Art Hickman’s Orchestra, 1919
I’ve always really loved this novelty shot of the Hickman Orchestra, and I thought this fine colorization job by Mario Unger really brought a new life to it. The photo and colorization are the main attraction here, BUT I’m going to give some context as to who these guys are in case anyone is curious.
Hickman’s outfit is one of a couple 1910s dance bands that really laid the groundwork for what popular music would sound like in the 20s (and for what it’s worth, probably my personal favorite of that particular late-1910s style which I love so dearly). Hickman’s group was among the first popular bands to utilize a saxophone section, which was kind of a big moment for the trajectory of pop music and jazz in the first half of the 20th century. Their sound took the syncopated edge of contemporary “jass” and ragtime and infused that into a ballroom orchestra style. The resulting music carries itself with a refined and elegant air, but with a certain simmering rakishness underneath- and when these guys really dig into it, they play with an undeniable ragged verve. My favorite sides by them are probably Hesitating Blues and Cairo (both recorded 1919), however Hickman is probably best remembered by his 1917 composition Rose Room (named for the hotel ballroom at which they were the house band), which you still hear played often enough today (that is, if you’re in with the right scene). Would’ve loved to hear what this band sounded like live, I can only imagine that the old acoustic recordings don’t do them full justice.
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The first thing Steven wants when he discovers his mom's room grants wishes is a bed.
Interestingly, when he encounters Pink's room for the first time. . . .
He immediately wants a bed, and also gets one.
But it comes about in a very different way, doesn't it!
The version of Rose's Room in the Temple creates things on Steven's spoken command (mostly), but it does so out of clouds. He can see and interact with the items in the room, but they "aren't real." They can't provide sustenance.
Very interesting that both rooms belonging to Pink/Rose at different times in her life had the "immediate generation of what she says she wants" motif but in different ways. Pink's room was powered by Pebbles who listened for her commands and tried to create them as quickly as they could (in an albeit clunky way sometimes), but everything they built was real and solid and functional. Rose's Room was elegant and beautiful and fueled entirely by imagination . . . but ultimately wasn't real and could not be sustained in the real world.
An awful lot like some of the uncomfortable truths about Rose's real life.
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Elegance in Flowers: Classic Arrangements for All Seasons, 1985
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cannot believe 413 is less than a month away. anyway beta kids
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short & stout rose And awkward and gangly dave >>>> i think rose would move with a ferocity like she could accidwntally bump her elbow onto the corner of a table and the table would crumble . dave posture’d be so rigid that he’d fall like a tree and shatter like glass from a light breeze
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if u poke dirk while he’s staring off into space (focused, thinking something dumb) u get zapped by a small piece of pink static
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