomy in the character pairings that are mirrors and/or foils of each other in various ways - we have the two sides of the conflict being Empire and Rebellion (with Cassian stuck in the middle), and we are also shown conflict within those two sides.

Cassian is without a reflective character pairing because his true mirror is Jyn Erso, and seeing Cassian’s struggles here does give real weight to his “you’re not the only one who lost everything” speech - in many ways the show is his journey from being Jyn, to being the man who says to her “we don't all have the luxury of deciding when and where we want to care about something.”

Mon Mothma and Luthen Rael

The most obvious mirror/foil pair as the two sides of the Rebellion, although arguably we have a third prong in Saw Gerrara, and kind of a mirror in Luthen as Cassian’s mentor as Saw was Jyn’s - and I do wonder about the show that was a two-handed prequel with Cassian and Jyn growing up in different factions of the Rebellion, but alas.

The artifact Luthen gives Mon represents “a sun goddess and a serpent sharing the same mouth” representing their differing philosophical approach to fighting the Empire. As mirror characters they are alike in many ways - both of the privileged class and living double lives on Coruscant, but while Mon makes political efforts to move the needle on the Empire's activities in the Senate while also funneling money to direct but small rebel efforts, Luthen outright pokes the bear, sacrifices allies, and knowingly making things worse to swell the ranks of the rebellion on the hope it will speed up progress. There's more than a hint of the incrementalism/revolutionary dichotomy here.

It also raises a lot of interesting questions without (rightly) providing many answers - the struggle of the oppressed, the moral weight of insurgency and revolution. Is it right to intentionally provoke an oppressive power into reacting with violence in order to fuel a greater pushback against them? Is short term suffering justified if it achieves eventual victory, and is it right for the few to decide what is a justifiable sacrifice? What are our responsibilities to each other under the threat of/struggle against authoritarianism? As social commentary it's more timely than ever.

Whether Mon or Luthen is right for the viewer to decide, although as Leia tells Tarkin in ANH: "the more you tighten your grip, the more star systems will slip through your fingers." On the other hand, we know Mon survives to the end of the Empire while Luthen (I assume) will not. She will become a leading figure in the Alliance, and eventual Chancellor of the New Republic, while he will be another stone at the bottom of the pond.

This is foreshadowed in the dialogue (with a direct mirror reference):

“I’m condemned to use the tools of my enemy to defeat them. I burn my decency for someone else’s future. I burn my life, to make a sunrise that I know I’ll never see. No, the ego that started this fight will never have a mirror, or an audience, or the light of gratitude."

Arguably however, the mirror is the show - we are the audience.

We know Cassian joins Luthen at the end of season 1, and will meet Mon in season 2, so it will be interesting to see him struggle between these two philosophies, although we can infer from Rogue One that he aligns himself (out of necessity) with Luthen's veiwpoint:

"We've all done terrible things on behalf of the Rebellion. Spies, saboteurs, assassins....And every time I walked away from something I wanted to forget, I told myself it was for a cause that I believed in. A cause that was worth it. Without that, we're lost."

Ultimately, the Rebellion needs people like Luthen and Cassian to make not only the physical sacrifice, but the moral one as well (noting our first introduction to Cassian is him killing an informant so he can escape) - people who play the Empire's game so Luke can ultimately reject the Emperor's.

But I had mixed feelings on the Mon Mothma storyline. It feels a bit off for Luthen to be her entrée into the Rebellion, when we know she’s been on the ground from the very beginning with the Petition of the 2000 (cut from ROTS, but still canon I assume). She just felt very isolated and fragile which is at odds with her quiet steel that we see in Return of the Jedi and Rogue One. I could maybe see this Mon in the early dark days, but only 5 years before ANH? A scene with Bail Organa would not have gone amiss just to give breadth to her rebellious activities.

We get to see Luthen visit Saw Gerrara on Segra Milo, why not give Mon a scene with Bail to show she has other irons in the fire rather than relying on Luthen? In Saw we see the rough and tumble of disparate rebel factions, I would have liked to see the political machinations of Mon and Bail to serve the metaphor even further.

She is more than just a bank for the rebellion, and I think in the effort to contrast Luthen and Mon there was a bit of disservice done to the latter.

And Mon’s loser husband - ugh. Okay they’re in some kind of arranged marriage but there’s very little substance, nothing us particularly revealed about Mon by including him. Other than her cleverly using his gambling debts to deflect her rebellion spending at the end, the story wouldn’t really have changed by him not existing, and in fact would have been improved by focusing more on Mon’s difficult relationship with her daughter.

But on a purely shallow note, I want her wardrobe!

Dedra Meero and Syril Karn

In some ways Cassian and Syril are the narrative foils and there are parallels between them - their conflict instigated in the first episodes, their maternal relationships, both essentially exiles for the middle section before both end up back on Ferrix where Cassian saves Bix and Syril saves Dedra. But I feel Syril and Dedra work better as mirrors, and their arcs also parallel and intersect.

In the Empire, Dedra and Syril are two sides of the other coin (there's quite a few coins in this metaphor). Regimes need bureaucracy, and you have the true believers, the status-climbers, and those just going along to get along. In Dedra we have the talented star of the prestigious Imperial Security Bureau, and in Syril the over eager Corporate Security officer, two arms of the Empire’s control, although the latter we see becoming obsolete as the former gains more control.

But they're both middlemen who chafe against the inaction of their superiors, both desperate to rise above their station (although those stations are quite far apart). Throughout the series their plots are mostly in parallel; they are reflections of each other without even having met.

It's uncomfortable to watch both of them on screen - all unblinking stares, sucked in cheeks, and pursed lips - fittingly repellent. I’m surprised Gilroy has said he wrote Dedra to be relatable - she skeeved me out from the first, someone clearly ready to step over anyone and everyone if it served her purposes rather than someone gradually drawn further into an authoritarian regime. There's the slight subtext of sexism - there's only one other women in the ISB briefing and Pendergast alludes to it, but that certainly didn't engender any sympathy or admiration from me.

In episode 7 Syril’s mother Eedy says “Everything says something, Syril” and chastises him about tailoring his uniform (just as he did in the first episode, a neat little character tell), and immediately after we see Dedra donning her uniform perfectly in sync with the rest of the ISB. He’s trying to stand out from the crowd, she’s trying to fit in - or, from a different perspective, Syril adjusts his collar to resemble the Imperial style as a signifier of where he wants to be, while Dedra is already there and still looking higher.

But both are thinking outside the rigid Imperial lines and command structures, both on the hunt for Cassian - although for Syril it's personal and Dedra it's about climbing the ranks. Both take it upon themselves to investigate against orders, but Syril’s attempts are clumsy and random while Dedra’s are clinical and targeted.

She identifies that “systems either change or die” to push the ISB’s fragmented and bureaucratic inefficiencies into a cohesive power structure, but while it wins her approval it doesn’t earn her any loyalty; her troops abandon her to the mob on Ferrix. Inexplicably though, Syril does manage to gain the loyalty of Sergeant Mosk, who was also punished for the initial blunder on Ferrix, but ultimately draws Syril back there to in search of Cassian.

The point at which they first intersect in episode 8, Dedra is on an upswing, she holds the power and sends Syril further down, but when they meet again in episode 11, the roles are reversed as he is the one to save her from the mob.

I just hope they’re going somewhere more interesting than his creepy crush.

Vel Sartha and Cinta Kaz

One of the major faults of Rogue One was its Smurfette Syndrome, where Jyn is a great female character surrounded by men, but Andor has pleasingly course corrected from this. See what happens when you don’t have one woman having to embody everything and bear the weight of her entire gender in the narrative (and therefore, also bear the criticism)? Andor happily treats its women as characters, not faux-empowering meme-fodder. Although there is perhaps some valid commentary that it’s still white women on the whole - Dedra, Mon, Vel, Maarva - who get the meatier roles, and I have my issues with Mon’s characterisation, but one thing I will give Disney LFL credit for is it’s ongoing efforts towards gender parity.

In Vel and Cinta we have two more sides of insurgency - from wealth and privilege in Vel, the cousin of Mon Mothma struggling with the weight of it all, to Cinta with her cold fire and unwavering drive, her family killed by stormtroopers and for whom the struggle will always come first.

Cinta’s cool reserve is a contrast to Vel’s nerves (as seen in the Aldhani raid); they’re coming from very different places even if their cause is the same. There may even be a bit of classism in the subtext - Vel leads the mission on Aldhani after asking for the mission from Luthen, when really Cinta is the one who is most committed, and she has to push Vel though several times when she falters.

Vel still has one foot in the Imperial world and the complications of rebellious machinations - worried for Mon and her family, wanting to prove herself to Luthen, jockeying with Kleya - but for Cinta none of that matters, she loves Vel but there's often a sense she's disappointed in her. There's a dichotomy within Cinta - she's not unfeeling, showing kindness to Cassian when he joins their group, yet accepting the mission to kill him later without hesitation.

It seems to me that Cinta is the revolutionary Vel wants to be but can't quite divest herself of enough to become - the metaphor is made explicit with these two - Cinta tells Vel: “I’m a mirror. You love me because I show you what you need to see.”

Which is a pretty interesting dynamic, especially as a romantic one, and I’m interested to see where it will go (and hope that Cinta will get more focus, even though I do love Vel a lot too).

Their storyline did run out of steam by the end through, was there any point to either of these characters being on Ferrix at the end? It very much felt like all the plot lines were being forced to intersect at the climax without all of them necessarily needing to. Although Cinta stabbing that guy in the heart was pretty cathartic.

Bix Callen, Maarva Andor, and Ferrix

I loved Ferrix as a location, with its own distinct aesthetic, culture, and populace - the work gloves all hung on the wall, the metal tapping warning system, the daily hammer and anvil (the Time Grappler, according to Wookieepedia), funerary practices. etc. The first few episodes set up Cassian’s community on Ferrix which we come full circle on in the final two, but I did have some trouble keeping track of who was who at that point.

It is interesting that the trope of “just another brick in the wall” is turned on its head here - rather than representing a cog in the machine, in Ferrix ashes of the deceased are mixed with brick and added to a wall in remembrance - a literal touchstone for Cassian as he remembers his adoptive father Clem. A wall is strong, a bulwark against outside forces, and every brick added makes it stronger. Stones dropped in a pond, bricks built into a wall - reminders of the dead that spur the will to fight.

I do love the relationship between Maarva and Cassian, especially in a franchise that has never really had an interest in mothers and sons. And we have another mirror in the overcritical and cold relationship between Syril and Eedy as the inverse of Cassian’s complicated but loving one with Maarva - contrast the reception Syril gets when he returns home to the one Cassian gets from Maarva, as ultimately Eedy's pointed disappointment is sharp where Maarva's is borne from love and concern for Cassian.

But again there’s a disconnect with the history we’re shown - Maarva and Clem kidnap/save Kassa from Kenari but we don’t really get any sense of how Cassian feels about it or the connection he has to his heritage/childhood. I’m not saying I need everything spelled out, but sometimes I feel the show does err too much on the side of subtext, and as a result we don’t delve as deep into some of the relationships as we could have. Even her final message to Cassian - that she loves him more than anything he could ever do wrong - is a beautiful sentiment, but is it earned? He hasn't really done anything wrong, arguably she did wrong by him by taking him from Kenari but it's never even mentioned, it doesn’t even seem to be a factor in their relationship as adults.

On the other hand, I didn’t mind the treatment of the post-romantic relationship between Cassian and Bix - there’s a sense of history there but it didn’t need to be explored further. Bix's involvement in the Rebellion is interesting though, it's implied she was recruited by Kleya through the black market but are her motives purely profit or does she have rebellious fervor? Luthen knows of Cassian through Bix - did she see him as a candidate for the Rebellion or just another person from whom Luthen could obtain tech? What piqued Luthen's interest from what Bix said about him?

I don't think all these questions need answers, but it is unfortunate that she does get a bit Damseled, spending most of the runtime threatened, captured, and then tortured. On the other hand, there's less to criticise in employing that trope when it's not the only one at work and the breadth of female characters on the show.

I do wonder if we will see Bix, Brasso, and B2EMO again though, or if they’re a part of Cassian’s past he had to leave behind to fully commit himself to the Rebellion.

On nostalgia, fanservice, and the state of the Star Wars universe

A tangent into my frustrations with the sequel trilogy, skip if you’re allergic to salt.

Andor has been lauded for its lack of fanservice, although I’d actually argue it’s a show that (perhaps despite Gilroy's intention) is rooted in nostalgia. Well, perhaps not nostalgia per se, but it’s a show that relies on the audience’s knowledge and affection of Rogue One and the Original Trilogy, and it’s successful because it manages to feel authentic and fulfilling rather than ham-fisted and overly meta - a story set in the Star Wars universe, not about the Star Wars universe.

I know Gilroy intended this to be able to stand alone, but would the story have the same resonance if we weren't aware where Cassian's path leads, that the efforts and actions of Mon and Luthern, Vel and Cinta, Nemik, Bix and Kleya, are ultimately justified? Perhaps it would work in a generic sci-fi setting rather than the GFFA, but would we feel as much watching it? Personally, I think not.

Because nostalgia isn’t inherently bad. It’s a vital part of how we consume media - the stories that resonate with us in childhood will continue to resonate in adulthood because they are foundational, it's a shortcut to that incredible feeling of discovering something new that's nonetheless something very old. It's partly why Star Wars was such a success in the first place - a mix of myth and fairy tale, matinee serial and Kurosawa - a familiar story told in a new way. And like in Hadestown, "we're gonna sing it again and again."

The problem with nostalgia is when it’s empty; window dressing intended to evoke that feeling but without any substance behind it, so it feels cheap and unsatisfying. Andor doesn’t completely escape from this (blue milk, mouse droid), but most inclusions feel organic.

Sometimes I think we go to far decrying fanservice, and of course it's subjective - as I like to say, everyone hates it until they’re the fan being serviced. But there is criticism, and then there's dismissing any references to existing material as mere "fanservice" and therefore contemptible. For example, I’ve seen the treatment of Luke, Han, and Leia in the sequel trilogy defended because to actually have them interact at all would be “silly fanservice” rather than natural because, you know, they’re family.

The difference, for me, is does inclusion of a known character/object/trope/line of dialogue serve the character and/or story, or is it Leo DiCaprio pointing meme, designed for “hey it’s the thing” nostalgia and YouTube compilations with no substance behind it? Ultimately, is the inclusion Watsonian or Doylist - and if the latter, what of the former justifies it.

Mon Mothma or Saw Gerrara in Andor doesn’t feel like fanservice even though they’re existing characters, because it makes sense to include them in a story about the Rebellion’s beginning and they had a part to play in Rogue One, to which Andor is ostensibly a prequel. Conversely Leia and Vader’s inclusion in Obi-Wan Kenobi (even if I did enjoy them both) tip over in the side of fanservice because they really have no place in Obi-Wan’s story at that point and require fanwanking around their dialogue in ANH (and to be fair, Lucas was guilty of this as well). I don’t need to see random object or minor character no 6 from the PT/OT/Clone Wars, iconic catch phrase shoved where it doesn’t make sense, or obscure Legends reference divorced from context, just tell me a good story! Give me characters to care about! Make me feel something! Andor did that, where much of the other Disney Star Wars content has not.

This is my fundamental, and possibly at this point, irreconcilable, issue. Disney wanted to get away from Lucas-associated Star Wars as quickly as possible, replacing every character, planet, and theme with their own wholly Disney counterpart, killing off Han, Luke, and Leia so the old and classic couldn’t distract from the shiny and new, tearing down the conclusion of the original trilogy only to try and tell the exact same story (just not as well). They did it so quickly and so shoddily that many were understandably unsatisfied, leaving Disney to frantically course correct, going back to the well and shoving nostalgia bait into every conceivable project even (especially) if it had no place.

If they’d actually had any sort of plan for the sequel trilogy, if they’d made their focus to conclude the Skywalker Saga in a way that even approached emotional resonance, imo the vast majority of the audience would be happy to move on and embrace the next chapter - new characters, new stories. But people can’t move on from the characters they love because the treatment of those characters and the post-ROTJ timeline was so unsatisfying. Luke wouldn’t have needed to show up in The Mandolorian to try and placate the fans if treatment of the character in the ST hasn’t been so abysmal.

So LFL have been stuck in this weird ancillary storytelling space, where every project seemingly needs to be adjacent to the Skywalker Saga but not actually engaging with the Saga direct - Han has a prequel film no one asked for, Rey is a Skywalker for name recognition only, Luke pops up in pointless cameos but isn’t there when he arguably should be (just recast the damn role already!), we get young Leia in a story where she has no place rather than in one she does, who knows what’s going on with the whole Ashoka/Thrawn/Heir to the Empire stuff, Boba Fett is There with a parade of Hey it’s that character/ship/thing with no contribution to the actual storytelling.

What does this have to do with Andor? Well, Andor is perhaps the only quality tv product of the Disney era, which is fitting since Rogue One is imo the only quality film of the Disney era (TFA being retroactively diminished by what came after). Andor is the type of story Star Wars should be telling - expanding the universe, using known elements and characters where it makes sense to do so, not a collection of ideas on a whiteboard thrown in front of an LED screenstage and a bunch of meaningless easter eggs.

To be fair, this does seem what they are attempting to do with The Acolyte (which I am actually enjoying!) but the planned Rey-focused post-ST film…eh. Admittedly I never bothered to watch Rise of Skywalker, but where can the story possibly go? Is there any investment at all after the mess that was the sequel trilogy? I can’t see how the narrative can possibly be redeemed at this point, which is a shame because I do believe it started with a lot of promise in The Force Awakens that was squandered by a lack of vision, planning, and oversight, and the bizarre need to brutalise and kill off the legacy characters, marginalise the genuinely original and interesting new characters, and waste the immense acting talent they had at their disposal.

They’ve made no meaningful in-universe progress after the ST, the New Republic and Jedi have to be rebuilt again, except Rey is going to do it this time somehow, so what what the point of the last 30 years in the timeline? It’s different with Andor - we know where his story ends, but the series only makes Cassian’s sacrifice stronger, there’s emotional resonance in seeing his journey to Rogue One in knowing that it’s in service of the overall victory of the Rebellion (however undermined that victory is made by the ST).

But I digress. This rant really ended up being kind of off topic - apologies.

Anyway. Andor is good! I liked it! Looking forward to season 2!

[diogenesz2020portugal]

Homofólia

Gábor György :

Persze, hogy moslékok: mostantól a meleg lett az új ellenség, akivel szemben harcolni kell, s akivel szemben majd ők megvédenek bennünket és a gyermekeinket, miközben a közoktatás tudatos és szándékos tönkretételével a jövőjüktől fosztják meg a tizenéveseket és taszítják őket örökös cselédpályára. Saját koszos hatalmuk és gátlástalanul összelopott-összeharácsolt vagyonuk megőrzése érdekében – minden mindegy alapon - a legalantasabb emberi ösztönöket mozgósítják és azokra támaszkodnak ezek a politikai álruhát öltött köztörvényes maffiózók.

Persze, hogy moslékok: megszerzik a Librit maguknak, s a náluknál jóval kisebb vetélytársat, a konkurenciát sem igen jelentő Lírát rögvest ki akarják nyírni. Naná, maffiatempó ez is a javából: a Lírát 12 milliós büntetéssel sújtják, mert nem tett eleget a moslék homofób törvényüknek, miután egy (azaz 1) könyvre nem került fólia.

Nos, Libri, akkor hát rajta, mindent bele a fóliázásba! Tessék szépen lefóliázni mindenkit, aki csak szóba jöhet, s akivel szemben jobb is, ha gyanúval él az egészséges magyar lelkület! Fóliát Homéroszra, fóliát Szapphóra, fóliát Anakreónra, fóliát Platónra, fóliát az egész görög mitológiára, s fóliát a Bibliára, Sámuel I. könyvére, mert ott van Dávid és Jonatán, hát mit lehet azt tudni… Kerüljön fólia Catullusra, Horatiusra, Janus Pannoniusra, Shakespeare-re, Michelangelora, Byronra, Verlaine-re és Rimbaud-ra, Walt Whitman-re, Oscar Wilde-ra, Proustra és Thomas Mannra, de ne ússza meg a fóliát a nagy Tormay Cécile sem! És persze fóliát Virginia Woolfra, Jean Cocteau-ra, Tennessee Williamsre, Garcia Lorcára, Jean Genet-re, Pasolinire, Gombrowiczra, nehogy már valaki kimaradjon! Ám a legokosabb, ha lefóliáznak mindent, a teljes magyar- és világirodalmat, az egyetemes képzőművészetet, persze a zeneszerzőket és karmestereket sem kéne kihagyni, fóliázzák le mindazt, ami más, mint ők, ami – velük ellentétben – még emberi vonásokat visel, hogy bámulhassák egész nap lefóliázatlan önmagukat, a gazemberség, az embertelenség, az aljasság, az alpáriság, a hazudozás, a lopás, a rombolás és a kegyetlenség kifejlett példázatait.

[muirneach]

i dont know oscar otte but suddenly im a huge fan. keep up the good work brother

[son1cthehedgeh0g]

Most jöttem az ottalvós céges csapatépítőről. Tegnap reggel felvett Irén, a kolléganőm (passenger princess lettem), taliztunk a többiekkel, majd egy órányi utazás után be is csekkoltunk Tatárszentgyörgyön.

Ott volt Laura, próbáltam kerülni, de tizennyolcan voltunk, lehetetlen volt teljesen eltűnni. Felmentem a szobámba, kicsit mászkáltam jobbra-balra, de telefonon megtaláltak, így eljátszottam, hogy minden rendben. Még medencéztem is, sőt valamiféle smalltalkra is képes voltam a legtöbbjükkel, szerintem gecire megérdemlek egy Oscar-díjat!

Felvettek valami messeger csopiba, ahová mindenki szórta be a képeket (én nem), de kiléptem belőle, mert nem akarok látni fotókat róla. Bárcsak ne mentem volna el, vagy bárcsak annyit ittam volna, hogy a kék úszógatyás hullám most ott lebegne a medencében!

[daikenkki]

[stateofsport211]

[Late Post] Koblenz Ch R2: Hazem Naw [Q] def. Oscar Otte 2-6, 7-6(3), 6-4 Match Stats

📸 ATP official website

Otte had his chances in all three sets combined (17), but Hazem deserved a credit for turning this around by pressing Otte's ground game, where Hazem painted the lines in the most significant moments. Through his down-the-line winners, as well as some other shots like drop shots to open some paths, Hazem survived several occasions, including being down a break in the middle of the third set, becoming more intuitive with his winners to close the match. As a result, Hazem was able to maximize his chances by breakkng 5 times out of his 13 break points.

The margin turned out to also be close in their service games. Hazem turned out to stand out in his first serves by 1%, with 61% winning percentage despite Otte scoring 8 aces along the way. However, Hazem double-faulted 3 more times than Otte (8 to 5) despite the latter notably double-faulted to be broken for the match, thus Otte won 6% more points through his second serves, confirming how return-oriented this match was.

In today's quarterfinals, Hazem will face an interesting test in fifth seed Zdenek Kolar, who previously defeated lucky loser Tristan Lamasine 6-3, 7-6(3) in the second round earlier yesterday (local time). Knowing both players' court crafts, it all came down to how they executed their shots, as well as how to out-pace the other as the match went by. A balance would be necessary, but an exciting rollercoaster with a possible milestone on the line would also be looked forward to (no pressure, by the way!).

[docrotten]

SANTA SANGRE (1989) – Episode 259 – Decades Of Horror 1980s

“I’m sorry… I was having an hallucination…” That explains a lot! Join your faithful Grue Crew – Chad Hunt, Bill Mulligan, Jeff Mohr, and guest host Scott Wells – as they take in Alejandro Jodorowsky’s Santa Sangre (1989), a disarming film tattooed with symbolism … including the disarming part.

Decades of Horror 1980s Episode 259 – Santa Sangre (1989)

Join the Crew on the Gruesome Magazine YouTube channel! Subscribe today! Click the alert to get notified of new content! https://youtube.com/gruesomemagazine

Gruesome Magazine is partnering with the WICKED HORROR TV CHANNEL (https://wickedhorrortv.com/) which now includes video episodes of Decades of Horror 1980s and is available on Roku, AppleTV, Amazon FireTV, AndroidTV, and its online website across all OTT platforms, as well as mobile, tablet, and desktop.

 A former circus artist escapes from a mental hospital to rejoin his armless mother – the leader of a strange religious cult – and is forced to enact brutal murders in her name as he becomes “her arms.”

  Directed by: Alejandro Jodorowsky

Writing Credits: 

Original Story by: Alejandro Jodorowsky

Adapted for the Screen by: Roberto Leoni

Screenply by: Alejandro Jodorowsky, Roberto Leoni, Claudio Argento

Producer: Claudio Argento

Selected Cast:

Axel Jodorowsky as Fenix

Blanca Guerra as Concha

Guy Stockwell as Orgo

Thelma Tixou as The Tattooed Woman

Sabrina Dennison as Alma

Adan Jodorowsky as Young Fenix

Faviola Elenka Tapia as Young Alma

Teo Jodorowsky as Pimp

Mary Aranza as Fat Prostitute (as Ma. De Jesus Aranzabal)

Jesús Juárez as Aladin (as Jesus Juarez)

Sergio Bustamante as Monsignor

Gloriella as Rubi (as Gloria Contreras)

S. Rodriguez as The Saint

Zonia Rangel Mora as Trini

Joaquín García Vargas as Box-Office Attendant (as Borolas)

Teo Tapia as Business Man

Edgar E. Jiménez Nava as Monsignor’s Chauffeur (as Edgar E. Jimenez Nava)

Jacobo Lieberman as Monsignor’s Secretary

Héctor Ortega as Doctor (as Hector Ortega Gomez)

Brontis Jodorowsky as Orderly 1

Valérie Crouzet as Orderly 2 (as Valerie Crouzet)

Óscar Serafín Álvarez as Soldier 1 (as Oscar Serafin Alvarez)

Billy Motton as Soldier 2

Hilario ‘Popitekus’ Vargas as Wrestler 1

Guadalupe ‘TNT’ Aguilar as Wrestler 2

Arturo ‘Rinoceronte’ Contreras as Wrestler 3

Gustavo Aguilar Tejada as Beggar

Roger Fayard Arroyo as Beggar

In this episode, Jeff, Chad, and Bill welcome guest-host Scott Wells to review the 1989 “avant-garde surrealistic psychological horror film” from director Alejandro Jodorowsky. While the film is in English, Santa Sangre is a Mexican and Italian co-production that features a truly bizarre tale that has to be seen to be believed. The less said here, the better – it’s so much better to join the Grue-Crew to revisit this unpredictable, gorgeous, must-see mind-bender.

At the time of this writing, Santa Sangre is available to stream from Shudder, AMC+, Screambox, Kanopy, and Tubi, and is available on physical media from Severin in three releases: Blu-ray (2011), 2-Disc Special Edition Blu-ray (2021), and a 4K Ultra HD 4-Disc Limited Edition Collector’s Set (2021). Both 2021 releases are made from a 4K scan of the original negative supervised by the director.

Every two weeks, Gruesome Magazine’s Decades of Horror 1980s podcast will cover another horror film from the 1980s. The next episode’s film, chosen by Crystal, will be The Boogey Man (1980), directed by Ulli Lommel and featuring the formidable John Carradine … and a mirror? This should be a fun one!

Please let them know how they’re doing! They want to hear from you – the coolest, grooviest fans – so leave them a message or comment on the Gruesome Magazine Youtube channel, on the Gruesome Magazine website, or email the Decades of Horror 1980s podcast hosts at feedback@gruesomemagazine.com.

Check out this episode!

[firespirited]

RoboDoc was a very fun watch, all four hours of it. It's an extended commentary about the original film from conception to aftermath and going scene by scene. Crew by crew.

My biggest takeaway is that the sound design oscar was well deserved, the suit does not work without the clever sound effects and constant droning. The stunts and practical effects teams deserve way more credit, I really hope they were able to take that portfolio reel and demand much more money in later jobs. The dude who was animating and editing "robovision" with no computer assistance at all (the "thermal imagery" was done by painting folks in bodysuits to look like thermal imagery and compositing it onto the scene frame by frame) and the guy who made the robo-face deserve the world.

There were also so many ways it nearly went wrong:

The mime instructor was brought in when Peter Weller couldn't move in the robot suit and shut down production because he'd trained to move like a fast robot in hockey gear. The mime guy goes "Well, suit team: you need to cut articulation into this thing and Peter you need to move like a very heavy trapped animal". Saved the film with a single day on set.

Verhoeven was unknown and barely spoke english: he would act out every role, demand more gore, screamed at everyone, didn't explain his vision, told pretty much every cast and crew member they were personally responsible for messing up the film on the regular, ignored safety protocols. About 80% forgave him when they saw the film: suddenly all that made sense (and the royalty cheques started rolling in). I think the other 20% would punch him on sight. I hope one day one of them does.

Makeup had to go on strike so their demands about shooting close-up shots first, action scenes later because the appliances would get damaged were actually heard.

Peter Weller's acting is brilliant but he went full method (robo and murphy only) and he was at work getting into the suit for up to ten hours before anyone else arrived. so he'd be cranky and perfectionist once 'work' started for everyone else (and his own weirdo trumpet playing, zen but inflexible, not partying with the rest but getting lots of ladies) which alienated a bunch of the cast, at least during filming when tensions were high.

Every single actor on set gave it their best. There is so much that would not work if they weren't invested in making their own characters unique, working in teams and actually selling these absurd situations.

The editing and pacing. There is such a fine line to walk to make the cheesiness work with the ultraviolence along with the comedy. You get that wrong, you get Showgirls. (yes I like Showgirls, minus *that* scene and viewed as unintentional camp, but it is undeniably cringy because it doesn't pull away to fake adverts at just the right time). The MPAA forced them to cut OTT violence scenes - again, this makes the film much better. When you see what was cut, you understand how it could have been a stupid slasher or too silly.

Stunt guy nearly got maimed so many times. I really hope they have better work conditions now.

They decided to shoot in Texas to sAvE MoNEy by paying people less. The heat nearly made the actors quit and people came to blows.

[driftwork]

names, most surnames (2)

Allow me to apologize again for this partial list of names in the library,  titles available on request…

amis, acker kathy, ackroyd peter, abbey edward, aldiss brian, alcott louisa, m. anonymous, aldiss brian editor, ackroyd peter, allende isabel, acker kathy, adair gilbert, adams richard, asimov isaac, alcott louisa m., austen jane, azhayev vasili, asimov isaac, austen jane, ableman paul, amis martin, atwood marga,ret adams richard, abish walter, burroughs edgar rice, benn melissa, butler samuel, blyton enid, beckett samuel, beckett samuel, blyton enid, billington rachel, burnford. sheila, burroughs edgar r,ice bentley phyllis, burney francis, burroughs edgar rice, burroughs edgar rice, compton-burnett ivy, bryant arthur, burchard johann, bryant arthur, brame charlotte, bryant arthur, boll heinrich, buckeridge ant,hony boston l.m., buchan john, brightwen mrs illustrated by f carruthers gold, bronte charlotte, bradbury ray, banks lynne reid, barr pat, betto fre,i baxter stephen, banks iain, bronte charlotte, bryant arthur, banks iain m illustrated by nick day, bradbury malcolm, bell adrian, ballantyne r,.m. balzac honore de, benson e.f, barth richard, barrie j.m, bainbridge beryl, bronte emily, ballard j.g, bronte charl,otte borden mary, black lionel , bellow saul, introduced b,y j. michael walton wilde oscar, salgado gamini, ready stuart, besier rudolf, salgado gamini, euripides, euripides, williams t,ennessee sophocles, ionesco. eugene, ibsen henrick, marillier chri,stabel jonson ben, bennett alan, ionesco eugene, brenton. howard, stoppard tom, pinter harold, aristophanes, arnold mathew, daisenberger j.a., stoppard tom, eliot t.s., creeley rob,ert chaucer geoffrey - edited by walter w. skeat, cronin a. j., carr j. l., cooper edmu,nd colette, chevalier tracy, cosse laurence, christopher joh,n chatwin bruce, collingwood h, cather willa, cattieuchlan, crane stephen, calvino italo, collier eric, cela camilo c,ela crichton micheal, carpino f. brancaccio di, comrie margaret s., chabon michael, crofts freeman wills, carre john le, crace jim, michael co,x and r. a. gilbert cheever john, cardetti raphael, coolidge clark, chevallier gabr,ial coxe harmon george, cronin a. j., cheyney peter, conway hugh, cullum ridgwell, christian catherine, crace jim, crace jim, dickens charles, dickens charles, dunn nell, defoe dani,el bernheim emmanuele, doctorow e.l., chesterton g. k., donleavy j.p., bronte charlotte, duggan alfred, delany samuel r. - petaja emil, durrell gerald, dallek robert, dickens charles, dickens charles, dalby richard ed,. dickens charles, chang jung, delacorta, dickens ch,arles dickens charles, conan-doyle arthur, du maurier daphne, dostoyevsky f.m, durrant valentine, durrant valentine, donoso jose, delillo don, delillo don, defoe daniel, defoe daniel, duke neville, colette, camus albert, cheever john, egan frank, eastwood helen, england barry, duke of windsor, eden emily, egan greg, edwardson ake, franken rose, fowles john, frzer douglas, fielding henry, frankau gilbert, featherstone don,ald fyson j.g., fitzgerald f. scott, fyfield francis, fletcher h.l.v., ford madox ford, fuentes carlos, fuentes carlos, fossum karin, fielding henry, fielding henry, fox gardner f., forester c.s., flaubert gustave, forsyth frederick, fitchett w.h., faulkner willi,am gallico paul, garfeld leon, galsworthy john, gaskin catherine, goldring douglas, greene graham, fletcher j. s., goldsmith olive,r grey zane, faulkner william, grisham john, greene graham, green f.l., delany samuel r, fenn george manville, gide andre, grimwood jon courtenay , gordimer nadine, grisham john, greene graham, greene graham, grass gunter, galsworthy john, gray malcolm, gou xiaolu, goldsmith oliver, greene graham, harsch rick, hill weldon, hall radclyffe, hibbert christopher, hanley james, hemingway ernest, hardy thomas, horvath odon von, conan-doyle arthu,r scott-giles c.w., kollings ken, herbert a.p., houellebecq m,ichel hawes james, holt anne, hopkins r. thurston, huxley aldous, hawkins paula, holwell william, indridason arnaldur, inoue yasushi, ishiguro kazuo, houellebecq michel, hesse hermann, hemingway erne,st hamilton peter f., howard cecil, hyland ann, jewett sara,h orne - with a preface by willa cather joinville & villehardouin, jelinek elfriede, james m. r., jonke gert, moyle j.b.  (translator) - justinian, johns capt. w.e., jerome jerome k, jenkins elizabet,h jenkins elizabeth, james m. r., kipling rudyard, kipling rudyard, kipling rudyard, kipling rudyard, kerr j. lennox, kipling rudyard, kilvert rev francis, kipling rudyard, kipling rudyard, kent nora, kipling rudyard, king stephen, kipling rudyard, kipling rudyard, kipling rudyard, khadra yasmina, khadra yasmina, kipling rudyard, kipling rudyard, lovell ann, koontz dean, lucas-philli,ps c.e. kafka franz, leyner marx, linklater eric, kipling rudyard, kipling rudyard, kennard mrs. edward, kipling rudyard, kipling rudyard, kipling rudyard, kipling rudyard, kipling rudyard, leskov nikolai, leyner mark, lewis norman, carre john le, lee laurie, kilver francis - edited william plover, leyner mark, laver james, lear edward, lever charles, laing e.t., carre john le, longmate norma,n lane jane, lewycka marina, baker margaret, llwelyn davis w,eeks forestier-walker and bor wenstrom o. edmund and harlock walter e., rensschler eric, st. claire byrne muriel, day mabel  (edited by), linklater eric, linklater eric, linklater eric, martel yann, lewis c. s., lee laurie, longford elizabeth, lewis c. s., mason a.e.w, maupassant guy de, maclean alistair, masters john, reich-ranicki marcel, melwood mary, mathews basil, mackenzie fait,h compton maxwell  w. b., macleod m kathleen, mcwilliam candia, mee arthur, marquez gabriel garcia mendoza plinio apuleyo, maurois andre, maclean alistair, mankowitz wolf, masefield john, marryat captain, macnamara brinsley, morris william, murdoch iris, mandelstam. osip, morris william, murdoch iris, mustoe anne, morris william, morris william, bradbury ray, gifford barry, miller henry, maturin charles, millet lydia, mitchison naomi, michener james, mcewan ian, miln lousie, jordan mitford mary russell, menglong feng, munthe. alex, moran lord, nicholl charles, new yorker the editors, oppenheim e.phillips, o'neill jamie, oppenheim e.phillips, nin anais, nairne a, hughes-pa,rry j. powell anthony, ponsonby d.a., price anthony, pangborn edgar, pollard velma, priestley j.b, barry n. malzberg & bill pronzini, powell anthony, nabokov vladimir, porter sheena, peacock thomas love, pratchett terry ian ,stewart and jack cohen powell anthony, percy w. s., needham violet, raymond diana, russo richard, rice margery spring, rabelais, reed thom,as baines russ joanna, remarque erich maria, pearson hesketh, rezzori gregor v,on rolfe fr- frederick baron corvo, sayers dorothy l. sayers  (translator), renault mary, raphael frede,ric phillips adam, robertson e.arnot, pavic milorad, robinson heath, rendell ruth, read miss, robinson heath, rice elmer, rackham arthur, rutley c. bernard, renault mary, steinbeck joh,n smith alexander mccall, spyris johanna, sabatini rafael, spalding francis, stables gordon, camus albert, sinclair upton, stowe harriet b,eecher shem samuel, sienkiewicz henryk, swift jonathan, samuel maurice, scott sir walter, scott paul, stowe harriet beecher, scott sir walter, skinner john, sterne laurence, sewell anna, stevenson d.,e. sitwell edith, strang herbert, surtees r. s., sidney sir phi,llip stout william, sigurdardottir yrsa, solzhenitsyn alexander, scott sir walter, stephenson neil, self will, styron william, scott sir walte,r scott sir walter, scott sir walter, slavicsek bill, sebold alice, smith f seymour, slaughter frank, seth vkram, trollope jo,anna henry fielding, trevelyan g. m., thelwell normal, trevor elleston, thompson flora, thompson flora, tey josephine, tyler j.e.a., tutton diana, tuchman barbara, tolkien j.r.r, duke of windso,r wheatley dennis, wilkinson gerald, wells h.g, rawnsley c,.f. and wright robert white patrick, winchester simon, waugh evelyn, wodehouse p.g,. walsh j. m., welles orson, wood mrs henry, wren p.c, waugh auberon, white. t. h., white t. h., westo kjell, webster jason, wain john, quin b. g., westall rob,ert white t.h, wodehouse p.g, wodehouse p.g, westerfield sc,ott wodehouse p.g, zweig stefan, wodehouse p.g, urquhart r.e., wyndham john, wodehouse p.g, wodehouse p.g, waugh evelyn, wallace edgar, vine barbara, white patrick, virgil, vesaas tarjei, varesi valerio, vine barbara, updike john, young francis brett, vaizey george, wilde oscar, verne jules, wheatley dennis, updike john, markham mrs, vine barbara, vine barbara, kilvert rev francis, kilvert rev francis, new towns act 1946 -, leyser henrietta, perry anderson malcolm bull jan breman rob lucas david simpson rachel malik alexander zevin marco d'eramo, shaw george bernard, shaw george bernard, shakespeare william, shaw george bernard, shakespeare william, shaw george bernard, shaw bernard, shakespeare william, shaw bernard, shakespeare w,illiam shaw george bernard, shaw bernard, shaw george bernard, shaw george bernard, shaw bernard, sturgess keith (edited), euripides, matsumoto ,seicho lewis naomi, lang andrew, goethe, aristop,hanes pevsner nicholas, alvarez a., de la mare walter, larkin phillip, townsend sue, kyd thomas, euripides, lawrence d,. h. anderson w.e.k., marvell andrew, allan c.f., de la mare ,walter illustrated by edward ardizzone mitchell tony, plath sylvia, hobbs jack and hobbs margaret, spender stephen, whittier john greenleaf, millay edna st. vincent, bridges robert, steakley james , arkell reginald, thompson francis, arkell reginald, townsend sue, stamp l. dudley, keats john, farmer john s. , gollancz sir isr,ael and  day mabel and serjeantson mary s hood thomas, milton john, walsh michae,l (editor) barkow al, british sociological association, burgess tyrrell, bentley michael, braudel fernand, de botton alain, ardrey robert, barrow r. h., bennett joan, aylward j. d., albert marvin h., alford violet, ali ayaan hirsi, cookson mrs. nesfield, cecil david, cudlipp hugh, conway gregory j., ccta, beard patten, clarke mike, deighton k, doyle clare, cottrell leonard, the ecologist, ellis chri, furmston m.p. and simpson a.w.b, elton lord, arellano ro,bert williams reese, brandys kazimierz, rich adrienne, lee laurie, khorsandi shappi, midgley mary, blackburn robin , butler samuel, butler samuel, burroughs william s, brooke nichlas, d.s.pugh d.j.hi,ckman c.r.hinings moliere, hamilton ronald, hill christopher, hackforth-jones g,ilbert hartley john, hervey h.e., kynaston david, herrmann paul, gregory otto, clay a.j. mackenzie, gombrick e.h. and kris k, kingsmill hugh, lloyd christopher, jarvns matt, labour party research department, jacob e. f., krake ken, longmate norman, golding louis, jackson major ,donovan james philip, lethbridge t. c., liechti elaine, ladurie emmanue,l le roy morris desmond, malina f.j, p.m., mundy, john h. carroll noel , middleton john , perniola mario, maxton james, paz octavio, menzies gavin, plaskitt harold and jrdan percy, woodward c. vann, rowntree b.seebohm and lavers g.r., weill herman n., wellman paul i, victor weybrigh,t and henry blackman sell scruton roger, smith j.c., taylor g. rattray, the times, thompson james westfall, taylor arthur, kulke hermann and rothermund dietmar, thomas mary, diamond jared, bacigalupi paolo, johnston william r., woods william, woodward sir llewellyn, shaw josephine, williams christopher, sidebotham helen m., williamson james a., tuchman barbara, smith wm. dr. (on the plan of), tafuri manfredo, bussi michel, rose richard , rawlinson george, rayner robert m., tisserand robert, ibsen henrick, ackroyd peter, powys t. f., sansom william, byatt a.s., bertrand a. and guillaumin a., bryant arthur, palgrave francis t., trewin j.c, morton a. l., mathews hazel, c. johnson a. h., gregory e. w., brogan d.w, tuchman bar,bara howard elizabeth jane, howard elizabeth jane, kerr philip , burton mauric,e borman tracy, kumar manjit, bryant arthur, moers ellen, simpson jacqueline, longmate norman, leasor james, piggott derek, lewycka marina, duncan f. martin and duncan  l.t., armstrong karen, rankin nicholas, catton eleanor, harrison harry and stover leon e., prose francine, jacob naomi, lovell terry, webb marion st.john, sheppard elizabeth sara, dickinson g. lowes, king laurie r, hawthorne james, levy yank, ley wilfre,d rooke kelman janet harvey and rev theodore wood, agar winifred and others, blom eric, house rich,ard field robert, van loon hendrick, hayward gallery, eitlinger l.d. a,nd holloway r.g. fougasse and mccullough, davison philip, turnbull agnes sligh, harrison sidney, ashley maurice, oakeshott w. ewart, steingarten jeffrey, linna vaino, brecht bertholt, benni stefano, winbolt s. e., plumb j. h., bryson bill, prebble john, knight margeret, quarrie bruce, spry constance, squires patricia, smith ali, hadley tes,sa eng tan twan, virno paolo, wilson sloan, campbell alan, cumming charles, pedly robin, clegg alec and megson barbara, holt john, laurie peter, motley john lothrop, beumarchais repertoire general du theatre francais, de la mare walter. mackenzie compton. farjeon  elea,nor lord dunsany  blackwood  algernon etc... betz, bjork samuel, campbell alan, archer thomas ,and amelia hutchinson stirling dollimore jonathan and sinfield alan, deegan denise, holdsworth r.v., durband alan, douglas lloyd c., ash william, dyer gillian and baehr helen, lindop audrey erskine, percival maciver, bellamy h.s., robbe-grillet alain, frith henry, barnett richard, bumpus t. francis, bartholomews, harrow school, martin george, hayward gallery, ducros louis, defrates joan,na ali tariq, lowry malcom (edited by harver briet and margerie bonner lowry), colour, robinso,n francis benton dr micheal j., rankin robert, leonard. jonathan norton, edey maitland a., trippet frank, norton-taylor  duncan, hamblin dora jane, edey maitland a., hicks jim, knauth. percy, dancona p and aeschlimann e, urwin e.c., joyce graham, leslie doris, oakeshott w. ewart, department of scial, and administrative studies oxford university grossman vasily, sinclair andrew, quennell marjorie and c.h.b, smith alexander mccall, crispen edmund, kipling rudyard, oscar wilde mervyn peake, proust marcel illustrated, by phillipe julian proust marcel, chesterton g. k., kipling rudyard, ardrey robert, pakenham elizabeth, bradford ernle, kohn george childs, mcmahon katherine, introduced by j. michael walton, allegro j.m., leakey richard e. lewin roger, sobel dava, lancaster john, ferguson neil, westlake mike, proust marcel ,illustrated by phillipe julian euripides, corvo frederick baron, ambler eric (editor), peacock thomas love, hamilton edward, schiller eric, rabelais, barnes ju,lian manchetter jean-patrick, indridason arnaldur, macculloch j.a., holwe w.v. and p,ountney m.t. burnell r.d., symons julian, kipling rudyard and balestier wolcott, farmer bernard j., macaulay rose, fisher h.a.l., winston richard, eliot george, cairncross alec, disraeli benjamin, litvinoff emanuel, cotterell arthur , peynet raymond, mitchison naomi , trevelyan g. m., ibsen henrick, euripides, thayer george, white patrick, froissart, muir anne ross, acton lord, fisher h.a.l., innes arthur d,. innes hammond, acton lord, trevelyan g. m., stein gertrude, minister of health and the secretary of state for scotland, royal commission on local government in england, committee on the management of local government, committee on the management of local government, committee on the management of local government, soros george, ullman james ramsey, girls own paper, girls own paper, fowles john and horvat frank, moore gerald, whyte william, h. taylor a. j.p., whitelock dorothy, zdenek marilee, valentine c. w., walker kenneth, thompson e. p., ward barbara and dubos rene, wedgewood c.v., robertson alec and stevens denis, ackroyd peter, aira cesar, aira cesar, skinner paul , johnson samuel, drinkwater john, wilson daniel h, stross charles, ackroyd peter, hoeg peter, aylett stev,e oman carola, jelinek elfriede, rohan zina, roberts ada,m vandermeer jeff, vandermeer jeff, vandermeer jeff, miske karim, russell sarah, naipal v.s., carrington neil. brodies notes, freeman anthony, corvo frederick baron, aylett steve, lovegrove james, baudouin charles, green miranda, gilliland alan, gll anton, hendy phil,lip kunstler junger, toulouse-lautrec henri (t.w. earp and g.w. stonier (translated into english by).), jefferson alan, richardson joy, lyons lewis, mathews john and mathews caitlin, pratchett terry, pratchett terry ,and baxter stephen robbe-grillet alain, west paul, pratchett terry and briggs stephen, mccaffery juliet, robert marcel and parmeggiani luigi - ilo-, storr vernon f., pratchett terry, mann philip, morris mary and o'conner larry , pratchett terry and baxter stephen, mcphee john, kightly char,les reeves compton, picard gilbert charles(editor), strong roy, clifton-tay,lor alex rupp gordon, tullii marci, goldsmith oliver, pinnow hermann, millington mal, atwood margaret, dickens charles, sterne laurence, everyman, caeser caius julius, wells h.g, kempis tho,mas a wynne pamela, pepys samuel, sterne laurence, scott sir walter, balzac honore de, jones edmund d., du maurier daphne, hutchinson lucy, weyman stanley j., browning robert, shakespeare william, chesterton cecil, stevenson r.l, trollope anthony, conan-doyle arthur, osborne charles, bresson robert, chalres pictet de geneva, lambourne nigel and renoir, parker steve, thomas graham  stuart, watkin david, hill ian, hlasko ma,rek lee harper, kureishi hanif, boyle t. coraghessan, gombrowicz witold, gombrowicz witold, gombrowicz witold, gombrowicz witold, gombrowicz witold, gombrowicz witold, gombrowicz witold, montergueil g., liu ken, robbe-grillet alain, banks iain, hobb robin, murphy derv,la gooch steve, dallek robert, giordano mario, tourtellot arth,ur bernon mcewan ian, orton joe, stoppard tom, stoppard tom, dorfman ariel, clifforfd leech, gerlech lynne, mishima. yukio, kurkov andrey, sante luc, robbe-grillet alain, heinlein robert, shute nevil, benacquista tonino, carofiglio gianrico, powers richard, steer john, johnson b.s., edgeworth maria, lowry malcolm, lowry malcolm, willis roy , le queux william, committee on the ,management of local government delillo don, perry sarah, expenditure committee (trade and industry sub-committee), pratchett terry, jencks charles, ewing julia horatia, vandermeer jeff, carpentier alejo, acker kathy, sudjic deyan, lindsey martin, reitz deneys, tolkien j.r.r, tolkien j.r.r, tolkien j.r.r, tolkien j.r.r, tolkien j.r.r, tolkien j.r.r, eggers dave, yurick sol, emecheta buchi, bryson bill, bryson bill, smollet tobi,as kapitanial thomas, wodehouse p.g, wodehouse p.g, wodehouse p.g, wodehouse p.g, wodehouse p.g, wodehouse p.g, wodehouse p.g, wodehouse p.g, stengers isabelle, browning. robert, walbank f. alan (,ed1ted and arranged by) roberts adam, kipling rudyard, ruskin john,

ellis john, hinton michael, chamoiseau patrick, martinez guillermo, willis connie, nemirovsky irene, rhys jean, joyce james, delillo don, mantel hilary, parker k. j., parker k. j., parker k. j., wilhelm richard, topol jachym, perez-reverte arturo, mcevoy j.p. and zarat,e oscar atwood margaret, sloterdijk peter, unit for research on the urban environment, perry steve, anderson kevin j, zahn timothy, hambly barbara, massey d, tucker paul hayes, anderson kevin j., smith p. robert, semprun jorge, crace jim, reynolds ingrid and nicholson charles, reynolds ingrid and nicholson charles bell ann, carre john le, grossman lev, tallis frank, hornby nick, tallis frank, newberry linda, coelho paulo, bryson bill, harris joann,e bond terance james, hopkins gerard manley, haviaras stratis, hoban russell, benson peter, pears iain, gray robert, wiggins todd, price richard, perez-reverte arturo, hoeg peter, flaubert gu,stave ivan illich irving k zola john mcknight, runyon damon, frei max, chaponnie,re paul fischer tibor, reynolds alastair, asher neal, vallois g. ,n. morton h.v., kalweit holger, gibbons stanley, brookmyre christ,opher holt anne, hemingway ernest, surtees r. s., reeves-stevens, judith and garfield kipling rudyard, gane chriss and sarson trish, hodgson joan, saadawi ahmed, barnes julian, hadley tessa, pratchett terry and baxter stephen, hijuelos oscar, johnson kenneth and lsbeth marguerite, phillips jayne anne, aylett steve, kube-mcdowell, michael p. tyers kathy, daley brian, wolverton dave, allen roger mac,bride mcintyre vonda, anderson kevin j, smith l. neil, zahn timothy, zahn timothy, zahn timothy, hamilton peter f., wells h.g, waugh evelyn, hughes roberts, earnshaw brian, confucius alfre,dd doeblin bates h.e, leuchenburg william e., gibson william, gibson william, twining william and miers david, terence morris and angus stewart, tolkien j.r.r, stewart. mary, corvo frederick baron, aldiss brian editor, perez-reverte arturo, king ronald, harris sam, harris sam, 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stu,art hornby nick, hornby nick, roberts adam, roberts adam,de teran lisa st aubin, ocampo silvina, lewis oscar, delillo don, perri francesco, gass william, hennessy peter, cumming charles, maconie  stuart, twain mark, cleeves ann, corbett thig,pen & hervey cleckley milner gamaliel, sobel dava, hornby nick, hornby nick, leon donna, gardner helen , williams reese, nesser hakan, simon nicholson and sikina jinnah , sterling bruce, o'brien martin, sciascia leonardo, housing monitoring team, melville herman, thompson hunter s., roberts adam, helgason hallgrimur, malouf david, delillo don, chabon micha,el solomons natasha, marriott edward, holt tom, holt anne, whitehouse david, taylor mildred d., sillitoe sir percy, miller john, dostoevsky fyodaor, denny norman (compiled by), roberts adam and verne jules, coe jonathan, barker nicola, junger sebastian, conan-doyle arthur, khoo thwe pascal, heller joseph, cortvriend. v.v., bryson bill, took barry, gifford barry, murphy c. e., charlesworth 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lawrence d. h., gide andre, edward albee jack richardson murray schisgal athur miller, iwamoto kaoru, arenas reinaldo, andrzejewski jer,zy joyce james, de botton alain, mauriac francois, simenon georges, lawrence d. h., texier catherine, forster e. m, allingham mar,gery allingham margery, allingham margery, allingham margery, crofts freeman wil,ls hoskins w. g., sebald w.g, macleod ken, amis kingsle,y cain james m, wodehouse p.g, o'brien edna, allingham mar,gery mccullers carson, harrison harry, cheyney peter, christie agath,a cheyney peter, chandler raymond, crystal david, shaw george be,rnard sophocles, haggard william, colette, borges j,orge luis borges jorge luis, borges jorge luis, lowry malcolm, lowry malcolm, dostoyevsky f.m, schnitzler arthur, drabble margaret, boll heinrich, aristotle, heyer georgette, chandler raymond, douglas alfred, ackroyd peter, ackroyd peter, basho, steinb,eck john wodehouse p.g, gaskall elizabeth, mottram v.h, walker kenne,th davis hugh sykes, evans ifor, evans ifor, harrison g., b. sayers dorothy l., innes michael, womack jack, thubron coli,n wodehouse p.g, leonard elmore, innes michael, innes michael, innes michael, innes michael, innes michael, du maurier dap,hne gardner erle stanley, gaskall elizabeth, greene graham, sartre jean-pa,ul lodge david, gaskall elizabeth, farmer philip jose, austen jane, rabelais francois, ekelof gunnar, karolyi otto, sartre jean-p,aul cabell james branch, didion joan, borges jorge luis, de monfried henry, doyle a.conan, chandler raymond, miller arthur, merriman henry, seton gaiman neil, innes michael, innes michael, drabble margar,et harrison g. b., kawabata yasunari, west john anthiony, buchan john, highsmith patricia, pineda cecile, nabokov vladimir, spark muriel, needleman jacob, grayling a.c., lurie alison, hay ian, thubron colin, cameron james, stein gertrude, dickens charles, linklater eric, plato, plato, plato, plato, yalom irvin d., jungstedt mari, plato, stagg guy, mcdonald ed, knausgaard karl ove, knausgaard karl ove, harvey graham and hardman charlotte, pope dudley, james henry, woolrych aus,tin conrad joseph, pollard tony, dyer geoff, chaing ted, marquez gabriel garcia, colette, bennett robert jackson, nesser hakan, mootoo shani, coe jonathan, higson charlie, marquez gabriel, garcia banks iain , brown alan, schine cathleen, christopher adam, fesperman dan, rohmer sax, michaels anne, saunders john, lessing doris, becker jurek, krabbe. tim, shaw bernard, anthony piers, hunt stephen, gurdjieff, gibson wil,liam gaarder jostein, pears iain, euripides, shepard lu,cius prawer jhabvala r, bach rachel, coover robert, westerfield sc,ott brookmyre christopher, craig amanda, bacigalupi paolo, okri ben, buffett jimmy, milligan spike and antrobus john, shakespeare william, o'hara john, trevor elleston, leonard elmore, ageyev m., hill susan, robbe-grillet alain, rinaldi patrizia, adiga aravind, feist raymond, mankowitz wolf, miller arthur, mccarthy mary, rowling j. k., wilson robert, corey james a., corey james a., runyon damon, shakespeare william, shakespeare william, shaffer peter, davidson robyn, lethem jonathan, chekov anton, esposito roberto, gardner john, palmer philip, barnes john, mcmahon thomas, robinson kim st,anley mankell henning, grazier james, grass gunter, hamilton pete,r f. hardy thomas, jack albert, coupland douglas, parris s. j., ozeki ruth, reynolds alaistair, mason zachary, mason zachary, delacorta, kerr phillip, coupland douglas, betjeman john, parker john, cortazar julio, lewis sinclair, du maurier daph,ne mcewan ian, fowles john, troyes chretien de, lethem jonathan, eggers dave, aristotle horace longinus, bolano roberto, giuttari michel,e bernard st, baudrillard jean, schrader helena p., frayn michael, chomsky noam, min anchee, morrison toni, von arnim eliz,abeth lethem jonathan, calvino italo, calvino italo, roberts michel,le hardy thomas, mccarthy mary, murdoch iris, symons a. j. ,a. connolly joseph, connolly joseph, lethem 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alex, bendis brian micheal and  maleev alex, mcauley paul j., bendis brian micheal and  maleev alex, shaw john h., simmonds posy, cochrane james, (edited by) barth john, jeter k. w., dunn euan , lynch richa,rd warwick christopher , fraser george macdonald, barnes djuna, neuvel sylvai,n kepler lars, durrell lawrence, durrell lawrence, durrell lawrence, durrell lawrence, shakespeare william, waugh evelyn, puig manuel, crais robert, houellebecq michel, durrell lawrence, grant morrison, p,hil jimenez, steve yeowell eriksson kjell, jordan robert, slavnikova olga, story jack trevo,r boll heinrich, crussi f. gonzalez, dick philip k, ackerman diane, perec georges, stross charles, ashman howard, rosen michael, mcllwraith a. k., packer nigel, haasen carl, hesse herman,n hesse hermann, lewis norman, ballard j. g., maupassant guy, de perry sarah, dickey james, friedman kinky, friedman kinky, durrell lawrence, ings simon, jones diana wynne, forrest katherine ,v.  weldon fay, sophocles, mitchison naomi, kermode frank, firestone shulamith, webster john, gosse edmund - introduction by, conrad joseph, palmer frank, trollope anthony, bronte charlotte, durrell lawrence, prose francine, murphy devla, lyall gavin, fraser georg,e macdonald fo dario, fleming peter, disch thomas m. and sladek john t., marlowe christoher, rosewicz tadeusz, nunez raul, shakespeare william, webster john, poliakoff stephen, murakami ryu, neuvel sylvain, eliot t. s., fitzgerald penelope, fergusson francis, curie ewa, geoff dyer, (contributor) lila azam zanganeh (contributor) leanne shapton (contributor) alain de botton (contributor) alice rawsthorn (contributor) swann ingo, le carre john, nabokov vladimir, evans julian, ahndoril alexander, gonzales tony, chu wesley, gentle mary, solnit rebecca, barnes john, fitzgerald penelope, hamilton geoff, jordan robert, sterbenz carol endler, mcnaughton colin, david peter, innes clive, banks lynne reid, miller henry, hartley l. p., smith e. e. 'doc', smith e. e. 'doc', silitoe alan, bonnot  xavie,r-marie pratchett terry, lessing doris, bowen elizabeth, allen woody, hamilton peter f., hamilton peter f., millar martin, barker howard, barker howard, steinbeck john, hardy thomas, smith zadie, johnson air vice marshall j.e., lewis sinclair, gentle mary, izzo jean-cl,aude forster e.m, webb beatrice, kiefer anselm, harkaway nick, cheever john, cordell aleander, plener pytan, council for c,hildren's welfare lovecraft h. p., harrison harry, mah adeline yen, heinlein robert, smith e. e. 'doc', knausgaard karl ove, bartlett jamie, feist raymond, osbourne lawrence, renoir jean, paasilinna arto, thirlwell adam, trollope anthony, twain mark, bataille georges, bataille georges, bataille georges, bataille georges, emily morris kevin pask marco déramo  kristen surak wolfgang streeck frederic jameson hung ho-fung, gaston sean, shannon samantha, nash ogden, st john madelaine, hill susan, de botton alain, reynolds alaistair, reynolds alaistair, fine. anne, rushdie salman, allingham margery, grimwood jon courtenay, welsh itvine, melville-ross antony, swift graham, hiaasen carl, beeton mrs, mcguane thomas, cheever john, crisp quentin, klossowski pie,rre barker george, rankin ian, mayne andrew and shuttleworth john, wainwright gordon, ivor noel-hume and audrey noel- hume, heller joseph, wilson barbara, reynolds peter, newman ernest, pickering kenneth, rankin ian, van horn er,ica tchaikovsky adrian, leon donna, lerner ben, brantenberg, gerd martinez guillermo, musil robert, baxter stephen, markaris petros, gaiman neil, deren maya, virilio paul, ballard j. g., heller joseph, sahgal nayantara, marshall bruce, chadbourn mark, nesser hakan, glade merton, shepard lucius, theilkuhl wolfg,ang sawyer robert j., moore christopher, glendinning victoria, vesey-fitzgerald bria,n bennett vanora, smith alexander mccall, allingham margery, allingham margery, e.c.bentley and h. warner allen, allingham margery, simenon georges, gide andre, walker martin, iyer lars, ings simon, allingham m,argery friedmann john , marcus ben, marcus ben, southam b. ,c. enright anne, drinkwater olive, asher neal, asher neal, sullivan caitlin and bornstein kate, bradley a c, lahiri jhumpa, hiaasen carl, westerfield scott, johnson diane, cheek mavis, faulks sebas,tion asimov isaac, edwards ruth dudley, lackey mercedes, blunden edmund, mckinley robin, duffy stella, steinbeck john, davies andrew, donoghue emma, asher neal, grimwood jon courtenay, villalobos juan pablo, asher neal, asimov isaac, berlins marcel and wansall geoffrey, leonard elmore, proulx e. anne, tennyson alfred, dyer geoff, reynolds al,aistair reynolds alaistair, reynolds alaistair, roig jose miguel, yevtushenko yevge,ny livio mario, hardy thomas, head bessie, mill j.s, tanizaki junichiro, pinborough sarah, pinborough sarah, williams nigel, jonathan ross and tommy lee edwards, tor krevor andre singer thomas piketty goran therborn teri reynolds perry anderson josh berson  william davies marcus verhagen, robin blackburn perry anderson wang lixiong jacques ranciere micheal hardt  geoffrey ingham  terry eagleton peter lagerquist timothy bewes gunter grass pierre boudieu, n. e. thing enterprises , donoghue emma, coupland douglas, mankell henning, fred halliday er,nest mandel  heather  maroney riccardo parboni satyajit ray

pablo iglesias mike davis francis mulhern joann wypijewwski joshua rahtz emma  fajgenbaum  r taggart murphy, evgeny morozov gopal balakrishnan wang chaohua  mauricio velasquez franco moretti jeffrey r. webber anders stephanson barry schwabsky, joshua wong frederic jameson joetrapido emilie bickerton sebastian veg  adam tooze achin vanaik franco moretti, gopal balakrishnan bhaskar sunkara  daniel finn francesco fiorentino  enrica villari  micheae denning blair ogd,en  vivek chibber susan watkins ching kwan lee neil davidson nancy ettlinger alex niven timothy brennan joshua rahtz emilie bickerton,mike davis giovanni arright, g tamas peter nolan koza yamamura asef bayat  benedict anderson tariq ali ian birchill kheya bag  regis debray, dark horse comics, dark horse comics, warren ellis lee bermejo david baron, warren ellis lee bermejo david baron, warren ellis lee bermejo david baron, damon hurd with pedro camello, brian wood /  becky cloonan, chris claremont jim lee scott williams, dark horse comics, jeph loen carlos pachego jesus merino, morrison grant, morrison grant, morrison grant, morrison grant, amis martin, mike carey sonny liew marc hempel, groening matt, jenkins johnson faucher, dark horse comics, damon hurd rick smith, damon hurd rick smith, brian wood becky cloonan, brian wood becky cloonan, brian wood becky cloonan, grant morrison frank quit,ely *, mike carey sonny liew marc hempel, grant morrison philip bond d'israeli daniel vozzo, bendis brian micheal and  maleev alex, brian wood becky cloonan, damon hurd with pedro camello, mike carey sonny liew marc hempel, brian wood becky cloonan, jim valentino chance wolf dan davis, mckelvie gillen, mckelvie gillen, mckelvie gillen, mckelvie gillen, mckelvie gillen, veitch and  baikie, pienkowski jan, berenstain stan and jan, martin ruth, jones terry, palmer jessi,ca williams ursula moray, pratchett terry, farmer penelope, hunter norman, dahl roald, cresswell helen, rumble adrian (collected by), norton andre and madlee dorth,y bond micheal, brennan j. h., gibson andrew, hall willis, ridley philip, hutchins pat, wright ralph, clarke arthur, cross gillian, lowry lois, wright ralph, king-smth dic,k piserchia doris, proysen alf, priest graham, blackburn simo,n buckeridge anthony, steed ben, wilson forrest, norriss andrew, deary terry, cresswell helen, jacques brian, webber collin, snell gordon, rodgers mary, kastner erich, ordnance surve,y schmidt arno, garner alan, dahl roald, wilson davi,d henry lindgren astrid, kemp gene, art thibert and pamela thibert, bennett arnold illustrated by m,orten sale pynchon thomas, burgess anthony, huxley aldous, dahl roald, boll heinrich, herr micheal, dibden michael, o'connell jack, greenland colin, gifford barry, gifford barry, russell leigh, dahl roald, shakespeare william, marivaux, rodgers m,ary lucasfilm bob woods (editor), lucasfilm bob woods (editor), lucasfilm bob woods (editor), lucasfilm bob woods (editor), lucasfilm bob woods (editor), mcfarlane todd, jim valentino chance wolf dan davis, jim valentino chance wolf dan davis, mckillip patricia a., du maurier daphne, elgin suzanne haden, de teran lisa st aub,in collingwood r. g., winterson jeanette, carmody isobelle, perry steve, egan doris, moorcock michael, gaiman neil, gilden mel, larry niven jerry pounelle micheal flynn, eddings david, cooper louise, weaver micheal, claremont chris, hamilton laurell k., kepler lars, nothomb amel,ie staig laurence, wood anthony, murrary linda, kaveney roz di,tor plato, cumming elizabeth and kaplan wendy, reiss johanna, glover jonatha,n goodman nelson, plato, carmody isobelle, wilson robert cha,rles wilson robert charles, wilson robert charles, johnson george, kepler lars, brookmyre christopher, jordan robert, kinsella sophie, jewell lisa, parent gail, gibson williams, kinsella sophie, carofiglio gianr,ico hesse hermann, nesbo jo, duane diane, higginson wi,lliam j. ferguson margaret.  salter mary jo. stallworthy jon, evanovich janet, evanovich janet, bennett alan, blaylock james p., aylett steve, roffey monique, chambers clare, sedaris david, warner alan, cross amanda, lee harper, brookmyre christopher, lawrence louise, levi primo, coupland do,uglas homesa. m., wesley mary, nicholson geoff, chambers clare, chambers clare, lee chang-rae, ahmed rollo, gowdy barbar,a suri manil, brickell christopher (editor), adelson warren et al, ishiguro kazuo, curley marianne, miller alexander, macleod ken, diamond jare,d persson leif g.w., littell robert, anderson poul, hamilton laure,ll k. nicoll andrew, miller mark and mcniven steve, wells h.g., xing jan, robinson kim stanley, dahl roald, chandler arthur, breznik melitta, jordan robert, cherryh c.j., sayers dorothy l., dow kristin and do,wning thomas e. mccaffery anne, brent-dyer elinor m., jordan robert, crichton miche,al evanovich janet, williams john, schlosser eric, murphy pat, trollope joanna, mcintyre vonda n., lackey mercedes and dixon larry, lackey mercedes, duane diane and morwood peter, lewis jon e., mccaffery anne, mccaffery anne, jewell lisa, holden wendy, binchy maeve, duane diane, mccaffery anne, mccaffery anne, lovelock james, eddings david, besher alexander, mccaffery anne, barnes john, briggs ian, leon donna, mcdonagh martine, stackpole micheal a, blake william, nassib selim, rankin robert, child lincoln, goudge elizabe,th de teran lisa st aubin, beukes lauren, ridge antonia, greenland coli,n palmer stephen, crais robert, kirstein rosemary, duane diane, lawrence sara, bronte charlotte, plater alan, jones j. v., norriss andrew, girling brough, jordan robert, jones j. v., jones j. v., konwicki  tadeusz, bateman colin, erpenbeck jenn,y scarpa tiziano, lisick beth, warner alan, evanovich ja,net dalby liza, warner alan, adler-olsen  jussi, alcott louisa m., dickinson peter, hicyilmaz gaye, lindgren astrid, lucas george, davies russell t., bendis brian micheal and  maleev alex, bawden nina, gross philip, foster alan dean, anderson kevin j, lucas george, glut donald, kahn james, cadigan pat, murakami haruki, bodlian library, zizek slavoj, tucker andrew, and kingswell tamsin davidson alan, cadigan pat, ashton charles, brookmyre chris,topher brookmyre christopher, brookmyre christopher, evanovich janet, david peter, leon donna, brookmyre christopher, brookmyre christopher, simon anne, scamander newt, whisp kenilworthy, davies pete, blyton enid, blyton enid, walsh helen, bradley marion, steve pike and ,paul fisher travers p.l., lively penelope, vinge joan, jacques bri,an aiken joan, fisk nicholas, o'keeffe linda, deegan denise, clarke stephen, franken al, blyton enid, blyton enid, mankell henning, smith alexander mccall, jones diana wynne, norton andre, ullmann linn, jones vanessa, pinborough sarah, kafka franz, anderson kevin j. (edited by), rankin robert, rankin robert, mccaffery anne, evanovich janet, mccaffery anne, yoshimto ray - clamp nanase ohkawa, brookmyre christopher, allen roger macbride, pratchett terry, anderson kevin j. (edited by), connolly joseph, cherryh c.j., cadigan pat, mccaffery anne, divakaruni chit,ra banerjee zappa moon unit, vernadsky vladimir i, mackesy serena, waterhose keith, hines barry, golding william, keenan joe, ironside vi,rginia cullimore claudine, kawabata yasunari, motter dean and lark michael, mccaffery anne, mccaffery anne, mccaffery anne, packard vance, moore gerald, furey maggie, furey maggie, mccaffery anne, duane diane, gaiman neil, brown dan, furey maggie, lindsay dougl,as scott-giles c. w., modesitt jr  l. e., bronte charlotte, murdoch iris, streatfield noel, leiris michel, bronte emily, williams ursu,la moray ecke wolfgang, pratchett terry, mclean lenny, edwards-jones, imogen nesser hakan, mcintyre vonda, fisk nicholas, evanovich jane,t tey josephine, robbe-grillet alain, aeschylus, baudrillar,d jean baudrillard jean, pagels heinz r., sen amartya, sen amartya, caputo john d., rossini, corey james a., holt tom, kube-mcdowell michael p., sweterlitsch tom, wolfe tom, cadigan pa,t murdoch iris, bronte anne, dyer geoff, spinoza  be,nedictus de  spinoza  benedictus de, haasen carl, dexter colin, moffat gwen, handke peter, handke peter, handke peter, handke peter, kavan anna, kavan anna, kavan anna, gaiman neil, nicholson william, christopher adam, lena levinas ousmane sidibe gabrial piterberg kristen surek franco moretti tom mertes jan breman emilie bickerton, tawadayoko, snow c. p., snow c. p., groening matt, claudel philip,pe leith sam, spinrad norman, russo richard paul, hamilton peter f., haldeman joe, rankin robert, musil robert, niven larry, niven larry, walsh micheal, dibden michael, anouilh jean, herbert frank, allen roger macbride, mcgraw eloise jarvis, lowery marilyn m., bruford bill (editor), bishop micheal, saraute nathalie, abbey edward, wahloo per, davies andrew, davies andrew, asimov isaac, faulks sebastian, dos passos john, egan greg, egan greg, bradley marion, rankin robert, brown eric, shakespeare, william jeter k. w., dyer geoff, beckett chris, roth philip, marshall smith michael, armesto felipe fernandez, almond david, bolano robert,o goscinny f - uderzo a, goscinny f - uderzo a, lowe helen, arnott jake, reynolds alaistair, frith r. j., lena levinas ousmane sidibe gabrial piterberg kristen surek franco moretti tom mertes jan breman emilie bickerton, anderson perry, anderson perry, watkins susan, watkins susan, watkins susan, watkins susan, watkins susan, watkins susan, watkins susan, watkins susan, higgins jack, hoban russell, rolfe fr- fred,erick baron corvo busby f.m, kepler lars, barnes julian, machiavelli ni,ccolo sebald w.g, priest christopher, martin sean, gibson gary, banks iain m, gibson gary, gibson gary, gibson gary, gibson gary, gibson gary, mclellan david, grady james, tilley patrick, van vogt a.e, boyd william, swartz richar,d bennett alan, cortazar julio, anders charlie jane, lowe helen, stagg guy, banks iain, banks iain m illustrated by nick day, banks iain m, banks iain m, flint james, larsson stieg, anthony piers, mcdevitt jack, lostetter marina j., richardson dorothy m., scott m. k. c., gaskall mrs, talbot-booth e. c., whitman walt, le carre john, shelley percy bysshe (introduction phyllis hartnoll ), holt tom, tett gillian, shepard luciu,s grimwood jon courtenay, proust marcel illustrated by phillipe julian, fenn jaine, caldecott a,ndrew caldecott andrew, harvey colin, mcauley paul j., mcdonald ian, mcdonald ian, linklater eric, pliny, nesbo ,jo mcauley paul j., brown eric, backman fedrik, de la motte and,ers galbraith robert, dahl arne, watkins susan, anderson perry, watkins susan, watkins susan, watkins susan, bull mccormack, badiou hart blackburn therborn sarfattio watkins susan, watkins susan, watkins susan, watkins susan, susan watkins benedict anderson franco moretti, hallward collini 'retort' bickerton, jean baudrillard giovanni arrighi richard gott rgis debray, watkins susan, anderson perry, anderson perry, watkins susan, watkins susan, tom mertes peter gowan 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eastland sam, kadare ismail, hertzberg max, grancsay stephen v., mcintyre vonda, kafka franz, piketty thomas, greene harris, butcher jim, ordnance survey, brodie bernard and fawn, kornbluth c. m., bull emma, seigel martin, imlah mick, thomas edward, maclean alista,ir de giovanni maurizio, banks iain m, banks iain m, banks iain, corey james a., corey james a., carver raymond, mason paul, reynolds alaistair, lagercrantz david, lagercrantz david, shakespeare willia,m brooks rosetta , brooks rosetta , grant richard, scudder bernar,d (translator) bull emma, eliot george, kadrey richard, lowry malcolm, de la motte anders, aaronovitch ben (cartmel williamson renne), dick lesley, herbert fran,k setterfield diane, lyall gavin, carr caleb, mcintyre vo,nda groening matt, groening matt, dark horse comics, groening matt, greene graham, gunn kirsty, klein rachel, bussi michel, wiltshire professor patricia, collins bridget, ford ford madox, bishop micheal, brandao ignazio de loyola, kube-mcdowell 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josephine, reig rafael, lawrence d. ,h. vinge vernor, brown eric, grimwood jon courtenay, stross charles, maddox tom, ellis bret easton, de teran lisa st aubin, aldiss brian, fleming jim and wilson peter lamborn, kepler lars, roslund and hellstrom, kepler lars, cartmel andrew, ripley mike, lyotard jean-francois, stross chalres, kristjansson snorri, king laurie r, powell gareth l., costantino maria, various, mosley walter, brown eric, brown eric, nespolo matias, king laurie r, le carre john, cheever john, campbell john w. , ferman edward l. , oatmeal matthew inman, le carre john, niven larry, zetford tully, ripley mike, le carre joh,n boardman tom, candlish louise, gombrich e.h., shaw george be,rnard jones diana wynne, kennedy emma, jones ruth, gardiner be,cky  wainwright martin , bates stephen , meer malik, sylvain dom,inique paolini christopher, bourdain anthony, horowitz anthony, hugo victor, hesse hermann, tolstoy leo, hawtree christopher graham greene, hilbig wolfgang, barnes julian, kundera milan, zafron carlos ruiz, grimwood jon courte,nay bellow saul, isherwood christopher, clark alan, dahl roald, lotringer sylvere, pullman phillip, galgut damon, paolini chris,topher cresswell helen, jones sadie, christie agatha, doyle a.conan, robinson geoffrey, hodges andrew, sylvain dominique, dostoevsky f.m, martin george r.r., moore christopher, hacker katerina, o'flynn catherin,e cervantes miguel de, kavenna joanna, one direction, austen jane  g,rahame-smith seth conan-doyle arthur, lessing doris, wakeman rick, conan-doyle a,rthur conan-doyle arthur, gaskall mrs, hansen essa, trapani gina, lore pittacus, upward edward, lively penelope, morrison grant, ennis garth, ellis warren, morrison grant, ennis garth, moyes jojo, simsion graeme, shea dave and holzschlag molly e., cederholm dan, martin george r.r., macdonald kyle, feist raymond, upward edward, levi primo, stross charles, sjowall maj and wahloo per, krauss  rosalind, bataille georges, queneau raymond, blackwood algernon, arnold n. scott, leckie ann, cobley michael, levy david, bywater mic,hael brennan marie, fuller steve, fuller steve, fuller steve, tom taylor , jeremy rapack , mik s miller, tom taylor , bruno redondo , ball philip, morden simon, conan-doyle a,rthur pratchett terry, lovegrove james, sartre jean-paul, simenon georges, allan nina, plato, brown eric, cumming cha,rles moore christopher, mieville china, genna  giuseppe, aldiss brian, davidson lionel, adams douglas, russell eric frank, vance jack, cobley michael, cobley michael, furst alan, judd alan, king laurie r, gaiman neil, saint-exupery antoine de, aldiss brian, acker kathy, woolf virgina, mordern s. j., meaney john, anthony piers, christie agatha, smith cordwainer, smith cordwainer, dickson gordon, brin david, davidson lionel, cottrell leonard, rushdie salman, le carre john, brown eric, sayers doro,thy l. brown eric, szerb antal, szerb antal, von schrirac,h ferdinand barthelme donald, shakespeare william, jerome jerome k, kipling rudyard, duras marguerite, pavese cesare, ackroyd peter, tilly charles, thorton tim, reynolds alaistair, von arnim elizabeth, land nick, mackay robin, gould stephen jay, gould stephen jay, mackay robin, veal damion, wolfendale peter, ball philip, castoriadis ,cornelius chomsky. noam, dyson freeman, waldrop n. mitchell, wyatt sir thomas, watson james d., macrae  donald g, larsson stieg, noon jeff, rowbotham sheila & segal lynne & wainwright hilary, carrion jorge, hilbig wolfgang, fermor patrick l,eigh parveeb adams beverly brown elizabeth cowie, parikka jussi, pelevin victor, kurkov andrey, introduced by j. michael walton, jones steve, russ joanna, bennett jane, morgan dan, hannah dolan elizabeth dowsett emma grange, judge dredd!, sayers doroth,y l. sayers  cox edward, vickers sally, nykanen harri, matheson richa,rd jenkins martin and swift jonathan, fleming ian, o'brien flann myles na gopaleen, gieysztor aleksander et al..., de beauvoir simone, sayers dorothy l., sayers dorothy l., de la mare walter, marnham patrick, cumming charles, enger thomas, sayers doroth,y l. lebor adam, dick philip k, naylor doug, amis martin, priest christopher, makine andrei, pratchett terry, carofiglio gianr,ico s. c. kaines smith, grenier jean, lessing doris, pratchett terr,y vickers sally, pratchett terry, pratchett terry, pratchett terry, pratchett terry, pratchett terry, pratchett terry, pratchett terry, akerman chantal, kevin eastman peter laird dave sim, tremain rose, hustvedt siri, evanovich janet, nesser hakan, cage john, van vogt a,.e karlsson jonas, lethem jonathan, singer peter, tuck rchard, leach edmund, floridi luciano, floridi luciano, rose mark (edito,r) skolimowski henryk, kunzru hari, sexton ed, arden kath,erine milanovic branko, helen pluckrose and james lindsey, pinker steven, brooks rosetta,  zizek slavoj, keene jogn, fox jeremy, collins jef,f myerson george, fox dominic, pallant kathryn, haggard william, haggard william, haggard william, henshaw lee, golumbia dav,id dawkins richard, dawkins richard, dawkins richard, kaplan robert, balestrini nanni and moroni primo, watkins susan, watkins susan, barry max, weir andy, kadrey richard, mcauley paul j., mcauley paul j., mcauley paul j., mcauley paul j., mcauley paul j., mcauley paul j., mcdonald ian, mcdonald ian, mcdonald ian, cavanaugh wil,liam t. corina john, lee yoon ha, unt mati, simcox ad,am ripellino angelo maria, morgan richard, setterfield diane, morgan richard, stross chalres, garner alan, bassini giorgio, jennings luke, jennings luke, jennings luke, mordern s. j., novick naomi, novick naomi, macleod ken, reynolds alaistair, reynolds alaistair, afary janet and anderson kevin b, quignard pascal, queneau raymond, arrighi giovanni, niffenegger audrey, quignard pascal, conklin groff, gibson william, quignard pascal, quignard pascal, atkinson  anthon,y b zelazny roger, karl frederick and hamalian leo (edits), modiano patrick, foer jonathan sa,fran chekov anton, garnier pascal, thiongó ngugi wa, crussi f. gonzale,z forrest richard, delany samuel r., cadigan pat, damasio anto,nio damasio antonio, ackroyd peter, evans i. o. (editor), mcdevitt jack, van vogt a.e, stross charles, hamilton edward, pratchett terry, herbert frank, appia adolphe, king laurie r, brown eric, clifton mark and riley frank, mordern s. j., russell eric frank, kuttner henry, robson justina, tchaikovsky adrian, robson justina, mattelart armand and michelle delcourt xavier, dick philip k, cherryh c.j., pohl frederick and kornbluth c. m., graeber david, graeber david, robin blackburn, stiegler bernard, stiegler bernard and derrida jacques, llansol maria gabriela, benkler yochai, robinson kim stanley, anderson poul, jeter k. w., king lily, moorcock michael , leon donna, silverberg ,robert pratt tim, mcarthur maxine, moorcock michael , stephenson neil, carver jeffrey a., van vogt a.e, wollheim donald a. (editor), simenon georges, clarke arthur, mossman keith, okuda michea, and denise, gibson william, daly mary, sterling bruce , rankin ian, evans peter, j. coleman gabriella, edmund spencer, edmund spencer, patrick hamilit,on alexander moszkowski, jane austen, alexander moszkowski, christine brooke rose, helmuth plessner, zubrowsky