#Robert Jackson bennett

[bangbangwhoa]

books I’ve read in 2024 📖 no. 036

The Tainted Cup by Robert Jackson Bennett

“That’s the problem with figuring shit out — eventually you run into someone who’d prefer all their shit remain unfigured.”

[space-blue]

Warm up sketch... This is Ana Dolabra, the fem Sherlock the world has been waiting on (at least tumblr). If I can make even just ONE moot read The Tainted Cup, then I'll be happy!!

Fun fact, Robert Jackson Bennett is the person responsible for my overwhelming preference for 1st person writing. It's not otherwise very popular in SFF, but he CRUSHES it in City of Stairs, which was an influencial series to me when I was starting out as a writer. I decided 'why not, let's try some present tense', and the rest is history.

Anyway his books are always mental. I love his worldbuilding. I wish I could rent a condo in his brains for a while, study him like a bug in my petri dish.

IDK how to dress Ana, but I might make a full length of her in am ao dai...

[literary-illuminati]

2024 Book Review #20 – Foundryside by Robert Jackson Bennett

I’ve in theory been a big fan of Bennett for a couple years now, having adored American Elsewhere when I read it. I say ‘in theory’ because I had not actually followed that up by reading any of his other stuff until I happened to see him doing an AMA on r/fantasy and was jolted to go put something of his on hold. The most convenient option was Foundryside so, here we are.

The story follows Sancia, a former slave-turned-magical-experiment who now uses her rather inconveniently always-on sort of object empathy to be a really excellent thief for hire in the hopes of earning enough cash to pay some black market surgeon to make her normal again and then stay quiet about it. That price tag lures her into accepting a job for an eye-watering amount of money from what it clearly one of the merchant houses who rule the city – which she discovers to be an ancient relic, a key that can open any lock. And talk to her. And revolutionize the entire industry of enchanting upon which the city’s fortune and empire are built. She correctly assumes that there’s no way they’re planning to let her live after turning it (him) over, and things spiral out of control from there.

It’s fundamentally a heist story, with all the main action setpieces being about breaking into places and stealing things. And like all good heist stories, the protagonists are totally incapable of winning through anything like brute force, and have to be clever bastards about it – sneaking past guards, not slaughtering them in the night. Those heist sequences are all vividly described and just a lot of fun, almost worth the price of admission on their own.

So this is the rare story where calling it ‘magipunk’ is both accurate and helpful. Which is to say, it is almost literally a cyberpunk story translated into the idiom of vaguely-early-modern fantasy city states instead of corporate arcologies. Scheming oligarchs, overmighty corporate states, miraculous technologies that are only felt by the underclass as news ways of being oppressed and objectified, the works. The most triumphant and hopeful part of the ending involves the founding of a worker’s coop that doesn’t get immoderately crushed. Notably useful and plot-relevant enchanted items include a listening device, trackers, and a powered gliding rig. It’s only when you really get into it that the magic starts feeling at all magical, is what I’m saying – you could translate almost all of this into Cyberpunk 2020 terms in a couple of hours. I think it’s quite fun.

Sancia’s whole backstory – a slave on one of the plantations supplying the city with food and spices, taken as a subject for bloody experimentation in creating perfectly obedient magical cyborgs, surviving and escaping because they got sloppy with occult grammar and reality interpreted ‘be like object’ as ‘be like [INSERT NEAREST OBJECT HERE]’ – is fun on a few different levels. The story definitely leans into a running theme of the reduction of the powerless and subordinate to literal objects and tools wielded by those who control them, both metaphorically and literally. But also there’s an absolutely great beat where she’s explaining her story to the rest of the main cast who are all horrified and disgusted that anyone would do such a thing. To which she reacts very angrily and goes ‘you know that isn’t, like, worse than the whole rest of the chattel slave economy, right? More people get horribly tortured to death as part of everyday operations than creepy magical experiments?”

Sancia as a character is just a lot of fun to spend time in the head of, honestly. Her relationship with Clef (the magical key, the more literal example of being objectified and insturmentalized by one’s masters) is the core dynamic of the first ~half of the book, and it absolutely carries it. Though in the final act it then runs into the very common action/adventure story issue where she starts talking about this guy she’d known for barely a week like a life-long friend she’s shared more good times than she could count with. Entirely forgivable but like, it does stand out.

There’s this whole subtheme of, like, futile misogyny running through the text? It’s never explicitly brought up, and the only character whose actually vocally sexist on the page is the asshole philistine moneygrubbing abusive husband wannabe-coupist you’re clearly supposed to hate. But it’s a repeatedly mentioned point that the culture of enchanting grew significantly more patriarchal in the previous generation (for unstated reasons, possibly just the one epoch-defining genius being a misogynistic ass) and that this was very bad for the career prospects of several major characters. Despite this, important women in the story include a) half the main cast, b) the only competent and attentive head of any of the four merchant houses and c) the enchanting-prodigy wife of aforementioned sexist asshole who turns out to have been feeding him every useful idea he ever had until she could kill him and scoop up everything he’s gathered. This is one of those things that amuses me because it’s clearly deliberate but is never directly mentioned.

This is also one of those books that’s queer rep not in the revolutionary groundbreaking it’s-a-core-part-of-the-tezt way, but in the ‘wow isn’t it great how normal and unremarkable queer representation is now?’ way. Like, Sancia is gay, which is one of remarkably few things about herself she never expresses a single moment of angst, anger or self-doubt about, and she has the sort of C-plot romance subplot every adventure story is obligated to (right down to agreeing to go out for a drink if she survives the last big heist), but with a woman. Her sexuality otherwise basically doesn’t matter. When people ask for queer SFF book recommendations I’m never sure if offering stuff like this is missing the point or exactly what’s desired.

As mentioned, the only other book of Bennett’s I’ve read is American Elsewhere. Which was an absolutely horrible way to set my expectations going into this. Foundryside is fun adventure fantasy, but it has far fewer literary pretensions. The prose is incredibly readable – it’s absolutely a page turner – but that’s basically all it aspires to be. Elsewhere had several different passages I stopped and reread just for the pleasure of it, Foundryside I went back and reread only when I skimmed past some important detail and got confused.

But it’s a really fun fantasy heist story, and the sequel promises to be about a rampant artificial intelligence clockwork djinn which turned against the ancients who made her. So I’m sure I’ll get to it sooner rather than latter.

[evenaturtleduck]

All my favorite detectives are strange little guys, and y'all I found another one. I've only had Immunis Ana Dolabra for less than a chapter but I already love her. What a weirdo [affectionate] <3

[anyagee]

New book crab approved.

🦀

[crabs-with-sticks]

Just finished reading The Tainted Cup by Robert Jackson Bennett and one of the many things I loved about this book was the way that it represented neurodivergency. I don't think I've ever read another book which has explored that to this depth (granted I haven't really gone out of my way to do this).

Like, Din having dyslexia was really influential to the plot and his character arc, but also wasn't like the only thing he was struggling with. And I loved seeing Ana being just...well very Ana, aka very autistic coded.

The moment at the end of the book (spoilers I guess) where there is just a beautiful moment of neurodivergent solidarity between the two. How Ana tells him that she chose him BECAUSE of his neurodivergency, and how she saw it as a strength. How she believes that the empire needs to be able to work for all of them. Low key made me emotional.

Anyway, would highly recommend the book. Its a fun murder mystery fantasy book with leviathans, spontaneous eruption of trees from the body (not a euphemism), and two very neurodivergent detectives with a very funny and endearing dynamic.

[charliejaneanders]

Every month I try to review books that I

A) enjoyed

B) want to geek out about

in my @washingtonpost SFF review column. But please believe me when I say that all five books I review this month are *extraordinary*. I felt so lucky to be able to review them.

Paywall-free link: wapo.st/3IebriZ

[terapsina]

So I read The Tainted Cup (amazing book, totally recommend) and there's one unresolved thing that is going to be driving me nuts until I finally get my hands on the next book years from now.

(spoilers for book under the cut, people-who-have-finished-the-book eyes only)

Excerpt nr. 1

---

Excerpt nr. 2

---

And.

No. That is NOT all that needs to be said of it. WHAT WAS THE LEVIATHAN TRYING TO SAY? PRETTY SURE WE REALLY NEED TO KNOW WHAT THE LEVIATHAN WAS TRYING TO SAY.

What is the empire trying to hide?

[scholar-of-yemdresh]

Why yes I am using the Silt Verses to push propaganda for some of my faves 🤭

If you like TSV for its weirdo eldritch gods and cosmic horror most of these would fit.

If you're specifically looking for capitalism-core with a dash of lovecraft type shit The Craft Sequence and The Dead Take the A Train got you.

If you're looking for the Ace/aro Mood while attempting to comprehend the horrors and being persecuted for your creepy fantasy religion try Winter Tide/The Innsmouth Legacy.

You looking for the unhinged queers who do murder in the name of their gods + a middle-aged trans MC who's just trying her best™ No Gods For Drowning might be for you.

Ya like the messed up saints?the body horror?and devastation that the gods in TSV bring? The Black Iron Legacy might do you some good.

Suppressed religions & dangerous gods 2 electric boogaloo aka The Divine Cities. Also got that sweet sweet political intrigue and commentary on colonisers/colonised dynamic among other things.

TWs:violence, death, gore, body horror for most of these. Some sexual references but nothing too graphic, In the Craft Sequence I do remember Three Parts Dead having a non-consenual kiss, can't recall any further SA atm.

I'm bad at explaining but just try them. K thx bye.

[oracleofmadness]

Alright... I have a confession to make. I've never read a book by this author before and I didn't even recognize his name so I had no idea he is the author of what, I have heard, is some really absolutely incredible scifi/fantasy. So I've been literally telling people, just absolutely clueless, how im so surprised this book is so freaking great! Lmao.... aaaaaahhhgg.. that's my life. Apologies.

Now that THAT is out of the way, I will continue to heap praises on this marvelous read. This story takes place in a dystopian style world in which there are attacks from titans at an enormous seawall that protects this empire, while the people that live within make heavy use of plants for protection and control. However, sometimes, these plants can be used to harm as well.

The murder/mystery aspect (which was so fascinating) mixed with these very interesting details of the people, politics and, of course, the plants and their varying uses to enhance many humans, all this together makes just the best read. It's this author's brilliant ideas, especially the plants, their uses, and their side effects, but also the characters themselves who each are very well thought out and fleshed out in this story. Just the combination of all these factors, the smallest details to the main flow, the whole plot, idea, of the book... created for me a scary world definitely, but also a world I felt like I was in, literally inside of, every time I picked this book up (and, while frightening thought I very much so desired to be this enthralled.) Like I was walking by Din's side (the main character) the whole time and feeling like I was experiencing the exact same emotions as him. That's how real this felt to me.

So, if you can't tell, I loved this book. I am begging.... begging for more. Please!!!!

Out February 6, 2024!

Thank you, Netgalley and Publisher, for this Arc!

[haveyoureadthisfantasybook]

vote yes if you have finished the entire book.

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[kazz-brekker]

i finished reading the tainted cup and one of the things i really liked about it is that the main character has the magically enhanced ability to perfectly recall anything he's seen and also has dyslexia, and gaining his cool magical ability didn't fix that. i just thought it was cool, i haven't seen fantasy deal with learning disabilities in that way.

[randombookquotes]

the tainted cup- robert jackson bennett

[literary-illuminati]

300 pages in now and The Tainted Cup is easily one of my favorite reads so far this year. 'Sherlock Holmes with all the dials cranked up several degrees in a biopunk fantasy empire organized around fighting regular kaiju attacks' turns out to be quite the page turner.

Between this and Foundryside now I'm kind of curious if Bennet just makes a habit of writing protagonists with magically-induced sensory issues, though.

[liesmyth]

COSMIC HORRORS? IN MY NEIGHBOURHOOD? IT'S MORE LIKELY THAN YOU THINK

The last book I finished was American Elsewhere by Robert Jackson Bennet; halfway through it, I described it as "What if Omelas was next to Area 51?" and I stand by it.

dimension-hopping eldritch beings who've taken over a quaint New Mexico town

a teenage waitress who's also the devil's bride

cosmic-scale mummy issues. motherhood. dysfunctional siblings. hope. recovery.

MAD SCIENCE

annoying man with a big phallic gun gets what's coming to him

elderly neighbourhood gossip lady is surprisingly resilient

hard-living woman in her late 30s is covered in blood that's not hers (HOT)

a whole lot of blood, in general. tentacles. some gore. mass murder. hopeful endings. a good time all around.

DO NOT go for the audiobook because the narrator put me to sleep and doesn't do the story justice.

If you like epic fantasy with great worldbuilding, murder investigations, and dead gods, I also recommend City of Stairs by the same author.

[fallowhearth]

Book Review - Foundryside by Robert Jackson Bennett

A fun but undemanding heist novel which ended up being the right kind of palette cleanser following my recent reading. I found the first third to be a bit underwhelming, as I wasn't really gelling with the character voices, but it picked up significantly through the middle and stuck the landing.

The setting is quite interesting, and is one of the rare cases where magic is taken seriously as both a technology and as part of an economic model. While it wasn't the main focus of the story, I enjoyed the moments where scientific advances proceeded from a need to solve technical problems in magical item development. It takes place in the metropole of an explicitly colonialist society whose economics rely on the exploitation of subjugated people/lands. All of this was portrayed fairly accurately in my opinion, even if the narrative did not dive particularly deep. You get the impression well thought out, coherent worldbuilding, even if it is only being lightly surfaced.

The cast of characters were perfectly likeable but unfortunately landed a little flat to me. The main character, Sancia, had the misfortune to fall into an archetype that I'm personally a little tired of. Emotionally-repressed highly-competent hard-done-by teenage lesbian thief. It sounds niche but it's surprisingly common. Though to the book's credit, the budding romance between Sancia and her prospective love interest was refreshingly forthright. There was blushing but blessedly little. And they moved past that with clear communication. So small mercies. It's not the kind of story shape to call for deep nuanced characterisation, so the cast do their job.

This might be another personal issue, as I've read a lot of this kind of story, but I did find the reveals and twists to be a little delayed - I'd worked them all out well in advance of the characters, both on an overall plot and scene-to-scene level. I wonder if other readers experienced the same, or if it was just right for a younger/newer audience.

Overall, would recommend, as long as you're going in with calibrated expectations. I definitely don't regret reading this and will pick up the sequels.