#Overman

[longwuzhere]

Some cool Easter eggs I caught watching My Adventures with Superman that I want to show to people so they can be in on it with comic book readers

Episode 1 of My Adventures with Superman Easter Eggs and references is here

Episode 2 of My Adventures with Superman Easter Eggs and references is here

Episode 3 of My Adventures with Superman Easter Eggs and references is here

Episode 4 of My Adventures with Superman Easter Eggs and references is here

Episode 5 of My Adventures with Superman Easter Eggs and references is here

Episode 6 of My Adventures with Superman Easter Eggs and references is here

Episode 7 of My Adventures with Superman Easter Eggs and references is here and here

Episode 9 of My Adventures with Superman Easter Eggs and references is here

Episode 10 of My Adventures with Superman Easter Eggs and references is here

Apologies for the late posts, A LOT happened like Arleen Sorkin's passing and Kamen Rider Geats ending. So I needed to take a break, but I am back. SPOILERS if you havent seen episode 8 obviously.

We start things off with the captured villains letting out of their prison. We got Silver Banshee, Roundhouse, Heatwave, Livewire, and then eventually we seen Ivo/Parasite and Mist who luckily escaped and is trying to get his friend and sister back. I talked more about in their respective episodes so if you want to read up more about them click on their names.

Task Force X/Suicide Squad is known for exploding the heads of their prisoners teammates if they fuck up a mission (you might have seen it in the live action movies, animated movies, or even read the comics) and MAwS solution to not have it be so gory is to use shock collars.

Cut to Clark who developed super hearing and has not slept for a few days and is on caffeine so he can help the people of Metropolis. The idea of Superman 24/7 has been thrown around in the comics for a while usually saying no Clark deserves a break. He needs to be Clark and not Superman when he can get the chance. If you want to check out the comics that does it I recommend reading Superman #296 to 299 (1979), Who Took the Super out of Superman by writers,Cary Bates, Elliot S. Maggins, penciler, Curt Swan, inker, Bob Oskner, colorist, Carl Gafford, and letterer Ben Oda.

We see in the hologram projector/data sphere thing that Lois took from the League of Lois Lane's displaying Overman wrecking the city. I talked more about him here

We then see Perry asking Lois to help out with Vicki Vale who is asked to be a guest writer on the Daily Planet, we later see in the ep that she's got ulterior motives for this. I talked a bit about her here. In the comics Vicki is usually a journalist for the Gotham Gazette and is sometimes in a relationship with Bruce Wayne. Her comic counterpart is usually very ethical when it comes to journalism much like Lois Lane, but here in MAwS, she's very conniving. Never meet your heroes sometimes I guess, huh MAwS Lois?

Lois talks about the things Vicki wrote for the Gazette and name drops Queen Industries. If you know your DC universe, that is the last name of Oliver Queen aka Green Arrow.

Oliver Queen and Roy Harper aka Speedy, make their first appearance in More Fun Comics #73 (1941) co-created by Mort Weisinger and George Papp who did the panel here. Robin Hood was an obvious inspiration for Oliver in terms of design but also his ethics in a sense. Despite the wealth, Oliver would be left wing and fight for the people arguably more so than Bruce Wayne. You can see in the panel that Oliver doesn't have his signature goatee you'll see that happen later when Neal Adams pencils Ollie in the Brave and the Bold #85 (1969)

who also redesigned Ollies costume too. Check out Green Lantern/Green Arrow series to see Oliver's liberal stances on what was going on in the world in the early 1980s. Nowadays, Oliver's been redesigned to to wear a hood instead of the Robin Hood cap, but he's still the left wing hero that we adore

Fantastic cover to the 80 years of Green Arrow hardcover book by Jim Lee, Scott Williams, and Alex Sinclair.

The Falcones get a mention as one of the stories Vicki Vale wrote about. The Falcones make their first appearance in Batman #405 (1987) created by Frank Miller and David Mazzucchelli in the Batman Year One storyline.

The man with the pipe in the second panel, by Frank Miller, David Mazzucchelli, Richmond Lewis, and Todd Klein, is the head of the head of the Falcones, Gotham's biggest mob family, Carmine "the Roman" Falcone. He and his family gets expanded explored in Batman: The Long Halloween. Both it and Batman Year One are fantastic reads, highly recommended.

The Gotham Gazette, and in a roundabout way, Gotham, gets a name drop from Perry White. The paper make its first appearance in Batman #4 (1940) and Vicki Vale is employed by them as the photojournalist.

Perry asks Lois and Jimmy to help Vicki out with a story about smearing Superman and they decide to interview people. First up is Captain Immonen who Clark saved in episode 3. The captain's last name is a reference to...

comic book artist, Stuart Immonen. He's worked on various Superman-related titles like Action Comics or the Adventures of Superman.

Probably the Superman book I enjoyed his work in, and highly recommend checking out for everyone who reads this is, Superman: Secret Identity (cover art here by Stuart Immonen) with writer Kurt Busiek about a teen who happens to be named Clark Kent in his world where there are no superheroes, only in the comic books, but somehow slowly develops powers on his own. Very cool non-canon story that is a fresh take on the Superman mythology.

The next interviewee I have to assume based on the credits at the end of the episode is, Mrs. Quietly who is a reference to...

comic book artist, Frank Quitely. You may know his name on the New X-Men with Grant Morrison, but in terms of Superman, he was the penciler for All-Star Superman (cover by Frank Quitely and Jamie Grant)...

the comic series that got an animated movie adaptation and will be the inspiration for the upcoming Superman: Legacy live action movie. The book has Superman dying thanks to Luthor and has Clark live out his final days saving the world and the future in a sense one last time. It's a great read! And speaking of Grant Morrison...

Grant Morrison got their reference through the name of a pawn shop in Metropolis.

Grant Morrison, fantastic writer, has worked on a lot of comics. As mentioned before Morrison worked with Frank Quitely on New X-Men but in terms of Superman, is best known for writing All-Star Superman with Quitely. Both have also worked on Batman and Robin together and equally great series if you want to see Dick Grayson as Batman try to wrangle in Damian Wayne as Robin.

We see Lex Luthor Alex here as the final interviewee who says Superman is a menace for ruining his job and destroyed the building he worked in. Will he lose his hair and go into business? I don't know, but when Alex gets a confirmed last name, most likely Luthor, I'll take more about him.

Later in the episode we seen screen names, LoriLemaris59 and Bibbo87 streaming videos of Superman getting his but handed to him by Task Force X. Both names are references to characters in the Superman comics.

Lori Lemaris first appeared in Superman #129 (1959) by Bill Finger, Wayne Boring, and Stan Kaye. She and Clark met in college where she posed as a wheelchair-using student and both took interest in each other, however when they're out on dates, Lori would cut the date short because of her mermaid nature. Clark tried to propose to her, but she turned him down because both are from two different worlds and it wouldn't work out. She also knew Clark was Superman because her people could read minds but she's totally cool with keeping it a secret for him. Jimmy, in MAwS, mentioned mermaids, but I did not want to point it out until we get a Lori Lemaris reference in and lo and behold it came true! The other name is a reference to Bibbo Bibbowski one of the supporting cast for Superman.

Bibbo Bibbowski makes his first appearance in the Adventures of Superman #428 (1987) by Marv Wolfman, Jerry Ordway, Tom Ziuko, and John Costanza. Superman arrives at the Ace O' Club's bar asking for information on Perry White's son, Jerry who was kidnapped. Bibbo, thinking Superman is just some guy in a costume punches Superman, gets his hand busted, and finds a new respect for him.

As mentioned before Task Force X is out to capture Superman as he and Mist try to save his sister and friend, but it turns out they are more than willing get revenge on Superman for their freedom. Even though in this universe they are Task Force X, a majority of the team is made up of Superman villains so in a sense you can make an argument that this is a Superman Revenge Squad. The first use of the team name is from the silver age, in Superman #94 (1961) where the squad was a group of aliens. The Superman villains teaming up together to get revenge on Superman first appeared in the Adventures of Superman #543 (1997). Parasite (Rudy Jones), who was part of that team, shares names with a Superman villain in MAwS here.

I think someone on the MAwS team is a fan of the X-Men arcade game cuz Livewire flies the same way Magneto does in that game.

Again very sorry for the delay in this, but if you made it this far down, be sure to check out my other posts about the easter eggs in My Adventures with Superman:

Episode 1 of My Adventures with Superman Easter Eggs and references is here

Episode 2 of My Adventures with Superman Easter Eggs and references is here

Episode 3 of My Adventures with Superman Easter Eggs and references is here

Episode 4 of My Adventures with Superman Easter Eggs and references is here

Episode 5 of My Adventures with Superman Easter Eggs and references is here

Episode 6 of My Adventures with Superman Easter Eggs and references is here

Episode 7 of My Adventures with Superman Easter Eggs and references is here and here

Episode 9 of My Adventures with Superman Easter Eggs and references is here

Episode 10 of My Adventures with Superman Easter Eggs and references is here

[blueheartbooks]

Embracing Nietzschean Philosophy: Exploring "Thus Spake Zarathustra"

Friedrich Nietzsche's "Thus Spake Zarathustra: A Book for All and None" is a profound and provocative work that challenges conventional beliefs and invites readers to reexamine their values and assumptions about life, morality, and the human condition. Originally published in 1883, this philosophical masterpiece explores themes such as the death of God, the eternal recurrence, the will to power, and the Ubermensch (or "overman"), presenting Nietzsche's vision of a new way of thinking and living in the modern world.

At the heart of "Thus Spake Zarathustra" is the character of Zarathustra, a fictionalized version of the ancient Persian prophet Zoroaster, who descends from his mountain retreat to share his wisdom with humanity. Through a series of discourses, parables, and aphorisms, Zarathustra challenges his listeners to transcend their limitations, embrace their innermost desires, and strive for self-mastery and self-overcoming. Nietzsche's use of allegory and metaphor imbues the text with richness and depth, inviting readers to engage with its philosophical themes on multiple levels.

One of the most striking features of "Thus Spake Zarathustra" is its lyrical and poetic style, which sets it apart from Nietzsche's more academic works. Translated by Thomas Common, the text retains much of its original beauty and power, capturing Nietzsche's philosophical insights with clarity and elegance. Common's translation allows readers to immerse themselves in Nietzsche's thought-provoking ideas and experience the full force of his rhetorical flourishes and linguistic innovations.

Moreover, "Thus Spake Zarathustra" is notable for its critique of traditional morality and religion, which Nietzsche argues have stifled human potential and constrained individual freedom. Through Zarathustra's teachings, Nietzsche advocates for a radical revaluation of all values, urging readers to embrace a more expansive and life-affirming ethos that celebrates creativity, authenticity, and self-expression. Nietzsche's rejection of conventional norms and his embrace of existential freedom continue to resonate with readers today, inspiring countless individuals to question authority and forge their own path in life.

In addition to its philosophical depth and literary merit, "Thus Spake Zarathustra" has had a profound impact on art, literature, and culture, influencing thinkers such as Sigmund Freud, Carl Jung, and Friedrich Engels, as well as artists, musicians, and writers from around the world. Its themes of self-discovery, self-transcendence, and the pursuit of meaning continue to inspire and challenge readers to this day, making "Thus Spake Zarathustra" a timeless classic that speaks to the eternal quest for wisdom and self-realization.

In conclusion, "Thus Spake Zarathustra: A Book for All and None" by Friedrich Nietzsche, translated by Thomas Common, is a thought-provoking and intellectually stimulating work that continues to captivate readers with its profound insights, poetic language, and revolutionary ideas. Nietzsche's vision of the Ubermensch and his call to embrace the fullness of life remain as relevant today as they were when the book was first published, offering a powerful antidote to the nihilism and despair of the modern age.

Friedrich Nietzsche's "Thus Spake Zarathustra: A Book for All and None" is available in Amazon in paperback 23.99$ and hardcover 29.99$ editions.

Number of pages: 471

Language: English

Rating: 11/10                                           

Link of the book!

Review By: King's Cat

[asscrasher]

Overman and the 5 of Cups

The Multiversity: Mastermen #1

[troythings]

happy 2024. yall still have to suffer my rants. sorry

so i think everyone remembers that period from 2015 to 2021 or maybe later, when everyone was creaming themselves over the dead horse scenario of “wHaT iF the NaZiS wOn ThE wAr”

yeah i aint gonna go into specifics but im pretty sure everyone remembers. mostly because of what they wrote with superman.

god people need to stop milking this shit.

so I’ve gone into detail in other posts about how dc is notoriously flimsy and escapist with the subject of nazi germany and just…nazism in general, either they’ll just use it as a vehicle to virtue signal or they straight up deny its horrors. yeah, sad but true. same with this.

except there was someone (obviously non-dc affiliated) who actually got the superman scenario right. not grant morrison, venditti and every other weirdo who had their fingers in this literal dumpster fire. kim newman, who wrote “ubermensch” in 1991, before “red son” and the other superman alternate histories, and showed more empathy for the holocaust and the victims of nazi germany than dc could ever care to.

because. unlike dc, newman wasn’t running on propaganda tradition and cutesy escapism like they were.

continued under the cut.

tw: nazism, the holocaust, genocide, anti-semitism, racism, murder, historical gore, literary mention of israeli imperialism, and nazi propaganda

so right off the bat it’s obvious that newman knows his history. the story takes place in a recently reunified postwar germany at the end of the cold war. metropolis is analogous to berlin, it’s a famous city in-story that was split into an east and west sector. the main character is avram blumenthal, a holocaust survivor turned nazi hunter, much like the real life simon wiesenthal. the superman analogue in this story is held in spandau prison, the real-life facility for nazi war criminals where rudolf hess was imprisoned for the remainder of his life.

just by looking at that. you could never find a dc writer who puts in this much time and effort to research the past and depict it in a non exploitative manner.

there’s also some commentary on western us capitalism/consumerism that defined ‘our’ progress in the cold war (pizza hut and mcdonalds in the ussr anyone) and the “third position” of fascism being the “alternative” between capitalism and communism:

and! newman actually respects superman’s jewish mythos! he includes it in here, which is something i’ve never seen the overman writers do. jerry siegel and joe shuster were both jewish. and, no matter what dc tells you about nazis having ‘superheroes’ of their own, this was actually one of the reasons comics were hated in nazi germany.

newman also integrates the basic superman lore pretty well here, everything is recognizable. a ‘man of steel,’ ‘the man of tomorrow,’ ‘curt kessler’ (which, by the way, is way more creative than dc’s ‘karl kant’) is clark kent, the ‘green stuff’ is kryptonite, so on

newman also isn’t afraid to get dirty with the mythos, unlike the comics which like to play it safe with this (up to and including never talking about the holocaust at all). the johnathan and martha kent analogues of “ubermensch” aren’t the kindly couple that they should be. because this isn’t them and we're not supposed to like them. johann beats his adopted son and curt grows up arrogant. luise lang, the lois analogue, is a snotty propagandist that curt describes in ideologically typical misogynistic terms (another thing to note down dc, nazis did not respect women) who commits suicide to avoid being raped by the red army.

there's also something else that's interesting, the commentary on how harmful propaganda and journalism can be when serving a purpose. its implied a lot in here that the 'supervillains' that curt kessler/übermensch faces are actually all staged by the nazis, or if they're genuine (like the golem), their intentions are twisted to serve the bigger narrative.

curt kessler/übermensch is a state propagandist like luise lang was. the 'tages welt,' daily planet analogue in this story, sounds a lot like a version of der sturmer. he writes his own propaganda narratives to prop up his übermensch persona and vilifies innocent people in the process. the targets of nazi ideology get the names of villains from 1920s german fiction and they're like dogwhistles in itself if you know the context. "orlok" was a vampire that looked uncomfortably similar to anti-semitic caricatures, "mabuse" was a hypnotist "master of disguise" who "operated through a network of agents," characters co-opted and then twisted by nazism in-story. in real life we also have this with racists adopting "sh****k" as a slur from the shakespeare character.

newman also throws a curveball with that whole ‘nazi superhero who actually turns out to be good all along’ or whatever the shit that trope is. whatever. kessler apparently ‘defects,’ like he says here

but before that, he said this.

dude’s the same. sorry guys, no redemption arc here. this becomes relevant later.

kessler still blames "mabuse" for pornography, jazz, cabarets, things that defined progressive weimar germany before the nazis took over and shut it all down. again. another aspect taken from real-life history. and since a "red skull" is also name-dropped here, i'm also thinking that the "hydra" reference in this refers to the marvel organization of the same name.

you know. the one with tentacle iconography, the secret society that's framed in the mcu as controlling the world, starting wars and infiltrating governments everywhere to install global totalitarianism. which makes me wonder what kind of writers at marvel thought nazi germany would accept an organization that exemplifies the kind of fake "international conspiracy" they were railing against but that's another conversation. see here.

blumenthal recalls a time when he was a child in germany who naively hero-worshipped kessler/übermensch because of the propaganda around him. he wished he could fly and he wore a black blanket like a cape. while he was young a rabbi created a golem (the figure in jewish mythology made of clay) who was killed by kessler, and blumenthal swallowed the propaganda. even when his anti-semitic classmates aped kessler and beat him up.

kessler obviously doesn’t give a shit, he’s still brainwashed no matter how he tries to wave it off. he doesn’t care about the tattoo. instead he talks about using his x-ray vision to look at women’s breasts. like real-life racists confronted with their own wrongdoings kessler also resorts to whataboutism and goes “your family is dead but so is my whole planet”.

and he also says he’s only locking himself up because of his guilt. not actually over the atrocities of nazism. it’s that nazi germany is gone and so is his planet so he has nothing else to do and he doesn’t want to do anything. that’s it.

blumenthal retorts with this, which is just great in itself. im not going to outline it, newman does it pretty good already

this is one of the things i really liked. because it’s important and more importantly, relevant!! it’s so relevant because kim newman is fucking right. im reiterating that everything about the world in that second image is true.

i was a kid when charlottesville happened. tmi but that whole time is a blur. when i got older and learned about things, i remember thinking that maybe after that, we would take a good hard look at ourselves and just try to find out where we went wrong.

did we maybe have a history of being eugenicist slaveowning imperialists in the past who inspired nazi polices and still rallied around the flag and the military. did racism and nazism happen to run deep in america before 2017.

why were children and young adults so vulnerable and still are vulnerable to the alt-right pipeline, what are we putting out in media that could be desensitizing them to nazism. what kind of message are we sending when we don’t cover it in detail, and leave them to figure out nazism from shitty comics, or movies.

yeah. the majority of people ever asked that.

here’s what they actually did. especially in art and media, and im going to say, with dc since this is relevant to the image. they doubled down on some of the societal shit that led to that in the first place

you wanna know what the cw, bunch of braindead idiots, did right after charlottesville? pretty much the entire thing from the last paragraph, except with some vanilla bullshit because of course the arrowverse can’t ever portray nazism correctly even if they tried.

there’s an article that covers their failure in detail and also a reddit post which, obviously, some weirdos in the comments are brushing off. and it’s also not coincidental that a comic series came after this and cited the political climate. again. a bunch of important dc people were involved in promoting this. phil jimenez in particular also has a problematic history with depicting modern neo-nazism. grown adults put money into this. their actors and their fans supported them.

want proof?

mmm. alright smart guy. here’s that “different set of ideals” for you.

yeah, apparently they didn’t think through the consequences of a world where the fucking dirlewanger brigade would be celebrated as heroes.

you know what they actually cared about? some fucking stupid comic issue from the 1970s that was suddenly relevant because everyone felt the need to deny our own nazi-sympathizing rotten history and pin it somewhere else, rather than actually take a step back and evaluate where we went wrong as a society.

and actually they essentially made radicalization easier. they showed this bullshit to kids and basement-dwelling adults who don’t know anything about the world and only care about their typical comic high. how do they fucking sleep at night knowing that they’ve whitewashed real life atrocities?

they still are doing that. they casually throw around the words “hitler” and “nazi” to the point where it fucking means nothing. they’re using exploitative images of concentration camps just to get a rise out of people without ever covering their themes seriously. and you wanna know the worst thing about that? only a few people are calling this out. everyone else? nah they’re ready to consume that because it doesn’t matter to them like it does for some people.

in the story blumenthal believes that, without kessler existing, the ‘fire’ won’t start up again. this comes when nazism and genocidal neo-fascism are resurging and the israel bit is also pretty relevant today. like in real life the kids are ignorant because all they know about nazi germany and world war ii is from kessler. again. this man is a living symbol of nazism who has media getting made about him.

blumenthal’s right. because the world actually doesn’t need kessler and it’s better off without him. he passes a kryptonite suicide pill encased with lead, which kessler can bite through. and he gives him a choice.

living swastika kessler who has nothing to live for and is more of a problem than an actual help to humanity, bites the pill and kills himself. that’s it. he dies. his only worthwhile achievement is sucking it up and dying like a human man.

he’s dead. now finally humanity can start to heal.

so to round it all off basically. i think this book is part of a lesson. about swallowing that bitter pill that you don’t want to face and realizing, maybe there’s something problematic how we portray and in a way, whitewash nazism to the population through the comic industry. because the golden age, nobody actually knew about the holocaust when they were writing the whole “punching nazis” schtick. the comics were wartime, jingoistic and often racist propaganda.

and yet!! we’re still doing it. thanks to some escapist tradition that actually does more harm than good. because we actually know about the holocaust, we have the internet and the ability to push ourselves to research. and we don’t. and i think tbh, that is much worse. that the people with money and platforms just don’t care.

it’s in other media too, mostly movies.

chaplin got it right, he said he would’ve never made the great dictator if he knew about the final solution like we did today.

spielberg couldn’t include nazis in indiana jones after making schindler’s list and im pretty sure he said he disowned it, but. it looks like everyone decided to shit on that because of nostalgia.

jojo rabbit was originally adapted from a novel where the protagonist was an unrepentant scumfuck HJ who gaslit, controlled and raped the jewish woman hiding in his house. and for some reason, people hate the novel. why? because it rightfully doesn’t give them the cozy feelgood feeling that the film did. it rightfully portrays a brainwashed child who never got out, was never interested in getting out and grew up to be, you guessed it, a fucking nazi. those jojo rabbit viewers were actually looking forward to this before they got the hard reality. who the fuck in their right mind would ever consider nazism ‘feelgood’?

and i think that’s another thing we need to get in our heads especially with radicalization. tw isis execution being brainwashed as a kid is not funny, it’s not childish or anything to make fun of, and it’s nothing to make a wes anderson movie about. you are being exploited and taken advantage of by people who know you’re angry about things beyond your control and they are molding you and you believe everything. and the ensuing trauma if you ever get out, ends up being a bitch because your brain was still developing and now it sticks for the rest of your life. yeah try taking that in, taika.

so. by all means. wise up and kill the living swastikas wherever you find them. it could be anything, but. get rid of it. because we are going to be so fucked up as humanity otherwise.

[dailydccomics]

“I’ll never pass up an opportunity to punch a Nazi.”

Justice League Infinity #5-6

[blueheartbookclub]

Embracing Nietzschean Philosophy: Exploring "Thus Spake Zarathustra"

Friedrich Nietzsche's "Thus Spake Zarathustra: A Book for All and None" is a profound and provocative work that challenges conventional beliefs and invites readers to reexamine their values and assumptions about life, morality, and the human condition. Originally published in 1883, this philosophical masterpiece explores themes such as the death of God, the eternal recurrence, the will to power, and the Ubermensch (or "overman"), presenting Nietzsche's vision of a new way of thinking and living in the modern world.

At the heart of "Thus Spake Zarathustra" is the character of Zarathustra, a fictionalized version of the ancient Persian prophet Zoroaster, who descends from his mountain retreat to share his wisdom with humanity. Through a series of discourses, parables, and aphorisms, Zarathustra challenges his listeners to transcend their limitations, embrace their innermost desires, and strive for self-mastery and self-overcoming. Nietzsche's use of allegory and metaphor imbues the text with richness and depth, inviting readers to engage with its philosophical themes on multiple levels.

One of the most striking features of "Thus Spake Zarathustra" is its lyrical and poetic style, which sets it apart from Nietzsche's more academic works. Translated by Thomas Common, the text retains much of its original beauty and power, capturing Nietzsche's philosophical insights with clarity and elegance. Common's translation allows readers to immerse themselves in Nietzsche's thought-provoking ideas and experience the full force of his rhetorical flourishes and linguistic innovations.

Moreover, "Thus Spake Zarathustra" is notable for its critique of traditional morality and religion, which Nietzsche argues have stifled human potential and constrained individual freedom. Through Zarathustra's teachings, Nietzsche advocates for a radical revaluation of all values, urging readers to embrace a more expansive and life-affirming ethos that celebrates creativity, authenticity, and self-expression. Nietzsche's rejection of conventional norms and his embrace of existential freedom continue to resonate with readers today, inspiring countless individuals to question authority and forge their own path in life.

In addition to its philosophical depth and literary merit, "Thus Spake Zarathustra" has had a profound impact on art, literature, and culture, influencing thinkers such as Sigmund Freud, Carl Jung, and Friedrich Engels, as well as artists, musicians, and writers from around the world. Its themes of self-discovery, self-transcendence, and the pursuit of meaning continue to inspire and challenge readers to this day, making "Thus Spake Zarathustra" a timeless classic that speaks to the eternal quest for wisdom and self-realization.

In conclusion, "Thus Spake Zarathustra: A Book for All and None" by Friedrich Nietzsche, translated by Thomas Common, is a thought-provoking and intellectually stimulating work that continues to captivate readers with its profound insights, poetic language, and revolutionary ideas. Nietzsche's vision of the Ubermensch and his call to embrace the fullness of life remain as relevant today as they were when the book was first published, offering a powerful antidote to the nihilism and despair of the modern age.

Friedrich Nietzsche's "Thus Spake Zarathustra: A Book for All and None" is available in Amazon in paperback 23.99$ and hardcover 29.99$ editions.

Number of pages: 471

Language: English

Rating: 11/10                                           

Link of the book!

Review By: King's Cat

[furniture-freak]

Overman pod sofa and chair

Source

[dc-multiverse-week]

Earth-10: The universe where Kal-L landed on Earth in 1938 in Nazi-occupied Czechoslovakia. Overman leads over Leatherwing, Brunhilde, Blitzen, and Underwaterman as the New Reichmen

[realhankmccoy]

Camille Paglia proud of watching all that tv and came up with the notion that tv was right -- Exxon Mobil is right -- a Strong America! Yes! Brilliant! Strength is better than weakness! Yes! People must learn! Learn from Exxon Mobile! Yes! Yes! Yes! Climate chahnge is not a real problem, said Exxon and Camille! Genius! Brilliant! Strong! Tv!

More everything! SuperStyle! Overman! Uber! Call an Ubermensch!

[iamadarshbadri]

A Note on The Genealogy of Morals by Friedrich Nietzsche

The first time I encountered a philosopher named Friedrich Nietzsche, I was made aware of the pitiful life he had led: the love interest that never really took off, a desirous quest into the abyss, the solitary search for meaning in life, and a decade long entrapment in mental facilities, only to end with a sad death in 1900 CE. Unlike many of our lives, whose meaning ceases to exist after our…

[metalshockfinland]

OVERMAN Release New Official Music Video for ‘Desert Ship’

The track Desert Ship is taken from the forthcoming album It Is All Overman from German post-rick group OVERMAN. The album is set for release via Sliptrick Records on September 5th on CD and in digital format on all major platfroms. The group said; “If you are looking for a small but intense break from the madness of everyday life, you may enjoy the drifting Desert Ship“. Overman is:Christoph…

[radiocity]

The L Word: Lookbook ↳ 1.12, Locked Up

[roseillith]

[wordsofwisdomandsoul]

[imagescuisantes]

Charles Overman