#Philip Ober

[letterboxd-loggd]

From Here to Eternity (1953) Fred Zinnemann

January 18th 2023

[badmovieihave]

Bad movie I have North by Northwest 1959

[moviemosaics]

From Here to Eternity

directed by Fred Zinnemann, 1953

[genevieveetguy]

I'm an advertising man, not a red herring. I've got a job, a secretary, a mother, two ex-wives and several bartenders that depend upon me, and I don't intend to disappoint them all by getting myself "slightly" killed.

North by Northwest, Alfred Hitchcock (1959)

[twilightzonecloseup]

5.21 Spur of the Moment

Director: Elliot Silverstein

Director of Photography: Robert Pittack

“This is the face of terror: Anne Marie Mitchell, forty-three years of age, her desolate existence once more afflicted by the hope of altering her past mistake—a hope which is, unfortunately, doomed to disappointment. For warnings from the future to the past must be taken in the past; today may change tomorrow but once today is gone, tomorrow can only look back in sorrow that the warning was ignored.”

✨Support✨

[perfettamentechic]

13 settembre … ricordiamo …

13 settembre … ricordiamo … #semprevivineiricordi #nomidaricordare #personaggiimportanti #perfettamentechic

2018: Marin Mazzie, Marin Joy Mazzie, è stata un’attrice e cantante statunitense, nota soprattutto come interprete di musical a Broadway e nel West End. (n. 1960) 2017: Frank Vincent, Frank Vincent Gattuso, è stato un attore statunitense, di origini italiane. (n. 1937) 2004: Giuni Russo, nome d’arte di Giuseppa Romeo, cantautrice italiana.  (n. 1951) 2001: Dorothy McGuire, Dorothy Hackett…

[thewarmestplacetohide]

Dread by the Decade: Chloe, Love is Calling You

👻 You can support or commission me on Ko-Fi! ❤️

Year: 1934 Genre: Occult Rating: UR (Recommended: PG-13) Country: USA Language: English Runtime: 1 hour 2 minutes

Director: Marshall Neilan Cinematographer: Mack Stengler Editors: Joseph Josephson, Helene Turner Composer: George Henninger Writer: Marshall Neilan Cast: Olive Borden, Reed Howes, Molly O'Day, Philip Ober, Georgette Harvey

Plot: The biracial daughter of a voodoo priestess returns home to exact revenge on a plantation owner.

Review: This film is a glimpse into the true evil of 1930s American racism and the manner in which Hollywood kept it alive. It is irredeemable, with every inch of it having been infected by antiblackness.

Overall Rating: 0/5

Story: 0/5 - Though it is boring and barely coherent, its biggest sin is that it came from a place of pure hatred. It was clearly designed to reinforce the evil idea that white plantation owners were noble heroes and black people were lazy, stupid, evil predators.

Performances: 1.5/5 - Some performances are fine but generic, some are bad, and some are so offensive it's hard to watch.

Cinematography: 2.5/5 - Almost entirely composed of boring medium and long shots.

Editing: 1.5/5 - Stilted and often abrupt.

Music: 2/5 - Generic.

Sets: 2.5/5 - It's all very cheap but some are sufficient enough.

Costumes, Hair, & Make-Up: 2/5 - Unmemorable costumes that don't change.

Trigger Warnings:

The entire story is propaganda designed to reinforce the idea that black people are dangerous and stupid, Voodoo is murderous devil worship, white southerners are pure heroes, and ending slavery was bad

A biracial lead character and a black character are both played by white actors--there isn't blackface make-up, but they are still performing blackface

Mild violence

Attempted rape (not graphic)

Real animal cruelty and murder (a snake is bludgeoned to death, an alligator is wrestled)

[grandoldmovies]

Furious Secrets

The title of the 1950 film The Secret Fury is a bit of a puzzler.  Just what does it mean?  I’d like to think it refers to the passions aroused in the well-to-do wedding guests when bridegroom Robert Ryan shows up at his high-society nuptials with a rented-tuxedo box tucked under one stalwart arm.

People, as Ibsen’s Judge Brack observed, don’t do such things...

Secret, and not-so-secret, furies abound in the film (up at my Grand Old Movies blog here).  There’s local district attorney Paul Kelly, the bride’s former boyfriend thrown over by her for Ryan; later he’s the prosecutor grilling the bride on the witness stand when she’s tried for murder.  Or there’s flustered aunt Jane Cowl, who’s thrown into bafflement by her wealthy niece’s wish to marry the hunky, lower-class Ryan — please don’t do anything “eccentric” at the ceremony, she begs the latter.  There’s also legal advisor Philip Ober, who always seems too ready to throw in advice, much of which turns out to be not too helpful...

And then there’s the bride herself, starry-eyed Claudette Colbert, whose wedding march is interrupted when a guest raises an objection to the marriage--on account the bride is already married to someone else.  That last piece of news throws the bride into a tizzy, which ends up in a murder, for which she’s tried and found guilty, which then lands her in a pricey asylum by reason of insanity.  It’s there we finally learn the title’s secret meaning — said to be the suppressed rage within a psychotic mind.  No evidence of which, the asylum doctor remarks in puzzlement, shows up in Colbert’s EEG analyses.  So, how crazy can she be?

I liked Bosley Crowther’s review of this film as “cheap and lurid twaddle.”  It makes it sound so much more exciting than it is.  Much of the film is first a back-and-forth search by Colbert for evidence of her earlier wedding, which she says she can’t remember...and then a back-and-forth search by Ryan for murder suspects.  In between, the asylum-trapped and make-up-deprived Colbert stares moodily into space or pounds frantically on the piano for emotional release.  She then escapes from the asylum —we’re not told how —to confront the One Behind It All, an action I thought showed a lot of gumption on her part, and which I wished could have been more a part of her character.

Probably the best thing/s about the film are two brief performances not highlighted in the film’s publicity.  The first is an unbilled cameo by Jose Ferrer as an attendee at a jazz session.  He doesn’t do much but he looks so right in the scene, the way he listens, with slight rhythmic head nods; and sits, with a mellow attitude and a lank, loose posture.  Ferrer is so natural and unassuming, he shows up the other actors as fussy and artificial.  I wish his role could have been enlarged.

And the second is Vivian Vance —yes, that Vivian Vance, the beloved Ethel Mertz of I Love Lucy fame —as a chatty hotel maid claiming to have met Colbert during her earlier ‘honeymoon.’  Talk about cheap and lurid.  Vance is surprisingly sexy-slutty in her brief bit, looking as cool and hard-boiled as the most glamorous noir femme fatale.  Vance didn’t make many films, and she was ambivalent about her fame as Ethel Mertz, due mainly to that character’s utter lack of glamor or sex appeal.  I wonder if she would have wished to be remembered for her performance here instead.  Ethel Mertz she ain’t.

You can check out my full post on The Secret Fury at my Grand Old Movies blog here.  Tuxedos (rented or not) not required.

[byneddiedingo]

Cary Grant in North by Northwest (Alfred Hitchcock, 1959)

Cast: Cary Grant, Eva Marie Saint, James Mason, Jessie Royce Landis, Leo G. Carroll, Josephine Hutchinson, Martin Landau, Philip Ober. Screenplay:  Ernest Lehman. Cinematography: Robert Burks. Production design: Robert F. Boyle. Film editing: George Tomasini. Music: Bernard Herrmann. 

There's a famous gaffe in North by Northwest, in the scene in which Eve Kendall (Eva Marie Saint) shoots Roger Thornhill (Cary Grant). Before she fires the gun, you see a young extra in the background stop his ears against the noise, even though it's supposed to surprise and panic the crowd. It's so obvious a mistake that you wonder how the editor, George Tomasini (who was nominated for an Oscar for the film), could have missed it. The usual explanation is that he couldn't find a way to cut it out, or didn't have footage to replace it. And after all, in the days before home video, would the audience in the theater notice? Even if they did, they would have no easy way to confirm that they had actually seen it. But I have a different suspicion: I think that they showed the goof to Alfred Hitchcock, and that he laughed and left it in. For above all else, North by Northwest is a spoof, a good-natured Hitchcockian jest about a genre that he had virtually invented in 1935 with The 39 Steps: the wrong man chase thriller, in which the good guy finds himself on the run, pursued by both the bad guys and other good guys. The ear-plugging kid fits in with the film's general insouciance about plausibility. A couple who climb down the face of Mount Rushmore, she in heels (and later in stocking feet) and he in street shoes? A lavish modern house with a private air strip that seems to be on top of the mountain, only a few hundred yards from the monument? A good-looking man who seems to go unnoticed by the crowds in New York and Chicago and on the train in between, even though his face is on the front page of every newspaper? A beautiful blond woman who shows up just at the right moment to take him in and not only hide him on the train but also make love to him? Only a director with Hitchcock's skill and aplomb could take on such a tall tale and make it work, keeping you thoroughly entertained in the process. Of course, he had one of the greatest leading men of all time to work with and a leading lady with enough skill to evoke his favorite, Grace Kelly, without embarrassing herself. He had Bernard Herrmann's wonderful score, alternately pulse-pounding and romantic, and Robert Burks's cinematography. He had James Mason, Martin Landau, and Jessie Royce Landis as support. I would call it my favorite Hitchcock film, but only when I've just seen it, and my ranking will probably change the next time I see Notorious (1946) or Rear Window (1954) again.

[lifewithaview]

I Love Lucy (1951–1957) The Quiz Show

S1E5

When Lucy is months behind in paying the bills, she decides to go on a radio show to win $1,000. To win the money, she must introduce a stranger to Ricky as her 'first husband'.

*Philip Ober (first husband) was Vivian Vance's real-life husband at the time.

[letterboxd-loggd]

The High Cost of Loving (1958) José Ferrer

September 18th 2022

[andreaskorn]

Der unsichtbare Dritte (USA 1959)

Regie: Alfred Hitchcock Darsteller:

Cary Grant - Roger Thornhill Eva Marie Saint - Eve Kendall James Mason - Philipp Vandamm Jessie Royce Landis - Clara Thornhill Leo G. Carroll - Professor Martin Landau - Leonard Robert Ellenstein - Licht Adam Williams - Valerian Philip Ober - Lester Townsend u.a.

---------------------- Movie Screenshots wichtiger Schlüsselszenen: Selektion: Dr. Andreas Korn (Set 1; Abb. 01-13)

ANMERKUNG Interessant sind Motiv Wiederholungen in Hitchcocks Film Plots: Telefonieren, Face Close-Ups, Autofahrten (meist mit einkopierten Umgebungsfilmsequenzen in den Autoscheiben), Kulissen und Bauten von Außenraumsituationen im Filmstudio (Stichwort: Künstlichkeit und Konstruktion filmischer Wirklichkeit); Verwechselungen (Der unsichtbare Dritte, Der falsche Mann, Vertigo) uva.

Bild 07 - Start der Verwechselung

Roger Tornhill ist mit 3 Männern verabredet. Einer davon scheint schwerhörig zu sein und kann nur sehr angespannt mit einer Hand hinter der Ohrmuschel als Verstärkung des Hörens folgen. Ich habe mich gefragt, was diese Szene bezwecken soll. Vielleicht wird einfach aus der Lebensrealität auch mal ein Verhandlungspartner mit Handicap (Schwerhörigkeit) ins Set integriert? Aber beim genaueren Hin- und Herspulen der Szene kommt mir eine andere Erklärung in den Sinn. In der Szene ist sehr bedeutungsvoll, dass der Hotel Page einen Ausruf macht, dass Herr Caplin am Telefon verlangt wird. Diese Szene geht aber im "Dschungel" der belebten Gespräche in der Hotel Halle sehr unter. Kurz: ich bin mir sicher, dass Hitchcock mit der Figur des Schwerhörigen eine besondere Aufmerksamkeit auf das Gesprochene lenkt. Erst nach mehrfachen Anhören konnte ich den Aufruf des Pagen richtig verstehen. Herr Tornhill scheint auf den Aufruf des Pagen zu reagieren, aber er sucht für sich ja eine Möglichkeit, ein Telegramm aufzugeben. Er dreht sich vom Tisch etwas zur Seite und sieht zufällig den Pagen hinter ihm im vollen Gastraum und bittet ihn mit erhobener Hand zu seinem Tisch. Das alles geschieht direkt, nachdem der Page seinen Aufruf getätigt hat. Zugleich beobachten in dem Gastraum 2 Männer den Aufruf des Pagen. Da offenbar Herr Tornhill darauf reagiert, denken die beiden, dass er der ausgerufene Herr Caplin ist, den die beiden suchen. Die folgenschwere Verwechselung nimmt ihren Lauf. Wer nicht genau hinhört, kann diese entscheidende Situation verpassen...

Dr. Andreas Korn, 07.08.2023

+++++++++++++++++++++++++++ [Tumblr hat leider den Fotoplayer drastisch im Gebrauch eingeschränkt. Wenn zuvor in einen Beitrag eine Vielzahl von Bildern integriert war, wurde beim Klick auf eines der Bilder eine Art "Galerie" gestartet. Hier konnte man bequem durch die Bilder durchklicken. Jetzt kann man nur ein einzelnes Bild in der Vergrößerung aufrufen. Man muß dann im Browser den "Zurück-Button" klicken, um zum Beitrag zurückkehren zu können. Das macht für User die Bildbetrachtung einer "Serie" aus meiner Sicht zu einer Zumutung. Dabei bewirbt Tumblr noch mit der Anmerkung, dass nun sogar "30 Bilder" einem Beitrag zugewiesen werden können. Da hat das Team überhaupt nicht nachgedacht und "Verschlimmbesserungen" ausgeführt! Vgl. dazu meinen Tumblr Beitrag vom 28. Juni 2023] +++++++++++++++++++++++++++

* * *

[cinema-tv-etc]

 North by Northwest (1959)

Film

Thrillers

There’s no other thriller as elegant, light-touched and sexy as Hitchcock’s silken caper. Cary Grant’s suavely hollow adman Roger O. Thornhill (“What does the O. stand for?” “Nothing.”) is Don Draper with a sense of humor, which he sorely needs when he contracts a bad case of Wrong Man–itis. The set pieces, the villains, Eva Marie Saint’s femme fatale, Saul Bass’s credits, Bernard Herrmann’s musical cues—somehow the film manages to be even more than the sum of its glorious parts. Oh, and somewhere in there, Thornhill even manages to find his soul.—Phil de Semlyen

Read more North by Northwest

Time Out says 4 out of 5 stars

Fifty years on, you could say that Hitchcock’s sleek, wry, paranoid thriller caught the zeitgeist perfectly: Cold War shadiness, secret agents of power, urbane modernism, the ant-like bustle of city life, and a hint of dread behind the sharp suits of affluence. Cary Grant’s Roger Thornhill, the film’s sharply dressed ad exec who is sucked into a vortex of mistaken identity, certainly wouldn’t be out of place in ‘Mad Men’. But there’s nothing dated about this perfect storm of talent, from Hitchcock and Grant to writer Ernest Lehman (‘Sweet Smell of Success’), co-stars James Mason and Eva Marie Saint, composer Bernard Herrmann and even designer Saul Bass, whose opening-credits sequence still manages to send a shiver down the spine.

Hitchcock breezes through a tongue-in-cheek, nightmarish plot with a lightness of touch that’s equalled by a charming performance from Grant (below), who copes effortlessly with the script’s dash between claustrophobia and intrigue on one hand and romance and comedy on the other. The story is a pass-the-parcel of escalating threats, all of them interior fears turned inside-out: doubting mothers, untrustworthy lovers, vague government handlers, corrupt cops. Within minutes of the film’s opening, shady strangers in a hotel lobby mistake Thornhill for a ‘George Caplin’ and from there we sprint from country house to the United Nations, from the ticket hall of Grand Central Station to Mount Rushmore in South Dakota. Thornhill’s ignorance of his fate and complete lack of control offer Hitchcock a brilliant blank canvas on which to experiment with a story that would sound ludicrous on paper, yet it feels like anything’s possible in Lehman’s playful script. ‘I’m an advertising man, not a red herring,’ says Thornhill. He couldn’t be more mistaken.

Written by Dave CalhounTuesday 16 June 2009

Director: Alfred Hitchcock

Screenwriter:Ernest Lehman

Cast:

Cary Grant

Eva Marie Saint

James Mason

Leo G Carroll

Jessie Royce Landis

Josephine Hutchinson

Philip Ober

Martin Landau

Adam Williams

Ed Platt

[papermoonloveslucy]

MAD MONEY!!!

Lucy & Cash: A Crypto-History

One of the great dramatic devices is the pursuit of money. The Lucy character was generally a middle class, working mother who was in pursuit of the American dream. Her entrepreneurial aspirations were only matched by her fiscal irresponsibility.  

Blood Money (1934) ~ The metaphorical title of Lucille Ball’s 4th film.

“Trying to Cash the Prize Check” (1950) ~ Liz (Lucille Ball) goes on a radio quiz show and wins a check for $500, but she only gets to keep it if she can cash it within 25 minutes, and the banks are all closed!

I LOVE LU¢Y

“The Quiz Show” (1951) ~ With Lucy’s household accounts in arrears, she goes on a radio quiz show to win a $1,000!

Publicity photo showing Phil Ober handing Lucy the cash prize after dealing with a tramp (John Emery). 

Lucy wins the prize, but after some quick accounting by Ricky, Lucy is left with just 25 cents!  

“The Freezer” (1952)

“Job Switching” (1952)

“The Business Manager” (1954) ~ Lucy figures out how to ‘game the system’ and pay her bills as well!  This is one of the best examples of money management gone wrong on all of television! 

LUCY (to ETHEL): “They’re making the bills smaller, aren’t they?”

Lucy can’t think fast enough to answer Ricky’s financial questions about her windfall at the “market”. 

Lucy listens for her “little small voice” - which tells her what to buy at the “market”. 

Lucy breezes out of the room after giving Ricky money for a haircut. 

“The Girls Go Into Business” (1953) ~ Lucy and Ethel buy a dress shop they think is a gold mine!  Lucy figures that based on the fact that she saw two customers buy $200 in merchandise in five minutes, they would make $2,400 an hour, and $19,000 a day!  On the day this episode was filmed, September 11, 1953, hundreds of women took to the streets of New York City to track down bargains as part of 1953 Dollar Days.  It was also the same day Lucille Ball was accused of being a Communist. Earning green paled compared to being called  red! 

MRS. HANSEN: Oh, you’re the dearest, sweetest girls in all the world and how do you want to handle the down payment? LUCY: Uh, well, what did you have in mind? MRS. HANSEN (bluntly): Money.

Mabel Paige (Mrs. Hansen) does a brilliant job of portraying a little old lady with the heart of a cash register!  

Oops! Mrs. Hansen can’t need money all that much, since she leaves a bill lying on the floor!  

Lucy and Ethel sell the shop for $3,500. Lucy and Ethel think they’ve made a nifty profit – until they boys tell them the building sold to developers for $50,000!  

“Bonus Bucks” (1954) ~ Lucy finds the winning dollar bill in the newspaper’s Bonus Buck contest, but lets it slip through her fingers. Now she has only a few hours left to get it back to qualify for the cash prize!  This was another of the best of the money madness episodes. Everything revolves around the almighty dollar!  In real life, contests like these were called Lucky Bucks, but since Lucky Strike was the largest competitor of “I Love Lucy’s” sponsor, Philip Morris, the writers were discouraged from using the word ‘lucky.’  

The episode begins with Lucy paying for her grocer delivery, careful not to pay with a buck whose serial number had not been checked. 

Lucy and Ethel check their bills against the newspaper’s published seriel numbers to see if they are winners. 

When they find one - they fight over who it belongs to - ripping it in half!  

After ransacking the laundry to get the bill back, they are awarded the prize money. After expenses, they are left with one dollar - the same amount they started with! Fred gives the lone bill to a starched Lucy. End credits roll. 

“The Diner” (1954) ~ After a price war over hamburgers reduces the price to a penny, A Little Bit of Cuba gives a drunk a dollar to buy 100 hamburgers from a Big Hunk of America. 

“Getting Ready” (1954) ~ Talking in his sleep during a nap on the sofa, Ricky is dreaming of Hollywood.

RICKY: “No. No, Mr. Zanuck. My price is a million dollars, Mr. Zanuck.”

“The Million Dollar Idea” (1954) ~ Lucy wants to sell her own salad dressing - until Ricky points out that she is losing money on every jar!  Although this episode was all about making money, no money was ever made.  

In April 2019, CBS colorized “Million Dollar Idea” and “Bonus Bucks” and aired them under the title Funny Mooney $pecial. 

“Bon Voyage” (1956) ~ After missing the ship to Europe, Lucy arranges to be lowered to the deck by helicopter. Learning that the chopper can’t land on the ship, she tries to convince the pilot to fly her to Europe! 

“Paris at Last!” (1955) ~ Lucy’s money trouble didn’t stop at the border. She exchanges American money for French Francs. Little does she know the man (Lawrence Dobkin) standing in front of the American Express Office is a forger! 

“Lucy Goes to Monte Carlo” (1956) ~ While traveling through the French Riviera, Lucy promises Ricky she won’t step foot inside a casino, but inadvertently gambles her way into a small fortune. Ricky finds the cash hidden in Ethel’s lingerie case. He thinks Fred is embezzling. The Desilu props department visited Earl Hays Press in Hollywood to have the money printed for this episode.  

THE LU¢Y $HOW

When Mr. Mooney arrives in Danfield to work at the bank, he reads from Mr. Barnsdahl’s 27-page memo about Mrs. Carmichael: 

“To get money from the bank, she will threaten, wheedle, cajole, cry, implore, jolly and stage tantrums.”

“Lucy Misplaces $2,000″ (1962) ~ The bank gives Lucy $2,000 instead of $20. Lucy gazes lovingly at the four $500 bills and remarks that President McKinley has a lovely smile. When it comes time to return the cash, it is missing. Lucy and Viv track down the money to a local carnival. 

“Lucy, the Bird Sitter” (1964) ~ Mr. Mooney’s pet bird is a female cockatiel named Greenback for its coloration. “Greenback” is also a slang word for US paper currency due to its dark green color; an ideal name for a miserly banker’s bird!  

“Lucy the Coin Collector” (1964) ~ When Jerry finds a rare penny worth $16.50, Lucy and Viv decide to search through thousands of pennies to find a rare one.

Lucy asks Mr. Mooney for change for a ten dollar bill - all pennies! 

Viv volunteers to sing a couple of choruses from “Pennies from Heaven” or “Three Coins in the Fountain.” Both songs also were the titles of popular films. 

“Lucy, the Meter Maid” (1964) ~ Viv volunteers to pay her parking fine rather than face a ticket, but Lucy thinks of it as a bribe. 

“Lucy and the Great Bank Robbery” (1964) ~ When Lucy rents out Viv’s room to two gentlemen visiting for the World’s Fair, they turn out to be bank robbers who stash the loot in Viv’s mattress.  

“Lucy, the Bean Queen” (1966) ~ Mr. Mooney partners with an enterprising southern colonel to market canned baked beans. Their sales are plunging until Lucy gets involved. 

HERE’$ LUCY 

“Lucy Makes a Few Extra Dollars” (1971) ~ Literally! 

“Lucy Loses Her Cool” (1970) ~ Lucy goes on the Art Linkletter Show and is challenged not to lose her temper for 24 hours in order to win $500.

"Dirty Gertie” (1972) 

“Lucy Takes Over” (1970) ~ Lucy finds her great grandmother's diary with an IOU from one of Harry's relatives tucked inside. With interest, Lucy estimates Harry owes her thousands of dollars and soon she's taken over his business!

“Lucy the Process Server” (1968) ~ Harry asks Lucy to deliver a summons and make a bank deposit.  Lucy gets the two mixed-up and loses the envelope of $1,500 cash! 

CA$H REGISTER$

“The Diner” (1954) ~ After the diner is divided in two, the cash register is left straddling the border between “Cuba” and “America”.  

“Lucy Competes with Carol Burnett” (1970) ~ Frequent extra Vanda Barra has no lines, but a very funny bit of business with a cafeteria cash register.  

“Lucy Visits Jack Benny” (1968) ~ At Jack Benny’s home in Palm Springs, he makes change for Lucy on his toy cash register. 

“Lucy and the Franchise Fiasco” (1973) ~ The same cash register was used at both the luncheonette and the custard stand (with a penguin sticker slapped on the side). 

$TICKER $HOCK!

“Lucy is Matchmaker” (1953)

“Sentimental Anniversary” (1954) ~ The Mertzes give the Ricardos a silver cigarette lighter. Although Fred is shocked to see the price tag says $32.50, Ethel admits the real price was $4.95.

“The Fashion Show” (1955)

LUCY: “Doesn't Loper know any other numbers but 5-0-0?!”

Shopping for the best prices on furniture in “Lucy Bags a Bargain” (1966) and “Lucy Gets Chummy with the Neighbors” (1957). 

Mistaking price tags for stock numbers, Lucy has sticker shock realizing how much she spent on new furniture for the Connecticut house.

“Guess Who Owes Lucy $23.50?” (1968) ~ It’s Van Johnson!  Or is it? 

Lucille Ball’s favorite gameshow “Password” added a new feature for their “Super Password” (1986) reboot called Cashword.  

[fukequhaw]

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