#Plain Talk

[heartorbit]

catch us if you can! ☆

[thaliasthunder]

IM SORRY HUH,,,,,,, DIOR ?????????????

[himejoshikaeya]

its just so fascinating when people go on and on about how adults were always so nasty towards them or how scared and uncomfortable they felt in public or how they always felt so distant and alone from their families, and how they carry this hurt to this very day - only to be nasty to children, complain and mock kids who have meltdowns in public, and to never interact or genuinely love their kid family members. you love the idea of breaking generational curses in theory but lack the actual self-awareness to actually do so. truly, truly fascinating.

[spicyet]

fem!Shuro from that one panel

[icewindandboringhorror]

I made a few new wax seal stamps out of clay (like the ones I did for my worldbuilding stuff forever ago), this time just of random symbols that I thought might look good done in the style of painting over the raised part of the wax or etc. :0c Some of them aren't carved deep enough to really show up that well, but overall they worked okay for being clay lol

[fizzytoo]

simblr mutuals i think you guys should indulge in more games (lovingly)

[poorly-drawn-mdzs]

Creative Hubris takes another unsuspecting victim.

[eosofspades]

oh my god i figured out what's bothering me about zhen its that she has the elsa face

apologies for the bad quality i got these from a youtube video but like literally why is she so PLAIN. would it have killed them to give her some narrower eyes?? some starker color separation?? ANY markings at all?????

[trans-ralsei]

I made destiel from spn in sylvanian families

the ‘impala’ took real work to paint and i needed some help from @yamada-ryo. sorry for making you participate in destiel crimes

[lloydfrontera]

lloyd 'survived on one meal per day for years' frontera would absolutely see sharing food as a love language and javier 'lived in the streets for months as a child' asrahan would be fluent in it

i do believe there is a point in their lives where they both heal from the trauma of going through severe food insecurity but neither of them ever quite really forget just how important food can be. and when the other shares their food with them, they appreciate it as the show of affection it was meant to be

[seefasters]

my take on the steeplechase trio (and montrose’s mask variants)

[triglycercule]

so there's been versions of horror that don't talk. versions of dust that don't say a word. but what about killer man. what if he didn't speak???

i need this man to do the most outrageous crazy and unhinged things while saying not a single word. i need killer sans to stand in corners and not say anything while observing other people (just like how some people depicts horror/dust,,,,) with the most expressionless face ever. the guy cannot feel i want his face to show that. he will murder he will steal he will bother every living being around him while not saying a goddamn thing. ACTUALLY i want his face not to move at ALL!!! this killer's face looks like the 😐 emoji but it has tears. idk maybe it's because if he opens his mouth he'll start leaking dt and he wont even be able to talk so its not worth it. or maybe a certain red eyed child or oily king ordered him never to speak unless they tell him to and now killer just doesn't speak. he doesn't even learn sign language or body language or does any physical cues (voluntarily) because that's considering "speaking". idk just ideas but i like the idea of the guy that does arguably the craziest shit to just. not speak. or have any sort of body language ever. he stands and walks like a robot only sort of personality that shines through is in fights. but even if killer doesn't talk and have any sort of physical presence people will still be able to tell what hes like based on his actions

anyways maybe i just need ALL of the mtt not to speak. yeah that seems cool. none of them speak they just silently beat each other up (killer is dead silent dust is violently signing and horror is making several indescribable noises. this is the most intense fight they will ever have)

[darknesspervades]

not enough people talk about the fact that jon's choice of ice cream is canonically rum and raisin

bro really didn't have to reach too hard to pretend to be almost 40 because what the fuck

[trans-jon-rights]

Hey I know the common representation of monster-y post apocalypse Jon is him having lots of extra eyes but. Consider.

After the sky splits open, Jon doesn't have physical eyes anymore. He doesn't needs them. His Eyes are the Watcher's, and they See all from where they stand at the top of the Panopticon.

[chronologically-challenged]

Everything around the Isabeau confession is so well written.

Firstly, the set up. When you're playing the game, killing the King is just a vague goal. A natural one! But other than the vague desire to hit an end point, there isn't really a strong emotional reason compelling the player forward. But Isabeau!!! Telling you he will tell you something once you beat the King!!! That!!! That is a tangible goal to lean onto especially over time as you get more and more endeared to the whole party. Even if you're not aware of it being a love confession, getting to Isabeau to hear what he has to say is still a compelling reason get to the end.

And if you're Aware of how these things go for stories like these, you may also say, "Well shit, we're not gonna get a confession until the end of the game, are we?"

Second, the interruptions. The order of the interruptions are so quietly brilliant. I can't get over it. Bonnie interrupting first is such an excellent choice. You know Bonnie!!! Bonnie has been jumping into conversations all game so far. So interrupting Isabeau doesn't seem all that out of place. Then Mirabelle interrupts next time. And you go, okay. Thats two of three.... but surely Odile won't interrupt, right? By this point, the player has seen Odile tease Isabeau multiple times about him liking Siffrin, so surely she won't interrupt... right? Right??? But she does. And despite it being obvious that she would, the player is still left in tension if she would.

The way things are set up, there's a plausible deniability each time. You don't expect the first interruption, Bonnie naturally would interrupt so Mirabelle could be surprising, and Odile interrupting feels so outside of what she'd usually do that you don't expect it.

And yet!!!! Saying all this!!! This is very tropey!!! Very time loop tropey!!! Stopping people from messing things up so you can have your moment is quintessential time loop tropes and yet!!! It doesn't feel tropey due to good characterization and story structure.

(And if you do realize that all three are going to interrupt from the beginning, you get a wave of DREAD when you realize that you're going to be here. Again and again. That you have to beat the King again and again and again... and as you watch the confession fizzle, seeing the Head Housemaiden there, despite Siffrin's happy demeanor, you can't help but feel it all about to crash down before it even happens. In that moment you have a taste of what the game is about to put you through).

Third, the family quests. I have two points here. Firstly, "yelling at your screen like it's a telenovela" is the best summary of my feelings on the stargazing scene. Even if you KNOW Isabeau isn't going to confess until the end of the game bc that's how these things go, it won't happen until the end because that's how good writing works, You Still Want It To Happen. So Badly. You want Isabeau to confess to Siffrin!!! You want that tension to release!!! But you have to watch and see that perfect confession slip away every time and it hurts to watch, especially if you do the quests multiple times. Second point is the fact you can't continue the Isabeau confessions on a family run kills me. It's so good. Like you're never going to get everything in one go no matter what you do so you have to pick and choose. And!!! That plays into Siffrin feeling like he's manipulating Isabeau!!!

Of course Siffrin isn't actually manipulating Isabeau but when you're so aware of what you're doing and how events could have played out, it's difficult not to see a situation where you changed the outcome as manipulation. Which... of course leads us to Siffrin's feelings at the end of trying to stop the interruptions...

Fourth, Isabeau stopping himself when confessing. It hurts so good. Idk just. Denying the player that payoff. Denying Siffrin that moment of confession. Because really Siffrin didn't learn the lesson needed to actually get this moment of vulnerability between the two of them. It's such a genius choice that brings that awful dread and hopelessness. And in the end, I suppose all five of them stop the confession from happening because from that point onward, Siffrin interrupts the confession every time. Siffrin doing everything they can to get what they want only to accept that they're never going to get it. Never CAN get this because he doesn't deserve it.

Finally, bad touch. People have talked about bad touch enough, so I dont need to go too far with it. I will say I appreciate how much it doubles down on subverting the "romancing someone in a time loop" narrative. These loops while in some ways made Siffrin more perceptive, they're also PAINFUL. They mess with his head, lean towards making worse and worse decisions, and a large part of that is his role in his family's lives. Especially with Isabeau!!! So yeah. Of course the surprise kiss doesn't go well. Especially with the context that Isabeau doesn't think Siffrin wants to be touched let alone kissed? It ends in disaster just like most of the sidequests do.

In general, the ongoing Isabeau plot is very well implemented. The seeds for it are planted immediately, and it takes a lot of commitment to see all the parts of it. As a result, unless you try to do a ton of runs in act 3 immediately just to get the confession, it's a very slow burn part of the story, doing well to parallel Siffrin's mental state and the growing hopelessness in the loops. It grounds the story in a tangible goal from the beginning and in many ways, once you get to the end of it, get to bad touch, you're left bereft. Something... lost after you spent so much time being aware of Isabeau. That tangible feeling that you're slowly running out of things to do, of ways to spend these two days.

(And of course, then you have act 6 confession, and the pure relief, the joy in finally having the confession after it being set up from act 1. Siffrin doesn't need to reciprocate for it to have its impact. Something has CHANGED they have changed. And finally FINALLY after all this time, the moment can happen. And it's beautiful).

[nightswatchdisbandmentera]

kinda funny how people will try to reason that “I pray for a glimpse of Azor Ahai, and R’hllor shows me only Snow” should be discarded as irrelevant since it’s Mel being wrong about an interpretation of prophecy (the text makes it abundantly clear that this is NOT an interpretation idk how you could even read the very simple words and come to that conclusion) but try to reason that “I have seen it in the flames….when the red star bleeds etc etc” is the gospel truth….except that one IS an interpretation of Mel’s vision. So which is it? Is Mel right or is she wrong? Why is one good and correct and the other one bad? Why do we need to twist ourselves into pretzels in order to ignore black and white text in the simplest words possible? Like…