#Rewinder for Inkjet Printer

[crash-stop]

These are the originals for the works I posted earlier. As I said previously these are scans I made in 2012 of the original prints from 1987-88 . The originals were drawn using a mouse in a basic paintbox program on a BBC Model B from my own sketchbooks then printed out on an early inkjet printer - the overlay you see in the prints is made by simply rewinding the paper then overprinting a different version of the image again , the tutor said at the time that he had to refill the printer quite often when I was using it. There's also some use of a video scanner in some of them. I really wish I could track the original paint program down as it had some interesting features.

[ippnoida]

Kodak to showcase the world’s fastest inkjet press at Hunkeler Innovationdays 2025

Kodak will highlight unmatched speed and versatility in inkjet production printing by running live demonstrations of the Kodak Prosper 7000 Turbo Press, the world's fastest web-fed full-color inkjet press, at Hunkeler Innovationdays 2025 (February 24 to 27, Lucerne, Switzerland), booth P4 in hall 1. The show will be the press’s first appearance in Europe.

Kodak will showcase the Prosper 7000 Turbo Press printing with water-based Kodak Ektacolor Inks in a roll-to-roll configuration with an unwinder and a rewinder designed and manufactured by Kodak. The Prosper 7000 Turbo Press is the world’s fastest inkjet press, capable of printing at speeds of up to 410 mpm (1,345 fpm). Its three print modes — turbo, performance and quality — enable printers to easily fine-tune optimal speed and quality balance for each job. These capabilities make the Prosper 7000 Turbo Press an excellent solution for migrating larger direct mail, commercial, transactional, and book printing jobs from offset to digital.

During Hunkeler Innovationdays, Kodak will be printing various applications at blazing speeds on the Prosper 7000 Turbo Press several times a day. Along with scheduled demos, printers can book individual demonstrations of the press through Kodak sales representatives.

Visitors to the Kodak booth will also have the opportunity to view a vast collection of print samples illustrating the high-quality output and the variety of applications that can be produced with the Kodak Prosper Ultra 520 press, powered by Kodak Ultrastream Technology, and the new Kodak Prosper Print Bar, which incorporates Kodak Prosper Plus Imprinting Systems.

Kodak, in cooperation with partners Horizon International and Hunkeler, will also demonstrate the efficient processing of paper rolls printed on Prosper Presses into finished printed products. A saddle-stitched catalog will be produced on a Horizon iCE StitchLiner Mark V, and a Hunkeler paper processing line will handle a demanding direct mail application.

 “We are excited to bring the Prosper 7000 Turbo Press to Europe for the first time and to raise the bar in terms of speed and production efficiency at Hunkeler Innovationdays. This cutting-edge inkjet press helps printers transition from offset to digital production and profitably serve their customers,” commented Jim Continenza, executive chairman and chief executive officer, Kodak. “Our Prosper Presses, using high-speed continuous inkjet technologies and proprietary Kodachrome and Ektacolor Inks and Kodak Oprimax Primers, help printers succeed in the ‘and’ era of print by providing ultra-productive, cost-effective printing of a wide range of applications.”

[sciencestyled]

When Robots Paint Like Picasso: Why Your Toaster Might Be the Next Van Gogh!

Alright, buckle up, buttercups, because we’re diving headfirst into the wacky world where science meets art, and guess what? The machines are here, and they’re not just flipping burgers—they’re flipping the script on what it means to be an artist! Imagine your Roomba not only vacuuming up your popcorn crumbs but also creating a digital masterpiece that could sell for millions—mind-blown yet? Well, hold onto your smartphones because this rollercoaster is just getting started!

So, picture this: you're strolling through an art gallery, and instead of the usual pretentious artist with a beret and a tragic backstory, you find a blender proudly displaying its latest abstract painting. "What kind of sci-fi nonsense is this?" you ask. Well, welcome to the world of generative art, where artificial intelligence (AI) is the new Picasso, except without the weird mustache and probably less emotionally complicated.

Generative art is like that one friend who can never make up their mind at the pizza place—it's all about algorithms deciding what’s going to happen next, and just like that indecisive friend, it’s unpredictable but usually ends up being pretty cool (unless it orders anchovies). Basically, a computer, usually one that’s been hanging out with neural networks and machine learning models in some high-tech frat house, creates art by processing a ton of data. It’s like if Bob Ross had a baby with HAL 9000, and that baby was raised by the entire internet.

But before we go full-on Terminator with this, let’s rewind to where it all began—back when computers were about as artistic as a potato with a crayon. In the olden days, before AI could outsmart you in chess or recommend you weird cat videos on YouTube, early algorithms were just trying to figure out how to draw a straight line. Now, fast forward to today, and these algorithms have gone from doodling in the margins of their textbooks to creating museum-worthy art. Think of it as the ultimate glow-up!

Now, here’s where it gets really wild. Today’s AI doesn’t just spit out random pictures like your grandma’s inkjet printer on the fritz. Oh no, these digital Picassos are using neural networks—fancy talk for computer systems that mimic the human brain, but without all the existential dread. These networks learn patterns, styles, and even emotions (well, kind of) by analyzing a gazillion images. It’s like if your computer binge-watched every season of "Art Attack" and then decided to give it a go.

But here’s the kicker—AI doesn’t just stop at copying what it’s seen. Oh no, it goes full-on mad scientist, mixing and matching styles like a kid who’s had too much sugar. Picture a painting that’s one part Van Gogh, one part Banksy, and one part that meme of the distracted boyfriend—it’s like art went to a rave and decided to express itself through glow sticks and laser beams.

Now, hold your digital horses because the real mind-melter is that these machines are being hailed as collaborators in the art world. That’s right—collaborators! Imagine walking into a science and art gallery and seeing a painting signed by “John Smith and Toaster-3000.” Some folks are even saying that AI might be better at this art thing than us flesh-and-blood humans! I mean, sure, the toaster doesn’t have a tortured soul, but it also doesn’t need to eat or sleep, so it’s got more time to perfect that brushstroke.

Of course, this brings us to the big, existential question: who really owns the art? If a computer creates a masterpiece, does the credit go to the programmer, the machine, or some combination of the two? It’s like trying to decide who gets the credit for a perfect selfie—the person, the phone, or that one friend who told you, “You should totally try portrait mode.” It’s a debate that’s shaking up the art world harder than a paint mixer in an earthquake.

And let’s not forget the skeptics—those grumpy cats who say AI-generated art isn’t “real” art because it doesn’t have the “human touch.” Well, to them, I say: ever seen what happens when a toddler gets their hands on a box of crayons? Sometimes a little less human touch isn’t such a bad thing. Plus, AI isn’t just messing around with paintbrushes—it’s helping scientists visualize complex data in ways that are, dare I say, kinda beautiful. Imagine an MRI scan as a modern art piece—sure, it’s not going to replace the Mona Lisa, but it’s got its own weird charm.

But here’s the thing that’ll really twist your noodles—AI is changing not just how we create art, but how we think about it. Traditionalists might scoff, but let’s face it—AI-generated art is challenging our ideas of creativity faster than you can say “deepfake.” It’s forcing us to rethink what it means to be an artist. Is it about the process, the final product, or just having a good Wi-Fi connection? Maybe the future of art isn’t about one genius locked away in a garret, but about teams of humans and machines working together, like some kind of nerdy Avengers.

And speaking of the future, what’s next? Are we going to have AI-curated museums where every piece of art is custom-tailored to your Spotify playlist? Will we start seeing “smart” sculptures that change shape based on the weather forecast? Or maybe—just maybe—our appliances will start demanding royalties for their artistic endeavors. Picture it: your microwave refusing to heat up your leftovers until you acknowledge its latest abstract sculpture. The world is a weird and wonderful place, my friends.

In conclusion (because even I need to wrap this up before the machines take over), we’re living in a time where the line between science and art is blurrier than a selfie taken with a potato. AI is not just the future of art—it’s here, and it’s ready to paint the town red, blue, and every color in between. Whether you’re a fan of the traditional brushstroke or you think your coffee machine could be the next Jackson Pollock, there’s no denying that AI is shaking up the art world in the most deliciously chaotic way possible.

So, next time you’re contemplating the meaning of life while staring at your smart fridge, just remember: that hunk of metal might be the next big thing in the art world. And who knows? Maybe one day, you’ll be able to say, “Yeah, I knew my toaster was a genius before it was cool.”

[rotogravuremachine]

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[rereelingmachine]

Thermal Transfer Overprinted TTO with Winding Rewinding Machine, which allows printing high-density bar-codes and labels that require longevity, paper, film, and even foil substrates. Also, direct thermal printing is popular in applications such as mailing, small parcel delivery, retail and the food industries where most items are stored away from heat and sunlight. It allows heat activated labels and do not require a ribbon. Cantilever design-balancing body for easy loading and unloading of parent / rewound reel. Movable unwind stage for Edge guiding System (Hydraulic Web Aligner).Mechanical 1.5 / 2.5 Kg. Optional Magnetic powder brake with tension controller & Torque control potentiometer. Provision for incorporating Inkjet Printing System with Hot air ink drying. The Model is specially designed for correcting badly wounded reels for inspection & doctoring operation.It is great substitute to online coding / batching operation. Convenient height for operation. Compact Design. Variable speed drive, Double drive.

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[ippnoida]

Tecnau's collaborative innovations at drupa 2024

Tecnau will preview its broad showcase at drupa 2024, highlighting collaborations with leading printing and finishing technology providers. Under the theme 'Tomorrow’s Finishing, Today. Connect with the future,' Tecnau is set to demonstrate the synergy between its  finishing solutions and the technologies of established as well as new partners.

Tecnau Revolution 50 

At the Canon booth (Hall 8A), visitors will witness the integration of Tecnau's Revolution 50 Stack 5251L with Canon's newly announced ProStream 2000. This powerful combination addresses a wide spectrum of commercial print applications, from B2 posters to A6 flyers, showcasing versatility and efficiency.

The variable sheet length feature of the Stack 5251L introduces unprecedented flexibility in application changes, enhancing productivity and short-run production. Additionally, the setup includes Tecnau’s Unwinder u50 and Rewinder r50, offering roll to roll processing for versatile offline finishing possibilities. 

In the Fujifilm stand (Hall 8B), Tecnau presents the Stack 5251L, illustrating the Revolution 50’s ability to seamlessly integrate with various high-speed inkjet presses, including the new Jet Press 1160CFG from Fujifilm. This setup exemplifies our commitment to versatility across different commercial print applications. 

The Kodak stand (Hall 5) will feature an offline setup with the Stack 5151L, optimized for short run books, magazines and large poster applications. This showcases the Revolution 50’s capability to process pre-printed rolls from the Kodak Prosper Ultra 520 press, further emphasizing the system’s adaptability and efficiency in handling diverse print formats.

Revolutionizing cut-sheet finishing

The Canon varioPRINT iX3200 printer will be paired with Tecnau’s Stack 1010 in the Canon booth. This combination, first introduced in 2017, has been enhanced to support a 3up output capability, for more efficient production of small A6 postcards.  Stack 1010 streamlines the production process by eliminating the need for a guillotine and associated labor-intensive tasks

Enhancing Book Production  

Tecnau highlights several collaborations aimed at enhancing book production and finishing processes-

Its partnership with Screen (Hall 8A) exemplifies its joint efforts to optimize book production. The combination of the Revolution 50 unwinder/rewinder with the Screen 520HD Mono printer enables efficient production of printed books in black and white, for further finishing on the Tecnau stand in an automated book block productions line.

Horizon Booth (Hall 6): An automated line featuring the Canon varioPRINT 6330 TPxp series cut sheet printer, Tecnau BookReady cut/stack system, and Horizon’s Binder and Three-Knife Trimmer demonstrates a seamless, no-touch process from white sheet to finished book. 

Smyth Booth (Hall 6): A system combining Tecnau's unwinder and guillotine cutter with Smyth’s sewing system, offers a cost-effective solution for producing sewn book blocks ready for nearline case binding.

Partnering for innovative solutions at Tecnau’s Booth

Tecnau’s stand (Hall 8A) will also feature configurations, including:

Tecnau Revolution Cutter c52 feeding sheets to the Heidelberg Stahlfolder TH 66 Hybrid, demonstrating high-speed folding capabilities from direct mail to pharma inserts.

The Stack 1212, B2 cut/stack system with input pallet feeder and Kompac’s Phoenix 20 UV/AQ coater, streamlining the production process by combining feeding, coating, cutting, and stacking in a single pass.  Kompac will be showcasing their New Photo Coating for replacement of silver halide

Comprehensive solutions with industry leaders

In collaboration with Screen, Canon, Ricoh, Fujifilm, Kodak, HP and HP Indigo, Tecnau will demonstrate the processing of preprinted rolls and sheets at its stand in Hall 8A, showcasing our comprehensive approach to digital print finishing. Tecnau invites attendees to drupa 2024 to experience firsthand the future of print finishing through our innovative solutions and partnerships. Join us to discover how we’re shaping the future of the industry, today.

[batchprinting]

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[rewinderwinder]

KEW ENGG MFG PVT LTD is leading manufacturer, exporter & supplier of winder rewinder machine for inkjet printer. Mechanical 1.5 / 2.5 Kg. Optional Magnetic powder brake with tension controller & Torque control potentiometer. Provision for incorporating Inkjet Printing System with Hot air ink drying. For more information or contact us at kewinquiry@gmail.com